“
Pain is a debt paid off with time.
”
”
Matt Haig (Reasons to Stay Alive)
“
Just promise me this isn't going to be a problem." "What?" Neil asked. "I can't tell if you're being obtuse to fuck with me or if you're really that dumb," Wymack said. When Neil just stared blankly at him, Wymack rubbed his temples as if warding off a headache. "I would pity you, but Andrew's right. I don't get paid enough to get involved in this. Figure it out yourself—on your own time.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
The United States is the only advanced economy that doesn’t guarantee workers paid time off. Nearly one-quarter of all American workers get no paid vacation,
”
”
Brigid Schulte (Overwhelmed: Work, Love, and Play When No One Has the Time)
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
”
”
Ernest Hemingway (Death in the Afternoon)
“
You’re finally there, Robbie. On stage in front of huge audiences. All of your hard work has paid off. It’s your time.”
He didn’t want any of that. As he looked at Zoey, the priorities he’d always set for himself fell away, leaving just one. One thing that mattered to him.
Her.
”
”
Mari Carr (Falling Hard for her Roommate (Falling Hard, #1))
“
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception.
Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight.
The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab.
Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall.
They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it.
It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time.
Here's to them.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
I imagined downtime, thoughtful gifts for my parents, the family vacations we’d never taken, their mortgage paid off. I imagined all their hard work finally repaid, all their sacrifices not only compensated but rewarded.
I imagined them thinking it was all worth it. Telling me how much they loved me.
All my life, when I thought of my future, that was what I pictured. Not a career. The things I thought would come with it.
Happiness, love, safety.
And that dream had been enough for a long time. What was school if not a chance to earn your worth?
”
”
Emily Henry (Happy Place)
“
A book about books is like a poem about poetry:
Books are knowledge, paid for, all.
Readers - horses in a stall.
Stallions should always run.
Lest they stale become, in turn.
Running waters are most clear.
In some books, you disappear –
lose yourself, and track of time.
How I wish that one was mine...
Mine, to have, to write, to read...
Mine, just like a flying steed.
Mine, forever, - to improve.
Would I then, of me, approve?
I would not, I can't... myself.
I'm but dust, swept off a shelf.
Fly, can I, just 'til I'm settled,
down, beside my flower, petalled.
”
”
Will Advise (Nothing is here...)
“
The combination of a shorter workweek, more paid time off, and a longer retirement means that the fraction of a person’s life that is taken up by work has fallen by a quarter just since 1960.
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.”
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.”
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
“Why have you come?” she asked Death.
“So that you can fly once more with him across the sky,” Death replied.
“If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
”
”
Paulo Coelho (Eleven Minutes)
“
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth.
Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself.
Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city.
With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
”
”
Jane Austen (Pride and Prejudice)
“
Years ago, I dated a lovely young woman who was a few thousand dollars in debt. She was completely stressed out about this. Every month, more interest would be added to her debts.
To deal with her stress, she would go every Tuesday night to a meditation and yoga class. This was her one free night, and she said it seemed to be helping her. She would breathe in, imagining that she was finding ways to deal with her debts. She would breathe out, telling herself that her money problems would one day be behind her.
It went on like this, Tuesday after Tuesday.
Finally, one day I looked through her finances with her. I figured out that if she spent four or five months working a part-time job on Tuesday nights, she could actually pay off all the money she owed.
I told her I had nothing against yoga or meditation. But I did think its always best to try to treat the disease first. Her symptoms were stress and anxiety. Her disease was the money she owed.
"Why don't you get a job on Tuesday nights and skip yoga for a while?" I suggested.
This was something of a revelation to her. And she took my advice. She became a Tuesday-night waitress and soon enough paid off her debts. After that, she could go back to yoga and really breathe easier.
”
”
Randy Pausch (The Last Lecture)
“
Sloan & Dex...
“You skipped puberty didn’t you?”
Dex let out a wistful sigh. “It wasn’t for me.”
Sloane laughed as he carried Dex out of the room. “You’re hopeless.”
“I’m also nonrefundable.”
“Surely there’s a return policy.”
“Forget it. You’re way past the thirty-day refund period. You’re stuck with me now. And before you ask, I’m also nontransferable and nonexchangeable. If you donate me to charity there’s no tax write-off because technically that would be considered Human trafficking.”
“Wow. You’ve got your bases covered.”
“You bet. Should have paid more attention to the Dexter J. Daley boyfriend agreement.”
Sloane dropped him onto the counter and stepped between his legs to pull him close. “I don’t recall this boyfriend agreement.”
“You might have been sleeping at the time, but sleep during the reading of the DJDBA is covered in the fine print. As long as you have a pulse, you’re considered present and accounted for.”
“Duly noted.
”
”
Charlie Cochet (Rack & Ruin (THIRDS, #3))
“
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud,
but I walked numbly through the park, round and round,
40 times for 4 hours
just wanting to make it through the day.
There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through
and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways
but you can not let it.
I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use.
the smoking and the starving, the running, the madness,
thinking it will help but it only feeds the fire
and I don't want to hurt myself anymore.
I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all.
And I have people around that I like and can laugh with, and it's spring again.
It will always be spring again.
And there will always be a new day.
”
”
Charlotte Eriksson
“
Nothing lasts forever. This pain won’t last. The pain tells you it will last. Pain lies. Ignore it. Pain is a debt paid off with time.
”
”
Matt Haig (Reasons to Stay Alive)
“
Well, what is there to do around here, anyway?"
"Well, here we have World Domination; it builds strategy skills—you can play as a dog, a boot, or a trebuchet."
Bewilder builds language and observation skills..."
"I said I wanted to play VIDEO games."
"Video games are a waste of time."
"And board games AREN'T?
Why do you even have these? No one lives here but you!"
"I used to have some henchmen. Game night was a big hit."
"Henchmen? What happened to them?"
"I can't work with mercenaries. It's impossible to build trust when they only care about their paychecks. "
"Oooh. Let me guess. The Institution paid them off?"
"I don't want to talk about it.
”
”
N.D. Stevenson (Nimona)
“
I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.
”
”
Roberto Bolaño (By Night in Chile)
“
In 1970, American women were paid 59 cents for every dollar their male counterparts made. By 2010, women had protested, fought, and worked their butts off to raise that compensation to 77 cents for every dollar men made.10 As activist Marlo Thomas wryly joked on Equal Pay Day 2011, “Forty years and eighteen cents. A dozen eggs have gone up ten times that amount.”11
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
You can’t always choose your future. Not in a world of risk and uncertainty. No matter what the self-help gurus tell you. You can only attempt to guide it in the right direction, like a willful horse, but accept there will be times when it will gallop off in a direction not of your choosing. No one can tell you what lies ahead with one hundred percent accuracy. If your doctor tells you ninety-nine out of one hundred people die of your disease, you most likely will die, but you might also be the one who beats the odds, and if you do, you will believe yourself special and blessed, and your loved ones will believe the fervency of their prayers for you paid dividends, but it’s just math. It’s all just math.
”
”
Liane Moriarty (Here One Moment)
“
I always wished a little that the church was not a church, set off as it was behind its barriers of doctrine and creed, so that all the people of the town and neighborhood might two or three times a week freely have come there and sat down together - though I knew perfectly well that, in the actual world, any gathering would exclude some, and some would not consent to be gathered, and some (like me) would be outside even when inside.
I liked the naturally occurring silences - the one, for instance, just before the service began and the other, the briefest imaginable, just after the last Amen. Occasionally a preacher would come who had a little bias toward silence, and then my attendance would become purposeful. At a certain point in the service the preacher would ask that we observe a moment of silence . . . And then the quiet that was almost the quiet of the empty church would come over us and unite us as we were not united even in singing, and the little sounds (maybe a bird's song) from the world outside would come in to us, and we would completely hear it.
But always too soon the preacher would become abashed (after all, he was being paid to talk) and start a prayer, and the beautiful moment would end. I would think again how I would like for us all just to go there from time to time and sit in silence. Maybe I am a Quaker of sorts, but I am told that the Quakers sometimes speak at their meetings. I would've preferred no talk, no noise at all.
”
”
Wendell Berry (Jayber Crow)
“
The smell of dry earth, opening to the rain in the spring. It unlocked me like a key.
Once upon a time, Emmeline.
"Petrichor," Rene said. "The word comes from petra, which means stones, and ichor, the ethereal blood of the Greek gods. Plants release an oil that stops their seeds from germinating when it would be too difficult to survive. The oil soaks into the pores of the stones, and is set free with water. They say it's the smell of waiting, paid off.
