Confessions To The Moon Quotes

Oh Blimey O‘Reilly's pantyhose...what is the point of Shakespeare? I know he is a genius and so on, but he does rave on. What light doth through yonder window break? It's the bloody moon, for God's sake, Will, get a grip!!

Through my curtains I can see a big yellow moon. I’m thinking of all the people in the world who will be looking at that same moon. I wonder how many of them haven’t got any eyebrows?

I am the moon, and sometimes I shine full in my dark, and sometimes I shine half in my dark, and sometimes I am the darkness myself.

Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.

Paint the stars and the moon back into my night sky and tell me it is okay to cry without asking why.

Then know this. Between and beneath and beyond anything else i may be, i am yours. I will never leave you. never forsake you. You may rely upon sun to rise and moon to fall. For you are the heart of me.

...I'm shy in person - so afraid to confess my love - I need a go-between - our mutual friend, the Moon...

I need you to love me the same way the moon orbits around the earth, without intention to stop. "Confessing the heart

As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship?

I think they ought to know. You do them a disservice by not confiding something this important to them.” “I didn’t want —” “— to worry or frighten them?” said Dumbledore, surveying Harry over the top of his half-moon spectacles. “Or perhaps, to confess that you yourself are worried and frightened? You need your friends, Harry. As you so rightly said, Sirius would not have wanted you to shut yourself away.

Did they find something wanting in you, Gemma, at the party? You didn’t speak too freely or behave…strangely?” I grew claws and bayed at the moon. I confessed that I eat the hearts of small children. I told them I like the French.

Tears sprang to her eyes as she hid her face in the place between his neck and shoulder and confessed what she’d known for a while now. “I think I’m falling in love with you.” “Good thing,” Romeo choked out, his hold on her tightening to the point that it was almost hard to breathe. “’Cause I know I’m in love with you.

Late night, and like a medal in the sky The harvest moon was beaming down, And, like a river, the solemnity Of night arranged on the sleeping town. - Confession

The flowers that I left in the ground, that I did not gather for you, today I bring them all back, to let them grow forever, not in poems or marble, but where they fell and rotted. And the ships in their great stalls, huge and transitory as heroes, ships I could not captain, today I bring them back to let them sail forever, not in model or ballad, but where they were wrecked and scuttled. And the child on whose shoulders I stand, whose longing I purged with public, kingly discipline, today I bring him back to languish forever, not in confession or biography, but where he flourished, growing sly and hairy. It is not malice that draws me away, draws me to renunciation, betrayal: it is weariness, I go for weariness of thee, Gold, ivory, flesh, love, God, blood, moon- I have become the expert of the catalogue. My body once so familiar with glory, My body has become a museum: this part remembered because of someone's mouth, this because of a hand, this of wetness, this of heat. Who owns anything he has not made? With your beauty I am as uninvolved as with horses' manes and waterfalls. This is my last catalogue. I breathe the breathless I love you, I love you - and let you move forever.

The Moth and Its Beloved Ask the moth the beauty of the candle And it will burn without a confession There is a secret to its longing For it feels no fear or hesitation The moth is too much in love with the flame Yet it does not appear under the sun For the moon’s light is far too feeble, and It gave up on its pursuit of the sun Just a sight of a candle is enough To remind it of its real beloved So it settles for that candle in reach, Revels in its heat, and asks to be burned

The librarian chuckled. “I suppose there are rather a lot of orphan stories out there.” “Why do grown-ups write so many of them?” William asked. “I hadn’t really thought about it,” Mrs. Müller confessed. “Perhaps they think children fancy the notion of living on their own, without adults to tell them what to do. It’s quite daft, if you think about it, isn’t it?

Maybe it was simply that falling in love wasn’t something Lori would ever be able to turn away from, regardless of just how much pain she knew would be coming down the pike. And maybe, just maybe, as long as she never actually confessed to him how she felt, that would make it okay to give in to what she felt for Grayson for one night, beneath the moon, with the smell of wild grass and the ocean all around them...

Cloud root beer floats and moon grilled cheeses. But their favorite food is stardust.

Then the noise faded and Legs squinted up at the sky, the moon so bright you'd never think it could be merely rock like the earth's common rock and lifeless, merely reflected light from an invisible sun and not a powerful living light of its own...

As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship? —David Ogilvy, founder of the Ogilvy & Mather advertising agency, in Confessions of an Advertising Man, 1963

Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.

And as the Moon eclipsed, sulking in envy, he wailed to the Earth "I wonder how you could never see, My deep Love for you - illuminating, beautifying your world when the Sun leaves you hurled... But despite it all, you still revolve around the Sun, who shuns you here in the dark, half the run." The Earth confessed with teary eyes still retaining a smile "It is not the Sun that leaves me, It is me who turns away, blocking his light. But yet his love for me is far more magnanimous, for he lights you up to render me luminous." Cosmic Love

But, it was all true. I love you, more than my own life. More than anyone can humanly love anyone else. Every inch of you...I breathe you, everyday. I live only to be with you." Hearing him confessing his devotion, made every part of my body tingle.

