Palm Angels Quotes

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In my dream, the angel shrugged and said, if we fail this time, it will be a failure of imagination and then she placed the world gently in the palm of my hand.
Brian Andreas
She (Daisy) dug her nails into her palms and told herself she had no choice. "I, Theodosia..." She gulped for air. "...take thee Alexander..." She gulped again. "...to be my awful wedded husband...
Susan Elizabeth Phillips (Kiss an Angel)
So fuck you, Los Angeles, fuck your palm trees, and your highassed women, and your fancy streets, for I am going home, back to Colorado, back to the best damned town in the USA - Boulder, Colorado.
John Fante
How can a three-pound mass of jelly that you can hold in your palm imagine angels, contemplate the meaning of infinity, and even question its own place in the cosmos? Especially awe inspiring is the fact that any single brain, including yours, is made up of atoms that were forged in the hearts of countless, far-flung stars billions of years ago. These particles drifted for eons and light-years until gravity and change brought them together here, now. These atoms now form a conglomerate- your brain- that can not only ponder the very stars that gave it birth but can also think about its own ability to think and wonder about its own ability to wonder. With the arrival of humans, it has been said, the universe has suddenly become conscious of itself. This, truly, it the greatest mystery of all.
V.S. Ramachandran (The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human)
I want to see the front of you.” “That’s what all the girls say.” “Do you expect me to roll you over? ’Cuz I will.” “Your mate’s not going to like this.” “As if that’s going to bother you?” “True. It actually makes it worth the effort.” With a groan, he shoved his palms into the shimmering silver pool of blood beneath him, and flopped over like the side of beef he was. “Wow,” she breathed. “I know, right? Hung like a horse.” “If you’re really nice—and you live through this—I’ll promise not to tell V.” “About my size.” She laughed a little. “No, that you assumed I’d look at you in any fashion other than professionally.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Handsome in the way rough palms muffle screams, the way people bow to kings, and most of all . . . the way an angel falls from grace.
Danielle Lori (The Darkest Temptation (Made, #3))
And right here Right now All the way in Battery City The little children Raise their open filthy palms Like tiny daggers up to heaven And all the juvee halls And the Ritalin rats Ask angels made from neon And fucking garbage Scream out, "What will save us?" And the sky opened up
Gerard Way
...He palmed up the life Alert. Death Alert was more like it: Help, I haven't fallen and I'm standing up-can you come and rectify this problem? - Isaac
J.R. Ward (Crave (Fallen Angels, #2))
You said you wanted to remember something.' His palms slid up to the top of her thighs and squeezed. 'So lie back and let me do my thing.' -Issac Rothe, Crave
J.R. Ward (Crave (Fallen Angels, #2))
Gently, I ran my hand across his chest, exploring it. My breath felt tight in my throat. He was so beautiful. His muscles were toned, defined, his skin warm and smooth. Stroking my palm up over the line of his collarbone, I felt the firmness of his shoulder, the strength of his bicep. I traced my fingers over the black AK, following the lines of the letters. Alex hardly moved as I touched him, his eyes never leaving me. Finally I sighed and dropped my hand. I tried to smile. "I've sort of been wanting to do that ever since that first night in the motel room," I admitted.
L.A. Weatherly (Angel (Angel, #1))
Paradise is not a garden of bliss and changeless perfection where the lions lie down like lambs (what would they eat?) and the angels and cherubim and seraphim rotate in endless idiotic circles, like clockwork, about an equally inane and ludicrous -- however roseate -- unmoved mover. That particular painted fantasy of a realm beyond time and space which Aristotle and the church fathers tried to palm off on us has met, in modern times, only neglect and indifference passing on into oblivion it so richly deserved, while the paradise of which I write and wish to praise is with us yet, the the here and now, the actual, tangible, dogmatically real earth on which we stand.
Edward Abbey (Desert Solitaire)
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?" I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm. One happy day for every falling leaf you catch." Sam's voice was low. I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?" It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped." And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
Maggie Stiefvater
I palmed her cheeks gently, our noses touching slightly. “Come back to me, Angel. I’m waiting for you. Let me help you. Give me a chance to make you whole again. Give us a chance. Fight for us.
Lylah James (The Mafia And His Angel: Part 3 (Tainted Hearts Series))
We are married.” “We’re about to get divorced.”… “No.” He licked up her ear to bite the shell. She shivered in response. “Yes.” “Nope.” His palm spread out across her bare midriff. “I may have screwed up, and we’ll find out why, but I won’t hurt you again. You’re mine, angel. The only thing in life that matters.
Rebecca Zanetti (Forgotten Sins (Sin Brothers, #1))
I was sitting in my lab, my hand spread open on the table, while the skull examined my palm. I'd worn a mark there for years--an unblemished patch of skin amidst all the burn scars, in the perfect shape of the angelic sigil that was Lasciel's name. The mark was gone. In its place was just an irregular patch of unburned skin. "It looks like there's no mark there anymore," Bob said. I sighed. "Thank you, Bob," I said. "It's good to have a professional opinion." "Well, what did you expect?" Bob said. The skull swiveled around on the table and tilted up to look at my face. "Hmmmmm. And you say the entity isn't responding to you anymore?" "No. And she's always jumped every time I said frog." "Interesting," Bob said. "What's that supposed to mean?" "Well, from what you told me, this psychic attack the entity blocked for you was quite severe." I shivered, remembering. "Yeah." "And the process she used to accelerate your brain and shield you was traumatic as well." "Right. She said it could cause me brain damage." "Uh-huh," Bob said. "I think it did." "Huh?" "See what I mean?" Bob asked cheerfully. "You're thicker already." "Harry get hammer," I said. "Smash stupid talky skull.
Jim Butcher (White Night (The Dresden Files, #9))
Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
So she satisfied her urge to kick at him by leaning back, palms down on the table. It was a good thing they weren’t near the food, otherwise, her hair would’ve been in the coffee.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
In my dream, the Angel shrugged and said, “If we fail this time, it will be a failure of imagination.” And then she placed the world gently in the palm of my hand. — ERICA JONG
Robert Moss (The Secret History of Dreaming)
In the West, it is said, water flows uphill toward money. And it literally does, as it leaps three thousand feet across the Tehachapi Mountains in gigantic siphons to slake the thirst of Los Angeles, as it is shoved a thousand feet out of Colorado River canyons to water Phoenix and Palm Springs and the irrigated lands around them.
Marc Reisner (Cadillac Desert: The American West and Its Disappearing Water)
Little Cinder Girl, they can't understand you. You rise from the as-heap in a blaze and only then do they recognize you as their one true love. While you pray beneath your mother's tree you carrve a phoenix into your palm wth aa hazel twig and coal; every night she devours more of you. You used to believe in angels. Now you believe in the makeover; if you can't get the grime off your face and your foot into a size six heel who will ever bother to notice you? The kettle and the broom sear in your grasp, snap into fragments. The turtledoves sing, "There's blood within the shoe." You deserve the palace, you think, as you signal the pigeons to attack, approve the barrel filled with red-hot nails. Its great hearth beckons, and the prince's flag rises crimson in the angry sun. He will love you for the heat you generate, for the flames you ignite around you, though he encase your tiny feet in glass to keep them from scorching the ground.
