Padlock Quotes

We've searched our database for all the quotes and captions related to Padlock. Here they are! All 100 of them:

It is better to lock up your heart with a merciless padlock, than to fall in love with someone who doesn't know what they mean to you.
Michael Bassey Johnson (The Infinity Sign)
He's an enigma wrapped up in sensuality padlocked with a dozen chains of desire and topped off with a razor-sharp ribbon of danger. There are more layers to him than a billionaire's wedding cake.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
The padlock clicked open. A voice soundingoddly like South Parks's Cartman echoed through my quivering brain. Goddammit!
Jennifer Rardin (Bitten to Death (Jaz Parks, #4))
If you’re going to rattle my cage, you better make sure I’m padlocked in it.
Sherrilyn Kenyon (Born of Defiance (The League, #7))
Take good care of my babies,” Jesper said as he handed them over to Dirix. “If I see a single scratch or nick on those, I’ll spell forgive me on your chest in bullet holes.” “You wouldn’t waste the ammo.” “And he’d be dead halfway through forgive,” Big Bolliger said as he dropped a hatchet, a switchblade, and his preferred weapon—a thick chain weighted with a heavy padlock—into Rotty’s expectant hands. Jesper rolled his eyes. “It’s about sending a message. What’s the point of a dead guy with forg written on his chest?” “Compromise,” Kaz said. “I’m sorry does the trick and uses fewer bullets.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I only want you", she groaned. "Only you. Promise me that I can keep you. Promise me." My heart...shit, my heart. It unlocked. The padlock fell free. Her words were a key. Her forgiveness, and love and strength and everything that made her pure stole me from my life of pain. She changed me. Right there. Right then. I became hers. Irreversibly.
Pepper Winters (Second Debt (Indebted, #3))
But unlike Mama, I would not go to heaven. My secrets padlocked the gates. I'd be a torn kite stuck in the dead branches of a tree, unable to fly.
Ruta Sepetys (Salt to the Sea)
She smiled at me, that one particular smile I hardly ever saw, the one that could open padlocks, Yale locks, bank vaults, the one that was a trapdoor down into everything.
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
Yet what happened in fact? In the middle of the night John woke up and saw me sleeping beside him with no doubt a look of peace on my face, even of bliss, bliss is not unattainable in this world. He saw me—saw me as I was at that moment—took fright, hurriedly strapped the armour back over his heart, this time with chains and a double padlock, and stole out into the darkness.
J.M. Coetzee (Summertime)
Believe me when I say: 'Out of all those around, she’s the best locksmith in town.' Her stethoscope ears know when the dials of your heart click into place. She’s been cutting keys for years. You don’t stand a chance with that flimsy case. Alas, no matter how you lock your heart— bolt, fixture, and key— she’s got nimble fingers that pick locks for free. Padlocks and deadbolts are all in vain. Why do you even bother with that chain? She’s way too smart. Along with ours, she’ll have your heart. And you will see that the best locksmith in town is she.
Kamand Kojouri
I have a box inside me now that never used to exist. I never needed it before. It's down in my deepest, darkest corner, and it's airtight, soundproofed and padlocked. It's where I keep the thoughts I don't know what to do with, that could get me into trouble. Eating Unseelie hammers on the inside of that lid incessantly. I try to keep kissing Barrons in that box, too, but it gets out sometimes.
Karen Marie Moning (Faefever (Fever, #3))
She told me children were nothing but padlocks on the patriarchal shackles of marriage. That
Ruth Ware (The Death of Mrs. Westaway)
A ghastly creeping terror rises from a place beyond thoughts. Some innermost trapdoor she must leap upon immediately and lean against with all her weight and padlock shut.
Anthony Doerr (All the Light We Cannot See)
I don’t believe it,” I muttered. “How on earth did he manage to get the padlocks back onto the can?” Thomas opened his mouth, but Mrs. Harvey silenced him with a look. “Not a word out of you, dear. Or I swear I’ll finish my story about poor Mr. Harvey and his underthings.
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
It’s like the P-38 is an old skeleton key I’m trying to fit into an old padlock and when I make that connection I’ll hear a click and a door will open and I’ll walk through and be saved.
Matthew Quick (Forgive Me, Leonard Peacock)
The chief duty of every new age is to upraise new men to determine its liberties, to lead it towards material success- to rend the rusty padlocks and chains of dead custom that always prevent healthy expansion. Theories and ideas that may have meant life and hope and freedom for our ancestors may now mean destruction, slavery, and dishonor to us!
Anton Szandor LaVey (The Satanic Bible)
Off flew his shirt, which landed on an outstretched arm of the ceiling fan. 'Beats me. God, is there a padlock on this thing?' 'It's not rocket science, Driggs. It's a bra.' 'It's a Rubik's cube of diabolical proportions, is what it - ha! Suck it, evil underwear!' Triumphant, he flung the unfastened conundrum across the room [...]
Gina Damico (Rogue (Croak, #3))
The three golden balls were above his head. The entrance to the shop (not so good a one as Mr. Rabinowitz’s but a pawnshop all the same, with a cash-register in the rear) was shuttered with a grey iron gate, fixed with a padlock.
