Our Woman In Moscow Quotes

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That's because true travel, the kind with no predetermined end, is one of the most selfish endeavors we can possibly undertake-an act in which we focus solely on our own fulfillment, with little regard to those we leave behind. After all, we're the ones venturing out into the big crazy world, filling up journals, growing like weeds. And we have the gall to think they're just sitting at home, soaking in security and stability. It is only when we reopen these wrapped and ribboned boxes, upon our triumphant return home, that we discover nothing is the way we had left it before.
Stephanie Elizondo Griest (Around the Bloc: My Life in Moscow, Beijing, and Havana)
Ruth, I spent most of my life just trying to be safe. Trying to hide from what scared me. Letting other people control what happened to me. Then I realized the idea of safety itself is just a delusion. -Life- is risky. And hiding isn't -living-. [Iris Macallister Digby]
Beatriz Williams (Our Woman in Moscow)
Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve- if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. And yet, for the Count, when the doors to Anna's bedroom opened and Sofia stepped forward in her gown, at that very moment she crossed the threshold into adulthood. On one side of that divide was a girl of five or ten or twenty with a quiet demeanor and a whimsical imagination who relied upon him for companionship and counsel; while on the other side was a young woman of discernment and grace who need rely on no one but herself.
Amor Towles (A Gentleman in Moscow)
Do you see? In this terrible war—this war between communism and liberal democracy—communism will win, because it does not care how many lives it devours.
Beatriz Williams (Our Woman in Moscow)
...humans are corrupt. We are all of us selfish, ignorant beasts, loyal only to ourselves and our own kind, interested only in getting a leg up on others, whether it's money or status or moral virtue. That's why we've got religion, to discover our better angels.... [Vivian Schuyler]
Beatriz Williams (Our Woman in Moscow)
At the Minsk tractor factory I was looking for a woman who had served in the army as a sniper. She had been a famous sniper. The newspapers from the front had written about her more than once. Her Moscow girlfriends gave me her home phone number, but it was old. And the last name I had noted down was her maiden name. I went to the factory where I knew she worked in the personnel department, and I heard from the men (the director of the factory and the head of the personnel department): “Aren’t there enough men? What do you need these women’s stories for? Women’s fantasies…” The men were afraid that women would tell about some wrong sort of war. I visited a family…Both husband and wife had fought. They met at the front and got married there: “We celebrated our wedding in the trench. Before the battle. I made a white dress for myself out of a German parachute.” He had been a machine gunner, she a radio operator. The man immediately sent his wife to the kitchen: “Prepare something for us.” The kettle was already boiling, and the sandwiches were served, she sat down with us, but the husband immediately got her to her feet again: “Where are the strawberries? Where are our treats from the country?” After my repeated requests, he reluctantly relinquished his place, saying: “Tell it the way I taught you. Without tears and women’s trifles: how you wanted to be beautiful, how you wept when they cut off your braid.” Later she whispered to me: “He studied The History of the Great Patriotic War with me all last night. He was afraid for me. And now he’s worried I won’t remember right. Not the way I should.” That happened more than once, in more than one house.
Svetlana Alexievich (War's Unwomanly Face)
This was an administration that approved the sale of 20 percent of America’s uranium to Russia with a $145 million payback to the Clinton Foundation, and a quick $500,000 to Bill for a speech in Moscow. Obama’s Department of Justice was so corrupt, so unlawful, so immoral that they tried to drag a corrupt woman across the 2016 presidential election finish line after she put our classified secrets at risk. They watched as she deleted thirty thousand emails and destroyed evidence.
