Pad Work Quotes

We've searched our database for all the quotes and captions related to Pad Work. Here they are! All 100 of them:

Chiron, I don't think the attic is the proper place for our new Oracle, do you?" "No, indeed." Chiron looked a lot better now that Apollo had worked some medical magic on him. "Rachel may use a guest room in the Big House for now, until we give the matter more thought." "I'm thinking a cave in the hills," Apollo mused. "With torches and a big purple curtain over the entrance . . . really mysterious. But inside, a totally decked-out pad with a game room and one of those home theater systems.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Oh, you just look at something and figure out how it works," Kai deadpanned, standing beside her. "Is that all?" Cinder fixed her ponytail and shrugged, suddenly embarrassed. "It's just mechanics." Kai scooped an arm around her waist and pulled her against him. "No, it's impressive," he said, using the pad of his thumb to brush something off Cinder's cheek. "Not to mention, weirdly attractive," he said, before capturing her lips.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly; light would elucidate the most difficult truths; wind would sweep away obtuse padding.
Gretel Ehrlich (The Solace of Open Spaces)
How was life before Pop-Tarts, Prozac and padded playgrounds? They ate strudel, took opium and played on the grass.
Jennifer Michael Hecht (The Happiness Myth: The Historical Antidote to What Isn't Working Today)
The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly, light would elucidate the most difficult truths; wind would sweep away obtuse padding. Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.
Gretel Ehrlich (The Solace of Open Spaces)
I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth — we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity — the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line. But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called ‘The End of Sex,’ that said something that struck me as very true. It said: “If you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories — and in a way, that routine is a method for falling in love with yourself over and over. You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you — it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
Joni Mitchell
You’re not too bad, Finley Sinclair.” I couldn’t have looked away from this boy if the room had caught on fire. “You’re okay yourself. At times.” “But we can’t get involved.” “No.” I swallowed. “Definitely not.” His face lowered a fraction of an inch. “Because I’m infamously bad.” “And I’m staying away from trouble.” His voice was rough, husky. “It would never work.” I took a step closer. “Impossible.” He traced my cheek with the pad of his thumb. “We don’t even like each other." “I pretty much can’t stand you.” And then his lips crushed to mine.
Jenny B. Jones (There You'll Find Me)
We walked in the door, and I was stunned by the sterile emptiness of the place. Most of the tiny living room was taken up by one of those giant strength-building home gyms you see on TV. In addition to that, there was one metal folding chair, an old wooden end table (being used as a coffee table, in front of the one chair), and a TV sitting on a milk crate. And it was the cleanest bachelor pad I had ever seen. “Wow. Nice place. The prison cell motif is really working for you. Very feng shui.
Marie Sexton (Promises (Coda, #1))
Success is feeling good about the work you do throughout the long, unheralded journey that May or may not wind up at the launch pad. You can't view training solely as a stepping stone to something loftier. It's got to be an end in itself.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Old Flossie settle down on the other side of What-the-Dickens and dragged some handiwork out of a sack. She armed herself with two thorns shaped into knitting needles. A wodge of curlicued metallic scrubbing pad supplied the threat. 'I knit handcuffs as a hobby,' explained Old Flossie happily, and set to work. 'Idle hands get up to no good, so I like to be prepared in case I meet up with any idle hands.
Gregory Maguire (What-the-Dickens: The Story of a Rogue Tooth Fairy)
Much of publishing (and any business) is a matter of making the right connection with the right person at the right time at the right place. You can’t make that connection working alone in your office at your computer or curled up with your legal pad writing your story.
W. Terry Whalin (10 Publishing Myths, Insights Every Author Needs to Succeed)
Dolor I have known the inexorable sadness of pencils, Neat in their boxes, dolor of pad and paper weight, All the misery of manilla folders and mucilage, Desolation in immaculate public places, Lonely reception room, lavatory, switchboard, The unalterable pathos of basin and pitcher, Ritual of multigraph, paper-clip, comma, Endless duplicaton of lives and objects. And I have seen dust from the walls of institutions, Finer than flour, alive, more dangerous than silica, Sift, almost invisible, through long afternoons of tedium, Dropping a fine film on nails and delicate eyebrows, Glazing the pale hair, the duplicate gray standard faces.
Theodore Roethke (The Lost Son & Other Poems)
He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.
Donna Tartt (The Goldfinch)
Giving students iPads or allowing them to film homework assignments on YouTube prepares them for a high-tech economy about as much as playing with Hot Wheels would prepare them to thrive as auto mechanics.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
I argue that it is not Woolf's remoteness that puts people off but her nearness that terrifies them. Her language is not a woolly blanket it is a sharp sword. The Waves, which is the most difficult of her works, is a strong-honed edge through the cloudiness most of us call life. It is uncomfortable to have the thick padded stuff ripped away. There is no warm blanket to be had out of Virginia Woolf; there is wind and sun and you naked. It is not remoteness of feeling in Woolf, it is excess; the unbearable quiver of nerves and the heart pounding. It is exposure. And it is exactness.
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
Ildiko clutched his arm, unwilling to have him leave her side.  “I enjoy your touch, Brishen.” The stiffness eased from his shoulders.  He gave her a wry look and pressed his palm to the pale expanse of skin just below her collarbones.  His hand rose and fell in quick time to her breathing.  “I believe you, but this tells me you fear it as well.” She winced.  “Your teeth are so...sharp.” “They are, but I’m not careless, wife.  And if, for some unfathomable reason, I accidently bite you, you’re welcome to bite me back.” His attempt at humor worked, and Ildiko chuckled.  “Brishen—”  She offered him a toothy grin.  “These wouldn’t do much damage.” He traced the line of her collarbones with the rough pads of his fingers, their dark claws a whisper of movement across her flesh.  “You have obviously never been badly bitten by a horse.
Grace Draven (Radiance (Wraith Kings, #1))
With these rough categorizations established, the strategy works as follows: Schedule in advance when you’ll use the Internet, and then avoid it altogether outside these times. I suggest that you keep a notepad near your computer at work. On this pad, record the next time you’re allowed to use the Internet. Until you arrive at that time, absolutely no network connectivity is allowed—no matter how tempting.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
The ritual worked. That is the most ghastly thing. I hold no particular brief for the rationality of the world, but that this vile obscenity should actually have the power to bring back the dead seems to me not merely a sign that the world is not rational, but that it is in fact entirely insane, a murderous lunatic gibbering in the corner of a padded cell.
Sarah Monette (The Bone Key: The Necromantic Mysteries of Kyle Murchison Booth)
I got more fuckin’ money than I know what to do with, but I still worked seven days a week. I had the kinda fun that meant I spent each night alone in a fuckin’ crash pad. I was livin’, but I wasn’t alive. I wasn’t breathin’. I was fuckin’ color-blind, tastin’ nothin’ but sour and bitter.” Even in the dim moonlight, I could see the intensity in his eyes. “You brought me sweetness. Brought me color and brightness. You’ve got me breathin’ deep and doin’ it easy. Lovin’ life. Not just enjoyin’ it. Fuckin’ lovin’ it.