Charles Jackson (The Lost Weekend)
Outside, I clicked the padlock back in place, sealing the butterflies within. It seemed remarkable that they'd survived in there for so long in such fruitless and insubstantial conditions. But as I walked back up the drive to the front of the house, I thought about Jake and me, and I realized that was just what happens. The butterflies didn't have a choice, after all. That's what things do. Even in the toughest of circumstances, they keep living.
Alex North (The Whisper Man)
A little north of Boston, there was something called LOVECRAFT KEYHOLE; it was a crater in the rough shape of a padlock.
Joe Hill (NOS4A2)
I got a golden handshake that nearly broke my arm I left the ranks of shuffling graveyard people I got rust upon my hands from the padlocked factory gates Silent chimneys provide the silent steeples
Fish
The floor went completely black when Mr. Amos pulled the door shut. I couldn’t see it now, but I’d rememorized the exact shape the stain was in. The padlock snapped shut with the loudest click I’d ever heard.
Christopher Paul Curtis (Bud, Not Buddy)
You’re not a picture book left on a coffee table for just anyone to flip through at their leisure. Far from it. You’re a grimoire, kept in a private library, wrapped in a girth of chains, and cinched with a padlock. If
Hailey Edwards (Black Arts, White Craft (Black Hat Bureau, #2))
When he reached the yard gate and found the padlock seized with frost, he felt the strain of being alive and wished he had stayed in bed, but he made himself carry on and crossed to a neighbour’s house, whose light was on.
Claire Keegan (Small Things Like These)
In another assignment, he wrote about how one day, when he refused to do extracredit homework, his mother padlocked his comic book collection in a closet; unable to pick the lock, he removed the hinges and took off the door.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
With a great sigh, Jesper removed the gun belts at his hips. She had to admit he looked less himself without them. The Zemeni sharpshooter was long-limbed, brown-skinned, constantly in motion. He pressed his lips to the pearl handles of his prized revolvers, bestowing each with a mournful kiss. “Take good care of my babies,” Jesper said as he handed them over to Dirix. “If I see a single scratch or nick on those, I’ll spell forgive me on your chest in bullet holes.” “You wouldn’t waste the ammo.” “And he’d be dead halfway through forgive,” Big Bolliger said as he dropped a hatchet, a switchblade, and his preferred weapon—a thick chain weighted with a heavy padlock—into Rotty’s expectant hands. Jesper rolled his eyes. “It’s about sending a message. What’s the point of a dead guy with forg written on his chest?” “Compromise,” Kaz said. “I’m sorry does the trick and uses fewer bullets.” Dirix laughed, but Inej noted that he cradled Jesper’s revolver’s very gently. “What about that?” Jesper asked, gesturing to Kaz’s walking stick. Kaz’s laugh was low and humorless. “Who’d deny a poor cripple his cane?” “If the cripple is you, then any man with sense.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The further he raided, the closer he came to the other rooms. Those unused, cobwebbed chambers of her heart. Would he dare to venture there? She doubted. Jumping off a cliff was a flashy sort of courage, but a man would need true strength and valor to break through those padlocked doors. There were dark, uncharted spaces within her that had been built to house love, and even she was afraid to explore them. Terrified to learn just how vast and how achingly empty they truly were.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I think that the process of giving your true love to someone, mainly surrounds the act of opening a door inside that's all locked up. Behind that door lives the small child that is the real you. The small child who hurts too much and feels too much and laughs too loud and always believes... true love involves unlocking the many padlocks on that door, taking her by the hand, and guiding her to the arms of the one you've chosen to love. And I think this is why some people change forever... because they loved someone in this way, but it only hurt too much. The little one was wounded. So this is why you take her back and tell her she's better off staying inside. It is a poetic, lyrical tragedy. Some people die this way, before they ever are dead. Or maybe we don't die; maybe we live on, behind that door.
C. JoyBell C.
You're a handsome one, aren't you?" she cooed. "So strong and sturdy. What a good hasp you must have; what a firm sense of your purpose. But you've been holding your place for so long. You can't be expecting to stay closed forever. Why, that isn't fair! The people who put you here don't appreciate you the way I do. They don't understand how difficult it is to be a lock, and do the things you do. I would appreciate you always. I would never leave you alone in the rain to rust." "Are we watching a woman try to seduce a lock?" asked Andrew. "I'm not objecting if we are -- your kink is okay and all -- but I just want to confirm that everyone else is seeing what I'm seeing, here." The lock clicked as it released, popping open. "No, we're watch a woman successfully seduce a lock, said Jeffery. "Fascinating." "Her love life must involve a lot of handcuffs," I said, earning myself a snort from Ciara as she reached out and removed the padlock from its place on the door. "Don't ask about mine and I won't ask about yours," she said, making the lock disappear into her pocket.