It’s all my fault,’ I confessed to her. ‘Oh, Fitz, always you are …’ She bit back whatever it was she had started to say. More gently she added, ‘No one blames you.’ ‘I blame me.’ ‘Of course you do,’ she said, as if I were a child insisting the moon was a cheese.

I do love it. That big, demonstrative moment where nothing else matters but making sure the person you care about knows it. That you’re in. You’re all in and you want everyone to know, no matter how wild or risky it is. Weddings are like that. The vows are, at least.” Something about the soft look in Annie’s eyes, wistful almost, compelled him to keep going. To confess what he’d never told anyone before. “I don’t have a single memory of my mom and dad saying I love you to each other.” Annie made a soft noise, but he soldiered on, wanting to get this out. “Maybe those movies aren’t perfect, but for most of my life, they were the best proof I had that people could wind up happy together.

I was so lonely I used to have conversations with—” “The moon,” I say softly, tears gliding down my cheeks as I remember his confession about the sky.

A three-quarter moon, glowering bone, with a hint of something bruised, battered, scarred. The moon has endured more than anybody can know.

Who do they turn to on lonely moon-shadowed sidewalks? I'd love to hear them confess: Who do they become when night descends, a cool puff of smoke, and vampires come out to party?

Yours is the day, O God, yours also the night; you established the moon and the sun. You fixed all the boundaries of the earth; you made both summer and winter. Psalm 74:15,16 Confession

It was a lie, of course, and she was prepared to confess it to her priest. But she’d be damned if she’d tell him she’d been playing with his music. Her pride was worth the penance. He felt a quiver in his heart that he took for sympathy. “There, Brenna darling. Have you gone and fallen in love on me?” She jerked, whirled, gaped at him. He was watching her with such—such bloody affection, such patience and sympathy. She could have beaten him black and blue. Instead, she just shoved clear of him and snatched up her toolbox. “Shawn Gallagher, you are truly a great idiot of a man.” With her nose in the air and her tools clanking, she stalked out. He only shook his head, then went back to his cleaning up. With that little quiver around his heart again, he wondered who it was that O’Toole had set her sights on. Whoever, Shawn thought, slamming a cupboard door just a little too forcefully, the man had better be worthy of her.

I asked the earth and it answered, “I am not He”; and all things that are in the earth made the same confession. I asked the sea and the deeps and the creeping things, and they answered, “We are not your God, seek higher.” I asked the winds that blow, and the whole air with all that is in it answered, “Anaximenes was wrong; I am not God.” I asked the heavens, the sun, the moon, the stars, and they answered, “Neither are we God whom you seek.” And I said to all the things that throng about the gateways of the senses: “Tell me of my God, since you are not He. Tell me something of Him.” And they cried out in a great voice: “He made us.” My question was my gazing upon them, and their answer was their beauty. Man is a silent, incarnate word of God. The moon, the stars, the sun, the sea, the firmament are the visible proof of the existence and omnipotence of God, who created them out of sheer love. These creatures are the powerful, mysterious voice of God.

Wind surged across the frozen wastes. Our bodies moved restlessly, we could not feed them enough. Dusk upon us, we crept across the ghetto of boulders, our headlamps sometimes eerie, then like rockets in the fog. Total darkness ambushed us short of our destination. The hours wore on. The moraine wore us down. My eyes were riveted to the rising scythe of a moon. In that instant I figured out what was killing me. It wasn't the quick blow of an ax, but the slow torment of the rack: each day I was weaker, each hour a little more sick. With every night that passed I shuffled a bit nearer to death. I made life-and-death decisions like I was choosing between two brands

But the natural man, as it were a babe in Christ and fed on milk, until he be strengthened for solid meat and his eye be enabled to behold the Sun, let him not dwell in a night forsaken of all light, but be content with the light of the moon and the stars. So dost Thou speak to us, our All-wise God, in Thy Book, Thy firmament; that we may discern all things, in an admirable contemplation; though as yet in signs and in times, and in days, and in years.

With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.

Gregory had been surprised when Seth came forward and took Gregory in his arms. “I am your brother,” he whispered, but this he said in the ancient tongue, the ancient tongue no longer spoken anywhere under the moon or the sun. “Forgive me that I’ve been cold to you. I feared you.” “And I feared you,” Gregory confessed, the old language coming back to him in a flood of sorrow. “My brother.” Queens Blood and Blood Kindred. No, something greater, infinitely greater. And brother does not betray brother.

