Owl Sayings Quotes

This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.

If it is stupid but it works, it isn't stupid. (a Shin'a'in saying)

I never want to learn how to say goodbye

To treat a person like a carpet, it is necessary that one do the walking, and one allow himself to be walked on. --Shin'a'in saying

She is our moon. Our tidal pull. She is the rich deep beneath the sea, the buried treasure, the expression in the owl's eye, the perfume in the wild rose. She is what the water says when it moves.

I've been sleeping with the night light unplugged With a note on the rocking chair It says I'm dreaming of the life I once loved So wake me if you're out there

My very small part in WATCHMEN is that, every now and then, Alan would phone me: ''Neil, you're an educated man. Where does it say...'' He would need a quote from the Bible, or an essay about owls. I was his occasional research assistant.

Oh telescope, Keep your eye on my only hope, Lest I blink and be swept off the narrow road, Hercules, you've got nothing to say to me, 'Cause you're not the blinding light that I need. For He is the saving grace of the galaxies!

The owl,” he was saying, “is one of the most curious creatures. A bird that stays awake when the rest of the world sleeps. They can see in the dark. I find that so interesting, to be mired in reality when the rest of the world is dreaming. What does he see and what does he know that the rest of the world is missing?

Owl," said Rabbit shortly, "you and I have brains. The others have fluff. If there is any thinking to be done in this Forest--and when I say thinking I mean thinking--you and I must do it.

I should be used to the way Americans dress when traveling, yet it still manages to amaze me. It’s as if the person next to you had been washing shoe polish off a pig, then suddenly threw down his sponge saying, “Fuck this. I’m going to Los Angeles!

Every morning I tell myself, "I'll sleep early tonight." And every night I say, "One more chapter.

There is magic in this place, the owl seems to say. You just have to sit and breathe and wait and it will find you. He sits and breathes and waits and the Earth travels another thousand kilometers along its orbit. Lifelong knots deep inside the boy loosen.

Don't tell me I don't know how to hate,' I wanted to say. Then I stopped and asked myself, 'Do you really want that to be your message? Think you can out-hate me, asshole? I was fucking hating people before you were even born!

That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.

Owl,' said Rabbit shortly, 'you and I have brains. The others have fluff. If there is easy thinking to be done in this Forest - and when I say thinking I mean thinking - you and I must do it.

To an eagle or to an owl or to a rabbit, man must seem a masterful and yet a forlorn animal; he has but two friends. In his almost universal unpopularity he points out, with pride, that these two are the dog and the horse. He believes, with an innocence peculiar to himself, that they are equally proud of this alleged confraternity. He says, 'Look at my two noble friends -- they are dumb, but they are loyal.' I have for years suspected that they are only tolerant.

All these young mothers chauffeuring their volcanic three-year-olds through the grocery store. The child's name always sounds vaguely presidental, and he or she tends to act accordingly. "Mommy hears what you're saying about treats," the woman will say, "But right now she needs you to let go of her hair and put the chocolate-covered Life Savers back where they came from." "No!" screams McKinley or Madison, Kennedy or Lincoln or beet-faced baby Reagan. Looking on, I always want to intervene. "Listen," I'd like to say, "I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop its crying, but at least now it'll be doing it for a good reason.

He made a noise like an owl. Since Moist was no ornithologist, he did this by saying “woo woo.

At first it is strange. I am used to keeping him from her, to hoarding him for myself. But the memories well up like springwater, faster than I can hold them back. They do not come as words, but like dreams, rising as scent from the rain-wet earth. This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.

People say the darkness is where secrets are best hidden. Night time brings clarity and focus to owls, even if the aperture of this vision comes with a stigma.

Accidents happen. That's what everyone says. But in a quantum universe there are no such things as accidents, only possibilities and probabilities folded into existence by perception.

Owl Poem One has to say this for the rounds of life that keep coming and going; it has worked so far. The rabbit, after all, has never asked if the grass wanted to live. Any more than the owl consults with the rabbit. Acceptance of the world requires that I bow even to you, Master of the night.

You know what they say: ‘The cats and the owls and the better type of raven, know more of what is doing than any human maven.

I never want to learn how to say goodbye.

Some say the ocean roars, I hear it ever weeping. Weep, ocean, weep for those gone before. Weep, O sea, for the open graves that fill your shore.

Everything you say,' Geno said rather irritably, 'contradicts itself.' 'Of course it does,' the screech owl rejoined obscurely. 'Otherwise, how would anyone ever keep to the middle of the road?

Scientists say that the palm tree line, that is the climate suitable to growth of the palm, is moving north, five hundred metres, I think it was, every year...The palm tree line...I call it the coffee line, the strong black coffee line...It's rising like mercury in a thermometer, this palm tree line, this strong coffee line, this scandal line, rising up throughout Italy and already passed Rome...

