Baby Billy Quotes

We've searched our database for all the quotes and captions related to Baby Billy. Here they are! All 87 of them:

Don't threaten me with love, baby. Let's just go walking in the rain.
Billie Holiday
Baby get ready, get set, please don't go.
Billy Ray Cyrus (Billy Ray Cyrus - The Other Side Piano, Vocal and Guitar Chords)
I wil not calm down. My baby girl is moving halfway across the country.” “She’s been moved away before,” Dad pointed out. “Yeah, but that was with Billy. We all knew he wouldn’t work out. We’re talking about Hank here. Look at him,” she pointed to Hank. “She’s never coming home. Never.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
Lovin' you baby, is just like rollin' off a log, But if I can't be your woman, I sure ain't gonna be your dog.
Billie Holliday
It’s just words. How can words be dangerous?” “You have a lot to learn about the world, baby girl. Nothing is more dangerous than words.” “That’s stupid. What about a gun? A gun can kill you dead.” “Only your body,” Billy said. “It can’t kill your soul. Words can kill your soul.
Catherine Ryan Hyde (Don't Let Me Go)
Don't be overly concerned about how you look in the eyes of others. People will pretty much see you as they will. Play your part in the cosmic drama, but never forget, baby, that you choose the way you see yourself. Don't let others do the casting.
Annie Kagan (The Afterlife of Billy Fingers: How My Bad-Boy Brother Proved to Me There's Life After Death)
Billy Pilgrim says that the Universe does not look like a lot of bright little dots to the creatures from Tralfamadore. The creatures can see where each star has been and where it is going, so that the heavens are filled with rarefied, luminous spaghetti. And Tralfamadorians don't see human beings as two-legged creatures, either. They see them as great millepedes - "with babies' legs at one end and old people's legs at the other," says Billy Pilgrim.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
All we shared was a mattress, and a lie, and an address Baby I don't need you, well baby I don't need you Once occupied by a goddess, now it's a room full of boxes She said, "it's time to leave you" but baby I don't need you! In a perfect world... her face would not exist In a perfect world... a broken heart is fixed
Billy Talent (Billy Talent II (Guitar Recorded Versions))
Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn. Oh, Mary Lou. My baby. My love.
Pete Hamill (Tabloid City)
Who could blame her for wanting the baby to be alive? His Irene still cried sometimes about young Billy, and it had been twenty years since he’d drowned as a tot. They’d had five more kids since then, but it was never far away, the sadness.
M.L. Stedman (The Light Between Oceans)
Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
He looked nearly inconspicuous, a handsome man in faded Levi’s and tennis shoes. A Yankees baseball cap covered his dark hair, the bill shadowing his features. Casual. Beautiful. A day’s growth of beard on his jaw did little to detract from his excruciating attractiveness. “She’s eight months old, but she knows how to flirt,” the baby’s mother said. “Let go of the nice man’s shirt, Gabbi.” She dislodged the child’s hand, then told Adrian, “I’m sorry. She must like the colors on your T-shirt.” Eight-month-old Gabbi’s big blue eyes were fixed on Adrian’s face, not on his T-shirt. Billie released a shaky breath. Good God. Even babies weren’t immune.
Shelby Reed (The Fifth Favor)
Here's another secret for you, honey—some more big brotherly advice direct from the other side. Don't be overly concerned about how you look in the eyes of others. People will pretty much see you as they will. Play your part in the cosmic drama, but never forget, baby, that you choose the way you see yourself. Don't let others do the casting.
Annie Kagan (The Afterlife of Billy Fingers: How My Bad-Boy Brother Proved to Me There's Life After Death)
I want you to love me like my dog does, baby.
Billy Carrington
Anxiety and fear are like baby tigers: The more you feed them, the stronger they grow.
Billy Graham (Billy graham in quotes)
the names Steve and Lori chose for their two baby boys were William and Billy Jr.
Michael Griesbach (The Innocent Killer: A True Story of a Wrongful Conviction and its Astonishing Aftermath)
The Tralfamadorians tried to give Billy clues that would help him imagine sex in the invisible dimension. They told him that there could be no Earthling babies without male homosexuals. There could be babies without female homosexuals. There couldn't be babies without women over sixty-five years old. There could be babies without men over sixty-five. There couldn't be babies without other babies who had lived an hour or less after birth. And so on. It was gibberish to Billy.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
We tiptoe around like we’re the Frank family and the Gestapo is downstairs. The baby monitor is in our room, and the unspoken rule is that when the kids go down, so do we. So at seven P.M., I’m in bed waiting for the sandman to come. I can’t watch TV, because the noise may wake up the kids; I can’t listen to music with my iPod earbuds, because then I can’t hear the monitor; and I can’t have sex, because that could wake up Janice.
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
It's nice to meet you, Evay.' I hold out my hand. She just stares at it - like it's a spider crawling out of the shower drain. 'I don't make direct female-to-female contact. It depletes the beautification cells.' O-kay. I glance at Billy. He seems unperturbed. I hook a thumb over my shoulder. 'So...do you guys want to eat? How about a booth?' When Evay answers, her tone is airy, dazed, like a concussion victim. Or an acting coach - *be the tree.* 'I have my lunch right here.' She opens he realm to reveal an assortment of capsules that make my prenatals look like baby candy. 'But I need water. Do you have clear water from a snowy mountain spring?' Wow. Somebody call Will Smith - aliens really have landed. 'Uh...we don't get much snow around here, this time of year. We have Greenville's finest tap water, though.' She shakes her head. And she still hasn't blinked. Not one freaking time. 'I only drink snowy mountain spring water.