Jeannine Hall Gailey (Becoming the Villainess)
She saw Luke, standing atop a pile of bones. Jace with white feathered wings sprouting out of his back, Isabelle sitting naked with her whip curled around her like a net of gold rings, Simon with crosses burned into the palms of his hands. Angels, falling and burning. Falling out of the sky.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The collision was impending and electric, but the moment was soft and sweet: She positively glowed as she looked up at him. "What," she whispered, palming his face. Vin took a moment to memorize her features and the way she felt beneath him, seeing her not just through his eyes, but feeling her with his skin and his heart. "Hello, lovely lady...hello.
J.R. Ward (Covet (Fallen Angels, #1))
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
„We gave your way a try,” he said to Annabelle. „Now it's time for my way.” He flattened his palm on Brax's chest and pushed. Just a little push, but the man flew backward and slammed into the foyer wall. […] In a blink, Zacharel had a hand wrapped around Brax's throat and his body pinned against the wall, his legs dangling. […] A soft hand on his shoulder, a beseeching voice in his ear. „Zacharel. Let him down, please. Despite everything, I love him the way you love Hadrenial. I don't want to see him hurt.” Golden eyes widened, bulged, really, as Zacharel increaed the pressure. „Just a little longer. He disrespected you.
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
A kiss about apple pie à la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
Francesca Lia Block (Dangerous Angels: Five Weetzie Bat Books)
Dear Woman Who Gave Me Life: The callous vexations and perturbations of this night have subsequently resolved themselves to a state which precipitates me, Arturo Bandini, into a brobdingnagian and gargantuan decision. I inform you of this in no uncertain terms. Ergo, I now leave you and your ever charming daughter (my beloved sister Mona) and seek the fabulous usufructs of my incipient career in profound solitude. Which is to say, tonight I depart for the metropolis to the east — our own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man (sic!). I am penniless but I urge you in no uncertain terms to cease your cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain terms I give you my love and blessing, and I swear to my sincerity, when I say in no uncertain terms that I not only forgive you for what has ruefully transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my brain of destiny? Aye, it is, it is. Signed. Arturo Gabriel Bandini. Suitcase in hand, I walked down to the depot. There was a ten-minute wait for the midnight train for Los Angeles. I sat down and began to think about the new novel.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
Who are you?” I whispered, leaning forward and reaching across the table to touch his sternly gorgeous face, almost afraid he’d disappear beneath my fingertips. “The face of an angel, the soul of a poet, and the fists of a fighter. I don’t know how to understand you, Mickey.” Mickey caught my hand with his and then turned his head and pressed a soft kiss in my palm. “I’m not the only poet at this table.
Lucy Connors (The Lonesome Young)
I watched mesmerized as Sloane Walton made a snow angel. I pressed my palm to the cool glass. Take care of my girls. I heard Simon’s words as clearly as if he’d spoken them aloud. It wasn’t his fault. He didn’t know the effect his daughter had on me. How dangerous she was to me. How fatal I could be to her.
Lucy Score (Things We Left Behind (Knockemout, #3))
It has become something to her, that memory — something she can take out in dismal times and stare into like a crystal ball disclosing not presages but reminders. She holds it in her palm like a captured ladybug and thinks, Well ain’t I been some places, ain’t I partook in some glorious happenings wanderin my way between heaven and earth. And if I ain’t seen everything there is to see, it wasn’t for lack of lookin. Blind is the real dead.
Alden Bell (The Reapers are the Angels (Reapers, #1))
He knows how it is to leave Ireland, did it himself and never got over it. You live in Los Angeles with sun and palm trees day in day out and you ask God if there’s any chance He could give you one soft rainy Limerick day
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
I know, cockporn.” She nods, licking her palm again. “No, Angel. POP-corn,” I tell her, pronouncing each syllable. “COCK-porn,” she says slowly back, like I’m deaf, and then places her hands on her hips. “Oh, geez,” I mutter,
Aurora Rose Reynolds (Until Jax (Until Her/Him, #2))
Her face grew suddenly serious as she cupped his cheek in her palm. "Oh how I love you, William." The angel had spoken. He closed his eyes and let her words seep into his soul.
Amy Jarecki (In the Kingdom's Name (Guardian of Scotland, #2))
He appreciated Los Angeles, its skinny palm trees and its decaying Spanish-style homes and its occasional flocks of parrots and its smiling people who always wanted something from you.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
You know what this means, don’t you?” Remy leans forward, holding my gaze. “We’re going to have to ask Nick for relationship advice.” I drag a palm down my face, hiding my laugh. “God, help us.
Angel Lawson (Dukes of Peril (The Royals of Forsyth University, #6))
THERE’S NOTHING LIKE AN all-expense-paid late-winter vacation under the palms and within sight and sound of batted baseballs to give a sensitive man a deeper appreciation of the nature of guilt.
Roger Angell (The Roger Angell Baseball Collection: The Summer Game, Five Seasons, and Season Ticket)
Whoever had designed the ship’s décor had a hard-on for Vegas-inspired neon and naked male angels; you couldn’t go anywhere without being blinded by an illuminated palm tree or leered at by a cherub.
Sarah Lotz (Day Four (The Three #2))
The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.
Julie Anne Long
He eyed me curiously, his eyes fluttering over my breasts, and I swallowed, knowing he was thinking things he shouldn't. His tongue snuck between his lips and lightly darted to moisten them. I heard what sounded like a moan before he moved his left hand from under the table. He tried to rest his palm on my resting hand but I inched away. I looked at his hand, and noticed the shading of where his wedding ring used to go... My mind caught up - used to? Where was it?
Mercy Cortez (Never Ever After: Angel (Never, #2))
Bea's face was there, summoned unwittingly to the forefront of my mind. The curve of her heart-shaped face so small palmed by my thick, evil-doing hands. The sweet form of her pink mouth smiling that smile with the curled edges, barely parted lips, like an inhale of hope was travelling through them. Like she couldn't bear the thought of me not touching her, nor could she resist being wholly overwhelmed by the feel of me on any inch of her. If there was a God, it was there in the way that angel looked at me like I was salvation itself.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
Something about the bright sun shining down on a palm tree gauchely planted next to a dentist’s office gave the whole place an unreality, as though I was living on some movie studio backlot. Los Angeles was some Hollywood hack’s idea of what glamor looked like, that bore little resemblance to the real thing.
Bobby Underwood (Nightside (Nostalgia Crime, #3))
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
Alexander looked her over up and down. Tatiana exuded a porous, evanescent, yet everlasting warmth; her very presence, her satin face in his palm made his back hurt less. Her radiant eyes, her flushed cheeks, her slightly parted loving lips…Alexander stared at her, his eyes wide open, his soul wide open, his adoring heart hurting exquisitely. “You are an angel sent from heaven, aren’t you?” An electric smile lit up her face. “And you don’t know the half of it,” she whispered. “You don’t know what your Tania has been cooking up here.” In her delight she nearly squealed. “What have you been cooking up? No, don’t sit up. I want to feel your face.” “Shura, I can’t. I’m practically on top of you. We need to be very careful.” The smile faded an octave. “Dimitri walks around here all the time. Walks in, out, checks on you, leaves, comes back. What’s he worried about? He was quite surprised to find me here.” “He’s not the only one. How did you get here?” “All part of my plan, Alexander.” “What plan is this, Tatiana?” She whispered, “To be with you when I die of old age.” “Oh, that plan.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
October" I remember how I would say, “I will gather These pieces together, Any minute now I will make A knife out of a cloud.” Even then the days Went leaving their wounds behind them, But, “Monument,” I kept saying to the grave, “I am still your legend.” There was another time When our hands met and the clocks struck And we lived on the point of a needle, like angels. I have seen the spider’s triumph In the palm of my hand. Above My grave, that thoroughfare, There are words now that can bring My eyes to my feet, tamed. Beyond the trees wearing names that are not their own The paths are growing like smoke. The promises have gone, Gone, gone, and they were here just now. There is the sky where they laid their fish. Soon it will be evening.
