Pair Of Swan Quotes

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We stood for a moment, the brackish canal water teething at the stone,the last of the stars fading as the sky transformed from black to indigo. A pair of swans like large white clouds floated on the water, their heads tucked under their wings, as a gondola pulled up, a lantern on the prow, the gondolier on the stern, rubbing his sleepy eyes.
Gina Buonaguro
Claire Anderson,” he calls from the stage. My horrified eyes meet his. “Sit back down.” “I . . .” I take another step toward the exit. “Claire,” he warns. I glance around at the 120 pairs of eyes fixed firmly on me and then back up at him. “I said sit. Back. Down.
T.L. Swan (The Takeover (Miles High Club, #2))
A pair of swans above the lock, the waters pouring down into the pool below: the rightness of things restored me to my own proper desiring. I got up and walked back home very slowly, putting the right motives back in the right bodies. This is what Duggan did, this is what I did. This is what he wanted and knew, this is what I wanted. This is what I did not want. This is what I did not know. Also, the difference between what happens in your head and what happens in the room. The big difference.
Anne Enright (Actress)
Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.
Elizabeth Lim (So This is Love)
The tree outside Skye’s bedroom had grown taller; the branch he’d used to climb in was now scraping the roof. Damian tilted his head back, following it, and saw a pair of brown legs dangling through the leaves. It was the nut-busting girl, with her scuffed-up, nut-busting shoes. She was leaning against the trunk, reading a book, unaware of being observed. Damian instinctively cupped his balls. What the fuck was she doing back here?
Leylah Attar (The Paper Swan)
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Accidentals Something out of place, seen where it doesn’t belong. A surprise on the water like Tundra Swans unexpected and flung far from the Arctic onto a Vermont pond. Me, driving home, seeing all that white with sinewy S-shaped necks out of the corner of my eye. Blessed is an ordinary Wednesday, now etched forever in memory as that Wednesday I went home another way and found myself far flung from work, from home, from whoever I was before black beaks beckoned me while four pairs of wings unfolded.
Lynn Martin
Poppy," she murmured, "no matter how Miss Marks tries to civilize me- and I do try to listen to her- I still have my own way of looking at the world. To me, people are scarcely different from animals. We're all God's creatures, aren't we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox." "I suppose Cam is somewhat fox-like," Poppy said, amused. "What is Merripen? A bear?" "No, unquestionably a horse. And Amelia is a hen." "I would say an owl." "Yes, but don't you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That's Amelia." Poppy grinned. "You're right." "And Win is a swan." "Am I also a bird? A lark? A robin?" "No, you're a rabbit." "A rabbit?" Poppy made a face. "I don't like that. Why am I a rabbit?" "Oh, rabbits are beautiful soft animals who love to be cuddled. They're very sociable, but they're happiest in pairs." "But their timid," Poppy protested. "Not always. They're brave enough to be companions to many other creatures. Even cats and dogs." "Well," Poppy said in resignation, "it's better than being a hedgehog, I suppose." "Miss Marks is a hedgehog," Beatrix said in a matter-of-fact tone that made Poppy grin. "And you're a ferret, aren't you, Bea?" "Yes. But I was leading to a point." "Sorry, go on." "I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
was laughable. An aisle stretched down the middle of the ballroom, defined by candelabras topped with more pale orbs, their light flickering like little flames. The aisle runner was black and set with rhinestones in mimicry of the night sky. Or, the always sky, as it was here on Luna. A hush fell over the room, and Kai could tell it was not a normal hush. It was too controlled, too flawless. His heart pounded, uncontrolled in its cage. This was the moment he’d been dreading, the fate he’d fought against for so long. No one was going to interfere. He was alone and rooted to the floor. At the far back of the room, the massive doors opened, chorused with a fanfare of horns. At the end of the aisle, two shadows emerged—a man and a woman in militaristic uniforms carrying the flags of Luna and the Eastern Commonwealth. After they parted, setting the flags into stands on either side of the altar, a series of Lunar guards marched into the room, fully armed and synchronized. They, too, spread out when they reached the altar, like a protective wall around the dais. Next down the aisle were six thaumaturges dressed in black, walking in pairs, graceful as black swans. They were followed by two in red, and finally Head Thaumaturge Aimery Park, all in white. A voice dropped down from some hidden speakers. “All rise for Her Royal Majesty, Queen Levana Blackburn of Luna.” The people rose. Kai clasped his shaking hands behind his back. She appeared as a silhouette first in the lights of the doors, a perfect hourglass dropping off to a full billowing skirt that flowed behind her. She walked with her head high, gliding toward
Marissa Meyer (Winter (The Lunar Chronicles, #4))
inhaled, making her head spin. Were they going to kill her? Would the Black Swan really destroy their own creation? What was the point of Project Moonlark, then? What was the point of the Everblaze? The drug lulled her toward a dreamless oblivion, but she fought back—clinging to the one memory that could shine a tiny spot of light in the thick, inky haze. A pair of beautiful aquamarine eyes. Fitz’s eyes. Her first friend in her new life. Her first friend ever. Maybe if she hadn’t noticed him that day in the museum, none of this would have happened. No. She knew it’d been too late even then. The white fires were already burning—curving toward her city and filling the sky with sticky, sweet smoke. The spark before the blaze. ONE MISS FOSTER!” MR. SWEENEY’S NASAL voice cut through Sophie’s blaring music as he yanked her earbuds out by the cords. “Have you decided that you’re too smart to pay attention to this information?” Sophie forced her eyes open. She tried not to wince as the bright fluorescents reflected off the vivid blue walls of the museum, amplifying the throbbing headache she was hiding. “No, Mr. Sweeney,” she mumbled, shrinking under the glares of her now staring classmates.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
There'd been a time when he'd liked variety his escorting assignments provided. Now, his body crawled with revulsion at the mere idea of touching someone else, let alone kissing or having sex with them. He felt....permanently pair -bonded, like a goddamned Swan. Only the Swan he'd chosen hadn't pair -bonded back with him.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
Then you found Mr. Rutledge unsettling, too?” “No, but I understand why you do. He watches you like one of those ambushing sort of predators. The kind that lie in wait before they spring.” “How dramatic,” Poppy said with a dismissive laugh. “He’s not a predator, Bea. He’s only a man.” Beatrix made no reply, only made a project of smoothing Dodger’s fur. As she leaned over him, he strained upward and kissed her nose affectionately. “Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.” “I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?” “No, unquestionably a horse. And Amelia is a hen.” “I would say an owl.” “Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.” Poppy grinned. “You’re right.” “And Win is a swan.” “Am I also a bird? A lark? A robin?” “No, you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.” Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .” “I hope you’re right.” Settling on her side, Poppy watched her sister in the flickering glow of the hearth, while a chill of uneasiness penetrated the very marrow of her bones. Not because she feared Harry Rutledge. Because she liked him.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
in all the world, there are more creatures than just man that make lifetime matings. Among them, some of the noblest—wolves, swans, geese, the great raptors—all creatures man could do worse than emulate, in many, many ways. And with all of them, all, there are those pairings, from time to time, within the same gender. Not often, but not unheard of either.” Vanyel found himself unable to move, and unable to anticipate the direction this was taking. Now Moondance dropped his eyes to catch and hold Vanyel’s in a joining of glances and wills that was unbreakable. “There is in you a fear, a shame, placed there by your own doubts and the thoughts of one who knew no better. I tell you to think on this: the shay’a’chern pairing occurs in nature. How then, ‘unnatural’? Usual, no, and not desirable for the species, else it would die out for lack of offspring. But not unnatural. The beasts of the fields are innocent as man can never be, who has the knowledge of good and evil and the choice between, and they do not cast out of their ranks the shay’a’chern. There was between you and your shay’kreth’ashke much love—only love. There is no shame in loving.” Vanyel couldn’t breathe; he could only see those ice-blue eyes.
Mercedes Lackey (The Last Herald-Mage Trilogy)
Slowly, deeply, Aelin bowed to them. Rowan could have sworn all those tiny heads lowered in answer. A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone. Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan’s wings. “The Crown of Mab,” Gavriel breathed.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone. Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan’s wings. “The Crown of Mab,” Gavriel breathed.
Sarah J. Maas (Throne of Glass)
Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.” “I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?” “No, unquestionably a horse. And Amelia is a hen.” “I would say an owl.” “Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.” Poppy grinned. “You’re right.” “And Win is a swan.” “Am I also a bird? A lark? A robin?” “No, you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.” Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .” “I hope you’re right.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I beg your pardon, my ladies, Mr. Trottenham. I did not realize I’d be intruding unannounced.” “Deene, good day.” Trottenham rose and bowed, smacking his heels together audibly. “The more the merrier, I say, what? Saw your colt beat Islington’s by two lengths. Well done, jolly good and all that. Islington’s made a bit too much blunt off that animal in my opinion.” Trottenham apparently had a nervous affliction of the eyebrows, for they bounced up and down as he spoke, suggesting either a severe tic or an attempt to indicate some sort of shared confidence. “Perhaps the ladies would rather we save the race talk for the clubs?” “The ladies would indeed,” Louisa said. “Sit you down, Deene, and do the pretty. Mr. Trottenham was just leaving.” She gave a pointed look at the clock, while Eve, who had said nothing, busied herself pouring tea, which Deene most assuredly did not want. “Leaving?” Trottenham’s eyebrows jiggled around. “Suppose I ought, but first I must ask Lady Eve to join me at the fashionable hour for a drive around The Ring. It’s a beautiful day, and I’ve a spanking pair of bays to show off.” Deene accepted his cup of tea with good grace. “Afraid she’s not in a position to oblige, Trottenham, at least not today.” He smiled over at Eve, who blinked once then smiled back. Looking just a bit like Louisa when she did. “Sorry, Mr. Trottenham.” She did not sound sorry to Deene. “His lordship has spoken for my time today.” Trottenham’s smile dimmed then regained its strength. “Tomorrow, then?” Jenny spoke up. “We’re supposed to attend that Venetian breakfast with Her Grace tomorrow.” “And the next day is His Grace’s birthday. Couldn’t possibly wander off on such an occasion as that,” Louisa volunteered. “Why don’t I see you out, Mr. Trottenham, and you can tell me where you found these bays.” She rose and took him by the arm, leaving a small silence after her departure, in which Deene spared a moment to pity poor Trottenham. “I have an appointment at the modiste,” Lady Jenny said, getting to her feet. “Lucas, I’m sure you’ll excuse me.” She swanned off, leaving Eve sitting before the tea tray and Deene wondering what had just happened. “Did you tell them I’ve a preference for leeks?” “I did not, but I cannot vouch for the queer starts my sisters take.
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Passion is such a strong emotion that it dominates everything. It’s like a strong spice in a meal, or a dominant red in a painting. Your senses are drawn to it at the expense of everything else. Dominic and I were not physical friends, so to speak. But I did love him. We can’t help loving the people we do, can we? But that love doesn’t have to be physical. You can be equally intimate. It doesn’t matter. Do you understand what I mean, Canon Chambers?’ Sidney was thinking over what Ben was saying. Out of the window he could see a pair of swans flying low over the river and into the distance. He wondered where they were going.
James Runcie (Sidney Chambers and the Shadow of Death)