Seanan McGuire (Reflections (Indexing, #2))
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
E.L. Doctorow (Ragtime)
covering ten to twenty miles a day. The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
What are you storing up there?" Virginia Dare yelled from the stairwell below. The immortal was outlined with a translucent green aura that lifted her fine black hair off her back and shoulders like a cloak. "Just a few small alchemical experiments...," Dee began. A thunderous explosion dropped the trio to their knees. Bits of plaster rained down from the ceiling and a heavy smell of sewage filled the stairwell. "And one or two big ones," he added. "We need to get out of here.The entire building is going to collapse," Dare said. She turned and continued down the stairs, Dee and Josh close on her heels. Josh breathed deeply. "Am I smelling burning bread?" he asked, surprised. Dare glanced back up at Dee. "I don't even want to know what that smell is coming from." "No,you don't," the doctor agreed. When they reachd the bottom of the stairs,Virginia flung herself against the double doors but bounced off them. They were padlocked, a thick chain woven through their handles. "I'm sure that breaches a fire code," Dee murmured.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
But how many daydreams we should have to analyze under the simple heading of Doors! For the door is an entire cosmos of the Half-open. In fact, it is one of its primal images, the very origin of a daydream that accumulates desires and temptations: the temptation to open up the ultimate depths of being, and the desire to conquer all reticent beings. The door schematizes two strong possibilities, which sharply classify two types of daydream. At times, it is closed, bolted, padlocked. At others, it is open, that is to say, wide open.
Gaston Bachelard (The Poetics of Space)
Abel Muranda fought off furious red ants with mandibles that could cut through a miser's padlock.
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
Padlock the churches. Bludgeon the dogs. Gas the poets. They outlined the entire program for me
Charles Portis (Masters of Atlantis)
padlocked.
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
A ghastly creeping terror rises from a place beyond thoughts. Some innermost trapdoor she must leap upon immediately and lean against with all her weight and padlock shut.
Anthony Doerr (All the Light We Cannot See)
The padlock wants to be open. All you have to do is let it do what it wants.
Neil Gaiman (Neverwhere (London Below, #1))
What today we mistake for a padlock, keeping us out, we may tomorrow find to be the key that lets us in.
Nizami Ganjavi (Layla and Majnun)
You cannot open the padlock if you does not have the key.
Adel Sakura
I look on my friendship with her as a treasure and a privilege. I shan't ever fall in love with her, padlock, but I am absolutely devoted to her and if she died I should mind quite, quite dreadfully. Or went mad again.
Vita Sackville-West
The Lowe family had always been the undisputed villains of their town’s ancient, bloodstained story, and no one understood that better than the Lowe brothers. The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
n medieval Europe, a new slave would place his head under his master’s arm, and have a strap placed around his neck, in imitation of a sheep or cow, and in eighteenth-century Britain, goldsmiths advertised silver padlocks “For blacks or dogs.
David Livingstone Smith (Less Than Human: Why We Demean, Enslave, and Exterminate Others)
If more people understood how nice it is to have a sense of home that extends past our locked doors, past our neighbors' padlocks, to the local food co-op and library, the sidewalks busted up by old trees - if we all held home with longer arms - we'd live in a very different place... We wouldn't feel so alone, no matter the size of our houses or our bank accounts, no matter whether we had good health or congestive heart failure. We would begin to see that each moment presents an opportunity to relax, to notice that the wind has shifted and a storm is coming, or that our friend's toddler has decided to wear dinner instead of eating it. We would see that each minute counts for something timeless and, if we want, we all can find our way inside these big, tiny, moments.
Dee Williams
If more people understood how nice it is to have a sense of home that extends past our locked doors, past our neighbors' padlocks, to the local food co-op and library, the sidewalks busted up by old trees - if we all held home with longer arms - we'd live in a very different place.
Dee Williams
You mentioned earlier that if I wanted to help, Miss Oliviera, I should save the lectures, and help,” Mr. Smith said as he sprayed. “Perhaps that’s exactly what Fates do.” I shook my head, bewildered. “I’m sorry?” “Perhaps Fates are people like us…ordinary souls who’ve found themselves caught up in the battle between good and evil, and have chosen to take a stand and help do what’s right.” Mr. Smith was lecturing again, but this time the speech seemed to be directed at John, too. His tone was kindly, however. “Maybe that’s why John’s fingerprints aren’t in the Isla Heusos Police Department database, and why no one will find his footsteps here. Small things that take just a moment to do, yes, but that could add up, in the end, to make an enormous difference to someone. What do you say to that, Miss Oliviera?” “I…I don’t know,” I said. I was confused. I supposed he was right, though. This could certainly explain how John was able to drift like a ghost in and out of the Isla Heusos Cemetery-and my various schools-leaving behind no trace, except rumors and the faintest images on video, and broken padlocks and chains.
Meg Cabot (Underworld (Abandon, #2))
I—I only want you,” she groaned. “Only you. Promise me that I can keep you. Promise me.” My heart…shit, my heart. It unlocked. The padlock fell free. Her words were a key. Her forgiveness and love and strength and everything that made her pure stole me from my life of pain. She changed me. Right there. Right then. I became hers. Irreversibly. “I promise,
Pepper Winters (Second Debt (Indebted, #3))
Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her--” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back--” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again--” “--and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Daoud scowled. “In case you’ve forgotten, I was in Homeland. Twice.” “Yeah, and spent it with your face covered by a keffiyeh. What was the part again? Terrorist Henchman?” “Head Terrorist Henchman.” One big pull and the grille rattled down into place. I put on the padlock. “So when are you gonna play a hero?” Daoud laughed. “Guys like us don’t get to be heroes. You know that.” “Why? ‘Cause you’re an Arab, or ’cause you’re a Muslim?” “Take your pick, cuz. Take your pick.