Emma Chase (Twisted (Tangled, #2))
Everybody's born to do a certain thing and if you're dead jimmy you've found it. And if you're good at something, just keep doing it until you're fed up...then do something else. look.. You're here to make babies and look after the place. You know ?" (Billy Connolly) Spoken Word on Spiritual city: -Off of Glastonbury Song
Mike Scott
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr.
Goodbye, Baby. Walter Neff (Fred McMurray) Double Indemnity
Billy Wilder
A baby isn’t meant to stay a baby forever, and neither is a new Christian.
Billy Graham (Billy graham in quotes)
In this quiet moment, everything seemed to slow down, giving a break from the busy day.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Without ever exactly putting his mind to it, he's come to believe that loss is standard trajectory. Something new appears in the world—a baby, say, or a car or a house, or an individual shows some special talent—with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, it's going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely perceived, hence his contempt for the usual public shock and outrage when a particular situation goes to hell.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Asa smiles and kisses Billy’s cheek. “Jude can’t stay, baby.” “Why can’t he?” “Because he has to go. He has a life out there away from us, and at the end of the summer he’ll go back to it.
Lily Morton (Deal Maker (Mixed Messages, #2))
Margaret Mitchell won the Pulitzer Prize for Fiction for Gone With the Wind in 1937. She was 37 years old at the time. Margaret Chase Smith was elected to the Senate for the first time in 1948 at the age of 49. Ruth Gordon picked up her first Oscar in 1968 for Rosemary’s Baby. She was 72 years old. Billie Jean King took the battle of women’s worth to a tennis court in Houston’s Astrodome to outplay Bobby Riggs. She was 31 years of age. Grandma Moses began a painting career at the age of 76. Anne Morrow Lindbergh followed in the shadow of her husband until she began to question the meaning of existence for individual women. She published her thoughts in Gift from the Sea in 1955, at 49. Shirley Temple Black was Ambassador to Ghana at the age of 47. Golda Meir in 1969 was elected prime minister of Israel. She had just turned 71. This summer Barbara Jordan was given official duties as a speaker at the Democratic National Convention. She is 40 years old. You can tell yourself these people started out as exceptional. You can tell yourself they had influence before they started. You can tell yourself the conditions under which they achieved were different from yours. Or you can be like a woman I knew who sat at her kitchen window year after year and watched everyone else do it and then said to herself, “It’s my turn.” I was 37 years old at the time.
Erma Bombeck (Forever, Erma)
Billy tried to imagine the birth of Cyril's wife's baby. It would happen in grim lights violently. A dripping thing trying to clutch to its hole. Dredged up and beaten. Blood and drool and womb mud. How cute, this neon shrieker made to plunge upward, odd-headed blob, this marginal electric glow-thing. Dressed and powdered now. Engineered to abstract design. Cling, suck and cry. Follow with the eye. Gloom and drought of unprotected sleep. Had there been a light in her belly, dim briny light in that pillowing womb, dusk enough to light a page, bacterial smear of light, an amniotic gleam that I could taste, old, deep, wet and warm? Return, return to negative unity.
Don DeLillo (Ratner's Star)
What do you even want from me,” she grumbled, a tortured tone creeping into her voice. “You should go home to Liz, get married and take care of the baby…” Joe drew in a deep breath and exhaled audibly. ”Wow, Danny! What great advice! If you were trying to pack the three scariest words into one sentence, you really nailed it!” Leaning in a bit, he squinted at her. “Or are you serious???” Her eyes darting back at him, D let out a bitter laugh. “Personally, I’ve always found the constellation of just you and her freaky enough - even without the marriage-part and the baby-part. But that’s just me, you know…” “Okay, I guess you were being serious then,” Joe concluded flatly.
Billy Wood-Smith (An Interrupted Love Story (Can You Mend It? #1))
Here’s another secret for you, honey—some more big brotherly advice direct from the other side. Don’t be overly concerned about how you look in the eyes of others. People will pretty much see you as they will. Play your part in the cosmic drama, but never forget, baby, that you choose the way you see yourself. Don’t let others do the casting. When
Annie Kagan (The Afterlife of Billy Fingers: Life, Death and Everything Afterwards)
Usually, Marilyn Norton loved the hot weather, but she was having a tough time with it, nine months pregnant, with her due date in two days. She was expecting her second child, another boy, and he was going to be a big one. She could hardly move in the heat, and her ankles and feet were so swollen that all she had been able to get her feet into were rubber flip-flops. She was wearing huge white shorts that were too tight on her now, and a white T-shirt of her husband’s that outlined her belly. She had nothing left to wear that still fit, but the baby would arrive soon. She was just glad that she had made it to the first day of school with Billy. He had been nervous about his new school, and she wanted to be there with him.
Danielle Steel (Friends Forever)
We were watching this procession. It was fucking terrible and the crucifix was about 20 feet high coming around the corner. And my wee grandson says, 'who's that?' I say, 'that's Jesus'. He says, 'BABY JESUS?!' I say, 'yeah, that's him'. He says, 'SOMEBODY KILLED BABY JESUS!' It was the most sincere religious cry. If Christians did that, I would believe them. 'WHAT? THE BASTARDS KILLED JESUS!
