Otto Quotes

Why are old lovers able to become friends? Two reasons. They never truly loved each other, or they love each other still.

What we achieve inwardly will change outer reality.

Only a fool learns from his own mistakes. The wise man learns from the mistakes of others.

Politics is the art of the possible, the attainable — the art of the next best.

The best men tell you the truth because they think you can take it; the worst men either try to preserve you in some innocent state with their false protection, or are ‘brutally honest.’ When someone tells, lets you think for yourself, experience your own emotions, he is treating you as a true equal, a friend…And the best men cook for you.

Don't worry, Otto. I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly. (Tabitha)

God has a special providence for fools, drunkards, and the United States of America.

Fools learn from experience. I prefer to learn from the experience of others.

No one fights dirtier or more brutally than blood; only family knows it’s own weaknesses, the exact placement of the heart. The tragedy is that one can still live with the force of hatred, feel infuriated that once you are born to another, that kinship lasts through life and death, immutable, unchanging, no matter how great the misdeed or betrayal. Blood cannot be denied, and perhaps that’s why we fight tooth and claw, because we cannot—being only human—put asunder what God has joined together.

One day the great European War will come out of some damned foolish thing in the Balkans (1888).

Life at H.I.V.E. may have its attractions after all, Otto thought. Friends, as they say, may come and go, but high-powered laser weapons are forever.

We have nothing to fear but fear itself," Otto replied. "Oh, and a megalomaniacal headmaster, the world's deadliets assassin, giant mutated plant monsters, an international cartel of supervillains, and the security forces of every country on earth, but other than that...just fear.

People never lie so much as before an election, during a war, or after a hunt.

Never believe anything in politics until it has been officially denied.

The kiss lasted forever as Otto Frank kept talking from behind me. "And my conclusion is," he said, "since I had been in very good terms with Anne, that most parents don't know really their children.

When you want to fool the world, tell the truth.

Preventive war is like committing suicide out of fear of death.

Laws are like sausages. It's better not to see them being made.

…she eventually forgave him, because she understood him.

It is the destiny of the weak to be devoured by the strong.

Be polite; write diplomatically; even in a declaration of war one observes the rules of politeness.

If you feel like you don't fit into the world you inherited it is because you were born to help create a new one.

Anyone ever tell you you should be a lawyer? (Otto) Only Bill when we argue. Besides, I like killing bloodsuckers too much to ever be one of them. Tabitha Deveraux. Pleased to meet you. (Tabitha)

The secret of politics? Make a good treaty with Russia.

Yes, and for the record, he thinks you’re insane, too. (Otto) Oh, goodie. But I guess that’s only fair since I think he’s psychotic. (Susan)

she is admired from afar. These admirers court her in secret, in the safety of their dreams.

man cannot control the current of events. he can only float with them and steer

Faust complained about having two souls in his breast, but I harbor a whole crowd of them and they quarrel. It is like being in a republic.

one transcendent kiss that later makes lovers take soft breaths, holding hands

The great questions of the day will not be settled by means of speeches and majority decisions but by iron and blood

Fools say that they learn by experience. I prefer to profit by others experience.

No one knows how another person feels in private.

Hounds follow those who feed them.

Crowned heads, wealth and privilege may well tremble should ever again the Black and Red unite!" -after the split between Anarchists and Marxists in 1872

Politics are not a science based on logic; they are the capacity of always choosing at each instant, in constantly changing situations, the least harmful, the most useful.

Once you love, you cannot take it back, cannot undo it; what you felt may have changed, shifted slightly, yet still remains love. You still feel-though very small-the not-altogether unpleasant shock of soul recognition for that person.

But I don't shut up and I don't die. I live and fight, maddening those who rule my country. For if I live I fight, and if I fight I contribute to the dawn.

the main thing is to make history not to write it

[Otto von Bismarck] only considered the interests of his own country - always the worst offense that a statesman can commit in the eyes of foreigners.

Did you feed the fish?” Nick closed his eyes. “Alexa, I’m working.” She made a rude snort. “So am I. But at least I worry about poor Otto. Did you feed him?” “Otto?” “You kept calling him Fish. That hurt his feelings.” “Fish don’t have feelings. And yes, I fed him.” “Fish certainly do have feelings. And while we’re discussing Otto, I wanted to tell you I’m worried about him. He’s placed in the study and no one ever goes in there. Why don’t we move him into the living room where he can see us more often?

Veil, you see, if I vas to say something portentous like "zer dark eyes of zer mind" back home in Uberwald, zer would be a sudden crash of thunder,' said Otto. 'And if I vas to point at a castle on a towering crag and say "Yonder is . . . zer castle" a volf would be bound to howl mournfully.' He sighed. 'In zer old country, zer scenery is psychotropic and knows vot is expected of it. Here, alas, people just look at you in a funny vay.

In the psychical sphere there are no facts, but only interpretations of them.

Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.

To completely understand me you must first accept that I am not you.

All genius is a conquering of chaos and mystery.

People never lie so much as after a hunt, during a war, or before an election.

Every child has to raise itself.

The statesman's task is to hear God's footsteps marching through history, and to try and catch on to His coattails as He marches past.

