Padded Room Quotes

We've searched our database for all the quotes and captions related to Padded Room. Here they are! All 100 of them:

Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Was everything made up? Was this whole world inside my head? If I ever woke up from it, would I be inside a padded room somewhere, drooling all over myself? Would I even be myself?
Francesca Zappia (Made You Up)
Chiron, I don't think the attic is the proper place for our new Oracle, do you?" "No, indeed." Chiron looked a lot better now that Apollo had worked some medical magic on him. "Rachel may use a guest room in the Big House for now, until we give the matter more thought." "I'm thinking a cave in the hills," Apollo mused. "With torches and a big purple curtain over the entrance . . . really mysterious. But inside, a totally decked-out pad with a game room and one of those home theater systems.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Don't talk to the crazy kids. I longed to shout back that we weren't crazy. I'd mistaken her kid for a ghost, that's all. I wondered whether they had books about his sort of thing. Fifty Ways to Tell the Living from the Dead Before You Wind Up in a Padded Room. Yep, I'm sure the library carried that one.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
Veronica Roth (Allegiant (Divergent, #3))
Girlie, you f*ck this up and I'm calling the boys in the white jackets. You let something that fine slip through your fingers, you deserve a padded room. Especially if he's good at relationship stuff. Most especially if he's serious about you. No one who looks like that and fills out a pair of jeans like that is good at relationship stuff. I don't care if he runs through seven circles of hell.
Kristen Ashley (Rock Chick (Rock Chick, #1))
F*ck the padded rooms, give me a Trampoline with bubble wrapped walls, and a Velcro ceiling. Then let's see what happens.
Skylar Blue
If we happened to be in rehearsal downstairs in my room and a neighbor padded across the lawn to rap gently on the window and ask us to please be more quiet, Natalie might simply lift up her skirt and mash her vagina against the window while extending her middle finger.
Augusten Burroughs (Running with Scissors)
I don’t know how to explain this so it only seems sort of crazy and not padded-room crazy.
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
Bipolar and paranoid. Throw in schizophrenic and you’ve hit the trifecta. They have padded rooms for people like you. Some of them even come with a view.
Cindy Gerard (Killing Time (One-Eyed Jacks, #1))
You’re not too bad, Finley Sinclair.” I couldn’t have looked away from this boy if the room had caught on fire. “You’re okay yourself. At times.” “But we can’t get involved.” “No.” I swallowed. “Definitely not.” His face lowered a fraction of an inch. “Because I’m infamously bad.” “And I’m staying away from trouble.” His voice was rough, husky. “It would never work.” I took a step closer. “Impossible.” He traced my cheek with the pad of his thumb. “We don’t even like each other." “I pretty much can’t stand you.” And then his lips crushed to mine.
Jenny B. Jones (There You'll Find Me)
Now isn't this role more fun than nun?" Gabrielle sauntered into the room, casting a sideways glance at the skirt she had personally hemmed. Hamish nodded, "Kat... you have... legs." "And boobs," Angus added, staring quite directly at the section of the white blouse that Gabrielle had made a bit too form-fitting for Kat's personal taste. "Seriously Kat," Simon said, inching closer, "When did you get boobs?" Hamish looked at Hale, "The boobs are new." He said as if that point hadn't already been thoroughly made. "Is that padded?" Simon held out his hand as if to cop an oh-so-scientific feel. "Hey!" Kat slapped his hand away. "Her dad's going to get out of prison one of these days boys." Hale added, amused.
Ally Carter (Heist Society (Heist Society, #1))
We walked in the door, and I was stunned by the sterile emptiness of the place. Most of the tiny living room was taken up by one of those giant strength-building home gyms you see on TV. In addition to that, there was one metal folding chair, an old wooden end table (being used as a coffee table, in front of the one chair), and a TV sitting on a milk crate. And it was the cleanest bachelor pad I had ever seen. “Wow. Nice place. The prison cell motif is really working for you. Very feng shui.
Marie Sexton (Promises (Coda, #1))
Dolor I have known the inexorable sadness of pencils, Neat in their boxes, dolor of pad and paper weight, All the misery of manilla folders and mucilage, Desolation in immaculate public places, Lonely reception room, lavatory, switchboard, The unalterable pathos of basin and pitcher, Ritual of multigraph, paper-clip, comma, Endless duplicaton of lives and objects. And I have seen dust from the walls of institutions, Finer than flour, alive, more dangerous than silica, Sift, almost invisible, through long afternoons of tedium, Dropping a fine film on nails and delicate eyebrows, Glazing the pale hair, the duplicate gray standard faces.
Theodore Roethke (The Lost Son & Other Poems)
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
Vladimir Nabokov (Pale Fire)
And in the night, when my coughing was dry and tough, feet padded into my room, hands repinned the flannel, readjusted the quilt, and rested a moment on my forehead. So when I think of Autumn, I think of someone with hands who does not want me to die.
Toni Morrison (The Bluest Eye)
Forced to define 'irrational subconscious,' I would say that it is a small padded room inside all of us, where the only furnishing is a small card table, and the only thing on the card table is a revolver loaded with flexible bullets.
Stephen King
If you could imagine the color of anger, it had been splashed over every wall. Rage, something dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor was bathed in a creeping shadow, a particular darkness that had seeped up into the walls.......
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Or perhaps your marriage is more of a covalent bond,” she said, sketching a new structural formula. “And if so, lucky you, because that means you both have strengths that, when combined, create something even better. For example, when hydrogen and oxygen combine, what do we get? Water—or H2O as it’s more commonly known. In many respects, the covalent bond is not unlike a party—one that’s made better thanks to the pie you made and the wine he brought. Unless you don’t like parties—I don’t—in which case you could also think of the covalent bond as a small European country, say Switzerland. Alps, she quickly wrote on the easel, + a Strong Economy = Everybody Wants to Live There. In a living room in La Jolla, California, three children fought over a toy dump truck, its broken axle lying directly adjacent to a skyscraper of ironing that threatened to topple a small woman, her hair in curlers, a small pad of paper in her hands. Switzerland, she wrote. Move.