Billy Connolly
He had done it all, from barnstorming to crop dusting, and had even flown a Davis Waco with the Baby Ruth Flying Circus. It was an advertising blitz unlike anything the country had ever seen. Billy would fly over county and state fairs, racetracks, and crowded beaches in his red and white plane, dropping hundreds of tiny rice paper parachutes—each one bearing a small Baby Ruth candy bar—on the crowds below.
Fannie Flagg (The All-Girl Filling Station's Last Reunion)
BILLY PILGRIM says that the Universe does not look like a lot of bright little dots to the creatures from Tralfamadore. The creatures can see where each star has been and where it is going, so that the heavens are filled with rarefied, luminous spaghetti. And Tralfamadorians don’t see human beings as two-legged creatures, either. They see them as great millepedes—“with babies’ legs at one end and old people’s legs at the other,” says Billy Pilgrim.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Rebel Yell" Last night a little dancer came dancin' to my door Last night a little angel came pumping on the floor She said "Come on baby I got a license for love And if it expires pray help from above" Because In the midnight hour she cried- "more, more, more" With a rebel yell she cried- "more, more, more" In the midnight hour babe- "more, more, more" With a rebel yell- "more, more, more" More, more, more. She don't like slavery, she won't sit and beg But when I'm tired and lonely she sees me to bed What set you free and brought you to me babe What set you free I need you here by me Because In the midnight hour she cried- "more, more, more" With a rebel yell she cried- "more, more, more" In the midnight hour babe- "more, more, more" With a rebel yell- "more, more, more" He lives in his own heaven Collects it to go from the seven eleven Well he's out all night to collect a fare Just so long, just so long it don't mess up his hair. I walked the world with you, babe A thousand miles with you I dried your tears of pain, babe A million times for you I'd sell my soul for you babe For money to burn with you I'd give you all, and have none, babe Just to, just to, just to, to have you here by me Because In the midnight hour she cried- "more, more, more" With a rebel yell she cried- "more, more, more" In the midnight hour babe- "more, more, more" With a rebel yell she cried "more, more, more" More, more, more. Oh yeah little baby She want more More, more, more, more, more. Oh yeah little angel She want more More, more, more, more.
Billy Idol
What do you mean, you never have a chance to talk to me? We see each other all the time.” I patted the bed. “We live together.” “Yeah, exactly. And that’s about it.” He was off the bed now, pacing, scratching the side of his neck, like he always did when he was nervous. “We see each other all the time, but we never talk. The little we do is about nothing; I mention the baby, our baby, and you turn to stone.” Billy stopped pacing and looked away from me to a point above my head, a blank wall—my room had no decorations. “I’m so lonely.
Jean Kyoung Frazier (Pizza Girl)
They beached me, like a harpooned baby whale, and started to check the damage, just for the record ... By this time the whole joint was jumping -- cops, reporters, neighbors, passersby -- as much hoopdedoo as we get in Los Angeles when they open a Super Market. Even the newsreel guys came roaring in. Here was an item everybody could have some fun with, the heartless so-and-so's. What would they do to her? Even if she got away with it in court- crime of passion - temporary insanity - those headlines would kill her: Forgotten Star a Slayer--Aging Actress--Yesterday's Glamour Queen...
Billy Wilder
Once I had found the courage to tell Rebecca about the children in my head, it wasn't so hard in the coming months to tell Roberta. On the train from Huddersfield one day in May I made a roll call of the usual suspects: Baby Alice; Alice 2, who was two years old and liked to suck sticky lollipops; Billy; Samuel; Shirley; Kato; and the enigmatic Eliza. There was boy I would grow particularly fond of named limbo, who was ten, but like Eliza he was still forming. There were others without names or specific behaviour traits. I didn't want to confuse the issue with this crowd of 'others' and just counted off the major players with their names, ages and personalities, which Roberta scribbled down on a pad. Then she looked slightly embarrassed. 'You know, I've met Billy on a few occasions, and Samuel once too,' she said. 'You're joking.' I felt betrayed. 'Why didn't you tell me?' 'I wanted it to come from you, Alice, when you were ready.' For some reason I pulled up my sleeves and showed he my arms. 'That's Kato,' I said, 'or Shirley.' She looked a bit pale as she studied the scars. I had feeling she didn't know what to say. The problem with counsellors is that they are trained to listen, not to give advice or diagnosis. We sat there with my arms extended over the void between us like evidence in court, then I pushed down my sleeves again. 'I'm so sorry, Alice,' she said finally and I shrugged. 'It's not your fault, is it?' Now she shrugged, and we were quiet once more.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Remember that time at Freddy’s when the merry-go-round got stuck, and Marla and that mean kid Billy had to keep riding it until their parents plucked them off?” Charlie said. John laughed, and the sound made her smile. “Their faces were bright red, crying like babies.” She covered her face, guilty that it was so funny to her. There was a brief, surprised silence, then Carlton started laughing. “Then Marla puked all over him!” “Sweet justice!” Charlie said. “Actually, I think it was nachos,” John added. Jessica wrinkled her nose. “So gross. I never rode it again, not after that.” “Oh, come on, Jessica, they cleaned it,” said Carlton. “I’m pretty sure kids puked all over that place; those wet floor signs weren’t there for nothing. Right, Charlie?” “Don’t look at me,” she said. “I never puked.