My epic,” said Emily, diligently devouring plum cake, “is about a very beautiful high-born girl who was stolen away from her real parents when she was a baby and brought up in a woodcutter’s hut.” “One av the seven original plots in the world,” murmured Father Cassidy. “What?” “Nothing. Just a bad habit av thinking aloud. Go on.” “She had a lover of high degree but his family did not want him to marry her because she was only a woodcutter’s daughter—” “Another of the seven plots — excuse me.” “ — so they sent him away to the Holy Land on a crusade and word came back that he was killed and then Editha — her name was Editha — went into a convent—” Emily paused for a bite of plum cake and Father Cassidy took up the strain. “And now her lover comes back very much alive, though covered with Paynim scars, and the secret av her birth is discovered through the dying confession av the old nurse and the birthmark on her arm.” “How did you know?” gasped Emily in amazement. “Oh, I guessed it — I’m a good guesser.

You they served me up the sun and the moon, beautiful works of Yours, but works of Yours all the same and not Yourself: not even Your mightiest works. For Your spiritual creation is greater than these material things, brilliantly as they shine in the sky.

Of course a miracle may happen, and you may be a great painter, but you must confess the chances are a million to one against it. It'll be an awful sell if at the end you have to acknowledge you've made a hash of it." "I've got to paint," he repeated. "Supposing you're never anything more than third-rate, do you think it will have been worth while to give up everything? After all, in any other walk in life it doesn't matter if you're not very good; you can get along quite comfortably if you're just adequate; but it's different with an artist." "You blasted fool," he said. "I don't see why, unless it's folly to say the obvious." "I tell you I've got to paint. I can't help myself. When a man falls into the water it doesn't matter how he swims, well or badly: he's got to get out or else he'll drown.

Be careful. Don't take too long or I'll come back for you," I said, more fiercely than intended. "Is that a promise or a threat?" The corner of his lip quirked into a crooked smile. "I confess, my pride will be sorely wounded if you save me again." "Better wounded than dead.

Confession: I miss you." "Ian ..." "Confession: you're my best friend." "Please stop." "Confession: if you gave me the chance, I'd love you until forever." I swallowed hard as I watched him walk toward me. I was standing right in the middle of pig manure, doing the most disgusting job, looking as if I hadn't slept in days, and Ian Parker was telling me how he wanted to love me forever. He continued on. "Confession: you are my sun, my moon, and my stars. Confession: whatever's hurting you, we can fix together. Confession: I'm never going to give up on this." I didn't know how it happened. I didn't know how my hands found his or how our bodies became pressed together. I didn't know how his forehead fell to mine of how my heartbeats increased erratically. I didn't know how his lips fell so close to mine or how his exhalations became my inhalations. But there we were, seconds away from our lips locking together, and me falling into a drunkenness that I'd never be able to recover from. If I started kissing Ian, I knew I'd never be able to stop. He was it for me. He was the hook, the bridge, and the melody.

Tomorrow at seven o'clock a strange phenomenon will occur: the earth is going to sit on the moon. This has also been written about by the noted English chemist Wellington. I confess, I felt troubled at heart when I pictured to myself the extraordinary delicacy and fragility of the moon. For the moon is usually made in Hamburg, and made quite poorly. I'm surprised England doesn't pay attention to this. It's made by a lame cooper, and one can see that the fool understands nothing about the moon. He used tarred rope and a quantity of cheap olive oil, and that's why there's a terrible stench all over the earth, so that you have to hold your nose. And that's why the moon itself is such a delicate sphere that people can't live on it, and now only noses live there. And for the same reason, we can't see our own noses, for they're all in the moon.

Golden bars make no less a prison than a coffin on a hill. And in caged reformation, one wanders aimless still. The rafters now a recollection of sacred suppression. How the morning dawn strikes mourning confession. Now Death yields a harvest of the living masses. We walk toward its path no earthly power surpasses.

I love you like the ocean loves the sand; I will always come back for you no matter what. I love you like the wind loves the trees; it might not seem like it, but I’m always there to support you. I love you like the moon loves the sun; I would die every day just to let you shine. I love you more than words can describe, and I always will.

The secrets she had been trusted to keep, the confessions she had heard, the pasts she had revealed and the futures she had foretold returned, not so much as memories, but rather they seeped from the dark, draped walls of the booth and swirled around her and through her like ghosts. They were a part of her that she could never fully escape

Mr. Carpenter says fear is a vile thing, and is at the bottom of almost every wrong and hatred of the world. “‘Cast it out, Jade,’ he says—’cast it out of your heart. Fear is a confession of weakness. What you fear is stronger than you, or you think it is, else you wouldn’t be afraid of it. Remember your Emerson—”always do what you are afraid to do.