Layla Frost (Hyde and Seek (Hyde #1))
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
But for the rest of us, cool has a shelf life. If you’re a quarterback in high school, you’re cool. But ten years later, working as a sullen bouncer at the only nightclub in town, your “cool” is on life support. Which is why so many young girls who never said no end up with losers in pants hanging below their asses and no known income to speak of. These cads were charming in high school; now they’re as useless as shoulder pads on a snake.
Greg Gutfeld (Not Cool: The Hipster Elite and Their War on You)
done last weekend. “I just paid for ten more hot yoga sessions. And what about squash? Mom would need to find a replacement partner.” “All things you managed to work around when you went to Cancún last year.” “Yeah . . . I guess,” I admit reluctantly. “But Alaska is a million hours away.” “Only half a million,” Simon quips. “Will you at least give me a script for Ambi—” “No.” I sigh with exaggeration. “What fun is having a stepdad with a prescription pad, then?” My phone starts ringing
K.A. Tucker (The Simple Wild)
Quite soon my office was a jumble of broken bits of rocks, and needles, and old monographs, all coated in fine, limy dust. I still work in an identical office today. Tidy people's eyes go all peculiar when they come into it. I have a special small padded seat for them to collapse into.
Richard Fortey (Trilobite: Eyewitness to Evolution)
There wasn't any fanfare in quitting my job. Most of my clients would know I'd left and been replaced by a new person. Maybe they would vacuum or position the throw pillows differently. Maybe the clients would come home to find the shampoo bottles arranged in a new way, but most of them probably wouldn't notice the change at all. When I thought about a new maid taking over my job, I wondered again what it would be like to know a stranger had been in your house, wiping every surface, emptying the garbage of your bloody pads. Would you not feel exposed in some way? After a couple of years, my clients trusted our invisible relationship. Now there would be another invisible human being magically making lines in the carpet.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
Mr. Lockery—my biology teacher—says if dinosaurs were magically brought forward in time today, we’d have nothing to worry about. Dogs, wolves, and bears would make short work of tyrannosaurs.” She nodded at Schrödinger, who was now padding across the floor in the opposite direction. “Big cats, too. They’re faster, tougher, and brighter than anything that existed seventy million years ago. Everything is always ramping up, always escalating.
Robert J. Sawyer (WWW: Watch (WWW, #2))
When it’s that time of the month, try natural remedies to ease your discomfort. For example, drinking raspberry tea eases cramps, and chamomile tea relaxes you. Essential oils, herbal teas, and elevating your legs while lying down are time-proven solutions. A heating pad and sprinkling lavender oil around the room works wonders, too. Get plenty of rest and relax. As my grandmother would say to me, “This too shall pass,” and it always does.
L. Divine (Drama High: pushin')
Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.
Donna Tartt (The Goldfinch)
I looked at this first sheet, words scribbled confidently on a lined pad. My attempt at making contact the spirit of Llandor. Disaster. I couldn’t do the language or locate the period. The pad of paper, with its grey-mauve rules, was all wrong. It was intended for meaningful work, figures, calculations, notes.
Iain Sinclair (Landor's Tower: or, Imaginary Conversations)
As Strane works at me, part of me leaves the bedroom and wanders into the kitchen, where the cup he drank from lies tipped over in the sink. The faucet drips; the refrigerator hums. The kitten pads in from the living room, wanting to be held. Standing by the window, the broken-off part of me takes the kitten in her arms, gazes down at the quiet street below. It’s started to storm, a streetlight’s orange glow illuminating the sheets of rain, and the broken-off part of me watches it fall, humming softly to herself to block out the sounds coming from the bedroom. Every so often, she holds her breath and listens to check if it’s still happening. When she hears the metal scrape of the bed frame, the slap of skin on skin, she holds the kitten closer, turns back to the rain.
Kate Elizabeth Russell (My Dark Vanessa)
But what Andy never understood about him was this: he was an optimist. Every month, every week, he chose to open his eyes, to live another day in the world. He did it when he was feeling so awful that sometimes the pain seemed to transport him to another state, one in which everything, even the past that he worked so hard to forget, seemed to fade into a gray watercolor wash. He did it when his memories crowded out all other thoughts, when it took real effort, real concentration, to tether himself to his current life, to keep himself from raging with despair and shame. He did it when he was so exhausted of trying, when being awake and alive demanded such energy that he had to lie in bed thinking of reasons to get up and try again, when it would be much easier to go to the bathroom and untape the plastic zipped bag containing his cotton pads and loose razors and alcohol wipes and bandages from its hiding place beneath the sink and simply surrender. Those were the very bad days. It
Hanya Yanagihara (A Little Life)
One of the classier features of this home was the padded toilet seat. It was high-mileage puffy brown vinyl-colored foam and made that weird sigh when you sat down on it. I'm not a germaphobe or anything like that, but it is weird to think about all the ass time this seat had seen before we moved in. This is a horrible invention. What's the plan? You want to create a toilet seat so comfortable that you can fall asleep while you're taking a shit? You're going to show up late for work or end up like Elvis.
Adam Carolla
I missed you.” His fingers toyed with the end of my braid. Working like he had all the time in the world and my body wasn’t about to combust from his touch, he loosened my hair. Strands fell in front of my face, covering my eyes like a curtain. His gentle touch did just as much to me as the rough pads of his fingers scraping across my skin.
Maya Hughes (The Perfect First (Fulton U, #1))
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
I know very little of my own work by heart, because I don’t like what I write. In fact, I find myself personally expressed far better in the writings of other poets than in my own, because I know all my mistakes—I know all the chinks and all the padding, I know that a particular line is weak, and so on. I read other poets in a different way; I don’t look too closely at them.
Jorge Luis Borges (Borges on Writing)
But what Andy never understood about him was this: he was an optimist. Every month, every week, he chose to open his eyes, to live another day in the world. He did it when he was feeling so awful that sometimes the pain seemed to transport him to another state, one in which everything, even the past that he worked so hard to forget, seemed to fade into a gray watercolor wash. He did it when his memories crowded out all other thoughts, when it took real effort, real concentration, to tether himself to his current life, to keep himself from raging with despair and shame. He did it when he was so exhausted of trying, when being awake and alive demanded such energy that he had to lie in bed thinking of reasons to get up and try again, when it would be much easier to go to the bathroom and untape the plastic zipped bag containing his cotton pads and loose razors and alcohol wipes and bandages from its hiding place beneath the sink and simply surrender. Those were the very bad days.
Hanya Yanagihara (A Little Life)
I didn’t know much about psychoanalysis, but I was pretty sure that it didn’t work unless the subject was relatively honest. Sure, I could tell the truth—if I wanted to spend the rest of my life in a padded cell.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
Sicarius padded toward the exit, his soft black boots silent on the tile floor. He paused in the doorway and glanced at the backs of the two older men. The emperor emitted a nervous chuckle. “You trained him too well, Hollow. The man bothers me.” “He is loyal.” “I know. You did a good job. I ought to give you Sespian to work with. The boy is disappointing.” “He does seem soft,” Hollowcrest said. “Did you hear that scream? I would’ve been fascinated by severed heads at that age.” “You’re fascinated with them now, Sire.” “True enough.” They shared a laugh and headed for the door. Sicarius slipped away before they noticed him.
