Tunnel Road Quotes

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My father took one hundred and thirty-two minutes to die. I counted. It happened on the Jellicoe Road. The prettiest road I’d ever seen, where trees made breezy canopies like a tunnel to Shangri-La. We were going to the ocean, hundreds of miles away, because I wanted to see the ocean and my father said that it was about time the four of us made that journey. I remember asking, 'What’s the difference between a trip and a journey?' and my father said, 'Narnie, my love, when we get there, you’ll understand,' and that was the last thing he ever said.
Melina Marchetta (On the Jellicoe Road)
I grab his face an' kiss him on the lips. Then I step back. We stare at each other. All the air gits sucked outta the tunnel. The heartstone burns into my skin. The blood pounds in my ears. Yer timin stinks, he says.
Moira Young (Blood Red Road (Dust Lands, #1))
See, I think there are roads that lead us to each other. But in my family, there were no roads - just underground tunnels. I think we all got lost in those underground tunnels. No, not lost. We just lived there.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
You think you want the blue skies, the open road, but really you want the tunnel, you want to know how the story ends.
Jenny Offill
Body of a woman, white hills, white thighs, you look like a world, lying in surrender. My rough peasant's body digs in you and makes the son leap from the depth of the earth. I was lone like a tunnel. The birds fled from me, and nigh swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and I love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark river-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Selected Poems)
My father took one hundred and thirty-two minutes to die. I counted. It happened on the Jellicoe Road. The prettiest road I'd ever seen, where the trees made breezy canopies like a tunnel to Shangri-la.
Melina Marchetta (On the Jellicoe Road)
It's worth it to stay alive. Because life is hard in the moment, it's hard to see what can be down the road. You get tunnel vision and I think that the current moment is all you have left. But that's not it. There can be come. Please let there be more. Please stay alive.
Josh Dun
We must always look at things from the point of view of eternity, the college theologians used to insist, from which, I imagine, we would all appear to have speed lines trailing behind us as we rush along the road of the world, as we rush down the long tunnel of time- the biker, of course, drunk on the wind, but also the man reading by a fire...
Billy Collins (Aimless Love: New and Selected Poems)
The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anynymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond.
Cormac McCarthy (The Road)
But it was a road I hadn’t built, and I’m convinced you can’t ever be completely happy walking on someone else’s road. Someone else’s path. The way to true happiness is to forge your own, even if your road isn’t straight. Even if there are bridges to build and mountains to tunnel through. Nothing feels as good as paving your own way.
Amy Harmon (The Song of David (The Law of Moses, #2))
As we rode in the bus in the weird phosphorescent void of the Lincoln Tunnel we leaned on each other with fingers waving and yelled and talked excitedly, and I was beginning to get the bug like Dean.
Jack Kerouac (On the Road (The Viking Critical Library))
He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil's Aeneid, which he had only ever read in a borrowed copy. It wasn't really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books--an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone. And this sense, this feeling of communion, would at moments overwhelm him. At such times he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work--an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end.
Richard Flanagan (The Narrow Road to the Deep North)
...ideas are definitely unstable, they not only CAN be misused, they invite misuse--and the better the idea the more volatile it is. That's because only the better ideas turn into dogma, and it is this process whereby a fresh, stimulating, humanly helpful idea is changed into robot dogma that is deadly. In terms of hazardous vectors released, the transformation of ideas into dogma rivals the transformation of hydrogen into helium, uranium into lead, or innocence into corruption. And it is nearly as relentless. The problem starts at the secondary level, not with the originator or developer of the idea but with the people who are attracted by it, who adopt it, who cling to it until their last nail breaks, and who invariably lack the overview, flexibility, imagination, and most importantly, sense of humor, to maintain it in the spirit in which it was hatched. Ideas are made by masters, dogma by disciples, and the Buddha is always killed on the road. There is a particularly unattractive and discouragingly common affliction called tunnel vision, which, for all the misery it causes, ought to top the job list at the World Health Organization. Tunnel vision is a disease in which perception is restricted by ignorance and distorted by vested interest. Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics. When a good idea is run through the filters and compressors of ordinary tunnel vision, it not only comes out reduced in scale and value but in its new dogmatic configuration produces effects the opposite of those for which it originally was intended. That is how the loving ideas of Jesus Christ became the sinister cliches of Christianity. That is why virtually every revolution in history has failed: the oppressed, as soon as they seize power, turn into the oppressors, resorting to totalitarian tactics to "protect the revolution." That is why minorities seeking the abolition of prejudice become intolerant, minorities seeking peace become militant, minorities seeking equality become self-righteous, and minorities seeking liberation become hostile (a tight asshole being the first symptom of self-repression).
Tom Robbins (Still Life with Woodpecker)
When love fills your heart, all bridges lead to something wonderful. (All roads and tunnels too!)
Scott Stabile
In the beginning, spirituality is a seeking practice. We seek peace, we seek joy, we seek wisdom, we seek awakening, we seek self betterment. Farther down the road, the realization comes that we already are the peace and joy and wisdom and awakening and self betterment that we seek. At that point, spirituality becomes what it is… Not a practice of seeking anything. But a practice of uncovering what was there inside you all along. You already are the light at the end of the tunnel. You already are the wisdom, you already are the peace, you already are the joy. You already are awakened, you already are perfect. All that’s left is for you to discover that you are.
Teal Swan
Even graffiti above a tunnel can begin a journey that never ends.
Gloria Steinem (My Life on the Road)
Scientists are dedicated to asking questions in the search for truth. But they too are human, and like all humans, they would like their answers to be clean and clear and easy. In their desire for simple solutions, scientists are prone to fall into two traps as they question the reality of God. The first is to throw the baby out with the bath water. And the second is tunnel vision. There is clearly a lot of dirty bath water surrounding the reality of God. Holy wars. Inquisitions. Animal sacrifice. Human sacrifice. Superstition. Stultification. Dogmatism. Ignorance. Hypocrisy. Self-righteousness. Rigidity. Cruelty. Book-burning. Witch-burning. Inhibition. Fear. Conformity. Morbid guilt. Insanity. The list is almost endless. But is all this what God has done to humans or what humans have done to God? It is abundantly evident that belief in God is often destructively dogmatic. Is the problem, then, that humans tend to believe in God, or is the problem that humans tend to be dogmatic?
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
I would have to go into the tunnel whether I wanted to or not - the tunnel was the road of going on, and there was more of the road on the other side of it - but the entrance was where [my teacher] had to stop. Inside the tunnel was what I was meant to learn
Margaret Atwood (Moral Disorder and Other Stories)
Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.
