Palace Beauty Quotes

O serpent heart, hid with a flowering face! Did ever dragon keep so fair a cave? Beautiful tyrant! fiend angelical! Dove-feather'd raven! wolvish-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem'st, A damned saint, an honourable villain! O nature, what hadst thou to do in hell; When thou didst bower the spirit of a fiend In mortal paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O that deceit should dwell In such a gorgeous palace!

Traveling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. I seek the Vatican, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxicated. My giant goes with me wherever I go.

If anybody would make me the greatest king that ever lived, with palaces and gardens, and fine dinners, and wine and coaches, and beautiful clothes, and hundreds of servants, on condition that I would not read books, I would not be a king. I would rather be a poor man in a garret with plenty of books than a king who did not love reading.

The snow was too light to stay, the ground too warm to keep it. And the strange spring snow fell only in that golden moment of dawn, the turning of the page between night and day.

Men were created before women. ... But that doesn't prove their superiority – rather, it proves ours, for they were born out of the lifeless earth in order that we could be born out of living flesh. And what's so important about this priority in creation, anyway? When we are building, we lay foundations on the ground first, things of no intrinsic merit or beauty, before subsequently raising up sumptuous buildings and ornate palaces. Lowly seeds are nourished in the earth, and then later the ravishing blooms appear; lovely roses blossom forth and scented narcissi.

He [Nicolaus Steno] told the audience, "Beautiful is what we see. More beautiful is what we understand. Most beautiful is what we do not comprehend.

A poor fisherman who knows the beauties of the misty mornings is much richer than a wealthy man who sleeps till noon in his palace!

If the world weren't such a beautiful place, we might all turn into cynics

So seek beauty, Miss Prim. Seek it in silence, in tranquillity; seek it in the middle of the night and at dawn. Pause to close doors while you seek it, and don't be surprised if it doesn't reside in museums or in palaces. Don't be surprised if, in the end, you find beauty to be not in Something but Someone.

Beautiful is what we see. More beautiful is what we understand. Most beautiful is what we do comprehend.

She sleeps: her breathings are not heard In palace chambers far apart. The fragrant tresses are not stirr'd That lie upon her charmed heart She sleeps: on either hand upswells The gold-fringed pillow lightly prest: She sleeps, nor dreams, but ever dwells A perfect form in perfect rest.

For the first time in his life, he stopped worrying about results, and as a consequence the terms “success” and “failure” had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one’s place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter into the thick of things.

She never had much in this life, but with the simplest things, she made her corner of the world as beautiful as any king's palace. We may lack riches, but the greatest fortune is what lies in our hearts.

Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father. But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore. Are those real islands?' asked the young prince. Of course they are real islands,' said the man in evening dress. And those strange and troubling creatures?' They are all genuine and authentic princesses.' Then God must exist!' cried the prince. I am God,' replied the man in full evening dress, with a bow. The young prince returned home as quickly as he could. So you are back,' said the father, the king. I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, nor a real God exist.' I saw them!' Tell me how God was dressed.' God was in full evening dress.' Were the sleeves of his coat rolled back?' The prince remembered that they had been. The king smiled. That is the uniform of a magician. You have been deceived.' At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress. My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.' The man on the shore smiled. It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.' The prince pensively returned home. When he saw his father, he looked him in the eyes. Father, is it true that you are not a real king, but only a magician?' The king smiled, and rolled back his sleeves. Yes, my son, I am only a magician.' Then the man on the shore was God.' The man on the shore was another magician.' I must know the real truth, the truth beyond magic.' There is no truth beyond magic,' said the king. The prince was full of sadness. He said, 'I will kill myself.' The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses. Very well,' he said. 'I can bear it.' You see, my son,' said the king, 'you too now begin to be a magician.

In a simple and a peaceful cottage with a beautiful view, you will not be dreaming about the palaces or the heaven, because you already have a perfect thing!

Candor is never indiscreet. Truth, which is to say, the reflection of life, is beautiful.

But--" she tried not to wail, but her voice crept upward, anyway "--I want to go HOME--" "And I want a palace and a handsome, young prince who has an unnatural lust for old women, and neither of us are going to get what we crave, so let's concentrate on what we can do something about!" Granny said sharply.

The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her." "I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone. "But I must!" Lucretia cried.

Flowers that are offered for the dead, do not know the difference of where their beauty will be placed, they do not say, "This is not a palace" or "This is not a garden"; they just are. They are just beautiful, without giving regards to whether they are placed on a grave or in a castle. Flowers are just beautiful, whether they grow by the wayside or in a manicured garden. If we were all like flowers, then we would all be beautiful, with no regards to why or how. We just are. We are just beautiful.

It was her turn to frown. “Where are you going?” I kissed her cheek, breathing in her lilac-and-pear scent. “I have some errands that need tending to.” And looking at her, walking beside her, did little to cool the rage that still roiled in me. Not when that beautiful smile made me want to winnow back to the Spring Court and punch my Illyrian blade through Tamlin’s gut. Bigger male indeed. “Go paint my nude portrait,” I told her, winking, and shot into the bitterly cold sky. The sound of her laughter danced with me all the way to the Palace of Thread and Jewels.

