Cane Hill Quotes

We've searched our database for all the quotes and captions related to Cane Hill. Here they are! All 11 of them:

With my brother things were harder: he'd attempted suicide, throwing himself from a window at Cane Hill. When I went to visit him, he seemed pleased, but it was hard for me to look into his prematurely aged eyes. They seemed like hostages of his terrible illness, imploring me for some kind of aid I couldn't supply.
María Hesse (Bowie : Una biografía)
In other news, Aang dominates on “Are You Smarter Than the Fire Nation”. Bella Swan becomes engaged to her boyfriend of one year, Edward Cullen, and unceremoniously sends Jacob Black to the “friend zone”. Pop star Candy Cane trades her controversial career for being a housewife (which was a move that is very unpopular with many of her young fans), and Jacquel Rassenworth is still the Internet’s biggest fame-nut (cue APPLAUSE).
Jacquel Chrissy May (The Summer of Our Discontent (The Green Hill Manor Mystery, #1))
What’s red and white and red and white and red and white?” Laney tilted her head, considering. “A candy cane?” “That’s one answer, but I’m thinking of something else,” Mark said, grabbing hold of the end of the garbage truck once again. The truck began to move. “Tell me!” yelled Laney at the retreating truck. Mark bellowed the answer. “Santa Claus rolling down a hill!
Karina Yan Glaser (The Vanderbeekers of 141st Street)
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
Kahlil Gibran
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
Puck makes clear a particular point of etiquette, nonetheless. He objects to the word ‘fairy’ and always says ‘People of the Hills.’ “That's how I feel about saying- that word that I don't say. Besides, what you call them are made-up things the People of the Hills have never heard of- little buzzflies with butterfly wings and gauze petticoats, and shiny stars in their hair, and a wand like a schoolteacher's cane for punishing bad boys and rewarding good ones. I know 'em!... Can you wonder that the People of the Hills don't care to be confused with that painty-winged, wand-waving, sugar-and-shake-your-head set of impostors? Butterfly wings, indeed!... Butterfly-wings! It was Magic- Magic as black as Merlin could make it… That was how it was in the old days!
John Kruse (Who's Who in Faeryland)
All the same now, practically,’ said Van Loon. ‘Separate in name, but we have grown together. The cane plantation, together – a leedle more me than him; the ships, together – a leedle more him than me. He distils, I distribute. Together.’ And an injury to him is an injury to us both, Van Loon did not have to say. Smith glanced at the far end of the table. Flora was glowing – with happiness, but also with importance; sitting next to Joris as if they had been voted King and Queen of the May. Of course, it made dynastic sense.
Francis Spufford (Golden Hill)
Frantically, she reminded herself how many men in Bombay might have fair skin and curly black hair: thousands of Armenians, Anglo-Indians, and Jews. And Cyrus didn’t use a cane.
Sujata Massey (The Widows of Malabar Hill (Perveen Mistry, #1))
Up from the deep dusk of a cleared spot on the edge of the forest a mellow glow arose and spread fan-wise into the low-hanging heavens. And all around the air was heavy with the scent of boiling cane. A large pile of cane-stalks lay like ribboned shadows upon the ground. A mule, harnessed to a pole, trudged lazily round and round the pivot of the grinder. Beneath a swaying oil lamp, a Negro alternately whipped out at the mule, and fed cane-stalks to the grinder. A fat boy waddled pails of fresh ground juice between the grinder and the boiling stove. Steam came from the copper boiling pan. The scent of cane came from the copper pan and drenched the forest and the hill that sloped to factory town, beneath its fragrance. It drenched the men in circle seated around the stove. Some of them chewed at the white pulp of stalks, but there was no need for them to, if all they wanted was to taste the cane. One tasted it in factory town. And from factory town one could see the soft haze thrown by the glowing stove upon the low-hanging heavens.
Jean Toomer (Cane)
You could attempt to draw any line you wanted, but wet ink always seeped down the page.
Steve Mosby (The Reckoning on Cane Hill)
love Africa. Wish it didn’t have to be this way, but if we weren’t here, the French would take over this fortress in the blink of an eye. And everybody’s doing it. The British. The French. The Dutch. The Americans. Even the bloody Africans have been mixed up in the trade for an eternity.” “That doesn’t make it right.” “If we didn’t take the slaves, other Africans would kill them. Butcher them live. At least we provide a market, and keep them alive.” “If you stopped, the market would wither.” “You have not been to England, so let me tell you something. Ninety-nine Englishmen out of one hundred take their tea with sugar. We live for our tea, cakes, pies and candies. We live for the stuff, and we will not be deprived.” “But you don’t need slaves to make sugar,” I said. “In the West Indies, only the blacks work in the cane fields. Only the blacks can stand it.” “You could do something else with this fortress.” “What, like your beloved John Clarkson in Freetown?” I nodded. Armstrong pounded his fist on a table. “Has the Colony in Freetown produced a single export? Where is the sugar cane? Where is the coffee? Are you exporting boatloads of elephant teeth or camwood? You’re not even growing corn, or rice. You have no farms under cultivation. You aren’t even self-sufficient.” I wasn’t ready for this argument. My mind circled around, looking for a response. “There is no profit in benevolence,” Armstrong said. “None. The colony in Freetown is child’s play, financed by the deep pockets of rich abolitionists who don’t know a thing about Africa.
Lawrence Hill (Someone Knows My Name)