Out On A Limb Book Quotes

One travels long distances not solely for large gatherings, but for something more intangible. I have always gone out on a limb for love. A dangerous, romantic, disappointing way to live.

There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.

I'll tell you what you did with Atheists for about 1500 years. You outlawed them from the universities or any teaching careers, besmirched their reputations, banned or burned their books or their writings of any kind, drove them into exile, humiliated them, seized their properties, arrested them for blasphemy. You dehumanised them with beatings and exquisite torture, gouged out their eyes, slit their tongues, stretched, crushed, or broke their limbs, tore off their breasts if they were women, crushed their scrotums if they were men, imprisoned them, stabbed them, disembowelled them, hanged them, burnt them alive. And you have nerve enough to complain to me that I laugh at you.

Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done. And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.

It is often thought that medicine is the curative process. It is no such thing; medicine is the surgery of functions, as surgery proper is that of limbs and organs. Neither can do anything but remove obstructions; neither can cure; nature alone cures. Surgery removes the bullet out of the limb, which is an obstruction to cure, but nature heals the wound. So it is with medicine; the function of an organ becomes obstructed; medicine so far as we know, assists nature to remove the obstruction, but does nothing more. And what nursing has to do in either case, is to put the patient in the best condition for nature to act upon him.

She’s wearing bike shorts and a cute, oversized sweater with the word Velaris written across it. I think that’s from a favourite book of hers, but if I ask, we’ll never get out of here on time.

I wanted to write a book for anyone who’s let fear of failure slow them down. Not just for those of us who choose to have kids, or those of us who are disabled, but for anyone who’s been thrust into something new that took them so far out of their comfort zone they no longer recognised their past, afraid self.

When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.

Comic books,” Sarah says, snickering. “I’ve seen what you read on your Kindle. You’re in no place to judge.

But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.

Outside in the yard, Arsinoe follows Jules past the chicken coops as she and Camden stretch their sore limbs in the sun. Then she darts off into the woodpile. “What are you digging for?” Jules asks. “Nothing.” But Arsinoe returns with a book, brushing bits of bark off the soft green cover. She holds it up and Jules frowns. It is a book of poison plants, lifted discreetly from one of the shelves in Luke’s bookshop. “You shouldn’t be messing about with that,” Jules says. “And what if someone sees you with it?” “Then they’ll think I’m trying to get revenge, for what was done to you.” “That won’t work. Reading a book to out-poison the poisoners? You can’t even poison a poisoner, can you?” “Say ‘poison’ one more time, Jules.

I would not see our candle blown out in the wind. It is a small thing, this dear gift of life handed us mysteriously out of immensity. I would not have that gift expire... If I seem to be beating a dead horse again and again, I must protest: No! I am beating, again and again, living man to keep him awake and move his limbs and jump his mind... What's the use of looking at Mars through a telescope, sitting on panels, writing books, if it isn't to guarantee, not just the survival of mankind, but mankind surviving forever!

Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll— Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils? Did I break the king? He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter. I feel my limbs grow tight, my face grow hot, anger pooling into every muscle. “What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter. He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs. And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact? I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it. “I’ve an inclination to kill again,” I say, glaring at him. Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head. “My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!” I swallow, thoroughly confused. “You’re not going to hang me?” “Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.

Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

FAUSTUS. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damn'd perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente,172 lente currite, noctis equi! The stars move still, time runs, the clock will strike, The devil will come, and Faustus must be damn'd. O, I'll leap up to my God!—Who pulls me down?— See, see, where Christ's blood streams in the firmament! One drop would save my soul, half a drop: ah, my Christ!— Ah, rend not my heart for naming of my Christ! Yet will I call on him: O, spare me, Lucifer!— Where is it now? 'tis gone: and see, where God Stretcheth out his arm, and bends his ireful brows! Mountains and hills, come, come, and fall on me, And hide me from the heavy wrath of God! No, no! Then will I headlong run into the earth: Earth, gape! O, no, it will not harbour me! You stars that reign'd at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus, like a foggy mist. Into the entrails of yon labouring cloud[s], That, when you173 vomit forth into the air, My limbs may issue from your smoky mouths, So that my soul may but ascend to heaven! [The clock strikes the half-hour.] Ah, half the hour is past! 'twill all be past anon O God, If thou wilt not have mercy on my soul, Yet for Christ's sake, whose blood hath ransom'd me, Impose some end to my incessant pain; Let Faustus live in hell a thousand years, A hundred thousand, and at last be sav'd! O, no end is limited to damned souls! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis, were that true, This soul should fly from me, and I be chang'd Unto some brutish beast!174 all beasts are happy, For, when they die, Their souls are soon dissolv'd in elements; But mine must live still to be plagu'd in hell. Curs'd be the parents that engender'd me! No, Faustus, curse thyself, curse Lucifer That hath depriv'd thee of the joys of heaven. [The clock strikes twelve.] O, it strikes, it strikes! Now, body, turn to air, Or Lucifer will bear thee quick to hell! [Thunder and lightning.] O soul, be chang'd into little water-drops, And fall into the ocean, ne'er be found! Enter DEVILS. My God, my god, look not so fierce on me! Adders and serpents, let me breathe a while! Ugly hell, gape not! come not, Lucifer! I'll burn my books!—Ah, Mephistophilis! [Exeunt DEVILS with FAUSTUS.]

A minute later, he adds, you okay? Like even from separate rooms, with multiple screens between us, he is reading my mood. The thought sends a strange hollow ache out through my limbs. Something like loneliness. Something like Ebenezer Scrooge watching his nephew Fred’s Christmas party through the frosty window. An outsideness made all the more stark by the revelation of insideness. All I really want is to go perch on the edge of Charlie’s desk and tell him everything, make him laugh, let him make me laugh until nothing feels quite so pressing.

I drop into my chair, breathe in, let it out. Even now, with so many years gone, the memories are tricky. Like the ache of a phantom limb, the source of the pain may be gone, but the reminder of what’s been lost, so sudden and so keen, takes me unaware. I sit with that pain a moment, waiting for it to fade. Afternoon

Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

On the right nightstand, there’s a collection of what, at first glance, someone could mistake for dirty magazines. But they’re actually— “Comic books,” Sarah says, snickering. “I’ve seen what you read on your Kindle. You’re in no place to judge.

The thought sends a strange hollow ache out through my limbs. Something like loneliness. Something like Ebenezer Scrooge watching his nephew Fred’s Christmas party through the frosty window. An outsideness made all the more stark by the revelation of insideness.

Smith echoes the famous appeal of W.E.B. Du Bois to the human bond in books that ignores the veil of racial prejudice: I sit with Shakespeare and he winces not. Across the color line I move arm and arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of evening that swing between the strong limbed earth and the tracery of the stars, I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn or condescension. So, wed with Truth, I dwell above the Veil.64 Committed to a goal (Truth) beyond what mere social life might offer, Du Bois finds in books a human community open to him in a way that his local human communities are not, riven as they are by segregation and hatred. Instead, on the basis of common humanity and common concern for truth, the dead authors welcome Du Bois into their company.