Bonnie Garmus (Lessons in Chemistry)
That is what they say I said when they found me in the blackness after three hours; found me crouching in the blackness over the plump, half-eaten body of Capt. Norrys, with my own cat leaping and tearing at my throat....When I speak of poor Norrys they accuse me of a hideous thing, but they must know that I did not do it. They must know it was the rats; the slithering, scurrying rats whose scampering will never let me sleep; the daemon rats that race behind the padding in this room and beckon me down to greater horrors than I have ever known; the rats they can never hear; the rats, the rats in the walls.
H.P. Lovecraft (Tales of H.P. Lovecraft)
It was 1976. It was one of the darkest days of my life when that nurse, Mrs. Shimmer, pulled out a maxi pad that measured the width and depth of a mattress and showed us how to use it. It had a belt with it that looked like a slingshot that possessed the jaw-dropping potential to pop a man's head like a gourd. As she stretched the belt between the fingers of her two hands, Mrs. Shimmer told us becoming a woman was a magical and beautiful experience. I remember thinking to myself, You're damn right it had better be magic, because that's what it's going to take to get me to wear something like that, Tinkerbell! It looked like a saddle. Weighed as much as one, too. Some girls even cried. I didn't. I raised my hand. "Mrs. Shimmer," I asked the cautiously, "so what kind of security napkins do boys wear when their flower pollinates? Does it have a belt, too?" The room got quiet except for a bubbling round of giggles. "You haven't been paying attention, have you?" Mrs. Shimmer accused sharply. "Boys have stamens, and stamens do not require sanitary napkins. They require self control, but you'll learn that soon enough." I was certainly hoping my naughty bits (what Mrs. Shimmer explained to us was like the pistil of a flower) didn't get out of control, because I had no idea what to do if they did.
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
Just start somewhere," Dr. Marshall had said to me as I ground a banana-pineapple one to bits between my teeth. "It doesn't have to be at the beginning." She'd pulled her legs up, Indian-style, letting the legal pad she'd been holding drop to the floor. "I thought everything always had to start at the beginning," I said. "Not in this room," she said easily. "Go ahead, Caitlin. Just tell me one thing. It gets easier, I promise. The first thing is always the hardest." I looked down at my hands, stained mildly red from the particularly sticky watermelon Rancher. "Okay," I said, reaching forward to take another one out of the bowl, just in case. She was already sitting back in her chair, readying herself for whatever glimpse I would give her into the mess I'd become. "What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." "Rogerson did," I told her. "Rogerson knew everything.
Sarah Dessen (Dreamland)
Life is an inexplicable paradox. You can find some of the answers within, but not all of them. Many of the answers lie outside of our own understanding.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
May the mentally ill forever find peace and acceptance that they are truly blessed.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
The short story is where the writer bares all. There's no room for padding or glossing over. This is where imperfections are exposed and strengths are on display.
Cameron Trost
Was everything made up? Was this whole world inside my head? If I ever woke up from it, would I be inside a padded room somewhere, drooling all over myself? Would I even be myself?
Francesca Zappia (Made You Up)
Without activity, padded rooms are kind of creepy.
Janine A. Southard (Hive & Heist (Hive Queen Saga #2))
Walk the poor bloke past the station doctor, get the certificate signed, lock him up in a padded room, and supply him with good drugs
Peter F. Hamilton (If at First . . .)
We write about love like we should be bound in padded rooms.
Kevin Fuller
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
It is said that true love lasts forever – the pain tells me they were right. I didn’t know what love was before my children were born, and I didn’t find myself until we parted ways.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
He turned the entire living room into an airport, complete with a four-foot-high LEGO traffic control tower and a fleet of paper planes, plastic army pilots taped safely into their cockpits. From deep beneath the couch, a large utility flashlight illuminates some sort of...landing strip? I crouch down for a better look. Oh. My. God. Stuck to the carpet in parallel, unbroken paths from one wall to the other are two lanes of brand-new maxi pads. Plastic dinosaurs stand guard at every fourth pad–triceratops and T rexes on one side, brontosauruses and pterodactyls on the other–protecting the airport from enemy aircraft and/or heavy flow.
Sarah Ockler (Bittersweet)
it turned out that there was something terribly stressful about visual telephone interfaces that hadn't been stressful at all about voice-only interfaces. Videophone consumers seemed suddenly to realize that they'd been subject to an insidious but wholly marvelous delusion about conventional voice-only telephony. They'd never noticed it before, the delusion... ...A traditional aural-only conversation.. ...let you enter a kind of highway-hypnotic semi-attentive fugue: while conversing, you could look around the room, doodle, fine-groom, peel tiny bits of dead skin away from your cuticles, compose phone-pad haiku, stir things on the stove; you could even carry on a whole separate additional sign-language-and-exagerrated-facial-expression type of conversation with peoople right there in the room with you, all while seemingg to be right there attending closely to the voice on the phone. And yet even as you were dividing your attention between the phone call and all sorts of other idle little fuguelike activities, you were somehow never haunted by the suspicion that the person on the other end's attention might be similarly divided.
David Foster Wallace
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
There was a little padded seat beside the rattling panes and mouldy sand-bags, it was the coldest place in the room; but she kept there for an hour and a half, with a shawl about her, shivering, squinting at her stitches, and sneaking sly little glances at the road to the house. I thought, if that wasn’t love, then I was a Dutchman; and if it was love, then lovers were pigeons and geese, and I was glad I was not one of them.
