Pal Sayings And Quotes

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It’s sarcasm, Josh.” “Sarcasm?” “It’s from the Greek, sarkasmos. To bite the lips. It means that you aren’t really saying what you mean, but people will get your point. I invented it, Bartholomew named it.” “Well, if the village idiot named it, I’m sure it’s a good thing.” “There you go, you got it.” “Got what?” “Sarcasm.” “No, I meant it.” “Sure you did.” “Is that sarcasm?” “Irony, I think.” “What’s the difference?” “I haven’t the slightest idea.” “So you’re being ironic now, right?” “No, I really don’t know.” “Maybe you should ask the idiot.” “Now you’ve got it.” “What?” “Sarcasm.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
I slump against the cushion. “How am I going to protect him, if I’ve completely alienated him? He thinks I’m creepy…” I say sadly. “You are not creepy,” Reed says soothingly, taking my hand. “You’re not a good judge of creepy, Reed, since you’re creepier than I am,” I say warily, looking over at Zephyr when I hear him laughing at my comment. “I wouldn’t laugh too hard, pal, because you’re the creepiest one of us all.
Amy A. Bartol (Inescapable (The Premonition, #1))
Blessed are the meek, for to them we shall say, 'attaboy'.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
Joshua's ministry was three years of preaching, sometimes three times a day, and although there were some high and low points, I could never remember the sermons word for word, but here's the gist of almost every sermon I ever heard Joshua give. You should be nice to people, even creeps. And if you: a) believed that Joshua was the Son of God (and) b) he had come to save you from sin (and) c) acknowledged the Holy Spirit within you (became as a little child, he would say) (and) d) didn't blaspheme the Holy Ghost (see c) then you would: e) live forever f) someplace nice g) probably heavan However, if you: h) sinned (and/or) i) were a hypocrite (and/or) j) valued things over people (and) k) didn't do a, b, c, and d, then you were: l) fucked
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
The angel has confided in me that he is going to ask the Lord if he can become Spider-Man. [...] The children need heroes, he says. I think he just wants to swing from buildings in tight red jammies.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
A disturbing thought hits me,"but then our only neighbor would be Haymich!" "Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales." "I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal. "Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta. He's never sober!" I protest. That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you." " I thought that you said I was his favorite," I say. "He hates me more," says Peeta, "I don't think people in general are his sort of thing.
Suzanne Collins (The Hunger Games (The Hunger Games #1))
You don't know what it's like to grow up with a mother who never said a positive thing in her life, not about her children or the world, who was always suspicious, always tearing you down and splitting your dreams straight down the seams. When my first pen pal, Tomoko, stopped writing me after three letters she was the one who laughed: You think someone's going to lose life writing to you? Of course I cried; I was eight and I had already planned that Tomoko and her family would adopt me. My mother of course saw clean into the marrow of those dreams, and laughed. I wouldn't write to you either, she said. She was that kind of mother: who makes you doubt yourself, who would wipe you out if you let her. But I'm not going to pretend either. For a long time I let her say what she wanted about me, and what was worse, for a long time I believed her.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
She is probably by this time as tired of me, as I am of her; but as she is too Polite and I am too civil to say so, our letters are still as frequent and affectionate as ever, and our Attachment as firm and sincere as when it first commenced.
Jane Austen (Love and Freindship (and Other Early Works))
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
Confucius is like the Torah, rules to follow. And Lao-Tzu is even more conservative, saying that if you do nothing you won't break any rules. You have to let tradition fall sometime, you have to take action, you have to eat bacon.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
All men are evil, that’s what I was talking to my father about. What did he say? Fuck ‘em. Really? Yeah. At least he answered you. I got the feeling that he thinks it’s my problem now. Makes you wonder why he didn’t burn that on one of the tablets. ‘HERE, MOSES, HERE’S THE TEN COMMANDMENTS, AND HERE’S AN EXTRA ONE THAT SAYS FUCK ‘EM.’ He doesn’t sound like that.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
Gussie and I, as I say, had rather lost touch, but all the same I was exercised about the poor fish, as I am about all my pals, close or distant, who find themselves treading upon Life's banana skins.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Many writing texts caution against asking friends to read your stuff, suggesting you're not apt to get a very unbiased opinion[.] ... It's unfair, according to this view, to put a pal in such a position. What happens if he/she feels he/she has to say, "I'm sorry, good buddy, you've written some great yarns in the past but this one sucks like a vacuum cleaner"? The idea has some validity, but I don't think an unbiased opinion is exactly what I'm looking for. And I believe that most people smart enough to read a novel are also tactful enough to find a gentler mode of expression than "This sucks." (Although most of us know that "I think this has a few problems" actually means "This sucks," don't we?)
Stephen King (On Writing: A Memoir of the Craft)
All men have parties and are pals who never let each other down. A pal can say terrible things which are forgotten the next day. A pal never forgives, he just forgets, and a woman forgives but never forgets. That's how it is. That's why women aren't allowed to have parties. Being forgiven is very unpleasant.
Tove Jansson (A Winter Book)
Hey, bunny,” he says softly, his eyes shining with adoration. “Did you miss me?
J.T. Geissinger (Pen Pal)
What America is, to me, is a guy doesn't want to buy, you let him not buy, you respect his not buying. A guy has a crazy notion different from your crazy notion, you pat him on the back and say, Hey pal, nice crazy notion, let's go have a beer. America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamorous reasonable voice.
George Saunders (In Persuasion Nation)
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Yeah, but the difference is I’m Gen Z, pal. We can’t wait to die. Can you say the same?
Onley James (Bad Habits (Wages of Sin, #1))
Being a childless woman of childbearing age, I am a walking target for people’s concerned analysis. No one looks at a single man with a Labrador retriever and says, “Will you look at the way he throws the tennis ball to that dog? Now there’s a guy who wants to have a son.” A dog, after all, is man’s best friend, a comrade, a pal. But give a dog to a woman and people will say she is sublimating. If she says that she, in fact, doesn’t want children, they will nod understandingly and say, “You just wait.” For the record, I do not speak to my dog in baby talk, nor when calling her do I say, “Come to Mama.
