β
Death always leaves one singer to mourn.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?"
"I love to swim, too." said Adam.
"So do I," said Miranda, "we never did swim together.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
A great fear came over me, and my body went entirely cold, and I stood as if paralyzed with fear; for I knew that the horse was no earthly horse, but the pale horse that will be sent at the Day of Reckoning, and the rider of it is Death; and it was Death himself who stood behind me, with his arms wrapped around me as tight as iron bands, and his lipless mouth kissing my neck as if in love. But as well as the horror, I also felt a strange longing.
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β
Margaret Atwood (Alias Grace)
β
The road to death is a long march beset with all evils, and the heart fails little by little at each new terror, the bones rebel at each step, the mind sets up its own bitter resistance and to what end? The barriers sink one by one, and no covering of the eyes shuts out the landscape of disaster, nor the sight of crimes committed there.
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Katherine Anne Porter (Pale Horse, Pale Rider)
β
Shut your eyes,β said Miss Tanner.
βOh no,β said Miranda, βfor then I see worse thingsβ¦
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
One-fourth of humanity must be eliminated from the social body. We are in charge of God's selection process for planet Earth. He selects, we destroy. We are the riders of the pale horse, Death.
β
β
Barbara Marx Hubbard
β
[From Pale Horse, Pale Rider]
The road to death is a long march beset with all evils. . .
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Katherine Anne Porter (The Collected Stories of Katherine Anne Porter)
β
the moral seemed to be that one should always have Latin, or at least a good classical poetry quotation, to depend upon in great or desperate moments.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
β
No more war, no more plague, only the dazed silence that follows the ceasing of the heavy guns; noiseless houses with the shades drawn, empty streets, the dead cold light of tomorrow. Now there would be time for everything.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
β
Lazarus, come forth. Not unless you bring me my top hat and stick. Stay where you are then, you snob. Not at all. Iβm coming forth.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
β
Now I must get up and go while they are all quiet. Where are my things? Things have a will of their own in this place and hide where they like. Daylight will strike a sudden blow on the roof startling them all up to their feet; faces will beam asking, Where are you going, What are you doing, What are you thinking, How do you feel, Why do you say such things, What do you mean? No more sleep. Where are are my boots and what horse shall I ride? Fiddler or Graylie or Miss Lucy with the long nose and the wicked eye? How I have loved this house in the morning before we are all awake and tangled together like badly cast fishing lines.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
And I looked,' Pyrlig said to me, 'and I saw a pale horse, and the rider's name was death.' I just stared in amazement. 'It's in the gospel book,' he explained sheepishly, 'and it just cam to mind.
β
β
Bernard Cornwell (The Pale Horseman (The Saxon Stories, #2))
β
Strolling, keeping step, his stout polished well-made boots setting themselves down firmly beside her thin-soled black suede, they put off as long as they could the end of their moment together, and kept up as well as they could their small talk that flew back and forth over little grooves worn in the thin upper suface of the brain, things you could say and hear clink reassuringly at once without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty-four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing, Miranda?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
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He really did look, Miranda thought, like a fine healthy apple this morning.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
Because the pale horse has been saddled, and the rider has put a foot in the stirrup.
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β
Arkady Strugatsky (Roadside Picnic)
β
...without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
When the Lamb opened the fourth seal, I heard the voice of the fourth living creature say, βCome!β I looked, and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him.
β
β
Anonymous
β
I looked, and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him. They were given power over a fourth of the earth to kill by sword, famine and plague, and by the wild beasts of the earth.ββ Vega
β
β
Amanda Hocking (Hollowland (The Hollows, #1))
β
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead.
In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had beenβ¦..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment.
The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Now I must get up and go while they are all quiet. Where are my things? Things have a will of their own in this place and hide where they like. Daylight will strike a sudden blow on the roof startling them all up to their feet; faces will beam asking, Where are you going, What are you doing, What are you thinking, How do you feel, Why do you say such things, What do you mean?