Odd choice of a word, isn’t it? Fish is either singular, or plural. Imagine my surprise when I walked in the study and found not one fish in a tiny fish bowl, but an entire aquarium.” She practically vibrated for the need to fight. “Otto was lonely and you were practicing animal cruelty. He was too isolated. Now, he has friends and a place to swim.” “Yes, nice little tunnels and rocks and algae to play hide and seek with his buddies.

All you have to go on is the faith of a kiss.

I live for a woman who scratches, just make sure to keep it on the back, baby, I dont like scars." ~Otto Carvalletti

Life is impoverished, it loses in interest, when the highest stake in the game of living, life itself, may not be risked. It becomes as shallow and empty as, let us say, an American flirtation.

Some refuse the loan of life to avoid the debt of death.

The worst dream of the night, when you are parted from someone you love and you do not know exactly where he is, but you know that he is in the presence of danger. You are tormented by a desire to keep the one you love safe.

You have to choose your combinations careful. The right choices will enhance your quilt. The wrong choices will dull the colors and hide their original beauty. There are no rules you can follow. You have to go by instinct and you have to be brave.

What? Had a dry spell of killing people lately? (Susan) As a matter of fact, yes. If it doesn’t end soon, I might get out of practice. (Otto)

Da mio padre avevo imparato, molto tempo dopo avere smesso di seguirlo sui sentieri, che in certe vite esistono montagne a cui non è possibile tornare. Che nelle vite come la mia e la sua non si può tornare alla montagna che sta al centro di tutte le altre, e all'inizio della propria storia. E che non resta che vagare per le otto montagne per chi, come noi, sulla prima e più alta ha perso un amico.

While she was in transit, being unattached was exhilarating, but the moment she stopped, so did the high.

I have an affection for those transitional seasons, the way they take the edge off the intense cold of winter, or heat of summer.

We live in a wondrous time, in which the strong is weak because of his scruples and the weak grows strong because of his audacity.

Do we get a bedtime story?" Otto asked cheekily. "Oh yes, of course. I think we'll have one of my favorites; it's called 'The Little Boy and the Tranquilizer Gun." Raven smiled in a rather unsettling way.

الحياة أشبه بالتواجد عند طبيب الأسنان. فأنت تعتقد دائما أن الأسوأ هو الذي لا يزال في طريقه إليك، رغم أنه يكون قد انتهى بالفعل.

Life is like being at the dentist. You always think that the worst is still to come, and yet it is over already.

Now I have a question," Otto wrote. "Fire away." "What do you see in him?" "Apart from the obvious?" "What’s the obvious? I’m afraid I’m not a teenage girl.

I hope you don't snore," Otto said, laughing. "Like a chainsaw, my friend, like a chainsaw," Wing replied, grinning.

No men who really think deeply about women retain a high opinion of them

The truly terrible thing about this life, was not knowing what you want, but only able to recognize what you do not want. You have to spend so much time and energy trying to find it out, time that other people spent in pursuing of their desires.

We're all scared most of the time. Life would be lifeless if we weren't. Be scared, and then jump into that fear. Again and again. Just remember to hold on to yourself while you do it.

Thirteen years, one night. Nine months. One small baby will deliver true love. I can't wait to see you.

Colonel Otto, do you have a, perhaps, fuller and more detailed account than your preliminary one of why my Imperial Security building is now largely an underground installation? From a technical perspective.

Politics ruins the character

My dream is to create something so beautiful that it encourages people to present the best version of themselves to me everywhere I go.

I always say that it’s not really been a good day if you haven’t caused a major diplomatic incident by lunchtime,’ Otto said with a grin.

OTTO. Apes don't read philosophy. WANDA. Yes they do, Otto. They just don't understand it.

Think about what binds you to your husband and he to you. Marvel at the strength of that bond, which is both abstract and concrete, spiritual and legal.

People never lie so much as after a hunt, during a war, or before an election.

That is the true challenge--to work within a narrow confine. To accept what you cannot have; that from which you cannot deviate.

Every decision you make in life will stem from one of two options: love or fear. Choose love.

Otto von Bismarck, the first chancellor of unified Germany, once warned the world to watch out for the German people. With a good leader, they were the greatest nation on Earth. With a bad leader, they were monsters.

It seems that life, in order to maintain itself, must revolt every so often against man's ceaseless attempts to master its irrational forces with his mind.

You told me, once, to just remember to breathe. As long as you can do that, you're doing something good.

Only from within himself can a person know the depth of the world: in him lie the interconnections of the world.

I really hate Squires. (Syra) (She pulled another flat bolt out and loaded it, then shot it at Otto. Moving so fast he could hardly be seen, the Squire turned around and caught it without flinching. He held the bolt up to his nose and inhaled it lovingly.) Mmm. Rose. My favorite. (Otto) Perhaps we should leave you two alone. (Jess) Yeah, this does remind me a bit of the mating rites of the mean and the surly. (Allen)

You must come to Copenhagen to work with us. We like people who can actually perform thought experiments!

There's an innocuous explanation for everything. Everything is a coin that has two sides to it, and one side is innocuous but the other can be ominous. ("New York Blues")

The danger of insanity is always present in those who try to penetrate the discipline of logic and pure knowledge.