Bunny crawls on hands and feet into the bathroom. Her limbs bend at acute angles as her writhing jaw juts forward […] Bunny crawls closer. Rose can just make out her form in the near-darkness. Bunny’s jaw snaps as if dislocating. Rose’s eyes trace the prominent bumps on Bunny’s back – vertebrae, which look disturbingly close to slicing her anorexic back.

What seemed to interest and absorb her most was that all that filth, all that chaos of broken limbs and dug-out eyes and split heads was then covered—literally covered—by a church dedicated to San Giovanni Battista and by a monastery of Augustinian hermits who had a valuable library. Ah, ah—she laughed—underneath there’s blood and above, God, peace, prayer, and books.

I reached out to gently touch the bundle of girl and blanket, my hand gently rested on what could have been a shoulder. “Sophia, are you okay?” I asked softly. The bundle exploded into motion, a tangle of limbs and fabric pulled away from me rapidly, flows of earth touched magic flickering throughout, and she fell off the bed. I made a point not to laugh. “Oww” her voice softly moaned. She wiggled out of the blankets.

The night draws to an end, the dream dims in the pale silver of awakening. Kruppe ceases, weary beyond reason. Sweat drips down the length of his ratty beard, his latest affectation. A bard sits, head bowed, and in a short time he will say thank you. But for now he must remain silent, and as for the other things he would say, they are between him and Kruppe and none other. Fisher sits, head bowed. While an Elder God weeps. The tale is spun. Spun out. Dance by limb, dance by word. Witness!

He couldn’t bear to live, but he couldn’t bear to die. He couldn’t bear the thought of her making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn’t bear to keep it, but he couldn’t bear to destroy it either. So he tried to lose it. He left it by the wax-weeping candle holders, placed it between matzos every Passover, dropped it without regard among rumpled papers on his cluttered desk, hoping it wouldn’t be there when he returned. But it was always there. He tried to massage it out of his pocket while sitting on the bench in front of the fountain of the prostrate mermaid, but when he inserted his hand for his hanky, it was there. He hid it like a bookmark in one of the novels he most hated, but the note would appear several days later between the pages of one of the Western books that he alone in the shtetl read, one of the books that the note had now spoiled for him forever. But like his life, he couldn’t for the life of him lose the note. It kept returning to him. It stayed with him, like a part of him, like a birthmark, like a limb, it was on him, in him, him, his hymn: I had to do it for myself.

He smiled. “Go and stretch your wings.” I don’t know why, but his words made me want to cry. I saw no cybernetic limbs, mutations, alterations, additions, or subtractions on Lurrenz. He was just a man. He was like the people I met on my way to Ghana. He accepted what I was as if it were normal. He gazed at me but didn’t stare. His world was big and there was room for me. Saeed took my hand as I slowly got out and came around to the driver’s window. “Thank you,” I said to Lurrenz. He took my free hand. “Jah will protect you.” Then he kissed my hand and let us go. I felt like I’d been blessed.

The Bear’s Mouth is our death,’ said Heinrich, letting his voice rise, ‘we give our lives to Rowanoco if he gives us vengeance in return. If two hundred honourable men...’ he looked at Halla, ‘and women of Fjorlan have a place in the ice halls beyond the world...’ The company was as one, looking at the novice with wild eyes and rapt attention. ‘Then let us die with our enemies’ blood on our faces and their hearts in our hands.’ A low growling cheer began to form. ‘I pledge to you all that death is our right and we will take it... we will rip it from the limbs of any man foolish enough to face us.’ Heinrich’s voice grew louder with the accompaniment of two hundred warriors snarling into the air. Halla felt her breathing quicken. ‘We are the chosen of the Ice Giants. We are the instruments of death for those betrayers... and we will... not... fear...’ The last words came out at the top of Heinrich’s voice and he spat with the emotion he experienced at delivering the words of the Order of the Hammer. The company roared their agreement and the sound carried far in the cold air of Hammerfall, hanging for a moment over the funeral pyres, as each man pledged his death in the fight against Rulag the Betrayer.

There is a good deal of the Nietzschean standpoint in this verse. It is the evolutionary and natural view. Of what use is it to perpetuate the misery of tuberculosis, and such diseases, as we now do? Nature's way is to weed out the weak. This is the most merciful way, too. At present all the strong are being damaged, and their progress hindered by the dead weight of the weak limbs and the missing limbs, the diseased limbs and the atrophied limbs. The Christians to the Lions! Our humanitarianism, which is the syphilis of the mind, acts on the basis of the lie that the King must die. The King is beyond death; it is merely a pool where he dips for refreshment. We must therefore go back to Spartan ideas of education; and the worst enemies of humanity are those who wish, under the pretext of compassion, to continue its ills through the generations. The Christians to the Lions! Let weak and wry productions go back into the melting-pot, as is done with flawed steel castings. Death will purge, reincarnation make whole, these errors and abortions. Nature herself may be trusted to do this, if only we will leave her alone. But what of those who, physically fitted to live, are tainted with rottenness of soul, cancerous with the sin-complex? For the third time I answer: The Christians to the Lions! Hadit calls himself the Star, the Star being the Unit of the Macrocosm; and the Snake, the Snake being the symbol of Going or Love, the Dwarf-Soul, the Spermatozoon of all Life, as one may phrase it. The Sun, etc., are the external manifestations or Vestures of this Soul, as a Man is the Garment of an actual Spermatozoon, the Tree sprung of that Seed, with power to multiply and to perpetuate that particular Nature, though without necessary consciousness of what is happening. (―New Comment on Liber AL vel Legis III:48)

Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 

As a girl, it had been firmly set down that one ought never speak until one was spoken to, and when one did, one ought not speak of anything that might provoke or worry. One referred to the limb of the table, not the leg, the white meat on the chicken, not the breast. Good manners were the foundations of civilization. One knew precisely with whom one sat in a room based entirely on how well they behaved, and in what manner. Forks and knives were placed at the ten-twenty on one's plate when one was finished eating, One ought to walk straight and keep one's hands to oneself when one s poke, least one be taken for an Italian or Jew. A woman was meant to tend a child, a garden, or a conversation. A woman ought to know how to mind the temperature in a room, adding a little heat in a well-timed question, or cool a warm temper with the suggestion of another drink, a bowl of nuts, and a smile. What Kitty had learned at Miss Porter's School---handed down from Sarah Porter through the spinsters teaching there, themselves the sisters of Yale men who handed down the great words, Truth. Verity. Honor--was that your brothers and your husbands and your sons will lead, and you will tend., You will watch and suggest, guide and protect. You will carry the torch forward, and all to the good. There was the world. And one fixed an eye keenly on it. One learned its history; one understood the causes of its wars. One debated and, gradually, a picture emerged of mankind over the centuries; on understood the difference between what was good and what was right. On understood that men could be led to evil, against the judgment of their better selves. Debauchery. Poverty of spirit. This was the explanation for so many unfortunate ills--slavery, for instance. The was the reason. Men, individual men, were not at fault. They had to be taught. Led. Shown by example what was best. Unfairness, unkindness could be addressed. Queitly. Patiently.. Without a lot of noisy attention. Noise was for the poorly bred. If one worried, if one were afraid, if one doubted--one kept it to oneself. One looked for the good, and one found it. The woman found it, the woman pointed it out, and the man tucked it in his pocket, heartened. These were the rules.