Because you offer something ever rarer than power of aphidy. You offer something that few other Queens offer-love. You bestow love on all you take under your care. And intimate love to only a few. I saw it once in your eyes for me, and I want to see it again. I need to, as much as I need to breathe air. Mona Lisa, this one thing-love-you have still to give. Don not deny me. Not when my soul needs you, cries out for you.

In ancient times when Pandora's box was opened-" "Pandora?" Kendra interrupted. "Are you talking about the myth?" Catty nodded solemnly. "It isn't a myth," she stated firmly and continued, "The last thing to leave the box was hope. Only Selene, the goddess of the moon, saw the creature that had been sent by the Atrox to devour hope. Selene took pity on the people of earth and gave her Daughters, like guardian angels, to perpetuate hope. I'm one of those Daughters. A goddess.

—retaining the other half for yourself in savings for the future. Thereupon, at Mr. Pemberton’s good report of your labor—and again I have no doubt that this might be anything but exemplary—I shall draw up the papers for your emancipation. You will then at the age of twenty-five be a free man.” He paused and gave my shoulder a soft nudge with his gloved fist, adding: “I shall only stipulate that you return to Turner’s Mill for a visit every blue moon or two—with whichever young darky girl you have taken for a wife!

They are forever looking into the nooks and crannies of a thing, whatever the thing may be. Always up very early or very late, going for rides on the backs of whales who deliver the mail; waking up covered in a secret language of hums; writing about the hobbies of feathers; changing shape like a cloud; howling at the moon; being a radioactive night-light in the dark; being a life raft on an ocean of alphabet soup; being great-hearted; being selfless; believing in tall tales, doodlebugs, and doohickeys. Believing. Believing in themselves. Believing in you.

Well, about that... See, I found that... when I was doing something dangerous or stupid... I could remember you more clearly," I confessed, feeling completely mental. "I could remember how your voice sounded when you were angry. I could hear it, like you were standing right there next to me. Mostly I tried not to think about you, but this didn't hurt so much- it was like you were protecting me again. Like you didn't want me to be hurt. "And, well, I wonder if the reason I could hear you so clearly was, underneath it all, I always knew you never stopped loving me." Again, as I spoke, the words brought with them a sense of conviction. Of righteousness. Some deep place inside me recognized the truth. His word came out half stangled. "You... were... risking your life... to hear-

I never thought I would feel what it's like to be in love again." She looked up at him, startled. Had he said in love? She couldn't control the foolish smile spreading across her cheeks. "Maybe we can be together someday," he whispered. "Someday?" she whispered. "You don't stay in this form forever," he said. "And if the Atrox is defeated..." He didn't complete the sentence. He leaned forward and started to press his lips against hers. "If the Atrox defeated what?" she asked, her lips brushing the words against his mouth. "Then we can be together." He started to press against her but pulled back suddenly. "You're too young to understand how much you mean to me." "Well, I'm not centuries old yet," she added defensively. "Not yet," he chuckled and pulled her close against him. He felt like flesh and bone. She opened her eyes. His skin looked young. His eyes were bright and clear. "Have you finished checking?" he asked, his breath caressing her cheeks. She closed her eyes and he kissed her. She parted her lips and felt his tongue brush lightly against hers. She leaned against him, forgetting all her problems and let herself feel the comfort of his arms around her. Maybe everything would turn out all right.

After three weeks of lectures and receptions in New York, Einstein paid a visit to Washington. For reasons fathomable only by those who live in that capital, the Senate decided to debate the theory of relativity. Among the leaders asserting that it was incomprehensible were Pennsylvania Republican Boies Penrose, famous for once uttering that “public office is the last refuge of a scoundrel,” and Mississippi Democrat John Sharp Williams, who retired a year later, saying, “I’d rather be a dog and bay at the moon than stay in the Senate another six years.” On the House side of the Capitol, Representative J. J. Kindred of New York proposed placing an explanation of Einstein’s theories in the Congressional Record. David Walsh of Massachusetts rose to object. Did Kindred understand the theory? “I have been earnestly busy with this theory for three weeks,” he replied, “and am beginning to see some light.” But what relevance, he was asked, did it have to the business of Congress? “It may bear upon the legislation of the future as to general relations with the cosmos.” Such discourse made it inevitable that, when Einstein went with a group to the White House on April 25, President Warren G. Harding would be faced with the question of whether he understood relativity. As the group posed for cameras, President Harding smiled and confessed that he did not comprehend the theory at all. The Washington Post carried a cartoon showing him puzzling over a paper titled “Theory of Relativity” while Einstein puzzled over one on the “Theory of Normalcy,” which was the name Harding gave to his governing philosophy. The New York Times ran a page 1 headline: “Einstein Idea Puzzles Harding, He Admits.

My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.