Ann Patchett (This Is the Story of a Happy Marriage)
I wished for Willa to come back.” My eyes burn when I pull him into me, feel his tiny arms clutching at my waist. And my voice cracks when I say, “Me too, pal. Me too.
Elsie Silver (Heartless (Chestnut Springs, #2))
I was not and had never been a part of a queer community, how to access such a thing was not just a mystery but an impossibility. The loss of which was sizable. Agony in isolation, the shame and pain that I thought was mine alone. My heart aches for my younger self. A tiny bug running to the rim of an upside-down juice glass. What a difference it would have been to sit with queer and trans pals and have them say "I feel that way, too. I felt that way, too. We don't have to feel that way. You don't have to feel that way.". Not a magic eraser of shame, but it would have undoubtedly quickened things up.
Elliot Page (Pageboy)
Most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it's a woman. The woman gets one more person to talk to about everything, but it's a man. When a couple has an argument nowadays, they may think it's about money or power or sex or how to raise the kids or whatever. What they're really saying to each other without realizing it, is this: "You are not enough people!" A husband, wife and some kids is not a family. It's a terribly vulnerable survival unit.
Kurt Vonnegut Jr. (A Man Without a Country)
...smoking is just a habit. 'Tolstoy', she said, mentioning someone I hadn't met, 'says that just as much pleasure can be got from twirling the fingers'. My impulse was to tell her Tolstoy was off his onion, but I choked down the heated words. For all I know, the man might be a bosom pal of hers and she might resent criticism of him, however justified.
P.G. Wodehouse
Thanks pal, but I tend to avoid any substance that makes me feel smarter, stronger, or better looking than I know I actually am." There were, in his opinion, drugs that diminished ego and drugs that engorged ego, which is to say, revelatory drugs and delusory drugs, and on a psychic level, at least, he favored awe over swagger. Should he ever aspire to become voluntarily delusional, then good old-fashioned alcohol would do the job effectively and inexpensively, thank you, and without the dubious bonus of jaw-clenching jitters.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Character is what the world needs - character that will empower the mind with such an unimaginable strength that one would meet death face to face and say “some other time, pal!
Abhijit Naskar (Principia Humanitas (Humanism Series))
He hated weapons, and not just because they'd so often been aimed at him. You got into more trouble if you had a weapon. People shot you instantly if they thought you were going to shoot them. But if you were unarmed, they often stopped to talk. Admittedly, they tended to say things like, "You'll never guess what we're going to do to you, pal," but that took time. And Rincewind could do a lot with a few more seconds. He could use them to live longer in.
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
In this town you can be a wife-beating, manic-depressive crack-head and everyone opens their arms to you. They say, "Hey, pal, don't worry about it. We'll get you into recovery. It's all part of the journey." But if you become a born-again Christian and love Jesus Christ and want to share that with other people, they say, "You've committed the unpardonable sin.
Kirk Cameron (Still Growing: An Autobiography)
The other problem is that she hasn’t arrived.” “Oh, yeah? And who is she?” “Well, she is a remarkable, funny, classy woman who can say the word fuck without being trashy. She makes me laugh, is ambitious, loves me because I’m nice, not in spite of it, and is as nice in return. She is simply enchanting.” “Shooting for the stars there, aren’t you, pal?” “Shouldn’t we all?” I didn’t know anymore, although I utterly envied his romanticism.
Megan Karasch (Tales From My Hard Drive)
you can do all sorts of stuff that full-grown wizards can't, Viktor always said --" Ron looked around at her so fast he appeared to crick his neck; rubbing it, he said, "Yeah? What did Vicky say?" "Ho ho," said Hermione in a bored voice. "He said Harry knew how to do stuff even he didn't, and he was in the final year at Durmstrang." Ron was looking at Hermione suspiciously. "You're not still in contact with him are you?" "So what if I am?" said Hermione coolly, though her face was a little pink. "I can have a pen pal if I --" "He didn't only want to be your pen pal," said Ron accusingly. Hermione shook her head exasperatedly and ignored Ron, who was continuing to watch her.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A reaper emerges from the crowd with glossy, black wings, and Akila takes off her headset and runs dizzily over. She puts her arms around me and says, I am so happy right now. I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
Raven Leilani (Luster)
There came an awful day when I picked up the phone and knew at once, as one does with some old friends even before they speak, that it was Edward. He sounded as if he were calling from the bottom of a well. I still thank my stars that I didn't say what I nearly said, because the good professor's phone pals were used to cheering or teasing him out of bouts of pessimism and insecurity when he would sometimes say ridiculous things like: 'I hope you don't mind being disturbed by some mere wog and upstart.' The remedy for this was not to indulge it but to reply with bracing and satirical stuff which would soon get the gurgling laugh back into his throat. But I'm glad I didn't say, 'What, Edward, splashing about again in the waters of self-pity?' because this time he was calling to tell me that he had contracted a rare strain of leukemia. Not at all untypically, he used the occasion to remind me that it was very important always to make and keep regular appointments with one’s physician.
Christopher Hitchens (Hitch 22: A Memoir)
Many BrainPal users find it useful to give their BrainPal a name other than BrainPal. Would you like to name your BrainPal at this time? "Yes," I said. Please speak the name you would like to give your BrainPal. "Asshole," I said. You have selected "Asshole," the BrainPal wrote, and to its credit it spelled the word correctly. Be aware that many recruits have selected this name for their BrainPal. Would you like to chose a different name? "No," I said, and was proud that so many of my fellow recruits also felt this way about their BrainPal. Your BrainPal is now Asshole, the BrainPal wrote. You may change this name in the future if you like. Now you must choose an access phrase to activate Asshole. While Asshole is active at all times it will only respond to commands after it has been activated. Please choose a short phrase. Asshole suggests "Activate Asshole" but you may choose another phrase. Please say your activation phrase now. "Hey, Asshole," I said. You have choosen "Hey, Asshole." Please say it again to confirm. I did. Then it asked me to choose a deactivation phrase. I chose (of course) "Go away, Asshole." Would you like Asshole to refer to itself in the first person? "Absolutely." I said. I am Asshole. "Of course you are.