W.S. Merwin (The Moving Target)
That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?
Robert Westall (The Stones of Muncaster Cathedral)
Solzhenitsyn recounted a party conference in Moscow that ended with a tribute to Stalin. Everyone stood and clapped wildly for three minutes, then four, then five . . . and then no one dared to be the first to stop. After eleven minutes of increasingly stinging palms, a factory director on the platform finally sat down, followed by the rest of the grateful assembly. He was arrested that evening and sent to the gulag for ten years.278
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith's, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.
Janet Fitch (Paint it Black)
I actually really don't want to know," I admitted. "Up until a few seconds ago I had a lot of illusions about you being this incredible, sane guy and I'd like to keep them, but I'm not going to be satisfied until I do." "Fine then, I won't tell you." I planted my face in my palm and sighed. "It doesn't matter how crazy this is, I'm going to be thinking about it all night." He gave me a purely demonic grin. "Then I definitely won't tell you. " My eyes narrowed. "That's nothing to be proud of." "And why wouldn't I be proud of keeping a pretty girl up all night?" He chuckled and chewed on a French fry. My face and the back of my neck burned. He had to be joking. No one could say something so horrifying and then eat a French fry. Supernatural beings didn't like fast food, I was sure of it. This was all an elaborate hoax and I just hasn't picked up on it yet. It had to be, and even if it wasn't I would pretend it was. Pretend until it became true.
Katherine Pine (After Eden (Fallen Angels, #1))
Mmm.” Sebastian moaned. “It’s so delicious.” He laughed then. “It’s not the Poisonous Desert; it’s the Oreo Desert.” He scooped up handfuls of dirt and stones and funneled it into his mouth. He licked his palms, his teeth grinding against rock. “Did the plant scramble his brains?” Firen asked, her lips twitching just a smidgen. “The plant’s poison makes you delusional,” Gabriella informed as Egnatious and Firen yanked Sebastian to his feet. “He’ll probably be a bit Looneyville for a while.
Laura Kreitzer (Key of Pearl (Timeless, #4.5))
she wished she could capture the moment and make it physical somehow, turn it into something that she could hold in her hands, or put somewhere safe like she would a book or a vase. But life wasn’t like that. You didn’t get to hold on to the moments that defined you or touch the things that touched you—not in the palm of your hand or with the tips of your fingers, at least. Destiny’s machinations were as elusive as a sculptor’s tool, swooping in, changing your contours, and then moving on to the next piece of clay.
J.R. Ward (Rapture (The Fallen Angels, #4))
Happy those early days! when I Shined in my angel-infancy, Before I understood this place Appointed for my second race1, Or taught my soul to fancy ought But a white, celestial thought; When yet I had not walked above A mile or two from my first love, And looking back—at that short space— Could see a glimpse of His bright face; When on some gilded cloud, or flower, My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several2 sin to every sense, But felt through all this fleshy dress Bright shoots of everlastingness. Oh how I long to travel back, And tread again that ancient track! That I might once more reach that plain, Where first I left my glorious train3; From whence the enlightened spirit sees That shady city of palm trees4. But ah! my soul with too much stay5 Is drunk, and staggers in the way. Some men a forward motion love, But I by backward steps would move And when this dust falls to the urn, In that state I came, return.
Henry Vaughan
I don’t wish to be unfair to Southern California. When the place was not on fire, or trapped in a brown haze of smog, or rumbling with earthquakes, or sliding into the sea, or choked with traffic, there were things I liked about it: the music scene, the palm trees, the beaches, the nice days, the pretty people. Yet I understood why Hades had located the main entrance to the Underworld here. Los Angeles was a magnet for human aspiration - the perfect place for mortals to gather, starry-eyed with dreams of fame, then fail, die, and circle down the drain, flushed into oblivion.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Does a mirror preserve everything that has been reflected in it? Is there a record of light, thin membranes compressed layer upon layer that one has to ease apart with the finger-tips so that the colors don't dissipate, so that the moments don't blot and the hours don't run together into inconsequential splotches? So that a song of preserved years lies in your palm, a miniature of your life and times, with every detail meticulous in clear, chanting angel-fine enamel, as on the old manuscripts, at which you can peer through a magnifying glass and marvel at so much effort? So many tears for nothing? For light? For bygone moments?
Marlene van Niekerk (Agaat)
The Winter of Listening" No one but me by the fire, my hands burning red in the palms while the night wind carries everything away outside. All this petty worry while the great cloak of the sky grows dark and intense round every living thing. What is precious inside us does not care to be known by the mind in ways that diminish its presence. What we strive for in perfection is not what turns us into the lit angel we desire, what disturbs and then nourishes has everything we need. What we hate in ourselves is what we cannot know in ourselves but what is true to the pattern does not need to be explained. Inside everyone is a great shout of joy waiting to be born. Even with the summer so far off I feel it grown in me now and ready to arrive in the world. All those years listening to those who had nothing to say. All those years forgetting how everything has its own voice to make itself heard. All those years forgetting how easily you can belong to everything simply by listening. And the slow difficulty of remembering how everything is born from an opposite and miraculous otherness. Silence and winter has led me to that otherness. So let this winter of listening be enough for the new life I must call my own.
David Whyte
BARRY GIFFORD, Author of "Wild at Heart", on DANGEROUS ODDS by Marisa Lankester: "Marisa Lankester's unique chronicle of high crimes and low company is as wild a ride as any reader is likely to be taken on. She was the lone woman in the eye of a predatory hurricane that blew across continents and devastated countless lives. That she survived is testament to her brains and bravery. The old-timers who invented violence as a second language contended that nothing is deadlier than the female, to cross her was to buck dangerous odds, and this book tells you why." Film "Wild at Heart" won Palme D’Or at the Cannes Film Festival, Film by David Lynch
Barry Gifford
RYLAN!" I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death. In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love. The tree crashes down, the sound echoing in my head. For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening. What just happened? Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind. But Ivy's nowhere. And there's an arm sticking out from under the trunk. "IVY!" I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside. Ivy's lying there, her eyes closed and her lower half on fire. "No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!" This can't be happening. She can't be—
Colleen Boyd (Swamp Angel)
Mad world, mad kings, mad composition! John, to stop Arthur’s title in the whole, Hath willingly departed with a part; And France, whose armour conscience buckled on, Whom zeal and charity brought to the field As God’s own soldier, rounded in the ear With that same purpose-changer, that sly devil, That broker that still breaks the pate of faith, That daily break-vow, he that wins of all, Of kings, of beggars, old men, young men, maids,— Who having no external thing to lose But the word ‘maid’, cheats the poor maid of that— That smooth-faced gentleman, tickling commodity; Commodity, the bias of the world, The world who of itself is peisèd well, Made to run even upon even ground, Till this advantage, this vile-drawing bias, This sway of motion, this commodity, Makes it take head from all indifferency, 580 From all direction, purpose, course, intent; And this same bias, this commodity, This bawd, this broker, this all-changing word, Clapped on the outward eye of fickle France, Hath drawn him from his own determined aid, From a resolved and honourable war, To a most base and vile-concluded peace. And why rail I on this commodity? But for because he hath not wooed me yet— Not that I have the power to clutch my hand When his fair angels would salute my palm, But for my hand, as unattempted yet, Like a poor beggar raileth on the rich. Well, whiles I am a beggar I will rail, And say there is no sin but to be rich, And being rich, my virtue then shall be To say there is no vice but beggary. Since kings break faith upon commodity, Gain, be my lord, for I will worship thee.