There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote. . They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god. . On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick. . Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them. . My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.

That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.

And now, Harry, on a closely related subject . . . I gather that you have been taking the Daily Prophet over the last two weeks?” “Yes,” said Harry, and his heart beat a little faster. “Then you will have seen that there have been not so much leaks as floods concerning your adventure in the Hall of Prophecy?” “Yes,” said Harry again. “And now everyone knows that I’m the one —” “No, they do not,” interrupted Dumbledore. “There are only two people in the whole world who know the full contents of the prophecy made about you and Lord Voldemort, and they are both standing in this smelly, spidery broom shed. It is true, however, that many have guessed, correctly, that Voldemort sent his Death Eaters to steal a prophecy, and that the prophecy concerned you. “Now, I think I am correct in saying that you have not told anybody that you know what the prophecy said?” “No,” said Harry. “A wise decision, on the whole,” said Dumbledore. “Although I think you ought to relax it in favor of your friends, Mr. Ronald Weasley and Miss Hermione Granger. Yes,” he continued, when Harry looked startled, “I think they ought to know. You do them a disservice by not confiding something this important to them.” “I didn’t want —” “— to worry or frighten them?” said Dumbledore, surveying Harry over the top of his half-moon spectacles. “Or perhaps, to confess that you yourself are worried and frightened? You need your friends, Harry. As you so rightly said, Sirius would not have wanted you to shut yourself away.

Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time.

Standing at a distance ( Part 2 ) continued ............... Until then let time circle around her beauty, Let sunshine drape her and let the rain drops make her wet, I am sure someday she will realise my piety, What if not yet, not yet, Because I know someday it will be cloudy, When there is no sunshine, no moon and not even drops of rain, That day I shall not act cowardly, With no adversaries in the arena of love, I shall let her feel my pain, Perhaps then she will turn and wink her eyes, As soon as I shall close mine, To trap her in them under the bright skies, And be with her beauty hiding her from the rain drops, the Moon and the Sunshine, Then she shall live in my eyes, there forever to be, Atleast, now for me, there shall be no need to stand there and wait, Because now she seeks her beautiful form inside me, As for the Sun, the Moon and the raindrop, it will be there turn to wait, So I shall lie there with my eyes closed, To feel you with the eyes of my soul and heart, And as to you I shall have all my feelings disclosed, Then I shall let you depart, Now, if you forsake the Sun, the raindrop and the Moon too, And walk into my eyes once again, Then you truly love me too, And end my pain, Today the Sun was there, the Moon shone too, it rained as well, And suddenly she looked at me, & walked into the perceivable circle of my feelings, I could easily tell, And confessed, “this is where I forever wish to be!” Now the sunshine covers me and the moonlight seeks me, The raindrop kisses my skin, But now through me this world you see, Because now I am your destiny and your life’s final inn, And as we surge like waves of feelings, You flow within me and I keep kissing you, They wonder what are these love’s new dealings, Where I have become a part of you, and only you, So I let the Sunshine and Moonlight peer into my eyes, And ah their joy to be with you, And the hasty raindrop that falls from the skies, Once again kisses you, just you, And I close my eyes too, And I let you sleep within me, With nothing left to feel or do, Because now it is forever just you and me, The Sun, the Moon and the raindrop, Trapped in the eternity, Where the Sunshine, the Moonlight and the rain never stop, As we all lie willingly enslaved to you, and your beauty!

She grows within me She wakes up like a beautiful dream in my mind, Seeking something and desperately trying to find, My memories where she lives everywhere, And as she discovers her thoughts dashing here and there, In every corner of my mind, She loves me in ways refined and undefined, As she discovers my true feelings of love, That fly always unto her, bearing the wings of dove, Then as she dislodges herself intentionally, From this state of loving me endlessly, She wanders tirelessly in the garden of life, To pick a rose that represents love and life, And gifts it to me, Then as its scent floods through me, She gushes like a feeling within me, And how I love in this state to be, Forever within her, and she within me, Where she is not she, I am not who I am, Because we have fused together and that is now who she is and who I am, Two lovers existing as one, One heartbeat, one passion, one strife, one feeling, no other thoughts, none, And as this feelings grows over me, I feel a sense of infinite glee, And ah the wonder that now I can see, Her holding me in her arms in that embrace of eternity, In the light of the day, in the dark of the night, It is she, who now is my only delight, And she lives in my mind, in its thoughts, in my memories all, It is a feeling that nothing can uninstall, I no more feel anything, I only see her wherever I see, And this is how, now I wish it to be, She and I , where her mind grows inside me, And creates a sea, the endless sea, Where we lie hidden from the sun, the moon and the Heaven too, And I confess ceaselessly to her, I love you, I do, yes, I do! In the form of waves in the sea and in the form of tender breeze, So begins our romance that is not meant to cease.