Sarwat Chadda (City of the Plague God (Adventures of Sik Aziz, #1))
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
Charles Dickens (David Copperfield)
Any man can chain you to a post.” He buckled the leather collar around her neck, securing it with a four-digit padlock. The leather sat snugly against her skin, the gravity of it choking her air. “Any man can rip off your clothes.” He tested the chain between her neck and the wooden column. “Fuck your throat, call you a whore, and you might even like it. That’s rough, gritty sex. But it isn’t dominance.” Her heart stuttered. He’d described her experience with Van so accurately. He glided a finger across the line of her jaw, tilting her face upward. “Dominance is when I kiss your brow and you obediently lower to the floor. Willingly. No hesitation.” His eyes flashed. “It’s when you kneel for me, give me the power to break you inside and out, and trust that I won’t. You will surrender your vulnerability without shame, because that’s what I want, and what I want, you crave.” “You’re delusional.” She struggled to swallow. “I’m not—” “You’re not there yet. So in the meantime, I’ll settle for rough, gritty sex.
Pam Godwin (Disclaim (Deliver, #3))
It was hesitant at first, gentle. His fingers held tight at the base of her skull and she could feel the restraint in him, the leashed energy vibrating in the space between their bodies. He needed to shave and the stubble on his chin was prickly against hers. He smelled like he always had – aftershave, Calvin Klein cologne he bought at the grocery store, and something wild and frightening, like smoke; something that was unmistakably Ben to her – and it assaulted her brain, turning keys in padlocks and laying bare her self-control.
Lauren Gilley (Whatever Remains)
Since the gate was so clearly locked—locked and double-locked and chained and barred; who, she wondered, wants so badly to get in?—she made no attempt to get out of her car, but pressed the horn, and the trees and the gate shuddered and withdrew slightly from the sound. After a minute she blew the horn again and then saw a man coming toward her from inside the gate; he was as dark and unwelcoming as the padlock, and before he moved toward the gate he peered through the bars at her, scowling. “What you want?” His voice was sharp, mean.
Shirley Jackson (The Haunting of Hill House)
The family lived on an isolated estate of centuries-worn stone, swathed in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman
Most of the great cities were gone, but other points of interest had appeared in their places. In Vermont there was a dense forest, built up around a place called ORPHANHENGE; in New Hampshire there was a spot marked THE TREE HOUSE OF THE MIND. A little north of Boston, there was something called LOVECRAFT KEYHOLE; it was a crater in the rough shape of a padlock. In Maine, around the Lewiston/Auburn/Derry area, there was a place called PENNYWISE CIRCUS. A narrow highway titled THE NIGHT ROAD led south, reddening the farther it went, until it was a line of blood trickling into Florida.
Joe Hill (NOS4A2)
8 The chief duty of every new age is to upraise new men to determine its liberties, to lead it towards material success - to rend the rusty padlocks and chains of dead custom that always present healthy expansion. Theories and ideas that may have meant life and hope and freedom for our ancestors may now mean destruction, slavery, and dishonor to us! 9 As environments change, no human ideal standeth sure! 10 Whenever, therefore, a lie has built unto itself a throne, let it be assailed without pity and without regret, for under the domination of an inconvenient falsehood, no one can prosper.
Anton Szandor LaVey (The Satanic Bible)
YOU WISH TO KNOW ME? POSIT YOURSELF AS THE PINPOINT CENTER OF ONE OF YOUR KALEIDOSCOPES, AND GRASP TIME AS THE COLORFUL FRAGMENTS ERUPTING FROM YOU IN A MULTITUDE OF DIMENSIONS THAT CONSTANTLY EXPAND OUTWARD IN AN EVER-WIDENING, EVER-SHIFTING, INFINITE ARRAY. SEE THAT YOU CAN CHOOSE AND EXPAND FROM ANY OF THOSE UNCOUNTABLE DIMENSIONS AND THAT, WITH EACH CHOICE, THOSE DIMENSIONS WIDEN AND SHIFT AGAIN. INFINITY COMPOUNDED EXPONENTIALLY. UNDERSTAND THAT THERE IS NO SUCH THING AS REALITY: THE FALSE GOD YOUR RACE WORSHIPS WITH SUCH BLIND DEVOTION. REALITY IMPLIES A SINGLE POSSIBLE. YOU ACCUSE ME OF ILLUSION. YOU—WITH YOUR ABSURD CONSTRUCT OF LINEAR TIME. YOU FASHION FOR YOURSELF A PRISON OF WATCHES, CLOCKS, AND CALENDARS. YOU RATTLE BARS FORGED OF HOURS AND DAYS, BUT YOU’VE PADLOCKED THE DOOR WITH PAST, PRESENT, AND FUTURE. PUNY MINDS NEED PUNY CAVES. YOU CANNOT GAZE UPON TIME’S TRUE FACE ANY MORE THAN YOU CAN BEHOLD MINE. TO APPREHEND YOURSELF AS THE CENTER, TO SIMULTANEOUSLY PERCEIVE ALL COMBINATIONS OF ALL POSSIBLES, SHOULD YOU CHOOSE TO MOVE IN ANY DIRECTION—“DIRECTION” BEING A VERY LIMITED METHOD OF ATTEMPTING TO CONVEY A CONCEPT FOR WHICH YOUR RACE HAS NO WORD—THAT IS WHAT IT IS TO BE ME.