Lindsay Buroker (Shadows Over Innocence (The Emperor's Edge, #0.5))
You're not listening." Savannah squirmed, trying to get out from under him. "You're trying to seduce me." She said it indignantly. He lifted his head, pale eyes roaming possessively over her beautiful freatures. "Yes,I am. Is it working?" His voice-a low, teasing caress-disarmed her where denial would not have. His hand was spanning her throat, his thumb brushing tenderly along her neck, sending flames licking along her skin. She was smiling at his words in spite of every effort not to. "No, it isn't working at all," she lied. She couldn't look at him without wanting him. Her pulse was racing beneath the pad of his thumb. Her skin was hot satin, inviting his touch, inviting further exploration. There was conflict in her mind, fear uppermost, but there was also desire. Gregori focused on that, fed that spark of need with his own. He touched his mouth to the corner of hers, brushed a velvet-soft whisper across her lips, and felt her heart jump wildly in response. "Are you certain? I have learned much over the centuries. There is an art to making love." It was blatant sorcery now, all-out seduction.
Christine Feehan (Dark Magic (Dark, #4))
Given the right conditions, the body heals itself. If you whack your shin really hard on a coffee table, it can get red, swollen, and painful. But your shin will heal naturally if you just stand back and let your body work its magic. But what if you kept whacking it in the same place three times a day—say, at breakfast, lunch, and dinner? It would never heal. You could go to your doctor and complain that your shin hurts. “No problem,” he or she might say, whipping out a pad to write you a prescription for painkillers. You’d go back home, still whacking your shin three times a day, but the pain pills would make it feel so much better. Thank heavens for modern medicine!
Michael Greger (How Not To Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
It was an aspiring neighbourhood that retained a faint edge of slum, typical of Shanghai. Pensioners in Mao-era padded jackets would sit on doorsteps playing mah-jong, oblivious to the Prada-clad girls sweeping past on their way to work.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Succes is feeling good about the work you do throughout the long, unheralded journey that may or may not wind up at the launch pad. You can't view training solely as a stepping stone to something loftier. It's got to be an end in itself.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
we are the generation you gave participant trophies to.   we are the generation you made wear helmets, elbow pads, & kneepads.   we are the generation you gave censored CDs & PG movies to.   we are the generation you spent years overprotecting then threw to the wolves.   now we are the generation running on nothing but coffee & three hours of sleep.   we are the generation working minimum-wage jobs with college degrees.   we are the generation making just enough money to survive.   we are the generation you didn’t want to see fail then ensured that we did.   - millennials.
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Every pregnancy results in roughly two years of lost menstruation. If you are a manufacturer of menstrual pads, this is bad for business. So you ought to know about, and be so happy about, the drop in babies per woman across the world. You ought to know and be happy too about the growth in the number of educated women working away from home. Because these developments have created an exploding market for your products over the last few decades among billions of menstruating women now living on Levels 2 and 3. But, as I realized when I attended an internal meeting at one of the world’s biggest manufacturers of sanitary wear, most Western manufacturers have completely missed this. Instead, when hunting for new customers they are often stuck dreaming up new needs among the 300 million menstruating women on Level 4. “What if we market an even thinner pad for bikinis? What about pads that are invisible, to wear under Lycra? How about one pad for each kind of outfit, each situation, each sport? Special pads for mountain climbers!” Ideally, all the pads are so small they need to be replaced several times a day. But like most rich consumer markets, the basic needs are already met, and producers fight in vain to create demand in ever-smaller segments. Meanwhile, on Levels 2 and 3, roughly 2 billion menstruating women have few alternatives to choose from. These women don’t wear Lycra and won’t spend money on ultrathin pads. They demand a low-cost pad that will be reliable throughout the day so they don’t have to change it when they are out at work. And when they find a product they like, they will probably stick to that brand for their whole lives and recommend it to their daughters.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
There wasn't any fanfare in quitting my job. Most of my clients wouldn't know I'd left and been replaced by a new person. Maybe they would vacuum or position the throw pillows differently. Maybe the clients would come home to find the shampoo bottles arranged in a new way, but most of them probably wouldn't notice the change at all. When I thought about a new maid taking over my job, I wondered again what it would be like to know a stranger had been in your house, wiping every surface, emptying the garbage of your bloody pads. Would you not feel exposed in some way? After a couple of years, my clients trusted our invisible relationship. Now there would be another invisible human being magically making lines in the carpet.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
This work of art has followed me from jail into the padded room, to the suicide triage unit, to the streets, through bankruptcy, into rehabilitation, back to health and financial independence, and into society as a loving and healthy, successful father. If it wasn’t for the purpose I found in writing this work of art, I’d be dead. I know this work of art will change your life, because it changed mine.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
Hey,’ she said, shutting the door behind her, and making herself comfortable in the large padded chair facing his desk, without being asked. She had no need to stand on ceremony with Mel, who was one of her oldest friends. ‘How’s Janine?’ A few months ago, he’d married DS Janine Tyler, who’d been working on Hillary’s team for three years. Now, with the marriage, Janine had moved to Witney nick, and Hillary had a new DS.
Faith Martin (Murder in the Mansion (DI Hillary Greene #8))
usual, he threw himself into the marketing, working with James Vincent and Duncan Milner at the ad agency (now called TBWA/ Media Arts Lab), with Lee Clow advising from a semiretired perch. The commercial they first produced was a gentle scene of a guy in faded jeans and sweatshirt reclining in a chair, looking at email, a photo album, the New York Times, books, and video on an iPad propped on his lap. There were no words, just
Walter Isaacson (Steve Jobs)
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
LAILA WOULD REMEMBER the muted ceremony in bits and fragments. The cream-colored stripes of Rasheed’s suit. The sharp smell of his hair spray. The small shaving nick just above his Adam’s apple. The rough pads of his tobacco-stained fingers when he slid the ring on her. The pen. Its not working. The search for a new pen. The contract. The signing, his sure-handed, hers quavering. The prayers. Noticing, in the mirror, that Rasheed had trimmed his eyebrows.
Khaled Hosseini (A Thousand Splendid Suns)
What I know,” she said, “is that: it’s going to be better. If it’s bad, it might get worse, but I know that it’s going to be better. And you have to know that. There’s a country song out now, which I wish I’d written, that says, ‘Every storm runs out of rain.’ I’d make a sign of that if I were you. Put that on your writing pad. No matter how dull and seemingly unpromising life is right now, it’s going to change. It’s going to be better. But you have to keep working.