John Scalzi (Old Man's War (Old Man's War, #1))
Our pals over at Wikipedia make hair sounds like the sun of fresh water, saying in their snooty tone that head hair has "gained an important significance in nearly all present societies as well as any given historical period throughout the world". But then again, those lovable eggheads can make anything sound pretty serious.
Neil Pasricha (The Book of Awesome)
Who do we seek, my spies? Again and again, I announce to the world: I. M. Realdom! I. M. Realdom! I. M. Realdom! I cannot say it too often! Do you have that?
M.T. Anderson (Agent Q, or The Smell of Danger! (Pals in Peril #4))
What we need is a séance.” I say flatly, “That’s ridiculous.” “No, the federal tax rate is ridiculous. This is simply a situation that needs to be remedied.
J.T. Geissinger (Pen Pal)
But between the founding and the actual PayPal, it was just this tug-of-war where it was like, 'We're trying this, this week." Every week you go to investors and say, "We're doing this, exactly this. We're really focused. We're going to be huge." The next week you're like, "That was a lie.
Max Levchin
Musk says. “After I got assassinated by the PayPal coup leaders, like Caesar being stabbed in the Senate, I could have said ‘You guys, you suck.’ But I didn’t. If I’d done that, Founders Fund wouldn’t have come through in 2008 and SpaceX would be dead. I’m not into astrology or shit like that. But karma may be real.
Walter Isaacson (Elon Musk)
Let me explain before another word is written: I have never once asked a cat, "So tell me what's up, Charlie?" and Charlie says, "Jeez Jackson, thanks for asking. A little annoyed by the fluorescent lights, and will you please check out this tiny piece-of-junk pan I have to crap in but, hey, I still got my legs, you know? Can't complain, pal.
Jackson Galaxy (Cat Daddy: What the World's Most Incorrigible Cat Taught Me About Life, Love, and Coming Clean)
If fighting is sure to result in victory, then you must fight." Sun Tzu said that, and I'd say he knows a little more about fighting then you do pal because he invented it, and then he perfected it so that no living man could best him in the ring of honor.
Soldier (TF2)
The goal - at least the way I think about entrepreneurship - is you realize one day that you can't really work anyone else. You have to start your own thing. It almost doesn't matter what the thing is. We had six different business plan changes, and then the last one was PayPal. If that one didn't work out, if we still had the money and the people, obviously we would not have given up. We would have iterated on the business model and done something else. I don't think there was ever clarity as to who we were until we knew it was working. By then, we'd figured out our PR pitch and told everyone what we do and who we are. But between the founding and the actual PayPal, it was just like this tug-of-war where it was like, "We're trying this, this week." Every week you go to investors and say, "We're doing this, exactly this. We're really focused. We're going to be huge." The next week you're like, "That was a lie.
Jessica Livingston (Founders at Work: Stories of Startups' Early Days)
The last words of Finny's usual nighttime monologue were, 'I hope you're having a pretty good time here. I know I kind of dragged you away at the point of a gun, but after all you can't come to the shore with just anybody and you can't come by yourself, and at this teen-age period in life the proper person is your best pal.' He hesitated and then added, 'which is what you are,' and there was silence on his dune. It was a courageous thing to say. Exposing a sincere emotion nakedly like that at the Devon School was the next thing to suicide. I should have told him then that he was my best friend also and rounded off what he said. I started to; I nearly did. But something held me back. Perhaps I was stopped by the level of feeling, deeper than thought, which contains the truth.
John Knowles (A Separate Peace)
The best time of a relationship is when your eyes speak when silence says everything Expressions are the beak
Anshu Pal
he says softly, “Tell me what you need from me.” I’ve never had a man ask me that before.
J.T. Geissinger (Pen Pal)
Ow!” “Say you’re sorry for trying to run away, bunny.” “No! I’m not sorry!
J.T. Geissinger (Pen Pal)
It's a landscape that controls you, sits you down and says, Shut up, pal, I'm in charge here.
Russell Banks (The Sweet Hereafter)
You aren’t looking for a pen pal, and if need be, say that.
Keith Grafman (The Art of Instant Message: Be Yourself, Be Confident, Be Successful Communicating Personality)
I didn't say anything, and he asked me again if i wanted to be pals. I said it was fine with me: he seemed pleased.
Albert Camus (The Stranger)
Jeong. You never say the word, but you live it anyway. I will be honest, I did not expect to find it in a guy such as yourself. It's like we've met each other before. No, not really. We are friends at once, we would instantly do what friends would do for each other. Not just pals. Friends. Blood brothers. You just feel it. We instead of you and me. That's jeong.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Parables were never my strong suit. If you wan to say something, say it. So, of course, Joshua and Buddhists were the perfect people to hang out with, straight talkers that they were.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
Thank you,” said Lee’s voice. “And now we turn to regular contributor Royal, for an update on how the new Wizarding order is affecting the Muggle world.” “Thanks, River,” said an unmistakable voice, deep, measured, reassuring. “Kingsley!” burst out Ron. “We know!” said Hermione, hushing him. “Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.’” “Thanks, River,” said another very familiar voice; Ron started to speak, but Hermione forestalled him in a whisper. “We know it’s Lupin!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Dear Pen Pal, I know it’s been a few years since I last wrote you. I hope you’re still there. I’m not sure you ever were. I never got any letters back from you when I was a kid. But in a way it was always therapeutic. Everyone else judges everything I say. And here you are: some anonymous person who never says “boo.” Maybe you just read my letters and laughed or maybe you didn’t read my letters or maybe you don’t even exist. It was pretty frustrating when I was young, but now I’m glad that you won’t respond. Just listen. That’s what I want. My dog died. I don’t know if you remember, but I had a beagle. He was a good dog. My best friend. I’d had him as far back as I could remember, but one day last month he didn’t come bounding out of his red doghouse like usual. I called his name. But no response. I knelt down and called out his name. Still nothing. I looked in his doghouse. There was blood everywhere. Cowering in the corner was my dog. His eyes were wild and there was an excessive amount of saliva coming out of his mouth. He was unrecognizable. Both frightened and frightening at the same time. The blood belonged to a little yellow bird that had always been around. My dog and the bird used to play together. In a strange way, it was almost like they were best friends. I know that sounds stupid, but… Anyway, the bird had been mangled. Ripped apart. By my dog. When he saw that I could see what he’d done, his face changed to sadness and he let out a sound that felt like the word ‘help.’ I reached my hand into his doghouse. I know it was a dumb thing to do, but he looked like he needed me. His jaws snapped. I jerked my hand away before he could bite me. My parents called a center and they came and took him away. Later that day, they put him to sleep. They gave me his corpse in a cardboard box. When my dog died, that was when the rain cloud came back and everything went to hell…
Bert V. Royal (Dog Sees God: Confessions of a Teenage Blockhead)
His mouth next to my ear, he says in a guttural voice, “Is this what you need, baby? You like it rough? Or do you want me to recite some poetry and make you a cup of fucking tea?” “This! This!