Karen Marie Moning (Shadowfever (Fever, #5))
I imagined I had discovered a new word. I rise up in bed and say, "It is not in the language; I have discovered it. 'Kuboa.' It has letters as a word has. By the benign God, man, you have discovered a word!... 'Kuboa' ... a word of profound import." . . . There was no occasion for it to mean either God or the Tivoli; and who said that it was to signify cattle show? I clench my hands fiercely, and repeat once again, "Who said that it was to signify cattle show?" No; on second thoughts, it was not absolutely necessary that it should mean padlock, or sunrise. It was not difficult to find a meaning for such a word as this. I would wait and see . . . "That is quite a matter of detail," I said aloud to myself, and I clutched my arm and reiterated: "That is quite a matter of detail." The word was found, God be praised! and that was the principal thing.
Knut Hamsun (Hunger)
You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
For her part, Patricia was looking at Laurence and feeling a kind of ache deeper than mere sexual desire, although there was that, too. All of her life, she felt like she had been telling people, “It doesn’t have to be like this,” which is the close cousin to “It can be better than this.” Or even, “We can be better than this.” As a little girl, getting pressed into the dirt by her schoolmates or padlocked in a foul old spice crate by Roberta, she’d tried to say that with tears in her eyes, but she didn’t have the words back then and nobody would have understood anyway. As the outcast freak in junior high, with everybody wanting to burn her alive, she’d given up on even trying to find a way to say, “It can be more than this.” But she’d never let go of that feeling, and it came back now, in the form of hope. She gazed at Laurence’s face (which looked squarer and more handsome without a big shirt collar framing it), his surprisingly puffy and suckable-looking nipples, his shaved pubes, and the way the leg and stomach hair erupted in a heart-shaped ring around the depilated zone. And she felt like they, the two of them, right here, right now, could make something that defied tragedy.
Charlie Jane Anders (All the Birds in the Sky)
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The fictional exploits of buccaneering men had lost their magic for him. Besides, there were other pirates on view in Tilbury that spring. One, unredeemed by any amnesty, hung from the gibbet at Tilbury Point, tugged at by a brisk breeze off the river. His body had been bound in chains, daubed with tar and encased in a cage, denied Christian burial as a warning to the living of the hideousness of death. It did not have quite that effect on Nathan. "It's Easter," he said to Hardcastle. "A week since," said Hardcastle. "When they went to the tomb to rewrap Christ's body . . ." Harcastle threw Toby in the air and caught him repeatedly, making the child laugh and laugh. ". . . except that it had gone . . ." said Nathan. "Raised to glory," agreed Harcastle, rubbing noses with the baby. ". . . out into the garden." Suddenly it seemed to him that the tarry skull of the pirate on the gibbet might not be shouting a warning after all -- that his decaying corpse might no longer be suffering the torments of the gibbet as his executioners like to suggest with cage and chain and padlock. There were amnesties other than the King's. The man might simply be singing: singing and dancing in the bright, brittle Easter sunshine, held up in midair not by chains but by invisible hands or on invisible shoulders.
Geraldine McCaughrean (The Pirate's Son (Point Signature))
We stepped in, and, as we paid the cover charge, the music hit us. The double doors buzzed open and we walked in. A handsome man and his lover in an orange top snuggled as they walked to the exit. Veronica turned to me and smiled, taking my hand. I unbuttoned my shirt at the neck and exposed my collar. It was a thin metal collar with a padlock on the front. If the padlock wasn’t attached it would have looked like any other interesting necklace that was tight against my neck, but it got more interesting with the padlock. On Veronica’s left hand there was a thick bracelet, and that had a key on it. Her right wrist had a glow bracelet. We walked past the tables of people as they drank and screamed over the music to talk. We decided to go right to the dance floor. She took me by the hand, led me. We were on the dance floor and I couldn’t dance. I ended up just throwing myself around, getting lost in the people surrounding us. The bodies pressed against us, the industrial music loud and crisp. The bass shook your bones, and my ribcage felt like it was rattled to pieces. I closed my eyes and just moved. Veronica moved with a grace I hadn’t seen in awhile when I opened my eyes. She pressed herself against a couple that surrounded her. I felt my breath catch in my throat, my heart pounded from excitement. She squeezed past them and moved to me, her hands ran down my face, and then she gripped the padlock with her left hand. She pulled me down to her, which wasn’t very far, but it was the intensity of the moment that made all the difference. What she did next made me jump, my body tensed and relaxed in milliseconds. She gave me a deep kiss, and, while she kissed me, distracted me, her other hand undid my padlock. I pulled back as I jumped in shock. Our eyes were locked on each others’ in the flashing neon stage lights. She had a twinkle in her eye as she pulled me close to her. “Find a man, for you.” I pulled back, looked at her in surprise. She smiled wickedly, an erotic edge to her features suddenly. She was hot when she was getting dressed and she was even hotter now. I didn’t know what the hell was going on, but I leaned into her ear. “Are you looking for a woman?