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
They had crossed the terrace where weeds, ivy, and goldenrod had run amuck in the flowerbeds that lined the weather-beaten stone balustrade. Mounds of blue hydrangeas nearly as tall as Lucien crowded the three mossy steps that led down into the formal garden. He went down them, and Alice followed him toward the circular fountain. As they approached, two doves that had perched on the stately stone fountain urn fluttered away, cooing. Alice stopped beside the fountain pool and gazed down with a faraway expression at the lily pads, driven with dreamlike slowness over the surface of the shallow water like tiny sailing vessels. She studied the scene as though memorizing it, while Lucien gazed at her, watching the wind toy with her clothes and the tendrils of her hair that it had worked free from her neat coif. Her waving red-gold hair, blue eyes, and ivory skin, and the chaste, faraway serenity of her face, put him in mind of Botticelli's Venus, rising from the sea upon her scallop shell.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
In a different room, but comparable to the first, subjects were met individually, and it was explained that they were to seat themselves comfortably with their hands in their lap in a chair before a writing table on which was a pad of paper and a pencil. They were to look continuously at the pencil until their hand picked it up and started to write involuntarily. They were to concentrate secondarily on the lifting of the hand and primarily on seeing the pencil begin to write, and to do nothing more.
Milton H. Erickson (The Collected Works of Milton H. Erickson, MD: Volume 1: The Nature of Therapeutic Hypnosis)
Gmorning. Grateful for growing pains, Grateful for the lines on my face, Grateful for the crick in my neck, Grateful for hot showers, Grateful for broken coffee machines, Grateful for the thumbs typing this, Grateful for another day alive at the same time as you. Gnight. Grateful for long days, Grateful for aches and pains, Grateful for quick pad thai delivery, Grateful for hot baths, Grateful for early work calls tomorrow, Grateful for the thumbs typing this, Grateful for another day alive at the same time as you.
Lin-Manuel Miranda
As I padded over to his massive walk-in closet, I glanced at Gideon Cross’s sex-rumpled bed and shivered with remembered pleasure. My hair was still damp from a shower, and the towel wrapped around me was my only article of clothing. I had an hour and a half before I had to be at work, which was cutting it a little too close for comfort. Obviously, I was going to have to allot time in my morning routine for sex, otherwise I’d always be scrambling. Gideon woke up ready to conquer the world, and he liked to start that domination with me.
Sylvia Day (Reflected in You (Crossfire, #2))
The other cop is writing things down in his pad. The pad is so small. His pen is really small, too. They seem too small, the pen and pad. Personally, I would want a bigger pad. Then again, with a bigger pad, where would I put it? You’d need a pad-holster, which might look cool but would make it even harder to run, especially if you have the flashlight attachment . . . I guess you need a small pad so it’ll fit on your utility belt— Oh, it would be so great if they called it a utility belt. Maybe I could ask. Not now, of course, but later.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Ed’s a good man,” he said. “He’s honest. I respect the guy.” Then he stabbed the padded seat arm between us two or three times with his forefinger. “But the main reason I’m working for him,” he said, “is that he’s the only guy we have who can beat Nixon.” He stabbed the arm again. “If Nixon wins again, we’re in real trouble.” He picked up his drink, then saw it was empty and put it down again. “That’s the real issue this time,” he said. “Beating Nixon. It’s hard to even guess how much damage those bastards will do if they get in for another four years.”1
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
This great room is the one place in the company where you can look around and see everything we have in the works. When Steve comes in, he will sit at one of these tables. If we’re working on a new iPhone, for example, he might grab a stool and start playing with different models and feeling them in his hands, remarking on which ones he likes best. Then he will graze by the other tables, just him and me, to see where all the other products are heading. He can get a sense of the sweep of the whole company, the iPhone and iPad, the iMac and laptop and everything
Walter Isaacson (Steve Jobs)
when Starship was again being stacked on the pad, the winds picked up and some of the workers resisted climbing to the top of the tower, where there was still work to be done scraping off coating and securing the proper connections. So Krebs himself climbed up and began doing the work. “I had to make sure all the workers stayed motivated,” he says. Had he done so, I asked, because he was inspired by Musk, who liked being a battlefield general on the front lines, or was it out of fear? “It’s like Machiavelli taught,” Krebs replied. “You have to have fear and love for the leader. Both.
Walter Isaacson (Elon Musk)
She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action. She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt. “You expecting someone?” she asked quietly as she got up from her stool. God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . . The knock sounded again, followed by a deep voice that went through her like a bolt of electricity. “Tess? Are you there?” Dante. Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company. “Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?” “Yeah. Can I come in?” “Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas. Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
You say you want more sleeping pills?" "Yes." "But the ones I gave you last week are very strong." "They don't work any more." […] "What seems to be the matter?" Teresa said then. "I can't sleep. I can't read." I tried to speak in a cool, calm way, but the zombie rose up in my throat and choked me off. I turned my hands palm up. "I think," Teresa tore off a white slip from her prescription pad and wrote down a name and address, "you'd better see another doctor I know. He'll be able to help you more than I can." I peered at the writing, but I couldn't read it. "Doctor Gordon," Teresa said. "He's a psychiatrist.
Sylvia Plath (The Bell Jar)
Sitting in his office, he made a nice mathematical model, and it never occurred to him that what he saw as defects were actually necessities. Look: when I was working on missiles, we dealt with something called ‘resonant yaw.’ Resonant yaw meant that, even though a missile was only slightly unstable off the pad, it was hopeless. It was inevitably going to go out of control, and it couldn’t be brought back. That’s a feature of mechanical systems. A little wobble can get worse until the whole system collapses. But those same little wobbles are essential to a living system. They mean the system is healthy and responsive.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
A bell tinkles when I open the door and I’m hit by the smell – a powdery, fudgy, floral nostalgia-blast, encoded in my brain at some long-ago point to signify ‘femininity’, and I realize with a vague sense of disenchantment that this phenomenon – femininity – has not manifested itself at all as I expected, in the form of vanity table, crystal perfume atomizer, kimono suspended from silk-padded hanger, et cetera, but instead as a tangle of greyish underwear, old sports T-shirts for nighties and an unruly Boots-special-offer-dictated assortment of half-finished moisturizers, packets of face wipes and bunches of tampons.
Lisa Owens (Not Working)
I knew where that instinct had come from, that insistence that the outlandish was worthwhile. It had germinated at my kitchen table in Washington, across scraps of paper and bits of language, across the pads of paper my father and I often filled together. Although sometimes, he worked alone. It was that instinct that had led me here, had led me in everything I did. Always. I was beginning to realize it when he died, but some of my belief had gone with him. Only now was it beginning to return. Patrick wasn’t wrong that I believed more than Rachel. Because perhaps one needed a little magic to make a narrow childhood more bearable.
