Otherworldly Quotes

We've searched our database for all the quotes and captions related to Otherworldly. Here they are! All 100 of them:

β€œ
You forget, darling. I am the local psychopath.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Kids who don't eavesdrop on adult conversations are doomed to a childhood of ignorance.
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Kelley Armstrong (Men of the Otherworld (Otherworld Stories, #1))
β€œ
Urban survival rule 22: Never annoy an armed man.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
I was very strict on that point. No devouring classmates." Jeremy rolled his eyes. "Other parents warn their kids not to talk to strangers. I had to warn mine not to eat them.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
Are you the welcoming committee? Or has Jeremy finally chained you up to the front gate where you belong?" "I missed you too.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Murder? You mean he's dead?" "No. He's resting comfortably," I said. "People always sleep best with their heads at a ninety-degree angle. He looks comfortable, doesn't he?" (Paige & Elena)
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
I thought you were all-seeing.” All-knowing, not all-seeing!” he snapped. β€œI’m a God, not Santa Claus!
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Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
β€œ
When I glanced at the chair, it started to shake. I’d like to think it was scared of me, but I rarely invoked that response in living things, let alone inanimate objects.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
Another werewolf thing. Like most animals, we spent a large part of our lives engaged in the three Fs of basic survival. Feeding, fighting and... reproduction.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
Claim whatever you want. Say you only want a happy family or a successful career or a big house. I say: no, that's not what you want. You'll settle for those things, but you really want a monkey that does your evil bidding. Pullman is a genius just for this.
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Maureen Johnson (World of the Golden Compass: The Otherworldly Ride Continues [Paperback])
β€œ
A stereotype becomes a stereotype when a significant percentage of the population appears to conform to it.
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Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
β€œ
I don't forgive him," I said. "Hell, no, you don't. And why should you? So he can feel better? Get on with his life? And what's he done to help you get on with yours?
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Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β€œ
He liked women with little butts and big tits? Someone had played with one too many barbie dolls as a kid.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
We’re not naked, we’re skyclad!
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Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
β€œ
Maturity is highly overrated.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
We scarified a mosquito. I bet that's what did it. It was probably a virgin too.
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Kelley Armstrong (Broken (Women of the Otherworld, #6))
β€œ
I've spent the last decade learning to stand firm and face my problems… or at least batter them until they're unrecognizable.
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Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β€œ
Uh-uh. We've played this game before. I hide. You never seek. I'm a bit slow on the uptake, but I'm beginning to sense a pattern." - Clay to Elena
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
You'll wrest a burning sword from an angel, but you're afraid of bats?" "I'm not afraid of them. I just don't like them. They're...furry. Flying things shouldn't be furry. It's not right. And if I ever meet the Creator, I'm taking that one up with him." "That I'd like to see. Your one and possible only chance to get the answer to every question in the universe, and you ask, 'Why are bats furry?'" "I will. You just wait.
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Kelley Armstrong (Haunted (Women of the Otherworld, #5))
β€œ
What’s this?” Nick said. β€œBedtime?” No one answered him. I kept my eyes closed. β€œYou look positively content, Clayton,” Nick continued, thumping down on the floor. β€œThat wouldn’t have anything to do with the fact that Elena is cuddled up with you, would it?” β€œIt’s cold in here,” I murmured. β€œDoesn’t feel cold.” β€œIt’s cold,” Clay growled. β€œI could start a fire.” β€œI could start one, too,” Clay said. β€œWith your clothes. Before you get them off.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
The consolation of fairy-stories, the joy of the happy ending; or more correctly of the good catastrophe, the sudden joyous "turn" (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially "escapist," nor "fugitive." In its fairy-tale -- or otherworld -- setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.
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J.R.R. Tolkien (Tolkien On Fairy-stories)
β€œ
How Do you spell relax?" I whispered, holding his head with my hands. I think the answer is f-u-c-k-m-e." He answered.
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Yasmine Galenorn (Dragon Wytch (Otherworld / Sisters of the Moon, #4))
β€œ
The moon likes secrets," Meran said. "And secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.