Equally as much! In a far off place, a land distant but beautiful, Where the night is dark though the Moon is bright and full, There where they say is the place just right for you and me, A place where just with you my love, I wish to be, Under the Sun, under the Moon and under the Sky too, Where everywhere is the splendour of you, just you, When we get there, today, tomorrow or whenever, Let us be there forever with the feelings of love that we shall forsake never, I know this place exists somewhere, But when I am with you Irma, it feels this place is everywhere, In the streets, on the highways, in the markets, on the mountains and plains as well, Almost like the echo of mountain side church bell, So let me hold your hand Irma and be with you, For I am nowhere when I am without you, Then I shall not care about this fantasy place, whether it is far or near, Because in your presence my love everything becomes very clear, Like a dream that has been kissed by the reality, And that is the wonder of love Irma, you are the dream and you are the reality, So let me hold your hand once again and feel your touch, And let me confess, “My love, I still love you equally as much!

Let us Let us fall in love and be romantics once again, Let us kiss our desires again and again, Let me pursue my feelings in your beautiful eyes, Let us dive into them and feel the love that lies beyond these eyes, Let us wear our emotions all over us, To feel the kiss of love all over us, Let us become the daylight and spread everywhere, Or maybe in that secret somewhere where your beauty is everywhere, Let me love you now and love you forever, And let your heart confess it has felt the kiss of the true lover, My darling Irma, let our love be the only event in our lives, And let us only grow being a part of our beautiful love lives, Let you be the summer day that never ends, And let all my beginnings in your beautiful eyes find their ends, Let me belong to you just like the Moon belongs to the sky, Let us create a world where there is only your and my love’s sky, Let your feelings like the scent of the rose sink into my senses, And then let us love each other with all our senses, Let us reside in some quiet corner together, Where there is only one sound, that of our two hearts beating together, Let us travel together from our today into our every tomorrow, And carry our love into every moment that represents every tomorrow, Let us walk through the corridors of time, And leave the essence of our love as our signature in every moment of time, Then let me hold your hand and travel somewhere, Because now with our love’s essence residing in time, you shall be everywhere, even in places called somewhere, Let me say it again and again, that my heart beats for you, And then let every moment of time echo with these words, “my darling Irma I love you!” Let the drops of dew reflect your grace, And then let every flower bear the beauty of just one beautiful face, and your grace, Let the moments of time rain over you and me, And then let me find you everywhere within me, Finally let the night conceal us in its dark and mystical shades, And let us transform into love’s most beautiful cascades, only bearing your and my shades, Then let the river of love flow into the valley of promises, And let me find you in beautiful roses and let us now fulfill our promises!

The Sixteen Great Bodhisattva Precepts are recited as part of a number of Soto Zen ceremonies. In the bimonthly confession ceremony, which is one of the oldest Buddhist ceremonies, practitioners gather on the full and new moons and formally confess their past actions, pay homage to the buddhas and bodhisattvas, and recite the precepts. In funeral and memorial services, the priest confers the precepts upon the deceased person. In the marriage ceremony, the precepts are recited by the wedding couple as they make their vows to live together. The officiating priest does not directly ask the couple if they will receive and continue to observe the precepts, but there is an implied commitment on the part of the couple to practice them in their marriage.

Why did you offer the position to me?” I asked. “You must have had plenty of other promising magicians at the interview today.” “I did. And yet all of them performed for me as if they were on a stage. Not a single one engaged me as you did,” he replied. “I confess, Miss Neven, that there was a moment when I thought your intentions were to kill me. And then I realized how absurd that was, and that you were testing me as I wanted to test you. You challenged me as if you were a nightmare on a new moon, and I knew then that you were the one that I wanted beside me.

You were fortunate before, to have been imprisoned here in comfort for stealing your husband’s Elixir of Immortality. You escaped the lightning whip and the flaming rod then. But that will change if we discover you’re engaging in further deceit. Confess now and we might be merciful,” she lashed out, shattering the tranquility of our home.

Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.

Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...

Upon the whole, the Sun is a glorious creation; pleasing to gaze upon (through smoked glass), elevating to think upon, and exceedingly comfortable to every created being on a cold day; it is the largest, the brightest, and may be considered by far the most magnificent object in the celestial sphere; though with all these attributes it must be confessed that it is occasionally entirely eclipsed by the moon. CHAPTER

surveying Harry over the top of his half-moon spectacles. “Or perhaps, to confess that you yourself are worried and frightened?