Katy Hays (The Cloisters)
Douglas’s work. And the first time Mrs. Caperdeen showed us a slide from his series Aspects of Negro Life, I knew the kind of art I wanted to start making. And so I did. The only difference was that I framed mine in a circle, like The Family Circus. And that’s why I needed Ma to make sure she brought me my sketch pad and pencils. I woke up early, and before doing anything else, before getting up and having a morning pee, or brushing my teeth, or spirometering, I turned the TV on, muted it, then grabbed my stuff and starting sketching on a fresh page. I wasn’t sure what I was drawing. That’s not true. I knew exactly what I was drawing. The only thing I could. I was
Jason Reynolds (All American Boys)
Taggart finally broke the pattern. "Can you at least explain why?" Jane growled. God, she hated being outnumbered. This was like riding herd on her little brothers, only worse because "I'll beat you if you do" wasn't an acceptable answer. "First rule of shooting a show on Elfhome." She grabbed Hal and made him face each of the two newbies so there was no way they could miss the mask of dark purple bruises across Hal's face. "Avoid getting 'The Face' damaged. Viewers don't like raccoon boys. Hal is out of production until the bruising can be covered with makeup. We've got fifty days and a grocery list of face-chewing monsters to film. We have to think about damage control." "Second rule!" She let Hal go and held up two fingers. "Get as much footage as possible of the monster before you kill it. People don't like looking at dead monsters if you don't give them lots of time seeing it alive. Right now we have got something dark moving at night in water. No one has ever seen this before, so we can't use stock footage to pad. We blow the whistle and it will come out of the water and try to rip your face off – violating rule one – and then we'll have to kill it and thus break rule two." "Sounds reasonable," Taggart said. "Would we really have to kill it?" Nigel's tone suggested he equated it to torturing kittens. "If it's trying its damnest to eat you? Yes!" Jane cried.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams.
James Hampton
Go take a shower. Use cold water, it will help.” It took him a moment to control the urgent demands of his body. As he stepped away from her, the pad of his finger slipped down her throat and trailed over the swell of her breast before he dropped his hand to his side. Dahlia shivered at his touch. She remained still, only inches from him, refusing to back away . . . or move forward. “Fortunately, Jesse stashed some clothes here for me. He’s a thoughtful man.” “Is that what you call him? I think interfering busybody would just about say it all. I like you without clothes.” “Nicolas,” she cautioned. “I’m hanging on by a thread. You’re supposed to help.” “Tell me why again, and I’ll work on it.
Christine Feehan (Mind Game (GhostWalkers, #2))
Above all, however, resist the temptation to cover the entire room in foam--I can't tell you how often college studios in particular succumb to this seductive error. It is quite simply a recipe for disaster, because it hoovers up the top half of the room's reverberation, making for an extremely unnatural working environment. Although it makes good sense to damp down strong early reflections that can potentially comb filter your frequency response, you also want your monitoring environment to bear at least a passing resemblance to real-world living rooms and offices. If you plaster your whole studio in foam, you'll basically be mixing for people in padded cells--perhaps not the most lucrative demographic to set your sights on!
Mike Senior (Mixing Secrets (Sound On Sound Presents...))
A well-known skin specialist patronized by many famous beauties charges seventy-five dollars for a twenty-minute consultation and eight dollars for a cake of sea-mud soap. I get more satisfaction and just as much benefit out of applying a purée of apples and sour cream! [...] Of course, all masques should COVER THE NECK too. [...] Masques should only be used ones or twice a week. [...] While the masque is working, place pads soaked in witch hazel or boric acid over your eyelids and put on your favorite music. [...] A masque really works only when you're lying down. Twenty minutes is the right length of time. Then wash the masque off gently with warm water and follow with a brisk splash of cold water to close the pores. [...] For a luxurious once-a-week treatment give your face a herbal steaming first by putting parsley, dill, or any other favorite herb into a pan of boiling water. (Mint is refreshing too.) Hold a towel over your head to keep the steam rising onto your face. The pores will open so that the masque can do a better job. [...] Here are a few "kitchen masques" that work: MAYONNAISE. [...] Since I'm never sure what they put into those jars at the supermarket, I make my own with whole eggs, olive or peanut oil, and lemon juice (Omit the salt and pepper!). Stir this until it's well blended, or whip up a batch in an electric blender. PUREED VEGETABLES - cucumbers, lemons, or lettuce thickened with a little baby powder. PUREED FRUITS - cantaloupe, bananas, or strawberries mixed to a paste with milk or sour cream or honey. A FAMOUS OLD-FASHIONED MIXTURE of oatmeal, warm water, and a little honey blended to a paste.
Joan Crawford (My Way of Life)
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
The larger point is that as society and the economy go through this shift there will not only be less economic opportunity to fulfill your role as “father, protector, provider, and bread winner,” there will be less appreciation for such roles.  Therefore, to make sure you have purpose and agency in life, you need to find hobbies and interests that are not dependent on economic circumstances and cannot be supplanted by government intervention.   Fun – Because of the Darwinistic programming you have, many men will approach life from the angle of attaining financial security first, and THEN relaxing and enjoying life.  You will get everything in order, get your degree, get your career, pay off your debts, pay off your house, and then, once financially stable, finally permit yourself to enjoy life.  There is just one minor problem with that approach:   Life doesn’t work that way.   Not
Aaron Clarey (Bachelor Pad Economics)
Michael J. Bealey was a busy man. His PA had rung to say that drinks at Soho House would no longer work but could I meet him for lunch at twelve thirty? Lunch turned out to be a sandwich and a cup of coffee at a Prêt just around the corner from his flat on the King’s Road, but that was fine by me. I wasn’t sure if Michael would have had enough conversation for a two-course meal. He had always been a man of few words, despite having published millions of them. The “J.” on his business card was important to him, by the way. It was said that he had known both Arthur C. Clarke and Philip K. Dick and had adapted his own name as a sort of tribute to them both. He was well known as an expert on their work and had written long articles that had been published in Constellations (which he had also edited at Gollancz) and Strange Horizons. He was already there when I arrived, scrolling through a typescript on his iPad.
Anthony Horowitz (Moonflower Murders (Susan Ryeland #2))
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
But what Andy never understood about him was this: he was an optimist. Every month, every week, he chose to open his eyes, to live another day in the world. He did it when he was feeling so awful that sometimes the pain seemed to transport him to another state, one in which everything, even the past that he worked so hard to forget, seemed to fade into a gray watercolor wash. He did it when his memories crowded out all other thoughts, when it took real effort, real concentration, to tether himself to his current life, to keep himself from raging with despair and shame. He did it when he was so exhausted of trying, when being awake and alive demanded such energy that he had to lie in bed thinking of reasons to get up and try again, when it would be much easier to go to the bathroom and untape the plastic zipped bag containing his cotton pads and loose razors and alcohol wipes and bandages from its hiding place beneath the sink and simply surrender.
Hanya Yanagihara (A Little Life)
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
The Troika sought to undo the steep pay raises civil servants had received in the decade preceding the crisis, and Greek government workers saw their paychecks cut by as much as 35 percent. This was intended not only to reduce the government’s wage bill, but to make the Greek economy more competitive. Since public wage levels have a direct effect on private wages, a reduction in the former would result in a cheaper overall labor force, allowing Greece to export products at more competitive prices, the thinking went. Or as I heard some Greeks put it, the plan was to make wages as low as in China, so that Greeks, too, would one day supplicate for jobs assembling iPads until their fingers went numb. The Troika’s plan certainly seemed to work, as average incomes in Greece fell about one-quarter in the years following the outbreak of the crisis. It was not clear, however, that the Greek government would be able to sustain all the public wage cuts it had been forced to implement.