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Charles de Lint (Dreams Underfoot (Newford, #1))
β€œ
Perfect night, wasn't it?" "It could have been." I smiled up at him. "But you were there.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
But you don't belong here! You're dead!" I sobbed against his chest. "Zo, babe, this is the Otherworld. It's not me who doesn't belong here-it's you.
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P.C. Cast (Tempted (House of Night, #6))
β€œ
Daemon was sprawled on his back, one arm stretched across the space beside him and the other rested across his bare stomach. Sheets were twisted around his narrow hips. His face was almost angelic in sleep, chiselled lines softened and lips relaxed. Thick lashes fanned the top of his cheeks. He looked so much younger at rest but, in a weird way, he was even more out of my league. His kind of masculine beauty was otherworldly and intimidating. Something that existed in between the pages of the books I read. Sometimes I had a hard time convincing myself he was real.
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Jennifer L. Armentrout (Opal (Lux, #3))
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As I recall, I was still dressed when I fell asleep." "Just making sure you were comfortable." "And making yourself equally comfortable, I see.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Well. I think it's safe to say that, in my absence, the power grabbing and backstabbing and political intrigue has officially reached an all-time Otherworld high.
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Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
β€œ
His cheek twitched. With Jeremy, this was the equivalent of an emotional outburst.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
The show's writers had peppered the piece with words like "savage," "wild," and "animalistic." What bullshit. Show me the animal that kills for the thrill of watching something die. Why does the stereotype of the animalistic killer persist? Because humans like it. It neatly explains things for them, moving humans to the top of the evolutionary ladder and putting killers down among mythological man-beast monsters like werewolves. The truth is, if a werewolf behaved like this psychopath it wouldn't be because he was part animal, but because he was still too human. Only humans kill for sport.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
You'd expect that as much as a samurai would expect a kick in the balls.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Lips to lips, mouth to mouth, Comes the speaker of the shrouds, Suck in the spirit, speak the words, Let secrets of the dead be heard.
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Yasmine Galenorn (Witchling (Otherworld / Sisters of the Moon, #1))
β€œ
About Daniel: Two, he hates Clay * Five, he really hates Clay. * Nine, he really, really, REALLY hates Clay.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
I moved up beside Jamie."I have to go." She frowned at me. "Where?" I pressed a hand to the bottom of my belly. "My bladder.It-" Ah." She gave a small laugh. "We interrupt this life-or-death situation for a pregnancy pee break. Don't see that in the movies, do you?
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Kelley Armstrong (Broken (Women of the Otherworld, #6))
β€œ
there are people all over the world who carry the mermaid inside them, that otherworldly beauty and longing and desire that made her reach for heaven when she lived in the darkness of the sea.
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Carolyn Turgeon (Mermaid)
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She wasn’t light; she was color. Every single one, dancing otherworldly and bright over his unworthy eyes. She was the explosion of the vivid gleams and glows of the world around him, like a constant rainbow, shining not after the rain but during.
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Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
β€œ
What am I? Let's just say I won't fetch a stick for you. I won't beg for treats. And, no matter how nicely you ask, I will not roll over and play dead.
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Kelley Armstrong (Living with the Dead (Women of the Otherworld, #9))
β€œ
Weave the circle, tightly sewn, Let nothing evil or unknown Enter within. Stay without On pain of death, we cast you out.
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Yasmine Galenorn (Blood Wyne (Otherworld / Sisters of the Moon, #9))
β€œ
Could you please put this--could you all put these--could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?
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Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
β€œ
I'm suprised he doesn't send Christmas cards," Antonio said. "I can see them now. Tasteful, embossed veilum cards, the best he can steal. Little notes in perfect penmanship,"Happy holidays. Hope everyone is well. I sliced up Ethan Ritter in Miami and scattered his remains in the Atlantic. Best wishes for the new year. Karl.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Per your request and his, this is how it's going to be from now on. When I want to ask you to abandoned buildings or kiss those lips of yours or stare into your otherworldly eyes or imagine what you look like under all those baggy drab clothes you're always hiding in or ravish you on some grimy floor like I'm desperate to this very minute, I'll just bugger off on my Hippity Hop. Deal?