Sarah Waters (Fingersmith)
Some shoot for the stars. I shoot for the transdimensional multiverse. That’s me. I take things too far, too fast. I set my personal bar high. I didn’t come to try in this world. I came to conquer this world – and the next
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
Wheeling around, he went blindly for the doors, messing up the piles, nearly knocking himself over on the coffee table. Saxton got there first, blocking the way out with his body. Blay's eyes locked on the males face." Get out of my way. Right now. You don't want to be around me." "Is that not for me to decide." Blay shifted his focus to those lips he knew so well. "Don't push me." "Or what." "If you don't get the fuck out of my way, I'm going to bend you over that desk of your-" "Prove it." Wrong thing to say. In the wrong tone. At the wrong time. Blay let out a roar that rattled the diamond-paned windows. Then he grabbed his lover by the back of the head and all but threw Saxton across the room. As the male caught himself of the desk, papers went flying, the confetti of yellow legal pad and computer printouts falling down like snow. Saxton's torso curled around as he looked behind at what was coming at him. "Too late to run." Blay growled as he ripped open his button fly. Falling upon the male, he was rough with his hands, tearing the the layers that kept him from what he was going to take. When there were no barriers, he bared his fangs and bit down on Saxton's shoulder through his clothes, locking the male beneath him even as he grabbed those wrist and all but nailed them to the leather blotter. And then he pushed in hard and let out everything he had, his body taking over .. . even as his heart stayed far, far away.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Vast civilizations lay within the mosaic of dirt: hymenopteran labyrinths, rodential panic rooms, life-giving airways sculpted by the traffic of worms, hopeful spiders’ hunting cabins, crash pads for nomadic beetles, trees shyly locking toes with one another. It was here that you’d find the resourcefulness of rot, the wholeness of fungi.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
Mom frowned, and I wanted to give her a thumbs-up to let her know I was okay. All I could manage was raising my bound hands in her general direction, clocking Cal on the chin as I did so. "Sorry." "No problem. Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe," he replied. We'd reached the end of the pier. I looked down at the water and tried not to shudder. "I'll be pretending, of course, but do you have any advice on how I'm supposed to not drown?" I asked Cal. "Don't breathe in water." "Oh,thanks,that's super helpful." Cal shifted me in his arms, and I tensed. Just before he tossed me into the pond, he leaned in and whispered, "Good luck." And then I hit the water. I can't say what my first thought was as I sunk below the surface, because it was mostly a string of four-letter words. The water was way too cold for a pond in Georgia in May, and I could feel the chill sinking all the way into my bones. Plus my chest started burning almost immediately, and I sunk all the way to the bottom, landing in the slimy mud. Okay,Sophie,I thought. Don't panic. Then I glanced over to my right, and through the murky water, made out a skull grinning back at me. I panicked.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Somebody put a Fascist Toejam cassette, 300 watts of sonic apocalypse, on to the van stereo, Isaiah gallantly handed Prairie up into the lurid fuchsia padding of this rolling orgy room, where she became indistinct among an unreadable pattern of Vomitones and their girlfriends, and quickly, in an arc unexpectedly graceful, they had all turned outward, tached up, engaged, and like a time machine departing for the future, forever too soon for Zoyd, boomed away up the thin, cloudpressed lane.
Thomas Pynchon (Vineland)
Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!" "Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day." I pad over and put out a paw. "Pleased to meet you, madam." She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm..." She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet. "Gram!! The old elf claps her tiny hands. "I always wanted to say that!
Robert Paul Weston (Dust City)
I have made no attempt at chronology. My writing hasn’t changed much over the years. That’s because I haven’t changed. I am still the impractical dreamer that I was sixty years ago, when I decided that writing would be my vocation and my profession. I do not suffer from writer’s block. I have only to sit down at my desk for the words to come tumbling on to my writing pad. And if an ant moves across my desk, I shall record its transit.
Ruskin Bond (Notes From A Small Room: Signed As Essays From A Small Room)
When it’s that time of the month, try natural remedies to ease your discomfort. For example, drinking raspberry tea eases cramps, and chamomile tea relaxes you. Essential oils, herbal teas, and elevating your legs while lying down are time-proven solutions. A heating pad and sprinkling lavender oil around the room works wonders, too. Get plenty of rest and relax. As my grandmother would say to me, “This too shall pass,” and it always does.
L. Divine (Drama High: pushin')
As Strane works at me, part of me leaves the bedroom and wanders into the kitchen, where the cup he drank from lies tipped over in the sink. The faucet drips; the refrigerator hums. The kitten pads in from the living room, wanting to be held. Standing by the window, the broken-off part of me takes the kitten in her arms, gazes down at the quiet street below. It’s started to storm, a streetlight’s orange glow illuminating the sheets of rain, and the broken-off part of me watches it fall, humming softly to herself to block out the sounds coming from the bedroom. Every so often, she holds her breath and listens to check if it’s still happening. When she hears the metal scrape of the bed frame, the slap of skin on skin, she holds the kitten closer, turns back to the rain.
Kate Elizabeth Russell (My Dark Vanessa)
I can’t be in the same room as you right now.” She hopped out of bed, taking the iPad with her. “Be ridiculous, then,” said Ed.
Liane Moriarty (Big Little Lies)
My plan to conquer your world and the rest of the transdimensional multiverse is tomfoolery, but it is certainly not delusion.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names. That sounds good. Maybe you should think about what you want and we can go shopping. Julia turned to look at him. Now? I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile. She's a baby, Gabriel. Her stuff is going to be juvenile. You know what I mean. I want it to be elegant and not look like a preschool. Good grief. Julia fought a grin as she began imagining what the Professor would design. (Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.) He cleared his throat. I might have done some searching on the Internet. Oh, really? From where? Restoration Hardware? Of course not. He bristled. Their things wouldn't be appropriate for a baby's room. So where then? He gazed at her triumphantly. Pottery Barn Kids. Julia groaned. We've become yuppies. Gabriel stared at her in mock horror. Why do you say that? We're driving a Volvo and talking about shopping at Pottery Barn. First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself. As long as we get Thai food first. Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it. Julia burst into peals of laughter.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.
Laura Hillenbrand (Seabiscuit: An American Legend)
How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial fêtes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.
Vladimir Nabokov (Speak, Memory)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Howard got sex-crazy in the winter and probably wanted to send him out on a poontang prowl: Schwab's Drugstore, the extra huts at Fox and Universal, Brownie snapshots of well-lunged girls naked from the waist up. His Majesty's yes or no, then standard gash contracts to the yes's--one-liners in RKO turkeys in exchange for room and board at Hughes Enterprises' fuck pads and frequent nighttime visits from The Man himself.
James Ellroy (The Big Nowhere (L.A. Quartet, #2))
Back in my hotel room, nestled in the middle of the bed with a takeout carton of chicken pad Thai in my lap, I could have cried tears of relief. There were no people and no police and no beeping hospital equipment.
Sarah Penner (The Lost Apothecary)
I smelt him, smelt Johnny; for a second I thought - what? That he was there, was with me, that he wasn't...But I realised it was his perfume, the one I'd had made specially for him by an artisan perfumer in New York, his own custom-made one-off blend. It had been hideously expensive but I hadn't cared as long as it had pleased him. It was all intense essential oils, layer upon layer of labdanum, patchouli, vanilla, vetiver, ambrette, frankincense, myrrh, amber, Bulgarian rose absolute, Oud wood - the list was endless and beautiful, like a scented prayer. The woman had said some of the ingredients would keep their fragrance for a hundred years, would never die. Like me, he'd said, like us. I'd put some drops of the heavy dark oil on a couple of cotton wool pads and put them in the box when we got it, now the fragrance - strange, narcotic, archaic - filled the room like his ghost, embracing me in memories.