They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter’s morn, on a stormy day, In a Sieve they went to sea!

There is only a black fence and a wide field and a barn of Wyeth red. The smell of anger chokes the air. Ravens of September rain descend. Some say a mad mad hermit man lived here talking to himself and the woodchuck. But he's gone. No reason. No sense. He just wandered off one day, past the onions, past the fence. Forget the letters. Forget love. Troy is nothing more than a black finger of charcoal frozen in lake ice. And near where the owl watches and the old bear dreams, the parapet of memory burns to the ground taking heaven with it.

A beam or pillar can be used to batter down a city wall, but it is no good for stopping up a little hole - this refers to a difference in function. Thoroughbreds like Qiji and Hualiu could gallop a thousand li in one day, but when it came to catching rats they were no match for the wildcat or the weasel - this refers to a difference in skill. The horned owl catches fleas at night and can spot the tip of a hair, but when daylight comes, no matter how wide it opens its eyes, it cannot see a mound or a hill - this refers to a difference in nature. Now do you say, that you are going to make Right your master and do away with Wrong, or make Order your master and do away with Disorder? If you do, then you have not understood the principle of heaven and earth or the nature of the ten thousand things. This is like saying that you are going to make Heaven your master and do away with Earth, or make Yin your master and do away with Yang. Obviously it is impossible.

For some time now Pooh had been saying “Yes” and “No” in turn, with his eyes shut, to all that Owl was saying, and having said, “Yes, yes,” last time, he said “No, not at all,” now, without really knowing what Owl was talking about.

Will you do me a favor Matt?” “Anything.” “This is easy. Just repeat after me. ‘It was nice talking to you Hanna. I’ll see you tomorrow. Goodnight.’ ” I gave her an incredulous look. :Don’t give me that look. I’m trying to teach you this mysterious skill, one that you seem to lack. It’s called how to say goodbye.” I smiled and rubbed the back of my neck. “What are you grinning at?” she said. “I never want to,” I said. “What? Never want to what?” “I never want to learn how to say goodbye.” I closed Skype and then closed my eyes, laughing into the silence of my apartment.

Tu-whoo! Ahem! Lord Regent," said the Owl, stooping down a little and holding its beak near the Dwarf's ear. "Heh? What's that?" said the Dwarf. "Two strangers, my Lord," said the Owl. "Rangers! What d'ye mean?" said the Dwarf. "I see two uncommonly grubby man-cubs. What do they want?" "My name's Jill," said Jill, pressing forward. She was very eager to explain the important business on which they had come. "The girl's called Jill," said the Owl, as loud as it could. "What's that?" said the Dwarf. "The girls are all killed! I don't believe a word of it. What girls? Who killed 'em?" "Only one girl, my Lord," said the Owl. "Her name is Jill." "Speak up, speak up," said the Dwarf. "Don't stand there buzzing and twittering in my ear. Who's been killed?" "Nobody's been killed," hooted the Owl. "Who?" "NOBODY." "All right, all right. You needn't shout. I'm not so deaf as all that. What do you mean by coming here to tell me that nobody's been killed? Why should anyone have been killed?" "Better tell him I'm Eustace," said Scrubb. "The boy's Eustace, my Lord," hooted the Owl as loud as it could. "Useless?" said the Dwarf irritably. "I dare say he is. Is that any reason for bringing him to court? Hey?" "Not useless," said the Owl. "EUSTACE." "Used to it, is he? I don't know what you're talking about, I'm sure. I'll tell you what it is, Master Glimfeather; when I was a young Dwarf there used to be talking beasts and birds in this country who really could talk. There wasn't all this mumbling and muttering and whispering. It wouldn't have been tolerated for a moment, Sir. Urnus, my trumpet please-

Until humans came and made anthills out of these mountains, Diwan Sahib was saying, looking up at the langurs, the land had belonged to these monkeys, and to barking deer, nilgai, tiger, barasingha, leopards, jackals, the great horned owl, and even to cheetahs and lions. The archaeology of the wilderness consisted of these lost animals, not of ruined walls, terracotta amulets, and potsherds.

Why is it that the look of another person looking at you is different from everything else in the Cosmos? That is to say, looking at lions or tigers or Saturn or the Ring Nebula or at an owl or at another person from the side is one thing, but finding yourself looking in the eyes of another person looking at you is something else. And why is it that one can look at a lion or a planet or an owl or at someone's finger as long as one pleases, but looking into the eyes of another person is, if prolonged past a second, a perilous affair?

Someday you'll be as old as I. People will say the same. 'Oh, no,' they'll say, 'those vultures were never hummingbirds, those owls were never orioles, those parrots were never bluebirds!" One day you'll be like me!