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Jandy Nelson (I'll Give You the Sun)
β€œ
[Daniel] was still glowing, as if lit from within. She could still clearly see his violet-gray eyes and his full mouth. His strong hands and broad shoulders. She could reach out and fold herself into her love's light. He reached for her. Luce closed her eyes at his touch, expecting something too otherworldly for her human body to withstand. But no. It was simply, reassuringly, Daniel. She reached around his back to finger his wings. She reached for them nervously, as if they could burn her, but they flowed around her fingers, softer than the smoothest velvet, the plushest rug. The way she'd like to imagine that a fluffy, sun-drenched cloud would feel if she could cup it in her hands. "You're so...beautiful.
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Lauren Kate (Fallen (Fallen, #1))
β€œ
We come together, we create our families, we chose our mates out of the desire to form a life together. Love takes many forms, wears many faces, but when it's real, when it touches your heart, you will know it and--with hope--embrace it. Love is stronger than hate, love is stronger than anger. Love is stronger than all artificial divisions that exist n our world.
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Yasmine Galenorn (Demon Mistress (Otherworld / Sisters of the Moon, #6))
β€œ
At school, our classroom had a small rodent zoo consisting of two rabbits, three hamsters, a litter of baby gerbils and a guinea pig. At first, I’d thought the teacher was raising snack food, which impressed me, being the first sign of intelligence she’d shown. Soon, though, I’d figured out the animals’ true purpose and left them alone, though I would never understand the appeal of petting and coddling perfectly good food.
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Kelley Armstrong (Men of the Otherworld (Otherworld Stories, #1))
β€œ
It was awful. It was, like, walk out to the woods, Change, stand there until enough time passed, Change back. It was about as much fun as taking a shit." "Nice analogy.
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Kelley Armstrong (Bitten (Otherworld, #1))
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What's the woman doing there?" he asked. "Covering a scratch on the hood. She was cheaper than a new paint job." He flipped through a few more pages of barely dressed women and classic cars. "Nick used to have magazines like this when we were kids. But without the cars." He rotated a photo sideways. "Or the bathing suits.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Don't call anyone a devil, because within you, you can experience hell and the devil, and the devil is nothing, but you!
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Michael Bassey Johnson
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Speaking of death, LeBlanc boasted he could kill me in the waiting room. I broke his wrist. He wasn't impressed.
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Kelley Armstrong (Bitten (Otherworld, #1))
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The stairs aren't challenging enough anymore?" he asked. Antonio laughed. "Challenge has nothing to do with it, Jer. I'd say it's the big bad wolf huffing and puffing at her door up there.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Since Stark had come back from the Otherworld, he'd been too weak and out of it to do much more than eat, sleep, and play computer games with Seoras, which was actually a super weird sight, it was like high school meets Braveheart meets Call of Duty.
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P.C. Cast (Awakened (House of Night, #8))
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I didn't need to be rescued." "Sorry, but my sword outranks your…" she glanced at my hand, "sock puppet.
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Kelley Armstrong (No Humans Involved (Women of the Otherworld, #7))
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Using supernatural beings to build the perfect weapon? Intriguing idea." "Not really," I said. "They did it on Buffy the Vampire Slayer. A sub-par season. I slept through half the episodes.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
An insipid voice message or an incongruent emergence from the β€œother” world may disrupt our whole thinking system. If we are not able to deal with the fragmentation of our self and assess the deconstruction of our identity, a corny incident could easily capsize our being. A misinterpretation of facts and expectations may perturb our awareness and unsettle our perception. When β€œI” and β€œme” don’t get along very well, the road to oneness may be very often bumpy. (β€œAlors, tout a basculé”)
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Erik Pevernagie
β€œ
A G-Rated story? About taking some deformed baby and locking him up? And if it was true, and this poor guy had been locked up in there for decades, and someone threw in a perfectly good woman, what the hell do you think he'd do with her? Play Parcheesi?
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Kelley Armstrong (Haunted (Women of the Otherworld, #5))
β€œ
Next Clay gave the house rules for living with theSorrentinos , which sounded a lot like the Ten Commandments. Thou shall not lie, steal anything, kill anyone, disrespect your hosts or covet any of Nick's girlfriends. And if you break the rules, you'll get your ass kicked and handed to you in piecesβ€”a part I suspect God left out.