You may be wondering why you have been brought before me," said Mistress Wick without preamble. "Here in the Royal Library, even the position of maidservant is a great responsibility. We cannot let just anyone enter our halls." "Yes, Mistress Wick," Elisabeth said, sitting petrified in front of the desk. "It is also a dangerous job. During my time as Deputy Director, several servants have been killed. Others have lost limbs, or sense, or even their minds. So I must ask--why do you wish to work in a Great Library, of all places?" "Because I . . . " Elisabeth swallowed, and decided to be as honest as she could. "Because I belong here," she blurted out. "Because there's something I must find, and I can only find it here, among the books." "What is it you wish to find?" This time, she spoke without hesitation. "The truth.

Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.

History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.

At the banquet were present the Khān’s jugglers, the chief of whom was ordered to shew some of his wonders. He then took a wooden sphere, in which there were holes, and in these long straps, and threw it up into the air till it went out of sight, as I myself witnessed, while the strap remained in his hand. He then commanded one of his disciples to take hold of, and to ascend by, this strap, which he did until he also went out of sight. His master then called him three times, but no answer came: he then took a knife in his hand, apparently in anger, which he applied to the strap. This also ascended till it went quite out of sight: he then threw the hand of the boy upon the ground, then his foot; then his other hand, then his other foot; then his body, then his head. He then came down, panting for breath, and his clothes stained with blood. The man then kissed the ground before the General, who addressed him in Chinese, and gave him some other order. The juggler then took the limbs of the boy and applied them one to another: he then stamped upon them, and it stood up complete and erect. I was astonished, and was seized in consequence by a palpitation at the heart: but they gave me some drink, and I recovered. The judge of the Mohammedans was sitting by my side, who swore, that there was neither ascent, descent, nor cutting away of limbs, but the whole was mere juggling.

Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…

Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

DEAR CHILD Please to fancy, if you can, that you are reading a real letter, from a real friend whom you have seen, and whose voice you can seem to yourself to hear wishing you, as I do now with all my heart, a happy Easter. Do you know that delicious dreamy feeling when one first wakes on a summer morning, with the twitter of birds in the air, and the fresh breeze coming in at the open window – when, lying lazily with eyes half-shut, one sees as in a dream green boughs waving, or water rippling in a golden light? It is a pleasure very near to sadness, bringing tears to one’s eyes like a beautiful picture or poem. And is not that a Mother’s gentle hand that undraws your curtains, and a Mother’s sweet voice that summons you to rise? To rise and forget, in the bright sunlight, the ugly dreams that frightened you so when all was dark – to rise and enjoy another happy day, first kneeling to thank that unseen Friend, who sends you the beautiful sun? Are these strange words from a writer of such tales as ‘Alice’? And is this a strange letter to find in a book of nonsense? It may be so. Some perhaps may blame me for thus mixing together things grave and gay; others may smile and think it odd that any one should speak of solemn things at all, except in church and on Sunday: but I think – nay, I am sure – that some children will read this gently and lovingly, and in the spirit of which I have written it. For I do not believe God means us thus to divide life into two halves – to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures, and to hear only tones of prayer – and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll among the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the ‘dim religious light’ of some solemn cathedral? And if I have written anything to add to those stories of innocent and healthy amusement that are laid up in books for the children I love so well, it is surely something I may hope to look back upon without shame and sorrow (as how much of life must then be recalled!) when my turn comes to walk through the valley of shadows. This Easter sun will rise on you, dear child, feeling your ‘life in every limb’, and eager to rush out into the fresh morning air – and many an Easter-day will come and go, before it finds you feeble and gray-headed, creeping wearily out to bask once more in the sunlight – but it is good, even now, to think sometimes of that great morning when the ‘Sun of Righteousness shall arise with healing in his wings’. Surely your gladness need not be less for the thought that you will one day see a brighter dawn than this – when lovelier sights will meet your eyes than any waving trees or rippling waters – when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day – and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past! Your affectionate friend, LEWIS CARROLL Easter, 1876

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.

One of the more interesting work-alignment tactics I came across while writing this book was that of Sheryl Woodhouse-Keese, who owns an earth-friendly stationery outfit called Twisted Limb Paperworks in Bloomington, Indiana. Woodhouse-Keese put her headquarters on a ten-acre farm (her house is at the other end), and started growing tomatoes, cucumbers, peppers, herbs, melons, and so forth. But, of course, there turned out to be a huge overlap between people who wanted to work at a recycled paper stationery company, and people who are interested in small scale, sustainable agriculture. So, quickly, the farm “turned from my personal garden into an employee garden,” Woodhouse-Keese says. Now, many Twisted Limb Paperworks employees take their breaks in the garden while pulling weeds, and load up bags of produce into their trunks rather than stopping by the grocery store on the way home. While the employees don’t necessarily use the garden as a social outlet or place for meetings (as Woodhouse-Keese points out, it gets hot in the summer), its existence lets everyone fit gardening into their lives in a way that might not otherwise be possible given how busy employees at small businesses tend to be.

Probably avoid the soft cheeses, though,” Bo says, holding up a finger before using it to scratch his ear. “You know, anything unpasteurised.” I stare at him funny. “It was in the baby book… no soft cheeses.

It must have been made by a man,” I say, dropping a book titled First-Time Dad onto his pile with a not-so-subtle thud, “if it took them nine tries to figure out how to properly please a woman.” Bo’s tongue pushes against the side of his cheek as he nods, an arrogant gleam in his eye returning. “Not all men need nine chances, if I remember correctly.” He moves the chocolates that I had allocated to his pile back to mine, leaning closer. “Some of us only needed one,” he whispers.

