Over The Rainbow Bridge Quotes

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A bridge of silver wings stretches from the dead ashes of an unforgiving nightmare to the jeweled vision of a life started anew.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
Some of us have deeper feelings for one over another. It can’t be helped. It’s chemistry. It’s inherent. You can’t make yourself love someone you don’t and you can’t make yourself stop loving someone you do.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
True love is not practical. True love doesn’t always follow the rules. When you are truly in love, you can lose your mind over it.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Through love, tribes have been intermixing colors to reveal a new rainbow world. And as more time passes, this racial and cultural blending will make it harder for humans to side with one race, nation or religion over another.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
You wonder why you can’t see me, Sense me, feel me…? When you are outpouring your emotion, it is like me trying to climb up a waterfall To get to you. But if you are calm and have faith in me, I can sail right over to you On the still waters of your soul.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Sometimes people feel they need to control everything, as if they could! Matters of life and death are out of your hands. The more you come to realize this, the harder you try to prove that you can control SOMETHING, anything. All you can really control is your response to what happens. You cannot control matters of life or death and because of this you are not accountable. You cannot be held liable for anything that you have no power over. Guilt, shame and blame make no sense when circumstances are beyond your control.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Thunderheads were pouring toward them through the ragged teeth of the White Mountains, and Lisey counted seven dark spots where the high slopes had been smudged away by cauls of rain. Brilliant lightnings flashed inside those stormbags and between those two of them, connecting them like some fantastic fairy bridge, was a double rainbow that arched over Mount Cranmore in a frayed loophole of blue.
Stephen King (Lisey's Story)
You think the things you can touch and feel are the things that are real, but they are not. Over time, they all get old and decline. The people, the houses, the rocks and the mountains: one day they will all crumble. This is because they are not as real as the things that last forever. It is another one of the lessons we come to teach.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
With my limited understanding what I think happened was that God decided to play a fun game. He created a great experiment and BANG and Kapoof! He exploded into millions of trillions of little pieces and they are each one of them us, scattered all over the universe. This would mean that we are all pieces of each other. We all belong to each other. I am part of you, you are part of me, always have been, always will be. If you put us all together, well, maybe that is God.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
You can’t “make” someone your soul mate. You can try but it will always be very hard work. Human relationships are hard even when they are easy, so it’s important to be in one with a soul mate. She felt she could learn to love Shane; that she might grow to love him over time. She always felt she could make her mind up and then accomplish anything, but the heart and the mind have different agendas. If she was going to try to make this relationship work, it had to come from her heart, not from ‘making up her mind’. You don’t have to “try” to be anything when you are with your soul mate because they are looking for who you are, not for who you are trying to be.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Another form of bargaining, which many people do, and she did too, is to replay the final painful moments over and over in her head as if by doing so she could eventually create a different outcome. It is natural to replay in your mind the details. Deep in your heart you know what is true. Your mouth speaks the words, “My cat has died,” but you still don’t really want to believe it. You go over and over and over it in your mind. Your heart replays the scene for you for the express purpose of teaching you to accept what has happened. While your heart tries to “rewire” your mind to accept it, your mind keeps looking for a different answer. It doesn’t like the truth. Like anything else, when you hear it enough, you finally accept that it is true.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Imagine you’re having the best day of your life. Sunshine, rainbows and everything pretty. There is a halo over your head, and the weather is absolutely perfect—not too hot, nor too cold. And then, out of nowhere, a bird shits on you. That’s how Scarlet Bridge looked at me.
Hasnita Singh (Get You the Moon)
He introduced me to want, the gateway drug. He introduced me to my body. Made me unafraid of it. I fell in love with him, with mornings making coffee in his small Chelsea apartment, days in plush bathrobes talking books and philosophy, going out to dinner at the best hole-in-the-wall spots (he knew them all) and taking long walks over the Brooklyn Bridge at night, eating truck ice cream on the waterfront. Kissing with rainbow sprinkles in our teeth.
Rachel Harrison (The Return)
The rays of the moon seemed to search the very bottom of the profound gulf; but still I could make out nothing distinctly, on account of a thick mist in which everything there was enveloped, and over which there hung a magnificent rainbow, like that narrow and tottering bridge which Musselmen say is the only pathway between Time and Eternity. This mist, or spray, was no doubt occasioned by the clashing of the great walls of the funnel, as they all met together at the bottom-but the yell that went up to the Heavens from out of that mist, I dare not attempt to describe.