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Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β€œ
You know, I couldn't imagine living somewhere without seasons." Yeah?" Real seasons, I mean. I'd miss the changes, the variety. Especially spring. I couldn't live without spring. Days like today are worth every snowstorm and slush puddle. By March, it seems like winter will never end. All that snow and ice that seemed so wonderful in December is driving you crazy. But you know spring's coming. Every year, you wait for that first warm day, then the next and the next, each better than the last. You can't help but be happy. You forget winter and get the chance to start over. Fresh possibilities." A fresh start.
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Kelley Armstrong (Bitten (Otherworld, #1))
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β€Ž"If you want that kind of thing, call Nick. His advice is shit, but he really likes to give it.
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Kelley Armstrong (Spell Bound (Women of the Otherworld, #12))
β€œ
Who cared whether you could change motor oil when you could snap a rottweiler’s neck in 2.8 seconds? Now there was a practical skill.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
Did you use a chainsaw?" Joey said. "I seem to recall you like chainsawa." "There wasn't a power outlet." Clay turned to me. "That's what I want for Father's Day, darling. A gas powered chainsaw.
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Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β€œ
I called. Why wasn't anyone here?"- Elena We were here." Clay said. "Around, anyway. You should have left a message." I did. Two hours ago." - Elena Well that explains it. I've been out, by the gate all day, waiting for you, and you know Jer never checks the machine."- Clayton I didn't know how Clay had known I was coming back today when I hadn't left a message. Nor did I question why he'd spent the entire day waiting at the gate. Clay's behavior couldn't be measured by human standard's of normalcy... or by any standards of normalcy at all. Bitten
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Antonio- "Just in time, Pete. Five more minutes of reading this and she'd have been in a coma." Peter- "Are we such bad company that you'd rather hide out in here reading that old thing?
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Elena?" "Yes, unless Nick found a woman in the forest, which I suppose wouldn't be too surprising.
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Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β€œ
Closed door means knock," Elena said to Clay, shooing him out. You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?" "A dryad," Elena said, cuffing him in the arm. "Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!" "Bag?" Clay said. "What does a dryad need with-" "An evening bag," Cassandra said. "A purse." "She's got a purse. It's right there on the bed." "That's a day purse," Cassandra snapped. "What, do they expire when the sun goes down?
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Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
β€œ
This is the first adventure I’ve survived without being kidnapped, attacked, knocked unconscious or possessed by evil spirits. A ripped blouse? Ruined skirt? Bad hair? I’d call this progress. ~Jaime Vegas
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Kelley Armstrong (No Humans Involved (Women of the Otherworld, #7))
β€œ
Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child Zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha.
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Kevin James Breaux
β€œ
Rhys said, β€œWe will walk onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today …” His chin lifted. β€œThe great joy and honor of my life has been to know you. To call you my family. And I am gratefulβ€”more than I can possibly sayβ€”that I was given this time with you all.
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Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
β€œ
One part of my brain, soaring on adrenaline, insisted I could take Cain, whatever the size difference. Another part wondered where the hell Nick and Clay were. The loudest part just shouted: Run, you idiot, run!
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
A guitar twanged from the far-off radio. Country music. Damn. They'd resorted to torture already.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
So consider your options, make your choice and call me home.
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Kelley Armstrong (Living with the Dead (Women of the Otherworld, #9))
β€œ
There is no mystery in this association of woods and otherworlds, for as anyone who has walked the woods knows, they are places of correspondence, of call and answer. Visual affinities of color, relief and texture abound. A fallen branch echoes the deltoid form of a streambed into which it has come to rest. Chrome yellow autumn elm leaves find their color rhyme in the eye-ring of the blackbird. Different aspects of the forest link unexpectedly with each other, and so it is that within the stories, different times and worlds can be joined.
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Robert Macfarlane (The Wild Places)
β€œ
My past was a private obstacle, not a public excuse.
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Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
Stuffing people into boxes is for those who have issues about their own box.