I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).

A tree house, to me, is the most royal palace in the world

One thing, however, did become clear to him—why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing—mystery. That was what dreams and truly great works of art had in common: mystery.

But he had underestimated the strangeness of talking about the future of his life with someone for whom the future still seemed unbounded: a pleasure palace of choices, with infinite doors, in which only a fool would spend his time trapped in one room.

There were events that stuck in my mind. One, for example, was the case of the missing palace seal at the beginning of winter.’ ‘Oh the poor animal,’ she cried out, ‘they’re such beautiful creatures.’ ‘I’m speaking of the royal seal placed on correspondence, as you would know,’ he said.

Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly. "It's really allowed?" said Flora, her eyes alight at the colors. "Allowed allowed?" said Goldenrod. "For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks.

High above the tallest dune, a star appears in the sky, faint at first, then gaining strength until it becomes a brilliant jewel. And yet I know it is death I am seeing. The flickering out. The silent gasp. The sputtering beauty. A desperate flame—massive, transcendent—fighting for its last breath.

By day it is filled with boat traffic - water buses, delivery boats, gondolas - if something floats and it's in Venice, it moves along the Grand Canal. And by daylight it is one of the glories of the Earth. But at night, especially when the moon is full and the soft illumination reflects off the water and onto the palaces - I don't know how to describe it so I won't, but if you died and in your will you asked for your ashes to be spread gently on the Grand Canal at midnight with a full moon, everyone would know this about you - you loved and understood beauty.

Somewhere on the world was the Emperor's palace, set amid one hundred square miles of natural soil, rainbowed with flowers.

Beauty itself is a painful convulsion in the heart, an abundance of vitality in the soul, and a mad chase undertaken by the spirit until it encounters the heavens.

A lovely little wooden cottage in the depths of a forest is the most beautiful palace a king or any man can ever have!

You said I wasn't beautiful enough to be tempting." "I liked. You're the most stunning thing to ever set foot in my palace.

The palace was beautiful and cold. Each room was different, displaying one rich color after another. Wide pillars and reliefs decorated each room, quartz giving way to marble, marble giving way to onyx, malachite, and granite. While the memory of Mount Olympus from her one childhood visit was hazy, she most clearly remembered the stark white walls and absence of color. The Palace of Hades was its opposite and spoke to its master's dominion over everything that lay within the earth.

He stood there, his eyes like they had been before. Their beauty stabbed at her heart like a great knife; the hair looked so like she had just pressed the wet comb to it and perhaps put a little pomade on the sides; and the small face was clean and sad. Yet her arms somehow did not ache to hold him like her heart told her they should. Something too far away and too strong was between her and him; she only saw him as she had always seen resurrection pictures, hidden from us as in a wonderful mist that will not let us see our love complete.

Our house was like sleeping beauties palace after the enchanted spell is cast

If only I could have been a fairytale queen, in a beautiful palace, with nothing to do but dance and be beautiful. Now I am a queen of darkness and terror.

Live, and be prosperous: and farewell, good fellow. Juliet! ...O my love! my wife! Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquered; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favor can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids...Eyes, look your last. Arms, take your last embrace. and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death... Here's to my love!...Thus with a kiss I die.

How often, in our Christian lives, do we settle for a "snack"--something quick--instead of feasting on all we have in Jesus? Are we looking into the Word, considering all we have been given, gazing at the cross in gratefulness? Jesus didn't just set us free from bondage-- He gave us an inheritance. He didn't simply pay our debt-- He gave us His bank account of righteousness. He didn't merely release us from Satan's grip--He asked us to be His bride. He takes us from dungeon to palace. Ashes to beauty. Rejected to cherished. Starving to feasting.

Apparently being princess wasn't all about beautiful palaces, fantastic castles, shopping, archery lessons, wearing awesome crowns and kickass underwear and being married to a hot guy who named his ship after you. Apparently there were drawbacks

It is easy enough to call men from the edges of the earth. It is easy enough to summon them to my feet with a thought– it is beautiful to see the tall panther and the sleek deer-hounds circle in the dark. It is easy enough to make cedar and white ash fumes into palaces and to cover the sea-caves with ivory and onyx. But I would give up rock-fringes of coral and the inmost chamber of my island palace and my own gifts and the whole region of my power and magic for your glance.

we were never meant to be what we are or where we are, we are looking for an escape, some music from the sun, the girl we never found. we are betting on the miracle again there before the purple mountains as the horses parade past so much more beautiful than our lives.

None of the palaces in Hell come close to Lucifer's in size or beauty. Lucifer lives at the top of a literal ivory tower, miles high. You can't even see the top from the ground. The joke is that he built it that high so he can lean out the window and pound on Heaven's floor with a broom handle when he wants them to turn down the choir.