William H. Gass (The Tunnel)
You are about to be reminded of the truth-of-all-truths. I use the word “reminded” because it is something you already know, but may have forgotten or ceased to believe. No self-help book, no guru, no sage of any faith can teach you anything more important or powerful. If you accept it and embrace it this truth will whip your life around and set you on a new, higher road. You will live larger, healthier, more happily. You’ll have the ability to bounce back when you get knocked down. You’ll have the faith you need to tunnel through dark times. You’ll have the light you need to lead others to a better place. You are a child of God. That’s it. That’s everything—everything you’ll ever need to know to conquer doubt, fear and adversity, to transform your life from the mundane to the magnificent, to fortify your relationships and the foundations of all that is good and right and worthy of your attention. You are a literal spiritual child of a king all-powerful and all-loving. He knows you. He values you. He wants you to be happy and successful. You have the right to approach the throne of God and ask not only for what you need, but for what you want.
Toni Sorenson
By then all stores of food had given out and murder was everywhere upon the land. The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white tooth and eye carrying charred and anonymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor...
Cormac McCarthy (The Road)
Be like a train; go in the rain, go in the sun, go in the storm, go in the dark tunnels! Be like a train; concentrate on your road and go with no hesitation!
Mehmet Murat ildan
There may come a time when you believe you have reached the end of the road in the darkest night. That will be the moment when a dazzling new day dawns on your horizon.
Anthon St. Maarten
Think about only one thing and you're in a tunnel. Think about everything and you're on an open stretch of road.
Anthony T. Hincks
in my family, there were no roads—just underground tunnels.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
Dean had a sweater wrapped around his ears to keep warm. He said we were a band of Arabs coming in to blow up New York. We swished through the Lincoln Tunnel and cut over to Times Square;
Jack Kerouac (On the Road)
Ahead of us were many hours when no one in our families would look for us. When I think of the pleasure of being free, I think of the start of that day, of coming out of the tunnel and finding ourselves on a road that went straight as far as the eye could see, the road that, according to what Rino had told Lila, if you got to the end arrived at the sea. I felt joyfully open to the unknown.
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
and the bridge seemed to disappear right into the middle of the bay where the road entered the tunnels. It was like the highway was executing a suicidal dive into the water, taking all traffic with it.
David Baldacci (Simply Lies (Mickey Gibson, #1))
I've hated Snowflake for so long," she says. "But then I met you. And you're the person entire town has trashed, a person belonging to the group I've been raised to believe is evil, and you're the only person who is able to make me feel as if every part of me is beautiful." She is beautiful. Inside and out. My fingers tunnel into her hair again, but this time, I gently knot them in. My heart beats hard, and I open my mouth, hoping that doing so will force the right words. That I can explain being near her makes everything that's impossible about me seem possible. But the words become lodged in my throat and silence paralyzes my tongue. Breanna blinks and the hope that had been on her face disappears as she misreads my hesitation. Her hold on me loosens and she ducks her head. "Don't listen to me. I say too much around you. I was being stupid I..." More words meant to wipe away her admission spill from her mouth, but I'm not listening. My grip on her hair tightens, I lower my lips to hers and I kiss Breanna Miller.
Katie McGarry (Walk the Edge (Thunder Road, #2))
In the wee small hours, California Highway One north of Half Moon Bay is about as desolate as it gets. The narrow, twisting road was etched from sheer cliff faces that towered above me on the right and dropped away a hundred feet to the Pacific Ocean on my left. A soggy wool blanket of San Francisco's famous fog hung a few feet above the roadway, obscuring the stars and dribbling tiny spots of mist on my windshield. My headlights bored through the gap between road and fog, drilling an endless tunnel through the darkness. So far as I could tell, there were only two other cars on the entire planet that night—actually, one car and a produce truck. They'd flashed by, one after the other, heading south just past Moss Beach. Their headlights glared in my eyes and made the road seem even narrower, but half an hour later, I was wishing for more signs of life just to help keep my drooping eyelids from slamming shut altogether. It was the wrong thing to wish for. She appeared suddenly out of the fog on the opposite side of the road. Only, she wasn't in a car. This gal was smack dab in the middle of the southbound lane and running for all she was worth. She wore a white dress and no coat, and that was about all I had time to take in before she was gone and I was alone in the endless tunnel again.
H.P. Oliver (Goodnight, San Francisco)
The carriageway to the front door was wide, and graceful white birches lined it. In autumn they shed a carpet of gold on the road, and in winter, burdened with snow, they arched over it, a frosted white tunnel paned with glimpses of blue sky.
Robin Hobb (Fool's Assassin (The Fitz and The Fool Trilogy, #1))
The past and future dreams us, lie on our bodies like skin that we might pass the days with grace. To us were given all the ways and the obligation to travel. To us were opened all the roads of heaven, all the tunnels in earth and the channels of sea. Among the dead and the living, by these same words have we all travelled. Together we walk a single path into the heart of the infinite.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
What this means in road (and bridge, and tunnel) building is not just obvious but as well documented as anything in transportation engineering: “If you build it, they will come.” If you build more lanes on the expressway, more cars and trucks will use it. If you’re lucky, congestion remains as bad as it was before you spent $50 million trying to relieve it; if you’re not, it gets worse.
Samuel I. Schwartz (Street Smart: The Rise of Cities and the Fall of Cars)
again, right where they left off.” Just as all roads lead to Rome, according to the old saying, all tunnels lead to the entrance to the Other Side. No matter where on this earth we leave our bodies, we all take exactly the same trip to exactly the same place. We emerge from the tunnel to find ourselves in a breathtakingly beautiful meadow. Waiting there to greet us are deceased loved ones from the life we’ve just left behind, as well as friends and loved ones from all our past lives, on Earth and on the Other Side. Our Spirit Guides are there. Our true soul mates are there. And best of all as far as I’m concerned, every animal we’ve ever loved from every lifetime we’ve lived is on hand, with such pure, urgent joy that the people waiting to welcome us have a hard time making their way through the happy crowd.
Sylvia Browne (End of Days: Predictions and Prophecies About the End of the World)
My feet take me up the road to the gate, and through it. Just inside the gate the road forks. I ignore the Ridge House road and choose instead the narrow dirt road that climbs around the hill to the right. John Wightman, whose cottage sits at the end of it, died fifteen years ago. He will not be up to protest my walking in his ruts. It is a road I have walked hundreds of times, a lovely lost tunnel through the trees, busy this morning with birds and little shy rustling things, my favorite road anywhere.