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Kelley Armstrong (Spell Bound (Women of the Otherworld, #12))
β€œ
Here I had a wonderful man who cared for me and I was screwing around with a self-absorbed, conniving monster who'd betrayed me in the worst possible way.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. β€œJust walk over to her and point at the alley. Maybe say…I don’t know…something like β€˜fifty bucks.’ ” I looked at Jeremy. β€œDoes that sound right? Fifty?” His brows shot up. β€œWhy are you asking me?” β€œI wasn’tβ€”I just meant, as a general…” I threw up my hands. β€œHow am I supposed to know how much a hooker costs?
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Kelley Armstrong (Broken (Women of the Otherworld, #6))
β€œ
Sometimes humans hit on a moment of profundity more complete than their dim minds could comprehend, and they took that nugget of truth and dumped it in the refuse for the bards and the poets to find, and mangle into yodeling paeans of love.
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Kelley Armstrong (Haunted (Women of the Otherworld, #5))
β€œ
I have to. I've been fighting it all night. I'm going to lose. My battle is as futile as a woman feeling the first pangs of labor and deciding it's an inconvenient time to give birth. Nature wins out. It always does.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Our destiny is aligned with our heart's innermost longing, a longing embedded within our soul before birth. This longing is a unique pattern or configuration reminiscent of the constellations in the night sky. When we express (press out) our unique configuration, it shines through us with an otherworldly luminosity, manifesting abundance in our lives and the lives of others. Our sole task is to yoke our inner destiny, thread it through our lives and weave it into the world. All else is just shadows and dust.
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Thea Euryphaessa (Running Into Myself)
β€œ
Now, I was well aware that certain sports required certain modes of dress for protection, but I failed to see how wearing a sleeveless blouse on the course qualified as a safety hazard. God forbid the sight of my bare shoulders should send male golfers into a tizzy, knocking balls everywhere.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
I hear voices. A shout. A laugh. Clay's laugh. I strained to see through the night. Fog had rolled in from Lake Ontario, but I could hear him laughing. The concrete turned to grass. The fog wasn't from the lake, but from a pond. Our pond. I was at Stonehaven, bounding through the back acres. Clay was running ahead of me.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Making me choose? Darling, we live with the guy. We share a house, bank accounts, even vacations. We're never alone and I've never heard you utter one word of complaint. You have never asked me to choose, and you have no idea how grateful I am for that, because if I ever had to pick, it would be you, no matter what that meant for the Pack.
”
”
Kelley Armstrong (Stolen (Women of the Otherworld, #2))
β€œ
A knock came at the door. Everyone looked up. Elena's nostrils flared and she leaned over to whisper something to Clay. "Fuck," he muttered. "Keep talking, Jaime. It's only Cassandra. She can wait. Forever, if we're lucky." "I heard that, Clayton," Cassandra said as she walked in. "Who the hell forgot to lock the door?" Clay said. "You were the last one in," Elena murmured. "Damn.
”
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Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
β€œ
You know what’s sad about reading books? It’s that you fall in love with the characters. They grow on you. And as you read, you start to feel what they feel - all of them - you become them. And when you’re done, you’re never the same. Sure you’re still you, you look the same, talk in the same manner, but something in you has changed. Something in the way you think, the way you choose, sometimes, even the things you say may differ. But it all comes down to the state you go to after a nice novel. The after-feeling. It’s amazing, but somehow, you feel left alone by that world you were once in. It’s overwhelming. But it makes you sad. Cause for once you were this, this otherworldly being in… Neverwhere, and then you suddenly have to say goodbye after a few weeks from when you read the last page. When you’ve recovered from that state it’s just… quite sad.
”
”
Suzanne Collins
β€œ
Jeremy had a plan for getting Clay back and I wasn't allowed to know anything about it or allowed to help him carry it out. As one might expect, I accepted this news with grace and understanding. "That is the stupidest idea I've ever heard!" I snarled for the dozenth time that hour. "I won't just sit here and do nothing.
”
”
Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Cosmo never speaks to my life. Its surveys always ask questions like How would you react if your lover announced he was taking a job in Alaska? and jumping for joy is never one of the options. Move to Alaska? Hell, my lover was thirty-seven and hadn't moved away from home yet. Where were the questions relevant to my life?
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
My point is, I would never hurt you or your family.” I raised my chin at him. β€œIf you tried to hurt my mother, I would totally kick your ass.” β€œAha.” β€œYes. You would be lying on the ground, crying, β€˜No more, no more,’ and I would be kicking you in the stomach, wham, wham, wham!” He laughed softly.