Todd Misura (Divergence: Erotica from a Different Angle)
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
Step 1: The sender places the present in the briefcase, which they lock with their padlock and remove their key. They then send the locked briefcase to the receiver. Note: While the briefcase is en route from sender to receiver, it is safe from all adversaries, because they cannot remove the padlock from the briefcase. However, the receiver is also unable to obtain the present. Step 2: The receiver locks the briefcase with their own padlock and removes the key. They then return it to the sender. Note: The briefcase is now locked with two padlocks so no one can get the present. Step 3: The sender uses their own key to remove their padlock from the briefcase and returns the briefcase to the receiver. Note: The only lock on the briefcase belongs to the receiver. Step 4: The receiver removes their padlock from the briefcase to obtain the present.
Fred C. Piper (Cryptography: A Very Short Introduction (Very Short Introductions Book 68))
In this simplistic example we have to admit that the sender has no way of knowing whose padlock is on the briefcase and that it might be possible for an adversary to impersonate the receiver and place their padlock on the briefcase. This is a problem that has to be addressed. The ‘Whose padlock is it?’ question in this briefcase example is similar to the ‘Whose public key is it?’ question that is so important when public key systems are used.
Fred C. Piper (Cryptography: A Very Short Introduction (Very Short Introductions Book 68))
The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
Reasons" For our own private reasons We live in each other for an hour. Stranger, I take your body and its seasons, Aware the moon has gone a little sour For us. The moon hangs up there like a stone Shaken out of its proper setting. We lie down in each other. We lie down alone and watch the moon’s flawed marble getting Out of hand. What are the dead doing tonight? The padlocks of their tongues embrace the black, Each syllable locked in place, tucked out of sight. Even this moon could never pull them back, Even if it held them in its arms And weighed them down with stones, Took them entirely on their own terms And piled the orchard’s blossom on their bones. I am aware of your body and its dangers. I spread my cloak for you in leafy weather Where other fugitives and other strangers Will put their mouths together.
Thomas James (Letters to a Stranger (Re/View))
After roll call and lights out, Molly listened to the slide of the bolt and the rattle of the padlock, then silence. It was at that moment this free-spirited girl knew that she and her sisters must escape from this place.
Doris Pilkington (Rabbit-Proof Fence)
Smith climbed down from the driver's seat, went to the front doors, unbolted both, top and bottom, and pushed gently. The doors gave an inch, then stopped. 'Padlocked,' Smith said briefly. Schaffer surveyed the massive steel plough on the front of the bus and shook his head sorrowfully. 'Poor old padlock,' he said sorrowfully.
Alistair MacLean (Where Eagles Dare)
For the first time in her life Mariah knew the benefit, the balm of not keeping blistering memories padlocked in her mind.
Tonya Bolden (Crossing Ebenezer Creek)
They won’t, your kind of intellectuals are the first to scream when it’s safe—and the first to shut their traps at the first sign of danger. They spend years spitting at the man who feeds them—and they lick the hand of the man who slaps their drooling faces. Didn’t they deliver every country of Europe, one after another, to committees of goons, just like this one here? Didn’t they scream their heads off to shut out every burglar alarm and to break every padlock open for the goons? Have you heard a peep out of them since? Didn’t they scream that they were the friends of labor? Do you hear them raising their voices about the chain gangs, the slave camps, the fourteen-hour workday and the mortality from scurvy in the People’s States of Europe? No, but you do hear them telling the whip-beaten wretches that starvation is prosperity, that slavery is freedom, that torture chambers are brother-love and that if the wretches don’t understand it, then it’s their own fault that they suffer, and it’s the mangled corpses in the jail cellars who’re to blame for all their troubles, not the benevolent leaders! Intellectuals? You might have to worry about any other breed of men, but not about the modern intellectuals: they’ll swallow anything. I don’t feel so safe about the lousiest wharf rat in the longshoremen’s union: he’s liable to remember suddenly that he is a man—and then I won’t be able to keep him in line. But the intellectuals? That’s the one thing they’ve forgotten long ago. I guess it’s the one thing that all their education was aimed to make them forget. Do anything you please to the intellectuals. They’ll take it.
Ayn Rand (Atlas Shrugged)
Padlocked we are in the limits of our minds.
Cometan (The Omnidoxy)
It is better to lock up your heart with a merciless padlock, than to fall in love with someone who doesn’t know what they mean to you.
Michael Bassey Johnson
Sometimes the key to unlocking the future is your ability to just leave the padlock of the past.