It is a reason why so many who seek holiness or spiritual improvement impose on themselves a strict austerity. And it is why schools and colleges used to emulate the ways of monasteries. The first Christian hermits and monastics who practiced extreme austerity in the desert saw themselves as emulating Jesus during his sojourn in the wilderness. Once monastic life became institutionalized, removing oneself from carnal temptation was a major reason why religiously minded individuals would choose to take vows. The Rule of St. Benedict, set down around the year 530, included commitments to poverty, humility, chastity, and obedience, and this became the paradigm for most Christian monastic orders. The vow of poverty generally involved renouncing all individual property, although the monastic community was allowed to hold property, and of course some monasteries eventually became quite wealthy. But the lifestyle of most monks in the Middle Ages was kept deliberately austere. Here is how Aelred of Rievaulx, writing in the twelfth century, describes it: Our food is scanty, our garments rough, our drink is from the streams and our sleep upon our book. Under our tired limbs there is a hard mat; when sleep is sweetest we must rise at a bell’s bidding. . . . self-will has no scope; there is no moment for idleness or dissipation.4 Strict precautions to eliminate the possibility of sexual encounters, regular searches of dormitories to ensure that no one was hoarding personal property, a rigid and arduous daily routine to occupy to the full one’s physical and mental energy: by means of this sort monasteries and convents did their best to provide a temptation-free environment. More than a trace of the same thinking lay behind the preference for isolated rural locations among those who sought to establish colleges in nineteenth-century America. Sometimes the argument might be conveyed subtly by a brochure picturing the college surrounded by nothing but fields, woods, and hills, an image that also appealed to the deeply rooted idea that the land was a source of virtue.5 But it was also put forward explicitly. The town of North Yarmouth sought to persuade the founders of Bowdoin College of its advantageous location by pointing out that it was “not so much exposed to many Temptations to Dissipation, Extravagance, Vanity and Various Vices as great seaport towns frequently are.”6 And the 1847 catalog of Tusculum College, Tennessee, noted that its rural situation “guards it from all the ensnaring and demoralizing influences of a town.”7 Needless to say, reassurances of this sort were directed more at the fee-paying parents than at the prospective students. One should also add that not everyone took such a positive view of the rural campus. Some complained that life far away from urban civilization fostered vulgarity, depravity, licentiousness, and hy

Do Magic’s Lakers win five titles with Jordan before Jordan thriving in Denver and Walton’s feet holding up in Portland? I’m going out on a limb and saying no. What a shame.

James settled down to the film. He got a shock when he noticed Nicole and Junior had their arms around each other and an even bigger one a minute later when they started snogging. They were all over each other. Nicole’s leg was up in the air and James kept getting kicked. He got up and moved down two seats so he was sitting on the opposite side of April, away from any flailing limbs. “They’re getting on well,” April grinned. She grinned for a long time. James watched half a minute of the film and she was still grinning at him. He realized the girls had planned an ambush. Nicole already knew Junior fancied her because he’d asked her out before. James felt like he’d been hooked on a line and reeled in, but he checked April out and realized that as traps go, it wasn’t a bad one. April was decent-looking, with long brown hair and fit legs. James slid his hand under the armrest and put it on top of April’s. She twisted in her seat, so she could rest her head on James’s shoulder. James turned around, breathed April’s smell and kissed her on the cheek while she grabbed a few of his Maltesers. They stayed that way for a couple of minutes, until April moved away and blew chocolate breath over him. “So,” she whispered. “Are you gonna snog me or what?” James figured, “What the hell, it’s my birthday.” They snogged for ten minutes, breaking up when the movie got near the end and turned into a big car chase and punch-up that was actually worth watching.

13 O that ye would awake; awake from a deep sleep, yea, even from the sleep of hell, and shake off the awful chains by which ye are bound, which are the chains which bind the children of men, that they are carried away captive down to the eternal gulf of misery and woe. 14 Awake! and arise from the dust, and hear the words of a trembling parent, whose limbs ye must soon lay down in the cold and silent grave, from whence no traveler can return; a few more days and I go the way of all the earth. 15 But behold, the Lord hath redeemed my soul from hell; I have beheld his glory, and I am encircled about eternally in the arms of his love. 16 And I desire that ye should remember to observe the statutes and the judgments of the Lord; behold, this hath been the anxiety of my soul from the beginning. 17 My heart hath been weighed down with sorrow from time to time, for I have feared, lest for the hardness of your hearts the Lord your God should come out in the fulness of his wrath upon you, that ye be cut off and destroyed forever;

I nodded as his nails pricked my skin. Ig’Morruthens were strong and almost impossible to kill—almost. We all had a weakness, one thing that would destroy us. The trick was trying to figure it out before we ripped you to pieces. I had been decapitated, lost limbs that grew back, and even had my neck snapped, but none of it had killed me. The only thing that had not been destroyed was my heart. So, through the process of elimination, we had deduced that I would die if my heart were removed from my body. My stupid mortal heart was my weakness.

I wanted to write a book for anyone who’s let fear of failure slow them down.

She’s wearing leggings and a cute, oversized sweater with the word Velaris written across it. I think that’s from a favorite book of hers, but if I ask, we’ll never get out of here on time.

I pull out the father-to-be book Sarah gave him, now annotated with notes in the margins and flagged pages with bright pink tabs. I flick through it, realising that he’s left notes to the baby amongst the pages. Telling them how excited he is for every stage. How much he can’t wait to meet them. Your mom is doing such a good job at growing you, I read. She’s going to be an incredible mom.

She’s wearing bike shorts and a cute, oversized sweater with the word Velaris written across it. I think that’s from a favourite book of hers,

It's the whistling," Laila said to Tariq, "the damn whistling, I hate more than anything" Tariq nodded knowingly. It wasn't so much the whistling itself, Laila thought later, but the seconds between the start of it and impact. The brief and interminable time of feeling suspended. The not knowing. The waiting. Like a defendant about to hear the verdict. Often it happened at dinner, when she and Babi were at the table. When it started, their heads snapped up. They listened to the whistling, forks in mid-air, unchewed food in their mouths. Laila saw the reflection of their half-lit faces in the pitch-black window, their shadows unmoving on the wall. The whistling. Then the blast, blissfully elsewhere, followed by an expulsion of breath and the knowledge that they had been spared for now while somewhere else, amid cries and choking clouds of smoke, there was a scrambling, a barehanded frenzy of digging, of pulling from the debris, what remained of a sister, a brother, a grandchild. But the flip side of being spared was the agony of wondering who hadn't. After every rocket blast, Laila raced to the street, stammering a prayer, certain that, this time, surely this time, it was Tariq they would find buried beneath the rubble and smoke. At night, Laila lay in bed and watched the sudden white flashes reflected in her window. She listened to the rattling of automatic gunfire and counted the rockets whining overhead as the house shook and flakes of plaster rained down on her from the ceiling. Some nights, when the light of rocket fire was so bright a person could read a book by it, sleep never came. And, if it did, Laila's dreams were suffused with fire and detached limbs and the moaning of the wounded. Morning brought no relief. The muezzin's call for namaz rang out, and the Mujahideen set down their guns, faced west, and prayed. Then the rugs were folded, the guns loaded, and the mountains fired on Kabul, and Kabul fired back at the mountains, as Laila and the rest of the city watched as helpless as old Santiago watching the sharks take bites out of his prize fish.

Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask. “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals, and--” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all--” She broke off and frowned. “Why are you laughing at me?” Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m…I’m not laughing at you.” “You are!” “No I’m not. It’s just…” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels…” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.” That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. “What is so amusing about fornicating squirrels?” Beatrix asked irritably. By this time he had gone into near apoplexy. “No more,” he gasped. “Please.” “I gather it’s not the same for people,” Beatrix said with great dignity, inwardly mortified. “They don’t go about it the same way that animals do?” Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. “Yes. No. That is, they do, but…” “But you don’t prefer it that way?” Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. “I do. I’m quite enthusiastic about it, actually. But it’s not right for your first time.” “Why not?” Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, “Shall I show you?” Beatrix was transfixed. Taking her stillness as assent, he pressed her back and moved over her slowly. He touched her with care, arranging her limbs, spreading them to receive him. A gasp escaped her as she felt his hips settle on hers. He was aroused, a thick pressure fitting against her intimately. Bracing some of his weight on his arms, he looked down into her reddening face. “This way,” he said, with the slightest nudge, “…is usually more pleasing to the lady.” The gentle movement sent a jolt of pleasure through her. Beatrix couldn’t speak, her senses filled with him, her hips catching a helpless arch. She looked up at the powerful surface of his chest, covered with a tantalizing fleece of bronze-gold hair. Christopher lowered further, his mouth hovering just over hers. “Front to front…I could kiss you the entire time. And the shape of you would cushion me so sweetly…like this…” His lips took hers and coaxed them open, wringing heat and delight from her yielding flesh. Beatrix shivered, her arms lifting around his neck. She felt him all along her body, his warmth and weight anchoring her.

But if they’re all rigid and stiff, then how do they move at all? Ahhh, that’s where the joints come in. The stiff shells and tubes are jointed, and the muscles that move their bodies are attached to the insides of them. This gives them rigid bodies, but flexible, movable legs. The arthropod’s body is built in sections or segments, and pairs of limbs stick out from the side or the bottom of certain body segments. The typical insect, like an ant or beetle, has a head, thorax and abdomen, along with three pairs of leg segments, giving them six legs altogether. To move, each leg moves (from the ‘hip’ joint where it contacts the body) up, forward, back, then down in an alternating pattern, driving the insect forward.

Suddenly Fred closed his book and jumped to his feet. He pretended to be holding a microphone and facing a TV camera. "Hostiles broke out here in the early hours following a dispute over supplies," he said in a breathless reporter's voice. "The Red Cross have asked for a cease fire at ten-thirty to bury the dead, evacuate the wounded, and so that everyone can go to the loo. This is Fred Parsons in the war zone at Walnut Farm, handing you back to the studio.

It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6

Did my footman, Davis, make those pants for you?” Everett asked slowly. Lucetta continued wringing out her pants. “Of course, and he made the pants Millie’s wearing as well.” Millie suddenly found herself the recipient of Everett’s attention, attention that seemed to be lingering on her . . . limbs. To her relief, Lucetta regained his notice when she began speaking again. “I just have to add that Davis is one of the most charming footmen I’ve ever had the pleasure of meeting. Do you know that, even though he admitted he can’t swim a lick, he’s sitting out on the beach, keeping an eye on us?” She dropped her foot and smiled. “Bless his heart, I don’t know how much help he’d be if one of us did start to drown, but it’s very considerate of him to want to try.” “Yes, bless Davis’s all-too-charming heart,” Everett mumbled.

Before I met Rosie, I’d believed that a snake’s personality was rather like that of a goldfish. But Rosie enjoyed exploring. She stretched her head out and flicked her tongue at anything I showed her. Soon she was meeting visitors at the zoo. Children derived the most delight from this. Some adults had their barriers and their suspicions about wildlife, but most children were very receptive. They would laugh as Rosie’s forked tongue tickled their cheeks or touched their hair. Rosie soon became my best friend and my favorite snake. I could always use her as a therapist, to help people with a snake phobia get over their fear. She had excellent camera presence and was a director’s dream: She’d park herself on a tree limb and just stay there. Most important for the zoo, Rosie was absolutely bulletproof with children. During the course of a busy day, she often had kids lying in her coils, each one without worry or fear. Rosie became a great snake ambassador at the zoo, and I became a convert to the wonderful world of snakes. It would not have mattered what herpetological books I read or what lectures I attended. I would never have developed a relationship with Rosie if Steve hadn’t encouraged me to sit down and have dinner with her one night. I grew to love her so much, it was all the more difficult for me when one day I let her down. I had set her on the floor while I cleaned out her enclosure, but then I got distracted by a phone call. When I turned back around, Rosie had vanished. I looked everywhere. She was not in the living room, not in the kitchen, not down the hall. I felt panic well up within me. There’s a boa constrictor on the loose and I can’t find her! As I turned the corner and looked in the bathroom, I saw the dark maroon tip of her tail poking out from the vanity unit. I couldn’t believe what she had done. Rosie had managed to weave her body through all the drawers of the bathroom’s vanity unit, wedging herself completely tight inside of it. I could not budge her. She had jammed herself in. I screwed up all my courage, found Steve, and explained what had happened. “What?” he exclaimed, upset. “You can’t take your eyes off a snake for a second!” He examined the situation in the bathroom. His first concern was for the safety of the snake. He tried to work the drawers out of the vanity unit, but to no avail. Finally he simply tore the unit apart bare-handed. The smaller the pieces of the unit became, the smaller I felt. Snakes have no ears, so they pick up vibrations instead. Tearing apart the vanity must have scared Rosie to death. We finally eased her out of the completely smashed unit, and I got her back in her enclosure. Steve headed back out to work. I sat down with my pile of rubble, where the sink once stood.

Autism isn’t like Down Syndrome, where you’re born with specific physical features. At first glance, autistics seem “normal”. But their posture, motions and eyes often give away that something’s up. Autistic movements may include repetitive motions, clapping or flapping one’s hands or other so-called stims. Due to our lack of sensory integrations, many autistics have bad posture. We just can’t seem to construct one whole out of our many limbs. This might also be the reason why we bump into table corners more often than the average person, and regularly drop things.

Ani stood. “We came back here to beg your help, and before I even ask you’re waiting for me at the door.” “Don’t look so surprised,” said Enna. “You should know by now that the Forest grows ’em loyal. Does a pine kick a bird out of its limbs or the moss off its bark?” “Am I the moss on your bark, then?” said Ani. Enna grabbed her around her waist and shook her affectionately. “You’re the mossiest girl I know.