I don’t understand why we couldn’t have taken this beautiful, giant fleet and blasted the shit out of the Autumn Palace.” “Because we were attempting a bloodless coup,” Nezha said. “Father wanted to avoid a war if he could. Sending a massive fleet up to Lusan might have given the wrong message.” “So what I’m hearing is that it’s all Rin’s fault,” said Ramsa. “Classic.

The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes.

Boy or girl? I had never thought about that. The men who work at the palace, they use words to govern the country and use strength to protect it. Bringing all kinds of brilliant men from the kingdom, and they all have amazing talents. But...how are they different from me? The women inside the palace, they had white skin and beautiful hair. And their clothes were fashionable, their hearts were gentle and ever changing like the snow in the wind. But...how am I anything like them?

lmost everything looked more beautiful from a distance, the earth becoming more perfect as one ascended and came closer to seeing the world from God's eyes, man's hovels and palaces disappearing, the peaks and valleys of geography fading to become strokes of a paintbrush on a divine sphere.

One day an invitation arrived at their house.  The prince was celebrating his exploitation of the dispossessed and marginalized peasantry by throwing a fancy dress ball.  Cinderella’s sisters-of-step were very excited to be invited to the palace.  They began to plan the expensive clothes they would use to alter and enslave their natural body images to emulate an unrealistic standard of feminine beauty.  (It

I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.

A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.

That to the adolescent is the authentic poetic note and whoever is the first in his life to strike it, whether Tennyson, Keats, Swinburne, Housman or another, awakens a passion of imitation and an affectation which no subsequent refinement or sophistication of his taste can entirely destroy. In my own case it was Hardy in the summer of 1923; for more than a year I read no one else and I do not think that I was ever without one volume or another or the beautifully produced Wessex edition in my hands: I smuggled them into class, carried them about on Sunday walks, and took them up to the dormitory to read in the early morning, though they were far too unwieldy to be read in bed with comfort. In the autumn of 1924 there was a palace revolution after which he had to share his kingdom with Edward Thomas, until finally they were both defeated by Elliot at the battle of Oxford in 1926.

Dream Fable I saw myself in a wide green garden, more beautiful than I could begin to understand. In this garden was a young girl. I said to her, "How wonderful this place is!" "Would you like to see a place even more wonderful than this?" she asked. "Oh yes," I answered. Then taking me by the hand, she led me on until we came to a magnificent palace, like nothing that was ever seen by human eyes. The young girl knocked on the door, and someone opened it. Immediately both of us were flooded with light. Only Allah knows the inner meaning of the maidens we saw living there. Each one carried in her hand a serving-tray filled with light. The young girl asked the maidens where they were going, and they answered her, "We are looking for someone who was drowned in the sea, and so became a martyr. She never slept at night, not one wink! We are going to rub funeral spices on her body." "Then rub some on my friend here," the young girl said. "Once upon a time," said the maidens, "part of this spice and the fragrance of it clung to her body -- but then she shied away." Quickly the young girl let go of my hand, turned, and said to me: "Your prayers are your light; Your devotion is your strength; Sleep is the enemy of both. Your life is the only opportunity that life can give you. If you ignore it, if you waste it, You will only turn to dust." Then the young girl disappeared.

Did Cinderella wonder whether her prince would have cared for her had he first seen her in her everyday clothes? Did she believe the ladies of the palace were truly her friends or did she suspect they were just friendly because she was the princess and wore beautiful gowns? Did she fear that life could again change? Everything could disappear as it had done when the clock struck twelve? Did Cinderella wonder whether her good fortune was real or the trick of a magic wand? It’s a sad thing to lose belief.

But it was no good trying to tell about the beauty. It was just that life was beautiful beyond belief, and that is a kind of joy which has to be lived. Sometimes, when they came down from the cirrus levels to catch a better wind, they would find themselves among the flocks of cumulus: huge towers of modeled vapor, looking as white as Monday's washing d as solid as meringues. Perhaps one of these piled-up blossoms of the sky, these snow-white droppings of a gigantic Pegasus, would lie before them several miles away. They would set their course toward it, seeing it grow bigger silently and imperceptibly, a motionless growth; and then, when they were at it, when they were about to bang their noses with a shock against its seeming solid mass, the sun would dim. Wraiths of mist suddenly moving like serpents of the air would coil about them for a second. Grey damp would be around them, and the sun, a copper penny, would fade away. The wings next to their own wings would shade into vacancy, until each bird was a lonely sound in cold annihilation, a presence after uncreation. And there they would hang in chartless nothing, seemingly without speed or left or right or top or bottom, until as suddenly as ever the copper penny glowed and the serpents writhed. Then, in a moment of time, they would be in the jeweled world once more: a sea under them like turquoise and all the gorgeous palaces of heaven new created, with the dew of Eden not yet dry.

And she, she did not see that she should know anything. Was not her beauty enough? Had not a lover come at last to those lawns that shone by the palace only told of in song, and rescued her from her uncompanioned fate and from that perpetual calm? Was it not enough that he had come? Must she needs understand the curious things folk did? Must she never dance in the road, never speak to goats, never laugh at funerals, never sing at night? Why! What was joy for if it must be hidden? Must merriment bow to dulness in these strange fields she had come to?