Faithful Akpaloo
Benvenuta a la Via dell’Amore,” he says, poking a bright pink lock with Ashlee + Jake written on it in white paint. “What are all the locks for?” “Do you know the history of la Via dell’Amore?” I know a little, but I’d rather hear it from him, so I shake my head and he continues. “When this path between Riomaggiore and Manarola was not here, many people did not marry outside of their own village. But with the, ah, connection to the next village, love was exciting again. Lovers walked along the seaside here to meet with one another.” I take in the view as we stroll the crowded path. High cliffs stretch up to our right, with sections of loose rock held down by wire mesh, padlocks hooked onto every wire within reaching distance. To our left, the Ligurian Sea--clear and bright, blue and green--glimmers in the afternoon sun. Fishing boats and passenger ferries race along the coast. The temptation to take pictures of every detail around me is strong, but that would require letting go of Bruno’s hand, and I’m not sure I want to just yet. I’m curious to see how long he’ll hold it. “The locks are for the tourists, a symbol of love for all to see, for the eternity. Until they are cut down.” I gape at him. “Cut down?” He laughs. “Si. This path would be nothing but locks if they were not taken away.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
The boys hurried to the convertible and sped away. Soon the outlines of a Ferris wheel came in sight. “Quite a show,” Joe remarked as he and Frank got out of the car. Just inside the entrance gate a man standing on a platform was announcing loudly: “Ten dollars, I said! Ten dollars ! Easiest way in the world to earn ten dollars! All you have to be is smart!” The barker held up a large padlock. “You just have to open this. Sure, it’s a trick lock. But it’ll cost you only a dime to try. Step this way, gentlemen!” Frank nudged Joe. The first customer to ascend the stairs was Chet Morton! The crowd roared with laughter as Chet struggled with the padlock. He seemed determined to win the ten dollars. “Hey! You better quit before you bust,” cried one of the bystanders. Chet was bent double and was very red in the face. “It’ll cost you more than ten dollars for a doctor!” another man shouted. Frank and Joe were grinning from ear to ear. They knew their friend thought he could open the padlock because he had heard so much about locks and keys lately. But Chet finally gave up and turned away to buy some peanuts.
Franklin W. Dixon (The Secret Panel (Hardy Boys, #25))
When public housing grew to be the nation's highest priority, the need to fit everyone into state-sanctioned boxes became a task of the highest order. No more of these zinc-roofed monstrosities parading as households. Not to mention those attap-walled nooks hanging off the edges of shorelines. How to maintain security when you could pick the padlock on any one of these doors and barge your way into someone else's life.
Tania De Rozario (And the Walls Come Crumbling Down)
I stuck a safety pin through my ear and started collecting piercings-a few in my ears, one through my septum, two through my nipples, one through my dick. A thick chain connected to a padlock hung around my neck. None of this was ideal in the sweltering heat and daily rain of Florida, but I was willing to suffer for punk fashion.
Laura Jane Grace
I stuck a safety pin through my ear and started collecting piercings-a few in my ears, one through my septum, two through my nipples, one through my dick. A thick chain connected to a padlock hung around my neck. None of this was ideal in the sweltering heat and daily rain of Florida, but I was willing to suffer for punk fashion.
Laura Jane Grace
From Contrell the links go to all sorts of men with unorthodox tastes. Austrian industrialists. Sheikhs. Three brothers in Detroit with a padlocked metal shed. Online they can peruse the merchandise discreetly and, if need be, ask for more product information—different photographic angles, specific poses. They make their selections. Given immigration confusion, gang influence, and splintered family trees, disappearances aren’t rare when you’re dealing with broke ethnic girls. They’re a renewable resource. Hector Contrell comes in the black of night, and another girl vanishes off the streets and wakes up in a stupor in Islamabad or Birmingham or São Paulo. Some of the girls are kept. Some are designated for onetime use.
Gregg Hurwitz (The Nowhere Man (Orphan X, #2))
The enclosures were struck by either some very skilled intruders or by what seemed to be a torrent of “poltergeistlike” activity. Persons unknown would routinely open the doors, padlocks would vanish, and the dogs would escape by unknown means.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
A security chain ran through the weapons’ trigger guards, but its padlock was unclasped and the last slot in the rack was empty. A framed display hung beside the rack, and as soon as I saw it, I knew.
Marcia Muller (Deadly Anniversaries: A Collection of Stories from Crime Fiction's Top Authors (Mystery Writers of America Series Book 1))
The Die Hard escape method only works in movies, in case you were wondering. The trapdoor in the ceiling of an elevator car is always padlocked closed from above.
Jack Heath (Hunter (Timothy Blake, #2))
Ward, do you think we’ll have time to ride this afternoon? I’d love to go over some of the old trails with you,” Erica asked, smiling at him over the assortment of pastries and wedding cake in the lodge’s dining room. Ward fought the urge to growl his reply that he had an even better idea. He’d love to stuff her into Ralph Cummins’s taxi, slam the door, and instruct Ralph to hit the gas and not slow down until he reached Palo Alto, where Erica was currently living. Once the taxi was out of sight, he’d go down to the bottom of the road to Silver Creek Ranch and lock the gates. With a padlock. Instead, he shoveled in a forkful of the wedding cake Roo had baked and pretended not to hear. He’d been doing a lot of that.