J.T. Geissinger (Pen Pal)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Stop it!“ Newt yelled. Stop it now!“ Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury. “Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.” ….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho. “I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“ Minho held up his hands. “You’re going to shoot me? Old pal?” “Go,” Newt said. „I asked nicely. Now I’m telling. This is hard enough. Go.“ „Newt, let’s go outside..“ „Go!“ Newt stepped closer and aimed more fiercely. „Get out of here!“ Thomas hated what he was seeing – the complete wilderness that had taken over Newt. His whole body trembled and his eyes had lost any hint of sanity. He was losing it, completely. “Let’s go,” Thomas said, one of the saddest things he’d ever heard himself say. „Come on.” Minho’s gaze snapped to Thomas, and he looked like his heart had been shattered. “You can’t be serious.” Thomas could only nod. Minho’s shoulders slumped, and his eyes fell to the floor. “How did the world get so shucked?” The words barely came out, low and full of pain. “I’m sorry,” Newt said, and there were tears streaming down his face. “I’m .. I’m going to shoot if you don’t go. Now.
James Dashner (The Death Cure (The Maze Runner, #3))
And you call yourself a pal of mine!" "Yes, I know; but there are limits." "Bertie," said Bingo reproachfully, "I saved your life once." "When?" "Didn't I? It must have been some other fellow then. Well, anyway, we were boys together and all that. You can't let me down." "Oh, all right," I said. "But, when you say you haven't nerve enough for any dashed thing in the world, you misjudge yourself.
P.G. Wodehouse
Sweet bunny,” he whispers, still chuckling. “I think you like me.” Flaming with embarrassment, I say, “Nah, I just need my roof fixed, and I thought I’d shag your brains out to see if I could get a discount.
J.T. Geissinger (Pen Pal)
With his hands in my hair and his face turned to my neck, he says gruffly, “If you decide this isn’t what you want, promise me you’ll end it before I fall in love with you.” “I promise,” I whisper, fighting tears all over again.
J.T. Geissinger (Pen Pal)
I thought we were negotiating.” “We are.” “Then you can’t just keep saying the same number.” “Says who?” “Says me!” “Lucky for me, you’re not the one with the upper hand here.” I stare at him in outrage with my mouth hanging open. Then a strange thing happens: he smiles. “I just wanted to see what you’d do when I said that.” I’d like to run him over with my car. I say firmly, “Forty-five hundred.” “Ninety-nine-ninety-nine.” “You’ve got to be kidding me.
J.T. Geissinger (Pen Pal)
It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.
Garrison Keillor
One of Geordi’s first stops is to visit his good pal Wesley Crusher, who shows off one of his science projects (a mini tractor beam) and one of his toys, a device that lets Wesley recreate speech from anyone on the ship. Any doubt that Wesley is a complete weenie is removed when we learn that he uses this device to have Captain Picard say things like, “Welcome to the bridge, Wesley,” instead of having Counselor Troi say things like, “Smack my ass, Wesley, I’m a naughty, naughty bitch.
Wil Wheaton (Memories of the Future - Volume 1)
PayPal cofounder and Facebook board member Peter Thiel—really the only significant Silicon Valley voice to support Trump—was warned by another billionaire and longtime Trump friend that Trump would, in an explosion of flattery, offer Thiel his undying friendship. Everybody says you’re great, you and I are going to have an amazing working relationship, anything you want, call me and we’ll get it done! Thiel was advised not to take Trump’s offer too seriously. But Thiel, who gave a speech supporting Trump at the Republican Convention in Cleveland, reported back that, even having been forewarned, he absolutely was certain of Trump’s sincerity when he said they’d be friends for life—only never to basically hear from him again or have his calls returned.
Michael Wolff (Fire and Fury: Inside the Trump White House)
And she’d also found Logan again. Now he was her … what? New-old boyfriend? Lover? Skype buddy? Pen pal with benefits? Whatever his title, his e-mails filled her inbox. Sometimes he sent five a day, short and quipping. Other times he sent longer, more serious ones. She kept her tone light when she replied. That’d always been her MO—a joke, a jab. A way to deflect from what she was really feeling. A way to keep the nonstop ache of missing him from becoming too painful to survive. And honestly, what was there to say that would come close to what she felt? The moments they’d spent together before he’d shipped out on his latest naval tour had been the most peaceful she could remember—even with her anxiety about her dad. It’d been the first time she’d felt complete in a long time. And then, just like that, he was gone again.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
I am pitching it feebly," said young Bingo earnestly. "You haven't heard the thing. I have. Rosie shoved the cylinder on the dictating-machine last night before dinner, and it was grisly to hear the instrument croaking out those awful sentences. If that article appears I shall be kidded to death by every pal I've got. Bertie," he said, his voice sinking to a hoarse whisper, "you have about as much imagination as a warthog, but surely even you can picture to yourself what Jimmy Bowles and Tuppy Rogers, to name only tow, will say when they see me referred to in print as "half god, half prattling, mischievous child"?" I jolly well could "She doesn't say that?"I gasped. "She certainly does. And when I tell you that I selected that particular quotation because it's about the only one I can stand hearing spoken, you will realise what I'm up against.