”
”
Erica Bauermeister (The Scent Keeper)
“
My, you ought to seen old Henry the Eight when he was in bloom. He was a blossom. He used to marry a new wife every day, and chop off her head next morning. And he would do it just as indifferent as if he was ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up. Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane Shore,' he says; and up she comes, Next morning, 'Chop off her head'—and they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the bell. Next morning, 'Chop off her head.' And he made every one of them tell him a tale every night; and he kept that up till he had hogged a thousand and one tales that way, and then he put them all in a book, and called it Domesday Book—which was a good name and stated the case. You don't know kings, Jim, but I know them; and this old rip of ourn is one of the cleanest I've struck in history. Well, Henry he takes a notion he wants to get up some trouble with this country. How does he go at it—give notice?—give the country a show? No. All of a sudden he heaves all the tea in Boston Harbor overboard, and whacks out a declaration of independence, and dares them to come on. That was his style—he never give anybody a chance. He had suspicions of his father, the Duke of Wellington. Well, what did he do? Ask him to show up? No—drownded him in a butt of mamsey, like a cat. S'pose people left money laying around where he was—what did he do? He collared it. S'pose he contracted to do a thing, and you paid him, and didn't set down there and see that he done it—what did he do? He always done the other thing. S'pose he opened his mouth—what then? If he didn't shut it up powerful quick he'd lose a lie every time. That's the kind of a bug Henry was; and if we'd a had him along 'stead of our kings he'd a fooled that town a heap worse than ourn done. I don't say that ourn is lambs, because they ain't, when you come right down to the cold facts; but they ain't nothing to that old ram, anyway. All I say is, kings is kings, and you got to make allowances. Take them all around, they're a mighty ornery lot. It's the way they're raised.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
Umm, Ren? We have something important we need to discuss. Meet me on the veranda at sundown, okay?”
He froze with his sandwich halfway to his mouth. “A secret rendezvous? On the veranda? At sundown?” He arched an eyebrow at me. “Why, Kelsey, are you trying to seduce me?”
“Hardly,” I dryly muttered.
He laughed. “Well, I’m all yours. But be gentle with me tonight, fair maiden. I’m new at this whole being human business.”
Exasperated, I threw out, “I am not your fair maiden.”
He ignored my comment and went back to devouring his lunch. He also took the other half of my discarded peanut butter sandwich and ate that too, commenting, “Hey! This stuff’s pretty good.”
Finished, I walked over to the kitchen island and began clearing away Ren’s mess. When he was done eating, he stood to help me. We worked well together. It was almost like we knew what the other person was going to do before he or she did it. The kitchen was spotless in no time. Ren took off his apron and threw it into the laundry basket. Then, he came up behind me while I was putting away some glasses and wrapped his arms around my waist, pulling me up against him.
He smelled my hair, kissed my neck, and murmured softly in my ear, “Mmm, definitely peaches and cream, but with a hint of spice. I’ll go be a tiger for a while and take a nap, and then I can save all my hours for you this evening.”
I grimaced He was probably expecting a make-out session, and I was planning to break up with him. He wanted to spend time with a girlfriend, and my intention was to explain to him how we weren’t meant to be together. Not that we were ever officially together. Still, it felt like a break-up.
Why does this have to be so hard?
Ren rocked me and whispered, “’How silver-sweet sound lovers’ tongues by night, Like soft music to attending ears.’”
I turned around in his arms, shocked. “How did you remember that? That’s Romeo and Juliet!”
He shrugged. “I paid attention when you were reading it to me. I liked it.”
He gently kissed my cheek. “See you tonight, iadala,” and left me standing there.
The rest of the afternoon, I couldn’t focus on anything. Nothing held my attention for more than a few minutes. I rehearsed some sentences in front of the mirror, but they all sounded pretty lame to me: “It’s not you, it’s me,” “There are plenty of other fish in the sea,” “I need to find myself,” “Our differences are too big,” “I’m not the one,” “There’s someone else.” Heck, I even tried “I’m allergic to cats.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
On any given day, half of the subway cars smelled like urine, and attempting to get anywhere on time was nearly impossible. It was stressful to live in the city and I still hadn’t found my niche, but I had dreams. One day when I’d paid off my massive pile of student loans and was working for Vogue, I’d move to the Upper East Side and get to experience the city in a whole new light.
”
”
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
“
I busted him and he busted me. That's fair ain't it?
No, I ain't forgettin about jail. You think because he arrested me that thows it off again I reckon? I don't. It's his job. It's what he gets paid for. To arrest people that break the law. And I didn't jest break the law, I made a livin at it. More money in three hours than any workin man makes in a week. Why is that? Because it's harder work? No, because a man who makes a livin doin somethin that has to get him in jail sooner or later has to be paid for the jail, has to be paid in advance not jest for his time breakin the law but for the time he has to build when he gets caught at it. So I been paid. Gifford's been paid. Nobody owes nobody. If it wadn't for Gifford, the law, I wouldn't of had the job I had blockadin and if it wadn't for me blockadin, Gifford wouldn't of had his job arrestin blockaders. Now who owes who?
”
”
Cormac McCarthy (The Orchard Keeper)
“
Why didn't you tell me?"
"I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can."
"Don't say that,Becks.We're going to figure something out."
"I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..."
His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead.
"Um,she knew what?" I could barely hear my own voice.
"It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?"
I shook my head slowly,wanting desperately to believe him, but not sure if I could.
"How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?"
Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance.
"Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird.
"Yeah,well,I didn't tell you, but Bozeman actually asked my permission."
"Why?"
"Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes.
"And?"
"Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine.
I could only imagine what was said between Jack and the lineman, who was twice his size.
"Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The
”
”
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
“
when he found her, upstairs in the hall outside her bedchamber, her hair had gone white.
As, it seemed, had the rest of her.
Bloody hell. 'Oliver!' he bellowed. 'Amanda!'
'Oh, they're long gone,' Eloisa bit off. She looked up at him with fuming eyes. Fuming eyes which, he couldn't help but note, were the only part of her not covered with a remarkably thick coating of flour.
Well, good for her for closing them in time. He'd always admired quick reflexes in a woman.
'Miss Bridgerton,' he said, his hand moving forward to help her, then retracting as he realized there *was* no helping her. 'I cannot begin to express-'
'*Don't* apologize for them,' she snapped ...
He took a self-preservational step back. 'I gather the twins paid you a visit,' he said.
'Oh, yes,' she replied, with no small measure of sarcasm. 'And then scampered away. The little cowards themselves are nowhere to be found.'
'Well, they wouldn't be far,' he mused ... 'They'd want to see the results, of course ... I don't suppose you heard any laughter when the flour came down? Cackling, perhaps?' ...
'It was difficult,' she said, so tightly he wondered if her jaw might snap, 'to hear anything but the sound of the bucket hitting my head.
”
”
Julia Quinn (To Sir Phillip, With Love (Bridgertons, #5))
“
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time.
'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency.
'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much.
'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later.
'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives.
'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio.
'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
Angua wondered if there was ever a time when anyone in the Watch was ever, really, off duty. She couldn’t imagine Sergeant Colon in civilian clothes. When you were a Watchman, you were a Watchman all the time, which was a bit of a bargain for the city since it only paid you to be a Watchman for ten hours of every day.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
The papers were always talking about the debt owed to society. According to them, it had to be paid . But that doesn't speak to the imagination. What really counted was the possibility of escape, a leap to freedom, out of the implacable ritual, a wild run for it that would give whatever chance for hope there was.
..
Despite my willingness to understand, I just couldn't accept such arrogant certainty. Because, after all, there really was something ridiculously out of proportion between the verdict such certainty was based on and the imperturbable march of events from the moment the verdict was announced.
..
How had I not seen that there was nothing more important than an execution, and that when you come right down to it, it was the only thing a man could truly be interested in? If I ever got out of this prison I would go and watch every execution there was. But I think it was a mistake even to consider the possibility.
..
But I wasn't being reasonable. It was a mistake to let myself get carried away by such imaginings, because the next minute I would get so cold that I would curl up into a ball under my blanket and my teeth would be chattering and I couldn't make them stop.
..
So the thing that bothered me most was that the condemned man had to hope the machine would work the first time. And I say that’s wrong . And in a way I was right. But in another way I was forced to admit that that was the whole secret of good organization. In other words, the condemned man was forced into a kind of moral collaboration. It was in his interest that everything go off without a hitch.
”
”
Albert Camus (The Stranger)
“
The man with the dark hair sighs, and explains that his friend won’t be coming back, and thus she won’t be paid for her time, or for her trouble. And then, seeing the hurt in her eyes, and taking pity on her, he examines the golden threads in his mind, watches the matrix, follows the money until he spots a node, and tells her that if she’s outside Treasure Island at 6:00 A.M., thirty minutes after she gets off work, she’ll meet an oncologist from Denver who will just have won $40,000 at a craps table, and will need a mentor, a partner, someone to help him dispose of it all in the forty-eight hours before he gets on the plane home. The words evaporate in the waitress’s mind, but they leave her happy. She sighs and notes that the guys in the corner have done a runner, and have not even tipped her; and it occurs to her that, instead of driving straight home when she gets off shift, she’s going to drive over to Treasure Island; but she would never, if you asked her, be able to tell you why.