Oooo, what is that?” Red yelled when she saw the palace. “That’s Buckingham Palace,” Alex said. “It’s where the monarchy resides.” Red was mesmerized. “What a stylish and tasteful place! Look at that beautiful statue out front of it in the middle of the street! That looks exactly like the statue I wanted to build in celebration of Charlie’s and my wedding!” Red left the others and flew down to the gate. She peered through the bars at the palace in delight. She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky. One of the palace guards on duty saw Red and stared at her in disbelief. It wasn’t every day he saw a floating woman at the gate. “Yoo-hoo!” Red called to him. “I just love your hat! Please tell the current monarch that Queen Red of the Center Kingdom says hello —” Conner flew to the gate and pulled Red’s hands off the bars. “Red, come on. You’re gonna get left behind!

It was when I was happiest that I longed most. It was on happy days when we were up there on the hills, the three of us, with the wind and the sunshine . . . where you couldn’t see Glome or the palace. Do you remember? The colour and the smell, and looking across at the Grey Mountain in the distance? And because it was so beautiful, it set me longing, always longing. Somewhere else there must be more of it.

Shall I tell you all about her, cat? She is very beautiful – your mistress,’ he murmured drowsily, ‘and her hair is heavy as burnished gold. I could paint her – not on canvas – for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud – the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons – oh, much higher than our moon here

To slip into an abyss. The abyss. He couldn't deny it anymore. His mind...jittered, now it quaked. The bloody thing had the bloody palsy. Keeping his thoughts still amongst all that squishy commotion had become tougher with every passing hour of every passing day. His hold on reality was loosening, in both there here and now and in that beautiful, painful, remembered past, loosening with each hour that ticked on by with no remorse.

There lived here then, away at the North, a beautiful princess, who was also a powerful sorceress. All her magic was used to help the people, and she was never known to hurt anyone who was good. Her name was Gayelette, and she lived in a handsome palace built from great blocks of tourmaline. Everyone loved her, but her greatest sorrow was that she could find no one to love in return, since all the men were much too stupid and ugly to mate with one so beautiful and wise.

On behalf of those you killed, imprisoned, tortured, you are not welcome, Erdogan! No, Erdogan, you’re not welcome in Algeria. We are a country which has already paid its price of blood and tears to those who wanted to impose their caliphate on us, those who put their ideas before our bodies, those who took our children hostage and who attempted to kill our hopes for a better future. The notorious family that claims to act in the name of the God and religion—you’re a member of it—you fund it, you support it, you desire to become its international leader. Islamism is your livelihood Islamism, which is your livelihood, is our misfortune. We will not forget about it, and you are a reminder of it today. You offer your shadow and your wings to those who work to make our country kneel down before your “Sublime Door.” You embody and represent what we loathe. You hate freedom, the free spirit. But you love parades. You use religion for business. You dream of a caliphate and hope to return to our lands. But you do it behind the closed doors, by supporting Islamist parties, by offering gifts through your companies, by infiltrating the life of the community, by controlling the mosques. These are the old methods of your “Muslim Brothers” in this country, who used to show us God’s Heaven with one hand while digging our graves with the other. No, Mr. Erdogan, you are not a man of help; you do not fight for freedom or principles; you do not defend the right of peoples to self-determination. You know only how to subject the Kurds to the fires of death; you know only how to subject your opponents to your dictatorship. You cry with the victims in the Middle East, yet sign contracts with their executioners. You do not dream of a dignified future for us, but of a caliphate for yourself. We are aware of your institutionalized persecution, your list of Turks to track down, your sinister prisons filled with the innocent, your dictatorial justice palaces, your insolence and boastful nature. You do not dream of a humanity that shares common values and principles, but are interested only in the remaking of the Ottoman Empire and its bloodthirsty warlords. Islam, for you, is a footstool; God is a business sign; modernity is an enemy; Palestine is a showcase; and local Islamists are your stunned courtesans. Humanity will not remember you with good deeds Humanity will remember you for your machinations, your secret coups d’état, and your manhunts. History will remember you for your bombings, your vengeful wars, and your inability to engage in constructive dialogue with others. The UN vote for Al-Quds is only an instrument in your service. Let us laugh at this with the Palestinians. We know that the Palestinian issue is your political capital, as it is for many others. You know well how to make a political fortune by exploiting others’ emotions. In Algeria, we suffered, and still suffer, from those who pretend to be God and act as takers and givers of life. They applaud your coming, but not us. You are the idol of Algerian Islamists and Populists, those who are unable to imagine a political structure beyond a caliphate for Muslim-majority societies. We aspire to become a country of freedom and dignity. This is not your ambition, nor your virtue. You are an illusion You have made beautiful Turkey an open prison and a bazaar for your business and loved ones. I hope that this beautiful nation rises above your ambitions. I hope that justice will be restored and flourish there once again, at least for those who have been imprisoned, tortured, bombed, and killed. You are an illusion, Erdogan—you know it and we know it. You play on the history of our humiliation, on our emotions, on our beliefs, and introduce yourself as a savior. However, you are a gravedigger, both for your own country and for your neighbors. Turkey is a political miracle, but it owes you nothing. The best thing you can do