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
The last time he saw her before she returned to Mexico she was coming down out of the mountains riding very stately and erect out of a rainsquall building to the north and the dark clouds towering above her. She rode with her hat pulled down in the front and fastened under her chin with a drawtie and as she rode her black hair twisted and blew about her shoulders and the lightning fell silently through the black clouds behind her and she rode all seeming unaware down through the low hills while the first spits of rain blew on the wind and onto the upper pasturelands and past the pale and reedy lakes riding erect and stately until the rain caught her up and shrouded her figure away in that wild summer landscape: real horse, real rider, real land and sky and yet a dream withal.
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β
Cormac McCarthy (All the Pretty Horses by Cormac Mc Carthy: Teacher Guide (Novel Units))
β
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
β
β
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
β
Fabrice had gone no more than five hundred paces when his nag stopped dead: a corpse lay right across the path, striking horror into both horse and rider. Fabriceβs face, naturally very pale, turned a pronounced shade of green; the canteen-keeper, after looking at the dead body, said, as if to herself, βItβs not from our division.β Then, turning her gaze upon our hero, she burst out laughing. βHaha! me dear!β she cried, βTasty, ainβt it!β Fabrice remained frozen. What he was most struck by was the filthy state of the feet of the corpse, which had been stripped of its shoes and of everything except an awful pair of trousers badly stained with blood.
β
β
Stendhal (The Charterhouse of Parma)
β
Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, βWhat is happening?β for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt.
The light came on, and Miss Tanner said in a furry voice, βHear that? Theyβre celebrating . Itβs the Armistice. The war is over, my dear.β Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, βMy country, βtis of theeβ¦β
Sweet landβ¦ oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, βSweet land of Liberty-β
βOh, say, can you see?β their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. βThe war is over,β said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, βPlease open the window, please, I smell death in here.
β
β
Katherine Anne Porter (Pale Horse, Pale Rider)
β
Again I see before me the usual street. The canopy of civilization is burnt out. The sky is dark as polished whalebone. But there is a kindling in the sky whether of lamplight or of dawn. There is a stir of some sort--sparrows on plane trees somewhere chirping. There is a sense of the break of day. I will not call it dawn. What is dawn in the city to an elderly man standing in the street looking up rather dizzily at the sky? Dawn is some sort of whitening of the sky; some sort of renewal. Another day; another Friday; another twentieth of March, January, or September. Another general awakening. The stars draw back and are extinguished. The bars deepen themselves between the waves. The film of mist thickens on the fields. A redness gathers on the roses, even on the pale rose that hangs by the bedroom window. A bird chirps. Cottagers light their early candles. Yes, this is the eternal renewal, the incessant rise and fall and fall and rise again.
'And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!'
The waves broke on the shore.
β
β
Virginia Woolf (The Waves)
β
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Katherine Anne Porter was a reporter then, on the Rocky Mountain News. Her fiancΓ©, a young officer, died. He caught the disease nursing her, and she, too, was expected to die. Her colleagues set her obituary in type. She lived. In βPale Horse, Pale Rider
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John M. Barry (The Great Influenza: The Epic Story of the Deadliest Plague in History)
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When he broke the fourth seal, I heard the voice of the fourth animal shout, "Come." 8 Immediately another horse appeared, deathly pale, and its rider was called Plague, and Hades followed at his heels.
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β
Editions CTAD (The Jerusalem Bible New Version)
β
I looked, and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him⦠Revelation 6:8
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Russ Scalzo (On The Edge of Time, Part One)
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The body is a curious monster, no place to live in, how could anyone feel at home there?
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
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Gertrude Steinβs Tender Buttons and James Joyceβs Dubliners.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
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Theft,β based on self-analysis in Salem, published in The Gyroscope.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
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walking in silence beside her elders who were no longer Cousin Eva and Father, since they had forgotten her presence, but had become Eva and Harry, who knew each other well, who were comfortable with each other, being contemporaries on equal terms, who occupied by right their place in this world, at the time of life to which they had arrived by paths familiar to them both. They need not play their roles of daughter, of son, to aged persons who did not understand them; nor of father and elderly female cousin to young persons whom they did not understand. They were precisely themselves; their eyes cleared, their voices relaxed into perfect naturalness, they need not weigh their words or calculate the effect of their manner.