”
”
Neil Gaiman (American Gods)
“
So, once again, I'm practicing trying to follow my own admonitions, the lessons the Hell Room has taught me: to trust myself. Keep less, use more. Be imperfect. Doing these things feels like stepping off a cliff into thin air, but it's paid off before when, after ten years, I finally took the medication; when after eighteen years, I finally opened the Hell Room door in earnest and decided to tell the world my ugly secret; and when, every single time over the last year, I made a decision to keep (what if I'm a hoarder?) or a decision to discard (what if I'm filled with regret?). No decision that we make about anything in life is 100 percent safe, and I know now *that's* was kills me.
”
”
Eve O. Schaub (Year of No Clutter)
“
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire.
The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life."
This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
”
”
Crystal Boyd
“
Time and again I am asked why no one has successfully replicated Trader Joe’s. The answer is that no one has been willing to pay the wages and benefits, and thereby attract—and keep—the quality of people who work at Trader Joe’s. My standard was simple: the average full-time employee in the stores would make the median family income for California. Back in those days it was about $7,000; as I write this, it is around $40,000. What I didn’t count on back there in the 1960s was that so many spouses would go to work in the national economy. When I started, average family income was about the same as average employee income. The great social change of the 1970s and 1980s moved millions of women into the workplace. Average family income soared ahead. But we stuck with our standard, and it paid off.
”
”
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
“
You need to add a new voice inside your head, one that says, “So what?” What if you don’t get married by 30? So what? What if you haven’t paid off your loans or debt by 35? So what? What if you’re not a stand-out success by 28? So what? If you were to achieve everything you wanted in life by the age of 30, then what would you do for the next fifty years? You have time. You don’t have to get to everything right now.
”
”
Alexandra Robbins (Conquering Your Quarterlife Crisis: Advice from Twentysomethings Who Have Been There and Survived (Perigee Book))
“
Any general social responsibility for motherhood, or move towards the equal sharing of childcare responsibilities is immediately blocked off – this individual woman has betrayed the economy! All the while, women working full time receive 17% less than male counterparts while part-timers are paid on average 37% less.21 The model female worker, so long as she doesn’t get pregnant or make undue demands, is both desirable and cheap. When
”
”
Nina Power (One Dimensional Woman)
“
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door.
“You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.”
“Unlock this thing and get me out of here!” she squeaked.
He chuckled. “Coward.”
He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye.
Cecily blew him a kiss as Colby gunned the engine down the busy street.
“You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added.
“He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?”
She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years.
“He won’t like it,” he said.
She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.”
“I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.”
“Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly.
He glanced at her rigid profile. “He won’t marry her.”
She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.”
“In psychology,” Colby mused.
“She’s been going around with Tate for several months.”
“He goes around with a lot of women. He won’t marry any of them.”
“Well, he certainly won’t marry me,” she assured him. “I’m white.”
“More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.”
She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
”
”
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
“
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight.
The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab.
Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall.
They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it.
It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time.
Here's to them.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
After you list the debts smallest to largest, pay the minimum payment to stay current on all the debts except the smallest. Every dollar you can find from anywhere in your budget goes toward the smallest debt until it is paid. Once the smallest is paid, the payment from that debt, plus any extra “found” money, is added to the next smallest debt. (Trust me, once you get going, you will find money.) Then, when debt number two is paid off, you take the money that you used to pay on number one and number two and you pay it, plus any found money, on number three. When three is paid, you attack four, and so on. Keep paying minimums on all the debts except the smallest until it is paid. Every time you pay one off, the amount you pay on the next one down increases. All the money from old debts and all the money you can find anywhere goes on the smallest until it is gone. Attack! Every time the Snowball rolls over, it picks up more snow and gets larger, and by the time you get to the bottom, you have an avalanche.
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
And I’m sure they all played by the rules, just liked I did. By the way, when I got laid off four and a half years ago, the stock of my company was at an all-time high. Our CEO retired. He was paid $70 million. Maybe now that is only worth $30 million. Or maybe in a few years if he plays by the rules it will be worth $130 million. I’ll still be worth nothing. And I won’t have a home or my children. You see why I wonder about playing by the rules? Because I always do. As a result, you’re standing where I sleep.
”
”
Ken Goldstein (This is Rage: A Novel of Silicon Valley and Other Madness)
“
I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…”
But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.
”
”
Günter Grass
“
Parents like Jennifer, Susan, and Rae express desires that are quite modest. Full-time hours come first. That is a prize that can be astonishingly hard to wrest from a low-wage employer who wants to avoid added costs associated with full-time employment, such as health insurance and paid time off. A predictable schedule, so parents can arrange for safe, reliable child care, comes next. A few say they would be happy if they could get just those two things. Yet finding a job with even those basic attributes is something Susan Brown feels she can only dream of, not expect. Most parents, like Jennifer and Rae, hope for a little more. If they could just make $12 or $13 per hour, they say, they could make it; $15 per hour is really shooting the moon. Safe working conditions, and some sick or personal days, would be a real plus. The other “extras” that once came routinely with a full-time job—health insurance, vacation days, and retirement benefits—don’t often come up in conversations with the $2-a-day poor. These perks are so uncommon among the jobs available to low-wage workers that they seem all but outside the bounds of reality.
”
”
Kathryn J. Edin ($2.00 A Day: Living on Almost Nothing in America)
“
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger.
Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume.
“Yes,” Elizabeth had assured her, smiling. “Do you?”
“Have you read Christopher Marlowe?”
“Yes, but I prefer Shakespeare.”
Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard.
“My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.”
Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
Because it is illegal to talk to a stranger on a train, it can sometimes be confusing when someone stands on your foot or hits you with their briefcase and then fails to say sorry. Which is why I have decided to carry an air horn with me at all times, and when someone stands on my foot I will set it off in their face and then go back to reading my paper. I imagine this will make people want to avoid standing on my feet, but if I've paid good money for the air horn, I'll want to use it, so I'll wear massive clown-shoes while travelling. I'll also wear a red nose and a wig.
Essentially, I really want to get into clowning.
”
”
Danny Wallace (More Awkward Situations for Men)
“
They came to the door of the ladies’ club and Ash reached for the handle. Before he could touch it, the door flew open and Lyre fell out, still dressed in the white waiter “uniform” and his arms full of his clothes and weapons. Shouts burst from the building’s interior.
“There you are!” Lyre blurted, wild-eyed. “Time to go.”
“What happened?” Ash barked.
Clio was still gawking when Lyre launched down the alley, leaving her and Ash to rush after him.
“Some women react poorly to rejection,” Lyre explained breathlessly. “Especially when they’ve paid a lot of money to not be rejected.”
“You blew your cover by rejecting her?” Ash snapped.
They fled down several alleys before Lyre skidded to a stop and whirled on Ash, still clutching his belongings.
“I’ll dress up in stupid costumes,” the incubus snarled with unexpected temper, “and I’ll pretend to be a paid whore, and I’ll even let a crucial informant pinch and paw at me.” He thrust an accusatory finger at Ash. “But I will not allow that nasty old hag’s tongue anywhere near me, not even to save the damn world!”
Ash blinked.
Scowling blackly, Lyre shoved his armload at Ash, then pulled a dagger from the pile and cut his leather-strap top off. “Next time, you can do the nasty stuff and I’ll kill people.
”
”
Annette Marie (The Blood Curse (Spell Weaver, #3))
“
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics."
"Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place.
Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..."
He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!"
Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car.
Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow.
The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag.
"I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors."
"I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance.
"Hey, I offered to carry you," Sage offered.
"No, thank you."
I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time.
After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked.
"We're here."
There was nothing in front of us but more trees.
"Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed.
"You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest."
"Thank you," Sage said.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
ELDRIDGE CLEAVER (1953-I998) was a man who made a a significant imprint on our times, and not for the best. But I mourn his passing nonetheless. I first met Eldridge when he was Ramparts magazine's most famous and most bloodthirsty ex-con. 'I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist," he wrote in a notorious epistle that Ramparts published. "My answer to all such thoughts lurking in their split-level heads, crouching behind their squinting bombardier eyes, is that the blood of Vietnamese peasants has paid off all my debts." This nihilism became an iconographic comment for the times, a ready excuse for all the destructive acts radicals like us went on to commit.
”
”
David Horowitz (Hating Whitey and Other Progressive Causes)
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
After you list the debts smallest to largest, pay the minimum payment to stay current on all the debts except the smallest. Every dollar you can find from anywhere in your budget goes toward the smallest debt until it is paid. Once the smallest is paid, the payment from that debt, plus any extra “found” money, is added to the next smallest debt. (Trust me, once you get going, you will find money.) Then, when debt number two is paid off, you take the money that you used to pay on number one and number two and you pay it, plus any found money, on number three. When three is paid, you attack four, and so on. Keep paying minimums on all the debts except the smallest until it is paid. Every time you pay one off, the amount you pay on the next one down increases.
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
By the time she had picked every visible corpse off her property, the heap included ants, beetles and cockroaches, different kinds of spiders, some bees, flies, a wasp, two fetid lizard skins and the brittle remains of their skeletons, six butterflies, a stick insect the length of her forearm, two dragonflies, a handful of crickets and other creatures that in the world of naming remained untitled. The collection measured a full hand deep. She paid no attention to the odour rising out of the bucket. The scent of decay was not offensive to her. It was the aroma of life refusing to end. It was the aroma of transformation. Such odour was proof that nothing truly ended, and she revelled in it as much as she did the cereus blossoms along the back wall of the house.