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. •  •  • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
When I was a baby child, they put the jinx on me. It was in my drink and food and milk. And when I ran, it heavied in my bones and when I sang, it stopped up my throat and when I loved, it let from me, hot and poisonous. I saw it in my daddy, the hard lines of his face, that uneasy lope - how in his years he didn't lift his feet, but slid them, soles across this gritted earth. It settled in my mama, trembled her voice and blanked her eyes. My brother, Billy, locked it inside him and it carried him low into that deep earth, silting then into the river and dew and air, in the moths and bee catchers, borne skyward and, as will be, lowed again, into earth again. It's dusking. There goes the sun. There goes sky and cloud and light, taken into that black horizon. And I know I am bad crossed. I see its line. It reaches up, arcs. It cuts through me. It draws me on and dogs me down to that place where I am bound. And when it is I borne down, my eyes and mouth stitched with gut, when they take my balls and brain and heart, and that deeper black claims me wholly, then let me meet that sumbitch at his eye, for I know my name's been writ - Robert Lee Chatham - in his Book.
Bill Cheng (Southern Cross the Dog)
Thank-You Notes Under the vigilant eye of my mother I had to demonstrate my best penmanship By thanking Uncle Gerry for the toy soldiers– Little red members of the Coldstream Guards– And thanking Aunt Helen for the pistol and holster, But now I am writing other notes Alone at a small cherry desk with a breeze coming in an open window, thanking everyone I happen to see on my long walk to the post office today and anyone who ever gave me directions or placed a hand on my shoulder, or cut my hair or fixed my car. And while I am at it, thanks to everyone who happened to die on the same day that I was born. Thank you for stepping aside to make room for me, for giving up you seat, getting out of the way, to be blunt. I waited until midnight on that day in March before I appeared, all slimy and squinting, in order to leave time for enough of the living to drive off a bridge or collapse in a hallway so that I could enter without causing a stir. So I am writing now to thank everyone who drifted off that day like smoke from a row of blown-out candles– for giving up your only flame. One day, I will follow your example and step politely out of the path of an oncoming infant, but not right now with the subtropical sun warming this page and the wind stirring the fronds of the palmettos, and me about to begin another note on my very best stationary to the ones who are making room today for the daily host of babies, descending like bees with their wings and stingers, ready to get busy with all their earthly joys and tasks.
Billy Collins (Horoscopes for the Dead)
Soon after I arrived on the island I had a run-in with my son’s first grade teacher due to my irreverent PJ sense of humor. When Billy lost a baby tooth I arranged the traditional parentchild Tooth Fairy ritual. Only six years old, Billy already suspected I was really the Tooth Fairy and schemed to catch me in the act. With each lost tooth, he was getting harder and harder to trick. To defeat my precocious youngster I decided on a bold plan of action. When I tucked him in I made an exaggerated show of placing the tooth under his pillow. I conspicuously displayed his tooth between my thumb and forefinger and slid my hand slowly beneath his pillow. Unbeknownst to him, I hid a crumpled dollar bill in the palm of my hand. With a flourish I pretended to place the tooth under Billy’s pillow, but with expert parental sleight of hand, I kept the tooth and deposited the dollar bill instead. I issued a stern warning not to try and stay awake to see the fairy and left Billy’s room grinning slyly. I assured him I would guard against the tricky fairy creature. I knew Billy would not be able to resist checking under his pillow. Sure enough, only a few minutes later he burst from his room wide-eyed with excitement. He clutched a dollar bill tightly in his fist and bounced around the room, “Dad! Dad! The fairy took my tooth and left a dollar!” I said, “I know son. I used my ninja skills and caught that thieving fairy leaving your room. I trapped her in a plastic bag and put her in the freezer.” Billy was even more excited and begged to see the captured fairy. I opened the freezer and gave him a quick glimpse of a large shrimp I had wrapped in plastic. Viewed through multiple layers of wrap, the shrimp kind of looked like a frozen fairy. I stressed the magnitude of the occasion, “Tooth fairies are magical, elusive little things with their wings and all. I think we are the first family ever to capture one!” Billy was hopping all over the house and it took me quite awhile to finally calm him down and get him to sleep. The next day I got an unexpected phone call at work. My son’s teacher wanted to talk to me about Billy, “Now what?” I thought. When I arrived at the school, Billy’s teacher met me at the door. Once we settled into her office, she explained she was worried about him. Earlier that day, Billy told his first grade class his father had killed the tooth fairy and had her in a plastic bag in the freezer. He was very convincing. Some little kids started to cry. I explained the previous night’s fairy drama to the teacher. I was chuckling—she was not. She looked at me as if I had a giant booger hanging out of a nostril. Despite the look, I could tell she was attracted to me so I told her no thanks, I already had a girlfriend. Her sputtering red face made me uncomfortable and I quickly left. Later I swore Billy to secrecy about our fairy hunting activities. For dinner that evening, we breaded and fried up a couple dozen fairies and ate them with cocktail sauce and fava beans.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
silly-billy-goo-goo’s.