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Katherine Anne Porter (Pale Horse, Pale Rider: Three Short Novels)
β
When the Lamb opened the fourth seal, I heard the voice of the fourth living creature say, βCome!β I looked, and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him. They were given power over a fourth of the earth to kill by sword, famine and plague, and by the wild beasts of the earth.β - Revelation 6:7-8
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β
Clifford T. Wellman Jr. (The Road to Revelation 4: Life and Death)
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The fleabitten grey mare's short legs are slightly over at the knee, she has a Roman nose and a neck of solid muscle well-practiced at pulling her rider out of the saddle. Her head is up and a layer of sweat darkens her pale shoulders, but Alecβs holding his reins tight and heβs maintaining control. All the riders who have gone before on beautifully turned out, well-schooled ponies were merely passengers as their ponies jumped. Alec has harnessed the raw talent of his mare, her power barely held in check as the bell rings and he canters her around towards the first jump. Jess strains against the martingale as she charges towards the first fence and with one strong push off her hocks, flies over the jump with her knees tucked into her chest.
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Kate Lattey (Flying Changes (Clearwater Bay, #1))
β
Death comes in many shapes and sizes, but it always comes. No one escapes the little tag on the big toe. The four horsemen approach. The rider on the red horse says, βThis good and faithful servant is ready. He knoweth war.β The rider on the black horse says, βThis good and faithful servant is ready. He knoweth plague.β The rider on the pale horse says, βThis good and faithful servant is ready. He knoweth death.β The rider on the white horse says, βFuck this good and faithful servant. He is a non-Christian homosexual, for Godβs sake. You brought me all the way out here for a fucking fag, a heathen. I didnβt die for this dingbatβs sins.β The irascible rider on the white horse leads the other three lemmings away. The hospital bed hurts my back.
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β
Rabih Alameddine (Koolaids)
β
Curse you then. However beat and done with it all I am, I must haul myself up, and find the particular coat that belongs to me; must push my arms into the sleeves; must muffle myself up against the night air and be off. I, I, I, tired as I am, spent as I am, and almost worn out with all this rubbing of my nose along the surfaces of things, even I, an elderly man who is getting rather heavy and dislikes exertion, must take myself off and catch some last train.
Again I see before me the usual street. The canopy of civilization is burnt out. The sky is dark as polished whalebone. But there is a kindling in the sky whether of lamplight or of dawn. There is a stir of some sortβsparrows on plane tree somewhere chirping. There is a sense of the break of day. I will not call it dawn. What is dawn in the city to an elderly man standing in the street looking up rather dizzily at the sky? Dawn is some sort of whitening of the sky; some sort of renewal. Another day; another Friday; another twentieth of March, January, or September. Another general awakening. The stars draw back and are extinguished. The bars deepen themselves between the waves. The film of mist thickens on the fields. A redness gathers on the roses, even on the pale rose that hangs by the bedroom window. A bird chirps. Cottagers light their early candles. Yes, this is the eternal renewal, the incessant rise and fall and fall and rise again.
And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young manβs, like Percivalβs, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!
The waves broke on the shore.
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β
Virginia Woolf
β
Revelation 6:7β8 (NLT): When the Lamb broke the fourth seal, I heard the fourth living being say, βCome!β I looked up and saw a horse whose color was pale green. Its rider was named Death, and his companion was the Grave. These two were given authority over one-fourth of the earth, to kill with the sword and famine and disease and wild animals.
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Mark E. Fisher (Days of War and Famine (Days Of The Apocalypse #2))
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The public might instinctively feel that something is wrong, but because of the technical nature of the silent weapon, they cannot express their feeling in a rational way.Β .Β .Β . They do not know how to cry for help, and do not know how to associate with others to defend themselves against it.