Joolz Denby (Wild Thing)
In the car inching its way down Fifth Avenue, toward Bergdorf Goodman and this glamorous party, I looked back on my past with a new understanding. This sickness, the “endo-whatever,” had stained so much—my sense of self, my womanhood, my marriage, my ability to be present. I had effectively missed one week of each month every year of my life since I was thirteen, because of the chronic pain and hormonal fluctuations I suffered during my period. I had lain in bed, with heating pads and hot-water bottles, using acupuncture, drinking teas, taking various pain medications and suffering the collateral effects of them. I thought of all the many tests I missed in various classes throughout my education, the school dances, the jobs I knew I couldn’t take as a model, because of the bleeding and bloating as well as the pain (especially the bathing suit and lingerie shoots, which paid the most). How many family occasions was I absent from? How many second or third dates did I not go on? How many times had I not been able to be there for others or for myself? How many of my reactions to stress or emotional strife had been colored through the lens of chronic pain? My sense of self was defined by this handicap. The impediment of expected pain would shackle my days and any plans I made. I did not see my own womanhood as something positive or to be celebrated, but as a curse that I had to constantly make room for and muddle through. Like the scar on my arm, my reproductive system was a liability. The disease, developing part and parcel with my womanhood starting at puberty with my menses, affected my own self-esteem and the way I felt about my body. No one likes to get her period, but when your femininity carries with it such pain and consistent physical and emotional strife, it’s hard not to feel that your body is betraying you. The very relationship you have with yourself and your person is tainted by these ever-present problems. I now finally knew my struggles were due to this condition. I wasn’t high-strung or fickle and I wasn’t overreacting.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
I find the thought of my children telling their friends their father is an accomplished author appealing. I used to think that I needed to be famous and write a bestseller to be considered accomplished and I very well may think that again at some later point, but for now in this moment, I sit with a smile on my face, holding tears of joy back, knowing that I am already an accomplished individual and that if I never create a best-selling book, I can still die a happy man.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
And in the night, when my coughing was dry and tough, feet padded into the room, hands repinned the flannel, readjusted the quilt, and rested a moment on my forehead. So when I think of autumn, I think of somebody with hands who does not want me to die.
Toni Morrison
As a child I don't remember ever telling Adora my favorite colour or what I'd like to name my daughter when I grew up. I don't think she ever knew my favorite dish and I certainly never padded down to her room in the early morning hours teary from nightmares. I always feel sad for the girl that I was because it never occurred to me that my mother might comfort me. She has never told me she loved me and I never assumed she did she tended to me she administrated me, oh yes, and one time she bought me lotion with vitamin E.
Gillian Flynn (Sharp Objects)
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement. I’m not a violent person, but hitting something sounds really good. I draw back a hand and swing, throwing my whole body into it. Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement. I grit my teeth and pull back my arm to do it again. “Whoa.” A hand catches my arm in midswing. I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up. “So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.” I draw back and straighten, feeling foolish. “Sorry.” “What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.” “Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
On the morning of November 22nd, a Friday, it became clear the gap between living and dying was closing. Realizing that Aldous [Huxley] might not survive the day, Laura [Huxley's wife] sent a telegram to his son, Matthew, urging him to come at once. At ten in the morning, an almost inaudible Aldous asked for paper and scribbled "If I go" and then some directions about his will. It was his first admission that he might die ... Around noon he asked for a pad of paper and scribbled LSD-try it intermuscular 100mm In a letter circulated to Aldous's friends, Laura Huxley described what followed: 'You know very well the uneasiness in the medical mind about this drug. But no 'authority', not even an army of authorities, could have stopped me then. I went into Aldous's room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give the shot- maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, 'No, I must do this.' An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.' All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
Jay Stevens
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
Rage, or something as equally dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor bathed in a creepy shadow, a particular darkness that had seeped into the walls, and right now was rolling across my converse so I couldn't see them. Absolute darkness.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Dr. Lecter toyed with his food while he wrote and drew and doodled on his pad with a felt-tipped pen. He flipped over the cassette in the tape player chained to the table leg and punched the play button. Glenn Gould playing Bach’s Goldberg Variations on the piano. The music, beautiful beyond plight and time, filled the bright cage and the room where the warders sat.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
And there in the next room by the sofa sat a familiar suitcase, that of his psychiatrist Dr. Smile. Barefoot, he padded into the living room, and seated himself by the suitcase; he opened it, clicked switches, and turned on Dr. Smile. Meters began to register and the mechanism hummed. "Where am I?" Barney asked it. "And how far am I from New York?" That was the main point...
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
Hugh got up. "Would love to stay and play doctor, love, but duty calls." He headed for the door. Play doctor? "Jackass." "Harpy." "Thank you for saving me in the woods," she said to his back. "And for healing Alex." "You're welcome. I'll see you downstairs in ten minutes." A moment later Rook slipped into her room and held out his writing pad. Hugh needed help? "No," Elara said. "He was terrifying.