But no matter how closely I observed her, she seemed to be quite distant from me. Suddenly I realized that I was totally uninformed about the secrets of her heart, and that no relationship existed between the two of us. I wanted to say something, but I was afraid that her ears, accustomed to distant, soft and heavenly music might become hateful of my voice.

and the owl made a noise with very little resemblance in it to the noise conventionally assigned to the owl by men-poets. But it is the obstinate custom of such creatures hardly ever to say what is set down for them.

Harry - I'm flying north immediately. This news about your scar is the latest in a series of strange rumors that have reached me here. If it hurts again, go straight to Dumbledore - they're saying he's got Mad-Eye out of retirement, which means he's reading the signs, even if no one else is. I'll be in touch soon. My best to Ron and Hermione. Keep your eyes open,Harry. Sirius Dear Sirius, I reckon I just imagined my scar hurting, I was half asleep when I wrote to you last time. There's no point coming back, everything's fine here. Don't worry about me, my head feels completely normal. Harry Nice try, Harry. I'm back in the country and well hidden. I want you to keep me posted on everything that's going on at Hogwarts. Don't use Hedwig, keep changing owls,and don't worry about me, just watch out for yourself Don't forget what I said about your scar. Sirius

At first it is strange. I am used to keeping him from her, to hoarding him for myself. But the memories well up like spring-water, faster than I can hold them back. They do not come as words, but like dreams, rising as scent from the rain-wet earth. This, I say. This and this. The way his hair looked in the summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this.

The bounty hunter looked at him long and hard. Until Tawny Owl's smirk finally vanished. 'Indeed,' he said. 'Everyone has to make a living. Some earn money doing what they've learned. Others do what they have to. But not many craftsmen have been as lucky in life as I am: they pay me for a trade I truly and honestly enjoy. Not even whores can say that.

They do not come as words, but like dreams, rising as scent from the rain-wet earth. This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.

I ain't much of a church man, Mark. Guess you might say I'm an agnostic. I don't know." "There's a good bit of agnostic in all of us, Calamity. None of us knows how much - only enough to trust to reach out a hand in the dark.

shapeshifter poems by Lucille Clifton 1 the legend is whispered in the women's tent how the moon when she rises full follows some men into themselves and changes them there the season is short but dreadful shapeshifters they wear strange hands they walk through the houses at night their daughters do not know them 2 who is there to protect her from the hands of the father not the windows which see and say nothing not the moon that awful eye not the woman she will become with her scarred tongue who who who the owl laments into the evening who will protect her this prettylittlegirl 3 if the little girl lies still enough shut enough hard enough shapeshifter may not walk tonight the full moon may not find him here the hair on him bristling rising up 4 the poem at the end of the world is the poem the little girl breathes into her pillow the one she cannot tell the one there is no one to hear this poem is a political poem is a war poem is a universal poem but is not about these things this poem is about one human heart this poem is the poem at the end of the world Credit: Copyright © 1987 by Lucille Clifton.

You might say that while Rabbit’s little routine is that of Knowledge for the sake of Being Clever, and while Owl’s is that of Knowledge for the sake of Appearing Wise, Eeyore’s is Knowledge for the sake of Complaining About Something.

i am dead but i know the dead are not like this." the dead can sleep they don’t get up and rage they don’t have a wife. her white face like a flower in a closed window lifts up and looks at me. the curtain smokes a cigarette and a moth dies in a freeway cash as I examine the shadows of my hands. an owl, the size of a baby clock rings for me, come on come on it says as Jerusalem is hustled down crotch-stained halls. the 5 a.m. grass is nasal now in hums of battleships and valleys in the raped light that brings on the fascist birds. I put out the lamp and get in bed beside her, she thinks I’m there mumbles a rosy gratitude as I stretch my legs to coffin length get in and swim away from frogs and fortunes.

Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.

In the last month of the presidential campaign, I tuned in to conservative talk radio and listened as callers considered the unthinkable. One after another, they all threatened the same thing: “If McCain doesn’t win, I’m leaving the country.” “Oh, right,” I’d say. “You’re going to leave and go where? Right-wing Europe?” In the Netherlands now, I imagine it’s legal to marry your own children. Get them pregnant, and you can abort your unborn grandbabies in a free clinic that used to be a church. The doctor might be a woman who became a man and then became a woman again, all on taxpayers’ dollars, but as long as she saves the stem cells, she’ll have the nation’s blessing.

The dead” we say   as if speaking of “the people” who gave up on making history simply to get through Something dense and null   groan without echo   underground and owl-voiced I cry Who are these dead people these lovers who if ever did listen no longer answer : We :

It was one of those situations I often find myself in while traveling. Something's said by a stranger I've been randomly thrown into contact with, and I want to say, "Listen. I'm with you on most of this, but before we continue, I need to know who you voted for in the last election.