P.G. Wodehouse
It takes me forever to clean out my locker. I find random notes I saved from Peter, which I promptly put in my bag so I can add them to his scrapbook. An old granola bar. Dusty black hair ties, which is ironic because you can never seem to find a hair tie when you need one. “I’m sad to throw any of this stuff away, even this old granola bar,” I say to Lucas, who is sitting on the floor keeping me company. “I’ve seen it there at the bottom of my locker every day. It’s like an old pal. Should we split it, to commemorate this day?” “Sick,” Lucas says. “It’s probably got mold.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
But I had learned long ago that you actually probably don't want to know what kind of guy your besties think you ought to be with. It always says as much about what they think of you as what they think of him, and I find a certain comfort in being ignorant of what my pals might envision for me.
Stacey Ballis (Off the Menu)
There’s some great early stories of him in his sales days. When American Express, for example, wouldn’t buy advertising on TBS because they were ‘too downscale’…and ‘too this, too that’…Ted pulls out an American Express card, slides it across the table and says, ‘I use your product, but you don’t use mine. I have a real problem with that’. “They were saying our audience was downscale, and he’s like, ‘I watch TBS, and I’m worth half a billion dollars, pal!’ He rejected people’s snobbery of ‘it’s gotta be this fancy programming’. He was like ‘look, I’m doing a ‘3’ rating at 6:05, so screw you’.
Guy Evans (Nitro: The Incredible Rise and Inevitable Collapse of Ted Turner's WCW)
But I had learned long ago that you actually probably don't want to know what kind of guy your besties think you ought to be with. It always says more as much about what they thing of you as what they think of him, and I find a certain comfort in being ignorant of what my pals might envision for me.
Stacey Ballis
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
...a final word to "the children": do you want to get suckered like your big brothers and sisters? Those saps who spent 2008 standing behind the Obamessiah swaying and chanting, "We are the dawning of the Hopeychange" like brainwashed cult extras? Sooner or later you guys have to crawl out from under the social engineering and rediscover the contrarian spirit for which youth was once known...This will be the great battle of the next generation--to reclaim your birthright from those who spent it. If you don't, the entire global order will teeter and fall. But, if you do, you will have won a great victory. Every time a politician proposes new spending, tell him he's already spent your money, get his hand out of your pocket. Every time a politician says you can stay a child until your twenty-seventh birthday, tell him, "No, you're the big baby, not me--you've spent irresponsibly, and me and my pals are the ones who are gonna have to be the adults and clean up your mess. Don't treat met like a kid when your immaturity got us into this hole." This is a battle for the American idea, and it's an epic one, but--to reprise the lamest of lame-o-lines--you can do anything you want to do. So do it.
Mark Steyn (After America: Get Ready for Armageddon)
Well . . . maybe I can sneak out for a few minutes,” Bird said, lowering his voice. And then Greg heard him shout to his mother: “It’s no one, Ma! I’m talking to no one!” Boy, that’s quick thinking! Greg thought sarcastically. He’s a worse liar than I am. And then he heard Bird call to his mom: “I know I’m on the phone. But I’m not talking to anyone. It’s only Greg.” Thanks a lot, pal, Greg thought.
R.L. Stine (Say Cheese and Die! (Goosebumps, #4))
And now, over to Romulus for our popular feature ‘Pals of Potter.’” “Thanks, River,” said another very familiar voice; Ron started to speak, but Hermione forestalled him in a whisper. “We know it’s Lupin!” “Romulus, do you maintain, as you have every time you’ve appeared on our program, that Harry Potter is still alive?” “I do,” said Lupin firmly. “There is no doubt at all in my mind that his death would be proclaimed as widely as possible by the Death Eaters if it had happened, because it would strike a deadly blow at the morale of those resisting the new regime. ‘The Boy Who Lived’ remains a symbol of everything for which we are fighting: the triumph of good, the power of innocence, the need to keep resisting.” A mixture of gratitude and shame welled up in Harry. Had Lupin forgiven him, then, for the terrible things he had said when they had last met? “And what would you say to Harry if you knew he was listening, Romulus?” “I’d tell him we’re all with him in spirit,” said Lupin, then hesitated slightly. “And I’d tell him to follow his instincts, which are good and nearly always right.” Harry looked at Hermione, whose eyes were full of tears. “Nearly always right,” she repeated. “Oh, didn’t I tell you?” said Ron in surprise. “Bill told me Lupin’s living with Tonks again! And apparently she’s getting pretty big too…” “…and our usual update on those friends of Harry Potter’s who are suffering for their allegiance?” Lee was saying. “Well, as regular listeners will know, several of the more outspoken supporters of Harry Potter have now been imprisoned, including Xenophilius Lovegood, erstwhile editor of The Quibbler,” said Lupin. “At least he’s still alive!” muttered Ron.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
...And indeed it did take me a long time for me to find someone I wanted to marry. But I'm so glad I waited. What I know about Pete and me is that the flame will never go out. I do not look up from tossing the salad and think, Oh, God, how the hell did I ever get here? I do not look a the back of his head and think, I don't know you at all. I wake up with my pal, and go to sleep with my lover. He still thrills me, not only sexually but because of the way he regards the life that unfolds around him. I am interested in what he says about me and the children and our respective jobs, but I am also interested in what he says about the Middle East and the migratory patterns of monarchs and the amount of nutmeg that should be grated into the mashed potatoes and the impact that being a thwarted artist had on the life of Hitler. I believe he is a truly honest and awake and kind individual. If we live more than once, I want to find him again.