Has my profession disfigured my mind, the endless hours of constant attentiveness, my ear for hire and open to all comers, my face painted with the glare of projected fantasies? The French have a term for it: deformation professionelle, the idea that all forms of work twist the mind away from reality. Hence a backfiring car sends the soldier diving for cover in a shrub. Litigators dart and cower in forests of imagined liabilities. For the detective and inspector, every testimony or confession is a network of lies and concealments. How could my work not have deformed me, all those long hours spent squinting into the soul's lightless recesses? How could I not have become some moon-eyed, cave-adapted creature, for whom ordinary daylight is an unendurable affliction?

Why would anyone look further?” “There’s truth to that. You’re right. But Julianne may be telling her daughter she is innocent as one last attempt to look good in her eyes. How do we know for sure she didn’t kill Sophia? She’d been drinking that night. She hated her brother’s wife. I think we need more than instinct and Julianne’s word to write her off completely.” “Maybe,” Nell said, her voice lacking conviction. “But we also need to look into all the others who could have done it. I think if we look into everyone who was at the club that night, who would have had a chance to tinker with Sophia’s car, who had a motive for killing her, we might be able to shed some light on it.” “You don’t think that’s someone else’s job?” “Whose, Ben?” Nell rolled her head on the chaise pillow and looked at her husband’s profile. “Who would do it? Not the police. Not now that Julianne is practically confessing.” Ben was silent. He drank his Scotch

The High Hall of the Arryns was aglow with the light of fifty torches, burning in the sconces along the walls. The Lady Lysa wore black silk, with the moon-and-falcon sewn on her breast in pearls. Since she did not look the sort to join the Night’s Watch, Tyrion could only imagine that she had decided mourning clothes were appropriate garb for a confession. Her long auburn hair, woven into an elaborate braid, fell across her left shoulder. The taller throne beside her was empty; no doubt the little Lord of the Eyrie was off shaking in his sleep. Tyrion was thankful for that much, at least.

The guy who’d kissed me last week—that guy was gone. Sure, I’d rejected him, and sure, I didn’t own him. But even so, it hurt. I missed the Richie who’d mooned over me.

There are false prophets today who have abandoned traditional values for the message of political correctness. Their message and motive is to make people feel good without being good, to master the ritual without achieving righteousness, and to conform to their sin without confessing their sin.

The only prohibition was on publicly trying to convert others or requiring people in a community to confess to a particular belief. By Nash law, religion was a personal choice that could neither be taken from nor forced on any person.

Allah? The moon god? No, we are not of him.” Mariah confessed, “We serve Al-liah, Iam the God of Abraham, the God of Ishmael, the One True God.

I’m in agreement with you now about the not-watching part,” she said. Jane and Mr. Nobley walked back to the house in silence, the air around them thick, dragging with awkwardness. Witnessing confessions of love and first kisses can be enchanting when you’re with someone comfortable, someone you’ve already had that kiss with, and can laugh about it and feel cozy and remember your own first moment. Seeing it with Mr. Nobley was like having a naked-in-public dream. “It’s only natural to confuse truth and fantasy as they play parts in a theatrical,” said Jane. “They start to feel as their characters would.” “True. Which is one reason why I was hesitant to engage in this frivolity. I do not think pretending something can make it real.” “I find it a little alarming that we agree on something. But do you think, in their case anyway, do you think those feelings could run deeper?” Mr. Nobley stopped. He looked at her. “I wondered the same.” “I suppose it’s possible.” “It’s more than possible. They reside in compatible stations in life, they have like minds, their sentiments seem suited to each other.” “You sound like a textbook on matrimony. I’m talking about love, Mr. Nobley. Despite falling in love over a script, do you think they have a chance?” Mr. Nobley frowned and rubbed his sideburns briskly with the back of his fingers. “I…I knew Captain East in the past when he loved another woman. Her changes, her cruelty broke him. He was a shell for some time. If you had asked me last month if another woman’s attentions could make him a whole man again, I would have said that no man can recover from such a wound, that he will never be able to trust a woman again, that romantic love is not air or water and one can live without it. But now…” He breathed out. He had not looked away from her. “Now I do not know. Now I almost begin to think, yes. Yes.” “Yes,” she repeated. The moon hung in the sky just over his shoulder, peering as though listening in, breathless for what was next. “Miss Erstwhile.” “Yes?” He looked at the sky, he took several breaths as if trying to locate the right words, he briefly shut his eyes. “Miss Erstwhile, do you--” Captain East and Miss Heartwright passed by, walking close without touching. Mr. Nobley watched them, his frown deepening, then he looked back over his shoulder at nothing. What? What?! Jane wanted to yell. “Shall we go inside?” He offered his arm. She felt dumped-on-her-rear disappointment, but she took his arm and pretended she was just fine. Soon the warm safety of roof and walls cut off the luscious strangeness of night in the garden. Servants scurried, candles blazed, the preparations for the play were lively and unconcerned with a moment in the park. Without another word, Mr. Nobley left her alone, his jacket still around her shoulders. It smelled like gardens.