Ann M. Martin (Claudia and the Middle School Mystery (The Baby-Sitters Club, #40))
In its own language, nature speaks of God’s existence, whether it is the cry of a baby or the song of a meadowlark. It is the language of order, beauty, perfection, and intelligence. The intricacies of a flower are God’s work; the instincts of the birds are within His plans. God speaks in the regularity of the seasons; in the movements of the sun, moon, and stars; in the balance of the elements which allow us to breathe. “The heavens are telling of the glory of God; and their expanse is declaring the work of His hands. Day to day pours forth speech, and night to night reveals knowledge” (Ps. 19:1–2).
Billy Graham (How To Be Born Again (With Built in Study Guide))
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed. •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Vaughn, I am so not in the mood for your trust fund baby temper tantrums right now.” “Billie, turn around.” She stands still, silent. All I can hear is the rain falling heavily on the metal stairs. “Now.” I use my boardroom voice. She turns quickly then, one hand raised, “You know, go fuck yours…” I capture her wrist in my hand, push her up against the cold metal door, and press my lips onto hers, interrupting her fighting words in one hard, punishing kiss. She doesn’t respond or fight it, so I stop. I’m pinning one wrist above her head, when I pull my face back to gauge her reaction.
Elsie Silver (Off to the Races (Gold Rush Ranch, #1))
Eye Hate U" U have just accessed the Hate Experience Do U wish 2 change your entry? Very well, please enjoy your experience I never thought that U would be the one After all the things that we've been through U gave your body 2 another in the name of fun I hope U had some baby, if not, boo hoo It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U I never thought that I could feel this way 2 fall in love was a table reserved 4 fools Say U're sorry if U wanna but it's all in vain I'm out the door sweet baby, that's right, we're through It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U This court is now in session Would the defendant please rise? State your name 4 the court Never mind (Billy Jack Bitch) U're being charged with one 2 many counts of heartbreaking In the 1st degree I don't give a damn about the others My main concern is U and me Your honor, may I call 2 the stand my one and only witness? A girl that know damn well she didn't have no damn business I know what U did, how U did it and uh.. who U did it with So U might as well plead guilty cuz U sure can't plead the 5th Now raise your right hand Do U swear 2 tell the whole truth Not the half truth like U used 2 so help U God? Nod your head one time if U hear me If U don't, I'll have 2 use the rod Anything 2 make U see that uh.. U're gonna miss me Yeah, U're gonna miss me Uh, uh, uh, oh! If it please the court I'd like 2 have the defendant place her hands behind her back So I can tie her up tight and get into the act The act of showing her how good it used 2 be I want it 2 be so good she falls back in love with me Close your eyes I'm gonna cover your ass with this sheet And I want U 2 pump your hips like U used 2 And, baby, U better stay on the beat Did U do 2 your other man the same things that U did 2 me? Right now I hate U so much I wanna make love until U see That it's killin' me, baby, 2 be without U Cuz all I ever wanted 2 do was 2 be with U ... ow! I hate U (I hate U) Because I love U (Because I love U) But I can't love U (I can't love U) Because I hate U (I hate U) Prince, The Gold Experience (1995)
Prince Rogers Nelson
I will kill every single man that touches you with or without your consent. I don't care how many tantrums you throw. You signed those papers. Till death do us part, baby. You are mine.
Billie Lustig (Lush Rebel (The Sisters of Sin #1))
The bookstore was run by seeming quintuplets, by five short, bald men chewing unlit cigars that were sopping wet. They never smiled, and each one had a stool to perch on. They were making money running a paper-and-celluloid whorehouse. They didn’t have hard-ons. Neither did Billy Pilgrim. Everybody else did. It was a ridiculous store, all about love and babies.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The right person fits into your life, Billie. Not the other way around.
Carola Lovering (Bye, Baby)
Speaking of money, I can pay rent. I talked to the housing office yesterday, and they said I can use the funds allocated for the football house to pay you. I just need you to fill out a form.” I expect her to be happy about the news, but she frowns. “Maybe just give me half of that money and keep the rest.” “Why would I do that?” “Because like Billy said, this place is a mess, and you’re not getting any of the amenities you had at the football house.” Fucking Billy. “Think of it as both of us investing our money in something for the twins.” She thinks about that a moment. “Really?” “Yes, really.” Before I forget, I grab a notepad off the counter. “I’m going to get groceries later. Why don’t you jot down whatever you want me to get?” “I don’t need anything.” This woman is going to kill me. “What do you plan on eating this week?” She shrugs. “Ham and cheese on crackers. Some soup. Why?” “You need more than that. You’re gestating two babies, Magnolia. You can’t treat yourself like a starving college student.” “I just… I can’t pay you back right away.” Did I not just offer to pay her rent and she was trying to return half of it? She’s making me insane. “I don’t expect you to pay me anything. I want to get us groceries because we need them. I’m in training and burn a shit ton of calories. You’re pregnant and need to eat more than a damn Triscuit.” “Why are you raising your voice at me? I’m doing the best I can. Half the time I can’t eat anything because it comes right back up, so what’s the point? I’ll try to eat something later, okay?” She storms off and slams her bedroom door.