Wallace Stegner (Crossing to Safety (Modern Library Classics))
would look for us. When I think of the pleasure of being free, I think of the start of that day, of coming out of the tunnel and finding ourselves on a road that went straight as far as the eye could see, the road that, according to what Rino had told Lila, if you got to the end arrived at the sea. I felt joyfully open to the unknown. It was entirely different from going down into the cellar or up to Don Achille’s house. There was a hazy sun, a strong smell of burning. We walked for a long time between crumbling walls invaded by weeds, low structures from which came voices in dialect, sometimes a clamor. We saw a horse make its way slowly down an embankment and cross the street, whinnying. We saw a young woman looking out from a balcony, combing her hair with a flea comb. We saw a lot of small snotty children who stopped playing and looked at us threateningly. We also saw a fat man in an undershirt who emerged from a tumbledown house, opened his pants, and showed us his penis. But we weren’t scared of anything: Don Nicola, Enzo’s father, sometimes let us pat his horse, the children were threatening in our courtyard, too, and there was old Don Mimì who showed us his disgusting thing when we were coming home from school. For at least three hours, the road we were walking on did not seem different from the segment that we looked out on every day. And I felt no responsibility for the right road. We held each other by the hand, we walked side by side, but for me, as usual, it was as if Lila were ten steps ahead and knew precisely what to do, where to go. I was used to feeling second in everything, and so I was sure that to her, who had always been first, everything
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.
Andrew Neff (The Mind Game Company: The Players)
Here’s what I know about Cole,” Jeremy said. Punctuated by the silence, it sounded like he was in a pulpit. “Cole’s religion is debunking the impossible. He doesn’t believe in impossible. He doesn’t believe in no. Cole’s religion is waiting for someone to tell him it can’t be done so he can do it. Anything. Doesn’t matter what that something is, so long as it can’t be done. Here’s an origin story for you. In the beginning of time there was an ocean and a void, and God made the ocean into the world and he made the void into Cole.” Victor laughed. “I thought you said you were a Buddhist,” Jan said. “Part-time,” Jeremy replied. Debunking the impossible. Now, the pines stretched up so high on either side of the road that it felt like I was tunneling to the middle of the world. Mercy Falls was an unnumbered stretch of miles behind me. I was sixteen again, and the road unwound in front of me, endless possibilities. I felt wiped clean, empty, forgiven. I could drive forever, anywhere. I could be anyone. But I felt the pull of Boundary Wood around me and, for once, the business of being Cole St. Clair no longer felt like such a curse. I had a purpose, a goal, and it was the impossible: finding a cure. I was so close.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.
John Cheever (Falconer)
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
Becky Chambers (To Be Taught, If Fortunate)
By then all stores of food had given out and murder was everywhere upon the land. The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anonymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond.
Cormac McCarthy (The Road)
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
in this dream where he was eleven years old, and then he had smelled something like the death of time, and someone lit a match and he had looked down and seen the decomposing face of a boy named Patrick Hockstetter, a boy who had disappeared in July of 1958, and there were worms crawling in and out of Patrick Hockstetter’s cheeks, and that gassy, awful smell was coming from inside of Patrick Hockstetter, and in that dream that was more memory than dream he had looked to one side and had seen two schoolbooks that were fat with moisture and overgrown with green mold: Roads to Everywhere, and Understanding Our America. They were in their current condition because it was a foul wetness down here (“How I Spent My Summer Vacation,” a theme by Patrick Hockstetter—“I spent it dead in a tunnel! Moss grew on my books and they swelled up to the size of Sears catalogues!”). Eddie opened his mouth to scream and that was when the scabrous fingers of the leper clittered around his cheek and plunged themselves into his mouth
Stephen King (It)
Deep down here by the dark water lived old Gollum, a small slimy creature. I don’t know where he came from, nor who or what he was. He was Gollum — as dark as darkness, except for two big round pale eyes in his thin face. He had a little boat, and he rowed about quite quietly on the lake; for lake it was, wide and deep and deadly cold. He paddled it with large feet dangling over the side, but never a ripple did he make. Not he. He was looking out of his pale lamp-like eyes for blind fish, which he grabbed with his long fingers as quick as thinking. He liked meat too. Goblin he thought good, when he could get it; but he took care they never found him out. He just throttled them from behind, if they ever came down alone anywhere near the edge of the water, while he was prowling about. They very seldom did, for they had a feeling that something unpleasant was lurking down there, down at the very roots of the mountain. They had come on the lake, when they were tunnelling down long ago, and they found they could go no further; so there their road ended in that direction, and there was no reason to go that way — unless the Great Goblin sent them. Sometimes he took a fancy for fish from the lake, and sometimes neither goblin nor fish came back.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing. No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics. "Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals." Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC. He made the goal, he went towards the goal. When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw. This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother. On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them. He had, bizarrely, felt tears burning the corners of his eyes. Before that, he hadn't understood that his goals and what he wanted might not be the same thing. This was where he'd found art.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
You can not practice in a DMV road test area or on any restricted roads. In New York City, these areas include any street within a park and all bridges and tunnels under the jurisdiction of the Triborough Bridge and Tunnel Authority. In Westchester County, the streets and roadways you can not practice on include these parkways: Cross County, Hutchinson River, Saw Mill River and Taconic State
Anonymous
One adopted their language, that of the teachers and the schools, one had none of one's own. At first it was like a release, like a key, like a road. The only road in. Much later one discovers that what one was let into, at that time, was a tunnel. From which one can never again escape. Not entirely. Not in this life.
Peter Høeg
The speed limited my vision to the tunnel of the Toyota's headlights. The body could drive, I told myself, while the mind maintained. Maintained and stayed away from the weird peripheral window dressing of amphetamine and exhaustion, the spectral, luminous vegetation that grows out of the corners of the mind's eye along late-night highways. But the mind had its own ideas, and Kihn's opinion of what I was already thinking of as my "sighting" rattled endlessly through my head in a tight, lopsided orbit. Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage. Somehow this feedback-loop aggravated the diet pill, and the speed-vegetation along the road began to assume the colors of infrared satellite images, glowing shreds blown apart in the Toyota's slipstream.
William Gibson
I kept my eyes on the road, and felt tunnel vision setting in. I wanted to talk—I wanted Weaver to explain why he fucking ignored me this past year! And I wanted him to shut up and never say another word to me.
