β
Rejection, I have found, can be the only antidote to delusion
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I did crave attention, but I refused to humiliate myself by asking for it.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Oh, sleep. Nothing else could ever bring me such pleasure, such freedom, the power to feel and move and think and imagine, safe from the miseries of my waking consciousness.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
it was better to be alone than to be stuck with people who were supposed to love you, yet couldnβt.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
The notion of my future suddenly snapped into focus: it didn't exist yet.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
For a moment I felt joyful, and then I felt completely exhausted.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
People truly engaged in life have messy houses.
β
β
Ottessa Moshfegh (Eileen)
β
I was both relieved and irritated when Reva showed up, the way you'd feel if someone interrupted you in the middle of suicide.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
in my frenzied state of despair, I understood: there was stability in living in the past.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
It was proof that I had not always been completely alone in this world. But I think I was also holding on to the loss, to the emptiness of the house itself, as though to affirm that it was better to be alone than to be stuck with people who were supposed to love you, yet couldnβt.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Sleep felt productive. Something was getting sorted out. I knew in my heartβthis was, perhaps, the only thing my heart knew back thenβthat when I'd slept enough, I'd be okay. I'd be renewed, reborn. I would be a whole new person, every one of my cells regenerated enough times that the old cells were just distant, foggy memories. My past life would be but a dream, and I could start over without regrets, bolstered by the bliss and serenity that I would have accumulated in my year of rest and relaxation.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Here is how I spend my days now. I live in a beautiful place. I sleep in a beautiful bed. I eat beautiful food. I go for walks through beautiful places. I care for people deeply. At night my bed is full of love, because I alone am in it. I cry easily, from pain and pleasure, and I donβt apologize for that. In the mornings I step outside and Iβm thankful for another day. It took me many years to arrive at such a life.
β
β
Ottessa Moshfegh (Eileen)
β
Sometimes I feel dead," I told her, "and I hate everybody.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I couldn't be bothered to deal with fixing things. I preferred to wallow in the problem, dream of better days.
β
β
Ottessa Moshfegh (Eileen)
β
Maybe they understood, in fact, that beauty and meaning had nothing to do with one another.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
It was lunacy, this idea, that I could sleep myself into a new life. Preposterous. But there I was, approaching the depths of my journey
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Idealism without consequences is the pathetic dream of every spoiled brat, I suppose.
β
β
Ottessa Moshfegh (Eileen)
β
Anyway, I don't trust those people who poke around sad people's minds and tell them how interesting it all is up there. It's not interesting.
β
β
Ottessa Moshfegh (Eileen)
β
We donβt forget things, OK? We just choose to ignore them. Can you accept responsibility for your memory lapse and move on?
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Education is directly proportional to anxiety, as you've probably learned, having gone to Columbia.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Only the coffee made my heart work a bit harder. Caffeine was my exercise.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Furthermore, as is typical for any isolated, intelligent young person, I thought I was the only one with any consciousness, any awareness of how odd it was to be alive, to be a creature on this strange planet Earth.
β
β
Ottessa Moshfegh (Eileen)
β
A grown woman is like a coyote--she can get by on very little. Men are more like house cats. Leave them alone for too long and they'll die of sadness
β
β
Ottessa Moshfegh (Eileen)
β
I had no big plan to become a curator, no great scheme to work my way up a ladder. I was just trying to pass the time. I thought if I did normal things - held down a job, for example - I could starve off the part of me that hated everything.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I counted the seconds passing. Time could go on forever like this, I thought again. Time would. Infinity loomed consistently and all at once, forever, with or without me. Amen.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn't talk to myself in my head. There wasn't much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was my dream.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
You can see wealth in people no matter what they're wearing. It's in the cut of their chins, a certain gloss to the skin, a drag and pause to their responsiveness. When poor people hear a loud noise, they whip their heads around. Wealthy people finish their sentences, then just glance back.
β
β
Ottessa Moshfegh (Eileen)
β
And anyway, there is no comfort here on Earth. There is pretending, there are words, but there is no peace. Nothing is good here. Nothing. Every place you go on Earth, there is more nonsense.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
People would be so much more at ease if they acted on impulse rather than reason. Thatβs why drugs are so effective in curing mental illnessβbecause they impair our judgment. Donβt try to think too much.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
What about heaven, Ina? Donβt you want to go?β βIt doesnβt matter,β she said. βI wonβt know anyone.