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
On his chair, the yellow slit of Greebo’s left eye opened lazily. “Get down, You,” said Granny, lifting the kitten off her head and putting it on the floor. “I daresay Mrs. Ogg has got some milk in the kitchen.” “Not much,” said Nanny. “I’ll swear something’s been drinking it!” Greebo’s eye opened all the way, and he began to growl softly. “You sure you know what you’re doing, Esme?” said Nanny Ogg, reaching for a cushion to throw. “He’s very protective of his territory.” You the kitten sat on the floor and washed her ears. Then, as Greebo got to his feet, she fixed him with an innocent little stare and took a flying leap onto his nose, landing on it with all her claws out. “So is she,” said Granny Weatherwax, as Greebo erupted from the chair and hurtled around the room before disappearing into the kitchen. There was a crash of saucepans followed by the groioioioing of a saucepan lid spinning into silence on the floor. The kitten padded back into the room, hopped into the empty chair, and curled up. “He brought in half a wolf last week,” said Nanny Ogg. “You haven’t been hexperimentingi on that poor kitten, have you?” “I wouldn’t dream of such a thing,” said Granny. “She just knows her own mind, that’s all.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
WHEN IT’S ALL OVER, there’s one final talk I want to make—to the press. When they gather in front of me, it’s hard to forget that nearly all of them had considered me a hoax. They start to shoot questions at me, but I cut them off: “Hold it! Hold it!” I say. “You’ve all had a chance to say what you thought before the fight. Now it’s my turn. You all said Sonny Liston would kill me. You said he was better than Jack Johnson or Jack Dempsey, even Joe Louis, and you ranked them the best heavyweights of all time. You kept writing how Liston whipped Floyd Patterson twice, and when I told you I would get Liston in eight, you wouldn’t believe it. Now I want all of you to tell the whole world while all the cameras are on us, tell the world that I’m The Greatest.” There’s a silence. “Who’s The Greatest?” I ask them. Nobody answers. They look down at their pads and microphones. “Who’s The Greatest?” I say again. They look up with solemn faces, but the room is still silent. “For the LAST TIME!” I shout. “All the eyes of the world on us. You just a bunch of hypocrites. I told you I was gonna get Liston and I got him. All the gamblers had me booked eight-to-one underdog. I proved all of you wrong. I shook up the world! Tell me who’s The Greatest! WHO IS THE GREATEST?” They hesitate for a minute, and finally in a dull tone they all answer, “You are.” •
Muhammad Ali (The Greatest: My Own Story)
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical. Beneath her fingers, the white lawn started to redden. She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath. He coughed weakly, shifted his head. "Don't you dare die on me!" His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free." "Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?" He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to." The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running. She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years." He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..." She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together. When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you." He moistened his lips. Whispered, "You were?" "Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me." "Yes, I did." The words were firmer, bitten off through clenched teeth. She caught his anger. Was anger good. Would temper hold him to the world? A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
As a child, I don’t remember ever telling Adora my favorite color, or what I’d like to name my daughter when I grew up. I don’t think she ever knew my favorite dish, and I certainly never padded down to her room in the early-morning hours, teary from nightmares. I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did. She tended to me. She administrated me.
Gillian Flynn (Sharp Objects)
Sensing my delight at seeing his laptop, Tom asked me, "William, have you ever seen the Internet?" "No." In a quiet conference room, Tom sat me down at his computer and explained the track pad, how the motion of my fingers guided the arrow on the screen. "This is Google," he said. "You can find answers to anything. What do you want to search for?" "Windmill." In one second, he'd pulled up five million page results-pictures and models of windmills I'd never even imagined.
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
Without direction, the respiratory technician goes to the head of the bed. She takes the tubing, attaches it to the oxygen, and turns it on as high as it will go. She provides a seal with her hand cupped over the plastic mask, over the nose and mouth of the toddler, and methodically provides oxygenated air. Doyle’s tiny chest rises and falls while I listen with my stethoscope. I am reaching for another breathing tube. “Fib!” Dr. Pedras feels for a pulse while another places gelled pads on her chest.
Ruth McLeod-Kearns (Love, Loss, Trauma (A Compilation of Stories))
In a different room, but comparable to the first, subjects were met individually, and it was explained that they were to seat themselves comfortably with their hands in their lap in a chair before a writing table on which was a pad of paper and a pencil. They were to look continuously at the pencil until their hand picked it up and started to write involuntarily. They were to concentrate secondarily on the lifting of the hand and primarily on seeing the pencil begin to write, and to do nothing more.
Milton H. Erickson (The Collected Works of Milton H. Erickson, MD: Volume 1: The Nature of Therapeutic Hypnosis)
This great room is the one place in the company where you can look around and see everything we have in the works. When Steve comes in, he will sit at one of these tables. If we’re working on a new iPhone, for example, he might grab a stool and start playing with different models and feeling them in his hands, remarking on which ones he likes best. Then he will graze by the other tables, just him and me, to see where all the other products are heading. He can get a sense of the sweep of the whole company, the iPhone and iPad, the iMac and laptop and everything
Walter Isaacson (Steve Jobs)
By five minutes of four I was checked into the hotel. They had a lot of room. They had three conventions going and they still had a lot of room. Once inside the hotel, I was right back in Miami. Same scent to the chilled air, same skeptical servility, same glorious decor—as if a Brazilian architect had mated an air terminal with a manufacturer of cotton padding. Lighting, dramatic. At any moment the star of the show will step back from one of the eight (8) bars and break into song and the girlies will come prancing in. Keep those knees high, kids. Keep laughing.
John D. MacDonald (The Deep Blue Good-By)
Well," he asked, "whaddya expect?" It was so obviously a rhetorical question that of course I answered it. My truth impulse seemed stronger around this boy,my impulse control way under par. "I would expect you to be dancing." His expression was unreadable in the limited light. "Is that an invitation?" "No. An observation." He shrugged. "Okay. I needed a break. It was either keep an eye on Chase while he pukes up a fifth of cheap rum in the guys' bathroom or follow the girls into the ladies' room." I almost smiled and told him about Willing's bathrooms and me. Instead, some truly horrific and irresistible impulse had me announcing, "Amanda looks really pretty tonight." "So do you." Bizarrely, I felt my breath catch in my chest, and for a long, awful second, I thought I might cry. I gripped the top of my pad tightly, concentrated on the spiral metal binding where it dug into my skin. "It's a cool costume," he said. "Water nymph?" "Sea goddess," I answered quietly. "Roman." "Hmm." Alex was staring out toward the garden now,looking so at ease that I went from pretzel to knot. Could it really be that easy for him? To say things like he did without thinking? Without meaning them at all? "Too many mermaids tonight. Not that I have anything against mermaids.Mermaids are hot. I mean,you saw my drawing." I nodded. "You know," he went on, "that day in the hall,you compared my stuff to two Japanese artists-" I nodded again,even though he was looking out into the darkened gardens now and not at me. "Suzuki Harunobu and Utagawa Kuniyoshi. They were eighteenth and nineteeth-century woodblock print masters-" "Ella," he interrupted. "I know who they are." "Oh." "In fact, I have a couple original Kuniyoshi prints." "Oh.Wow.Wow.