Lex Martin (The Baby Blitz (Varsity Dads #3))
Dad lets out a sigh. “You’re right. I’m sorry. Well, did you ask Billy to explain what’s going on?” “He said it’s not what I think it is. That he would never cheat on me. But he was so cagey and weird, and when I asked him to prove it by showing me the messages on his phone, he looked like a deer in headlights. It was like dating Ezra all over again.” I freeze when my father’s eyes snap to mine. Oh, shit. I slap my hand over my mouth and frantically shake my head. “No. Forget I said that last part.” He braces his arms on the table and looks down. We sit in silence for several minutes. “I wondered if Ezra was Marley’s father. She has his dark hair. And Billy punched him in the face. The better I got to know Billy, the more I realized he wasn’t just a loose cannon, that he must’ve had a good reason for doing that, but I didn’t want to believe the kid I treated like my own son would get you pregnant and then bail on you.” Finally, he looks at me. “I’m assuming you told Ezra the truth?” It’s a sad day when my father wonders whether I told the father of my baby I was pregnant. After how I behaved back then, I guess I deserve that doubt. “Of course.” “And he didn’t want to be involved?” “His response was basically, ‘Fuck no, I don’t want a baby.’” I take a deep breath. “Swear to me you won’t say anything. Because I promised Ezra I wouldn’t tell you the truth if he dropped the charges against Billy.
Lex Martin (Heartbreaker Handoff (Varsity Dads #5))
I change the channel before I hurl. After a few minutes, I settle back and watch Friends while I wait for Billy. But by the time he knocks on the door, I’m a hot mess. When I answer the door, his eyebrows furrow as he looks me over. Before I can say anything, he opens his arms and I rush into them. “What happened, my little biscuit?” he asks as he squeezes me in a tight hug. Tears burn my eyes, and I push my face into his chest. “I don’t know. One minute I was fine, and the next, this commercial came on about baby food. And the baby was hungry and started to cry, and…” “And that made you cry.” I nod against him as more tears flow down my face. “I know that sounds crazy, but now everything makes me cry. I want my hard shell back.
Lex Martin (Heartbreaker Handoff (Varsity Dads #5))
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed. • • •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Tuve que ahorrar un poco para mi siguiente obsesión. Los discos de mi padre se me habían quedado cortos, así que finalmente dejé de desayunar durante unas semanas y reuní lo suficiente para una nueva adquisición. Un disco. Era Temptin' Temptations, de los Temptations. En la portada aparecían cinco jóvenes negros vestidos de blanco inmaculado, con chaquetas cortas de un botón y zapatos negros. Recuerdo la primera vez que lo puse en el tocadiscos. Primero un crujido. Y luego, BAM. Una música elegante, evocadora, romántica. Chirriando, algo lejana, tomando la habitación. La canción era «Since I lost my baby». Mirándolo, comprendí. Esa foto pintaba un mundo superior en el que los hombres eran dandis y toda la música era gloriosa, sus trajes nítidos, blancos, sus caras de ébano, sus zapatos relucientes. Donde cada minuto de vida era así: refinado y pleno, hermoso. Sin manchas. Un mundo irreal en el que nadie envejecía y había códigos de honor, y todo era puro y bello. Un mundo que no se parecía en nada a mi pueblo, a mi instituto, a los jugadores de fútbol que me perseguían para mantearme. Mi tía abuela me ha contado muchas veces cómo entraba en mi cuarto y me encontraba dormido al lado del tocadiscos, durmiendo plácidamente en el suelo. Aquellos discos eran mi medicina y mi vaso de leche caliente, mi primer compadre, mi escondite y mi refugio, mis armas. Con el tiempo llegaron las Marvelettes y los Impressions, los Temptations y Betty Harris, Bobby Womack y Al Green, Sam Dees y los Miracles. También Gloria Jones, Kim Weston, Barbara Acklin, Esther Williams, Curtis Mayfield, los 4 Tops, las Supremes, Chuck Jackson, Z.Z. Hill, Tommy Hunt, Billy Stewart, Sly & The Family Stone, Nina Simone, Billy Butler, Gene Chandler, Shirley Ellis y J.J. Jackson. Nunca volví a escuchar otra cosa
Kiko Amat
He continued watching in horror as an army of black, baby spiders skittered across his swollen, bulbous cheeks and disappeared inside him. The corners of his lips expanded outward, and he found he could no longer breathe through his mouth. Then the creepy crawler with the distended belly erupted into view and perched itself on his nose. He saw it ogling him with God knows how many eyes as a sea of vomit mercilessly backed up in his esophagus and blocked his airway.
Billy Wells (In Your Face Horror- Volume 1)
I watched in horror as the beast leapt into the air, pounced on all fours upon the screaming mother, and dragged her off with blood spewing in all directions. Long after the woman’s cries had ceased, I could still hear the baby crying.
Billy Wells (Don't Look Behind You)
You have a lot to learn about the world, baby girl. Nothing is more dangerous than words.” “That’s stupid. What about a gun? A gun can kill you dead.” “Only your body,” Billy said. “It can’t kill your soul. Words can kill your soul.