One afternoon while driving back from the beach, Hugh pointed out a McDonald's bag vomiting its contents onto the pavement. "I say that any company whose products are found on the ground automatically has to go out of business," he said. This is how we talk nowadays, as if our pronouncements hold actual weight and can be implemented at our discretion, like we're kings or warlocks. "That means no more McDonald's, no more Coke - none of it." "That wouldn't affect you any,"I told him. Hugh doesn't drink soda or eat Big Macs. "But what if it was something you needed, like paint? I find buckets of it in the woods all the time." "Fine," he said. "Get rid of it. I'll make my own." If anyone could make his own paint, it would be Hugh. "What about brushes?" "Please," he said, and he shifted into a higher gear. "I could make those in my sleep.

There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.

Matt had his back to the house and his hands braced against a black Lexus. Holy fuck. This was textbook sketchy. Black car, strange man, middle of the night. Maybe I was about to be abducted. Maybe I was about to become one of those news stories that makes people say, “I feel bad for the girl, but she was asking for trouble.

It means I'm glad I killed him, I said, testing it. But this didn't mean anything. It didn't mean anything, I said, dubious. But this didn't mean anything, either.

We would kiss and say things we didn’t mean. Counterfeit intimacy.

They say the owl was a baker's daughter. Lord, we know what we are, but know not what we may be.

weeks passed, my suitcase grew more and more conventional. “I’ve got something for you,” I’d say to a teenager. “It’s nothing huge,

Some other passenger pulled the stop cord. I stood, waiting behind her at the center door, looking up at my smile in the tilt of circular mirror that hung lazy, like it was asleep, half dreaming me.

The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.

If I'm walking down an American street and anyone darker than a peanut shell approaches, I'll say, "Hello." This because, if I don't say it, he or she might think that I'm anxious. Which, of course, I must be, otherwise I'd walk by in silence, just as I do with my fellow Caucasians. Does this make me racist, or simply race conscious? Either way, I'm more afraid of conservatives than I am of black people.

“I’m trying to teach you this mysterious skill, one that you seem to lack. It’s called how to say goodbye.” she said. “I never want to,” I said. “What? Never want to what?” “I never want to learn how to say goodbye.”

Proud Maisie" Proud Maisie is in the wood, Walking so early; Sweet Robin sits on the bush, Singing so rarely. ‘Tell me, thou bonny bird, When shall I marry me?’ ‘When six braw gentlemen Kirkward shall carry ye.’ ‘Who makes the bridal bed, Birdie, say truly?’ ‘The grey-headed sexton, That delves the grave duly. ‘The glowworm o’er grave and stone Shall light thee steady; The owl from the steeple sing, ‘Welcome, proud lady.

the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch

The only institution in the Sicilian conscience that really counts is the family; counts, that is to say, more as a dramatic juridical contract or bond than as a natural association based on affection. The family is the Sicilians’ State. The State, as it is for us, is extraneous to them, merely a de facto entity based on force; an entity imposing taxes, military service, war, police. Within the family institution the Sicilian can cross the frontier of his own natural tragic solitude and fit into a communal life where relationships are governed by hair-splitting contractual ties. To ask him to cross the frontier between family and State would be too much. In imagination he may be carried away by the idea of the State and may even rise to being Prime Minister; but the precise and definite code of his rights and duties will remain within the family, whence the step towards victorious solitude is shorter.

Burned?" said Elspeth. "By who?" "Whom," came a deep voice from above. Elspeth glanced up to see, sitting on a branch of a maple tree, a large gray owl. "An owl who says whom? Seriously?" "Only when it's appropriate," said the owl.

If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?

I'm sorry, is what she means to say. Sorry, sweetheart, about the elephants. About the sea turtles with their heads lopped off, and the friendly, machine-gunned whales. About the owls, my love, and the antelope. About the drowning bears...

I can manage in a restaurant, take a cab, and even make small talk with the driver. “Do you have children?” I ask. “Will you take a vacation this year?” “Where to?” When he turns it around, as Japanese cabdrivers are inclined to do, I tell him that I have three children, a big boy and two little girls. If Pimsleur included “I am a middle-aged homosexual and thus make do with a niece I never see and a very small godson,” I’d say that. In the meantime, I work with what I have.

...one of those people who, if you say ‘don’t look now’, would immediately swivel his head like an owl on a turntable. These are the same people who, when you point out, say, an unusual crocus just beside them, turn round aimlessly and put their foot down with a sad little squashy noise. If they were lost in a trackless desert you could find them by putting down, somewhere on the sand, something small and fragile like a valuable old mug that had been in your family for generations, and then hurrying back as soon as you heard the crash.