ON HIS KNEES, and with his chin level with the top of the table, Stephen watched the male mantis step cautiously towards the female mantis. She was a fine strapping green specimen, and she stood upright on her four back legs, her front pair dangling devoutly; from time to time a tremor caused her heavy body to oscillate over the thin suspending limbs, and each time the brown male shot back. He advanced lengthways, with his body parallel to the table-top, his long, toothed, predatory front legs stretching out tentatively and his antennae trained forwards: even in this strong light Stephen could see the curious inner glow of his big oval eyes. The female deliberately turned her head through forty-five degrees, as though looking at him. ‘Is this recognition?’ asked Stephen, raising his magnifying glass to detect some possible movement in her feelers. ‘Consent?’ The brown male certainly thought it was, and in three strides he was upon her; his legs gripped her wing-covers; his antennae found hers and began to stroke them. Apart from a vibratory, well-sprung quiver at the additional weight, she made no apparent response, no resistance; and in a little while the strong orthopterous copulation began. Stephen set his watch and noted down the time in a book, open upon the floor. Minutes passed. The male shifted his hold a little. The female moved her triangular head, pivoting it slightly from left to right. Through his glass Stephen could see her sideways jaws open and close; then there was a blur of movements so rapid that for all his care and extreme attention he could not follow them, and the male’s head was off, clamped there, a detached lemon, under the crook of her green praying arms. She bit into it, and the eye’s glow went out; on her back the headless male continued to copulate rather more strongly than before, all his inhibitions having been removed. ‘Ah,’ said Stephen with intense satisfaction, and noted down the time again. Ten minutes later the female took off three pieces of her mate’s long thorax, above the upper coxal joint, and ate them with every appearance of appetite, dropping crumbs of chitinous shell in front of her. The male copulated on, still firmly anchored by his back legs.

I am some kind of terrifying creature. Who ciuld love such a thing? All I want to do is tear you limb from limb and drink you dry." "Then I'll be a beautiful corpse loving you as I'm bleeding out.

It was as if the base of the mountain had been hollowed out by some massive digging beast, leaving a pit descending into the dark heart of the world. Around that gaping hole, carved into the mountain itself, spiralled level after level of shelves and books and reading areas, leading into the inky black. From what I could see of the various levels as I drifted toward the carved stone railing overlooking the drop, the stacks shot far into the mountain itself, like the spokes of a mighty wheel. And through it all, fluttering like moth's wings, the rustle of paper on parchment. Silent, and yet alive. Awake and humming and restless, some many-limbed beast at constant work. I peered upward, finding more levels rising toward the House above. And lurking far below... Darkness.

Distractions In Prayer Ah dearest Lord! I cannot pray, My fancy is not free; Unmannerly distractions come, And force my thoughts from Thee. The world that looks so dull all day Glows bright on me at prayer, And plans that ask no thought but then Wake up and meet me there. All nature one full fountain seems Of dreamy sight and sound, Which, when I kneel, breaks up its deeps, And makes a deluge round. Old voices murmur in my ear, New hopes start to life, And past and future gaily blend In one bewitching strife. My very flesh has restless fits; My changeful limbs conspire With all these phantoms of the mind My inner self to tire. I cannot pray; yet, Lord! Thou knowst The pain it is to me To have my vainly struggling thoughts Thus torn away from Thee. Sweet Jesus! teach me how to prize These tedious hours when I, Foolish and mute before Thy Face, In helpless worship lie. Prayer was not meant for luxury, Or selfish pastime sweet; It is the prostrate creature’s place At his Creator’s Feet. Had I, dear Lord! no pleasure found But in the thought of Thee, Prayer would have come unsought, and been A truer liberty. Yet Thou art oft most present, Lord! In weak distracted prayer: A sinner out of heart with self Most often finds Thee there. For prayer that humbles sets the soul From all illusions free, And teaches it how utterly, Dear Lord! it hangs on Thee. The heart, that on self-sacrifice Is covetously bent, Will bless Thy chastening hand that makes Its prayer its punishment. Holy Saviour! why should I complain And why fear aught but sin? Distractions are but outward things; Thy peace dwells far within. These surface-troubles come and go, Like rufflings of the sea; The deeper depth is out of reach To all, my God, but Thee. FREDERICK WILLIAM FABER, 1814-1863

Choosing to Grow Yourself I don’t believe in specific goals. Scott Adams famously said, “Set up systems, not goals.” Use your judgment to figure out what kinds of environments you can thrive in, and then create an environment around you so you’re statistically likely to succeed. The current environment programs the brain, but the clever brain can choose its upcoming environment. I’m not going to be the most successful person on the planet, nor do I want to be. I just want to be the most successful version of myself while working the least hard possible. I want to live in a way that if my life played out 1,000 times, Naval is successful 999 times. He’s not a billionaire, but he does pretty well each time. He may not have nailed life in every regard, but he sets up systems so he’s failed in very few places. [4] Remember I started as a poor kid in India, right? If I can make it, anybody can, in that sense. Obviously, I had all my limbs, my mental faculties, and I did have an education. There are some prerequisites you can’t get past. But if you’re reading this book, you probably have the requisite means at your disposal, which is a functioning body and a functioning mind. [78] If there’s something you want to do later, do it now. There is no “later.

AYA HAD TOLD OF the beginning of the world. She had been as fire in the void, twisting, churning, wanting to form. Over time she had taken shape, and it had hurt. Nemours knew how much, but Mother described it also as a joy. To become. From particles burning and melding she had grown into a great dragon, rough-hewn by the collisions of time. Sharp eyes watching the darkness, fire now her breath. The fire, raging alone, had made clouds, and the clouds made rain. The rain had fallen, sweet, and made a sea. The rain had turned salty with her tears and made more seas. And from that fire and rain and the very dust of stars Father had formed. Or so she liked to say. She described Virso coming together, shaped already like a man. The most beautiful of creatures, with the coldness of the moon on his skin, asleep still in the ether. So enamored was she that she had retreated into her own body and remade herself in his likeness. The dragon had hardened and cracked, and she had emerged from it with long limbs, awkward for a while, and reached for him. The body, empty, had fallen from her and into the sea. Aya had taken Virso by the hand and breathed fire and life into him. Their passion had begun. Beneath them, the gigantic dragon body in the water had petrified and become the world. Or so she liked to tell. It had always been difficult to catch Mother out of a poetic mood. She was magic, and she liked illusion.

On the right nightstand, there’s a collection of what, at first glance, someone could mistake for dirty magazines. But they’re actually—’ ‘Comic books,’ Sarah says, snickering. ‘I’ve seen what you read on your Kindle. You’re in no place to judge.

Wait!” A sharp voice bit the night. Clark came running down the hill, a satchel around his torso, feet flying fast. “Wait! I’m coming with you!” Panic rose in my chest. If this ended poorly for me, it’d kill me to have dragged sweet, innocent Clark down with me. “Go back right now!” He’d almost reached the shore now. We paid zero regard for the sleeping island. “No! You’ll need help! You’ll need—hello, Ms. Alyson—me. I’m coming.” He dove into the water. His limbs flailed as if this was their first time in the sea. “Wait for me.” I wanted to push my oar against the rocky seabed to get away before dooming Clark to whatever my fate may be, but from how he swam, he’d drown trying to reach me. So instead, I held out my oar. “Grab on, you stubborn boy.

Okay, how about we call it a draw?" Chris suggested, and I snorted, recognizing the quote. "You're not the black knight, you're a dumbass in tinfoil, and we've not lost any limbs," I pointed out.