The cookie tray goes round and round. Outside, the moon rises. The wind is still. All over town, leaves hang on trees like open hands.

Love is beautiful and blind and messy and wrapped up in stardust. (Excerpted from Confession of the moon, chapter Pain)

Mr. Carpenter says fear is a vile thing, and is at the bottom of almost every wrong and hatred of the world. “‘Cast it out, Jade,’ he says—’cast it out of your heart. Fear is a confession of weakness. What you fear is stronger than you, or you think it is, else you wouldn’t be afraid of it. Remember your Emerson—”always do what

Anthony, I’m glad you’re okay. I know things went wrong with us, but I do care. I was fuming when Nicolas said they’d lost you!” I confessed. He raised his head up glancing and turning up his lips. It was clear he didn’t want to talk.

Yes I am critical. I will judge you. But not by your physicality, credentials, the way you sound, your success or the way you portray yourself. That’s just a facade. An illusion. See, energy never lies. So, I will figure you out through my intuition.

Yes I am critical. I will judge you. But not by your physicality, credentials, the way you sound, your success or the way you portray yourself. That’s just a facade. See, energy never lies. So, I will figure you out through my intuition.

He made light with the His Word and called it good. He made darkness and called it good. He made land and water, plants, the sun and moon, and then animals—and He called it all good. God, our Father, wasn’t surprised at His own craftsmanship or capability. There wasn’t a chance it was going to be bad. And yet, each and every time, He used the same breath he used to create to then confess and confirm the goodness of what He’d made.

Jews, Christians, and Muslims share a creation story from the Bible, found in the early chapters of the book of Genesis. Like many such stories, it begins with sky and earth intertwined in darkness. God first brings forth light, then separates what is above from what is below, thus making oceans, land, and sky. Although some people insist that Genesis 1 is a literal scientific account, it is best understood as what Old Testament scholar Walter Brueggemann calls a “liturgical poem,” a form for use in worship that invites a community “to confess and celebrate the world as God has intended it.”4 In the opening pages of the Bible, a cosmic vision of creation unfolds with the making of plants and forests, the stars and suns and moons beyond, all the fishes and birds and animals, and finally human beings. At each juncture, God proclaims blessing on what has been made, declaring it good, and with the creation of humankind the whole of the universe is pronounced “very good.” At the end of the poem, God sends human beings out to till and keep the soil and to work on behalf of the earth, delighting in all its gifts.5

...in this country of ours you need not honour God, but if you don’t honour all the rules about the months of Bhadra, Aswin, and Kartik, and about Thursday and Saturdays, and all the special phases of the moon, you’ll not be allowed in the house! And I must confess that, though I say I don’t accept all this, in practice if I don’t go by the calendar I feel uncomfortable,—our atmosphere breeds fear just as it breeds malaria, so I can’t shake off that kind of feeling.

I love you, baby. Every part of you. I love the way you link life into lyrics, how you smile at the moon and love like the ocean, far and wide, and without apology. I love how selfless you are, how honest and kind, even though life hasn't been so kind to you lately. I love how you try to be brave for your family because you don't want the to hurt, even when doing so hurts you a little. I love you so much I want to come home to you, wake beside you, and spend a lifetime worshiping you. I want the house you spoke of and the family in your dreams. I don't only want to be the man you need, but the one you want. The one you can't live without. I want to love you for a lifetime, and even more after that. But most of all, I just want the chance to make you mine again. Because I'm yours. Always. No matter what.

fearless. Mr. Carpenter says fear is a vile thing, and is at the bottom of almost every wrong and hatred of the world. “‘Cast it out, Jade,’ he says—’cast it out of your heart. Fear is a confession of weakness. What you fear is stronger than you, or you think it is, else you wouldn’t be afraid of it. Remember your Emerson—”always do what you are afraid to do.

I’m tired of fighting.” “Now I just want to rest. In peace.

I want to stop chasing some grand purpose, as if my existence needed to be justified with productivity.

You lost your peace while chasing everything else.

The soul’s screaming for help. But the body just wants another shot.

Why stay informed? Why think? Why question anything? When you can just learn the latest TikTok dance instead?

And when it all comes crashing down — because it will — you’ll still have the nerve to say: “I didn’t see it coming.

You have everything. Except peace.

You fill your headphones with motivational noise because you’re terrified of the scream that’s been echoing from within.

You’ve gotten used to the absence of peace. You’ve learned to call it “adulthood.

You don’t need another quote about overcoming. You need the courage to look your weakness in the eye and not flinch.

You say you want strength. But what you really need... is permission to fall apart.

There’s no Wi-Fi in the void. And the one thing you needed most was never on a screen.

You live in fear of losing your phone. But your soul? That one’s been drained for years… and you barely noticed.