They sat in the stern shoulder to shoulder, with the skipper in the middle, like three dirty owls, and stared at me,” I heard him say with an intention of hate that distilled a corrosive virtue into the commonplace words like a drop of powerful poison falling into a glass of water;

A rain of pebbles from overhead makes me glance up in time to see Ruthann step onto the lip of the cliff, another fifteen feet above me. Her body is wrapped tight in a pure white robe. "Ruthann!" I shout, my voice caroming off the rock walls, an obscenity. She looks down at me. Across the distance our eyes meet. "Ruthann, don't," I whisper, but she shakes her head. I'm sorry. In that half-second, I think about Wilma and Derek and me, all the people who do not want to beleft behind, who think we know what is best for her. I think about the doctors and the medicines Ruthann lied about taking. I think about how I could talk her down from that ledge like I have talked down a dozen potential suicide victims. Yet the right thing to do, here, is subjective. Ruthann's family, who wants her alive, will not be the one to lose hair from drugs, to have surgery to remove her breast, to die by degrees. It is easy to say that Ruthann should come down from that cliff, unless you are Ruthann. I know better than anyone what it feels like to have someone else make choices for you, when you deserve to be making them yourself. I look at Ruthann, and very slowly, I not. She smiles at me, and so I am her witness -- as she unwraps the wedding robe from her narrow shoulders and holds is across her back like the wide wings of a hawk. As she steps off the edge of the cliff and rises to the Spirit World. As the owls bear her body to the broken ground.

She was loyal and brave and as smart as a treeful of owls. By explaining her talents and legions of virtues, though, I would not be making my point, which is that the death of my dog hit me harder than the deaths of many people I have known, and this can’t be explained away by saying how good she was. She was. But what I was feeling was something else entirely. I came to realize in the months following Rose’s death, months that I referred to myself as being in the ditch, that there was between me and every person I had ever loved some element of separation, and I had never seen it until now. There had been long periods spent apart from the different people I loved, due to nothing more than circumstances. There had been arguments and disappointments, for the most part small and easily reconciled, but over time people break apart, no matter how enormous the love they feel for one another is, and it is through the breaking and the reconciliation, the love and the doubting of love, the judgment and then the coming together again, that we find our own identity and define our relationships. Except that I had never broken from Rose. I had never judged her or wanted her to be different, never wished myself free from her for a single day.

THE CONDITIONAL Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.

In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull’s egg by mistake, and the story went on and on, rather like this sentence, until Piglet who was listening out of his window without much hope, went to sleep quietly and naturally, slipping slowly out of the window towards the water until he was only hanging on by his toes, at which moment luckily, a sudden loud squawk from Owl, which was really part of the story, being what his aunt said, woke the Piglet up and just gave him time to jerk himself back into safety and say, “How interesting, and did she?” when—well, you can imagine his joy when at last he saw the good ship, The Brain of Pooh (Captain, C. Robin; 1st Mate, P. Bear) coming over the sea to rescue him.

An acre of poppies and a forest of spruce boggle no one’s mind. Even ten square miles of wheat gladdens the hearts of most . . . No, in the plant world, and especially among the flowering plants, fecundity is not an assault on human values. Plants are not our competitors; they are our prey and our nesting materials. We are no more distressed at their proliferation than an owl is at a population explosion among field mice . . . but in the animal world things are different, and human feelings are different . . . Fecundity is anathema only in the animal. "Acres and acres of rats" has a suitably chilling ring to it that is decidedly lacking if I say, instead, "acres and acres of tulips".

Of all the horrid, hideous notes of woe, Sadder than owl-songs or the midnight blast, Is that portentous phrase, 'I told you so,' Utter'd by friends, those prophets of the past, Who, 'stead of saying what you now should do, Own they foresaw that you would fall at last, And solace your slight lapse 'gainst 'bonos mores,' With a long memorandum of old stories.

Of all the horrid, hideous notes of woe, Sadder than owl- songs or the midnight blast, Is that portentous phrase, “I told you so,” Utter’d by friends, those prophets of the past, Who, ’stead of saying what you now should do, Own they foresaw that you would fall at last, And solace your slight lapse ’gainst “bonos mores,” With a long memorandum of old stories.

Pa always stopped telling the story here, and waited until Laura said: “Go on, Pa! Please go on.” “Well,” Pa said, “then your Grandpa went out into the yard and cut a stout switch. And he came back into the house and gave me a good thrashing, so that I would remember to mind him after that. “‘A big boy nine years old is old enough to remember to mind,’ he said. ‘There’s a good reason for what I tell you to do,’ he said, ‘and if you’ll do as you’re told, no harm will come to you.’” “Yes, yes, Pa!” Laura would say, bouncing up and down on Pa’s knee. “And then what did he say?” “He said, ‘If you’d obeyed me, as you should, you wouldn’t have been out in the Big Woods after dark, and you wouldn’t have been scared by a screech-owl.