Jeanine Pirro (Liars, Leakers, and Liberals: The Case Against the Anti-Trump Conspiracy)
Natasha, my boss at Ducat, was in her early thirties. She hired me on the spot when I came in for an interview the summer I finished school. I was twenty-two. I barely remember our conversation, but I know I wore a cream silk blouse, tight black jeans, flats—in case I was taller than Natasha, which I was by half an inch—and a huge green glass necklace that thudded against my chest so hard it actually gave me bruises when I ran down the subway stairs. I knew not to wear a dress or look too prim or feminine. That would only elicit patronizing contempt. Natasha wore the same kind of outfit every day—a YSL blazer and tight leather pants, no makeup. She was the kind of mysteriously ethnic woman who would blend in easily in almost any country. She could have been from Istanbul or Paris or Morocco or Moscow or New York or San Juan or even Phnom Penh in a certain light, depending on how she wore her hair. She spoke four languages fluently and had once been married to an Italian aristocrat, a baron or a count, or so I’d heard.
Ottessa Moshfegh (My Year of Rest and Relaxation)
STANKEVICH The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? MICHAEL Father's looking for me anyway. . .(gloomily) I've had to ask him to settle a few debts here and there in the world of appearances, so now he's been busy getting me a job. Liubov enters from the garden, with her book. LIUBOV Oh!-(noticing Stankevich) Excuse me- MICHAEL Nobody seems to understand Stankevich and I are engaged in a life-or-death struggle over material forces to unite our spirit with the Universal- and he has to go to Moscow tomorrow!
Tom Stoppard (Voyage (The Coast of Utopia #1))
Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you’re going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926. That’s living. But everything changes when you tell about life; it’s a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. [...] “I was out walking, I had left the town without realizing it, I was thinking about my money troubles.” This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: “It was night, the street was deserted.” The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.
Jean-Paul Sartre (Nausea)
Hell’s bells,
Beatriz Williams (Our Woman in Moscow)
Ain’t nobody in the world understands you like your sister. Ain’t nobody ever will.
Beatriz Williams (Our Woman in Moscow)
She sees—no, not her life passing before her, but everything all at once—Sasha and Philip, the children, Ruth, Harry, her parents, all gathered into a single soul, like a star.
Beatriz Williams (Our Woman in Moscow)
A man had appeared out of nowhere—a thick-shouldered, square-jawed, cleft-chinned all- American of a type Iris hadn’t seen in years. He showed her some friendly white teeth and continued in a slow country cadence designed by God to soothe skittish horses. “Say, I didn’t mean to sneak up on you.
Beatriz Williams (Our Woman in Moscow)
Love is whatever you can still betray. Betrayal can only happen if you love.
Beatriz Williams (Our Woman in Moscow)
The fact is, most people are too softhearted, or they lack a certain clarity of vision, or they don’t want to make mistakes, or—this is the big one—they’re afraid of what others will think of them.
Beatriz Williams (Our Woman in Moscow)
Derfelle died. He was a French communist who had served time in the stone quarries of Cayenne. Aside from hunger and cold, he was morally exhausted. He could not believe that he, a member of the Comintern, could end up at hard labor here in the Soviet Union. His horror would have been lessened if he could have seen that there were others here like him. Everyone with whom he had arrived, with whom he lived, with whom he died was like that. He was a small, weak person, and beatings were just becoming popular… Once the work-gang leader struck him, simply struck him with his fist – to keep him in line, so to speak – but Derfelle collapsed and did not get up. He was one of the first, the lucky ones to die. In Moscow he had worked as an editor at Tass. He had a good command of Russian. ‘Back in Cayenne it was bad, too,’ he told me once, ‘but here it’s very bad.’ Frits David died. He was a Dutch communist, an employee of the Comintern who was accused of espionage. He had beautiful wavy hair, deep-set blue eyes, and a childish line to his mouth. He knew almost no Russian. I met him in the barracks, which were so crowded that one could fall asleep standing up. We stood side by side. Frits smiled at me and closed his eyes. This Frits David was the first in our contingent to receive a package. His wife sent it to him from Moscow. In the package was a velvet suit, a nightshirt, and a large photograph of a beautiful woman. He was wearing this velvet suit as he crouched next to me on the floor. ‘I want to eat,’ he said, smiling and blushing. ‘I really want to eat. Bring me something to eat.’ Frits David went mad and was taken away.
Varlam Shalamov (Kolyma Stories)
Thou knowst tis common, all that lives must die, passing through nature into eternity.