Not by speeches and votes of the majority, are the great questions of the time decided — that was the error of 1848 and 1849 — but by iron and blood.

So you see, you have nothing to be afraid of." Oh no, thought Otto, just squads of hired goons wandering around with experimental energy weapons. Nothing to be afraid of at all.

O mineiro só é solidário no câncer. Atribuída a Otto Lara Resende no livro de mesmo nome.

Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.

We’ve come to kill Zarek of Moesia, and if you get in our way, little girl, we’re going to kill you. (Otto) I’ll be damned. He speaks. Or rather growls. (Jess) But not for long if he doesn’t watch his mouth. For the record, Squire, it would take more man than you to even scratch me. (Syra) I live for a woman who scratches. Just make sure you keep it on the back, baby. I don’t like scars. (Otto)

It seemed to him [Otto Kugelblitz] obvious that the human life span runs through the varieties of mental disorder as understood in his day—the solipsism of infancy, the sexual hysterias of adolescence and entry-level adulthood, the paranoia of middle age, the dementia of late life ... all working up to death, which at last turns out to be "sanity.

Are you staying with us? It could be dangerous,' said William, realizing that he was saying this to a vampire iconographer who undied every time he took a picture.

Great men have always preferred women of the prostitute type.

every human being is...equally unfree, that is, we...create out of freedom, a prison...

Eternity will not cause our memories to fade, it will force our hearts to accept the past.

Talent is hereditary; it may be the common possession of a whole family (eg, the Bach family); genius is not transmitted; it is never diffused, but is strictly individual.

I feel the gods are pretty dead, though I suppose I ought to know that however, to be somewhat more philosophical in the matter, if atheism means simply not being a theist, then of course I'm an atheist. [Letter to Max Otto]

Otto said, raising an eyebrow. ‘You know it’s almost like people don’t want me interfering with their highly advanced experimental weapon systems these days.’ ‘How very inconsiderate of them,’ Raven said.

And don’t miss Frank Otto, the world’s most tattooed man! Held hostage in the darkest jungles of Borneo and tried for a crime he didn’t commit, and his punishment? Well, folks, his punishment is written all over his body in permanent ink!

There are men who are willing to marry a woman they do not care about merely because she is admired by other men. Such a relation exists between many men and their thoughts.

If there is ever another war in Europe, it will come out of some damned silly thing in the Balkans.

I thought of Otto Frank not being a father anymore, left with a diary instead of a wife and two daughters.

Anna Quangel wishes she could stroke her husband's hand, but she doesn't dare. She just brushes it, as if by accident, and says, 'Oh, sorry, Otto!' He looks at her in surprise, but doesn't say anything. They walk on.

Wing watched her leave and turned to Otto. ‘My father once told me that only the foolish man pulls on the tiger’s tail as it dangles from the tree.’ It was the first time that Otto had seen him smile. Otto grinned at Wing. ‘True, but how else do you find out if it’s a tiger at all?

H.I.V.E. will not tolerate unauthorized violence between students, especially students that have only been here for a matter of hours." "I was just introducing myself," Otto replied innocently. "I'm afraid I appear to have inadvertently offended them somehow.

E diceva: siete voi di città che la chiamate natura. È così astratta nella vostra testa che è astratto pure il nome. Noi qui diciamo bosco, pascolo, torrente, roccia, cose che uno può indicare con il dito. Cose che si possono usare. Se non si possono usare, un nome non glielo diamo perché non serve a niente.

– Senti, non importa quanto tempo ci vuole. Non devi pensare troppo in là in questo lavoro, se no diventi matto. – Allora a cosa devo pensare? – A oggi. Guarda che bella giornata.

Are there any Nazis left that I could hunt down and bring to justice?” Augustus asked while we leaned over the vitrines reading Otto’s letters and the gutting replies that no, no one had seen his children after the liberation. “I think they’re all dead. But it’s not like the Nazis had a monopoly on evil.” “True,” he said. “That’s what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.” Although it was his dream and not mine, I indulged it. He’d indulged mine, after all. “Our fearlessness shall be our secret weapon,” I said. “The tales of our exploits will survive as long as the human voice itself,” he said. “And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.” “They will robot-laugh at our courageous folly,” he said. “But something in their iron robot hearts will yearn to have lived and died as we did: on the hero’s errand.

I have a burden on my soul. During my long life, I did not make anyone happy, neither my friends, nor my family, nor even myself. I have done many evil things...I was the cause of the beginning of three big wars. About 800,000 people were killed because of me on the battlefields., and their mothers, brothers, and widows cried for them. And now this stands between me and God.

Man is alone in the world, in tremendous eternal isolation. He has no object outside himself; lives for nothing else; he is far removed from being the slave of his wishes, of his abilities, of his necessities; he stands far above social ethics; he is alone. Thus he becomes one and all.

Love doesn’t die, but people do... my love for Nate is something I will carry with me forever.  And the next man who loves me– the next man I decide to love– will have to understand and accept it. 

To struggle against the weight of sleep as reality eclipses the moon of your dreams is the purest sign of true love.

An appeal to fear never finds an echo in German hearts.