Elizabeth Berg (The Art of Mending)
I'm a very smart guy. I haven't a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals. I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you'll think of me, I'll just leave one of my cards in case anything comes up.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
I wish I had asked myself when I was younger. My path was so tracked that in my 8th-grade yearbook, one of my friends predicted— accurately— that four years later I would enter Stanford as a sophomore. And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success. The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship. After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t. At the time, I was devastated. In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications. We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerkship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse. Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past. the best paths are new and untried. will this business still be around a decade from now? business is like chess. Grandmaster José Raúl Capablanca put it well: to succeed, “you must study the endgame before everything else. The few who knew what might be learned, Foolish enough to put their whole heart on show, And reveal their feelings to the crowd below, Mankind has always crucified and burned. Above all, don’t overestimate your own power as an individual. Founders are important not because they are the only ones whose work has value, but rather because a great founder can bring out the best work from everybody at his company. That we need individual founders in all their peculiarity does not mean that we are called to worship Ayn Randian “prime movers” who claim to be independent of everybody around them. In this respect, Rand was a merely half-great writer: her villains were real, but her heroes were fake. There is no Galt’s Gulch. There is no secession from society. To believe yourself invested with divine self-sufficiency is not the mark of a strong individual, but of a person who has mistaken the crowd’s worship—or jeering—for the truth. The single greatest danger for a founder is to become so certain of his own myth that he loses his mind. But an equally insidious danger for every business is to lose all sense of myth and mistake disenchantment for wisdom.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere. I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck. I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say. “Hey!” He takes a long look at me. “Is it really you?” “It’s me.” “My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?” I bite the inside of my cheek. “I’m pretty sure I at least said hello.” Teasingly he says, “No, I’m pretty sure you didn’t.” He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act. “Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why. With a nod, he says, “You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.
James Kaplan (Frank: The Voice)
One thing that Mueller insisted on was that Musk put two years’ worth of compensation into escrow. He was not an internet millionaire, and he did not want to take the chance of being unpaid if the venture failed. Musk agreed. It did, however, cause him to consider Mueller an employee rather than a cofounder of SpaceX. It was a fight he had regarding PayPal and would have again involving Tesla. If you’re unwilling to invest in a company, he felt, you shouldn’t qualify as a founder. “You cannot ask for two years of salary in escrow and consider yourself a cofounder,” he says. “There’s got to be some combination of inspiration, perspiration, and risk to be a cofounder.
Walter Isaacson (Elon Musk)
There is a foolproof way to distinguish peer-distorted counterwill from the genuine drive for autonomy: the maturing, individuating child resists coercion whatever the source may be, including pressure from peers. In healthy rebellion, true independence is the goal. One does not seek freedom from one person only to succumb to the influence and will of another. When counterwill is the result of skewed attachments, the liberty that the child strives for is not the liberty to be his true self but the opportunity to conform to his peers. To do so, he will suppress his own feelings and camouflage his own opinions, should they differ from those of his peers. Are we saying that it may not be natural, for example, that a teenager may want to stay out late with his friends? No, the teen may want to hang out with his pals not because he is driven by peer orientation, but simply because on occasion that's just what he feels like doing. The question is, is he willing to discuss the matter with his parents? Is he respectful of their perspective? Is he able to say no to his friends when he has other responsibilities or family events or when he simply may prefer being on his own? The peer-oriented teenager will brook no obstacle and experiences intense frustration when his need for peer contact is thwarted. He is unable to assert himself in the face of peer expectations and will, proportionately, resent and oppose his parents’ desires.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
You see I'm wearing the tie," said Bingo. "It suits you beautiful," said the girl. Personally, if anyone had told me that a tie like that suited me, I should have risen and struck them on the mazzard, regardless of their age and sex; but poor old Bingo simply got all flustered with gratification, and smirked in the most gruesome manner. "Well, what's it going to be today?" asked the girl, introducing the business touch into the conversation. Bingo studied the menu devoutly. "I'll have a cup of cocoa, cold veal and ham pie, slice of fruit cake, and a macaroon. Same for you, Bertie?" I gazed at the man, revolted. That he could have been a pal of mine all these years and think me capable of insulting the old tum with this sort of stuff cut me to the quick. "Or how about a bit of hot steak-pudding, with a sparkling limado to wash it down?" said Bingo. You know, the way love can change a fellow is really frightful to contemplate. This chappie before me, who spoke in that absolutely careless way of macaroons and limado, was the man I had seen in happier days telling the head-waiter at Claridge's exactly how he wanted the chef to prepare the sole frite au gourmet au champignons, and saying he would jolly well sling it back if it wasn't just right. Ghastly! Ghastly! A roll and butter and a small coffee seemed the only things on the list that hadn't been specially prepared by the nastier-minded members of the Borgia family for people they had a particular grudge against, so I chose them, and Mabel hopped it.
P.G. Wodehouse
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
Karl Wiggins (Dogshit Saved My Life)
How we doing on the Beatitudes?” “Pardon me?” “The blesseds.” “We’ve got: Blessed are those who hunger and thirst after righteousness; blessed are the poor in spirit, the pure in heart, the whiners, the meek, the—” “Wait, what are we giving the meek?” “Let’s see, uh, here: Blessed are the meek, for to them we shall say, ‘attaboy.’” “A little weak.” “Yeah.” “Let’s let the meek inherit the earth.” “Can’t you give the earth to the whiners?” “Well then, cut the whiners and give the earth to the meek.” “Okay. Earth to the meek. Here we go. Blessed are the peacemakers, the mourners, and that’s it.” “How many is that?” “Seven.” “Not enough. We need one more. How about the dumbfucks?” “No, Josh, not the dumbfucks. You’ve done enough for the dumbfucks. Nathaniel, Thomas—” “Blessed are the dumbfucks for they, uh—I don’t know—they shall never be disappointed.” “No, I’m drawing the line at dumbfucks. Come on, Josh, why can’t we have any powerful guys on our team? Why do we have to have the meek, and the poor, the oppressed, and the pissed on? Why can’t we, for once, have blessed are the big powerful rich guys with swords?” “Because they don’t need us.” “Okay, but no ‘Blessed are the dumbfucks.’” “Who then?” “Sluts?” “No.” “How about the wankers? I can think of five or six disciples that would be really blessed.” “No wankers. I’ve got it: Blessed are those who are persecuted for righteousness’ sake.” “Okay, better. What are you going to give them?” “A fruit basket.” “You can’t give the meek the whole earth and these guys a fruit basket.” “Give them the kingdom of heaven.” “The poor in spirit got that.” “Everybody gets some.” “Okay then, ‘share the Kingdom of Heaven.’” I wrote it down. “We could give the fruit basket to the dumbfucks.” “NO DUMBFUCKS!” “Sorry, I just feel for them.” “You feel for everyone, Josh. It’s your job.” “Oh yeah. I forgot.” We finished writing the sermon only a few hours before Philip and Thaddeus returned from Judea leading three thousand of John’s followers.