The episcopal palace was a huge and beautiful house, built of stone at the beginning of the last century by M. Henri Puget, Doctor of Theology of the Faculty of Paris, Abbe of Simore, who had been Bishop of D—— in 1712. This palace was a genuine seignorial residence. Everything about it had a grand air,—the apartments of the Bishop, the drawing-rooms, the chambers, the principal courtyard, which was very large, with walks encircling it under arcades in the old Florentine fashion, and gardens planted with magnificent trees. In the dining-room, a long and superb gallery which was situated on the ground-floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brulart de Genlis, archbishop; Prince

Richard occasionally spoke wistfully about the works of art he’d seen at the People’s Palace, in D’Hara, where he had been held captive. Growing up in Hartland, he had never before seen statues carved in marble, and certainly none carved on such a grand scale, or by such talented hands. Those works had in some ways opened his eyes to the greater world around him and had made a lasting impression on him. Who else but Richard would remember fondly the beauty he saw while held captive and being tortured?

o. It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!

The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush. Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.  Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anything Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.” 

It's easy for the reader from his quiet vantage point high above the melee whence his eye sweeps over the whole horizon and he can see everything that is happening below--but a man down there can only see the subject nearest him. In the same way, in the world chronicle of mankind, there seem to be many centuries that could be crossed out and expunged as useless. There have been many errors committed in the world which we would not expect a child to commit today. What tortuous, blind, impassable, devious paths has mankind trodden in its search for eternal truth, while all the time, right before it, lay the straight road leading to the glittering edifice destined to be the palace of the ruler. This road is the clearest and the most beautiful of all, flooded by sunlight during the day and brightly illuminated at night, but the human throng flows past it in darkness. And how many times, even when inspired by God-given good sense, have men still managed to step back and turn away from it; succeeded again and again in losing themselves in back alleys in broad daylight; succeeded again and again in filling each others eyes with blinding smoke and trudging wearily after a mirage; again and again succeeded in coming to the very brink of the precipice, then asking each other, horrified, in which direction the road can be found. The present generation see all this clearly and is surprised at the erring and blundering of its ancestors, laughs at their folly. So it's not for nothing that mankind's chronicle is scarred out by heavenly flames, that each letter in it cries out, and that from every page a piercing finger is pointed at the present generation. But today's generation just laughs, sure of its strength and full of pride, and it starts off along a path of new errors over which its decedents in turn will pour their scorn.

But to steal her love from me! Can it be that you really don’t understand? Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal. But to steal her love from me, to make her see things I couldn’t see . . . oh, you’ll say (you’ve been whispering it to me these forty years) that I’d signs enough her palace was real, could have known the truth if I’d wanted. But how could I want to know it? Tell me that. The girl was mine. What right had you to steal her away into your dreadful heights?

At the bottom of the box were two big fairy-tale collections our father had sent us sometime after our parents divorced in 1963. I was four and my sister was five. We never saw him again. One book was a beautifully illustrated collection of Russian fairy tales inscribed, "To Rachel, from Daddy." The other, a book of Japanese fables, was inscribed to me. It had been years since I had opened them. I stared at the handwriting. Something seemed a bit off. Then it dawned on me - both inscriptions bore my own adolescent scrawl. I had always remembered the books and our father's dedications as proof of his love for us. Yet, how malleable our memories are, even if our brains are intact. Neuroscientists now suggest that while the core meaning of a long-term memory remains, the memory transforms each time we attempt to retrieve it. In fact, anatomical changes occur in the brain every single time we remember. As Proust said, "The only paradise is paradise lost.

I’m a migrant worker picking frozen peas, and a clodhopper hiding behind a white sheet. I’m a shootout at Ruby Ridge, and a freefall of flames. I am closed for the winter, and crawling in my playpen. I am cold, and quick chatter and beautiful smiles. I am a man missing a limb, and lettuce and tomatoes. I am a palace, and fresh milk and goat cheese. I’m the great emptiness among Cubans, and a job that requires the auditing of truth and lies. I’m a confounding calm that will shatter fear and complacency, and a town full of self-defined renegades and recluses. I’m a public execution, and a lanky husband waiting by the checkout.

Las Vegas is the most extreme and allegorical of American settlements, bizarre and beautiful in its venality and in its devotion to immediate gratification, a place the tone of which is set by mobsters and call girls and ladies’ room attendants with amyl nitrite poppers in their uniform pockets. Almost everyone notes that there is no “time” in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold’s Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed “bulletins” carrying news from the world outside); neither is there any logical sense of where one is. One is standing on a highway in the middle of a vast hostile desert looking at an eighty-foot sign which blinks ”stardust” or “caesar’s palace.” Yes, but what does that explain? This geographical implausibility reinforces the sense that what happens there has no connection with “real” life; Nevada cities like Reno and Carson are ranch towns, Western towns, places behind which there is some historical imperative. But Las Vegas seems to exist only in the eye of the beholder. All of which makes it an extraordinarily stimulating and interesting place, but an odd one in which to want to wear a candlelight satin Priscilla of Boston wedding dress with Chantilly lace insets, tapered sleeves and a detachable modified train.