β
β
Ottessa Moshfegh (Lapvona)
β
Reva often spoke about 'settling down.' That sounded like death to me.
'I'd rather be alone than anybody's live-in prostitute,' I said to Reva.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
The idea that my brains could be untangled, straightened out, and thus refashioned into a state of peace and sanity was a comforting fantasy.
β
β
Ottessa Moshfegh (Eileen)
β
The world was out there still, but I hadnβt looked at it in months. It was too much to consider in all, stretching out, a circular planet covered in creatures and things growing, all of it spinning slowly on an axis created by what β some freak accident? It seemed implausible.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
The speed of time varied, fast or slow, depending on the depth of my sleep. My favorite days were the ones that barely registered.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I felt myself float up and away, higher and higher into the ether until my body was just an anecdote, a symbol, a portrait hanging in another world.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
that love was a
distinctly human defect which God had created to counterbalance the power
of human greed.
β
β
Ottessa Moshfegh (Lapvona)
β
If you want something and can't have it, want something else. Want what you deserve. You'll probably get it.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the seventy-eighth floor of the North Towerβone high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lakeβI am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I could plan to do something and then find myself doing the opposite.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I wanted to hold onto the house the way you'd hold onto a love letter. It was proof that I had not always been completely alone in the world. But I think I was also holding on to the loss, to the emptiness of the house itself, as though to affirm that it was better to be alone than to be stuck with people who were supposed to love you, yet couldn't.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
There was majesty and grace in the pace of the swaying branches of the willows. There was kindness. Pain is not the only touchstone for growth, I said to myself. My sleep had worked. I was soft and calm and felt things. This was good. This was my life now.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Mirth,β Dr. Tuttle said. βI like it better than joy. Happiness isnβt a word I like to use in here. Itβs very arresting, happiness.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I didnβt like dogs. Not because they scared meβthey didnβtβbut because their deaths were so much harder to take than peopleβs.
β
β
Ottessa Moshfegh (Eileen)
β
Itβs easy to tell the dirtiest mindsβlook for the cleanest fingernails.
β
β
Ottessa Moshfegh (Eileen)
β
I felt I needed to hide a little. My mind needed a smaller world to roam.
β
β
Ottessa Moshfegh (Death in Her Hands)
β
I rebelled in silent ways, with my thoughts.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
When she asked the birds what to do, they answered that they didn't know anything about love, that love was a distinctly human defect which God had created to counterbalance the power of human greed.
β
β
Ottessa Moshfegh (Lapvona)
β
The notion of my future suddenly snapped into focus: it didn't exist yet. I was making it, standing there, breathing, fixing the air around my body with stillness, trying to capture somethingβa thought, I guessβas though such a thing were possible, as though I believed in the delusion described in those paintingsβthat time could be contained, held captive.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I hated them for not worshiping me. Had they no idea of my sacrifice? There I was, perfectly wonderful, and nobody would see that.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
When God gives you more than you can tolerate, you turn to instinct. And instinct is a force beyond anyoneβs control.
β
β
Ottessa Moshfegh (Lapvona)
β
I hoped they saw right through my death mask to my sad and fiery soul, though I doubt they saw me at all.
β
β
Ottessa Moshfegh (Eileen)
β
I'd never learned how to relate to people, much less how to speak up for myself. I preferred to sit and rage quietly.
β
β
Ottessa Moshfegh (Eileen)
β
I can't point to any one event that resulted in my decision to go into hibernation. Initially, I just wanted some downers to drown out my thoughts and judgments, since the constant barrage made it hard not to hate everyone and everything. I thought life would be more tolerable if my brain were slower to condemn the world around me.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I guess I have a lot of emotion stored up. But it's nothing bad. It's love. It's just love rotting up inside of me . . . That's it . . . I have too much love, I think, and nobody to give it to.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
I wasn't an insomniac, but I was miserable.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I thought that if I did normal thingsβheld down a job, for exampleβI could starve off the part of me that hated everything. If I had been a man, I may have turned to a life of crime.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Some families are so sick, so twisted, the only way out is for someone to die.