There are no walls, no bolts, no locks that anyone can put on your mind.

Then Lucia said, "So what do we do now?" "Nothing," Otto said. "Things will go on as just they always have.

Per otto anni ho vagato, senza accorgermi dell'avvicendarsi delle stagioni. Sono solo una foglia che appassisce, secca, muore, eppure l'albero rimane: modello di vita.

The struggle of the artist against the art-ideology, against the creative impulse and even against his own work also shows itself in his attitude towards success and fame; these two phenomena are but an extension, socially, of the process which began subjectively with the vocation and creation of the personal ego to be an artist. In this entire creative process, which begins with self-nomination as artist and ends in the fame of posterity, two fundamental tendencies — one might almost say, two personalities of the individual — are in continual conflict throughout: one wants to eternalize itself in artistic creation, the other in ordinary life — in brief, immortal man vs. the immortal soul of man.

It may be," said he, "that the wisdom of little children flies higher than our heavy wits can follow.

It's just some instinct as old as fear: you seek the dark when you hide, you seek the light when the need to hide is gone. All the animals have it too. ("New York Blues")

Ma ormai avevo imparato a fare le domande degli adulti, in cui si chiede una cosa per saperne un'altra.

The Balkans aren't worth the life of a single Pomeranian grenadier.

A man's real nature is never altered by education.

I'll have to remember that for the future. When in a life-or-death battle, be sure to club unconscious everyone on your side as early on in the fight as possible," Laura said, laughing.

He who begets something which is alive must dive down into the primeval depths in which the forces of life dwell. And when he rises to the surface, there is a gleam of madness in his eyes because in those depths lives cheek by jowl with life. The primal mystery is itself mad - the matrix of the duality and the unity of disunity.

Perhaps they never left the island when construction was complete," Otto replied. Wing raised an eyebrow. "A true job for life." "Or a life for a job," Otto countered. He wouldn't be at all surprised, given the emphasis on total secrecy, if H.I.V.E. offered an "aggressive" retirement package for lower-level employees. Here, being fired was probably a term that was taken a little too literally.

Politics is the art of the possible,the science of the relative.

Woman, in short, has an unconscious life, man a conscious life, and the genius the most conscious life.

How can I free myself from sexuality? Eat nothing but rice?

Politics is not an exact science.

As we've said many times before, Introverts get ulcers; Extroverts give ulcers.

La montagna non è solo nevi e dirupi, creste, torrenti, laghi, pascoli. La montagna è un modo di vivere la vita. Un passo davanti all'altro, silenzio tempo e misura.

I was able to make her own dynamics crystal clear to her by quoting Otto Rank, one of Freud's colleagues, who said, "Some refuse the loan of life to avoid the debt of death." This dynamic is not uncommon. I think most of us have known individuals who numb themselves and avoid entering life with gusto because of the dread of losing too much.

We Americans are used to viewing war from a distance—the privilege of living, as Chancellor Otto von Bismarck once said, with less powerful neighbors to the north and south, and nothing to the east and west but fish. Even the terrible attack on our own Pearl Harbor came thousands of miles away.

Er, why do you need to work in a dark room, though?" he said. "The imps don't need it, do they?" "Ah, zis is for my experiment," said Otto proudly. "You know zat another term for an iconographer would be 'photographer'? From the old word photos in Latation, vhich means - " "'To prance around like a pillock ordering everyone about as if you owned the place'", said William. "Ah, you know it!

Napoleon, the greatest of the conquerors, is a sufficient proof that great men of action are criminals, and therefore, not geniuses. One can understand him by thinking of the tremendous intensity with which he tried to escape from himself. There is this element in all the conquerors, great or small. Just because he had great gifts, greater than those of any emperor before him, he had greater difficulty in stifling the disapproving voice within him. The motive of his ambition was the craving to stifle his better self.

The life of a man is like a game of chess, which he plays according to his art.

Laws, like sausages, cease to inspire respect in proportion as we know how they are made.

It's six o'clock; my drink is at the three-quarter mark - three-quarters down not three-quarters up - and the night begins. ("New York Blues")

Change and growth take place when a person has risked himself and dares to become involved with experimenting with his own life.

A conquering army on the border will not be stopped by eloquence.

Go do whatever, wherever. Go do it alone, and now, because you want to and you're allowed to and you can.

What we learn from history is that no one learns from history

He turned towards Otto. ‘It’s good to see you too, Mr Malpense. Staying out of trouble, I hope?’ ‘Of course,’ Otto replied. ‘You know me, Professor.’ ‘Indeed I do, Mr Malpense, indeed I do,’ the Professor replied, ‘which is why I’ve activated the school’s long-range defence grid. Just as a precaution you understand.

Può anche apparirti del tutto diverso, da adulto, un posto che amavi da ragazzino, e rivelarsi una delusione; oppure può ricordarti quello che non sei più e metterti addosso una gran tristezza.

Then he picked up the pen and said softly, but clearly, "The first sentence of our first card will read: Mother! The Führer has murdered my son."....At that instant she grasped that this very first sentence was Otto's absolute and irrevocable declaration of war, and also what that meant: war between, on the one side, the two of them, poor, small, insignificant workers who could be extinguished for just a word or two, and on the other, the Führer, the Party, the whole apparatus in all its power and glory, with three-fourths or even four-fifths of the German people behind it. And the two of them in this little room in Jablonski Strasse.