When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.

I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace - Radiant palace - reared its head. In the monarch Thought's dominion - It stood there ! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow; (This - all this - was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tunéd law, Round about a throne, where sitting (Porphyrogene !) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing, And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch's high estate ; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate !) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody ; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh - but smile no more.

It is natural for a man to desire what he reckons better than that which he has already, and be satisfied with nothing which lacks that special quality which he misses. Thus, if it is for her beauty that he loves his wife, he will cast longing eyes after a fairer woman. If he is clad in a rich garment, he will covet a costlier one; and no matter how rich he may be he will envy a man richer than himself. Do we not see people every day, endowed with vast estates, who keep on joining field to field, dreaming of wider boundaries for their lands? Those who dwell in palaces are ever adding house to house, continually building up and tearing down, remodeling and changing. Men in high places are driven by insatiable ambition to clutch at still greater prizes. And nowhere is there any final satisfaction, because nothing there can be defined as absolutely the best or highest. But it is natural that nothing should content a man's desires but the very best, as he reckons it. Is it not, then, mad folly always to be craving for things which can never quiet our longings, much less satisfy them? No matter how many such things one has, he is always lusting after what he has not; never at peace, he sighs for new possessions.

Born in the East, and clothed in Oriental form and imagery, the Bible walks the ways of all the world with familiar feet, and enters land after land to find its own everywhere. It has learned to speak in hundreds of languages to the heart of man. It comes into the palace to tell the monarch that he is the servant of the Most High, and into the cottage to assure the peasant that he is the son of God. Children listen to its stories with wonder and delight, and wisemen ponder them as parables of life. It has a word of peace for the time of peril, the hour of darkness. Its oracles are repeated in the assembly of the people, and its counsels whispered in the ear of the lonely. The wise and the proud tremble at its warnings, but to the wounded and penitent it has a mother's voice. The wilderness and the solitary place have been made glad by it, and the fire on the hearth has lighted the reading of its well-worn pages. It has woven itself into our deepest affections, and colored our dearest dreams; so that love and friendship, sympathy and devotion, memory and hope, put on the beautiful garments of its treasured speech, breathing of frankincense and myrrh. Above the cradle and beside the grave its great words come to us uncalled. They fill our prayers with power larger than we know, and the beauty of them lingers in our ear long after the sermons which they have adorned have been forgotten. They return to us swiftly and quietly, like birds flying from far away. They surprise us with new meanings, like springs of water breaking forth from the mountain beside a long-forgotten path. They grow richer, as pearls do when they are worn near the heart. No man is poor or desolate who has this treasure for his own. When the landscape darkens and the trembling pilgrim comes to the valley named the shadow, he is not afraid to enter; he takes the rod and staff of Scripture in his hand; he says to friend and comrade, "Good-by, we shall meet again"; and comforted by that support, he goes toward the lonely pass as one who climbs through darkness into light.

Suppose that the people that they speak of now as 'superstitious' and 'half-savages' should turn out to be in the right, and very wise, while we are all wrong and great fools! It would be something like the man who lived in the Bright Palace. The Palace had a hundred and one doors. A hundred of them opened into gardens of delight, pleasure-houses, beautiful bowers, wonderful countries, fairy seas, caves of gold and hills of diamonds, into all the most splendid places. But one door led into a cesspool, and that was the only door that the man ever opened. It may be that his sons and his grandsons have been opening that one door ever since, till they have forgotten that there are any others, so if anyone dares to speak of the ways to the garden of delight or the hills of gold he is called a madman, or a very wicked person.

I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.

The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.

It will interest you, as a phenomenon. You see, the fihn studio of today is really the palace of the sixteenth century. There one sees what Shakespeare saw: the absolute power of the tyrant, the courtiers, the flatterers, the jesters, the cunningly atnbitious intriguers. 111ere are fantastically beautiful wo1ne11, there are incompetent favorites. There are great 1nen "vho are suddenly disgr aced. There is the nlost insane extravagance, and unexpected parsimony over a few pence. There is enormous splendor, "vhich is a sham; and also horrible squalor hidden behind the scenery. There are vast schemes, abandoned because of so1ne caprice. There are secrets which everybody knows and no one speaks of. There are even t\;vo or three honest advisers. 111ese are the court fools, ,;vho speak the deepest wisdotn in puns, lest they should be taken seriously. They gritnace, and tear their hair privately, and weep.

But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.