β
β
Ottessa Moshfegh (Eileen)
β
How did people go on with their lives as though death weren't all around them?
β
β
Ottessa Moshfegh (Death in Her Hands)
β
I still couldn't accept that Trevor was a loser and a moron. I didn't want to believe that I could have degraded myself for someone who didn't deserve it. I was still stuck on that bit of vanity. But I was determined to sleep it away.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
That is what I imagined life to beβone long sentence of waiting out the clock.
β
β
Ottessa Moshfegh (Eileen)
β
Life was repetitive, resonated at a low hum.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I didnβt believe in heaven, but I did believe in hell.
β
β
Ottessa Moshfegh (Eileen)
β
I feel very, very alone."
"We're all alone, Reva," I told her. It was true: I was, she was. This was the maximum comfort I could offer.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Thus, I lived in perpetual fantasy. And like all intelligent young women, I hid my shameful perversions under a facade of prudishness. Of course I did. It's easy to tell the dirtiest minds-look for the cleanest fingernails.
β
β
Ottessa Moshfegh (Eileen)
β
I am interested in disgust.
β
β
Ottessa Moshfegh (Lapvona)
β
Being pretty only kept me trapped in a world that valued looks above all else.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I still felt that the good things, the things I wanted, belonged to somebody else.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
People died all the time. Why couldn't I?
β
β
Ottessa Moshfegh (Eileen)
β
I looked so boring, lifeless, immune and unaffected, but in truth I was always furious, seething, my thoughts racing, my mind like a killerβs. It was easy to hide behind the dull face I wore, moping around. I really thought I had everybody fooled. And I didnβt really read books about flowers or home economics. I liked books about awful thingsβmurder, illness, death.
β
β
Ottessa Moshfegh (Eileen)
β
Those people with perfect houses are simply obsessed with death. A house that is so well maintained, furnished with good-looking furniture of high quality, decorated tastefully, everything in its place, becomes a living tomb. People truly engaged in life have messy houses.
β
β
Ottessa Moshfegh (Eileen)
β
I am overcome by awe, not because she looks like Reva, and I think itβs her, almost exactly her, and not because Reva and I had been friends, or because Iβll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I took a Polaroid of her one night and stuck it into the frame of the mirror in the living room. Reva thought it was a loving gesture, but the photo was really meant as a reminder of how little I enjoyed her company if I felt like calling her later while I was under the influence.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Marek guessed that Villiam could use his wealth to influence God's will. That was the way things worked, Marek thought. If you didn't have money, you had to be good.
β
β
Ottessa Moshfegh (Lapvona)
β
Jude didnβt understand forgiveness. He was incapable of forgiveness because he was so addled by his own grief and grudges. This bad blood was what kept Judeβs heart pumping.
β
β
Ottessa Moshfegh (Lapvona)
β
Thereβs nothing I detest more than men with happy childhoods.
β
β
Ottessa Moshfegh (Eileen)
β
Your problem is that you're passive. You wait around for things to change, and they never will.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I loved Reva, but I didn't like her anymore. We'd been friends since college, long enough that all we had left in common was our history together, a complex circuit of resentment, memory, jealousy, denial, and a few dresses I'd let Reva borrow, which she'd promised to dry clean and return but never did.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
There is nobody watching you when youβre alone. You decide for yourself whatβs right and wrong. There are no prizes for good little girls. If you want something, fight for it. Donβt be a fool.
β
β
Ottessa Moshfegh (Eileen)
β
I always called back to cancel, which I hated doing because I hated talking to people.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I was nervous. It had been a long time since Iβd gone any place I wanted to be.
β
β
Ottessa Moshfegh (Eileen)
β
My brain hurts and I cry all the time. I don't want to be here on Earth for one moment longer.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
Itβs either this or that. Decide and move forward. You spend so much time playing in your mind, like a sandbox. Everything just slipping through your fingers, nothing solid to hold.
β
β
Ottessa Moshfegh (Death in Her Hands)
β
I've lived with many alcoholic men over the years, and each has taught me that it is useless to worry, fruitless to ask why, suicide to try to help them. They are who they are for better and worse.