Laura Moore (Once Tempted (Silver Creek, #1))
My favorite part of our honeymoon was when Simon dipped me backwards in a passionate kiss on the Ponts des Arts bridge just before we hung a padlock with our initials to the rails, immortalizing our love.
B.L. Berry (An Unforgivable Love Story)
Try to imagine what it’s like to wake up one morning, like I did recently, to realize your childhood has been boarded up, abandoned, padlocked. It’s a very disorienting feeling.
Anna Clark (A Detroit Anthology)
I made a mental note to buy stock in the Iraqi padlock company.
Jack Coughlin (Shooter: The Autobiography of the Top-Ranked Marine Sniper)
…and you’re at school, busy fighting janitors and vegetables with padlocks…
Adam Levin (The Instructions)
And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.
Dexter Palmer (The Dream of Perpetual Motion)
Myron got out of the car. There was a padlock on one end of the chain. Using his heel, Myron kicked down on it. The lock broke. The chain fell to the ground with a heavy clunk. “We’re trespassing,” Myron said. “Let’s live on the edge, old friend. That’s where all the goodies reside.” As
Harlan Coben (Home (Myron Bolitar, #11))
Before the gate blocked access to the bridge, a more expensive proposition - demolition - went nowhere. For those who shared the sentiment of one local official, who argued that 'people don't need to see that,' a padlocked barrier seemed sufficient to keep the historically inclined at bay. Yet even if it eventually collapses into the river below, the rusty bridge - like the deteriorating downtown just two miles away - will not take its history with it when it goes. That story was made, and told, by people who passed down glimpses of a past that continues to echo in our remembering and our forgetting. That this story will not be buried is a testament to a freedom struggle that left its mark on the tiniest hamlets and farthest reaches of the rural South. If not for a gory landmark and the generations of violence that occurred in its shadow, Shubuta's racial history might simply fade into a nameless pile of past wrongs. 'Its only distinction' from other Mississippi towns, as a black journalist noted after a 1942 visit, was its 'impressive lynch record.' Yet to isolate this place is to miss a larger point - that the Hanging Bridge repeatedly fixed attention on Jim Crow's brutal excesses and unresolved legacies. That the landmark is largely forgotten, and intentionally obscured, reminds us that heritage is a poor substitute for history. And that retreat - from the past and its echoes in the present - does not bring redemption.
Jason Morgan Ward
Museum of Miniatures PRAGUE The artistic works in this collection are not displayed on canvases, but on poppy seeds, insects, needles, and strands of hair. Viewable by magnifying glass or telescope, the creations include animals painted on the leg of a mosquito, a chessboard with chess pieces on the head of a pin, and a parade of camels marching through the eye of a needle. Some of the insects on display are also dressed and decorated, such as a flea wearing horseshoes and wielding a pair of scissors, a key, and a padlock. The steady-handed creators of these marvels, including Siberian micro-miniaturist Anatoly Konenko, work between heartbeats to prevent hand tremors from ruining their paintings. Strahovské nádvoří 11, Prague. Get a tram to Pohořelec. 50.087046 14.388449
Joshua Foer (Atlas Obscura: An Explorer's Guide to the World's Hidden Wonders)
MATTHEW PRIOR. 1664-1721. English Padlock. Be to her virtues very kind; Be to her faults a little blind.
Various (Familiar Quotations)
Rising to his own challenge, Mr. Cruz called for “the locusts” of the Environmental Protection Agency to be stifled and for padlocking the Internal Revenue Service, then redeploying its agents to secure the Southern border.
Anonymous
dispatch riders would race across the world with padlocked briefcases, personally distributing keys to everyone who would receive messages from the bank over the next week. As business networks grew in size, as more messages were sent, and as more keys had to be delivered, the banks found that this distribution process became a horrendous logistical nightmare, and the overhead costs became prohibitive.
Simon Singh (The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography)
startled awake. Ollie froze for a moment, staring in his direction. The kid scrunched his face and yawned like a bear. I said to Ollie, “It’s still Bobby.” “Right,” she said. She unzipped the bag. There was no lock on the zipper, not even the tiny padlocks they
Daryl Gregory (Afterparty)
Be to her virtues very kind; Be to her faults a little blind; Let all her ways be unconfin’d; And clap your padlock— on her mind.
Deanne Gist
platform. Outside an old man in overalls was working his way along the wagons, undoing padlocks, throwing bolts, hauling the massive panel doors back along their tracks. Apart from him, no one. Could it be this simple? He didn’t pause to ask himself the question a second time. Just sprang down from the opening onto the concrete siding and began walking, head lowered and limping at first, until the oxygen started flowing through his bloodstream and the muscles of his legs began to work then, as they did, quickening his pace and striding faster, lifting his head to the seamless pale blue dawn sky and tasting the breath of freedom. He found a covered overpass that seemed to connect the freight platforms with the main terminal. Took the stairs two at a time and started across the bridge towards the massive building at the other side. The station hall was a curiously romantic
Greg Wilson (The Domino Game)