Atom Yang (Red Envelope)
Struggle is like a Tunnel in the road of Life. You have to enter, you have to come out.
Shashank Rayal
Lonely girl, alone inside her head. Her dreams slip through her fingers again. Thoughts collide as she turns inside her bed. Clawing around and around Clawing around and around "I'll be fine" she whispers in her sleep The words are drowned inside of her pain Failure again Failure again Looking for ways but lost in the haze of everlasting rolling days! Oh! One more time! One more time! I'm gonna roll just one more time! A voice in her head A voice in her head screaming all the words that were left unsaid! "Will it ever end?" "It may never end." Nobody can tell what's lying ahead So let me take your breath away now. Rolling Girl, and endless road ahead. The days just blend, the colors entwine. She sees the signs but they pass her by again Fading like a mirage Fading like a mirage "I'll be fine" she whispers in her wake. The words are lost inside of her brain. This is your chance, so take it or leave it The only real failure is giving up here now Even before you've tried! Oh! One more time! One more time! She begs to be rolled just one more time! I can't be done yet Can't be done yet Soundless are the words that were left unsaid! "Will it ever end?" "All in good time." The tunnel in your head is nearing the end So hold your breath just one last time Now! One last time! One last time! I'm gonna roll just one last time! a voice in her head voice in her head Laughing out the words that were finally said! "Will it ever end?" "This will be the end." All the misery will pay off in the end. So take just one last breath and let go.
wowaka
It was a golden-paved path that stretched out before me, a road of privilege and entitlement. But it was a road I hadn’t built, and I’m convinced you can’t ever be completely happy walking on someone else’s road. Someone else’s path. The way to true happiness is to forge your own, even if your road isn’t straight. Even if there are bridges to build and mountains to tunnel through. Nothing feels as good as paving your own way.
Amy Harmon (The Song of David (The Law of Moses, #2))
Magnificent trees, the legacy of Lord Ashbury's distant ancestors, lined the way, their highest boughs arching to meet, outermost branches lacing so that the road became a dark, whispering tunnel. As I burst into the light that afternoon, the sun had just slipped behind the roofline and the house was in eclipse, the sky behind glowing mauve and orange. I cut across the grounds, past the Eros and Psyche fountain, through Lady Violet's garden of pink cabbage roses and down into the rear entrance. The servants' hall was empty and my shoes echoed as I broke Mr. Hamilton's golden rule and ran along the stone corridor. Through the kitchen I went, past Mrs. Townsend's workbench covered with a panoply of sweet breads and cakes, and up the stairs.
Kate Morton (The House at Riverton)
Instead of funding the completion of the Second Avenue subway, billions of dollars may very well be used for other transportation megaprojects in the New York metropolitan area, such as constructing a sorely needed new Hudson River railroad tunnel for New Jersey Transit and Amtrak, replacing the world’s busiest bus terminal at 42nd Street, and improving rail connections to the region’s airports. The MTA still needs to finish the Long Island Rail Road connection to Grand Central Terminal, a project that started along with the Second Avenue subway in the 1960s. Nagaraja, who as president of MTA Capital Construction was once responsible for its construction, referred to this project as “one of the biggest disasters in transit history.
Philip Mark Plotch (Last Subway: The Long Wait for the Next Train in New York City)
Depressions can be compared to driving your car in a very long tunnel. You know there is an end, but you just cannot see it. Once you run out of fuel, you cannot continue with driving. A lot of people will say you have to seek help. Call the road service to help you. The problem is, in a tunnel, you have no signal. Calling for help seems impossible. You have to walk out on your own or have the fortunate somebody is driving in the tunnel that is willing to help you, without coaxing him.
Niels B
There is light at the end of the tunnel. We just need to keep our lanterns lit and have a clear vision of where the road leads ahead, or at least trust the road ahead wherever it may lead.
Mireille Saba Redford
No president ever had been left a more dismal legacy by his predecessor. Untamed fire had scorched the earth at home and abroad. Obama inherited a howling recession that wiped out millions of Americans’ jobs and savings; two wars, with 161,000 American troops in Iraq and 38,000 more in Afghanistan, some on their third and fourth tours of duty, their commanders with no clear goal in sight nor any glimmer of light at the end of the tunnel; and an American political warfare machine that now resembled a rusting 1948 Cadillac resting on cinder blocks. Bush had run it off the road.
Tim Weiner (The Folly and the Glory: America, Russia, and Political Warfare 1945–2020)
Struggle is like a tunnel in the road of life; you have to enter, you have to come out.
Shashank Rayal
returned his gaze to the window and softly snorted. “Taking out four LoDu agents? Not the sort of mission I’d like to use as a learning opportunity. I’m already missing the old team.” The road was still deserted. A line of amber lamps lit a towering wall that sealed off a maze of sagging, scarred apartment buildings to the southwest. To the northeast, the wall transformed into a security tunnel and disappeared under a sickly forest. Inside the complex, a dozen uniformed
P.R. Adams (Momentary Stasis (The Rimes Trilogy, #1))
Stars, Seas, Mountains, Bridges, Roads and Tunnels Are Manmade.
Irfan Haidar
Mevlut had been in Istanbul for twenty years. It was sad to see the old face of the city as he had come to know it disappear before his eyes, erased by new roads, demolitions, buildings, billboards, shops, tunnels, and flyovers, but it was also gratifying to feel that someone out there was working to improve the city for his benefit. He didn’t see it as a place that had existed before his arrival and to which he’d come as an outsider. Instead, he liked to imagine that Istanbul was being built while he lived in it and to dream of how much cleaner, more beautiful, and more modern it would be in the future.
Orhan Pamuk (A Strangeness in My Mind)
The tunnel was massive. Its grey concrete walls were illuminated by orange bursts of light that flashed overhead. The roar of the GTR and the high-pitched whine of the turbo-charged Acura merged in an unholy mechanical scream. As they shot past the traffic at the entrance, the cars behind them slowed to a crawl. For a brief second, they were alone in the tunnel, like two shiny bullets racing down the barrel of a gun. Here on the smooth straightaway of the tunnel, Caine’s powerful GTR had the advantage. He closed the gap, pulling up next to the Acura. He saw the driver glance over at him, his brow furrowed in determination. Caine turned his eyes back to the road. A sea of blinking red tail lights filled his view: they had caught up with the tunnel traffic.