James Angelos (The Full Catastrophe: Travels Among the New Greek Ruins)
These caring arrangements are unreliable and unjust. The nuclear family cannot be the assumed basic unit of care, nor can market outsourcing be the solution to the gender inequality of current care expectations or practices. In both cases, after all, women end up doing the lion's share of both unpaid and paid care work (two-thirds of paid and three-quarters of unpaid care work globally). Why should women have to do all this care work? And what if you don't have a family that can support you - what if your family has rejected you, or you have rejected them? What if you cannot afford to pay for privatised care services? At best, the consequences of this regime of care have often led to the neglect and isolation of those most in need of care, and at worst to needless sickness and death. The neoliberal insistence on only taking care of yourself and your closest kin also leads to a paranoid form of 'care for one's own' that has become one of the launch pads for the recent rise of hard-right populism across the globe.
The Care Collective (The Care Manifesto: The Politics of Interdependence)
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
Thus, no matter where you live in New York City, you will find within a block or two a grocery store, a barbershop, a newsstand and shoeshine shack, an ice-coal-and-wood cellar (where you write your order on a pad outside as you walk by), a dry cleaner, a laundry, a delicatessen (beer and sandwiches delivered at any hour to your door), a flower shop, an undertaker's parlor, a movie house, a radio-repair shop, a stationer, a haberdasher, a tailor, a drug-store, a garage, a tearoom, a saloon, a hardware store, a liquor store, a shoe-repair shop. Every block or two, in most residential sections of New York, is a little main street. A man starts for work in the morning and before he has gone two hundred yards he has completed half a dozen missions: bought a paper, left a pair of shoes to be soled, picked up a pack of cigarettes, ordered a bottle of whiskey to be dispatched in the opposite direction against his home-coming, written a message to the unseen forces of the wood cellar, and notified the dry cleaner that a pair of trousers awaits call. Homeward bound eight hours later, he buys a bunch of pussy willows, a Mazda bulb, a drink, a shine-- all between the corner where he steps off the bus and his apartment.
E.B. White (Here Is New York)
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Steve pulled the sword blade out of the dead zombie's skull just as the mob's body disappeared in a puff of smoke. "Great job, Steve!" KittyPaws30 exclaimed with a sweet, high voice from up on the balcony. "You're such an amazing swordsman!" In the bright light of her balcony torches and the glow shining from inside her house, Steve could clearly see KittyPaws30's bright, blue eyes and bold, pink hair. She was wearing her typical white hoodie and three cats surrounded her, padding around on the balcony rail, swishing their white and black tails. Steve almost felt himself blush. He grinned from ear to ear and flipped around the sword in his hand. As several more zombies slowly plodded in at him from all around, Steve forgot all about Alex and Jack's work nearby and smiled up at his Minecraftian friend. "Oh, you like that?" he said. "Then watch this!" Steve spun around and beckoned all of the zombies toward him. "Come on, you filthy mobs! Come at me!" Four or five zombies closed in, moaning and snarling. Steve took aim and threw Alex's sword at the nearest mob as they all closed in and surrounded him. The sword flew through the air, tumbling end over end, and its blade sunk into the zombie's face. KittyPaws30 clapped her hands and laughed. "Delightful!" she exclaimed from above.
Skeleton Steve (Diary of Jack the Kid, Season 1, Episode 3 (Diary of Jack the Kid #3))
We should do this on computer," she said, chalking it carefully for the eighty-ninth time. "With a drawing pad." "Nonsense. You're lucky I don't make you inscribe it with a stylus on a wax tablet, like the old days," Myrnin snorted. "Children. Spoiled children, always playing with the shinest toy." "Computers are more efficient!" "I can perform calculations on that abacus faster than you can solve them on your computer," Myrnin sneered. Okay, now he was pissing her off. "Prove it!" "What?" "Prove it." She backed off on her tone, but Myrnin wasn't looking angry; he was looking strangely interested. He stared at her for a second in silence, and then he got the biggest, oddest smile she'd ever seen on the face of a vampire. "All right," he said. "A contest. Computer versus abacus." She wasn't at all sure now that was a good idea, even if it had been her idea, essentially. "Um -- what do I win?" More importantly, what do I lose? Making bargains was a way of life in Morganville, and it was a lot like making deals with man-eating fairies. Better be careful what you ask for. "Your freedom," he said solemnly. His eyes were wide and guileless, his too-young face shining with honesty. "I will tell Amelie you were not suited to the work. She'll let you go about your life, such as it is." Good prize. Too good. Claire swallowed hard. "And if I lose?" "Then I eat you," Myrnin said.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
You boys need anything else?” Nick started. The older waitress was there beside the table. He hadn’t heard her approach. Worse—he hadn’t felt her approach. Would she say something? He should probably start disentangling himself from Adam. His voice wouldn’t work and his face felt like his cheeks were going to burn clean off. “No, thanks,” Adam said. He sounded amused. She ripped a piece of paper from her pad and set it on the table. “You two are just the cutest ever.” Nick froze. She didn’t care. They’d been head to head at this table, and she hadn’t batted an eye. Adam winked at her. “Sounds like someone’s looking for a tip.” “Here’s a tip,” she said. “Don’t flirt with old married ladies when you’ve got a sure thing in your arms.” “Am I the sure thing in this scenario?” said Nick. “I don’t know,” Adam said. “Are you?” The waitress laughed and left them with the check. “She didn’t care,” said Nick softly. “I know it’s stupid, but I thought—” “What, that people would come out with pitchforks? Flaming torches?” “Maybe.” Adam kissed him on the cheek. “You’re adorable. People surprise you sometimes. Especially when you give them the chance.” The words hit Nick hard, the way words you need to hear usually do. He held them in his head for examination later. When they walked back to Adam’s apartment, he reached out to hold the other boy’s hand. And Nick didn’t care one bit who saw.