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”
Ilona Andrews (Hexed (World of Kate Daniels, #4.5; Otherworld, #9.5; Stormwalker, #2.5; Anna Strong Chronicles, #6.5))
β€œ
What's your name?" I ask. I don't need to know. In fact, don't want to know. Giving him a name makes it sound like we're somehow on the same side, which we can never be. It's like acknowledging that we could become friends. But that's not possible. It's pointless to make friends with your executioner. "Raffe." I only asked him his name to distract him from thinking about having to use his feet instead of his wings. But now that I know his name, it feels right. "Rah-fie," I repeat slowly. "I like the sound of that." His eyes soften as though he smiles even though his expression doesn't change from his stony look. For some reason, it makes my face heat up. I clear my throat to break the tension. "Raffe sounds like Raw Feet. Coincidence?" That gets a smile out of him. When he smiles, he really does look like someone you'd want to get to know. Some otherworldly handsome guy a girl could dream about. Only he's not a guy. And he's too otherworldly. Not to mention that this girl is beyond dreaming about anything other than food, shelter, and the safety of her family.
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Susan Ee (Angelfall (Penryn & the End of Days, #1))
β€œ
Torn clothing littered the ground, more hung from bushes. Nick held up half a pair of white panties and grinned at me. "Wild dogs? Or just Clayton?" "Oh God," I muttered under my breath. I walked over to snatch the underwear from him, but he held it over his head, grinning like a schoolboy. "I see Paris, I see France, I see Elena's underpants," he chanted. "Everyone's already seen much more than that," Jeremy said. "I think we can safely resume the search." Peter plucked Clay's shirt from a low-hanging branch and held it up, peering through a hole in the middle. "You guys can really do some damage. Where's the hidden video when you need it?" "So this--uh--wasn't done by wild dogs?" one of the searchers said. Peter grinned and tossed the shirt to the ground. "Nope. Just wild hormones.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
I remember hearing myself start to whimper, a five-year-old, crouched by the side of the road, staring into my father's eyes, whimpering because it was so dark and there was no one coming to help, whimpering because my mother was back in the crushed car, not moving, and my father was lying here in the dirt, not answering me, not holding me, not comforting me, not helping my mother get out of the car, and there was blood, so much blood, and broken glass everywhere, and it was so dark and so cold and no one was coming to help.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
God made me a girl. And He did that on purpose. But He asks me to become the kind of girl who is actually useful to His kingdom purposes. I need to become the sort of girl who is unafraid to poke my head into the battle of the ages and cry out, β€œWho is this uncircumcised Philistine who is blaspheming the armies of the living God?” God wants me to wrestle. God wants to stick grit in my girliness. He wants me to be prepared to tangle, to interlock my soul in this eternal combatβ€”- not with other girls, not with sweaty boys, but with Him, and with the otherworldly powers of darkness. He wants me to wrestle in prayer, to grab ahold of His great and precious promises and fight to see them unfurled in living reality on this Earth.
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Leslie Ludy
β€œ
He leaned her back against the tub, setting her head on the edge, then washed her shoulders. "I know I left you once." She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't. "I know I hurt you." Again, she wanted to argue. But she couldn't. "I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't". He slid the cloth over her arms. "If this ends, Hope, it won't be me that ends it. I think you know that.
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Kelley Armstrong (Living with the Dead (Women of the Otherworld, #9))
β€œ
I didn't deserve Jeremy's kindness. I knew that. I suppose that was why I always questioned his motivation. In the beginning, every time he'd done something nice for me, I'd searched for a glimpse of evil behind the kindness, some nefarious motivation. After all, he was a monster. He had to be evil. When I'd realized there was nothing bad in Jeremy, I'd latched on to another excuse: that he was good to me because he was stuck with me, because he was a decent guy and maybe even because he felt some responsibility for what his ward had done to me. If he took me to Broadway plays and expensive dinners for two, it was because he wanted to keep me quiet and happy, not because he enjoyed my company. I wanted him to enjoy my company, but couldn't believe in it because I didn't see much in myself to warrant it.