Andrew Warren (Tokyo Black (Thomas Caine #1))
Healing is not a straight and narrow road that leads from darkness to light. There's no sudden epiphany to take us from despair to serenity, no orchestrated steps to move us from hurting to healed. Healing is a winding mountain road with steep climbs and sudden descents, breathtaking views and breath-stealing drop-offs, dark tunnels and blinding exposures, dead ends and endless backtracks, rest stops and break downs, sheer rock walls and panoramic vistas. Healing is a journey with no destination, because healing is the journey of every lifetime.
L.R. Knost
through the hull. The ship burst like a rotten pumpkin, and the engine exploded. The images in the northern doorway were even worse. Hazel saw Leo, unconscious—or dead—falling through the clouds. She saw Frank staggering alone down a dark tunnel, clutching his arm, his shirt soaked in blood. And Hazel saw herself in a vast cavern filled with strands of light like a luminous web. She was struggling to break through while, in the distance, Percy and Annabeth lay sprawled and unmoving at the foot of two black-and-silver metal doors. “Choices,” said Hecate. “You stand at the crossroads, Hazel Levesque. And I am the goddess of crossroads.” The ground rumbled at Hazel’s feet. She looked down and saw the glint of silver coins…thousands of old Roman denarii breaking the surface all around her, as if the entire hilltop was coming to a boil. She’d been so agitated by the visions in the doorways that she must have summoned every bit of silver in the surrounding countryside. “The past is close to the surface in this place,” Hecate said. “In ancient times, two great Roman roads met here. News was exchanged. Markets were held. Friends met, and enemies fought. Entire armies had to choose a direction. Crossroads are always places of decision.” “Like…like Janus.” Hazel remembered the shrine of Janus on Temple Hill back at Camp Jupiter. Demigods would go there
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
If now -- and this is my idea -- there were, instead of military conscription, a conscription of the whole youthful population to form for a certain number of years a part of the army enlisted against Nature, the injustice would tend to be evened out, and numerous other goods to the commonwealth would remain blind as the luxurious classes now are blind, to man's relations to the globe he lives on, and to the permanently sour and hard foundations of his higher life. To coal and iron mines, to freight trains, to fishing fleets in December, to dishwashing, clotheswashing, and windowwashing, to road-building and tunnel-making, to foundries and stoke-holes, and to the frames of skyscrapers, would our gilded youths be drafted off, according to their choice, to get the childishness knocked out of them, and to come back into society with healthier sympathies and soberer ideas. They would have paid their blood-tax, done their own part in the immemorial human warfare against nature; they would tread the earth more proudly, the women would value them more highly, they would be better fathers and teachers of the following generation. Such a conscription, with the state of public opinion that would have required it, and the many moral fruits it would bear, would preserve in the midst of a pacific civilization the manly virtues which the military party is so afraid of seeing disappear in peace. We should get toughness without callousness, authority with as little criminal cruelty as possible, and painful work done cheerily because the duty is temporary, and threatens not, as now, to degrade the whole remainder of one's life. I spoke of the "moral equivalent" of war. So far, war has been the only force that can discipline a whole community, and until and equivalent discipline is organized, I believe that war must have its way. But I have no serious doubt that the ordinary prides and shames of social man, once developed to a certain intensity, are capable of organizing such a moral equivalent as I have sketched, or some other just as effective for preserving manliness of type. It is but a question of time, of skilful propogandism, and of opinion-making men seizing historic opportunities. The martial type of character can be bred without war. Strenuous honor and disinterestedness abound everywhere. Priests and medical men are in a fashion educated to it, and we should all feel some degree if its imperative if we were conscious of our work as an obligatory service to the state. We should be owned, as soldiers are by the army, and our pride would rise accordingly. We could be poor, then, without humiliation, as army officers now are. The only thing needed henceforward is to inflame the civic temper as part history has inflamed the military temper.
William James (The Moral Equivalent of War)
Two Countries Naomi Shihab Nye - 1952- Skin remembers how long the years grow when skin is not touched, a gray tunnel of singleness, feather lost from the tail of a bird, swirling onto a step, swept away by someone who never saw it was a feather. Skin ate, walked, slept by itself, knew how to raise a see-you-later hand. But skin felt it was never seen, never known as a land on the map, nose like a city, hip like a city, gleaming dome of the mosque and the hundred corridors of cinnamon and rope. Skin had hope, that's what skin does. Heals over the scarred place, makes a road. Love means you breathe in two countries. And skin remembers--silk, spiny grass, deep in the pocket that is skin's secret own. Even now, when skin is not alone, it remembers being alone and thanks something larger that there are travelers, that people go places larger than themselves.
Naomi Shihab Nye
Traffickers, meanwhile, had discovered a way to make methamphetamine in harrowing new amounts. While I was on the road, their meth reached all corners of the country and became the fourth stage of the drug-addiction crisis. Opiate addicts began to switch to meth, or use both together. This made no sense in the traditional drug world. One was a depressant, the other a stimulant. But it was as if their brains were primed for any drug. This stage did not involve mass deaths. Rather, the new meth gnawed at brains in frightening ways. Suddenly users displayed symptoms of schizophrenia—paranoia, hallucinations. The spread of this meth provoked homelessness across the country. Homeless encampments of meth users appeared in rural towns—“They’re almost like villages,” one Indiana counselor said. In the West, large tent encampments formed, populated by people made frantic by unseen demons in Skid Row in Los Angeles, Sunnyslope in Phoenix, the tunnels in Las Vegas. This methamphetamine, meanwhile, prompted strange obsessions—with bicycles, with flashlights, and with hoarding junk. In each of these places, it seemed mental illness was the problem. It was, but so much of it was induced by the new meth.
Sam Quinones (The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth)
I navigated a couple of sharp curves and then saw another meaningless sign in Cyrillic, so I kept going. And then I was in the entrance of a tunnel. And then I was driving in the tunnel at fifty kilometers per hour and it was pitch-black all around. I was driving blind! I couldn’t see anything ahead or on either side of me. My stunned brain processed the fact that the first thing I had to do was to stop the bike, so I slowly braked while disengaging the gearbox. We passed the town of Katerini, where the road widened and had been improved with shoulders and guardrails along the waterside… I was just about to go to ninety kilometers per hour when we went around a curve and there, straight in front of us, was an enormous mountain with a snow cap. Charlie yelled, “Holy shit! Look at that!” I was awestruck. I knew it was Mt. Olympus, the tallest mountain in Greece and the home of the gods… “Where else could the gods have lived?” I asked.