William Shakespeare (King John)
The neon orange orb sat low in the sky, slowly breaking free of the horizon like the waking memory of a dream. The salty air smelled faintly of fish, and was thick with humidity and hung like a cloak over my body. The lavender sky at the horizon faded into cerulean above and behind me. The soft breeze whispered past my face, teasing my hair on its way to tickle the sawgrass that swayed in gratitude as if laughing like a child.
 I sat on the top plank of the boardwalk rail, the wood heavy with atmosphere and was damp and cool under my left palm. The surprising warmth of the winter air and the cool of the wood reminded me that yes, I am alive! Yes, I am grateful for this morning! And yes, I am glad to be here!
 The paper in my notebook as I wrote this began to feel sticky and moist within a few minutes. The ink from my pen seemed to grip the paper faster and firmer as if to say, I’m here, I’m happy, and I don’t want to lose this moment. Like my ink, I too wanted to cling to this morning.
 The sky started turning a peachy orange at the bottom and the ocean was sea foam green. The waves were breaking quietly, as if to give my thoughts amplitude so I could record and rejoice in the sea’s majesty. 
 The sand was gray and silky like a freshly pressed pair of slacks. The smooth beach seemed paved with sunlight. A jogger ran by, his knees probably grateful for the even stride the flat surface provided. 
 Chunks of sea foam lay strewn on the beach like remnants of Poseidon’s nightly bubble bath. A seagull circled low in the air, gliding in the sky with its streamlined body as the sun lit its white wings up like an angel’s halo.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
With his tongue between his teeth, Officer Wally cocked his weapon and took aim. BANG! Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it. BANG! The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near... BANG! “He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing. ‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’ It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red. The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound. It was alluring, resplendent and at the same time, terrifying. Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld. In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music. The cobbles trembled under the approaching sound of footsteps. ‘Where is he? Where did he go?’ said the pursuing man. ‘H-he just vanished, sarge. In-into thin air!’ ‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’ ‘Yes, sarge.’ ‘What’s this now?’ ‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’ ‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index. ‘This ain’t blood, either.’ ‘Sir?’ The sergeant shoved the finger in his mouth. ‘Theatrical red paint.
Louise Blackwick (The Underworld Rhapsody)
Umar said: “One day when we were sitting with the Messenger of God there came unto us a man whose clothes were of exceeding whiteness and whose hair was of exceeding blackness, nor were there any signs of travel upon him, although none of us knew him. He sat down knee unto knee opposite the Prophet, upon whose thighs he placed the palms of his hands, saying: “O Muhammad, tell me what is the surrender (islam)’. The Messenger of God answered him saying: ‘The surrender is to testify that there is no god but God and that Muhammad is God’s Messenger, to perform the prayer, bestow the alms, fast Ramadan and make, if thou canst, the pilgrimage to the Holy House.’ He said: ‘Thou hast spoken truly,’ and we were amazed that having questioned him he should corroborate him. Then he said: ‘Tell me what is faith (iman).’ He answered: ‘To believe in God and His Angels and His Books and His Messengers and the Last Day, and to believe that no good or evil cometh but by His Providence.’ ‘Thou hast spoken truly,’ he said, and then: ‘Tell me what is excellence (ihsan).’ He answered: ‘To worship God as if thou sawest Him, for if thou seest Him not, yet seeth He thee.’ ‘Thou hast spoken truly,’ he said, and then: ‘Tell me of the Hour.’ He answered: ‘The questioned thereof knoweth no better than the questioner.’ He said: ‘Then tell me of its signs.’ He answered: ‘That the slave-girl shall give birth to her mistress; and that those who were but barefoot naked needy herdsmen shall build buildings ever higher and higher.’ Then the stranger went away, and I stayed a while after he had gone; and the Prophet said to me: ‘O ‘Umar, knowest thou the questioner, who he was?’ I said: ‘God and His Messenger know best.’ He said: ‘It was Gabriel. He came unto you to teach you your religion.
Martin Lings (Muhammad: His Life Based on the Earliest Sources)
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
"Ry-Rylan?" Ivy's voice is faint. I crawl over to her side, my eyes never once straying from hers. "Rylan?" "I'm here," I whisper, stroking her forehead with tenderness. "I'm here, and I'm not leaving you." She grins weakly. The light in her eyes is starting to slowly fade. "Thank you. I wish I could say the same...for me." "Don't say that," I beg. "You're not going to die. I'll get some water, out the fire out, and everything will be fine—" Ivy places her hand on mine. "Water will not stop it. Once it starts, the fire will keep going. See how it spreads?" She's right. In these few moments the flames have spread up to her waist, licking her body with searing tongues. Something glows. Glancing down, I see Ivy healing my burned palms. Once she's done, she places her hand on my bloody shoulder and heals that too. "There," she murmurs, letting her hand drop. "You are all healed. My last gift to you." "You can't leave," I whisper, more to myself than anyone else. Tears prick my eyes. "You can't leave." "We all have to leave sometimes," Ivy muses, so calm in the face of death. "Even swamp angels."
Colleen Boyd (Swamp Angel)
There comes a terrible moment to many souls when the great movements of the world, the larger destinies of mankind, which have lain aloof in newspapers and other neglected reading, enter like an earthquake into their own lives—where the slow urgency of growing generations turns into the tread of an invading army or the dire clash of civil war, and gray fathers know nothing to seek for but the corpses of their blooming sons, and girls forgot all vanity to make lint and bandages which may serve for the shattered limbs of their betrothed husbands. Then it is as if the Invisible Power that had been the object of lip-worship and lip-resignation became visible, according to the imagery of the Hebrew poet, making the flames his chariot, and riding on the wings of the wind, till the mountains smoke and the plains shudder under the rolling fiery visitations. Often the good cause seems to lie prostrate under the thunder of relenting force, the martyrs live reviled, they die, and no angel is seen holding forth the crown and the palm branch. Then it is that the submission of the soul to the Highest is tested, and even in the eyes of frivolity life looks out from the scene of human struggle with the awful face of duty, and a religion shows itself which is something else than a private consolation.
George Eliot (Daniel Deronda)
So look out a window. Take a walk. Talk with your friend. Use your God-given skills to paint or draw or build a shed or write a book. But imagine it—all of it—in its original condition. The happy dog with the wagging tail, not the snarling beast, beaten and starved. The flowers unwilted, the grass undying, the blue sky without pollution. People smiling and joyful, not angry, depressed, and empty. If you’re not in a particularly beautiful place, close your eyes and envision the most beautiful place you’ve ever been—complete with palm trees, raging rivers, jagged mountains, waterfalls, or snow drifts. Think of friends or family members who loved Jesus and are with him now. Picture them with you, walking together in this place. All of you have powerful bodies, stronger than those of an Olympic decathlete. You are laughing, playing, talking, and reminiscing. You reach up to a tree to pick an apple or orange. You take a bite. It’s so sweet that it’s startling. You’ve never tasted anything so good. Now you see someone coming toward you. It’s Jesus, with a big smile on his face. You fall to your knees in worship. He pulls you up and embraces you. At last, you’re with the person you were made for, in the place you were made to be. Everywhere you go there will be new people and places to enjoy, new things to discover. What’s that you smell? A feast. A party’s ahead. And you’re invited. There’s exploration and work to be done—and you can’t wait to get started.