β
β
Ottessa Moshfegh (Eileen)
β
There is nothing more heartbreaking than a squandered opportunity, a missed chance. I knew about stuff like that. I'd been young once. So many dreams had been dashed. But I dashed them myself. I wanted to be safe, whole, have a future of certainty. One makes mistakes when there is confusion between having a future at all and having the future one wants.
β
β
Ottessa Moshfegh (Death in Her Hands)
β
The art world had turned out to be like the stock market, a reflection of political trends and the persuasions of capitalism, fueled by greed and gossip and cocaine.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
But such was death - it had nothing to say.
β
β
Ottessa Moshfegh (Lapvona)
β
I rarely interacted much with anyone back then who wasn't retarded. When I did, it struck me how pompous and impatient they were, always measuring their words, twisting things around. Everybody was so obsessed with being understood. It made me sick.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
All I had to offer were my skills as a doormat, a blank wall, someone desperate enough to do anythingβjust short of murder, let's sayβsimply to get someone to like me, let alone love me.
β
β
Ottessa Moshfegh (Eileen)
β
You can always tell something when a woman is overdressed---either she's an outsider, or she's insane.
β
β
Ottessa Moshfegh (Eileen)
β
My first impression of him was that he was free spirited, clever, funny. That proved to be completely inaccurate.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I hated my boyfriend but I liked the neighborhood.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
OH, SLEEP. Nothing else could ever bring me such pleasure, such freedom, the power to feel and move and think and imagine, safe from the miseries of my waking consciousness. I was not a narcolepticβI never fell asleep when I didnβt want to. I was more
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery.
β
β
Ottessa Moshfegh (Death in Her Hands)
β
On a good day, every small thing is enchanting. Everything is a miracle. There is no emptiness. There is no need for forgiveness or escape or medicine. I hear only the wind in the trees, and my devils hatching their sacral plans, fusing all the shattered pieces together into a blanket of ice. I have found that it's under that ice that I can feel I am just another normal person. In the dark and cold, I am at 'peace.
β
β
Ottessa Moshfegh (Homesick for Another World)
β
I could feel the certainty of a reality leeching out of me like calcium from a bone. I was starving my mind into obliqueness. I felt less and less. Words came and I spoke them in my head, then nestled in on the sound of them, got lost in the music.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Reva was like the pills I took. They turned everything, even hatred, even love, into fluff I could bat away. And that was exactly what I wantedβmy emotions passing like headlights that shine softly through a window, sweep past me, illuminate something vaguely familiar, then fade and leave me in the dark again.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Someone said once that pupils were just empty space, black holes, twin caves of infinite nothingness. "When something disappears, that's usually where it disappears - into the black holes in our eyes." I couldn't remember who had said it. I watched my reflection disappear in the steam.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
I deplored silence. I deplored stillness. I hated almost everything. I was very unhappy and angry all the time. I tried to control myself, and that only made me more awkward, unhappier, and angrier. I was like Joan of Arc, or Hamlet, but born into the wrong lifeβthe life of a nobody, a waif, invisible. There's no better way to say it: I was not myself back then. I was someone else. I was Eileen.
β
β
Ottessa Moshfegh (Eileen)
β
But coming out of that sleep was excruciating. My entire life flashed before my eyes in the worst way possible, my mind refilling itself with all my lame memories, every little thing that had brought me to where I was. I'd try to remember something elseβa better version, a happy story, maybe, or just an equally lame but different life that would at least be refreshing in its digressionsβbut it never worked. I was always still me. Sometimes I woke up with my face wet with tears. The only times I cried, in fact, were when I was pulled out of that nothingness, when the alarm on my cell phone went off.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Pondering all this down in Reva's black room under her sad, pilly sheets, I felt nothing. I could think of feelings, emotions, but I couldn't bring them up in me. I couldn't even locate where my emotions came from. My brain? It made no sense. Irritation was what I knew best - a heaviness on my chest, a vibration in my neck like my head was revving up before it would rocket off my body. But that seemed directly tied to my nervous system - a physiological response. Was sadness the same kind of thing? Was joy? Was longing? Was love?
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)