Tim Scott (Driving Toward Destiny: A Novel)
Kara gave me a nudge with her foot under the table. I woke out of my reverie and looked at her, my first thought being, who is this girl, and how can she be so cool?” “You were drifting off.” “Oh wow. I’m sorry. I’m really bushed, I guess. The months in Berlin were intense. And then I was on the road like I never could have imagined. I was almost killed in a tunnel in Yugoslavia. Athens was crazy. The last two days have been a blur. I was almost squashed by a bus earlier today, and then I run into someone like you.” “And who is someone like me?” Kara teased.
Tim Scott (Driving Toward Destiny: A Novel)
We are a part of the whole, connected to the whole, like old Edgar saw from the moon. We are all one, on a speck of dust in a shaft of light. When I live in the illusion of a separate self, the part of me that knows I am at one with all phenomena feels starved and bereft. These dopey little acts of kindness move me back towards the truth. It actually gives me a little rush if I do a kind thing, like just phone someone up, someone who I want nothing from, and check if they’re okay. After I’ve done it, I get this little tingle and I think that is a small synaptic reward for reconnecting with truth. I saw once a depiction of the ol’ brain in action; I saw the synapses, the nerves or tunnels or roads through which energy or information travels. It wasn’t a photo, this stuff is too microscopic to be observed in that way; it was probably some sort of scan or graphic. Energy travels from synapse to synapse across a tiny space. A thought, or an impulse, crosses space to get to a related synapse. Consciousness, thoughts, are traveling through space in your head; we are traveling through space on this beautiful biosphere, Earth. If consciousness can traverse inner space, then perhaps it can traverse outer space. Perhaps we are as connected by consciousness as we are by the air that we all breathe. The air we inhale through the holes in our faces which tumbles into our lungs and blood, which travels through our hearts, which forms the words we speak, the air which we exhale, which is connected to all air, an unbroken entity, like all the water in all the rivers in the world, leading to the sea, touching one another.
Russell Brand (Revolution)
Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.
Jason Y. Ng (Hong Kong Noir)
I : Body of a Woman" Body of a woman, white hills, white thighs, you look like a world, lying in surrender My rough peasant's body digs into you and makes the son leap from the depth of the earth. I was alone like a tunnel. The birds fled from me, and night swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and a love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the pink roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark River-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Traditionally, Apollo and the nine goddesses known as the Muses make their home on the mountain in Greece called Parnassus. Believed to inspire creativity, they are Calliope (epic poetry), Clio (history), Euterpe (lyric poetry), Thalia (comedy and pastoral poetry), Melpomene (tragedy), Terpsichore (dance), Erato (love poetry), Polyhymnia (sacred poetry), and Urania (astronomy). Exclusively deities of performance, their blessing was solicited before any play or public recitation. (There were no Muses for sculptors, painters, and architects, regarded in Attic Greece as mere workmen, too lowly for divine patronage.) During the eighteenth century, students from the religious schools of the Latin Quarter, panting up this hill at the southern limit of Paris, may have looked back at the city spreading along the banks of the Seine and thought themselves masters of the known world. Through the haze of wine purchased from the locals, this unpromising landfill, formed from the rubble of urban expansion and fertilized by the corpses of the nameless dead, could have felt like their own Parnassus, an illusion they celebrated by reciting or improvising verse. Still then nameless, the hill first appeared on a map, the Lutetia Parisiorum vulgo of Johannes Janssonius, in 1657, which identified the track leading to its summit as the Chemin d’Enfer: the Road to Hell. The district looked doomed to remain a wasteland until, in 1667, Louis XIV chose to build an observatory there. (Charles II of England, envious, immediately commissioned his own for Greenwich.) Sometime during the next fifty years, it became officially Montparnasse, since in 1725 the city annexed it under that name. A road was laid along the ridge. Tunneling below the unstable topsoil, quarrymen mined the fine-grained limestone from which a greater Paris would be built, and where soon the Muses, though far from home, would again be heard.
John Baxter (Montparnasse: Paris's District of Memory and Desire (Great Parisian Neighborhoods, #3))
As vanguard of the invasion, the cavalry’s mission was to reconnoiter the position of the Belgian and French armies, to watch out for British landings, and to screen the German deployment against similar enemy reconnaissance. On the first day the duty of the advance squadrons, supported by infantry brought up in automobiles, was to seize the crossings of the Meuse before the bridges were destroyed and capture farms and villages as sources of food and forage. At Warsage, just inside the frontier, M. Flechet, the Burgomaster of seventy-two, wearing his scarf of office, stood in the village square as the horsemen clattered over the cobblestones of the Belgian pavé. Riding up, the squadron’s officer with a polite smile handed him a printed proclamation which expressed Germany’s “regret” at being “compelled by necessity” to enter Belgium. Though wishing to avoid combat, it said, “We must have a free road. Destruction of bridges, tunnels and railroads will be regarded as hostile acts.” In village squares all along the border from Holland to Luxembourg the Uhlans scattered the proclamations, hauled down the Belgian flag from the town halls, raised the black eagle of the German Empire, and moved on, confident in the assurance given them by their commanders that the Belgians would not fight.
Barbara W. Tuchman (The Guns of August)
In dreams you can have the feeling that you’ve had this dream before, that you have this dream over and over again, and you know that it’s really nothing that simple. You know that there’s a whole underground system that you call “dreams,” having nothing better to call them, and that this system is not like roads or tunnels but more like a live body network, all coiling and stretching, unpredictable but finally familiar—where you are now, where you’ve always been.
Alice Munro (Friend of My Youth)
human view of reality is little short of pathetic. Our normal reality is like each of us living in a tiny, windowless cell in a house that contains a hundred thousand rooms and covers a thousand acres of land, We believe that the cell is all there is, so we live in it isolated and alone. What is even sadder is that if a few people like me manage to tunnel out of their cells and see some of the other rooms awaiting entry, the majority of people think we are imagining things.
Michael J. Roads (Journey into Nature: A Spiritual Adventure)
Hey, all and sundry, let’s put her in a clandestine before the teacher comes!’ The NIGHT TRAIN like long memorials dashing toward me a white line in the front red in the back on the up first of seven uppers. Soaring, gravity-defying OFFICE BUILDINGS dominate the skyline. Older buildings wedged among the new. All are protected by huge glass and steel shields. As we get closer congested roads and freeways begin to disappear below ground into a series of subterranean tunnels. The oldie highways have become titanic, voluminous arcades. An elevator opens with a hiss steps out into a flavorless passageway.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
The flight attendants, beautiful as angels, check to make sure we're fit to travel, and then, with a benevolent motion of the hand, permit us to plunge on into the soft, carpet-lined curves of the tunnel that will lead us aboard our plane and onto a chilly aerial road to new worlds. That smile of theirs hold - or so it strikes us - a kind of promise that perhaps we will be born anew now, this time in the right time and the right place.