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Kelley Armstrong (Bitten (Otherworld, #1))
β€œ
Minutes passed by. A little blue butterfly landed on my nose. I blinked at it and it fluttered to my ear. A big yellow butterfly gently floated over and landed on my paw. Soon a whole swarm of them floated up and down around me, like a swirl of multicolored petals. It happened in my backyard, too, if the magic was strong enough. Butterflies were small and light, and very magic sensitive. For some reason I made them feel safe and they gravitated to me like iron shavings to a magnet. They ruined my ferocious badass image, but you’d have to be a complete beast to swat butterflies. If a baby deer frolicked out from between the buildings trying to cuddle up, I would roar. I wouldn’t bite it, but I would roar. I had my limits.
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Ilona Andrews (Hexed (World of Kate Daniels, #4.5; Otherworld, #9.5; Stormwalker, #2.5; Anna Strong Chronicles, #6.5))
β€œ
Lord James did not know whether to feel proud of his daughter or throttle her. He had managed to collar her quietly among the guests at the Shinar manor, and they were alone together in the Lord Steward’s library. He ordered her to a sofa in front of a ceiling-high bookcase. Helen heard the same hard quality in his voice that she had perceived the first time they spoke together. She swallowed hard. He was not in a mood to be trifled with or flouted. β€œYou dress and behave modestly enough, Lieutenant,” he said. β€œBut your language earlier today was utterly appalling. You sounded like a Lesser Shore whore, not a proper young woman, or a professional healer. I simply won’t have it.” β€œTwo out of three is a start, Lord —” He brought the back of his hand down across her face. She leapt to her feet, not wounded so much as angry. β€œIs force your answer for everything, Lord Protector?” β€œAre sarcasm and insubordination yours, Lieutenant?
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Candace L. Talmadge (Stoneslayer: Book One Scandal)
β€œ
Thomas Merton said it was actually dangerous to put the Scriptures in the hands of people whose inner self is not yet sufficiently awakened to encounter the Spirit, because they will try to use God for their own egocentric purposes. (This is why religion is so subject to corruption!) Now, if we are going to talk about conversion and penance, let me apply that to the two major groups that have occupied Western Christianityβ€”Catholics and Protestants. Neither one has really let the Word of God guide their lives. Catholics need to be converted to giving the Scriptures some actual authority in their lives. Luther wasn’t wrong when he said that most Catholics did not read the Bible. Most Catholics are still not that interested in the Bible. (Historically they did not have the printing press, nor could most people read, so you can’t blame them entirely.) I have been a priest for 42 years now, and I would sadly say that most Catholics would rather hear quotes from saints, Popes, and bishops, the current news, or funny stories, if they are to pay attention. If I quote strongly from the Sermon on the Mount, they are almost throwaway lines. I can see Catholics glaze over because they have never read the New Testament, much less studied it, or been guided by it. I am very sad to have to admit this. It is the Achilles heel of much of the Catholic world, priests included. (The only good thing about it is that they never fight you like Protestants do about Scripture. They are easily duped, and the hierarchy has been able to take advantage of this.) If Catholics need to be converted, Protestants need to do penance. Their shout of β€œsola Scriptura” (only Scripture) has left them at the mercy of their own cultures, their own limited education, their own prejudices, and their own selective reading of some texts while avoiding others. Partly as a result, slavery, racism, sexism, classism, xenophobia, and homophobia have lasted authoritatively into our timeβ€”by people who claim to love Jesus! I think they need to do penance for what they have often done with the Bible! They largely interpreted the Bible in a very individualistic and otherworldly way. It was β€œan evacuation plan for the next world” to use Brian McLaren’s phraseβ€”and just for their group. Most of Evangelical Protestantism has no cosmic message, no social message, and little sense of social justice or care for the outsider. Both Catholics and Protestants (Orthodox too!) found a way to do our own thing while posturing friendship with Jesus.