Christopher Moore (Lamb: The Gospel According to Biff, Christ's Childhood Pal)
So, about that one sentence of advice: Don’t feel behind. Two Roman historians recorded that when Julius Caesar was a young man he saw a statue of Alexander the Great in Spain and broke down in tears. “Alexander at my age had conquered so many nations, and I have all this time done nothing that is memorable,” he supposedly said. Pretty soon, that concern was a distant memory and Caesar was in charge of the Roman Republic—which he turned into a dictatorship before he was murdered by his own pals. It’s fair to say that like most youth athletes with highlight reels, he peaked early. Compare yourself to yourself yesterday, not to younger people who aren’t you. Everyone progresses at a different rate, so don’t let anyone else make you feel behind. You probably don’t even know where exactly you’re going, so feeling behind doesn’t help. Instead, as Herminia Ibarra suggested for the proactive pursuit of match quality, start planning experiments. Your personal version of Friday night or Saturday morning experiments, perhaps.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
Jake opened his mouth to say something--he had no idea what--and then, incredibly, Roland's voice was in his mind, filling it. Distract them, Jake--and if there's a button that opens the door, get close to it. The Tick-Tock Man was watching him closely. "Something just came into your mind, didn't it, cully? I always know. So don't keep it a secret; tell your old friend Ticky." Jake caught movement in the corner of his eye. Although he did not dare glance up at the ventilator panel--not with all the Tick-Tock Man's notice bent upon him--he knew that Oy was back, peering down through the louvers. Distract them...and suddenly Jake knew just how to do that. "I did think of something," he said, "but it wasn't about computers. It was about my old pal Gasher. And his old pal, Hoots." "Here! Here!" Gasher cried. "What are you talking about, boy?" "Why don't you tell Tick-Tock who really gave you the password, Gasher? Then I can tell Tick-Tock where you keep it." The Tick-Tock Man's puzzled gaze shifted from Jake to Gasher. "What's he talking about?
Stephen King (The Waste Lands (The Dark Tower, #3))
Wilderness by Carl Sandburg There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross. There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go. There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis. There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so. There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness. O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
Carl Sandburg (The Complete Poems)
Thiel, the PayPal cofounder who had invested in SpaceX, holds a conference each year with the leaders of companies financed by his Founders Fund. At the 2012 gathering, Musk met Demis Hassabis, a neuroscientist, video-game designer, and artificial intelligence researcher with a courteous manner that conceals a competitive mind. A chess prodigy at age four, he became the five-time champion of an international Mind Sports Olympiad that includes competition in chess, poker, Mastermind, and backgammon. In his modern London office is an original edition of Alan Turing’s seminal 1950 paper, “Computing Machinery and Intelligence,” which proposed an “imitation game” that would pit a human against a ChatGPT–like machine. If the responses of the two were indistinguishable, he wrote, then it would be reasonable to say that machines could “think.” Influenced by Turing’s argument, Hassabis cofounded a company called DeepMind that sought to design computer-based neural networks that could achieve artificial general intelligence. In other words, it sought to make machines that could learn how to think like humans.
Walter Isaacson (Elon Musk)
But this is something you need to know: when you find a place that suits you, where you decide to go back to often, to meet your pals there, if you want to feel at home and not discover some snag at the wrong moment, sit yourself in a corner, write letters, read, try and eat there, and watch what goes on for a whole day. At least twice during the day, and three times if the place is open at night, there’s that moment of “temporal void”. It happens every day, at the very same hour, at the very same minute, but it varies from place to place. People are talking, letting their hair down, having a drink together, and all of a sudden, the moment of silence: everyone turns stock still, with their glasses in the air, their eyes fixed. Immediately afterwards the hubbub resumes. But that moment when nothing’s happening - it can last five, ten minutes. And during that time, outside and everywhere else, for other people life goes on, faster, much faster, like an avalanche. If you’re prepared for it, and take advantage of that moment not to be fazed and to have your say, you’re certain to be heard, and if necessary even obeyed. Try it. You’ll see.
Jacques Yonnet (Paris Noir: The Secret History of a City)
You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying. “No, you look…just like how I remembered you.” John Ambrose reaches out, and I think he’s trying to hug me but he’s only trying to take my bag from me, and there’s a brief but strange dance that mortifies me but he doesn’t seem to notice. “So thanks for inviting me.” “Thanks for coming.” “Do you want me to take this stuff up for you?” “Sure,” I say. John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag. But when he gets halfway up the ladder, he stops and looks up at me and says, “You still wear your hair in fancy braids.” I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?” “Yeah. Like…expensive bread.” I burst out laughing. “Bread!” “Yeah. Or…Rapunzel.” I get down on my stomach, wriggle over to the edge, and pretend like I’m letting down my hair for him to climb. He climbs up to the top of the ladder and passes me the bag, which I take, and then he grins at me and gives my braid a tug. I’m still lying down but feel an electric charge like he’s zapped me. I’m suddenly feeling very anxious about the worlds that will be colliding, the past and the present, a pen pal and a boyfriend, all in this little tree house. Probably I should have thought this through a bit better. But I was so focused on the time capsule, and the snacks, and the idea of it--old friends coming back together to do what we said we’d do. And now here we are, in it. “Everything okay?” John asks, offering me his hand as I rise to my feet. I don’t take his hand; I don’t want another zap. “Everything’s great,” I say cheerily. “Hey, you never sent back my letter,” he says. “You broke an unbreakable vow.” I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.” “But I already saw it,” he reminds me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I heard the door at the far end of the hallway swing open. Then I heard familiar footsteps approaching. After going to three different schools for seven years, I knew it was Mark. “Hi, Mark,” I said. “Hey, pal. I thought I’d find you here,” Mark said. I sighed wearily. “Did you find her?” Mark asked tentatively. “Yeah.” “Did you tell her how you feel?” “In a manner of speaking, yes.” “What did she say?” I turned around to face my best friend. Concern born of seven years’ worth of friendship was written on his open face. Whatever his faults, you could never accuse Mark of being unconcerned. “I – ah – wrote her a letter,” I said slightly embarrassed. “I see,” he said quietly. He pursed his lips. “Did she say anything?” “I asked her not to read it until after commencement.” “I see,” he said again. I could tell he was disappointed in me. There was another one of those awkward silences. I felt oddly like a mischievous schoolboy who’d been sent to the principal’s office for some infraction of the rules. Mark just shook his head in disbelief and gave me a tut-tut look. “You know,” he said quietly, “sometimes playing it safe can be the worst thing you can do.” “Macht nichts,” I said bitterly. “Like hell, macht nichts, pal. It makes a hell of a difference, if you ask me.” Mark shook his head sadly. “I really don’t want to be there when you find out for yourself what a stupid mistake it is that you made today.