Olga Tokarczuk (Flights)
Sometimes I feel like this whole city is one vast organism. It’s like a human being that we’re all part of. But we’re restricted by the roads, by the waterways, by the tunnels, the trains. It’s like our paths are all laid out for us, and there’s no way of deviating from them. That’s what makes that cat different from us.
Nick Bradley (The Cat and The City)
Mile after mile raced beneath the wheels of the convertible as it steadily neared the old battlefield named for the stream Rocky Run. Late in the afternoon they drove through the little town of Centerville. The main street, paved with red brick, was flanked by two rows of huge live oak trees. Behind them, quaint old houses stood in the shade of spreading magnolias. Farther on, the street led to a square, along which sprawled a handful of stores, a small stately courthouse, and a tall-pillared hotel. A solitary, bewhiskered man sat on the porch of the hostelry, smoking a pipe and rocking. “Looks mighty sleepy around here,” Chet remarked. “I think I’m going to fit right in with this life!” “A peaceful old town,” the general replied, smiling. “My place is a quarter mile down the road.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
Here’s headquarters,” the officer said as Frank stopped before a yellow clapboard house with tall, shuttered windows and doors, nestled far back from the road. “What a swell place!” Chet exclaimed. “I’m going to sit under this big tree and eat and sleep—” “I thought you were the official photographer on this mission,” General Smith said, his eyes twinkling. “Correct!” Frank agreed as they carried their luggage into the house. “Hup, two, three, four! Come on, Chet. There’s work to be done.” The general’s home consisted of a long living room, dining room, library, a kitchen, and three big bedrooms on the second floor. General Smith ushered the boys into the largest of the bedrooms. “You Hardys will bunk here,” he said. “Chet can have the next room.” “Pretty fancy bunks,” Frank remarked, eying the two mahogany four-poster beds and the silk hangings at the windows.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
At General Smith’s directions, Chet presently eased the car off the highway and onto a rutted trail overgrown with weeds. There was no sign of the black sedan or any evidence that a car had recently entered the lane. “This was a fine place once,” the general said. “Those boxwoods over there are all that’s left of a wonderful garden which stretched from the road to the mansion. My father had pictures of the old place.” At the general’s suggestion, Chet stopped the car alongside a low, crumbling wall. “Look over there,” the man continued, extending his arm in a gesture toward a cluster of large oak trees which seemed to form a military phalanx. “That’s where the big white house stood.” The ruins of the old mansion were scarcely visible through the tall grass and brush, which acted as the scar tissue of time to cover the wounds left by the war. The four got out of the car and pushed through the weeds toward the area. The officer stopped and held his two hands parallel in front of him. “The steps to the front portico were right here. They led into the beautiful center hall of one of the most picturesque homes in the whole South. “And look what’s left now—nothing,” General Smith remarked sadly. “Nothing but ghostly memories.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
There is no light at the end of the tunnel for us. We are who we are.
Isaiyan Morrison (Old Farmer's Road)
In watching any of the hoverboard sequences, especially the extended ones like the chase in the Hill Valley square and the tunnel where Biff is trying to reclaim the sports almanac, one can see that a mixture of techniques were used. In some cases, the effects that appear amazing on-screen were really quite low-tech. Thin metal wire legs were placed right in the middle of the underside of some Styrofoam props, so that when Michael J. Fox threw them down, they would wobble as if levitating. In shots where one end of the board was out of frame, the other side was sometimes held by a crew member until Fox grabbed it and tucked it under his arm. When the actors’ feet were obscured, they were often shot from the waist up and put on actual skateboards. Sometimes they were pulled on a large dolly. Large sheets of plywood would be added to the ground in order to create additional height in comparison with the rest of what was in the frame.
Caseen Gaines (We Don't Need Roads: The Making of the Back to the Future Trilogy)
I am a firm believer that where you put your focus is where you end up in life. If you’re driving a car and you mistakenly focus on the wall in a long tunnel and not on the road in front of you, well, you’re going to slam into that wall.
Tom Peterson (Catholics Come Home: God's Extraordinary Plan for Your Life)
TABLE OF GERMAN COMPANIES AND MAIN SS CONCENTRATION CAMPS REPORTED TO BE ACTIVE IN EXPLOITATION OF FORCED LABOR DURING THE THIRD REICH Auschwitz AEG (electronics) [5] Barthl (construction) [5] Bata Schlesische Schuhwerke (leather, shoes, and factory construction) [10] Benton-Monteur-Bau (construction) [10] Berle Hoch- und Tiefbau (construction) [10] Berliner Baugesellschaft (construction) [10] BRABAG (mining, synthetic fuel) [3] Breitenbach Montanbau [10] Borsig-Koks-Werk (coal processing) [10] Charlottengrube (Hermann-Göring-Werke) (tunnel construction) [10] Concordia Kohlenbergwerk (coal processing) [10] Deutsche Gasrusswerke, Gleiwitz [5] [8] Dyckerhoff & Widman (construction materials) [5] Egefeld (construction) [10] Emmerich Machold (textiles) [10] Energie-Versorgung-Oberschlesien AG (electrical construction for Elektrizitätswerk “Walter”) [10] Erdöl Raffinerie Trzebinia GmbH (oil refining) [10] Fürstengrube GmbH (coal mining) [10] Fürstlich Plessische Bergwerks AG (coal processing) [10] Godula (factory construction) [10] Grün und Bilfinger (construction) [10] Gute Hoffnung Janinagrube (coal mining) [10] Heinkel (aircraft components, munitions) [5] [10] Hubertushütte (coal processing) [10] IG Farben—Buna Werke (construction, synthetic fuel) [3] [4] [5] [8] [10] Junkers (aircraft) [5] Klotz und Co. (construction) [10] Königshütte Metallwerke (metal works) [10] Königs- und-Bismarckhütte AG (armored cars and tanks) [10] Krupp (munitions) [4] [5] Krupp—Laurahùtte (munitions) [8] Lasota (tunnel & road construction) [10] Oberschlesische Gerätebau GmbH [10] Oberschlesische Hydrierwerke (construction of synthetic gasoline works) [5] [8] [10] Ölschieferanlagen (oil refinery construction) [8] Ost-Maschinenbau GmbH (OSMAG) (cannon) [2] [5] [8] [10] Pfitzner und Kamper (munitions, loading) [10] Philipp Holzmann (construction) [10] Pluschke und Grosser (construction) [10] Portland-Zement-Fabrik AG (construction materials) [10] Riedel (tunnel and roadbuilding) [10] Rheinmetall-Borsig (munitions) [3] Schuchtermann und Kremer Bau AG (construction) [10] Schweinitz (construction) [10] S. Frankel—Schlesische Feinweberei AG (textiles) [10] Siemens-Schuckert (electronics for aircraft) [2] [3] [10] Union Metallindustrie (munitions) [4] [5] Vacuum Öl (oil refinery) [5] [10] Vereinigte Aluminiumwerke (aluminum) [5] Wayss und Freytag (construction) [10] Zieleniewski (munitions) [10] Zwirnfabrik G. A. Buhl und Sohn (textiles) [10]
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf))
A certain amount of public works—of streets and roads and bridges and tunnels, of armories and navy yards, of buildings to house legislatures, police and fire departments—is necessary to supply essential public services.