Randy Alcorn (Heaven: A Comprehensive Guide to Everything the Bible Says About Our Eternal Home)
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
Theirs was a human evil, a product of their own flawed natures. Faulty genetics might have played a part in what they became, or childhood abuse. Tiny blood vessels in the brain corrupting, or little neurons misfiring, could have contributed to their debased natures. But free will also played a part, for I did not doubt that a time came for most of those men and women when they stood over another human being and held a life in the palms of their hands, a fragile thing glowing hesitantly, beating furiously its claim upon the world, and made a decision to snuff it out, to ignore the cries and whimpers and the slow, descending cadence of the final breaths, until at last the blood stopped pumping and instead flowed slowly from the wounds, pooling around them and reflecting their faces in its deep, sticky redness. It was there that the true evil lay, in the moment between thought and action, between intent and commission, when for a fleeting instant there was still the possibility that one might turn away and refuse to appease the dark, gaping desire within. Perhaps it was in this moment that human wretchedness encountered something worse, something deeper and older that was both familiar in the resonance that it found within our souls, yet alien in its nature and its antiquity, an evil that predated our own and dwarfed it with its magnitude. There are as many forms of evil in the world as there are men to commit them, and its gradations are near infinite, but it may be that, in truth, it all draws from the same deep well, and there are beings that have supped from it for far longer than any of us could ever imagine.
John Connolly (The Black Angel (Charlie Parker, #5))
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
The Jewel in Her Crown, which showed the old Queen (whose image the children now no doubt confused with the person of Miss Crane) surrounded by representative figures of her Indian Empire: princes, landowners, merchants, moneylenders, sepoys, farmers, servants, children, mothers, and remarkably clean and tidy beggars. The Queen was sitting on a golden throne, under a crimson canopy, attended by her temporal and spiritual aides: soldiers, statesmen and clergy. The canopied throne was apparently in the open air because there were palm trees and a sky showing a radiant sun bursting out of bulgy clouds such as, in India, heralded the wet monsoon. Above the clouds flew the prayerful figures of the angels who were the benevolent spectators of the scene below. Among the statesmen who stood behind the throne one was painted in the likeness of Mr. Disraeli holding up a parchment map of India to which he pointed with obvious pride but tactful humility. An Indian prince, attended by native servants, was approaching the throne bearing a velvet cushion on which he offered a large and sparkling gem. The children in the school thought that this gem was the jewel referred to in the title. Miss Crane had been bound to explain that the gem was simply representative of tribute, and that the jewel of the title was India herself, which had been transferred from the rule of the British East India Company to the rule of the British Crown in 1858, the year after the Mutiny when the sepoys in the service of the Company (that first set foot in India in the seventeenth century) had risen in rebellion, and attempts had been made to declare an old Moghul prince king in Delhi, and that the picture had been painted after 1877, the year in which Victoria was persuaded by Mr. Disraeli to adopt the title Empress of India.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
Soon after I arrived on the island I had a run-in with my son’s first grade teacher due to my irreverent PJ sense of humor. When Billy lost a baby tooth I arranged the traditional parentchild Tooth Fairy ritual. Only six years old, Billy already suspected I was really the Tooth Fairy and schemed to catch me in the act. With each lost tooth, he was getting harder and harder to trick. To defeat my precocious youngster I decided on a bold plan of action. When I tucked him in I made an exaggerated show of placing the tooth under his pillow. I conspicuously displayed his tooth between my thumb and forefinger and slid my hand slowly beneath his pillow. Unbeknownst to him, I hid a crumpled dollar bill in the palm of my hand. With a flourish I pretended to place the tooth under Billy’s pillow, but with expert parental sleight of hand, I kept the tooth and deposited the dollar bill instead. I issued a stern warning not to try and stay awake to see the fairy and left Billy’s room grinning slyly. I assured him I would guard against the tricky fairy creature. I knew Billy would not be able to resist checking under his pillow. Sure enough, only a few minutes later he burst from his room wide-eyed with excitement. He clutched a dollar bill tightly in his fist and bounced around the room, “Dad! Dad! The fairy took my tooth and left a dollar!” I said, “I know son. I used my ninja skills and caught that thieving fairy leaving your room. I trapped her in a plastic bag and put her in the freezer.” Billy was even more excited and begged to see the captured fairy. I opened the freezer and gave him a quick glimpse of a large shrimp I had wrapped in plastic. Viewed through multiple layers of wrap, the shrimp kind of looked like a frozen fairy. I stressed the magnitude of the occasion, “Tooth fairies are magical, elusive little things with their wings and all. I think we are the first family ever to capture one!” Billy was hopping all over the house and it took me quite awhile to finally calm him down and get him to sleep. The next day I got an unexpected phone call at work. My son’s teacher wanted to talk to me about Billy, “Now what?” I thought. When I arrived at the school, Billy’s teacher met me at the door. Once we settled into her office, she explained she was worried about him. Earlier that day, Billy told his first grade class his father had killed the tooth fairy and had her in a plastic bag in the freezer. He was very convincing. Some little kids started to cry. I explained the previous night’s fairy drama to the teacher. I was chuckling—she was not. She looked at me as if I had a giant booger hanging out of a nostril. Despite the look, I could tell she was attracted to me so I told her no thanks, I already had a girlfriend. Her sputtering red face made me uncomfortable and I quickly left. Later I swore Billy to secrecy about our fairy hunting activities. For dinner that evening, we breaded and fried up a couple dozen fairies and ate them with cocktail sauce and fava beans.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
At that moment Elizabeth would have said or done anything to reach him. She could not believe, actually could not comprehend that the tender, passionate man who had loved and teased her could be doing this to her-without listening to reason, without even giving her a chance to explain. Her eyes filled with tears of love and terror as she tried brokenly to tease him. “You’re going to look extremely silly, darling, if you claim desertion in court, because I’ll be standing right behind you claiming I’m more than willing to keep my vows.” Ian tore his gaze from the love in her eyes. “If you aren’t out of this house in three minutes,” he warned icily, “I’ll change the grounds to adultery.” “I have not committed adultery.” “Maybe not, but you’ll have a hell of a time proving you haven’t done something. I’ve had some experience in that area. Now, for the last time, get out of my life. It’s over.” To prove it, he walked over and sat down at his desk, reaching behind him to pull the bell cord. “Bring Larimore in,” he instructed Dolton, who appeared almost instantly. Elizabeth stiffened, thinking wildly for some way to reach him before he took irrevocable steps to banish her. Every fiber of her being believed he loved her. Surely, if one loved another deeply enough to be hurt like this…It hit her then, what he was doing and why, and she turned on him while the vicar’s story about Ian’s actions after his parents’ death seared her mind. She, however, was not a Labrador retriever who could be shoved away and out of his life. Turning, she walked over to his desk, leaning her damp palms on it, waiting until he was forced to meet her gaze. Looking like a courageous, heartbroken angel, Elizabeth faced her adversary across his desk, her voice shaking with love. “Listen carefully to me, darling, because I’m giving you fair warning that I won’t let you do this to us. You gave me your love, and I will not let you take it away. The harder you try, the harder I’ll fight you. I’ll haunt your dreams at night, exactly the way you’ve haunted mine every night I was away from you. You’ll lie awake in bed at night, wanting me, and you’ll know I’m lying awake, wanting you. And when you cannot stand it anymore,” she promised achingly, “you’ll come back to me, and I’ll be there, waiting for you. I’ll cry in your arms, and I’ll tell you I’m sorry for everything I’ve done, and you’ll help me find a way to forgive myself-“ “Damn you!” he bit out, his face white with fury. “What does it take to make you stop?” Elizabeth flinched from the hatred in the voice she loved and drew a shaking breath, praying she could finish without starting to cry. “I’ve hurt you terribly, my love, and I’ll hurt you again during the next fifty years. And you are going to hurt me, Ian-never, I hope, as much as you are hurting me now. But if that’s the way it has to be, then I’ll endure it, because the only alternative is to live without you, and that is no life at all. The difference is that I know it, and you don’t-not yet.” “Are you finished now?” “Not quite,” she said, straightening at the sound of footsteps in the hall. “There’s one more thing,” she informed him, lifting her quivering chin. “I am not a Labrador retriever! You cannot put me out of your life, because I won’t stay.” When she left, Ian stared at the empty room that had been alive with her presence but moments before, wondering what in hell she meant by her last comment.
