Femme Fatale Book Quotes

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I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains — good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves — to the point of almost parodic encouragement — we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.
Gillian Flynn
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes. The man drowned. When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
She'd never been all that afraid of getting hurt, or dying. It had always been her own abilities, her capacity for solving a puzzle, for getting a job done at any cost. She was terrified of what she could do if she tried. Charlie had been walking away from herself her whole life.
Holly Black (Book of Night (Book of Night, #1))
The movie style eventually known as ‘Film Noir’ served up hard-bitten crime stories featuring morally bankrupt men and mysterious femme fatales, blending violence and sexual desire into bleak tales of modern life, without clear messages of morality. The comic book industry offered younger readers its own version of the Film Noir mood with a wave of crime comics that began sweeping the newsstands around 1947.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
I told you,” Harry was saying to Ben. “I warned you. As soon as I saw her from distance, do you remember what I said to you?” “Yes, yes. You said she was trouble. You where wrong there, and you’re wrong now.” “Benjamin, I know about these things. She is trouble.” “You know nothing except the idiocy you glean from your insipid books that tell you nothing about life. You don’t know how to live.” “And you do?” “Yes, I do. She is no trouble. She is Life!” Harry rolled his eyes to the heavens. “More fool you. How else do you define trouble?” “Like a femme fatale,” Ben said. “Give her time, Benjamin. She is a fille fatale. Quattordici indeed!” Ben moved away from mocking Harry, his shoulders dropping.
Paullina Simons (Children of Liberty (The Bronze Horseman, #0A))
At first glance, The Town seemed like every other. Its suburban landscape, however, had become infected. Below sharpened blades of green grass that bent under the weight of heavy raindrops, worms wriggled and dug through damp soil, establishing intricate systems of rot; intertwining the roots of tall-standing trees and invading overgrown weeds, harboring all the people’s secrets, filling with blood and pulsating such as the empty womb of a woman overcome by a withering sickness. And unknown to the stranger who slept under a heavy blanket of ash and liquor, but this sickness had also nestled itself —as real and consuming as her organs—within the girl who wandered the streets of the Town. Flickering yellow lights shining through bounds of thick white locks, she could feel it inside her, sliding into her belly, residing alongside the trauma that coated her tongue like honey; sweet as ripe tangerines but bitter against the back of her throat like coffee grounds.
Kate Winborne (Blossom (The Wolf's Den Anthology Book 1))
...the dark femme de-centers men entirely from her life. If she wants to seduce something, she seduces success. If she wants to slay something, she slays her business/career. She's her own dream girl.
Lily Scarlet (The Dark Femme Within: Dark Feminine Energy for Beginners. Captivate with Allure & Irresistible Appeal Through Your Inner Femme Fatale: How to Use Dark ... Get What You Want (Dark Femme Power Book 1))
They would enchant him with their music, their wordless beauty, and then they would dance him to death, carrying his body with them into another realm when the first sunlight broke through the canopy of leaves
Celine Saintclare (The Feminine Art of Revenge: The seductive revenge thriller from BookTok bestseller Celine Saintclare)
When I was young, I used to watch a lot of old movies and read a lot of books, and I was always amazed at how every one of them had some helpless damsel who was oh so happy to fall into the hero’s arms, and I’m not that kind of girl"- Yvonne
Alexander Ferrick (HACK3R)
Femme Fatale" Here she comes, you better watch your step She's going to break your heart in two, it's true It's not hard to realize Just look into her false colored eyes She builds you up to just put you down, what a clown 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks You're put down in her book You're number thirty seven, have a look She's going to smile to make you frown, what a clown Little boy, she's from the street Before you start, you're already beat She's going to play you for a fool, yes it's true 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) See the way she walks Hear the way she talks 'Cause everybody knows (She's a femme fatale) The things she does to please (She's a femme fatale) She's just a little tease (She's a femme fatale) Ooh ooh oh (She's a femme fatale) Ooh ooh oh
Velvet Underground