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Richard Rohr
β€œ
Sometimes I think I live in a gap between two worlds, one world that I have to wake up to, be adherent of the rules and live in a place that is dictated by others. A place I sometimes feel the fear of aging and dying before I have figured out what it is I am here to do. That other world is sweet, fresh and misty, inviting adventure into the unknown, melding ancient wisdom with new discovery; the sunlight turning into moonlight and the spell of eternal life is never broken. Perhaps in that gap I should repair the forgotten bridge from one side to the other, but truth be told, I don't want to. I don't want to because I don't have the energy to fix what is broken within. I am a wild, wandering nomad, I belong everywhere and nowhere all at the same time, and in that gap between worlds, I am free.
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Riitta Klint
β€œ
This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.
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Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
β€œ
Behind us, the man laughed. "Looks like we aren't the only ones looking for a little diversion. There's an empty office right over there, guys." Marsten raised his hand in thanks. The couple moved on. I let the kiss continue for five more seconds, then pulled away. "They're gone," I said. Marsten frowned, as if surprised-and disappointed-that I'd noticed. I tugged my hair from his hands. "Okay, coast clear," I said. "Let's go." He let out a small laugh. "I see I need to brush up on my kissing." "No, you have that down pat." "She says with all the excitement of a teacher grading a math quiz..." "A-plus. Now let's move. Before someone else comes along.
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Kelley Armstrong (Chaotic (Otherworld Stories, #5.2))
β€œ
She could just distinguish his features, as he slept the perfect sleep. In this darkness, she seemed to see him so distinctly. But he was far off, in another world. Ah, she could shriek with torment, he was so far off, and perfected, in another world. She seemed to look at him as at a pebble far away under clear dark water. And here was she, left with all the anguish of consciousness, whilst he was sunk deep into the other element of mindless, remote, living shadow-gleam. He was beautiful, far-off, and perfected. They would never be together. Ah, this awful, inhuman distance which would always be interposed between her and the other being! There was nothing to do but to lie still and endure. She felt an overwhelming tenderness for him, and a dark, under-stirring of jealous hatred, that he should lie so perfect and immune, in an other-world, whilst she was tormented with violent wakefulness, cast out in the outer darkness.
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D.H. Lawrence (Women in Love)
β€œ
Love is soul work. Love can be met and joined with attraction and infatuation and all of that, but love will not fade when those things do. You can choose to close your heart to love, and run away, and avoid it for as long as you can in every way you can think of but if it was really, truly, the other-worldly, almost supernatural kind of love that we can only hope to be graced with at least once in this life experience, it will not leave you. You can love many people, but at the end of the day, the love you need to choose is the love that, even if you close your heart to, still moves you. The love you still write about. The love you can’t face. The love you’re still not okay with losing, that you’re angry about; the love that uprooted your life and contorted your being. The love you ran away from because it showed you who you are without the guise of worth given from someone else. This is love because these are all signs that you are closing your heart and to be doing so, there has to be something going through you for you to be able to close off. Real love will be the love you realize that remains even after you close your heart to it, because it sustains itself. It drives you forward. It brings up all the unhealed parts of you that you have to reconcile.
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Brianna Wiest
β€œ
If I were not a Catholic, and were looking for the true Church in the world today, I would look for the one Church which did not get along well with the world; in other words, I would look for the Church which the world hates. My reason for doing this would be, that if Christ is in any one of the churches of the world today, He must still be hated as He was when He was on earth in the flesh. If you would find Christ today, then find the Church that does not get along with the world. Look for the Church that is hated by the world, as Christ was hated by the world. Look for the Church which is accused of being behind the times, as Our Lord was accused of being ignorant and never having learned. Look for the Church which men sneer at as socially inferior, as they sneered at Our Lord because He came from Nazareth. Look for the Church which is accused of having a devil, as Our Lord was accused of being possessed by Beelzebub, the Prince of Devils. Look for the Church which theworld rejects because it claims it is infallible, as Pilate rejected Christ because he called Himself the Truth. Look for the Church which amid the confusion of conflicting opinions, its members love as they love Christ, and respect its voice as the very voice of its Founder, and the suspicion will grow, that if the Church is unpopular with the spirit of the world, then it is unworldly, and if it is unworldly, it is other-worldly. Since it is other-worldly, it is infinitely loved and infinitely hated as was Christ Himself. ... the Catholic Church is the only Church existing today which goes back to the time of Christ. History is so very clear on this point, it is curious how many miss its obviousness...
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Fulton J. Sheen