Melissa Jensen (The Fine Art of Truth or Dare)
They told me the drugs would take away the pain. They told me the drugs would help me sleep. They are wrong. The pain of losing Damien hasn't gone away. And I hardly ever sleep. There's a part of me that wishes I could close my eyes and shut out the world, but I can't. I can't because I know behind my eyelids, I'll see him. He'll be there looking so fresh and alive. His skin will be vibrant with color, his blue blue eyes sparkling. He'll flash me his radiant smile and for a few minutes, I'll actually believe that he didn't die. I'll believe it and then I wake up to discover that my mind is torturing me with what could have been and I lose control of my emotions. I scream. Sob. Hug my knees to my chest. Rock back and forth. Tug at my hair. I pace the length of my shoebox room and throw myself into the padded white walls. I pray for someone or something to come along and take the pain away. I pray for someone or something to erase my memory so that I'll never have to think of Damien again. And so that I'll never have to live with the painful reminder that I am the reason he died. Damien died for me. And for love. And I'm not quite sure what else. Maybe to prove a point.
Lauren Hammond (White Walls (Asylum, #2))
Sunday morning dawned bright and cloudless. Ernest awoke early as always. He put on the red "Emporor's robe" and padded softly down the carpeted stairway. The early sunlight lay in pools on the living room floor. He had noticed that the guns were locked up in the basement. But the keys, as he well knew, were on the window ledge above the kitchen sink. He tiptoed down the basement stairs and unlocked the storage room. It smelled as dank as a grave. He chose a double-barreled Boss shotgun with a tight choke. He had used it for years of pigeon shooting. He took some shells from one of the boxes in the storage room, closed and locked the door, and climbed the basement stairs. If he saw the bright day outside, it did not deter him. He crossed the living room to the front foyer, a shrinelike entryway five by seven feet, with oak-paneled walls and a floor of linoleum tile. He had held for years to the maxim: "il faut (d'abord) durer". Now it had been succeeded by another: "il faut (apres tout) mourir". The idea, if not the phrase, filled all his mind. He slipped in two shells, lowered the gun butt carefully to the floor, leaned forward, pressed the twin barrels against his forehead just above the eyebrows, and tripped both triggers.
Carlos Baker (Hemingway: a Life Story)
Science fiction didn’t see the mobile phone coming. It certainly didn’t see the glowing glass windows many of us carry now, where we make things amazing happen by pointing at it with our fingers like goddamn wizards. That, by the way, is what Steve Jobs meant when he said that iPads were magical. The central metaphor is magic. And perhaps magic seems an odd thing to bring up here, but magic and fiction are deeply entangled, and you are all now present at a séance for the future. We are summoning it into the present. It’s here right now. It’s in the room with us. We live in the future. We live in the Science Fiction Condition, where we can see under atoms and across the world and across the methane lakes of Titan.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
Above all, however, resist the temptation to cover the entire room in foam--I can't tell you how often college studios in particular succumb to this seductive error. It is quite simply a recipe for disaster, because it hoovers up the top half of the room's reverberation, making for an extremely unnatural working environment. Although it makes good sense to damp down strong early reflections that can potentially comb filter your frequency response, you also want your monitoring environment to bear at least a passing resemblance to real-world living rooms and offices. If you plaster your whole studio in foam, you'll basically be mixing for people in padded cells--perhaps not the most lucrative demographic to set your sights on!
Mike Senior (Mixing Secrets (Sound On Sound Presents...))
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee. Who breaks into a house, turns on the lights, and makes coffee? I padded into the living room on soft feet, Slayer ready. “Loud and clumsy, like a baby rhino,” said a familiar voice. I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago. I thought he had forgotten about me. I had been quite happy to stay forgotten. “The Princess Bride?” he said, flipping the book over. “What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place. “Did everything go well with Julie?” “Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.” I watched him, not quite sure where we stood. “I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.” “Yes, he did. I’m sorry about your people. Many losses?” A shadow darkened his face. “A third.” He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us. Curran turned the book over in his hands. “You own words of power.” He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare. “You’re an interesting woman,” he said. “Your interest has been duly noted.” I pointed to the door. He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me . . . I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I agree with you one hundred percent.“ Diana batted her lashes. “I think you’ve made a very wise decision, Colby.“ He ran his palm up her bare arm. “And I think you’re picking up the finer nuances of being a wife faster than I’d ever imagined you would. How the hell did I wind up agreeing to spend Christmas with Margaret Fulbrook?“ “How the hell did I wind up pregnant and unemployed and financially dependent on a man for the first time in my life?“ “You forgot barefoot,“ he said with satisfaction. “At the moment you’re barefoot, pregnant and unemployed.“ She started to tickle him in the ribs. A few minutes later Colby’s sexy laughter aroused Specter. The dog sighed heavily, got up and padded down the hall to find some peace and quiet in the living room.