Meanwhile, in Genoa, the noons were getting hotter, the converging outer roads getting deeper with white dust, the oleanders in the tubs along the wayside gardens looking more and more like fatigued holiday-makers, and the sweet evening changing her office - scattering abroad those whom the mid-day had sent under shelter, and sowing all paths with happy social sounds, little tinklings of mule-bells and whirrings of thrumbed strings, light footsteps and voices, if not leisurely, then with the hurry of pleasure in them; while the encircling heights, crowned with forts, skirted with fine dwellings and gardens, seemed also to come forth and gaze in fulness of beauty after their long siesta, till all strong colour melted in the stream of moonlight which made the streets a new spectacle with shadows, both still and moving, on cathedral steps and against the facades of massive palaces; and then slowly with the descending moon all sank in deep night and silence, and nothing shone but the port lights of the great Lanterna in the blackness below, and the glimmering stars in the blackness above.

What do you think of your kingdom?" "It's beautiful," I said. And very empty. Where is everyone? "It might even be dangerous to live in such luxury and repose." "This is no place of repose." Amar glanced outside where a sliver of moon glimmered behind clouds. “I am at the mercy of the moon to reveal the secrets of this kingdom. Until then, you must practice what it means to rule. I will test you, as this palace will, in its own way.” I straightened in my seat. “On what?” “Familiarity, you might say.” His voice was low. “All the usual aspects of ruling. I’ll test your fangs and claws and bloodlust.” He stopped to trace the inside of my wrist, and my pulse leapt to meet his touch. I scowled and grabbed my hand back. Treacherous blood. “I’ll test your eyes and ears and thoughts.” “Not geography, then?” I asked, half joking. “It’s useless here.” He shrugged. “You’ll see.” “History?” “Written by the victors,” he said with a dismissive wave of his hand. “I’m not interested in one-sided tales.” “Legends? Folktales?” This time, Amar grinned. “Perhaps. Do you have a favorite tale?” My throat tightened and I thought of Gauri standing outside my door and demanding a story. “Many…And you?” “All of them. Except for tragedies. I cannot abide those.” In the harem, all the wives preferred tragedies. They wanted stories of star-crossed lovers. They wanted betrayal and declarations of love that ended with the speaker dying at their feet. “You don’t find them romantic?” “No,” he said, an edge to his voice. “There is no romance in real grief. Only longing and fury.” He rose to his feet. “Tomorrow, you can tour the palace fully. It’s yours now.

Arin glanced up as she approached. One tree shadowed the knoll, a laran tree, leaves broad and glossy. Their shadows dappled Arin’s face, made it a patchwork of sun and dark. It was hard to read his expression. She noticed for the first time the way he kept the scarred side of his face out of her line of sight. Or rather, what she noticed for the first time was how common this habit was for him in her presence--and what that meant. She stepped deliberately around him and sat so that he had to face her fully or shift into an awkward, neck-craned position. He faced her. His brow lifted, not so much in amusement as in his awareness of being studied and translated. “Just a habit,” he said, knowing what she’d seen. “You have that habit only with me.” He didn’t deny it. “Your scar doesn’t matter to me, Arin.” His expression turned sardonic and interior, as if he were listening to an unheard voice. She groped for the right words, worried that she’d get this wrong. She remembered mocking him in the music room of the imperial palace (I wonder what you believe could compel me to go to such epic lengths for your sake. Is it your charm? Your breeding? Not your looks, surely.). “It matters because it hurts you,” she said. “It doesn’t change how I see you. You’re beautiful. You always have been to me.” Even when she hadn’t realized it, even in the market nearly a year ago. Then later, when she understood his beauty. Again, when she saw his face torn, stitched, fevered. On the tundra, when his beauty terrified her. Now. Now, too. Her throat closed. The line of his jaw hardened. He didn’t believe her. “Arin--” “I’m sorry for what happened in the village.” She dropped her hand to her lap. She hadn’t been conscious of lifting it.

He got carried away as he developed his idea: 'The aesthetic quality of towns is essential. If, as has been said, every landscape is a frame of mind, then it is even more true of a townscape. The way the inhabitants think and feel corresponds to the town they live in. An analogous phenomenon can be observed in certain women who, during their pregnancy, surround themselves with harmonious objects, calm statues, bright gardens, delicate curios, so that their child-to-be, under their influence, will be beautiful. In the same way one cannot imagine a genius coming from other than a magnificent town. Goethe was born in Frankfurt, a noble city where the Main flows between venerable palaces, between walls where the ancient heart of Germany lives on. Hoffmann explains Nuremberg - his soul performs acrobatics on the gables like a gnome on the decorated face of an old German clock. In France there is Rouen, with its rich accumulation of architectural monuments, its. cathedral like an oasis of stone, which produced Corneille and then Flaubert, two pure geniuses shaking hands across the centuries. There is no doubt about it, beautiful towns make beautiful souls.

Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father's palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. [...]. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error.

Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.

The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.

It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!