So, here’s how it’s going to be,” she continues. “The doctor says I’ve only got a few months to live.” Tucker’s mouth flies open and panic distorts her features. She rises slowly from the couch and stumbles toward the front door. Opening it, she goes into Ella’s front yard. Ella makes a move to go after her when suddenly she hears a cry from outside that makes her blood turn cold. It sounds as if someone has taken the scream of a screech owl and the howl of a coyote and mixed them in hell. Ella has a memory of reading The Hound of the Baskervilles as a child and trying to imagine what the eerie howl of the hound must have sounded like. Now she is certain she knows what it sounded like and why even the intrepid Sherlock Holmes was unnerved upon hearing it.

It was the Age of Anything-Can-Happen, he reminded himself. He had heard many people say that on TV and on the outré video clips floating in cyberspace, which added a further, new-technology depth to his addiction. There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist- entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

[...] Echo. Into the night. Man. O rocky voice Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme Its joy or night seem but a dream; Up there some hawk or owl has struck Dropping out of sky or rock, A stricken rabbit is crying out And its cry distracts my thought. [...]and set my boyish lips to say, ‘Only the wasteful virtues earn the sun

I walked all the way around the zoo, and then came back to a girl with a round face and fluffy hair, who looked like a baby owl. I like owls. I was about to say hello when along came Very Cool Girl, with her beautiful hair swinging. She smiled at me, and so did the baby owl. But oh no…My throat closed up. I simply could not speak. I can’t talk to strangers! I swerved off, and pretended I’d been headed for a nearby drinks machine.

Are all your family wizards?" asked Harry, who found Ron just as interesting as Ron found him. "Er- yes, I think so," said Ron. "I think Mom's got a second cousin who's an accountant, but we never talk about him." "So you must know loads of magic already." The Weasleys were clearly one of those old wizarding families the pale boy in Diagon Alley had talked about. "I heard you went to live with Muggles," said Ron. "What are they like?" "Horrible- well, not all of them. My aunt and uncle and cousin are, though. Wish I'd had three wizard brothers." "Five," said Ron. For some reason, he was looking gloomy. "I'm the sixth in our family to go to Hogwarts. You could say I've got a lot to live up to. Bill and Charlie have already left- Bill was head boy and Charlie was captain of Quidditch. Now Percy's a prefect. Fred and George mess around a lot, but they still get really good marks and everyone thinks they're really funny. Everyone expects me to do as well as the others, but if I do, it's no big deal, because they did it first. You never get anything new, either, with five brothers. I've got Bill's old robes, Charlie's old wand, and Percy's old rat." Ron reached inside his jacket and pulled out a fat gray rat, which was asleep. "His name's Scabbers and he's useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn't aff- I mean, I got Scabbers instead." Ron's ears went pink. He seemed to think he'd said too much, because he went back to staring out of the window.

Excellent. Aristotle will introduce you to the employees at the desk,' Dr. Creamintin beamed. 'What what? I shall do no such thing!" the fluffy little owl argued. 'Cease your complaining Aristotle. Until Dave and Frey return, you haven't any work to do. Now go introduce the poor girl,' Dr. Creamintin ordered. 'Nevah, I say, nevah!' the owl decided, shaking his little butt. 'Too bad, I say, too bad,' Dr. Creamintin mocked before snatching the little bird off his stand on Felisha's desk and throwing him out of the office.

If I was a flower, I would sell perfume. If I was a plant, I would sell herbs. If I was a seed, I would sell wood. If I was a tree, I would sell forests. If I was a garden, I would sell beauty. If I was a plant, I would sell medicine. If I was a fish, I would sell oceans. If I was a bee, I would sell honey. If I was a spider, I would sell silk. If I was a firebug, I would sell light. If I was a sheep, I would sell wool. If I was a rabbit, I would sell carrots. If I was a cow, I would sell leather. If I was a hen, I would sell eggs. If I was a stream, I would sell lakes. If I was a river, I would sell seas. If I was a bird, I would sell skies. If I was a monkey, I would sell trees. If I was a dog, I would sell plains. If I was a bear, I would sell caves. If I was a goat, I would sell mountains. If I was a fox, I would sell wit. If I was a dove, I would sell peace. If I was a bear, I would sell valor. If I was a camel, I would sell grit. If I was an owl, I would sell wisdom. If I was a lion, I would sell strength. If I was an elephant, I would sell might.