Jayne Ann Krentz (Dreams: Part Two (Dreams, #2))
He hammered along, arms swinging by his sides. He was known, well known, along the highways in hiding that are traveled by the poor and the mad, by the professional revolutionaries and by those who have been taught to hate so well that their hate shows on their faces like harelips and they are unwanted except by others like them, who welcome them to cheap rooms with slogans and posters on the walls, to basements where lengths of sawed-off pipe are held in padded vises while they are stuffed with high explosives, to back rooms where lunatic plans are laid: to kill a Cabinet member, to kidnap the child of a visiting dignitary, or to break into a boardroom meeting of Standard Oil with grenades and machine guns and murder in the name of the people. He was known there, and even the maddest of them could only
Stephen King (The Stand)
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
Temperance Dews stood with quiet confidence, a respectable women who lived in the sewer that was St. Giles. Her eyes had widened at the sight of Lazarus, but she made no move to flee. Indeed, finding a strange man in her pathetic sitting room seemed not to frighten her at all. Interesting. “I am Lazarus Huntington, Lord Caire,” he said. “I know. What are you doing here?” He tilted his head, studying her. She knew him, yet did not recoil in horror? Yes, she’d do quite well. “I’ve come to make a proposition to you, Mrs. Dews.” Still no sign of fear, though she eyed the doorway. “You’ve chosen the wrong woman, my lord. The night is late. Please leave my house.” No fear and no deference to his rank. An interesting woman indeed. “My proposition is not, er, illicit in nature,” he drawled. “In fact, it’s quite respectable. Or nearly so.” She sighed, looked down at her tray, and then back up at him. “Would you like a cup of tea?” He almost smiled. Tea? When had he last been offered something so very prosaic by a woman? He couldn’t remember. But he replied gravely enough. “Thank you, no.” She nodded. “Then if you don’t mind?” He waved a hand to indicate permission. She set the tea tray on the wretched little table and sat on the padded footstool to pour herself a cup. He watched her. She was a monochromatic study. Her dress, bodice, hose, and shoes were all flat black. A fichu tucked in at her severe neckline, an apron, and cap—no lace or ruffles—were all white. No color marred her aspect, making the lush red of her full lips all the more startling. She wore the clothes of a nun, yet had the mouth of a sybarite. The contrast was fascinating—and arousing. “You’re a Puritan?” he asked. Her beautiful mouth compressed. “No.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
Rebel [Verse 1] I don't give a fuck my brudda, I never have I'm straight from the gutter my brudda, we never had We living on a budget - holes in the rooftop Room full of buckets, it's getting bad Things could be worse I suppose, school trips, school kids Cursing my clothes, is it the same in every house When the curtains are closed? (daydreamin') I'm in a world of my own (I ain't leavin') It must be because I hate my reality That's why I'm on the verge of embracing insanity Put me in a padded room Throw away the key and let me escape the anarchy I can't take it, I turn my back on the world I can't face it, Ray-Ban gang fam Can't see my eyes cause I'm on my dark shades shit (Ray Charles) [Bridge] Black everything, you can ask David Cameron if we're living in the dark ages Black everything, you can ask David Black everything, you can ask David Black everything, you can ask David Cameron if we're living in the dark ages [Hook] (It's a living hell) I'm a rebel Always have been Where I'm come from it's a mad ting (It's a living hell) Standing in my Stan Smiths Stamping on the canvas for action (It's a living hell) All I acquired from the riot Is people are sick and tired of being quiet (It's a living hell) Dying to be heard That's why there's fire in my words [Verse 2] I don't give a fuck my brudda, I never will Straight from the gutter my brudda, rare real We been living life like "fuck it", living life like there's nothing To live for but the money, I'mma keep it 100 The hunger inside is what drives us That's why there's youngers inside who are lifers They say love is blind so you might just Fall in love with them crimes that'll blind us And I'd be lying if I said I wasn't out late Around H, scales out, another ounce weighed More pounds made, sounds great Salts under my tongue, my mouth's laced So many feds chasing me down, the ground shakes Helicopters, bikes and cars chasing So many officers behind, my heart's racing [Bridge] [Hook x2]
Ghetts
The filth of these all-male rooms was horrifying. Moldy mandarin orange skins clung to the bottoms of wastebaskets. Empty cans used for ashtrays held mounds of cigarette butts, and when these started to smolder they’d be doused with coffee or beer and left to give off a sour stink. Blackish grime and bits of indefinable matter clung to all the bowls and dishes on the shelves, and the floors were littered with ramen wrappers and empty beer cans and lids from one thing or another. It never occurred to anyone to sweep up and throw these things in a wastebasket. Any wind that blew through would raise clouds of dust. Each room had its own horrendous smell, but the components of that smell were the same: sweat and body odor and garbage. Dirty clothes would pile up under the beds, and without anyone bothering to air the mattresses on a regular basis, these sweat-impregnated pads would give off odors beyond redemption. In retrospect, it seems amazing that these shit piles gave rise to no killer epidemics.
Haruki Murakami (Norwegian Wood)
You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
In his earliest memories he was sitting on the floor in the family room, in front of the giant stereo his parents had bought themselves as a wedding present, his face pressed into the padded fabric of one speaker. The fabric was prickly against his forehead but his nose fit perfectly into a little groove, and he could feel music spilling like molten gold through his entire body. He'd sit back on his heels when the song was over and his father, an accountant and amateur drummer whose (still-unrealized) dream was to open a jazz club and coffee house, would say, "Order up!" and put another record on the turntable. Rabbit's favorite albums were by Earth, Wind & Fire (syncopation made his brain feel like it was laughing) and Also sprach Zarathustra, its opening rumbling like an earthquake. And he loved The White Album, and when his mother played ABBA on the piano and they'd sing together (though Alice couldn't do it without being a total showoff), and the Star Wars soundtrack, and of _course_ Zeppelin. For six months in 1984, he had asked his parents to play "Stairway to Heaven" instead of a bedtime story.
Kate Racculia (Bellweather Rhapsody)
Et supper?" Foote asked. "No, sir," Stoner answered. Mrs. Foote crooked an index finger at him and padded away, Stoner followed her through several rooms into a kitchen, where she motioned him to sit at a table. She put a pitcher of milk and several squares of cold cornbread before him. He sipped the milk, but his mouth, dry from excitement, would not take the bread. Foote came into the room and stood beside his wife. He was a small man, not more than five feet three inches, with a lean face and a sharp nose. His wife was four inches taller, and heavy; rimless spectacles hid her eyes, and her thin lips were tight. The two of them watched hungrily as he sipped his milk. "Feed and water the livestock, slop the pigs in the morning," Foote said rapidly. Stoner looked at him blankly. "What?" "That's what you do in the morning," Foote said, "before you leave for your school. Then in the evening you feed and slop again, gather the eggs, milk the cows. Chop firewood when you find time. Weekends, you help me with whatever I'm doing." "Yes, sir," Stoner said. Foote studied him for a moment. "College," he said and shook his head.