She wondered if her father had awakened yet, if he had missed her, if Jeweltongue would tell him she was only out in the garden, if Tea-cosy's wretchedness would give them all away immediately. She wondered if she had been right to guess that her father would not mend till she left--and that he would mend when she did. Had the Beast sent his illness? Did he watch them from his palace? What a sorcerer could and could not do could never quite be relied on--not even always by the sorcerer. She could hate him--easily she could hate him--for the misery of it if he had sent it. If he kept his promises like a man, did he suppose that they mere humans as they were, would keep theirs any less? The price was high for one stolen rose, but they would pay it. If he had sent her father's illness to beat them into acquiescence, she would hate him for it. The bitterness of her thoughts weighted her down till she had to stop walking. She looked again at the beech trees and, not waiting for a gap this time, fought her way through to the nearest and leant against it, turning her head so that her cheek was against the bark. The Beast is a Beast, even if he keeps his promises; how could she guess how a Beast thinkds, especially one who is so great a sorcere? It was foolish to talk of hating him--foolish and wasteful. What had happened had happened, like anything else might happen, like a bit of paper giving you a new home when you had none finding its way into your hand, like a company of the ugliest, worst-tempered plants you'd ever seen opening their flowers and becoming rose-bushes, the most beautiful, lovable plants you've ever seen. Perhaps it was the Beast's near presence that made her own roses grow. Did she not owe him something for that if that were the case? It was a curious thing, she thought sadly, how one is no longer satisfied with what one was or had if one has discovered something better. She could not now happily live without roses, although she had never seen a rose before three years ago.

Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.

few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.

I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); THE FALL OF THE HOUSE OF USHER14 And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-tunèd law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed EDGAR ALLAN POE 15 Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more.

I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.

William Stead recognized the power of the fair immediately. The vision of the White City and its profound contrast to the Black City drove him to write If Christ Came to Chicago, a book often credited with launching the City Beautiful movement, which sought to elevate American cities to the level of the great cities of Europe. Like Stead, civic authorities throughout the world saw the fair as a model of what to strive for. They asked Burnham to apply the same citywide thinking that had gone into the White City to their own cities. He became a pioneer in modern urban planning. He created citywide plans for Cleveland, San Francisco, and Manila and led the turn-of-the-century effort to resuscitate and expand L’Enfant’s vision of Washington, D.C. In each case he worked without a fee. While helping design the new Washington plan, Burnham persuaded the head of the Pennsylvania Railroad, Alexander Cassatt, to remove his freight tracks and depot from the center of the federal mall, thus creating the unobstructed green that extends today from the Capitol to the Lincoln Memorial. Other cities came to Daniel Burnham for citywide plans, among them Fort Worth, Atlantic City, and St. Louis, but he turned them down to concentrate on his last plan, for the city of Chicago. Over the years many aspects of his Chicago plan were adopted, among them the creation of the city’s lovely ribbon of lakefront parks and Michigan Avenue’s “Miracle Mile.” One portion of the lakefront, named Burnham Park in his honor, contains Soldier Field and the Field Museum, which he designed. The park runs south in a narrow green border along the lakeshore all the way to Jackson Park, where the fair’s Palace of Fine Arts, transformed into a permanent structure, now houses the Museum of Science and Industry. It looks out over the lagoons and the Wooded Island, now a wild and tangled place that perhaps would make Olmsted smile—though no doubt he would find features to criticize.

Let us suppose that this ounce of mud is left in perfect rest, and that its elements gather together, like to like, so that their atoms may get into the closest relations possible. Let the clay begin. Ridding itself of all foreign substance, it gradually becomes a white earth, already very beautiful; and fit, with help of congealing fire, to be made into finest porcelain, and painted on, and be kept in kings’ palaces. But such artificial consistence is not its best. Leave it still quiet to follow its own instinct of unity, and it becomes not only white, but clear; not only clear, but hard; not only clear and hard, but so set that it can deal with light in a wonderful way, and gather out of it the loveliest blue rays only, refusing the rest. We call it then a sapphire. Such being the consummation of the clay, we give similar permission of quiet to the sand. It also becomes, first, a white earth, then proceeds to grow clear and hard, and at last arranges itself in mysterious, infinitely fine, parallel lines, which have the power of reflecting not merely the blue rays, but the blue, green, purple, and red rays in the greatest beauty in which they can be seen through any hard material whatsoever. We call it then an opal. In next order the soot sets to work; it cannot make itself white at first, but instead of being discouraged, tries harder and harder, and comes out clear at last, and the hardest thing in the world; and for the blackness that it had, obtains in exchange the power of reflecting all the rays of the sun at once in the vividest blaze that any solid thing can shoot. We call it then a diamond. Last of all the water purifies or unites itself, contented enough if it only reach the form of a dew-drop; but if we insist on its proceeding to a more perfect consistence, it crystallizes into the shape of a star. And for the ounce of slime which we had by political economy of competition, we have by political economy of co-operation, a sapphire, an opal, and a diamond, set in the midst of a star of snow.

This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp. 'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II! 'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.

I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar which gave birth, in great measure, to the fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasies (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher of the tottering of his lofty reason upon her throne. The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus:— I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-timed law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door; A hideous throng rush out forever, And laugh—but smile no more.

It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.

Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.

Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.