The majority of the people in this world are ataxic; they cannot coordinate their mental muscles to make a purposed movement. They have no real will, only a set of wishes, many of which contradict others. The victim wobbles from one to the other (and it is no less wobbling because the movements may occasionally be very violent) and at the end of life the movements cancel each other out. Nothing has been achieved; except the one thing of which the victim is not conscious: the destruction of his own character, the confirming of indecision. Such an one is torn limb from limb by Choronzon.

The rogue band attacked at dawn. By then we had hidden the children in the top limbs of the tallest trees we could find and sent out a group to hide, a group which included half the Russians. The plan was for them to flank the attackers. Jeannie and Robert led them; that was their honeymoon, I guess. Slatton, Traci L. (2011-07-12). Fallen (After Book 1) (p. 206). Parvati Press. Kindle Edition.

Made to dislocate every joint of the casualty's body, it was believed to be the most debilitating type of medieval torture. This torture device was made out of a wooden frame with two ropes fixed to the bottom and the other two tied into the handle on top. Once the victim was bound and placed in addition to the stand, the torturer would proceed to turn the handle. Eventually, the victim would be stretched till his limbs where dislocated. The torturers, however, (only to make sure those limbs where really dislocated) would continue to turn the wheel until the limbs where entirely torn off the casualty's body.

What’s the matter,’ she asks, shakes you and the numbness from your limbs, pulls the towel away and bows. Once upon a time the child would clap at the end of the pantomime, now you stare into the trees, wish you could go back under the umbrella with her again, into the warm towel-cover where the world would shrink back into a trusty, old feeling. There you would tell her everything you’ve learnt about the lifecycle of dragonflies from books and observations in the moor over the last few years. With the rhythm of the drumming and dripping rain and in long sentences that would pearl out of your mouth like the beads of water from the umbrella, you would initiate her into the secret of the insect which lives a long and boring childhood on the bottom of the pond until the strange and the most dangerous moment of its life when in the early morning hours it has climbed up a reed, shed its old skin and stands defenceless before its enemies. The act of metamorphosis can go wrong if the young dragonfly’s still-awkward wings get caught in its skin or hung up on a thorn. Its first attempt at flight, the maiden flight, is clumsy, the insect a new-found snack for birds, for in this phase the adolescent dragonfly, called an imago, is completely concentrated on trying out its new body which is still somewhat familiar to it. But the higher it rises into the air, the more confident and elegant its circles become and soon enough it is able to get around the birds’ beaks and fly off into the moor from where, you say in the final line of your presentation, it comes and where it belongs.

23 And it came to pass after they had fasted and prayed for the space of two days and two nights, the limbs of Alma received their strength, and he stood up and began to speak unto them, bidding them to be of good comfort: 24 For, said he, I have repented of my sins, and have been redeemed of the Lord; behold I am born of the Spirit. 25 And the Lord said unto me: Marvel not that all mankind, yea, men and women, all nations, kindreds, tongues and people, must be born again; yea, born of God, changed from their carnal and fallen state, to a state of righteousness, being redeemed of God, becoming his sons and daughters; 26 And thus they become new creatures; and unless they do this, they can in nowise inherit the kingdom of God. 27 I say unto you, unless this be the case, they must be cast off; and this I know, because I was like to be cast off. 28 Nevertheless, after wading through much tribulation, repenting nigh unto death, the Lord in mercy hath seen fit to snatch me out of an everlasting burning, and I am born of God. 29 My soul hath been redeemed from the gall of bitterness and bonds of iniquity. I was in the darkest abyss; but now I behold the marvelous light of God. My soul was racked with eternal torment; but I am snatched, and my soul is pained no more. 30 I rejected my Redeemer, and denied that which had been spoken of by our fathers; but now that they may foresee that he will come, and that he remembereth every creature of his creating, he will make himself manifest unto all. 31 Yea, every knee shall bow, and every tongue confess before him. Yea, even at the last day, when all men shall stand to be judged of him, then shall they confess that he is God; then shall they confess, who live without God in the world, that the judgment of an everlasting punishment is just upon them; and they shall quake, and tremble, and shrink beneath the glance of his all-searching eye. 32 And now it came to pass that Alma began from this time forward to teach the people, and those who were with Alma at the time the angel appeared unto them, traveling round about through all the land, publishing to all the people the things which they had heard and seen, and preaching the word of God in much tribulation, being greatly persecuted by those who were unbelievers, being smitten by many of them. 33 But notwithstanding all this, they did impart much consolation to the church, confirming their faith, and exhorting them with long-suffering and much travail to keep the commandments of God. 34 And four of them were the sons of Mosiah; and their names were Ammon, and Aaron, and Omner, and Himni; these were the names of the sons of Mosiah. 35 And they traveled throughout all the land of Zarahemla, and among all the people who were under the reign of king Mosiah, zealously striving to repair all the injuries which they had done to the church, confessing all their sins, and publishing all the things which they had seen, and explaining the prophecies and the scriptures to all who desired to hear them. 36 And thus they were instruments in the hands of God in bringing many to the knowledge of the truth, yea, to the knowledge of their Redeemer. 37 And how blessed are they! For they did publish peace; they did publish good tidings of good; and they did declare unto the people that the Lord reigneth. Mosiah Chapter 28 The sons of Mosiah go to preach to the Lamanites—Using the two seer stones, Mosiah translates the Jaredite plates.

The River God circled around me as I stood shrouded in darkness and, not knowing what had happened, searched all around the hollow cloud. Twice, unwittingly, he walked around the place where the goddess had hidden me and twice he called: ‘Ho there, Arethusa! Hallo, Arethusa!’ Alas what feelings did I have then! Assuredly I was like a lamb when it hears the wolves howling around the high sheepfold, or like a hare, hiding in the branches, watching the jaws of hostile hounds, and not daring to move. Still Achelous did not depart; for he did not see any footsteps leading further on. He kept watch on the spot where the mist was. A cold sweat broke out on my limbs, when I was just trapped, and dark drops fell from my whole body. Wherever I moved my foot, a pool flowed out, moisture dripped from my hair. More quickly than I can tell of, I was changed into a stream. OVID, METAMORPHOSES, BOOK 5 (TRANS.

Unfolding according to the contemplative logic of their lyrical orbits, Astral Weeks’s songs unhooked themselves from pop’s dependence on verse/chorus structure, coasting on idling rhythms, raging and subsiding with the ebb and flow of Morrison’s soulful scat. The soundworld – a loose-limbed acoustic tapestry of guitar, double bass, flute, vibraphone and dampened percussion – was unmistakably attributable to the calibre of the musicians convened for the session: Richard Davis, whose formidable bass talents had shadowed Eric Dolphy on the mercurial Blue Note classic Out to Lunch; guitarist Jay Berliner had previous form with Charles Mingus; Connie Kay was drummer with The Modern Jazz Quartet; percussionist/vibesman Warren Smith’s sessionography included Miles Davis, Aretha Franklin, Nat King Cole, Sam Rivers and American folk mystics Pearls Before Swine. Morrison reputedly barely exchanged a word with the personnel, retreating to a sealed sound booth to record his parts and leaving it to their seasoned expertise to fill out the space. It is a music quite literally snatched out of the air.