Alex Diaz-Granados (Reunion: A Story: A Novella)
values of commons-based sharing and of private enterprise often conflict, most notably over the extent to which innovations should be patent-protected. The commons crowd had its roots in the hacker ethic that emanated from the MIT Tech Model Railroad Club and the Homebrew Computer Club. Steve Wozniak was an exemplar. He went to Homebrew meetings to show off the computer circuit he built, and he handed out freely the schematics so that others could use and improve it. But his neighborhood pal Steve Jobs, who began accompanying him to the meetings, convinced him that they should quit sharing the invention and instead build and sell it. Thus Apple was born, and for the subsequent forty years it has been at the forefront of aggressively patenting and profiting from its innovations. The instincts of both Steves were useful in creating the digital age. Innovation is most vibrant in the realms where open-source systems compete with proprietary ones. Sometimes people advocate one of these modes of production over the others based on ideological sentiments. They prefer a greater government role, or exalt private enterprise, or romanticize peer sharing. In the 2012 election, President Barack Obama stirred up controversy by saying to people who owned businesses, “You didn’t build that.” His critics saw it as a denigration of the role of private enterprise. Obama’s point was that any business benefits from government and peer-based community support: “If you were successful, somebody along the line gave you some help.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Patrick Vlaskovits, who was part of the initial conversation that the term “growth hacker” came out of, put it well: “The more innovative your product is, the more likely you will have to find new and novel ways to get at your customers.”12 For example: 1. You can create the aura of exclusivity with an invite-only feature (as Mailbox did). 2. You can create hundreds of fake profiles to make your service look more popular and active than it actually is—nothing draws a crowd like a crowd (as reddit did in its early days). 3. You can target a single service or platform and cater to it exclusively—essentially piggybacking off or even stealing someone else’s growth (as PayPal did with eBay). 4. You can launch for just a small group of people, own that market, and then move from host to host until your product spreads like a virus (which is what Facebook did by starting in colleges—first at Harvard—before taking on the rest of the population). 5. You can host cool events and drive your first users through the system manually (as Myspace, Yelp, and Udemy all did). 6. You can absolutely dominate the App Store because your product provides totally new features that everyone is dying for (which is what Instagram did—twenty-five thousand downloads on its first day—and later Snapchat). 7. You can bring on influential advisors and investors for their valuable audience and fame rather than their money (as About.me and Trippy did—a move that many start-ups have emulated). 8. You can set up a special sub-domain on your e-commerce site where a percentage of every purchase users make goes to a charity of their choice (which is what Amazon did with Smile.Amazon.com this year to great success, proving that even a successful company can find little growth hacks). 9. You can try to name a Planned Parenthood clinic after your client or pay D-list celebrities to say offensive things about themselves to get all sorts of publicity that promotes your book (OK, those stunts were mine).
Ryan Holiday (Growth Hacker Marketing: A Primer on the Future of PR, Marketing, and Advertising)
metastases has become talk of a few months left. When I saw her in A&E, despite obvious suspicions, I didn’t say the word ‘cancer’ – I was taught that if you say the word even in passing, that’s all a patient remembers. Doesn’t matter what else you do, utter the C-word just once and you’ve basically walked into the cubicle and said nothing but ‘cancer cancer cancer cancer cancer’ for half an hour. And not that you’d ever want a patient to have cancer of course, I really really didn’t want her to. Friendly, funny, chatty – despite the litres of fluid in her abdomen splinting her breathing – we were like two long-lost pals finding themselves next to each other at a bus stop and catching up on all our years apart. Her son has a place at med school, her daughter is at the same school my sister went to, she recognized my socks were Duchamp. I stuck in a Bonanno catheter to take off the fluid and admitted her to the ward for the day team to investigate. And now she’s telling me what they found. She bursts into tears, and out come all the ‘will never’s, the crushing realization that ‘forever’ is just a word on the front of Valentine’s cards. Her son will qualify from medical school – she won’t be there. Her daughter will get married – she won’t be able to help with the table plan or throw confetti. She’ll never meet her grandchildren. Her husband will never get over it. ‘He doesn’t even know how to work the thermostat!’ She laughs, so I laugh. I really don’t know what to say. I want to lie and tell her everything’s going to be fine, but we both know that it won’t. I hug her. I’ve never hugged a patient before – in fact, I think I’ve only hugged a grand total of five people, and one of my parents isn’t on that list – but I don’t know what else to do. We talk about boring practical things, rational concerns, irrational concerns, and I can see from her eyes it’s helping her. It suddenly strikes me that I’m almost certainly the first person she’s opened up to about all this, the only one she’s been totally honest with. It’s a strange privilege, an honour I didn’t ask for. The other thing I realize is that none of her many, many concerns are about herself; it’s all about the kids, her husband, her sister, her friends. Maybe that’s the definition of a good person.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
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