What a shame that Christianity had come here!If the white man had not intruded where he was not wanted, where he did not belong, even now protected by the mountains and the river,the village would have remained a last stronghold of a culture which was almost gone.Mark tried to say that no village,no culture can remain static. "I have often thought that if this lively and magnificent land belongs to anyone,it's to the birds and the fish.They were here long before the first Indian and when the last man is gone from the Earth,it will be theirs again.

To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.

life is a world you have to live by… it has its own rules you go by… it gives you joy and struggles… i see a mountain… my goal is not to reach the peak… but to reach the foot of the mountain… you may ask why the foot and not the peak… well come dear one sit down… and i'll tell you the meaning… A butterfly so delicate to touch… so graceful that you are in awe… but what you don't understand is they are like humans… they can't see how beautiful their wings are… but everything else can... we can't see our face but everyone else can… An owl so wise to see… so kind to hear… who it calls… the who is you… the who is one you meet… the who is a friend… A bee so humble… so hard working… and yet still has a whole lot of work to do… we can sting like a bee… for standing up what is right… even though it can be wrong… there is only one path… and you can never go back… all you have to do is to keep going… that path is the journey life awaits… but you have to follow by its rules… and here are the three simple rules… one... you must accept what life gives you… and also what it takes from you… two… never think too much… cause we all don't get the answers to everything… three… is to just deal with it… you create what life gives you, you don't run it… look at my feet… they are worn from all the rocks i had to walk on… but it has dirt that nourished life all the years… look at my hands… yes they are small but look closely… they are torn from climbing… life can try to put a blockage in your path… but all you can do is to climb that blockage… and say is that all… look in my eyes… they seen so many things… things i loss and gained… full of wonder… but if you look closer… you can see a fire burning so bright… i am determined to see beyond my journey… i am being created… creating my life in my own way… and we all have goals… but we all want to achieve a broad goal… that is the peak… but the main goal is to finish your path… the path life put you in… the path that leads to.... nothing for right now cause we haven't made it yet… but it said to be true… the foot of the mountain is a new beginning… we can't stand without a foot… so the question is… how are you going to stand at the peak to oversee the view when you didn't care so much about the foot?

Then Almitra spoke, saying, "We would ask now of Death." And he said: You would know the secret of death. But how shall you find it unless you seek it in the heart of life? The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light. If you would indeed behold the spirit of death, open your heart wide unto the body of life. For life and death are one, even as the river and the sea are one. In the depth of your hopes and desires lies your silent knowledge of the beyond; And like seeds dreaming beneath the snow your heart dreams of spring. Trust the dreams, for in them is hidden the gate to eternity. Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour. Is the sheered not joyful beneath his trembling, that he shall wear the mark of the king? Yet is he not more mindful of his trembling? For what is it to die but to stand naked in the wind and to melt into the sun? And what is to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered? Only when you drink from the river of silence shall you indeed sing. And when you have reached the mountain top, then you shall begin to climb. And when the earth shall claim your limbs, then shall you truly dance.

you to take part in an illegal secret Defense Against the Dark Arts group. She says you’ll be expelled for sure and your future will be ruined. She says there will be plenty of time to learn how to defend yourself later and that you are too young to be worrying about that right now. She also” — Sirius’s eyes turned to the other two — “advises Harry and Hermione not to proceed with the group, though she accepts that she has no authority over either of them and simply begs them to remember that she has their best interests at heart. She would have written all this to you, but if the owl had been intercepted you’d all have been in real trouble, and she can’t say it for herself because she’s on duty tonight.

When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?'' ``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.'' ``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?'' ``I know. I was plagued with them too. Rabbits in waistcoats.'' ``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.'' ``On the raft.'' ``On the raft. And a boy was sitting on the raft.'' ``Among the rabbits in waistcoats and the owls and the reindeer.'' ``Precisely there. A boy of the cheery gypsy ragamuffin variety.'' ``Ugh.'' ``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time. ``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.'' She shrugged. ``Good story?'' she said. ``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.'' Fenchurch laughed and hugged her legs. ``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.

Build, Build, Build has been the target of fake news, trolls, and critics. They have tried to redefine it far from its scope — and in their “proud, most credible voice” — report it as truth. Are they confused or just simply cunning? During the upcoming elections, many will try to discredit the accomplishments of 6.5 million construction workers. They will say that what we have completed is not enough, that there could have been many things that we could have done still, or that we never really worked at all. Allow me to say — if you are reading this, and you’re part of the Build, Build, Build team - without you, we wouldn’t have been able to build 29,264 kilometers of roads, 5,950 bridges, 11,340 flood control projects, 222 evacuation centers, 150,149 classrooms, 214 airport projects, and 451 seaport projects.