Catherine Ryan Hyde (Don't Let Me Go)
Young Turks Billy left his home with a dollar in his pocket and a head full of dreams. He said somehow, some way, it's gotta get better than this. Patti packed her bags, left a note for her momma, she was just seventeen, there were tears in her eyes when she kissed her little sister goodbye. They held each other tight as they drove on through the night they were so exited. We got just one shot of life, let's take it while we're still not afraid. Because life is so brief and time is a thief when you're undecided. And like a fistful of sand, it can slip right through your hands. Young hearts be free tonight. Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Paradise was closed so they headed for the coast in a blissful manner. They took a tworoom apartment that was jumping ev'ry night of the week. Happiness was found in each other's arms as expected, yeah Billy pierced his ears, drove a pickup like a lunatic, ooh! Young hearts be free tonight.Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Young hearts be free tonight.Time is on your side. Billy wrote a letter back home to Patti's parents tryin' to explain. He said we're both real sorry that it had to turn out this way. But there ain't no point in talking when there's nobody list'ning so we just ran away Patti gave birth to a ten pound baby boy, yeah! Young hearts be free tonight, time is on your side. Young hearts be free tonight, time is on your side. Young hearts be free tonight, time in on your side. Young hearts gotta run free, be free, live free Time is on, time is on your side Time, time, time, time is on your side is on your side is on your side is on your side Young heart be free tonight tonight, tonight, tonight, tonight, tonight, yeah
Rod Stewart
But she wasn't a wife and mother. And, Joey aside, she didn't want to be one. Her mother had spend every last minute cooking for Papa, cleaning for Papa, looking nice for Papa, entertaining for Papa, producing babies for Papa. The measuring stick she used to judge herself based on how pleased or displeased Papa was with her, their home, and her ability to raise their children properly. The very thought of being measured by that same stick horrified Billy. She couldn't think of anything worse. As far as she was concerned, domesticity was nothing more than a glorified jail sentence.
Deeanne Gist (Fair Play (It Happened at the Fair, #2))
Placing an arm on Billy’s seatback, Hunter ran a finger up and down her sleeve. Fourteen years and five babies had made some changes, but his love and passion for her had grown to even greater heights. He ran an appreciative gaze over her form. She was all frocked up in one of her city dresses. This one had blue polka dots with a row of blue bows along the hem. “You look mighty pretty today,” he whispered.
Deeanne Gist (Fair Play)
TO ELSIE I Crown the heads of better men With lilies and with morning-glories! I'm unworthy of a pen— These are Bread-and-Butter stories. Shall I tell you how I know? Strangers wrote and told me so. II He who only toils for fame I pronounce a silly Billy. I can't dine upon a name, Or look dressy in a lily. And—oh shameful truth to utter!— I won't live on bread and butter. III Sometimes now (and sometimes then) Meat and wine my soul requires. Satan tempted me—my pen Fills the house with open fires. I must have a horse or two— Babies, oh my Love—and you!
Gouverneur Morris (It, and Other Stories)
The poet Billy Collins once laughingly observed that all babies are born with a knowledge of poetry, because the lub-dub of the mother's heart is in iambic meter. Then, Collins said, life slowly starts to choke the poetry out of us. It may be true with music, too.
Gene Weingarten
The air out here is mean with cold.
Billy O'Callaghan (My Coney Island Baby)
He was the biggest fool pup I ever saw, chuck full of life and spirits, always going at racing speed, generally into mischief; breaking his neck nearly over some small matter; breaking his heart if his master did not notice him, chewing up clothing, hats, and boots, digging up garden stuff that he could not eat, mistaking every leg of every chair and table for a lamp-post, going direct from wallow in the pigstye to frolic in the baby’s cradle, getting kicked in the ribs by horses and tossed by cows, but still the same hilarious, rollicking, endlessly good-natured, energetic fool pup, and given by common consent the fit and lasting name of “Silly Billy.
Ernest Thompson Seton (Billy and other stories from Wild Animals Ways being personal histories of Billy Atalapha, the Wild Geese of Wyndygoul Jinny)
Bill’s conscience whispered to him: Only Billy isn’t your son, not really, and you know that but you don’t want to admit it. Billy was a baby you rescued…stole maybe…from Halloween cult freaks seven years ago, almost to the night. You talk about girls being an unknown quantity? Wrong, Bill, wrong. Those things… those Satanists maybe…on the moors that night are the only unknown quantity you need to worry your sweet little head about. What was really lurking inside those Halloween costumes? That’s right, Billy, the one-in-a-billion-baby, lotsa B’s, never returned to his rightful parents.
Jonathan Dunne (Billy's Experiment: An Old Castle Novel)
Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life. —Billie Jean King, sports icon and equality pioneer The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce] —Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999 Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book! —Bobby Valentine, former MLB player and manager Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo: I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere! —Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo) As the promoter of the concerts in many of the music venues in this book, I hope you enjoy living the special memories this book will give you. —Jim Koplik, Live Nation president, Connecticut and Upstate New York Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read! —Christine Ohlman, the “Beehive Queen,” recording artist/songwriter Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them. —Lynne Pitney, wife of Gene Pitney Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride. —Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band. Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended! —Judith Fisher Freed, estate of Alan Freed
Tony Renzoni
It was weird that Billy called my mom “Mom.” It broke my heart how Mom drank her coffee every morning, how she so carefully put her lips on the rim and drank deeply, like she was grateful for every sip. Dad would pour pepper over all his food, and now I was afraid to put a sprinkle of the stuff on anything, even though scrambled eggs looked weird without it. If food could change people, I didn’t want my baby to eat anything. I wanted it to exist on air alone and take in deep gulps of it, power born from within, no outside sources. I started to picture the world without me in it.