Judith McNaught (Almost Heaven (Sequels, #3))
And indeed at the hotel where I was to meet Saint-Loup and his friends the beginning of the festive season was attracting a great many people from near and far; as I hastened across the courtyard with its glimpses of glowing kitchens in which chickens were turning on spits, pigs were roasting, and lobsters were being flung alive into what the landlord called the ‘everlasting fire’, I discovered an influx of new arrivals (worthy of some Census of the People at Bethlehem such as the Old Flemish Masters painted), gathering there in groups, asking the landlord or one of his staff (who, if they did not like the look of them; would recommend accommodation elsewhere in the town) for board and lodging, while a kitchen-boy passed by holding a struggling fowl by its neck. Similarly, in the big dining-room, which I had passed through on my first day here on my way to the small room where my friend awaited me, one was again reminded of some Biblical feast, portrayed with the naïvety of former times and with Flemish exaggeration, because of the quantity of fish, chickens, grouse, woodcock, pigeons, brought in garnished and piping hot by breathless waiters who slid along the floor in their haste to set them down on the huge sideboard where they were carved immediately, but where – for many of the diners were finishing their meal as I arrived – they piled up untouched; it was as if their profusion and the haste of those who carried them in were prompted far less by the demands of those eating than by respect for the sacred text, scrupulously followed to the letter but naïvely illustrated by real details taken from local custom, and by a concern, both aesthetic and devotional, to make visible the splendour of the feast through the profusion of its victuals and the bustling attentiveness of those who served it. One of them stood lost in thought by a sideboard at the end of the room; and in order to find out from him, who alone appeared calm enough to give me an answer, where our table had been laid, I made my way forward through the various chafing-dishes that had been lit to keep warm the plates of latecomers (which did not prevent the desserts, in the centre of the room, from being displayed in the hands of a huge mannikin, sometimes supported on the wings of a duck, apparently made of crystal but actually of ice, carved each day with a hot iron by a sculptor-cook, in a truly Flemish manner), and, at the risk of being knocked down by the other waiters, went straight towards the calm one in whom I seemed to recognize a character traditionally present in these sacred subjects, since he reproduced with scrupulous accuracy the snub-nosed features, simple and badly drawn, and the dreamy expression of such a figure, already dimly aware of the miracle of a divine presence which the others have not yet begun to suspect. In addition, and doubtless in view of the approaching festive season, the tableau was reinforced by a celestial element recruited entirely from a personnel of cherubim and seraphim. A young angel musician, his fair hair framing a fourteen-year-old face, was not playing any instrument, it is true, but stood dreaming in front of a gong or a stack of plates, while less infantile angels were dancing attendance through the boundless expanse of the room, beating the air with the ceaseless flutter of the napkins, which hung from their bodies like the wings in primitive paintings, with pointed ends. Taking flight from these ill-defined regions, screened by a curtain of palms, from which the angelic waiters looked, from a distance, as if they had descended from the empyrean, I squeezed my way through to the small dining-room and to Saint-Loup’s table.
Marcel Proust (The Guermantes Way)
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (Henry Rios Mystery, #1))
Wrath opens his mouth, but before he can form a vortex, she sends a burst of power from her palm down into his throat and closes his mouth. Wrath is eviscerated from within; all that remains of him is little droplets of demon blood. Wrath has opened his mouth for the last time.
Lola St. Vil (When Angels Break (The Noru, #4))
God Answered Fire with Fire The Master sent a message against Jacob. It landed right on Israel’s doorstep. All the people soon heard the message, Ephraim and the citizens of Samaria. But they were a proud and arrogant bunch. They dismissed the message, saying, “Things aren’t that bad. We can handle anything that comes. If our buildings are knocked down, we’ll rebuild them bigger and finer. If our forests are cut down, we’ll replant them with finer trees.” So GOD incited their adversaries against them, stirred up their enemies to attack: From the east, Arameans; from the west, Philistines. They made hash of Israel. But even after that, he was still angry, his fist still raised, ready to hit them again. But the people paid no mind to him who hit them, didn’t seek GOD-of-the-Angel-Armies. So GOD hacked off Israel’s head and tail, palm branch and reed, both on the same day. The big-head elders were the head, the lying prophets were the tail. Those who were supposed to lead this people led them down blind alleys, And those who followed the leaders ended up lost and confused. That’s why the Master lost interest in the young men, had no feeling for their orphans and widows. All of them were godless and evil, talking filth and folly. And even after that, he was still angry, his fist still raised, ready to hit them again. Their wicked lives raged like an out-of-control fire, the kind that burns everything in its path— Trees and bushes, weeds and grasses— filling the skies with smoke. GOD-of-the-Angel-Armies answered fire with fire, set the whole country on fire, Turned the people into consuming fires, consuming one another in their lusts— Appetites insatiable, stuffing and gorging themselves left and right with people and things. But still they starved. Not even their children were safe from their rapacious hunger. Manasseh ate Ephraim, and Ephraim Manasseh, and then the two ganged up against Judah. And after that, he was still angry, his fist still raised, ready to hit them again.
Eugene H. Peterson (The Message Remix 2.0: The Bible In contemporary Language)
The places where poor children face the worst odds include some — but not all — of the nation’s largest urban areas, like Atlanta; Chicago; Los Angeles; Milwaukee; Orlando, West Palm Beach and Tampa in Florida; Austin, Tex.; the Bronx; and the parts of Manhattan with low-income neighborhoods.
Anonymous
The Earth had melted away behind a mass of gorgeous, glistening stars. Still facing the wrong way, I remember calmly asking the angel, “Why did we stop?” “Turn around,” the angel said, whose inaudible voice seemed to chuckle. I turned around to face a most amazing sight. The angel stretched his arm outward and downward. His palm turned upward, exactly like the angel had gesticulated in my 1977 dream. With a giant sweep of his hand from left to right, he stated, “Behold!” Facing forward I beheld The Scene. My eyes feasted on a huge spherical globe! I fixed my clouded eyes upon a spectacular, panoramic view of God’s house. Our inheritance; paradise lost. The whole thing was bright and rich.