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Mark Jacobson (Pale Horse Rider: William Cooper, the Rise of Conspiracy, and the Fall of Trust in America)
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Rider on the White Horse, Conqueror; the Rider on the Red Horse, War; the Rider on the Black Horse, Famine; and himself, the Rider on the Pale Horse, Death.
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James Patterson (Pop Goes the Weasel (Alex Cross, #5))
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Bread will win the war. Work will win, sugar will win, peach pits will win the war. Nonsense. Not nonsense, I tell you, there's some kind of valuable high explosive to be got out of peach pits. So all the happy housewives hurry during the canning season to lay their baskets of peach pits on the altar of their country. It keeps them busy and makes them feel useful, and all these women running wild with the men away are dangerous, if they aren't given something to keep their little minds out of mischief. So rows of young girls, the intact cradles of the future, with their pure serious faces framed becomingly in Red Cross wimples, roll cock-eyed bandages that will never reach a base hospital, and knit sweaters that will never warm a manly chest, their minds dwelling lovingly on all the blood and mud and the next dance at the Acanthus Club for the officers of the flying corps. Keeping still and quiet will win the war.
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Katherine Anne Porter (Pale Horse, Pale Rider)
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There must be a great many of them here who think as I do, and we dare not say a word to each other out of our desperation, we are speechless animals letting ourselves be destroyed, and why? Does anybody here believe the things we say to each other?
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Katherine Anne Porter (Pale Horse, Pale Rider)
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From Revelation 6:3-8 War When he opened the second seal, I heard the second living creature say, βCome!β And out came another horse, bright red. Its rider was permitted to take peace from the earth, so that people should slay one another, and he was given a great sword. Shortages, Famines When he opened the third seal, I heard the third living creature say, βCome!β And I looked, and behold, a black horse! And its rider had a pair of scales in his hand. And I heard what seemed to be a voice in the midst of the four living creatures, saying, βA quart of wheat for a denarius, and three quarts of barley for a denarius, and do not harm the oil and wine!β Death and Hades When he opened the fourth seal, I heard the voice of the fourth living creature say, βCome!β And I looked, and behold, a pale horse! And its riderβs name was Death, and Hades followed him. And they were given authority over a fourth of the earth, to kill with sword and with famine and with pestilence and by wild beasts of the earth.
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Thomas J. Noss (Birth Pangs of the End Times: Casting the Devil Down (A Positive Apocalypse Book 1))
β
(From Chapter 8: Fox and Geese)
But then I heard the neighing of a horse; and it came to me that this was not Charley, nor the colt in the barn, but a different horse altogether. A great fear came over me, and my body went entirely cold, and I stood as if paralyzed with fear; for I knew that the horse was no earthly horse, but the pale horse that will be sent at the Day of Reckoning, and the rider of it is Death; and it was Death himself who stood behind me, with his arms wrapped around me as tight as iron bands, and his lipless mouth kissing my neck as if in love. But as well as the horror, I also felt a strange longing.
At this the sun came up, not little by little as it does when we are awake, Sir, but all at once, with a great blare of light. If it had been a sound, it would have been the blowing of many trumpets; and the arms that were holding me melted away. I was dazzled by the brightness; but as I looked up, I saw that in the trees by the house, and also in the trees of the orchard, there were a number of birds perching, enormous birds as white as ice. This was an ominous and baleful sight, as they appeared crouched as if ready to spring and destroy; and in that way they were like a gathering of crows, only white. But as my sight cleared, I saw that they were not birds at all. They had a human form, and they were the angels whose white robes were washed in blood, as it says at the end of the Bible; and they were sitting in silent judgment upon Mr. Kinnearβs house, and on all within it. And then I saw that they had no heads.
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β
Margaret Atwood
β
life in our modern era is little more than life in an open-air mind-control laboratory.