Brigid Kemmerer (Secret (Elemental, #4))
Headed, appropriately enough, by the succinct title “BREVITY,” the minute began: “To do our work, we all have to read a mass of papers. Nearly all of them are far too long. This wastes time, while energy has to be spent in looking for the essential points.” He set out four ways for his ministers and their staffs to improve their reports. First, he wrote, reports should “set out the main points in a series of short, crisp paragraphs.” If the report involved discussion of complicated matters or statistical analysis, this should be placed in an appendix. Often, he observed, a full report could be dispensed with entirely, in favor of an aide-mémoire “consisting of headings only, which can be expanded orally if needed.” Finally, he attacked the cumbersome prose that so often marked official reports. “Let us have an end to phrases such as these,” he wrote, and quoted two offenders: “It is also of importance to bear in mind the following considerations…” “Consideration should be given to the possibility of carrying into effect…” He wrote: “Most of these woolly phrases are mere padding, which can be left out altogether, or replaced by a single word. Let us not shrink from using the short expressive phrase, even if it is conversational.” The resulting prose, he wrote, “may at first seem rough as compared with the flat surface of officialese jargon. But the saving of time will be great, while the discipline of setting out the real points concisely will prove an aid to clear thinking.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
He got out a tube and since she’d yet to put the sweater on, squeezed ointment onto his fingers and began to gently rub it on her abraded skin. She recognized the scent. “That’s for horses.” “So?” She laughed and let him fuss. “Does this make me your mare now?” “No, you’re too young and delicate of bone for that. You’re still a filly.” “Are you going to train me, Donnelly?” “Oh, you’re out of my league, Miss Grant.” He glanced up, cocked a brow when he saw her grinning at him. “And what amuses you?” “You can’t help it can you? You have to tend.” “I put the marks on you,” he muttered as he smoothed on the ointment. “It follows I should see to them.” She lifted a hand to toy with the ends of his damp, gold-tipped hair. “I like being seen to by a man with a tough mind and a soft heart.” That soft heart sighed a little, ached a little. But he spoke lightly. “It’s no hardship running my fingers over skin like yours.” With his eyes on hers, he used the pad of his thumb to spread ointment over the gentle swell of her breast. “Particularly since you don’t seem to have a qualm about standing here half naked and letting me.” “Should I blush and flutter?” “You’re not the fluttering sort. I like that about you.” Satisified, he capped the tube, then tugged the sweater over her head himself. “But I can’t have such a fine piece of God’s work catching a chill. There you are.” He lifted her hair out of the neck. “You don’t have a hair dryer.” “There’s air everywhere in here.” She laughed and dragged her fingers through her damp curls. “It’ll have to do.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy. Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves. I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.” I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further. Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too. Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating? It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas. Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.
Terri Irwin (Steve & Me)
How?” Dr. Tuttle asked. “Slit her wrists,” I lied. “Good to know.” Her hair was red and frizzy. The foam brace she wore around her neck had what looked like coffee and food stains on it, and it squished the skin on her neck up toward her chin. Her face was like a bloodhound’s, folded and drooping, her sunken eyes hidden under very small wire-framed glasses with Coke-bottle lenses. I never got a good look at Dr. Tuttle’s eyes. I suspect that they were crazy eyes, black and shiny, like a crow’s. The pen she used was long and purple and had a purple feather at the end of it. “Both my parents died when I was in college,” I went on. “Just a few years ago.” She seemed to study me for a moment, her expression blank and breathless. Then she turned back to her little prescription pad. “I’m very good with insurance companies,” she said matter-of-factly. “I know how to play into their little games. Are you sleeping at all?” “Barely,” I said. “Any dreams?” “Only nightmares.” “I figured. Sleep is key. Most people need upwards of fourteen hours or so. The modern age has forced us to live unnatural lives. Busy, busy, busy. Go, go, go. You probably work too much.” She scribbled for a while on her pad. “Mirth,” Dr. Tuttle said. “I like it better than joy. Happiness isn’t a word I like to use in here. It’s very arresting, happiness. You should know that I’m someone who appreciates the subtleties of human experience. Being well rested is a precondition, of course. Do you know what mirth means? M-I-R-T-H?” “Yeah. Like The House of Mirth,” I said. “A sad story,” said Dr. Tuttle. “I haven’t read it.” “Better you don’t.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Bluefur?" Thrushpelt was calling her from the trail ahead, his sandy-gray pelt blending with the walls of frost-burnt bracken. “Are you okay?” His eyes were round with concern. Bluefur padded on with her head down. “Just going back to camp.” He didn’t step aside to let her pass, but gently held his tail up to block her way. “Stop,” he ordered. She looked into his eyes and saw a tenderness that took her by surprise. “Rosetail has just congratulated me on becoming a father,” he meowed. Bluefur felt the world spin around her. “She couldn’t! She promised!” “Is she right? Are you having kits?” “I’m so sorry. I didn’t tell her that you were the father.” Mortified, Bluefur searched for words. “She just guessed, and it was easier….” She stopped. She couldn’t give anything away. “So you are going to have kits?” Thrushpelt pressed. Bluefur blinked. “Yes, I am.” She waited for him to ask whose they were. Why she’d lied. But he just stood and watched her. At last he spoke. “I’m not going to ask who the father is,” he meowed. “I’m sure there’s a reason why you’ve kept this secret.” Bluefur plucked at a fern straying across the ground. “I’m sorry it didn’t work out differently. I—I would have been happy with you, I know. But now everything has gone wrong, and I don’t know what to do.” Thrushpelt shifted his paws. “You can tell the Clan I’m the father, if you want. I mean, if it makes things easier.” Bluefur stared at him. “You’d really do that?” Was she the only cat not willing to make a sacrifice for these kits? Thrushpelt nodded. “You know how I feel about you, Bluefur. I’d do my best to make you happy, I promise. And I’ll love your kits as though they were really my own.
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
My Father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my Mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book? Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those females at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute Snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your Mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while you’re sleeping? Nah bae, that’s not a ghost. That’s me praying for you.
Chelsea Maria (For You I Will (Chaos of Love #1))
On Friday, August 9, for example, amid a rising tide of urgent war matters, he found time to address a minute to the members of his War Cabinet on a subject dear to him: the length and writing style of the reports that arrived in his black box each day. Headed, appropriately enough, by the succinct title “BREVITY,” the minute began: “To do our work, we all have to read a mass of papers. Nearly all of them are far too long. This wastes time, while energy has to be spent in looking for the essential points.” He set out four ways for his ministers and their staffs to improve their reports. First, he wrote, reports should “set out the main points in a series of short, crisp paragraphs.” If the report involved discussion of complicated matters or statistical analysis, this should be placed in an appendix. Often, he observed, a full report could be dispensed with entirely, in favor of an aide-mémoire “consisting of headings only, which can be expanded orally if needed.” Finally, he attacked the cumbersome prose that so often marked official reports. “Let us have an end to phrases such as these,” he wrote, and quoted two offenders: “It is also of importance to bear in mind the following considerations…” “Consideration should be given to the possibility of carrying into effect…” He wrote: “Most of these woolly phrases are mere padding, which can be left out altogether, or replaced by a single word. Let us not shrink from using the short expressive phrase, even if it is conversational.” The resulting prose, he wrote, “may at first seem rough as compared with the flat surface of officialese jargon. But the saving of time will be great, while the discipline of setting out the real points concisely will prove an aid to clear thinking.” That evening, as he had done almost every weekend thus far, he set off for the country.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
Look around on your next plane trip. The iPad is the new pacifier for babies and toddlers… Parents and other passengers read on Kindles… Unbeknownst to most of us, an invisible, game-changing transformation links everyone in this picture: the neuronal circuit that underlies the brain’s ability to read is subtly, rapidly changing… As work in neurosciences indicates, the acquisition of literacy necessitated a new circuit in our species’ brain more than 6,000 years ago… My research depicts how the present reading brain enables the development of some of our most important intellectual and affective processes: internalized knowledge, analogical reasoning, and inference; perspective-taking and empathy; critical analysis and the generation of insight. Research surfacing in many parts of the world now cautions that each of these essential “deep reading” processes may be under threat as we move into digital-based modes of reading… Increasing reports from educators and from researchers in psychology and the humanities bear this out. English literature scholar and teacher Mark Edmundson describes how many college students actively avoid the classic literature of the 19thand 20th centuries because they no longer have the patience to read longer, denser, more difficult texts. We should be less concerned with students’ “cognitive impatience,” however, than by what may underlie it: the potential inability of large numbers of students to read with a level of critical analysis sufficient to comprehend the complexity of thought and argument found in more demanding texts… Karin Littau and Andrew Piper have noted another dimension: physicality. Piper, Littau and Anne Mangen’s group emphasize that the sense of touch in print reading adds an important redundancy to information – a kind of “geometry” to words, and a spatial “thereness” for text. As Piper notes, human beings need a knowledge of where they are in time and space that allows them to return to things and learn from re-examination – what he calls the “technology of recurrence”. The importance of recurrence for both young and older readers involves the ability to go back, to check and evaluate one’s understanding of a text. The question, then, is what happens to comprehension when our youth skim on a screen whose lack of spatial thereness discourages “looking back.