”
”
Shani Mootoo (Cereus Blooms at Night)
“
You think because he arrested me that throws it off again I reckon? I don’t. It’s his job. It’s what he gets paid for. To arrest people that break the law. And I didn’t jest break the law, I made a livin at it. . . . More money in three hours than a workin man makes in a week. Why is that? Because it’s harder work? No, because a man who makes a livin doin something that has to get him in jail sooner or later has to be paid for the jail, has to be paid in advance not jest for his time breakin the law but for the time he has to build when he gets caught at it. So I been paid. Gifford’s been paid. Nobody owes nobody. If it wadn’t for Gifford, the law, I wouldn’t of had the job I had blockading and if it wadn’t for me blockading, Gifford wouldn’t of had his job arrestin blockaders. Now who owes who?
”
”
Cormac McCarthy
“
History lesson, folks: The tax system we have today—the one we've come to know and love—began ninety-four years ago as a (drum roll, please) flat tax! The monstrosity you see today is a flat tax on income after nearly a century of very imperfect evolution. At first, only a very small percentage of Americans were asked to pay income tax. In fact, that’s how they sold it to us—as a tax on the rich!
Well, that all changed with World War II. The cost of the war effort led to an expansion of those who paid federal income taxes—and we were off to the races. The tax code was flattened again, if you will, in 1986. Since that time it has been amended 16,000 times. We now have more than 67,000 pages of statutes and regulations—which helps explain why, last year, nearly two-thirds of all tax filers had to seek professional help with their tax return.
”
”
Neal Boortz (FairTax: The Truth: Answering the Critics)
“
We stayed two days at Streatley, and got our clothes washed. We had tried washing them ourselves, in the river, under George’s superintendence, and it had been a failure. Indeed, it had been more than a failure, because we were worse off after we had washed our clothes than we were before. Before we had washed them, they had been very, very dirty, it is true; but they were just wearable. After we had washed them—well, the river between Reading and Henley was much cleaner, after we had washed our clothes in it, than it was before. All the dirt contained in the river between Reading and Henley, we collected, during that wash, and worked it into our clothes. The washerwoman at Streatley said she felt she owed it to herself to charge us just three times the usual prices for that wash. She said it had not been like washing, it had been more in the nature of excavating. We paid the bill without a murmur.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…”
“Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.”
“You can’t eat pizza for breakfast!”
“Why can’t I? I’ve been doing it for a week.”
“You can cook,” she said accusingly.
“When I’m sober,” he agreed.
She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.”
He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs.
“You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?”
She gave him a shocked glance. “I’m pregnant,” she reminded him.
He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.”
Her hand stopped, poised in midair with a spoon in it. “Wh…What?”
“The eggs are burning,” he said pleasantly.
She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious.
But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating.
“Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…”
“Yes, you do,” he said quietly. “I’m your home. I always have been.”
She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily.
“Where?” he asked.
She drew in a harsh breath. “You’re taking responsibility for me, out of duty.”
He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.”
Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her.
He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The reason we were with Mama that day was because it was a snow day. School was canceled, but we were too little to stay alone in our apartment while Mama went to work—which she did, through snow and sleet and probably also earthquakes and Armageddon. She muttered, stuffing us into our snowsuits and boots, that it didn’t matter if she had to cross a blizzard to do it, but God forbid Ms. Mina had to spread the peanut butter on her own sandwich bread. In fact the only time I remember Mama taking time off work was twenty-five years later, when she had a double hip replacement, generously paid for by the Hallowells. She stayed home for a week, and even after that, when it didn’t quite heal right and she insisted on returning to work, Mina found her tasks to do that kept her off her feet. But when I was little, during school vacations and bouts of fever and snow days like this one, Mama would take us with her on the B train downtown. Mr.
”
”
Jodi Picoult (Small Great Things)
“
You were just trying to figure out if I'm one of you?"
Of course, stupid. When has anyone like Galen ever paid you any attention? When has there ever been anyone like Galen? Still, I'm surprised how much it hurts when he nods. I'm his little science project. All the time I thought he was flirting with me, he was really just trying to lure me out here to test his theory.
If stupid were a disease, I'd have died from it by now. But at least I know where he really stands-about his feelings for me anyway. But what his intentions for me in general are, I have no idea.
What happens if I can turn into a fish? Does he think I'll just kiss my mom good-bye, flush all my good grades-all those scholarships-down the toilet so I can go swim with the dolphins? he called himself a Royal. Of course, I don't know exactly what that means, but I can sure guess-that I'm another subject to him, someone to order around. He did say I had to obey him, after all. But if he's a Royal, why come out here himself? Why not send someone less important? I'm betting the U.S. President doesn't personally go to foreign countries looking for missing Americans who might not even be American.
But can I trust him enough to answer my questions? He already deceived me once, faking interest in me to get me out here. He lied to my face about having a mother. He even lied to my mom. What else would he lie about to get what he wants? No, I can't trust him.
Still, I want to know the truth, if only for myself. I'm not moving into some big seashell off the Jersey seashore or anything-but I can't deny that I'm different. What could it hurt to spend a little more time with Galen so he can help me figure this out? So what if he thinks I'm some sort of pheasant fish who has to obey him? Why shouldn't I use him the way he used me-to get what I want?
It's just that what I want is holding me in his arms, acting like he's concerned that I'm not talking anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The next day, as they walked, a stranger rode up, matching the Georgia-man’s pace. “Niggers for sale?” He wanted to buy two women. The two men negotiated, argued, and insulted each other a little. The new man stared at the women and told them what he thought he’d do with them. The coffle kept moving. The white men rode along, bargaining. Maybe the deal could be sweetened, allowed the Georgia-man, if the South Carolinian paid to have the chains knocked off the men. One thousand dollars for the two, plus blacksmith fees. They stopped at a forge, and they kept arguing. The new man stated for everyone’s benefit that he had worked African men to death in iron collars. The blacksmith came out, and he asked what “the two gentlemen were making such a frolick about,” Ball later said. Frolicking: Down there, Ball realized, the Carolinians’ play, the time when they were most fully themselves, was evidently when they were arguing, negotiating, dealing, and intimidating the enslaved.
”
”
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
In under two weeks, and with no budget, thousands of college students protested the movie on their campuses nationwide, angry citizens vandalized our billboards in multiple neighborhoods, FoxNews.com ran a front-page story about the backlash, Page Six of the New York Post made their first of many mentions of Tucker, and the Chicago Transit Authority banned and stripped the movie’s advertisements from their buses. To cap it all off, two different editorials railing against the film ran in the Washington Post and Chicago Tribune the week it was released. The outrage about Tucker was great enough that a few years later, it was written into the popular television show Portlandia on IFC. I guess it is safe to admit now that the entire firestorm was, essentially, fake. I designed the advertisements, which I bought and placed around the country, and then promptly called and left anonymous complaints about them (and leaked copies of my complaints to blogs for support). I alerted college LGBT and women’s rights groups to screenings in their area and baited them to protest our offensive movie at the theater, knowing that the nightly news would cover it. I started a boycott group on Facebook. I orchestrated fake tweets and posted fake comments to articles online. I even won a contest for being the first one to send in a picture of a defaced ad in Chicago (thanks for the free T-shirt, Chicago RedEye. Oh, also, that photo was from New York). I manufactured preposterous stories about Tucker’s behavior on and off the movie set and reported them to gossip websites, which gleefully repeated them. I paid for anti-woman ads on feminist websites and anti-religion ads on Christian websites, knowing each would write about it. Sometimes I just Photoshopped ads onto screenshots of websites and got coverage for controversial ads that never actually ran. The loop became final when, for the first time in history, I put out a press release to answer my own manufactured criticism: TUCKER MAX RESPONDS TO CTA DECISION: “BLOW ME,” the headline read.
”
”
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
“
And her. What would she do without him?
She’s not special, not like BB and Ghostly, who awe her with their intelligence and the things they’re capable of, all their humbling potential. All she does is write - a lot - because it’s fun. She’s under no illusions, she’s popular through quantity not quality, she’s not bad but she is not Blackbindings and she never will be. She writes because it’s fun. And she thinks about him, and what he does.
She works three jobs she hates, just to keep the bills paid. She wanted to get into journalism but she can’t afford the internships. She already sees what her life will be like, she sees the path ahead, she knows there’s no way off; she’ll never not be working three dead end jobs she hates, she’ll marry her boyfriend and unless there’s an accident they’ll decide almost too late that fuck it they’d better have those kids now or never, because they never will be able to afford them; she’ll never do anything amazing, never be anything amazing, just a person in a world full of people, getting by.