Children, now we shall try to write a capital letter L,” I say and go to the blackboard. “Ten lines of L’s, then five lines of Lina, and five lines of Larch.” I write out the words slowly with chalk. A shuffling and rustling begins behind me. I expect to find that they are laughing at me and turn around. But it is only the notebooks being opened and the slates put in readiness. The forty heads are bent obediently over their task. —I am almost surprised. The slate pencils are squeaking, the pens scratching. I pass to and fro between the forms. On the wall hangs a crucifix, a stuffed barn owl and a map of Europe. Outside the windows the clouds drive steadily by, swift and low. The map of Germany is coloured in brown and green. I stop before it. The frontiers are hatched in red, and make a curious zigzag from top to bottom. Cologne—Aachen, there are the thin black lines marking the railways; Herbesthal, Liège, Brussels, Lille—I stand on tiptoe—Roubaix, Arras, Ostend—Where is Mount Kemmel then? It isn’t marked at all; but there is Langemarck, Ypres, Bixschoote, Staden. How small they are on the map—tiny points only, secluded, tiny points—and yet how the heavens thundered and the earth raged there on the 31st of July when the Big Offensive began and before nightfall we had lost every officer. I turn away and survey the fair and dark heads bending zealously over the words, Lina and Larch. Strange—for them those tiny points on the map will be no more than just so much stuff to be learned—a few new place names and a number of dates to be memorized by note in the history lesson—like the Seven Years’ War or some battle against the Romans. A

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

Christopher Robin [In April of 1996 the international press carried the news of the death, at age seventy-five, of Christopher Robin Milne, immortalized in a book by his father, A.A. Milne, Winnie-the-Pooh, as Christopher Robin.] I must think suddenly of matters too difficult for a bear of little brain. I have never asked myself what lies beyond the place where we live, I and Rabbit, Piglet and Eeyore, with our friend Christopher Robin. That is, we continued to live here, and nothing changed, and I just ate my little something. Only Christopher Robin left for a moment. Owl says that immediately beyond our garden Time begins, and that it is an awfully deep well. If you fall in it, you go down and down, very quickly, and no one knows what happens to you next. I was a bit worried about Christopher Robin falling in, but he came back and then I asked him about the well. 'Old bear,' he answered. 'I was in it and I was falling and I was changing as I fell. My legs became long, I was a big person, I grew old, hunched, and I walked with a cane, and then I died. It was probably just a dream, it was quite unreal. The only real thing was you, old bear, and our shared fun. Now I won't go anywhere, even if I'm called in for an afternoon snack.

Your grandfather should not be allowed on social media,” Caroline went on. “He just did a quick and dirty post asking if anyone wanted to go owling with him, and never noticed that autocorrect changed ‘owling’ to ‘bowling.’ And before I noticed it and posted a correction, several dozen people signed up.” “Good grief,” I muttered. “And once I corrected it, we started hearing from any number of people saying how deeply disappointed they were about our canceling the bowling—as if you could cancel something that wasn’t even scheduled in the first place. So he told me to go ahead and organize some kind of bowling event. Open to anyone in the Brigade, no cost, but donation to one of the Blake Foundation’s environmental projects suggested. Brigade members love events like that. We’re sure to get way more donations than it costs to rent a few bowling lanes. Now I just need to figure out how to deal with his other typo, which won’t be quite as easy.” “Why?” I asked. “What was the other typo?” “He intended to say that we’d wrap up the event by singing around a campfire,” Caroline said. “I have no idea why autocorrect changed ‘campfire’ to ‘vampire.’ Or why anyone would suppose he’d be planning to serenade one. Am I really expected to provide a vampire on top of the bowling?

Last Night My Soul Cried O Exalted Sphere Of Heaven Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly. “Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning; “Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham. “In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.” Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell? “In his hand earth is as wax, he makes it Zangi and Rumi , he makes it falcon and owl, he makes it sugar and poison. “He is hidden, friend, and has set us forth thus patent so that he may become concealed. “How should the ocean of the world be concealed under straws? The straws have been set adancing, the waves tumbling up and down’ “Your body is like the land floating on the waters of the soul; your soul is veiled in the body alike in wedding feast or sorrow. “In the veil you are a new bride, hot-tempered and obstinate; he is railing sweetly at the good and the bad of the world. “Through him the earth is a green meadow, the heavens are unresting; on every side through him a fortunate one pardoned and preserved. “Reason a seeker of certainty through him, patience a seeker of help through him, love seeing the unseen through him, earth taking the form of Adam through him. “Air seeking and searching, water hand-washing, we Messiah-like speaking, earth Mary-like silent. “Behold the sea with its billows circling round the earthy ship; behold Kaabas and Meccas at the bottom of this well of Zamzam!” The king says, “Be silent, do not cast yourself into the well, for you do not know how to make a bucket and a rope out of my withered stumps.

FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.

They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.