Jean Kyoung Frazier (Pizza Girl)
One of the biggest moral bombshells handed to Billy by the Tralfamadorians, incidentally had to do with sex on Earth. They said their flying-saucer crews had identified no fewer than seven sexes on Earth, each essential to reproduction. Again: Billy couldn’t possibly imagine what five of those seven sexes had to do with the making of a baby, since they were sexually active only in the fourth dimension. The Tralfamadorians tried to give Billy clues that would help him imagine sex in the invisible dimension. They told him that there could be no Earthling babies without male homosexuals. There could be babies without female homosexuals. There couldn’t be babies without women over sixty-five years old. There could be babies without men over sixty-five. There couldn’t be babies without other babies who had lived an hour or less after birth. And so on. It was gibberish to Billy.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Bill’s conscience whispered to him: Only, Billy isn’t your son, not really, and you know that but you don’t want to admit it. Billy was a baby you rescued…stole maybe…from Halloween cult freaks seven years ago, almost to the night. You talk about girls being an unknown quantity? Wrong, Bill, wrong. Those things… those Satanists maybe…on the moors that night are the only unknown quantity you need to worry your sweet little head about. What was really lurking inside those Halloween costumes? That’s right, Billy, the one-in-a-billion-baby, lotsa B’s, never returned to his rightful parents.
Jonathan Dunne (Billy's Experiment: An Old Castle Novel)
Billy was feeling a bit lonely in his new home in California. The unfamiliar surroundings and lack of friends made his days seem longer and less exciting.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Baby, Billy's little brother, was never bored, as he found joy in simply being inside and doing nothing.
Rocio Ochoa (The Adventures of Billy and Baby in California)
The ride to the park was filled with happy barks. As they got closer, the familiar smell of grass and open space was a sign to them that playtime was coming.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Billy's playful behavior brings smiles to everyone, showing just how much people love having him around.
Rocio Ochoa (The Adventures of Billy and Baby in California)
He began to miss home—the warmth of a good meal, his favorite spot on the couch, and the calming sounds of the evening routine that awaited him.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Billy decided to lay next to his brother and relax, enjoying a rare moment of peace and tranquility.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Even though he didn't understand the words, Baby felt the rhythm and the soft flow of the poems.
Rocio Ochoa (The Adventures of Billy and Baby in California)
Today an educated, civilized society is turning its face while thousands of unborn babies are being killed. God Himself, if not history, will judge this greater holocaust.
Billy Graham (Billy graham in quotes)
Choosing names for the boys hadn’t been easy. After all, most parents have a difficult time coming up with one name—let alone two. Maybe Lori and her husband Steve didn’t know that Billy is a nickname for William; maybe they didn’t know that tacking “Jr.” at the end of a boy’s name means his name is the same as his dad’s—or maybe they knew both, but just didn’t care. But whatever the reason, the names Steve and Lori chose for their two baby boys were William and Billy Jr.
Michael Griesbach (The Innocent Killer)
Crash and burn All the stars explode tonight How'd you get so desperate? How'd you stay alive? Help me please Burn the sorrow from your eyes Oh come on, be alive again Don't lay down and die Hey hey, you know what to do Oh baby, drive away to Malibu Get well soon Please don't go any higher How are you so burned when you're barely on fire? Cry to the angels I'm gonna rescue you I'm gonna set you free tonight, baby Pour over me Hey hey, we're all watching you Oh baby, fly away to Malibu Cry to the angels That swallow you Go and part the sea, yeah, in Malibu And the sun goes down I watch you slip away And the sun goes down I walk into the waves And the sun goes down I watch you slip away And I walk And I knew, love would tear you apart Oh, and I knew the darkest secret of your heart Hey hey, I'm gonna follow you Oh baby, fly away, yeah, to Malibu Oceans of angels Oceans of stars Down by the sea is where you drown your scars I can't be near you The light just radiates I can't be near you The light just radiates
Hole
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. This wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Young simply dismissed parts of the Genesis creation account as "baby stories" that should naturally be outgrown—this despite his frequent insistence on literally understood scripture. A free-flowing rendition of stenographic notes from an unpublished sermon of October 8, 1854 provides a useful example: When the Lord organized the world, and filled the earth with animal and vegetable life, then he created man ... . Moses made the Bible to say his wife was taken out of his side—was made of one of his ribs. As far as I know my ribs are equal on each side. The Lord knows If I had lost a rib for each wife I have, I should have had none left long ago ... . As for the Lord taking a rib out of Adam's side to make a woman of, it would be just as true to say he took one out of my side. "But, Brother Brigham, would you make it appear that Moses did not tell the truth?" No, not a particle more than I would that your mother did not tell the truth when she told you that little Billy came from a hollow toadstool. I would not accuse your mother of lying any more than I would Moses. The people in the days of Moses wanted to know things that [were] not for them, the same as your children do when they want to know where their little brother came from, and he answered them according to the level of their understandings, the same as mothers do their children.
Philip L. Barlow (Mormons and the Bible: The Place of the Latter-day Saints in American Religion (Religion in America))
In its own language, nature speaks of God’s existence, whether it is the cry of a baby or the song of a meadowlark. It is the language of order, beauty, perfection, and intelligence.
Billy Graham
Like when she gave Billy a piece of chocolate and he said, 'This tastes weird, Mama,' and she told him, 'The pills make everything taste weird, sweet baby.' But it wasn't the pills making it taste bad. It was the Windex.
Chuck Wendig (The Staircase in the Woods)