Ed Gaulden (Heaven Is: A Visit to Heaven)
Charsoc glared at Jether with undisguised loathing. “A message from my master concerning the forthcoming evacuation of the Nazarene’s subjects,” he said. “They are more than an irritant, Jether. They greatly obstruct our progress in the realm of Men.” Charsoc removed a parchment missive from his carpetbag. “You know I have always been a stickler for legal protocol. I hold Yehovah’s guarantee—the Rubied Seal.” Charsoc held out a parchment missive with a glimmering Rubied Seal to Jether. “My master demands its immediate implementation.” Jether slowly took the missive from Charsoc’s outstretched hand. “The Rapture,” Charsoc hissed. “As it is called in the world of the Race of Men.” “It is imminent,” Jether said, his voice very soft. “Imminent is not soon enough. They plague us with their confounded supplications. The incursions of the angelic hosts through the Portals to assist them must stop.” Charsoc swung around. “The Nazarene,” he spat. “Visitations to this wretched planet. Nightly.” “They are His subjects. He is their King. He comes in answer to their supplications.” “Precisely. Their removal ensures His removal. And it ensures our victory. From the hour the Ishtar Treaty was signed, we had seven years until the Final Battle. Forty-two months are all but gone. We are running late.” “But we are right on time, Charsoc.” Jether’s voice was very soft. He looked down at the missive in his palm. “We demand their removal,” Charsoc snarled. “According to the precepts of Eternal Law.” “You can make no demands. You abide by Yehovah’s jurisdictions only.
Wendy Alec (Son of Perdition (Chronicles of Brothers Book 3))
It has become something to her, that memory—something she can take out in dismal times and stare into like a crystal ball disclosing not presages but reminders. She holds it in her palm like a captured ladybug and thinks, Well ain’t I been some places, ain’t I partook in some glorious happenings wanderin my way between heaven and earth. And if I ain’t seen everything there is to see, it wasn’t for lack of lookin. Blind is the real dead.
Alden Bell (The Reapers Are the Angels (Reapers, #1))
It’s a beautiful thing to be in Hollywood... the feeling of it... that classical glamour never dies.” She walked to the closet and back to the bed. “The actress lives a beautiful life once at a certain level... when her sink has a view and her phone calls aren’t rejections anymore, but producers, offices, playhouses in London, a director pitching his sacred screenplay. The food gets healthier, people around you are more positive... driving in traffic is even different because your car is nice, and the music you normally hate sounds different when life works... when you get the furniture you want... And mentors pass down movie posters from their mentors—so Hepburn never really dies. You keep it in your home... there’s room for everything... I treasure letters from other artists... studio invitations... Being a woman in Hollywood is entirely different than a man’s experience. All the time, by everyone, for everything, a woman is wanted... dinners... so many dinners... so many scripts lying around the room, in the sun... the people you have yet to meet... it’s not about fame—I do not care for the public praise... but what is truly compelling is when you make it big, you finally understand why there are palm trees in this city... Los Angeles suddenly turns on. Like a bulb you thought disliked you and would never light. But it lights. Of course, one must put the cocktail down, leave the house, and make more movies. But this is to say, the after hours are nice. When the camera is off and I return home, I get to love what is left.
Kristian Ventura (A Happy Ghost)
Palm Springs, California. Located in the Sonoran Desert and only a two-hour drive from Los Angeles, Palm Springs boasts the world’s largest rotating tramcars from the desert floor and up one of the steepest mountain ascents in the world. Palm Springs claims to have more swimming pools per capita than anywhere else in the country.
Rachel Howzell Hall (These Toxic Things)
Where to touch? The worst of the waxy spikes were stuck from waist to groin. She swiped at his hip, managed to knock off a few. She made a wider sweep on his outer thigh, and cleared a few more. Her hand over his zipper. Shook. Cade was still picking needles off his abdomen. He widened his stance. "Don't be shy." There was challenge in his tone. He was getting even with her. She'd forced him to replace the bulbs. His request for her to remove the prickles seemed a fair exchange. Her heart gave an unfamiliar flutter. Her stomach knotted. They presently stood between the tall box of headstones and a privacy hedge. They weren't visible from the road. She decided to pick off the needles individually instead of making a palm-wide sweep. There'd be less touching. In her hurry, her knuckles bumped his sex. He sucked air. Enlarged. The tab on the zipper slid down an inch. He made the adjustment. "Good enough." He pushed her hand away. She sighed her relief. He twisted, struggled with the prickles on his back, stretching to brush those between his shoulder blades. Frustrated by those he couldn't reach, he snagged the hem on his T-shirt and tugged it over his head. Shook it out. Grace's eyes rounded and her mouth went dry. Her had a magnificent chest. Broad and bare, his chest tempted her. Her fingers itched to touch him. Even for a second. This was so unlike her. The need to satisfy her curiosity outweighed the consequences. She went with the urge. She traced his flat stomach and six-pack abs. His jeans hung low. Sharp hip bones, man dents, and sexy lick lines. The man was sculpted. Cade clutched his shirt to his thigh. Stood still. She felt his gaze on her, but couldn't meet his eyes. Not after she flattened her hand over his abdomen, and his heat suffused her palm. His stomach contracted. Her fingers flexed. She scratched him. He groaned.
Kate Angell (The Cottage on Pumpkin and Vine)
For a Christmas tree we had a palm frond stuck in a bucket of rocks. As we gathered around it and waited our turn to open our meager, constructive gifts, I stared at that pitiful frond decorated with white frangipani angels going brown around the edges, and decided the whole thing would have been better off ignored.
Barbara Kingsolver (The Poisonwood Bible)
The next thing I know, we’re kissing. As our mouths tangle, her body presses against mine. I run my palms against the bare skin on her back and hips. I’ve been to Heaven. Touching Camilla is better.
Christina Bauer (Archenemy (Angelbound Xavier Series #1))
Melodic ‘Let us have the story,’ Aron almost sang in his feathery voice. The white-haired ancient angel drifted away, gliding toward one of the wooden thrones. The other paused beside Aron, and he reached his hand out, at first, I thought to take Aron's hand. All the same and all, he just touched Aron's palm briefly and then dropped his hand to his side. Aron raised one black brow. I wondered how his papery skin did not crumple in the effort. Marcel snorted very quietly, and Olivia looked at him, curious. ‘Thank you, Marcus,’ Aron said. ‘That's quite interesting.’ I realized, a second late, that Marcus was letting Aron know his thoughts. Marcus didn't look interested. He glided away from Aron to join the one who must be Karly, seated against the wall. Two of the attending angels followed silently behind his bodyguards as I had thought before. I could see that the two women in the sundresses had gone to stand beside Karly in the same manner. The idea of an angel needing a guard was faintly ridiculous to me, All the same, and all, maybe the ancient ones were as frail as their skin suggested. Aron was shaking his head. ‘Amazing,’' he said. ‘Amazing.’ Olivia's expression was frustrated. Marcel turned to her and explained again in a swift, low voice. ‘Marcus sees relationships. He's surprised by the intensity of ours.’ Aron smiled. ‘So, convenient,’ he repeated to himself. Then he spoke to us. ‘It takes quite a bit to surprise Marcus; I can assure you.’ I looked at Marcus's dead face, and I believed that.
