Pallet Jack Quotes

We've searched our database for all the quotes and captions related to Pallet Jack. Here they are! All 4 of them:

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He was here. But in this world, how long could we possibly have together? "Jack, I love you. I can't ever lose you again." Adrenaline and fear morphed into heat. Desire. I turned my head to nuzzle one of his palms, kissing the callused skin. He sucked in a breath, and his big body tensed against mine. Combustion ignited. When I faced him, his attention dropped to my lips, so I wetted them. His eyes met mine, his smoldering expression asking, Do you want this? Mine answered: Try to deny me. He bent down; I'd already gone to my toes. When our lips met, logic evaporated like a water drop on a sizzling skillet. I tasted cold and salt on his lips. Almost lost him. I deepened the kiss, tugging on his neck as he yanked off his heavy coat. The tension that have been building between us erupted. I drank in his raw passion, unable to get enough. Between kisses, he tore off his soaked shirt as I snatched at his belt. His strong chest heaved breaths. Tumbling to the pallet. More kissing. Tongues twirling. My God, he's a sinful kisser.
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Kresley Cole (The Dark Calling (The Arcana Chronicles, #5))
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Approximately three thousand people work for the Bureau of Engraving. It takes 490 notes to make a pound, and it would require 14.5 million notes to make a stack one mile high. Coin and paper account for only about 8 percent of all the dollars in the world. The rest are merely numbers in a ledger or tiny electronic blips on a computer chip. At the end of the process, the workers bundle the bills into packages of 100, which they then stack into bricks of 4,000. These bricks are loaded onto a pallet for transport to the basement from where they will be sent to the various Federal Reserve offices around the nation for distribution to banks and the public. Along the way, the curious visitors pepper the guides with questions: Q. Why are so many employees listening to music on headphones? A. To block the loud sound of the printing, cutting, and stacking machines. Q. Why are some of them eating? A. They are on break. Q. Why are all of the checkers so fat? A. Because they sit all day and watch money go by with little chance for exercise.
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Jack Weatherford (The History of Money)
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pausing before Sunflowers as though personally responsible for introducing the artist to the group. β€˜Impasto – see how thick he lays on the paint. Uses the canvas as a pallet! And another van Gogh–see the many strokes.’  Jack was astonished by the effect of the scene before him: a bright yellow sunset, in the foreground a man in a field. Not worked with the brushstrokes that he was familiar with, but rather, the image was created by thousands of tiny dashes in as many colourful shades. Immediately beside it was a painting by Georges Seurat.
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Penny Fields-Schneider (The Sun Rose in Paris (Portraits in Blue #1))
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least the truck would be empty on the ride there and he and his two partners could relax a little and not flinch at every bump in the road. The second pallet found its home and he watched the handler close and lock the cage behind it. He counted six packages total, which matched the other stack at the opposite end of the building. Still too close together for his liking but security trumped separation he was told. Again, he was just a deliveryman. The handler waved a clipboard in his direction. He nodded in return, policed up his rifle and climbed into the back of the truck. He tapped on the cab, the engine started, and he watched the warehouse door fade away. Soon they were past the guards
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Randall Wood (Pestilence (Jack Randall, #2))