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β
Mark Jacobson (Pale Horse Rider: William Cooper, the Rise of Conspiracy, and the Fall of Trust in America)
β
When he opened the fourth seal, I heard the voice of the fourth living creature say, βCome!β And I looked, and behold, a pale horse! And its rider's name was Death, and Hades followed him. And they were given authority over a fourth of the earth, to kill with sword and with famine and with pestilence and by wild beasts of the earth. (Revelation 6:7-8)
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Gary W. Ritter (Tribulation Rising: Seal Judgments: A Novella of the Coming Apocalypse (The Tribulation Chronicles Book 1))
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Death was never a rider on a pale horse. It was a woman bathed in firelight, her hair glowing a brutal shade of red that reminded me of the poppy fields of my childhood.
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Geneva Monroe (Dark Oz)
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He teacheth my hands to war, so that a bow of steel is broken by mine arms. Psalm 18:34
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
β
And I beheld when he had opened the sixth seal, and, lo, there was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood; and the stars of heaven fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind. And the heaven departed as a scroll when it is rolled together; and every mountain and island were moved out of their places. And the kings of the earth, and the great men, and the rich men, and the chief captains, and the mighty men, and every bondman, and every free man, hid themselves in the dens and in the rocks of the mountains; and said to the mountains and rocks, Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb: for the great day of his wrath is come; and who shall be able to stand? Revelation 6:12-17
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β
Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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For this we say unto you by the word of the Lord, that we which are alive and remain unto the coming of the Lord shall not prevent them which are asleep. For the Lord himself shall descend from heaven with a shout, with the voice of the archangel, and with the trump of God: and the dead in Christ shall rise first: then we which are alive and remain shall be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see. And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Revelation 6:7-8
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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For whosoever shall call upon the name of the Lord shall be saved. Romans 10:13
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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This know also, that in the last days perilous times shall come. 2 Timothy 3:1
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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I have sent among you the pestilence after the manner of Egypt: your young men have I slain with the sword, and have taken away your horses; and I have made the stink of your camps to come up unto your nostrils: yet have ye not returned unto me, saith the Lord. Amos 4:10
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And I will send the sword, the famine, and the pestilence, among them, till they be consumed from off the land that I gave unto them and to their fathers. Jeremiah 24:10
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar; and they dwelt there. And they said one to another, Go to, let us make brick, and burn them thoroughly. And they had brick for stone, and slime had they for morter. And they said, Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth. Genesis 11:2-4
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And the carcases of this people shall be meat for the fowls of the heaven, and for the beasts of the earth; and none shall fray them away. Jeremiah 7:33
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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For, behold, the darkness shall cover the earth, and gross darkness the people. Isaiah 60:2a
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And I will make this city desolate, and an hissing; every one that passeth thereby shall be astonished and hiss because of all the plagues thereof. And I will cause them to eat the flesh of their sons and the flesh of their daughters, and they shall eat every one the flesh of his friend in the siege and straitness, wherewith their enemies, and they that seek their lives, shall straiten them. Jeremiah 19:8-9
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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For judgment is without mercy to the one who has shown no mercy. Mercy triumphs over judgment. James 2:13
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand. And I heard a voice in the midst of the four beasts say, A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine. Revelation 6:5-6
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Son of man, prophesy against the shepherds of Israel, prophesy, and say unto them, Thus saith the Lord God unto the shepherds; Woe be to the shepherds of Israel that do feed themselves! Should not the shepherds feed the flocks? Ye eat the fat, and ye clothe you with the wool, ye kill them that are fed: but ye feed not the flock. The diseased have ye not strengthened, neither have ye healed that which was sick, neither have ye bound up that which was broken, neither have ye brought again that which was driven away, neither have ye sought that which was lost; but with force and with cruelty have ye ruled them. Ezekiel 34:2-4
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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The yoke of my transgressions is bound by his hand: they are wreathed, and come up upon my neck: he hath made my strength to fall, the Lord hath delivered me into their hands, from whom I am not able to rise up. Lamentations 1:14
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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But they that escape of them shall escape, and shall be on the mountains like doves of the valleys, all of them mourning, every one for his iniquity. All hands shall be feeble, and all knees shall be weak as water. They shall also gird themselves with sackcloth, and horror shall cover them; and shame shall be upon all faces, and baldness upon all their heads. Ezekiel 7:16-18