I never think anyone in love is foolish. We do the best we can.

Some things are just meant to be adored...to be truly appreciated for their beauty.

incapacity to commit oneself to any value system beyond one supplying self-serving needs usually indicates severe narcissistic pathology. The

The great man of science, unless he is also a philosopher, … deserves the title of genius as little as the man of action.

Political judgment is the ability to hear the distant hoofbeats of the horse of history.

Neurosis is the result of willing the spontaneous.

[N]icht durch Reden und Majoritätsbeschlüsse werden die großen Fragen der Zeit entschiedenen [...] sondern durch Eisen und Blut.

As they say: sometimes you have to take a step backwards in order to move forwards. That is, if you have the humility to admit it to yourself.

New York. The world's most dramatic city. Like a permanent short circuit, sputtering and sparking up into the night sky all night long. No place like it for living. And probably no place like it for dying. ("New York Blues")

If the point at which you immerse yourself in the river is the present, I thought, then the past is the water that has flowed past you, that which has gone downstream and where there is nothing left for you; whereas the future is the water that comes down from above, bringing dangers and surprises. The past is in the valley, the future is in the mountains.

Myth 2: Leadership is about individuals. In fact, leadership is a distributed or collective capacity in a system, not just something that individuals do. Leadership is about the capacity of the whole system to sense and actualize the future that wants to emerge.

We are like sailors who must rebuild their ship on the open sea, never able to dismantle it in dry-dock and to reconstruct it there out of the best materials. Where a beam is taken away a new one must at once be put there, and for this the rest of the ship is used as support. In this way, by using the old beams and driftwood the ship can be shaped entirely anew, but only by gradual reconstruction.

We have good days and bad days. You told me, once, to just remember to breathe. As long as you can do that, you’re doing something Good, you said. Getting rid of the old, and letting in the new. And, therefore, moving forward. Making progress. That’s all you have to do to move forward, sometimes, you said, just breathe. So don’t worry, Etta, if nothing else, I am still breathing.

There are transitional forms between the metals and non-metals; between chemical combinations and simple mixtures, between animals and plants, between phanerogams and cryptogams, and between mammals and birds [...]. The improbability may henceforth be taken for granted of finding in Nature a sharp cleavage between all that is masculine on the one side and all that is feminine on the other; or that any living being is so simple in this respect that it can be put wholly on one side, or wholly on the other, of the line.

Like art, love, and pornography, noir is hard to define, but you know it when you see it. For the purposes of the book and my longtime working understanding and definition of it, noir stories are bleak, existential, alienated, pessimistic tales about losers--people who are so morally challenged that they cannot help but bring about their own ruin.

Energy follows attention. Wherever you place your attention, that is where the energy of the system will go. “Energy follows attention” means that we need to shift our attention from what we are trying to avoid to what we want to bring into reality.

...but she never knew what it was like to walk away from the thing she had most wanted. Years later she would say, "Photography allowed me to make the world and be in the world.

I once started out to walk around the world but ended up with you. Thank God.

Cherish your existence, for memories become legacies and life can change in an instant.

She remembered her fingers threaded through his hair and his kisses in places that made her long for him years later.

Se il punto in cui ti immergi in un fiume è il presente, pensai, allora il passato è l’acqua che ti ha superato, quella che va verso il basso e dove non c’è piú niente per te, mentre il futuro è l’acqua che scende dall’alto, portando pericoli e sorprese. Il passato è a valle, il futuro a monte.

The Bergson boys, certainly, would have been happier with their uncle Otto, in the bakery shop in Chicago. Like most of their neighbours, they were meant to follow in paths already marked out for them, not to break trails in a new country. A steady job, a few holidays, nothing to think about, and they would have been very happy. It was no fault of theirs that they had been dragged into the wilderness when they were little boys. A pioneer should have imagination, should be able to enjoy the idea of things more than the things themselves.

…brotherhood of the firstborn, which can be both a blessing and a curse: the overwhelming attention to the detail of their lives and development. The expectations that run too high: being the bridge between adults and children, one foot in either place and the accompanying hollow lonely feeling of being nowhere.

Well,’ Otto gave a sly smile, ‘I just happened to come across this keycard last night, and it looked like it might come in handy.’ ‘That keycard was secured in the vault, Mr Malpense,’ Ms Leon said sharply, ‘a vault that is supposed to be impregnable, I might add.’ ‘Someone must have left the door open,’ Otto replied, a look of false innocence on his face. ‘That’s the only explanation I can think of.

In order to depict a man one must understand him, and to understand him one must be like him; in order to portray his psychological activities one must be able to reproduce them in oneself. To understand a man one must have his nature in oneself.

So you have put yourself through all of this just so that you can cheat in an exam,’ Wing said with a slight smile. ‘An exam, I might add, that you would almost certainly have passed with flying colours anyway.’ ‘Well, it’s the principle of the thing,’ Otto replied with a grin. ‘I am not sure that I approve,’ Wing said, raising an eyebrow. ‘Cheats never prosper.’ ‘You know, sometimes I really think that you might not be cut out for this place,’ Otto said. ‘I take it then that you won’t be needing a copy?’ ‘Well,’ Wing replied, ‘I perhaps wouldn’t go so far as to say that –

Click. The salamander flared, etching the room with searing white light and dark shadows. Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand. "Aarghaarghaaaargh..." There was a shocked silence. Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces. "Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush." But strong light hurts you!" said Sacharissa. "It hurts vampires!" "Yes. It iss a bit of a bugger, but zere you go.

The great genius does not let his work be determined by the concrete finite conditions that surround him, whilst it is from these that the work of the statesman takes its direction and its termination. … It is the genius in reality and not the other who is the creator of history, for it is only the genius who is outside and unconditioned by history.

Lang nadat ik was opgehouden mijn vaders paden na te lopen, had ik van hem geleerd dat er in sommige levens bergen bestaan waar je niet naar terug kunt keren. Dat je in levens als het mijne en het zijne niet terug kunt naar de berg die het middelpunt is van alle andere, en het begin van je eigen geschiedenis. En dat mensen zoals wij, die op de eerste en hoogste berg een vriend hebben verloren, niets anders rest dan dwalen over de acht bergen.

Otto Cone as a man of seventy-plus years jumped into an open lift shaft and died. Now this was a subject which Alicia Cone, who would readily discuss the most taboo matters refused to touch upon. Why does a survivor of the camps live forty years then complete the job the monsters didn't get done? Does great evil eventually triumph no matter how strenuously it is resisted? Does it leave a sliver of ice in the blood working its way through until it reaches the heart? Or worse, can a man's death be incompatible with his life? Alicia, who's first response on hearing of her father's death had been fury, flung such questions as these at her mother, who stone-faced beneath a broad-brimmed black hat said only, "You have inherited his lack of restraint my dear.

The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.

You run the romantic gauntlet for decades without knowing who exactly it is you're giving and taking such a battering in order to reach. You run the gauntlet without knowing whether the person whose favour you seek will even be there once you somehow put that path strewn with sensory confetti and emotional gore behind you. And then, by some stroke of fortune, the gauntlet concludes, the person does exist after all, and you become that perpetually astonished lover from so many of the songs you used to find endlessly disingenuous. [Otto Shin]

In the religious myths, the creative will appears personified in God, and man already feels himself guilty when he assumes himself to be like God, that is, to ascribe this will to himself. In the heroic myths on the contrary, man appears as himself, creative and guilt for his suffering and fall is ascribed to God, that is, to his own will. Both are only extreme reaction phenomena of man wavering between his Godlikeness and his nothingness, whose will is awakened to the knowledge of its power and whose consciousness is aroused to terror before it.

Facevo due tre passi nel corridoio e mi raggiungeva la temuta voce: "Dino". Tornavo indietro. "Ci sei a colazione?" "Sì." "E a pranzo?" "E a pranzo?" Dio mio, quanto innocente e grande e nello stesso tempo piccolo desiderio c'era nella domanda. Non chiedeva, non pretendeva, domandava soltanto un'informazione. Ma io avevo appuntamenti cretini, avevo ragazze che non mi volevano bene e in fondo se ne fregavano altamente di me, e l'idea di tornare alle otto e mezzo nella casa triste, avvelenata dalla vecchiaia e dalla malattia, già contaminata dalla morte, mi repelleva addirittura, perché non si deve avere il coraggio di confessare queste orribili cose quando sono vere? "Non so" allora rispondevo "telefonerò". E io sapevo che avrei telefonato di no. E lei subito capiva che io avrei telefonato di no e nel suo "Ciao" c'era uno sconforto grandissimo. Ma io ero il figlio, egoista come sanno esserlo soltanto i figli.

From my father I had learned, long after I had stopped following him along the paths, that in certain lives there are mountains to which we may never return. That in lives like his and mine, you cannot go back to the mountain that is in the center of all the rest, and at the beginning of your own story. And that wandering around the eight mountains is all that remains for those who, like us, on the first and highest, have lost a friend

The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny.

It was hard not to feel resentment that men weren't forced into these choices. Some days she felt that she would spend all her time trying to forget her life before children because she loved them too much to be reminded of the heat of Rome in the summer and a beautiful girl who turned heads as she walked down an Italian strada.

Berlin was charismatic in the roguish way of a love... It was a lover who was a little dangerous in ways that didn't always show, keeping you a bit on edge, a bit in love and endlessly forgiving because he made her feel that she was exactly where she was meant to be... Berlin made you like who you were when you were there, as if everything worth being a part of in the world - all those modern ideas about sex and art and women; all that possibility - was right there, in its dark, beating heart.

What am I to call it? Diffidence? The fear of ridicule? Inverted vanity? What matters names, if it has brought me to this? I could never bear to be bustling about nothing; I was ashamed of this toy kingdom from the first; I could not tolerate that people should fancy I believed in a thing so patently absurd! I would do nothing that cannot be done smiling. I have a sense of humour, forsooth! I must know better than my Maker. And it was the same thing in my marriage," he added more hoarsely. "I did not believe this girl could care for me; I must not intrude; I must preserve the foppery of my indifference. What an impotent picture!" "Ay, we have the same blood," moralised Gotthold. "You are drawing, with fine strokes, the character of the born sceptic." "Sceptic?—coward!" cried Otto. "Coward is the word. A springless, putty-hearted, cowering coward!

After she's gone, another brief lull sets in. This one is probably the last. But what good is a lull? It's only a breathing spell in which to get more frightened. Because anticipatory fear is always twice as strong as present fear. Anticipatory fear has both fears in it at once - the anticipatory one and the one that comes simultaneously with the dread happening itself. Present fear only has the one, because by that time anticipation is over. ("New York Blues")

Non posso più ascoltare tacendo. Devo parlarvi con i mezzi che ho a disposizione. Voi mi trafiggete l'anima.Io sono tra l'agonia e la speranza. Non ditemi che è troppo tardi, che questo prezioso sentimento è svanito per sempre. Vi offro di nuovo il mio cuore, vi appartiene ancor più di quando otto anni e mezzo fa voi quasi me lo spezzaste. Non dite per carità che l'uomo dimentica più della donna, che il suo amore è più rapido a morire. Non ho mai amato nessuna all'infuori di voi. Posso essere stato ingiusto, forse debole e offeso, ma incostante mai. Solo voi mi avete condotto a Bath. Penso e faccio progetti solo per voi. Non ve ne siete accorta? Possibile che non indoviniate i miei desideri? Non avrei atteso neanche questi dieci giorni se avessi conosciuto i vostri sentimenti. Devo andare senza conoscere il mio destino ma tornerò qui o vi seguirò non appena possibile. Una parola, uno sguardo saranno sufficienti a farmi entrare in casa di vostro padre questa sera o mai più.

Our age is not only Jewish, but also the most 'feminine'; an age in which art represents only a sudarium of its humors; the age of the most gullible anarchism, without any understanding of the State and of justice; the age of the collectivist ethics of the species; the age in which history is viewed with the most astonishing lack of seriousness [historical materialism]; the age of capitalism and of Marxism; the age in which history, life, and science no longer mean anything, apart from economics and technology; the age when genius could be declared a form of madness, while it no longer possesses even one great artist or philosopher; the age of the least originality and its greatest pursuit; the age which can boast of being the first to have exalted eroticism, but not in order to forget oneself, the way the Romans or the Greeks did in their Bacchanalia, but in order to have the illusion of rediscovering oneself and giving substance to one’s vanity.

[...] quelli che erano nati negli anni venti, e che avevano vent’anni negli anni quaranta, avevan dovuto combattere perché c’era la guerra e servivano dei soldati. Quelli che eran nati negli anni trenta, e avevan vent’anni negli anni cinquanta, avevan dovuto lavorare perché c’era stata la guerra e c’era un paese da ricostruire. Quelli che eran nati negli anni quaranta, e che avevan vent’anni negli anni sessanta, avevan dovuto lavorare anche loro perché c’era il boom economico e una grande richiesta di forza lavoro. Quelli che eran nati negli cinquanta, e che avevan vent’anni negli anni settanta, avevan dovuto contestare perché il mondo cosí com’era stato fino ad allora non era piú adatto alla modernità o non so bene a cosa. Poi eravamo arrivati noi, nati negli anni sessanta e che avevamo vent’anni negli anni ottanta e l’unica cosa che dovevamo fare, era stare tranquilli e non rompere troppo i maroni. Mi sembrava che noi, avevo detto, fossimo stata la prima generazione che, se ci davano un lavoro, non era perché c’era bisogno, ci facevano un favore. Cioè era come se il mondo, che per i nostri genitori era stata una cosa da fare, da costruire, per noi fosse già fatto, preconfezionato, e l’unica cosa che potevamo fare era mettere delle crocette, come nei test. E allora aveva anche senso, che proprio in quel periodo lí, negli anni ottanta, fossero comparsi in Italia i giochi elettronici, perché uno di vent’anni che passava sei o otto ore al giorno a giocare ai giochi elettronici, che negli anni cinquanta sarebbe stato un disadattato (Sei un delinquente, gli avrebbero detto i suoi genitori), a partire dagli anni ottanta andava benissimo, perché rispondeva al compito precipuo della sua generazione, di stare tranquillo e non rompere troppo i maroni.

Forse è vero, come sosteneva mia madre, che ognuno di noi ha una quota prediletta in montagna, un paesaggio che gli somiglia e dove si sente bene. La sua era senz'altro il bosco dei 1500 metri, quello di abeti e larici, alla cui ombra crescono il mirtillo, il ginepro e il rododendro, e si nascondono i caprioli. Io ero più attratto dalla montagna che viene dopo: prateria alpina, torrenti, torbiere, erbe d'alta quota, bestie al pascolo. Ancora più in alto la vegetazione scompare, la neve copre ogni cosa fino all'inizio dell'estate e il colore prevalente è il grigio della roccia, venato dal quarzo e intarsiato dal giallo dei licheni. Lì cominciava il mondo di mio padre. Dopo tre ore di cammino i prati e i boschi lasciavano il posto alle pietraie, ai laghetti nascosti nelle conche glaciali, ai canaloni solcati dalle slavine, alle sorgenti di acqua gelida. La montagna si trasformava in un luogo più aspro, inospitale e puro: lassù lui diventava felice. Ringiovaniva, forse, tornando ad altre montagne e altri tempi. Anche il suo passo sembrava perdere peso e ritrovare un'agilità perduta.

So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.

Man's experience tells him that wherever there are signs of life, death in in the offing. The more alive this life becomes, the nearer death draws, until the supreme moment - the enchanted moment when something new is created - when death and life meet in an embrace of mad ecstasy. The rapture and terror of life are so profound because they are intoxicated with death. As often as life engenders itself anew, the wall which separates it from death is momentarily destroyed. Death comes to the old and the sick from the outside, bringing fear or comfort. They think of it because they feel that life is waning. But for the young the intimidation of death rises up out of the full maturity of each individual life and intoxicates them so that their ecstasy becomes infinite. Life which has become sterile totters to meet its end, but love and death have welcomed and clung to one another passionately from the beginning.

I thought vampires could rematerialize in their clothes," said Angua accusingly. "Otto Chriek can!" "Females can't. We don't know why. It's probably part of the whole underwired-nightdress business. That's where you score again, of course. When you're in one hundred and fifty bat bodies, it's quite hard to remember to keep two of them carrying a pair of pants." Sally looked up at the ceiling, and sighed. "Look, I can see where this is going. It's going to be about Captain Carrot, isn't it . . . " "I saw the way you were smiling at him!" "I'm sorry! We can be very personable! It's a vampire thing!" "You were so keen to impress him, eh!" "And you aren't? He's the kind of many anyone would want to impress!" They watched each other warily. "He is mine, you know," said Angua, feeling the nascent claws strain under her fingernails. "You're his, you mean!" said Sally. "You know it works like that. You trail after him." "I'm sorry! It's a werewolf thing!" Anuga yelled. "Hold it!" Sally thrust both hands in front of her in a gesture of peace. "There's something we'd better sort before this goes any further!" "Yeah?" "Yes. We're both wearing nothing, we're standing in what, you may have noticed, is increasingly turning into mud, and we're squaring up to fight. Okay. But there's something missing, yes?" "And that is . . . ?" "A paying audience? We could make a fortune." Sally winked. "Or we could do the job we came here to do.

The picture of the bacchante who stands motionless and stares into space must have been well known. Catullus is thinking of her when he tells of the abandoned Ariadne, who follows her faithless lover with sorrowing eyes as she stands on the reedy shore ‘like the picture of a maenad.’ Indeed, melancholy silence becomes the sign of women who are possessed by Dionysus. […] Madness dwells in the surge of clanging, shrieking, and pealing sounds, it dwells also in silence. The women who follow Dionysus get their name, maenads, from this madness. Possessed by it, they rush off, whirl madly in circles, or stand still, as if turned to stone.

Leadership in its essence is the capacity to shift the inner place from which we operate. Once they understand how, leaders can build the capacity of their systems to operate differently and to release themselves from the exterior determination of the outer circle. As long as we are mired in the viewpoint of the outer two circles, we are trapped in a victim mind-set (“the system is doing something to me”). As soon as we shift to the viewpoint of the inner two circles, we see how we can make a difference and how we can shape the future differently. Facilitating the movement from one (victim) mind-set to another (we can shape our future) is what leaders get paid for.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

Gates got up, but not fast or jerkily, with the same slowness that had always characterized him. He wiped the sweat off his palms by running them lightly down his sides. As though he were going to shake hands with somebody. He was. He was going to shake hands with death. He wasn't particularly frightened. Not that he was particularly brave. It was just that he didn't have very much imagination. Rationalizing, he knew that he wasn't going to be alive anymore ten minutes from now. Yet he wasn't used to casting his imagination ten minutes ahead of him, he'd always kept it by him in the present. He couldn't visualize it. So he wasn't as unnerved by it as the average man would have been. ("3 Kills For 1")

Woman is only sexual, man is partly sexual, and this difference reveals itself in various ways. The parts of the male body by stimulation of which sexuality is excited are limited in area, and are strongly localised, whilst in the case of the woman, they are diffused over her whole body, so that stimulation may take place almost from any part. When in the second chapter of Part I., I explained that sexuality is distributed over the whole body of both sexes, I did not mean that, therefore, the sense organs, through which the definite impulses are stimulated, were equally distributed. There are, certainly, areas of greater excitability, even in the case of the woman, but there is not, as in the man, a sharp division between the sexual areas and the body generally. The morphological isolation of the sexual area from the rest of the body in the case of man, may be taken as symbolical of the relation of sex to his whole nature. Just as there is a contrast between the sexual and the sexless parts of a man's body, so there is a time-change in his sexuality. The female is always sexual, the male is sexual only intermittently. The sexual instinct is always active in woman (as to the apparent exceptions to this sexuality of women, I shall have to speak later on), whilst in man it is at rest from time to time. And thus it happens that the sexual impulse of the male is eruptive in character and so appears stronger. The real difference between the sexes is that in the male the desire is periodical, in the female continuous.

The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division. ("Introduction")

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.