Henry Hazlitt (Economics in One Lesson: The Shortest and Surest Way to Understand Basic Economics)
Ruling Venezuela as the unelected military strongman from 1948 to 1950 and as President from 1952 to 1958. The President of Venezuela was Marcos Pérez Jiménez, a Venezuelan General, who also considered himself to be a civil engineer. He spent much of the country’s oil profits modernizing the infrastructure, including the construction of the new Caracas to La Guaira highway. The new road was terribly expensive requiring bridges and tunnels. Two tunnels alone cost $20,000,000 and nearly broke the State Treasury, but the road was completed in 1953, just in time for me to ride on it up the mountains to Caracas. The old taxi went uphill at very steep angles, reaching an altitude of 7,400 feet before dipping back down into the city. Looking into the deep ravines next to what had been the old road, I could see wrecks of the vehicles that were unlucky enough to have gone off the road. Finally crossing the top of the Coastal ridge, we followed the winding road down into the extinct volcanic basin that housed the capital city. As we got closer to the downtown district, I noticed that the Guardia National police were everywhere! The traffic was horrendous and there was a layer of smog in the valley, but everything was reasonably quiet except for loud banging sounds. Since there was a noise ordinance in Caracas, cars were not permitted to blow their horns. Instead, the cabdrivers banged the side of their car door with their hand.
Hank Bracker
Kit feels a kink in his heart. His girl is in the shower, soaping her every inch of skin. He cannot see the maze of tubes and cavities inside her body. He cannot know what is pumping right and what is pumping wrong, how each of those slippery organs is tucked against its neighbor and whether something bad is truly blooming there. Whether, even if her body is perfect, a truck will lose its brakes, tumble off the road where Summer is walking. There are storms beginning to twist in the warm oceans to the south, and maybe they will whip this way, tearing the houses like paper. The ferry could sink beneath them; poisoned gases could leak into the air at any time. The melted ice caps are washing toward them. They’re both dying- everyone is. The schedule of death is not made public. Love’s job is to make a safe place. Not to deny that the spiny forest exists, but to live hidden inside it, tunneled into the soft undergrass
Ramona Ausubel (Awayland)
This was true mountain country, now, and true wilderness. Valley meadows, leafy trees halfway up the slopes, then evergreens gradually taking over at the higher altitudes... their road wound its way up and down through tree-tunnels that only intermittently allowed them to see the sky. It would have been a lovely journey under other circumstances. The weather remained fair, and remarkably pleasant, even if the night was going to be cold. She had only read about the wilderness, never experienced it for herself, and she found herself liking it a lot. Or- parts of it, anyway. The way it was never entirely silent, but simply 'quiet'- birdsong and insect noises, the rustle of leaves, the distant sound of water. She had never before realized how noisy people were. And the forest was so beautiful. She wasn't at all used to deep forest; it was like being inside a living cathedral, with beams of light penetrating the tree-canopy and illuminating unexpected treasures, a moss-covered rock, a small cluster of flowers, a spray of ferns. These woods were 'old', too, the trees had trunks so big it would take three people to put their arms around them, and there was a scent to the place that somehow conveyed that centuries of leaves had fallen here and become earth.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
Solotol is a city of arches and bridges, where steps and pavements wind past tall buildings and lance out over steep rivers and gullies on slender suspension bridges and fragile stone arches. Roadways flow along the banks of water courses, looping and twisting over and under them; railways splay out in a tangle of lines and levels, swirling through a network of tunnels and caverns where underground reservoirs and roads converge, and from a speeding train passengers can look out to see galaxies of lights reflecting on stretches of dark water crossed by the slants of underground funiculars and the piers and ways of subterranean roads.
Iain M. Banks (Use of Weapons (Culture, #3))
The road to success is never that smooth. There are obvious portholes you would step in. There are hills you must cross, and you will. Thus, no matter how rough your journey might be, keep up hopes in God so you will not falter. No matter how dark the days might seem, don’t forget to smile, and always have it at the back of your mind that there is light at the end of the tunnel.” It takes a broad smile to make a dark day seem so bright. Psalm 119:105 -Shenita Etwaroo
Shenita Etwaroo
Oh, it would be more than an inconvenience and we both knew it. “Agreed. That was a dick move.” She stared at the forest tunnel around the road, watching the SUVs disappear into it. “Ned is a manipulative bastard.” “Yes. He’s also desperate. We are who we are, baby. And I really do want those woods.” She groaned.
Ilona Andrews (Magic Claims (Kate Daniels: Wilmington Years, #2; Kate Daniels, #10.6))
Living in the moment means appreciating our Traveling Companion. God doesn’t just wait on the mountaintops for us. He descends into every valley with us. He offers His hand for support when the road gets rocky. He shines a light at the end of every tunnel. We have the choice of whether to acknowledge His presence or reach for His hand or look for His light along the way. But if we don’t, we create a lonely journey for ourselves.
DaySpring (Walking the Line: 90 Devotions of Truth and Hope Based on the Faith of Johnny Cash)
Now the drift seemed to him like a well-lit road. It was his fate, it seemed, to search for the tunnel at the end of the light.
Reginald Hill (Underworld (Dalziel & Pascoe #10))