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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have set the point of the sword against all their gates, that their heart may faint, and their ruins be multiplied: ah! it is made bright, it is wrapped up for the slaughter. Ezekiel 21:15
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Iβm saying each and every one of us gets to make a choice. We decide to either obey God or we decide to do what we want. When we disobey, we become our own gods. And just like for Adam and Eve, disobedience has consequences for us personally, and for the rest of the world. The only way God could prevent suffering would be to override our free will. That would make us robotsβwithout the ability to choose to obey. Without the ability to choose to love God.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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But Jesus didnβt come to spare us from trials and tribulation in this life. He came to spare us from eternal torture in the next. Just like Adam and Eve, weβve all chosen to do our own thing at some point. Because of that, we canβt go to Heaven. Jesus changed that. By coming to earth and becoming the perfect sacrificeβby washing away our disobedience with His obedience. The Bible says if our hope in Christ is only for this life, weβre to be pitied more than everyone.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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The sword is without, and the pestilence and the famine within: he that is in the field shall die with the sword; and he that is in the city, famine and pestilence shall devour him. Ezekiel 7:15
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And God saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually. Genesis 6:5
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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The Bible says, all have sinned and fall short of the glory of God. It also says the wages of sin is death. Thatβs not just talking about physical death, but also spiritual death. That means separation from God.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Then the Bible says the gift of God is eternal life. It says God made him who knew no sin to become sin that we might become the righteousness of God. When Jesus died on the cross, He took on our sin. And through his sacrifice, he made his righteousness available to us. Finally, it says, if you confess with your mouth, Jesus is Lord, and you believe in your heart that God raised him from the dead, you will be saved.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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In all your dwelling places the cities shall be laid waste, and the high places shall be desolate; that your altars may be laid waste and made desolate, and your idols may be broken and cease, and your images may be cut down, and your works may be abolished. And the slain shall fall in the midst of you, and ye shall know that I am the Lord. Yet will I leave a remnant, that ye may have some that shall escape the sword among the nations, when ye shall be scattered through the countries. Ezekiel 6:6-8
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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I have overthrown some of you, as God overthrew Sodom and Gomorrah, and ye were as a firebrand plucked out of the burning: yet have ye not returned unto me, saith the Lord. Amos 4:11
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay. Daniel 2:43
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee.Β How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: I will ascend above the heights of the clouds; I will be like the most High. Yet thou shalt be brought down to hell, to the sides of the pit. Isaiah 14:11-15
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Go to the ant, thou sluggard; consider her ways, and be wise: which having no guide, overseer, or ruler, provideth her meat in the summer, and gathereth her food in the harvest. Proverbs 6:6-8
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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For both prophet and priest are profane; yea, in my house have I found their wickedness, saith the Lord. Wherefore their way shall be unto them as slippery ways in the darkness: they shall be driven on, and fall therein: for I will bring evil upon them, even the year of their visitation, saith the Lord. Jeremiah 23:11-12
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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But whoso shall offend one of these little ones which believe in me, it were better for him that a millstone were hanged about his neck, and that he were drowned in the depth of the sea. Woe unto the world because of offences! For it must needs be that offences come; but woe to that man by whom the offence cometh! Matthew 18:6-7
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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Pure and undefiled religion before God and the Father is this: to visit orphans and widows in their trouble, and to keep oneself unspotted from the world. James 1:27
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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The wealth of the sinner is laid up for the just. Proverbs 13:22b
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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To every thing there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; a time to kill, and a time to heal; a time to break down, and a time to build up. Ecclesiastes 3:1-3
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))
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The internet was such a tremendous asset to our old world. Yet it also became a fertile breeding ground for lies, misinformation, and hatred. In remaking tomorrow, we want to put safeguards in place that will defend against those same mistakes.
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Mark Goodwin (Rider on a Pale Horse: A Post-Apocalyptic Saga of the End Times (Kingdom Come Book 2))