Beatriz Williams (Our Woman in Moscow)
We are all different. We are all locked in struggle with our own demons.
Beatriz Williams (Our Woman in Moscow)
To the true fanatic, everything and anything can be twisted around to prove what you believe in.
Beatriz Williams (Our Woman in Moscow)
What actually happened was this. Over the last twenty years, we have delighted in our children, and have had many of them. We don’t shuttle them off to day care or leave them with professional care providers. And we homeschool them or have them in schools which encourage direct parental involvement. Our families are tight. We have had many children because we love them, despite hostile stares or comments from those outside our community. To quote a comment made to my wife on the street years ago, “My, you don’t believe in the pill, do you?” But we didn’t mind—kids are a kick. And, as I can now say, grandkids are a kick. It just keeps getting better. But then one day, we were distracted from our work by all this yelling that was coming from the general direction of the Moscow School District. “Where have the kids gone!? How could this have happened? Maybe they moved out of the state!” And the powers that be put lighter fluid in their hair, set it ablaze, and ran in tight little circles. “Where are the kids?” You see the state takes away money for each little breathing bipedal carbon unit that doesn’t show up in the classroom each autumn, and it turns out this is serious business. So, against my better judgment, I say something like this: “Um—maybe you don’t have kids in your schools because you quit having them. And if any actually make it into the womb, you think it should be legal to get them out of there violently. Talk about eviction. And if any of successfully run that gauntlet and actually show up, you provide them with a fifth-rate education and then turn them loose into your hollow and ugly world. And maybe you don’t have access to our kids anymore because we looked at all this and quit handing them to you to educate. Just a thought.” Take care not to get the whole thing turned around. Susan’s sign-off—“breeding my way to a better tomorrow” reminds me of a joke that can be reapplied to our situation. Early in the twentieth century, a refined woman from Boston was at a high brow social gathering where she met a woman from Chicago, who didn’t quite fit with the refined lady’s ideas of deportment. “Here in Boston,” the great lady said with a sniff, “we think breeding is everything.” “Well,” the other lady said, “out in Chicago we think it is a lot of fun, but we don’t think it’s everything.
Douglas Wilson (Apologetics in the Void: Hometown Hurly-Burly)
The change in women's status was one of the important social changes in all parts of the USSR. The revolution gave women legal and political equality; industrialization provided the economic base in equal pay. But in every village women still had to fight the habits of centuries. News came of one village in Siberia, for instance, where, after collective farms gave women their independent incomes, the wives 'called a strike' against wife beating and smashed that time-honored custom in a week. 'The men all jeered at the first woman we elected to our village soviet,' a village president told me, 'but at the next election we elected six women and now it is we who laugh.' I met twenty of these women presidents of villages in 1928 on a train in Siberia, bound for a Women's Congress in Moscow. For most it was their first trip by train and only one had ever been out of Siberia. They had been invited to Moscow 'to advise the government' on the demands of women; their counties elected them to go.
Anna Louise Strong (The Stalin era)
Now Moscow too has experienced an air raid. This happened last night at ten. An incendiary bomb fell in our courtyard. In the nick of time a youngster threw it into a barrel of water. It was the first time he had seen a bomb, but he kept his poise. An old woman wanted to sprinkle the bomb with sand, but they drove her into the shelter. At five in the morning—there had been a very long alarm—Moscow streets were animated as in the daytime: people emerged from shelters, inspected the damage done. One hour later panes were being put into windows and craters filled in. In peace-time you had to wait long for the glazier, but now he came immediately, looking important, like a commander. If the Germans thought they would arouse a panic, they were mistaken.
Ilya Ehrenburg (The Tempering of Russia)
[In marriage you] go through stages, like acts in a play. Act One, you fall in love, and the birds twitter and the bees go buzz, and you'll never love somebody else as long as you both shall live, amen. Act Two, enter the baby carriage, and all of a sudden he catches sight of a pair of firm young tits and figures life is short. Act Three...you realize there's no point letting the husbands have all the fun. [Vivian Schuyler]
Beatriz Williams (Our Woman in Moscow)