But there’s him. And every time she faces life and thinks she can’t bear it, there’s him. If he can be so brave, can’t she manage the littlest bravery? Because - because her little pointless life that will never mean anything, that will have vanished beyond notice within hardly more than a hundred years if she has those kids to remember her, her dragging, struggling life of bills and broken pipes and fuck it it’s another ramen week unless they can live without cell phones -
If she was in trouble, he’d still rescue her, wouldn’t he? Her life wouldn’t mean anything less to him. He rescues people. She’s still a person, as much as anyone else. She’s not important and she’s not special. But she’s a person. And she wipes her nose on the back of her wrist because she tossed the tissues and that’s what he gave her, and maybe it’s the smallest way to save someone’s life, to let them know they still matter whoever they are, but fuck like it doesn’t mean anything to her. It does. She owes him this, and everything …
”
”
rainjoy (All the Other Ghosts (All the Other Ghosts, #1))
“
Two days later, I started my job.
My job involved typing friendly letters full of happy lies to dying children. I wasn't allowed to touch my computer keyboard. I had to press the keys with a pair of Q-tips held by tweezers -- one pair of tweezers in each hand.
I’m sorry -- that was a metaphor.
My job involved using one of those photo booths to take strips of four photographs of myself. The idea was to take one picture good enough to put on a driver’s license, and to be completely satisfied with it, knowing I had infinite retries and all the time in the world, and that I was getting paid for it. I’d take the photos and show them to the boss, and he would help me think of reasons the photos weren't good enough. I’d fill out detailed reports between retakes. We weren't permitted to recycle the outtakes, so I had to scan them, put them on eBay, arrange a sale, and then ship them out to the buyer via FedEx. FedEx came once every three days, at either ten minutes till noon or five minutes after six.
I’m sorry -- that was a metaphor, too.
My job involved blowing ping-pong balls across long, narrow tables using three-foot-long bendy straws. At the far end of the table was a little wastebasket. My job was to get the ping-pong ball into that wastebasket, using only the bendy straw and my lungs. Touching the straw to the ping-pong ball was grounds for a talking-to. If the ping-pong ball fell off the side of the table, or if it missed the wastebasket, I had to get on my computer and send a formal request to commit suicide to Buddha himself. I would then wait patiently for his reply, which was invariably typed while very stoned, and incredibly forgiving. Every Friday, an hour before Quitting Time, I'd put on a radiation suit. I'd lift the wastebaskets full of ping-pong balls, one at a time, and deposit them into drawstring garbage bags. I'd tie the bags up, stack them all on a pallet, take them down to the incinerator in the basement, and watch them all burn. Then I'd fill out, by hand, a one-page form re: how the flames made me feel. "Sad" was an acceptable response; "Very Sad" was not.
”
”
Tim Rogers
“
May I inquire what is the point?” he snapped impatiently.
“Indeed you may,” Lucinda said, thinking madly for some way to prod him into remembering his long-ago desire for Elizabeth and to prick his conscience. “The point is that I am well apprised of all that transpired between Elizabeth and yourself when you were last together. I, however,” she decreed grandly, “am inclined to place the blame for your behavior not on a lack of character, but rather a lack of judgment.” He raised his brows but said nothing. Taking his silence as assent, she reiterated meaningfully, “A lack of judgment on both your parts.”
“Really?” he drawled.
“Of course,” she said, reaching out and brushing the dust from the back of a chair, then rubbing her fingers together and grimacing with disapproval. “What else except lack of judgment could have caused a seventeen-year-old girl to rush to the defense of a notorious gambler and bring down censure upon herself for doing it?”
“What indeed?” he asked with growing impatience.
Lucinda dusted off her hands, avoiding his gaze. “Who can possibly know except you and she? No doubt it was the same thing that prompted her to remain in the woodcutter’s cottage rather than leaving it the instant she discovered your presence.” Satisfied that she’d done the best she was able to on that score, she became brusque again-an attitude that was more normal and, therefore, far more convincing. “In any case, that is all water under the bridge. She has paid dearly for her lack of judgment, which is only right, and even though she is now in the most dire straits because of it, that, too, is justice.”
She smiled to herself when his eyes narrowed with what she hoped was guilt, or at least concern. His next words disabused her of that hope: “Madam, I do not have all day to waste in aimless conversation. If you have something to say, say it and be done!”
“Very well,” Lucinda said, gritting her teeth to stop herself from losing control of her temper. “My point is that it is my duty, my obligation to see to Lady Cameron’s physical well-being as well as to chaperon her. In this case, given the condition of your dwelling, the former obligation seems more pressing than the latter, particularly since it is obvious to me that the two of you are not in the least need of a chaperon to keep you from behaving with impropriety. You may need a referee to keep you from murdering each other, but a chaperon is entirely superfluous. Therefore, I feel duty-bound to now ensure that adequate servants are brought here at once. In keeping with that, I would like your word as a gentleman not to abuse her verbally or physically while I am gone. She has already been ill-used by her uncle. I will not permit anyone else to make this terrible time in her life more difficult than it already is.”
“Exactly what,” Ian asked in spite of himself, “do you mean by a ‘terrible time’?”
“I am not at liberty to discuss that, of course,” she said, fighting to keep her triumph from her voice. “I am merely concerned that you behave as a gentleman. Will you give me your word?”
Since Ian had no intention of laying a finger on her, or even spending time with her, he didn’t hesitate to nod. “She’s perfectly safe from me.”
“That is exactly what I hoped to hear,” Lucinda lied ruthlessly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for.
Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’
I don’t know when we started drifting apart.
When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful.
Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
So we do go out to the San Jose highway to watch Cody recap tires—There he is wearing goggles working like Vulcan at his forge, throwing tires all over the place with fantastic strength, the good ones high up on a pile, “This one’s no good” down on another, bing, bang, talking all the time a long fantastic lecture on tire recapping which has Dave Wain marvel with amazement—(“My God he can do all that and even explain while he’s doing it”)—But I just mention in connection with the fact that Dave Wain now realizes why I’ve always loved Cody—Expecting to see a bitter ex con he sees instead a martyr of the American Night in goggles in some dreary tire shop at 2 A.M. making fellows laugh with joy with his funny explanations yet at the same time to a T performing every bit of the work he’s being paid for—Rushing up and ripping tires off car wheels with a jicklo, clang, throwing it on the machine, starting up big roaring steams but yelling explanations over that, darting, bending, flinging, flaying, till Dave Wain said he thought he was going to die laughing or crying right there on the spot.
”
”
Jack Kerouac (Big Sur)
“
The public offering occurred exactly one week after Toy Story’s opening. Jobs had gambled that the movie would be successful, and the risky bet paid off, big-time. As with the Apple IPO, a celebration was planned at the San Francisco office of the lead underwriter at 7 a.m., when the shares were to go on sale. The plan had originally been for the first shares to be offered at about $14, to be sure they would sell. Jobs insisted on pricing them at $22, which would give the company more money if the offering was a success. It was, beyond even his wildest hopes. It exceeded Netscape as the biggest IPO of the year. In the first half hour, the stock shot up to $45, and trading had to be delayed because there were too many buy orders. It then went up even further, to $49, before settling back to close the day at $39. Earlier that year Jobs had been hoping to find a buyer for Pixar that would let him merely recoup the $50 million he had put in. By the end of the day the shares he had retained—80% of the company—were worth more than twenty times that, an astonishing $1.2 billion. That was about five times what he’d made when Apple went public in 1980.
”
”
Walter Isaacson (Steve Jobs)
“
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
”
”
John Green (The Fault in Our Stars)
“
When I spoke to you here the last time, my old party comrades, I did so fully conscious of victory as hardly a mortal has been able to do before me. In spite of this, a concern weighed heavily on me. It was clear to me that, ultimately, behind this war was that incendiary who has always lived off the quarrels of nations: the international Jew. I would no longer have been a National Socialist had I ever distanced myself from this realization.
We followed his traces over many years. In this Reich, probably for the first time, we scientifically resolved this problem for all time, according to plan, and really understood the words of a great Jew who said that the racial question was the key to world history. Therefore, we knew quite well-above all, knew-that the driving force behind these occurrences was the Jew. And that, as always in history, there were blockheads ready to stand up for him: partly spineless, paid characters, partly people who want to make deals and, at no time, flinch from having blood spilled for these deals. I have come to know these Jews as the incendiaries of the world.
Adolf Hitler – speech in the Löwenbräukeller
Munich, November 8, 1941
”
”
Adolf Hitler
“
I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“
“What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
His apparent lack of concern so enraged the vicar that he surged to his feet and stalked over to Ian’s side, glowering at his profile. “She told me you ruined Elizabeth Cameron’s reputation beyond recall,” he snapped bitterly. “She told me that you convinced that innocent girl-who’d never been away from her country home until a few weeks before meeting you-that she should meet you in a secluded cottage, and later in a greenhouse. She told me that the scene was witnessed by individuals who made great haste to spread the gossip, and that it was all over the city in a matter of days. She told me Elizabeth’s fiancé heard of it and withdrew his offer because of you. When he did that, society assumed Elizabeth’s character must indeed be of the blackest nature, and she was summarily dropped by the ton. She told me that a few days later Elizabeth’s brother fled England to escape their creditors, who would have been paid off when Elizabeth made an advantageous marriage, and that he’s never returned.” With grim satisfaction the vicar observed the muscle that was beginning to twitch in Ian’s rigid jaw. “She told me the reason for Elizabeth’s going to London in the first place had been the necessity for making such a marriage-and that you destroyed any chance of that ever happening. Which is why that child will now have to marry a man you describe as a lecher three times her age!” Satisfied that his verbal shots were finding their mark, he fired his final, most killing around. “As a result of everything you have done, that brave, beautiful girl has been living in shamed seclusion for nearly two years. Her house, of which she spoke with such love, has been stripped of its valuables by creditors. I congratulate you, Ian. You have made an innocent girl into an impoverished leper! And all because she fell in love with you on sight. Knowing what I now know of you, I can only wonder what she saw in you!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.”
Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!”
“Not quite,” he chuckled.
“Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“
She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.”
“You don’t mean there’s more!”
“I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.”
“Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!”
Laughing, Ian put his forehead against hers, and he nodded.
“It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.”
“If you hadn’t,” he laughed, “God knows what I would have bought.”
“Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later.
“Do what?” he gasped, tears of mirth blurring his vision.
“Spend money heedlessly when you’re disturbed about something?”
“Yes,” he lied in a suffocated, laughing voice.
“You’ll have to stop doing it.”
“I’m going to try.”
“I could help you.”
“Please do.”
“You may place yourself entirely in my hands.”
“I’m very much looking forward to that.”
It was the first time Ian had ever kissed a woman while he was laughing.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Why would intelligent, capable British and French government officials continue to invest in what was clearly a losing proposition for so long? One reason is a very common psychological phenomenon called “sunk-cost bias.” Sunk-cost bias is the tendency to continue to invest time, money, or energy into something we know is a losing proposition simply because we have already incurred, or sunk, a cost that cannot be recouped. But of course this can easily become a vicious cycle: the more we invest, the more determined we become to see it through and see our investment pay off. The more we invest in something, the harder it is to let go. The sunk costs for developing and building the Concorde were around $1 billion. Yet the more money the British and French governments poured into it, the harder it was to walk away.3 Individuals are equally vulnerable to sunk-cost bias. It explains why we’ll continue to sit through a terrible movie because we’ve already paid the price of a ticket. It explains why we continue to pour money into a home renovation that never seems to near completion. It explains why we’ll continue to wait for a bus or a subway train that never comes instead of hailing a cab, and it explains why we invest in toxic relationships even when our efforts only make things worse. Examples
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating.
For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . .
All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . .
Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out.
My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . .
Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off.
Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door.
If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister.
My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
”
”
Dallin H. Oaks
“
Billy Sol Estes, who died on May 14, 2013, rebuffed my many attempts to interview him. He had long stopped speaking publicly about the strange deaths or his knowledge of them, praying as he got older in years for a more spiritual solution to the murders. “I think there’s still a God in heaven, and I think that God will straighten history out,” Estes said. “I’ve decided that none of us can do it down here.”69 I did have access and the full cooperation of Billy Sol Estes’s personal attorney Douglas Caddy, who supplied interviews, source materials, and remembrances for this book. I can understand Estes’s reluctance to give interviews in his later years. By the time I asked him in 2012, he had already identified Lyndon Johnson as the ultimate perpetrator in the murder of President Kennedy and had implicated him in seven other murders on record, in interviews and with many credible media outlets. Both Bobby Baker and Billy Sol Estes were self-described wheeler dealers, operators, hustlers; both were in deep with Johnson, made money from his political influence, and eventually paid for it. Both overreached for personal gain, possibly believing that their leader could exonerate them. Johnson used them for his own wealth until they became a liability. Then, they were promptly cut off the tree and left to rot.
”
”
Roger Stone (The Man Who Killed Kennedy: The Case Against LBJ)
“
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
”
”
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
“
Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it.
The flesh was still warm and Lew knew suddenly he had no time alibi.
He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions.
Next he went through his pockets, thinking he'd be helping to identify him.
The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. ("Dusk To Dawn")
”
”
Cornell Woolrich
“
If you want to know the real reasons why certain politicians vote the way they do - follow the money. Arch Brexiteer Jacob Rees-Mogg (a.k.a. JackOff Grease-Smug) stands to make billions via his investment firm - Somerset Capital Management - if the UK crashes unceremoniously out of the European Union without a secure future trade deal. Why ? Because proposed EU regulations will give enforcement agencies greater powers to curb the activities adopted by the sort of off-shore tax havens his company employs. Consequently the British electorate get swindled not once, but twice. Firstly because any sort of Brexit - whether hard, soft, or half-baked - will make every man, woman and child in the UK that much poorer than under the status quo currently enjoyed as a fully paid up member of the EU. Secondly because Rees-Mogg's company, if not brought to heel by appropriate EU wide legislation, will deprive Her Majesty's Treasury of millions in taxes, thus leading to more onerous taxes for the rest of us. It begs the question, who else in the obscure but influential European Research Group (ERG) that he chairs and the Institute for Economic Affairs (IEA) that he subscribes to, have similar vested interests in a no-deal Brexit ? It is high time for infinitely greater parliamentary and public scrutiny into the UK Register of Members' Financial Interests in order to put an end to these nefarious dealings and appalling double standards in public life which only serve to further corrode public trust in an already fragile democracy.
”
”
Alex Morritt (Lines & Lenses)
“
Why did you help AgriGen for so long?"
The doctor's eyes narrow. "The same reason you run like a dog for your masters. They paid me in the coin I wanted most."
Her slap rings across the water. The guards start forward, but Kanya is already drawing back, shaking off the sting in her hand, waving away the guards. "We're fine. Nothing is wrong."
The guards pause, unsure of their duty and loyalties. The doctor touches his broken lip, examines the blood thoughtfully. Looks up. "A sore spot, there. . . How much of yourself have you already sold?" He smiles showing teeth rimed bloody from Kanya's strike. "Are you AgriGen's then? Complicit?" He looks into Kanya's eyes. "Are you here to kill me? To end my thorn in their side?" He watches closely, eyes peering into her soul, observant, curious. "It is only a matter of time. They must know that I am here. That I am yours. The Kingdom couldn't have fared so well for so long without me. Couldn't have released nightshades and ngaw without my help. We all know they are hunting. Are you my hunter, then? Are you my destiny?"
Kanya scowls. "Hardly. We're not done with you yet."
Gibbons slumps. "Ah, of course not. But then, you never will be. That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?"
"Kamma," she murmurs.
"Precisely.
”
”
Paolo Bacigalupi (The Windup Girl)
“
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history.
I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad,
which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list.
But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk.
The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even
though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield.
This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
”
”
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
“
This is why, from this point on, no debt will be paid off. It can at best be bought back at a knock-down price and put back on to a debt market — the public sector borrowing requirement, the national debt, th e world deb t — having once again become an exchange value. It is unlikely the debt will ever be called in, and this is what gives it its incalculable value. For, suspended as it is in this way, it is our only insurance against time. Unlike the countdown, whic h signifies th e exhaustion of time, the indefinitely deferred debt is our guarantee that time itself is inexhaustible. Now, we very much need assuring about time in this way at the very poin t whe n the future itself is tendin g to be wholly consume d in real time . Clearing the debt, balancing up the books, writing off Third World debt — these are things not even to be contemplated. It is only the disequilibrium of the debt, its proliferation, its promise of infinity, which keeps us going. The global, planetary debt clearly has no meaning in traditional terms of obligation and credit. On the other hand, it is our true collective claim on each other — a symbolic claim, by whic h persons, companies and nations find themselves bound to one another through lack.
Each is bound to the other (even the banks) by their virtual bankruptcy , as accomplices are bound by their crime. All assured of existing for each other in the shade of a debt which cannot be settled or written off, since the repayment of the accumulated world debt would take far more than the funds available. The only sense of it, then, is to bind all civilized human beings into the same destiny as creditors.
Just as nuclear weapons, stockpiled across the world to a point of considerable planetary overkill, have no other meaning than to bind all human beings into a single destiny of threat and deterrence.
”
”
Jean Baudrillard (Screened Out)
“
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
”
”
Mark Twain (Following the Equator)
“
Lifting a goblet of wine to her lips, Evie glanced at him over the rim as she drank. “What is in that ledger?”
“A lesson in creative record keeping. I’m sure you won’t be surprised to learn that Egan has been draining the club’s accounts. He shaves away increments here and there, in small enough quantities that the thefts have gone unnoticed. But over time, it totals up to a considerable sum. God knows how many years he’s been doing it. So far, every account book I’ve looked at contains deliberate inaccuracies.”
“How can you be certain that they’re deliberate?”
“There is a clear pattern.” He flipped open a ledger and nudged it over to her. “The club made a profit of approximately twenty thousand pounds last Tuesday. If you cross-check the numbers with the record of loans, bank deposits, and cash outlays, you’ll see the discrepancies.”
Evie followed the trail of his finger as he ran it along the notes he had made in the margin. “You see?” he murmured. “These are what the proper amounts should be. He’s padded the expenses liberally. The cost of ivory dice, for example. Even allowing for the fact that the dice are only used for one night and then never again, the annual charge should be no more than two thousand pounds, according to Rohan.” The practice of using fresh dice every night was standard for any gaming club, to ward off any question that they might be loaded.
“But here it says that almost three thousand pounds was spent on dice,” Evie murmured.
“Exactly.” Sebastian leaned back in his chair and smiled lazily. “I deceived my father the same way in my depraved youth, when he paid my monthly upkeep and I had need of more ready coin than he was willing to provide.”
“What did you need it for?” Evie could not resist asking.
The smile tarried on his lips. “I’m afraid the explanation would require a host of words to which you would take strong exception.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
”
”
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
“
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes.
How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord.
Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
”
”
Hallgrímur Helgason
“
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
”
”
Pat Conroy (Beach Music)
“
The man at the desk in the library had seen Martin there so often that he had become quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out:
"Say, there's something I'd like to ask you."
The man smiled and paid attention.
"When you meet a young lady an' she asks you to call, how soon can you call?"
Martin felt his shirt press and cling to his shoulders, what of the sweat of the effort.
"Why I'd say any time," the man answered.
"Yes, but this is different," Martin objected. "She - I - well, you see, it's this way:
maybe she won't be there. She goes to the university."
"Then call again."
"What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he demanded abruptly.
"No, no; not at all, I assure you," the other protested. "Your request is not exactly in the scope of the reference department, but I shall be only too pleased to assist you."
Martin looked at him admiringly.
"If I could tear it off that way, I'd be all right," he said.
"I beg pardon?"
"I mean if I could talk easy that way, an' polite, an' all the rest."
"Oh," said the other, with comprehension.
"What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?"
"I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out."
"I'll do it," he said, picking up his books and starting away.
He turned back and asked:
"When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?"
"Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always until you come to know her better."
So it was that Martin Eden solved the problem.
"Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed
books.
”
”
Jack London (Martin Eden)
“
Success comes with an inevitable problem: market saturation. New products initially grow just by adding more customers—to grow a network, add more nodes. Eventually this stops working because nearly everyone in the target market has joined the network, and there are not enough potential customers left. From here, the focus has to shift from adding new customers to layering on more services and revenue opportunities with existing ones. eBay had this problem in its early years, and had to figure its way out. My colleague at a16z, Jeff Jordan, experienced this himself, and would often write and speak about his first month as the general manager of eBay’s US business. It was in 2000, and for the first time ever, eBay’s US business failed to grow on a month-over-month basis. This was critical for eBay because nearly all the revenue and profit for the company came from the US unit—without growth in the United States, the entire business would stagnate. Something had to be done quickly. It’s tempting to just optimize the core business. After all, increasing a big revenue base even a little bit often looks more appealing than starting at zero. Bolder bets are risky. Yet because of the dynamics of market saturation, a product’s growth tends to slow down and not speed up. There’s no way around maintaining a high growth rate besides continuing to innovate. Jeff shared what the team did to find the next phase of growth for the company: eBay.com at the time enabled the community to buy and sell solely through online auctions. But auctions intimidated many prospective users who expressed preference for the ease and simplicity of fixed price formats. Interestingly, our research suggested that our online auction users were biased towards men, who relished the competitive aspect of the auction. So the first major innovation we pursued was to implement the (revolutionary!) concept of offering items for a fixed price on ebay.com, which we termed “buy-it-now.” Buy-it-now was surprisingly controversial to many in both the eBay community and in eBay headquarters. But we swallowed hard, took the risk and launched the feature . . . and it paid off big. These days, the buy-it-now format represents over $40 billion of annual Gross Merchandise Volume for eBay, 62% of their total.65
”
”
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
“
The man at the desk in the library had seen Martin there so often that he had be-
come quite cordial, always greeting him with a smile and a nod when he entered. It
was because of this that Martin did a daring thing. Drawing out some books at the
desk, and while the man was stamping the cards, Martin blurted out:-
"Say, there's something I'd like to ask you."
The man smiled and paid attention.
"When you meet a young lady an' she asks you to call, how soon can you call?"
Martin felt his shirt press and cling to his shoulders, what of the sweat of the ef-
fort.
"Why I'd say any time," the man answered.
"Yes, but this is different," Martin objected. "She - I - well, you see, it's this way:
maybe she won't be there. She goes to the university."
"Then call again."
"What I said ain't what I meant," Martin confessed falteringly, while he made up
his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of
a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I
ain't anything that she is. You don't think I'm playin' the fool, do you?" he de-
manded abruptly.
"No, no; not at all, I assure you," the other protested. "Your request is not ex-
actly in the scope of the reference department, but I shall be only too pleased to as-
sist you."
Martin looked at him admiringly.
"If I could tear it off that way, I'd be all right," he said.
"I beg pardon?"
"I mean if I could talk easy that way, an' polite, an' all the rest."
"Oh," said the other, with comprehension.
"What is the best time to call? The afternoon? - not too close to meal-time? Or
the evening? Or Sunday?"
"I'll tell you," the librarian said with a brightening face. "You call her up on the
telephone and find out."
"I'll do it," he said, picking up his books and starting away.
He turned back and asked:-
"When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do
you say 'Miss Lizzie'? or 'Miss Smith'?"
"Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always -
until you come to know her better."
So it was that Martin Eden solved the problem.
"Come down any time; I'll be at home all afternoon," was Ruth's reply over the
telephone to his stammered request as to when he could return the borrowed
books.
”
”
Jack London (Martin Eden)
“
Dunyasha lunged. Inej stayed close, using every opportunity to keep inside the mercenary’s guard and deny her the advantage of her longer reach. She was stronger than she’d been when they’d faced each other on the wire, well rested, well fed. But she was still a girl trained on the streets, not in the towers of some Shu monastery. Inej’s first mistake was a slow recoil. She paid for it in a deep slash to her left bicep. It cut through the padding and made it hard to keep a good grip on the blade in her left hand. Her second error was putting too much force into an upward jab. She leaned in too far and felt Dunyasha’s knife skim her ribs. A shallow cut that time, but it had been a close thing. She ignored the pain and focused on her opponent, remembering what Kaz had told her. Find her tells. Everyone has them. But Dunyasha’s movements seemed unpredictable. She was equally comfortable with her left and right hands, she favored neither foot, and waited until the last moment to strike, giving no early indication of her intent. She was extraordinary. “Growing weary, Wraith?” Inej said nothing, conserving her energy. Though Dunyasha’s breathing seemed clear and even, Inej could feel herself dragging slightly. It wasn’t much, but it was enough to give the mercenary the advantage. Then she saw it—the slightest hitch of Dunyasha’s chest, followed by a lunge. A hitch, then another lunge. The tell was in her breathing. She took in a deep breath before an attack. There. Inej dodged left, struck quickly, a rapid jab of her blade to Dunyasha’s side. There. Inej attacked again, and blood flowered on Dunyasha’s arm. Inej drew back, waited as the girl advanced. The mercenary liked to hide her direct assaults with other movement, the whirl of her blades, an unnecessary flourish. It made her hard to read, but there. The quick burst of breath. Inej sank low and swept her left leg wide, knocking the mercenary off balance. This was her chance. Inej shot to her feet, using her upward momentum and Dunyasha’s descent to shove her blade under the leather guard protecting the girl’s sternum. Inej felt blood on her hand as she wrenched the knife free and Dunyasha released a shocked grunt. The girl stared at her now, clutching her chest with one hand. Her eyes narrowed. There was still no fear there, only a hard, bright resentment, as if Inej had ruined an important party. “The blood you spill is the blood of kings,” seethed Dunyasha. “You are not fit for such a gift.” Inej almost felt sorry for her. Dunyasha
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
In other words, you'll pretend to be someone else in order to snag a husband."
"Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets."
He flashed her a condescending smile.
"What is it?" she snapped.
"Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?"
"The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto."
His jaw dropped. "Are you insane?"
"I know they're rather beyond my reach, but they seem to like my company-"
"I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years."
"How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him."
"I don't have to. Their reputations tell me they're utterly unacceptable."
Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..."
"Is an oily sort, from what I hear," he snapped.
"No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?"
That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all."
She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that.
But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know."
Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door.
Oh, dear, she hadn't meant to run him off entirely.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
You have to go rescue Gabe before he does something foolish. Chetwin is here and they’re near to coming to blows over that stupid race. They’re in the card room.”
“Oh, for God’s sake, I can’t believe Foxmoor invited that idiot.” He hurried off.
As soon as Oliver disappeared into the house, Celia and Minerva tugged Maria inside, grinning. “Hurry, before he gets back.”
They were met by Lord Gabriel and Lord Jarret, who strode up with several young men in tow.
“Lord Gabriel!” Maria exclaimed. “Your brother-“
“Yes, I know. And while he’s gone…”
He and Jarret introduced the other gentlemen to her. By the time Oliver returned, she’d promised dances to all of his brothers’ friends.
Oliver’s frown deepened as he saw Gabe standing there, blithe as could be. He raised an eyebrow at his sister. “Was running me off in search of Chetwin your idea of a joke?”
“I got confused, that’s all,” Celia said brightly. “We’ve been introducing Maria around while you were gone.”
“Thank you for making her feel welcome,” he said, though he eyed the other gentlemen warily. Then he held out his arm to Maria. “Come, my dear, let me introduce you to our hosts, so we can dance.”
“Sorry, old chap.” Gabe said, stepping between them, “but she’s already promised the first dance to me.”
Oliver’s gaze swung to her, dark and accusing, “You didn’t.”
She stared to feel guilty, then caught herself. What did she have to feel guilty about? He was the one who’d spent last night at a brothel. He was the one who’d been so caught up in his battle with his grandmother that he hadn’t even bothered to ask her for a dance. He’d just assumed that she would give him one, because he’d “paid” for her services. Well, a pox on him.
Meeting his gaze steadily, she thrust out her chin. “You never mentioned it. I had no idea you wanted the first dance.”
A black scowl formed on his brow. “Then I get the second dance.”
“I’m afraid that one’s mine,” Jarret put in. “Indeed, I believe Miss Butterfield is engaged for every single dance. Isn’t that right, gentlemen?”
A male swell of assent turned Oliver’s scowl into a glower. “The hell she is.”
Mrs. Plumtree slapped his arm with her fan. “Really, Oliver, you must watch your language around young ladies. This is a respectable gathering.”
“I don’t care. She’s my fi-“ He caught himself just in time. “Maria came with me. I deserve at least one dance.”
“Then perhaps you should have asked for one before she became otherwise engaged,” Celia said with a mischievous smile.
Gabe held out his arm to Maria. “Come, Miss Butterfield,” he said in an echo of his older brother’s words, “I’ll introduce you to our hosts.” As she took his arm, he grinned at Oliver. “You’d better start hoping you draw her name in the lottery for the supper waltz, old boy. Because that’s the only way you’re going to get to dance with her tonight.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus.
All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute.
He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo.
Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart.
And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again.
Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could.
They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently.
All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period.
The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
”
”
Kristan Higgins (Out of the Clear Blue Sky)
“
Syn paid the bill and they headed to the door with lust so thick around them, Syn couldn’t help but wonder if anyone else could see it. Furi reached back for Syn’s hand and he gladly offered it. He looked over his shoulder and threw him a seductive wink when Syn crowded in close behind him. As soon as Syn made it out the door, he saw four members of his team walking up the sidewalk. Well fuck me.
“Hey, Sarge.” Pendleton, his demolitions expert was the first to speak up.
Syn threw down Furi’s hand and quickly put some distance between them. “Yeah, hey fellas.” They’d all stopped and were staring back and forth between him and Furi. Syn couldn’t even look Furious in his eye after what he’d just done.
Detective Green cleared his throat and pointed at Furi. “Don’t I know you?”
“Hardly,” Furi mumbled.
“Um, this is ... uh, uh. He’s my ... uh.” Syn cursed under his breath. Obviously his team already knew who Furious was. They all had detailed lists of Illustra’s entertainers and Furious’ image was not easy to forget.
“Sarge, who’s your friend?” Detective Ruxsburg asked, a sly smile playing on his handsome face.
“He’s um.”
“He’s leaving,” Furi’s deep voice cut in as he eased his way through and walked in the opposite direction of Syn’s truck.
“Fuck,” Syn whispered as he watched Furi turn the corner.
“You better go after him and be ready to do some serious groveling,” his IT Detective said in his calm, cool voice.
Syn didn’t say anything. His guys walked around him and went into the bar, leaving him feeling ashamed. He thought about running after Furi but choose to get in his truck and cut him off at the corner. He sped around the block and pulled into an alley hoping to intercept his angry date. When Syn got out of the truck Furi was turning the corner coming toward him. Oh hell. Furi had his hands crammed into his pockets and if the scowl on his face didn’t indicate how angry Furious was, then his choice of words when he finally reached Syn sure as hell did. “Get the fuck away from me.”
“Furious, I know you're upset.”
Furi spun around and glared at him with midnight eyes. “Upset! Upset! Look at my face goddamnit! Does this just look upset to you?”
Syn put his hands up in a calming gesture. “Alright, you’re angry, and you have every right to be. I reacted badly back there. I was just caught off guard.”
Furi was in Syn’s face and people on the street had begun to stop and stare. “Can we please move this off the sidewalk?” Syn tried to usher Furi farther into the alley and away from the nosy fuckers on the street.
“Don’t fuckin’ touch me!”
“I’m not gonna touch you! Damn, calm down. I just want to explain,” Syn argued. It seemed every time he was around Furi he was apologizing for something. “I’m sorry, okay. I should have introduced you properly to my team.”
“How would the–”
“Please, Furious. Let me finish. I should’ve told them your name and introduced you as my friend at a minimum. I’m sorry. I told you I fuckin’ suck at this dating shit, and if you don’t tell me to go fuck myself and give me another–”
“Go fuck yourself,” Furi interrupted. He tried to move around Syn but Syn grabbed him around the wrist and backed him against the side of his truck.
“No! I will not go fuck myself. I would rather fuck you.”
“Well you pretty much shot that chance all to hell,” Furi yelled right back at him.
“Have I?”
“What do you think?
”
”
A.E. Via
“
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
”
”
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
“
I’ll never forget this one night when Daddy had taken us way out to a little church up on a high ridge. There was no kind of instrumentation, and the hymns were all sung a cappella. During the preaching, there was a little more shouting from the congregation than usual. When it came time for us to sing, we were introduced by the preacher, a wiry little man with kind of a fiery look in his eyes. We stepped to the front and took our places on the old wood-plank platform to one side of the pulpit. Softly, I sung a note to get us started because it was decided I could come closest to hitting a key that we could all sing in. We began our songs, just as we had planned. I was aware that the pastor was on the stage behind us, but I didn’t think anything of it.
After a while, I could feel Stella nudging me in the ribs, trying not to be noticed. I looked at her, and she motioned with her head slightly back toward where the preacher was standing. He seemed to be totally wrapped up in the spirit, nearly in a trance. I didn’t think too much of it, until I spotted a familiar sight—the back markings of a snake, a cottonmouth moccasin. I had seen them in the woods, usually scurrying across the path toward cover. They were afraid of me, and I was afraid of them. And up to now, we had always managed to keep our distance from each other. Here, apparently, they were a part of the worship service. I could see now, out of my peripheral vision, that the preacher had a full grown cottonmouth by the back of the head and it was twisting and coiling all around his forearm.
Some members of the congregation were reaching out as if they wanted to touch it. The preacher was getting more and more worked up, and he reached into a wooden crate by the pulpit and took out two more snakes. This time he seemed to be holding them much more carelessly. He lifted them near his face as if daring them to strike.
We sisters just kept on singing, unconsciously moving away from the snakes until we were very near the front of the platform. Just then, I noticed something that struck a note of fear in my heart much greater than that inspired by the snakes. My father had stepped into the back of the church to hear his little girls sing. Whatever he had been drinking didn’t impair his ability to see exactly what the preacher had in his hands. Just at that moment, the man and his snakes took a step toward the congregation, thus toward us.
Daddy had seen enough. He charged down the aisle like a wild boar through a thicket. “You get them Goddamn snakes away from my kids!” Daddy bellowed with a force in his voice I had never heard before. It was amazing how quickly that preacher broke his trance and paid heed. He had heard the voice of a higher power, in this case a really pissed-off redneck. Daddy swooped us up and out the front door before we had time to think about what was happening. We didn’t even stop singing until we were almost down the steps into the churchyard.
We were glad to be out of there, and I at least was proud that Daddy had come to our rescue. But Daddy obviously felt terrible about it. On the way home in the car, he got to feeling especially bad. “Goddamn! I can’t believe I said Goddamn in church!” he muttered to himself. He finally got so upset he had to stop the car and get out in the woods and, in his way, ask God’s forgiveness.
I couldn’t help thinking how badly Mama had always wanted Daddy to walk down the church aisle and declare himself. Now he had certainly done that, although not I’m sure the way Mama had in mind.
”
”
Dolly Parton (Dolly: My Life and Other Unfinished Business)
“
I no longer require your services." With her head held high, she strode for the door.
Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake.
"You don't want to hear my report?" he called out after her.
She paused near the door. "I don't believe you even have a report."
"I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require."
"A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him.
He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly.
Her eyes went wide. "You're making that up."
"He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think."
That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband."
"He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you."
"You can't be sure of that."
"No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants."
Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese."
He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.”
“Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.”
“I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.”
“Plenty of people don’t get along with their families,” she said stoutly.
“He has a long-established mistress, too.”
A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.”
He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?”
The sigh that escaped her was all the answer he needed.
“I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.”
“With his mad family.”
“He’s already told me about his father, whom I knew about anyway.”
“Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.”
Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“
As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?”
She hesitated, then squared her shoulders. “Marriage, if you must know.”
Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.”
Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))