A memory comes back to him of the cover of a book he used to own, a popular edition of Play. It showed a chariot drawn by two steeds, a black steed with flashing eyes and distended nostrils representing the base appetites, and a white steed of calmer mien representing the less easily identifiable nobler passions. Standing in the chariot, gripping the reins, was a young man with a half-bared torso and a Grecian nose and a fillet around his brow, representing presumably the self, that which calls itself I. Well, in his book, the book of him, the book of his life, if that ever comes to be written, the picture will be more humdrum than in Plato. Himself, the one he calls Paul Rayment, will be seated on a wagon hitched to a mob of nags and drays that huff and puff, some barely pulling their weight. After sixty years of waking up every blessed morning munching their ration of oats, pissing and shitting, then being harnessed for th day's haul, Paul Rayment's team will have had enough. Time to rest, they will say, time to be put out to pasture. And if rest is denied them, well, they will just fold their limbs and settle down in their traces; and if the whip starts to whistle around their rumps, let it whistle.

In old prints melancholy is usually portrayed as a woman, disheveled, deranged, surrounded by broken pitchers, leaning casks, torn books. She may be sunk in unpeaceful sleep, heavy limbed, overpowered by her inability to take the world's measure, her compass and book laid aside. She is very frightening, but the person she frightens most is herself. She is her own disease. Miter shows her wearing a large ungainly dress, winged, a garland in her tangled hair. She has a fierce frown and so great is her disarray that she is closed in by emblems of study, duty, and suffering: a bell, an hourglass, a pair of scales, a globe, a compass, a ladder, nails. Sometimes this woman is shown surrounded by encroaching weeds, a conweb undisturbed above her head. Sometimes she gazes out of the window at a full moon for she is moonstruck. And should melancholy strike a man it will because he is suffering from romantic love: he will lean his padded satin arm on a velvet cushion and gaze skywards under the nodding plume of his hat, or he will grasp a thorn or a nettle and indicate that he does not sleep. These men seem to me to be striking a bit of a pose, unlike women, whose melancholy is less picturesque. The women look as if they are in the grip of an affliction too serious to be put into words. The men, on the other hand, appear to have dressed up for the occasion, and are anxious to put a noble face on their suffering. Which shows that nothing much has changed since the sixteenth century at least in that respect.

Special Agent Brad Wolgast hated Texas. He hated everything about it. He hated the weather, which was hot as an oven one minute and freezing the next, the air so damp it felt like a wet towel over your head. He hated the look of the place, beginning with the trees, which were scrawny and pathetic, their limbs all gnarled up like something out of Dr. Seuss, and the flat, windblown nothingness of it. He hated the billboards and the freeways and faceless subdivisions and the Texas flag, which flew over everything, always big as a circus tent; he hated the giant pickup trucks everybody drove, no matter that gas was thirteen bucks a gallon and the world was slowly steaming itself to death like a package of peas in a microwave. He hated the boots and the belt buckles and the way people talked, y’all this and y’all that, as if they spent the day ropin’ and ridin’, not cleaning teeth and selling insurance and doing the books, like people did everywhere.

What i quickly discovered is that high school running was divided into two camps: those who ran cross-country and those who ran track. There was a clear distinction. The kind of runner you were largely mirrored your approach to life. The cross-country guys thought the track runners were high-strung and prissy, while the track guys viewed the cross-country guys as a bunch of athletic misfits. It's true that the guys on the cross-country team were a motley bunch. solidly built with long, unkempt hair and rarely shaven faces, they looked more like a bunch of lumberjacks than runners. They wore baggy shorts, bushy wool socks, and furry beanie caps, even when it was roasting hot outside. Clothing rarely matched. Track runners were tall and lanky; they were sprinters with skinny long legs and narrow shoulders. They wore long white socks, matching jerseys, and shorts that were so high their butt-cheeks were exposed. They always appeared neatly groomed, even after running. The cross-country guys hung out in late-night coffee shops and read books by Kafka and Kerouac. They rarely talked about running; its was just something they did. The track guys, on the other hand, were obsessed. Speed was all they ever talked about....They spent an inordinate amount of time shaking their limbs and loosening up. They stretched before, during, and after practice, not to mention during lunch break and assembly, and before and after using the head. The cross-country guys, on the the other hand, never stretched at all. The track guys ran intervals and kept logbooks detailing their mileage. They wore fancy watched that counted laps and recorded each lap-time....Everything was measured, dissected, and evaluated. Cross-country guys didn't take notes. They just found a trail and went running....I gravitated toward the cross-country team because the culture suited me

YOUNG MARTIN: But surely, sir, there’s more to soldiering than that? PIZARRO: You mean honor, glory—traditions of the service? YOUNG MARTIN: Yes, sir. PIZARRO: Dungballs. Soldiers are for killing: that’s their reason. YOUNG MARTIN: But, sir— PIZARRO: What? YOUNG MARTIN: It’s not just killing. . . PIZARRO: Look, boy: know something. Men cannot just stand as men in this world. It’s too big for them and they grow scared. So they build themselves shelters against the bigness, do you see? They call the shelters Court, Army, Church. They’re useful against loneliness, Martin, but they’re not true. They’re not real, Martin. Do you see? YOUNG MARTIN: No, sir. Not truthfully, sir . . . PIZARRO [savagely]: No, sir. Not truthfully, sir! . . . Why must you be so young? Look at you. Only a quarter formed. A colt the world will break for its sightless track. Listen once. Army loyalty is blasphemy. The world of soldiers is a yard of ungrowable children. They play with ribbons and make up ceremonies just to keep out the rest of the world. They add up the number of their blue dead and their green dead and call that their History. But all this is just the flower the bandit carves on his knife before shoving it into a man’s side. . . . What’s Army tradition? Nothing but years of Us against Them. Christ-men against Pagan-men. Men against men. I’ve had a life of it, boy, and let me tell you it’s nothing but a nightmare game, played by brutes to give themselves a reason. YOUNG MARTIN: But, sir, a noble reason can make a fight glorious. PIZARRO: Give me a reason that stays noble once you start hacking off limbs in its name. There isn’t a cause in the world to set against this pain. Noble’s a word. Leave it for the books

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Will is an ethics philosopher at Oxford whom I’ve interviewed for several articles. I find he can give perspective on pretty much any topic. “What are you grateful for?” I asked him. “Sometimes I’m just thankful I have arms.” Will’s answer is odd, but I like it. These limbs sticking out from my torso are indeed something to be thankful for. They’re pretty useful. I’m using them to type this sentence right now. “It’s important to try to be grateful for things that wouldn’t even occur to you,” Will advised. It’s hard not to take the existence of arms for granted. But it’s worth the effort.