John Williams (Stoner)
And then he's grabbing my hand, and pulling me into a storage room they use for art supplies. And he puts his finger to his lips, and the walls are filled with pads of paper and boxes of colored pencils and jars of paint, and I'm laughing and he shuts the door behind us and leans up against it to stop anyone coming in and like he's trying to get up his nerve now that he's started something, before we've ever gone to the dumplings and the movies— he leans in and kisses me. His lips are cold. The kiss is soft. He has gum in his mouth, and he stops, and giggles nervously, and takes it out and throws it in the trash can, and looks like he feels embarrassed to have kissed me with the gum, but I don't care, and so now I kiss him, and he's tall enough that he has to bend down to get to me, and I put my hand on his neck, which is smooth and warm, and we kiss for a minute in the storage room,and I want to run my hands up his shirt suddenly— but I don't. He pulls away for a second and touches my cheek. “I thought you'd never ask,” he whispers. “I thought I never would either,” I say, “but I did.” “Good job,” he says, and kisses me again.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
He's right,you know," Edward was saying almost before I'd made it into my room. I had crept through the house unnecessarily. No one was home. "Your assertions have lost a bit of their value these days, Mr. Willing." "You know," he repeated. I tossed my coat onto the bed. The stark black and white of my quilt was broken by a purple stain now, the result of a peaceful interlude with grape juice turning into a gentle wrestling match.The stain was the size of my palm and shaked like, I thought, an alligator. Alex insisted it was a map of Italy. Later, we'd dripped the rest of the juice onto the thick pages of my drawing pad, finding pictures in the splotches like the Rorschach inkblots used in psychology. "Well," he'd said in response to my pagoda, antheater, and Viking, "verdict's in.You're nuts." The pictures were tacked to my wall, unaccustomed spots of color. I'd penciled in our choices. Viking (E), pineapple (A). Lantern (E), cheese (A). Crown (E), birthday cake (A) were over my desk, over Edward. I turned on my computer. It binged cheerfully at me. I had mail. From: abainbr@thewillingschool.org To: fmarino@thewillingschool.org Date: December 15, 3:50 p.m. Subect: Should you choose to accept... Tuesday. I'll pick you up at 10:00 a.m. Ask no questions. Tell no one. -Alex "Ah, subterfuge" came from over the desk. "Shut up, Edward," I said.
Melissa Jensen (The Fine Art of Truth or Dare)
I’m going to miss all the takeout,” Jason said later, after dinner, when I walked him out to his car. “Coach said his wife cooks their meals every night.” “That’s really why you’re leaving, isn’t it?” I asked. “For real home-cooked meals?” He put his hands on my waist, drew me near. “If you knew how hard I found it to stay on my side of the hall last night after we finished watching the movie…” He shook his head. “Your parents absolutely wouldn’t approve of the direction that my thoughts are going. With or without your mom’s contract, I’d move out.” “I can’t believe she did that.” He grinned. “Yeah, it was that first night, after she came out of your room.” “Weren’t you offended?” “How could I be? I started falling for you as soon as you bumped into me. I knew I could be a goner so easily.” “Really?” “Oh, yeah. And when I pictured you in shoulder pads and a helmet--” I shoved his shoulder. “You did not!” “Oh, yeah, I did. And I thought, of all the girls in this town, she is the one that I absolutely can’t find fascinating.” “Is that the reason you sounded like you really didn’t want to take me home after that first night of pizza?” “Yep. I wanted to limit contact. I was trying so hard not to fall for you.” “Well, that’s why I knocked you over,” I said. He laughed. “Will you still come play ball with Dad?” “Sure. But you have to play, too.” I smiled. “Okay.” It was so, so hard--a dozen kisses later--watching him leave. But at least I knew he’d be back.
Rachel Hawthorne (The Boyfriend League)
A glance at the clock on the nightstand told me I still had several hours until morning, and I knew I was in for a long night. I wasn’t quite ready to get back in bed, and my throat felt dry, so I left the bedroom and padded into the kitchen for a bottle of cool water. On my way back through the living room, I glanced at the couch and froze. Holt was lying there with a blanket tossed over his legs. “You’re sleeping on the couch?” I said, surprise lacing my tone. “I figured it was too soon to climb into bed with you,” he drawled. A warm flush spread over my limbs. The idea of sharing a bed with him… of being tangled up in his arms and legs… was entirely too appealing. “I’m an idiot.” He chuckled. “And why is that?” Because I should have realized that he only had one bed in this house and I was hogging it. He did say my scent was on his sheets. Geez, how slow on the uptake was I? “I should be the one sleeping out here.” “No.” It sounded like a command. “Yes.” He moved so fast I barely saw him, and then he was towering over me, my eyes left to stare at the very wide expanse of his chiseled chest. “What kind of a man do you think I am?” he drawled. “What?” I said, not really listening to his words. His body was the ultimate distraction. “Do you really think I would let someone—a girl—who was just released from the hospital, still bruised and burned, sleep on my couch?” “I’m sure I would be more comfortable there than you would be.” “Go back to bed, Katie.” He crossed his arms over his chest. “And if I don’t?” I challenged. I didn’t really care for the overbearing type. “If you don’t, I’m going to rip my shirt off you right here and do things to your body that will echo through your limbs long after I stop touching you.
Cambria Hebert (Torch (Take It Off, #1))
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
Ionic is the ‘opposites attract’ chemical bond,” Elizabeth explained as she emerged from behind the counter and began to sketch on an easel. “For instance, let’s say you wrote your PhD thesis on free market economics, but your husband rotates tires for a living. You love each other, but he’s probably not interested in hearing about the invisible hand. And who can blame him, because you know the invisible hand is libertarian garbage.” She looked out at the audience as various people scribbled notes, several of which read “Invisible hand: libertarian garbage.” “The point is, you and your husband are completely different and yet you still have a strong connection. That’s fine. It’s also ionic.” She paused, lifting the sheet of paper over the top of the easel to reveal a fresh page of newsprint. “Or perhaps your marriage is more of a covalent bond,” she said, sketching a new structural formula. “And if so, lucky you, because that means you both have strengths that, when combined, create something even better. For example, when hydrogen and oxygen combine, what do we get? Water—or H2O as it’s more commonly known. In many respects, the covalent bond is not unlike a party—one that’s made better thanks to the pie you made and the wine he brought. Unless you don’t like parties—I don’t—in which case you could also think of the covalent bond as a small European country, say Switzerland. Alps, she quickly wrote on the easel, + a Strong Economy = Everybody Wants to Live There. In a living room in La Jolla, California, three children fought over a toy dump truck, its broken axle lying directly adjacent to a skyscraper of ironing that threatened to topple a small woman, her hair in curlers, a small pad of paper in her hands. Switzerland, she wrote. Move. “That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked
Bonnie Garmus (Lessons in Chemistry)
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them." Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby. The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time." First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it. The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby." "I know. We call her 'Old Faithful.' Who's the other cutie pie?" "Huh? That's Fatima Michele, I thought you knew." "Are they here? I thought they were in Beirut!" "Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?" Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic. Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
Robert A. Heinlein (Stranger in a Strange Land)
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))