Maryanne Wolf
Fuck you.” “Oh, now you want me too.” Syn barked a laugh. “I thought you were straight.” “Syn,” Furi snapped. “Knock it off.” Syn took Furi’s backpack off his shoulder and slid it on to his own. He intertwined their fingers and Furi couldn’t ignore how much he liked that gesture from his tough Sergeant. Doug still stood very close to Furi, watching them both through narrowed eyes. “Stop looking like that,” Furi whispered. “Are you sure you know what you’re doing?” Doug whispered back. Furi turned and looked behind him at Syn’s ruggedly gorgeous face then down at their joined hands. He turned back to Doug’s concerned eyes. “Yes, I do.” Furi leaned in and chastely kissed Doug on the lips and watched him turn and leave. When Furi turned back, Syn was wearing a large frown and his chest was frozen like he was holding his breath. Furi got as close to Syn as he could. “What’s the matter?” “Don’t do that again.” Syn’s voice was rough and low. “Do what?” Furi frowned in confusion. Syn brought his free hand up and wiped the pad of his thumb across Furi’s full lips. “Don’t put your lips on him again.” Syn shook his head when Furi opened his mouth to argue. “I know it was friendly, and it didn’t mean anything, but humor me, okay? Don’t put your mouth on his. Syn leaned in and pulled Furi’s bottom lip into his mouth and gently sucked on it, right there in the IHOP parking lot. “Only I get to taste these pretty lips,” Syn moaned inside Furi’s mouth. Furi put his arms around Syn’s shoulders. “Okay,” he whispered back, kissing Syn’s cheek. “Let’s go.” Syn carried Furi’s backpack to the large Suburban he’d parked beside the building and placed it in the back seat. “Whose truck is this?” Furi asked. “I borrowed it from work. It belongs to the team. We can use them if needed.” Syn started the powerful engine. Furi hooked his seat belt and turned to look at Syn, realizing he was just sitting there, staring straight ahead. Furi unhooked his belt. “Babe. What’s the matter?” Syn took his glasses back off and turned his body so he was facing Furi. “Furi. What you did today ... don’t do that again. I can respect your privacy. Really, I can. But in light of recent events, please don’t cut yourself off like that. I was ... I thought ..." “Fuck, Syn. I’m so sorry. I wasn’t thinking. I wanted to call you so many times today.” Syn’s eyes widened. “Just to hear your voice. Not because I was in trouble. But, I didn’t want to seem all clingy and shit. We fucked once and already I’m acting sprung. Can’t stop thinking of you.” Furi knew his embarrassment was making him blush. But Syn was trying to find the words to say he was scared today, so Furi wasn’t holding back on his feelings. They closed the distance over the large console and let their kiss be their words.
A.E. Via
What do you call an evil leader digging a hole? Darth Spader   What do you call Obi Wan eating crunchy toast? Obi Crumb   What do call a padawan who likes to play computer games? i'Pad' me   What do you call a starship pilot who likes to drink cocoa? Han Coco   What starship is always happy to have people aboard? The Millennium Welcome   What did Yoda say to Luke while eating dinner? Use the fork Luke.   What do you call a Sith who won't fight? A Sithy.   Which Star Wars character uses meat for a weapon instead of a Lightsaber? Obi Wan Baloney.   What do call a smelly droid? R2DPOO   What do call a droid that has wet its pants? C3PEE0   What do you call a Jedi who loves pies? Luke PieWalker?   What do call captain Rex when he emailing on a phone? Captain Text   What evil leader doesn’t need help reaching? Ladder the Hutt   What kind of evil lord will always say goodbye? Darth Later   Which rebel will always win the limbo? Han LowLow   What do you call R2D2 when he’s older? R2D3   What do you call R2D2 when he’s busting to go to the toilet? R2DLoo   What do call Padme’s father? Dadme   What’s do you call the Death Star when its wet? The Death Spa   What do call R2D2 when he climbs a tree? R2Tree2   What do you say a Jedi adding ketchup to his dinner? Use the sauce Luke.   What star wars baddy is most likely to go crazy? Count KooKoo   What do call Count Dooku when he’s really sad? Count Boohoo   Which Jedi is most likely to trick someone? Luke Liewalker   Which evil lord is most likely to be a dad? Dadda the Hutt   Which rebel likes to drink through straws? Chew Sucker   Which space station can you eat from? The Death bar   What do call a moody rebel? Luke Sighwalker   What do you call an even older droid R2D4   What do call Darth Vader with lots of scrapes? Dearth Grazer   What call an evil lord on eBay? Darth Trader   What do call it when an evil lord pays his mum? Darth Paid-her   What do call an evil insect Darth Cicada   What sith always teases? General Teasers   Who's the scariest sith? Count Spooko   Which sith always uses his spoon to eat his lunch Count Spoonu   What evil lord has lots of people living next door? Darth Neighbour   What Jedi always looks well dressed? Luke TieWalker   Which evil lord works in a restaurant? Darth waiter   What do you call a smelly storm trooper? A storm pooper   What do you call Darth Vader digging a hole? Darth Spader   What do you C3PO wetting his pants? C3PEE0   What do you call Asoka’s pet frog? Acroaka   What do you call a Jedi that loves pies? Luke Piewalker   What rebel loves hot drinks? Han Coco   What did Leia say to Luke at the dinner table? Use the fork Luke.   What do call Obi Wan eating fruit? Obi plum   What do you call Obi in a band? Obi Drum   What doe Luke take out at night? A Night Sabre   What is the favourite cooking pot on Endor? The e Wok
Reily Sievers (The Best Star Wars Joke Book)
For experimental artists, the goal is often quite different. While the process of creating still ends with a finished work of some sort, the end result is generally unknown. It’s often more about exploring a specific concept, technique, or tool, as opposed to constructing something the artist has envisioned. There are exceptions, of course; this is experimental art, after all.
Clif Johnston (Drone, Glitch and Noise: Making Experimental Music on iPads and iPhones (Apptronica Music App Series Book 1))
the Cray-2 supercomputer (introduced in 1985) and iPad 2 tablet (introduced in 2011) had almost identical peak calculation speeds.
Erik Brynjolfsson (The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies)