Painter Pressure Quotes

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The key to faking deaths is a fine appreciation of arterial spray patterns. I have found that blood bags work very well at simulating spray with a strategically poked hole; apply pressure to the bottom of the bag, practice a bit, and before long you will be able to write stories of carnage and odes to gore. A small fan brush-the sort that one dude used to paint happy little trees-can paint a picture of blunt force spatters if you flick the surface properly. You could even talk to yourself, as that painter did, while you flick blood around: "And maybe over here we have a nice stab wound. And, I don't know, maybe there's a few more back over here. Multiple stab wounds. It doesn't matter, whatever you feel like.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
You're looking at me like I'm nuts, honey, and you're right. I am. I am out of my mind when it comes to you." I said, shrugging because it was a fact. "When I'm near you, the way I feel steals the breath from my body. It's like I breathe for you. like I exists to exist alongside of you. I know those feelings are probably too big and too scary and put way too much pressure on you, and I'm sorry for that. Truly. But it's the way I feel. The way I've always felt.
Lynn Painter (Nothing Like the Movies (Better Than the Movies #2))
Now let’s take up the minorities in our civilization, shall we? Bigger the population, the more minorities. Don’t step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that! All the minor minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did. Magazines became a nice blend of vanilla tapioca. Books, so the damned snobbish critics said, were dishwater. No wonder books stopped selling, the critics said. But the public, knowing what it wanted, spinning happily, let the comic books survive. And the three-dimensional sex-magazines, of course. There you have it, Montag. It didn’t come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God. Today, thanks to them, you can stay happy all the time, you are allowed to read comics, the good old confessions, or trade journals.
Ray Bradbury (Fahrenheit 451)
The stated purpose of schools is to educate the kids. But there is no external pressure to do this well.
Paul Graham (Hackers & Painters: Big Ideas from the Computer Age)
Companies often wonder what to outsource and what not to. One possible answer: outsource any job that’s not directly exposed to competitive pressure, because outsourcing it will thereby expose it to competitive pressure. (I mean “outsource” in the sense of hiring another company to do it, not the more specific sense of hiring an overseas company.)
Paul Graham (Hackers & Painters: Big Ideas from the Computer Age)
Now bound by the sudden rush of emotion that reverberates through me as I remain intent on awakening Nadia, I push my fingertips upward over her neck as if pushing a coin from the edge of heaven, waiting to catch where it falls as if I were in all places at once. I then gently attack her pressure points from every side, leaving Nadia completely vulnerable to my wanting her. Nadia now hastens my love as I reveal to her my gentle ways that excite and nourish her every capacity in all mind, body, and soul. I take to her exaggerated lines that press firmly against me with a wet friction that builds between the cold and the heat, tasting and smelling her sweet body that warms my heart to its core. I allow my mind to speak through my gaze as I look into Nadia’s rich brunneous eyes where hints of sable shimmer across the reflection that mirrors her heart.
Luccini Shurod (The Painter)
As I watch [the world],’ wrote Nan Shepherd in 1945, ‘it arches its back, and each layer of landscape bristles.’ It is a brilliant observation about observation. Shepherd knew that ‘landscape’ is not something to be viewed and appraised from a distance, as if it were a panel in a frieze or a canvas in a frame. It is not the passive object of our gaze, but rather a volatile participant – a fellow subject which arches and bristles at us, bristles into us. Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum.* I prefer to think of the word as a noun containing a hidden verb: landscape scapes, it is dynamic and commotion causing, it sculpts and shapes us not only over the courses of our lives but also instant by instant, incident by incident. I prefer to take ‘landscape’ as a collective term for the temperature and pressure of the air, the fall of light and its rebounds, the textures and surfaces of rock, soil and building, the sounds (cricket screech, bird cry, wind through trees), the scents (pine resin, hot stone, crushed thyme) and the uncountable other transitory phenomena and atmospheres that together comprise the bristling presence of a particular place at a particular moment.
Robert Macfarlane (The Old Ways: A Journey on Foot (Landscapes Book 3))
You all know why we're here. There's often so much sham about this business of marriage. Everyone accepts it—ritual. That's why I was so heartened when Alfred asked me to perform this ceremony. He has certain beliefs, which I assume you all know. He is an atheist, which is perfectly all right. Really, it is. I happen not to be, but inasmuch as this ceremony connotes an abandonment of ritual in the search for truth, I agreed to perform it. First, let me state to you, Alfred, and to you, Patricia, that of the 200 marriages that I have performed, all but seven have failed. So the odds are not good. We don't like to admit it, especially at the wedding ceremony, but it's in the back of all our minds, isn't it? How long will it last? We all think that, don't we? We don't like to bring it out in the open, but we all think that. Well, I say, why not bring it out in the open? Why does one decide to marry? Social pressure? Boredom? Loneliness? Sexual appeasement? Love? I won't put any of these reasons down. Each in its own way is adequate. Each is all right. Last year, I married a musician who wanted to get married in order to stop masturbating. Please, don't be startled. I'm not putting him down. That marriage did not work. But the man tried. He is now separated, still masturbating, but he is at peace with himself because he tried society's way. So, you see, it was not a mistake. It turned out all right. Now, just last month, I married a novelist to a painter. Everyone at the wedding ceremony was under the influence of a hallucinogenic drug. The drug quickened our mental responses, slowed our physical responses, and the whole ceremony took two days to perform. Never have the words had such meaning. Now, that marriage should last. Still, if it does not, well, that'll be all right. For don't you see, any step that one takes is useful, is positive, has to be positive because it's a part of life. Even the negation of the previously taken step is positive. That too is a part of life. And in this light, and only in this light, should marriage be viewed as a small, single step. If it works, fine. If it fails, fine. Look elsewhere for satisfaction. To more marriages, fine. As many as one wants, fine. To homosexuality? Fine. To drug addiction? I will not put it down. Each of these is an answer for somebody.
Jules Feiffer (Little Murders)
First, let me state to you, Alfred, and to you, Patricia, that of the 200 marriages that I have performed, all but seven have failed. So the odds are not good. We don't like to admit it, especially at the wedding ceremony, but it's in the back of all our minds, isn't it? How long will it last? We all think that, don't we? We don't like to bring it out in the open, but we all think that. Well, I say, why not bring it out in the open? Why does one decide to marry? Social pressure? Boredom? Loneliness? Sexual appeasement? Love? I won't put any of these reasons down. Each in its own way is adequate. Each is all right. Last year, I married a musician who wanted to get married in order to stop masturbating. Please, don't be startled. I'm not putting him down. That marriage did not work. But the man tried. He is now separated, still masturbating, but he is at peace with himself because he tried society's way. So, you see, it was not a mistake. It turned out all right. Now, just last month, I married a novelist to a painter. Everyone at the wedding ceremony was under the influence of a hallucinogenic drug. The drug quickened our mental responses, slowed our physical responses, and the whole ceremony took two days to perform. Never have the words had such meaning. Now, that marriage should last. Still, if it does not, well, that'll be all right. For don't you see, any step that one takes is useful, is positive, has to be positive because it's a part of life. Even the negation of the previously taken step is positive. That too is a part of life. And in this light, and only in this light, should marriage be viewed as a small, single step. If it works, fine. If it fails, fine. Look elsewhere for satisfaction. To more marriages, fine. As many as one wants, fine. To homosexuality? Fine. To drug addiction? I will not put it down. Each of these is an answer for somebody.
Jules Feiffer (Little Murders)
S.P. is a 68-year-old retired painter who is experiencing right leg calf pain. The pain began approximately 2 years ago but has become significantly worse in the past 4 months. The pain is precipitated by exercise and is relieved with rest. Two years ago, S.P. could walk two city blocks before having to stop because of leg pain. Today, he can barely walk across the yard. S.P. has smoked two to three packs of cigarettes per day (PPD) for the past 45 years. He has a history of coronary artery disease (CAD), hypertension (HTN), peripheral vascular disease (PVD), and osteoarthritis. Surgical history includes quadruple coronary artery bypass graft (CABG × 4) 3 years ago. He has had no further symptoms of cardiopulmonary disease since that time, even though he has not been compliant with the exercise regimen his cardiologist prescribed, he continues to eat anything he wants, and continues to smoke two to three PPD. Other surgical history includes open reduction internal fixation of the right femoral fracture 20 years ago. S.P. is in the clinic today for a routine semiannual follow-up appointment with his primary care provider. As you take his vital signs, he tells you that, besides the calf pain, he is experiencing right hip pain that gets worse with exercise, the pain doesn't go away promptly with rest, some days are worse than others, and his condition is not affected by a resting position. � Chart View General Assessment Weight 261 lb Height 5 ft, 10 in. Blood pressure 163/91 mm Hg Pulse 82 beats/min Respiratory rate 16 breaths/min Temperature 98.4° F (36.9° C) Laboratory Testing (Fasting) Cholesterol 239 mg/dL Triglycerides 150 mg/dL HDL 28 mg/dL LDL 181 mg/dL Current Medications Lisinopril (Zestril) 20 mg/day Metoprolol (Lopressor) 25 mg twice a day Aspirin 325 mg/day Simvastatin (Zocor) 20 mg/day Case Study 4 Name Class/Group Date ____________________ Group Members INSTRUCTIONS All questions apply to this case study. Your responses should be brief and to the point. When asked to provide several
Mariann M. Harding (Winningham's Critical Thinking Cases in Nursing - E-Book: Medical-Surgical, Pediatric, Maternity, and Psychiatric)