Marcel Ray Duriez (Nevaeh 13: Going in and Out)
The white-haired ancient angel drifted away, gliding toward one of the wooden thrones. The other paused beside Aron, and he reached his hand out, at first, I thought to take Aron's hand. All the same and all, he just touched Aron's palm briefly and then dropped his hand to his side. Aron raised one black brow. I wondered how his papery skin did not crumple in the effort.
Marcel Ray Duriez (Nevaeh Going in and Out)
As the late sun descended into the ocean, it seemed to trail ragged strips of black cloud with it, like a burning red planet settling into the Pacific’s watery green rim. When the entire coastline was awash in a pink light you could see almost every geological and floral characteristic of the American continent tumbling from the purple crests of the Santa Monica Mountains into the curling line of foam that slid up onto the beaches: dry hills of chaparral, mesquite, and scrub oak, clumps of eucalyptus and bottlebrush trees, torrey and ponderosa pine growing between blue-tiled stucco houses, coral walls overgrown with bougainvillea, terraced hillside gardens filled with oleander, yucca plants, and trellises dripping with passion vine, and orange groves whose irrigation ditches looked like quicksilver in the sun’s afterglow. Then millions of lights came on in the canyons, along the freeways, and through the vast sweep of the Los Angeles basin, and it was almost as if you were looking down upon the end point of the American dream, a geographical poem into which all our highways eventually led, a city of illusion founded by conquistadors and missionaries and consigned to the care of angels, where far below the spinning propellers of our seaplane black kids along palm-tree-lined streets in Watts hunted each other with automatic weapons.
James Lee Burke
Then the phone rang and I got out of bed and answered and a female voice asked if I’d like to come to Chile and then the city of Los Angeles full of skyscrapers and palm trees became the city of Los Ángeles full of one-story buildings and dirt roads. Los Ángeles, the capital of the province of Bío-Bío, the city where Fernando Fernández played foosball in yards that were like something dreamed up by deranged adolescents, the city where Lebert and Cárcamo were constant companions and where tolerant Cárdenas was class president at a boys’ school designed by some petty demon and where El Pescado suddenly went underground. City of evening raids. Savage city whose sunsets were like the aphasic commentary of privilege. So I said yes in the same tone that I might have said no.
Roberto Bolaño (Between Parentheses: Essays, Articles and Speeches, 1998-2003)
You’re safe now.” I promise her. She reaches for my face again, her palm against my cheek, “I know, I’m with you.
Lexi Noir (Savage Beginning (Angel's Fury MC #1))
You’re staying, right?” I whisper the question just as she meets my own kiss, her palm solid and sure on my chest. “I’m staying,” she assures, “just do me a favor?” “Anything.” Flicking her eyes behind me, she demands, “Make it hurt.” At least this is a promise I know I can keep. Once she’s gone, we turn to him, and maybe it’s petty, but it feels good to know he’s seen what we’re like without him. Better. Stronger. A family.
Angel Lawson (Princes of Ash (Royals of Forsyth University, #8))
A bolt of lightning forked down from the sky into Maya’s chest. The wound on the girl’s hand closed, and her eyes popped open. The witch outstretched her palms over the girl, who was no longer human, but rather an immortal slave bound to the witch. “Arise, my avenging angel.
Michelle Godard-Richer (Avenging Angel (A Friday the 13th Story #3))
You were never an afterthought, Angel. You are my only thought. You have always been my everything. That’s never going to change.” I take her hand, kissing her palm softly.
Ashlee M. Edmonds (Twisted Souls (Reapers of Havoc MC #1))
Los Angeles was whatever you wanted it to be, and that was thanks to the constant influx of immigrants arriving with their dreams, not only from other countries, but from other states within the nation. Even its famous palm trees came from somewhere else.
María Amparo Escandón (L.A. Weather)
Little Lamby might be a snob. Thinks she’s too good to hang out at the Palisades.” “I don’t think that,” I whispered. Tristan’s arm pressed on my chest like an iron bar as his hand inched down to the curve of my breast. My nails dug into my thighs, my mind racing with ideas of how to get out of here. If I could get my voice to work, I’d scream, but my throat was too tight from fear. At the same time Tristan squeezed my breast, the screen door flew open. Helen stood in the doorway like an avenging angel, her hair flowing in the breeze, tapping a bat against her palm. “Knock, knock, boys. I seem to have a problem. I have batting practice, but I don’t have a ball.” Her red lips fell open, and she pointed to each of the guys with her bat. “Oh, wait, I see three pairs of balls my bat would just love to smash. Who volunteers to go first?
Julia Wolf (Burn it Down (The Savage Crew, #3))
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Mama Pinto
Christ, Livy.” He cradled her face in his palms. He was shaking, and the sheen in his eyes brought joyful heat to her own. “You’ve given me everything I’ve ever wanted and still you find a way to give me more.
Grace Callaway (Olivia and the Masked Duke (Lady Charlotte's Society of Angels, #1))
He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm tress speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about the spotlights fanning the sky and the swollen sea selling like tears all over your legs.
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
I am a descendant of Ranthia Drahl, Queen of Embers. She is with me now and I am not afraid.” Lehabah glowed, bright as the heart of a star. “My friends are behind me, and I will protect them.” The top of the bathroom door began to curl open. And Lehabah unleashed her power. Three blows. Perfectly aimed. Not to the bathroom door and Archangel behind it. No, Lehabah couldn’t slow Micah. But a hundred thousand gallons of water would. Lehabah’s shimmering blasts of power slammed into the glass tank. Right on top of the crack that Bryce had made when the nøkk threw her into it. The creature, sensing the commotion, rose from the rocks. And recoiled in horror as Lehabah struck again. Again. The glass cracked further. And then Lehabah hurled herself against it. Pushed her tiny body against the crack. She kept whispering the words over and over again. They morphed together into one sentence, a prayer, a challenge. “My friends are with me and I am not afraid.” Hunt wrested control of his body enough that he was able to put a hand over his heart. The only salute he could make as Lehabah’s words whispered through the speakers. “My friends are with me and I am not afraid.” One by one, the angels in the 33rd rose to their feet. Then Ruhn and his friends. And they, too, put their hands on their hearts as the smallest of their House pushed and pushed against the glass wall, burning gold as the nøkk tried to flee to any place it might survive what was about to come. Over and over, Lehabah whispered, “My friends are with me and I am not afraid.” The glass spiderwebbed. Everyone in the conference room rose to their feet. Only Sandriel, her attention fixed on the screen, did not notice. They all stood, and bore witness to the sprite who brought her death down upon herself, upon the nøkk—to save her friends. It was all they could offer her, this final respect and honor. Lehabah still pushed. Still shook with terror. Yet she did not stop. Not for one heartbeat. “My friends are with me and I am not afraid.” The bathroom door tore open, metal curling aside to reveal Micah, glowing as if newly forged, as if he’d rend this world apart. He surveyed the library, eyes landing on Lehabah and the cracked tank wall. The sprite whirled, back pressed against the glass. She hissed at Micah, “This is for Syrinx.” She slammed her little burning palm into the glass. And a hundred thousand gallons of water exploded into the library.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
She turned around and found him inches away. She felt time slow down. Awareness nuzzled. Arousal stirred. Impressions surfaced. He seemed to wrap around her, shift into her, and embrace her without touching, in a mystifying oneness. Feelings swelled, and untried sensations were exchanged between them. She'd never felt anything like it. His solidness and strength stroked her physically. She wanted to touch him, to press her palms over his chest, to feel his heart pulse beneath her fingers.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))