Edgar Allan Poe (The Complete Tales and Poems of Edgar Allan Poe (Bonded Leather Edition))
The Legend of Rainbow Bridge by William N. Britton Just this side of heaven is a place called Rainbow Bridge When a pet dies who has been especially close to a person here on earth, that pet goes to a Rainbow Bridge. There are beautiful meadows and grassy hills there for all our special friends so they can run and play together. There is always plenty of their favorite food to eat, plenty of fresh spring water for them to drink, and every day is filled with sunshine so our little friends are warm and comfortable. All the pets that had been ill or old are now restored to health and youth. Those that had been hurt or maimed are now whole and strong again, just as we remember them in our dreams of days gone by. The pets we loved are happy and content except for one small thing. Each one misses someone very special who was left behind. They all run and play together, but the day comes when one of them suddenly stops and looks off into the distant hills. It is as if they heard a whistle or were given a signal of some kind. Their eyes are bright and intent. Their body beings to quiver. All at once they break away from the group, flying like a deer over the grass, their little legs carrying them faster and faster. You have been spotted, and when you and your special friend finally meet, you hug and cling to them in joyous reunion, never to be parted again. Happy kisses rain upon your face. Your hands once again caress the beloved head. You look once more into the trusting eyes of your pet so long gone from your life, but never gone from your heart. Then with your beloved pet by your side, you will cross the Rainbow Bridge together. Your Sacred Circle is now complete again.
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
Thor looked out on the two great rolling rivers of cloud. It was a bad way for one to go, cold and suffocating. Yet if he went that way he could keep on his shoulder the hammer which he would not leave in another's charge. He stept out into the Cloud River that flowed by the Rainbow Bridge, and with his hammer upon his shoulder he went struggling on to the other river. Odin, Tyr, and Baldur were beside Urda's Well when Thor came struggling out of the Cloud River, wet and choking, but with his hammer still upon his shoulder. There stood Tyr, upright and handsome, leaning on his sword that was inscribed all over with magic runes; there stood Baldur, smiling, with his head bent as he listened to the murmur of the two fair swans; and there stood Odin All-Father, clad in his blue cloak fringed with golden stars, without the eagle-helmet upon his head, and with no spear in his hands.
Padraic Colum (THE CHILDREN OF ODIN: The Book of Northern Myths (Illustrated))
I call it the state where everyone, good and bad, is a poison-drinker: the state where everyone, good and bad, loses himself: the state where universal slow suicide is called — life. Just look at these superfluous people! They steal for themselves the works of inventors and the treasures of the wise: they call their theft culture — and they turn everything to sickness and calamity. Just look at these superfluous people! They are always ill, they vomit their bile and call it a newspaper. They devour one another and cannot even digest themselves. Just look at these superfluous people! They acquire wealth and make themselves poorer with it. They desire power and especially the lever of power, plenty of money — these impotent people! See them clamber, these nimble apes! They clamber over one another and so scuffle into the mud and the abyss. They all strive towards the throne: it is a madness they have — as if happiness sat upon the throne! Often filth sits upon the throne — and often the throne upon filth, too. They all seem madmen to me and clambering apes and too vehement. Their idol, that cold monster, smells unpleasant to me: all of them, all these idolaters, smell unpleasant to me. My brothers, do you then want to suffocate in the fumes of their animal mouths and appetites? Better to break the window and leap into the open air. Avoid this bad odour! Leave the idolatry of the superfluous! Avoid this bad odour! Leave the smoke of these human sacrifices! The earth still remains free for great souls. Many places — the odour of tranquil seas blowing about them — are still empty for solitaries and solitary couples. A free life still remains for great souls. Truly, he who possesses little is so much the less possessed: praised be a moderate poverty! Only there, where the state ceases, does the man who is not superfluous begin: does the song of the necessary man, the unique and irreplaceable melody, begin. There, where the state ceases — look there, my brothers. Do you not see it: the rainbow and the bridges to the Superman?
Friedrich Nietzsche (Thus Spoke Zarathustra)
AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
Other Books By Niki Behrikis Shanahan: The Rainbow Bridge: Pet Loss Is Heaven’s Gain Animal Prayer Guide Who Says Animals Go To Heaven? ANGELS Are Watching Over Us
Niki Behrikis Shanahan (There Is Eternal Life For Animals)
There is a Rainbow Bridge. It’s like dog heaven. We run and play and never get fat. The sun is always warm but not hot, the water is fresh and cold, and we get to just be dogs. We all take turns waiting. The bridge is a beautiful wooden structure that crosses over from dog land to the other side when our owners come. Time means nothing to us, which is hard for humans to understand.
Jennifer Probst (A Life Worth Living)
How many cats do you have?” Carly couldn’t help but ask. “Oh, only the three right now, the first three I showed you. These others, they’ve all gone over the Rainbow Bridge.” “The Rainbow Bridge?” Carly asked. “Kitty heaven,” Hazel whispered. “Oh. I’m sorry for your loss.” Carly corrected herself. “Losses.
Mariah Stewart (On Sunset Beach (Chesapeake Diaries. #8))