Oscar Wilde Homosexual Quotes

We've searched our database for all the quotes and captions related to Oscar Wilde Homosexual. Here they are! All 12 of them:

Oscar Wilde was suing the Marquis of Queensbury in 1895 for libel accusing Wilde of homosexuality Counsel: Have you ever adored a young man madly? Wilde: I have never given adoration to anyone except myself.
Oscar Wilde
[Referring to the imprisonment of Oscar Wilde] ... Will civilization never reach humane ideals? Will men always punish most severely the sins they do not understand and which hold forth for them no temptation? Did Jesus suffer in vain?
Frank Harris (Oscar Wilde)
The Love that dare not speak its name" in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as the "Love that dare not speak its name," and on account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an elder and a younger man, when the elder man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it and sometimes puts one in the pillory for it.
Oscar Wilde
So he was queer, E.M. Forster. It wasn't his middle name (that would be 'Morgan'), but it was his orientation, his romping pleasure, his half-secret, his romantic passion. In the long-suppressed novel Maurice the title character blurts out his truth, 'I'm an unspeakable of the Oscar Wilde sort.' It must have felt that way when Forster came of sexual age in the last years of the 19th century: seriously risky and dangerously blurt-able. The public cry had caught Wilde, exposed and arrested him, broken him in prison. He was one face of anxiety to Forster; his mother was another. As long as she lived (and they lived together until she died, when he was 66), he couldn't let her know.
Michael Levenson
I think fairies are all awfully sad,” she said. “Poor fairies.” “This was sort of funny though,” David said. “Because this worthless man that taught Tommy backgammon was explaining to Tommy what it meant to be a fairy and all about the Greeks and Damon and Pythias and David and Jonathan. You know, sort of like when they tell you about the fish and the roe and the milt and the bees fertilizing the pollen and all that at school and Tommy asked him if he’d ever read a book by Gide. What was it called, Mr. Davis? Not Corydon. That other one? With Oscar Wilde in it.” “Si le grain ne meurt,” Roger said. “It’s a pretty dreadful book that Tommy took to read the boys in school. They couldn’t understand it in French, of course, but Tommy used to translate it. Lots of it is awfully dull but it gets pretty dreadful when Mr. Gide gets to Africa.” “I’ve read it,” the girl said. “Oh fine,” David said. “Then you know the sort of thing I mean. Well this man who’d taught Tommy backgammon and turned out to be a fairy was awfully surprised when Tommy spoke about this book but he was sort of pleased because now he didn’t have to go through all the part about the bees and flowers of that business and he said, ‘I’m so glad you know,’ or something like that and then Tommy said this to him exactly; I memorized it: ‘Mr. Edwards, I take only an academic interest in homosexuality. I thank you very much for teaching me backgammon and I must bid you good day.
Ernest Hemingway (Islands in the Stream)
To start with, at that time I'd gone to bed with probably three dozen boys, all of them either German or English; never with a woman. Nonetheless -- and incredible thought it may seem -- I still assumed that a day would come when I would fall in love with some lovely, intelligent girl, whom I would marry and who would bear me children. And what of my attraction to men? To tell the truth, I didn't worry much about it. I pretended my homosexuality was a function of my youth, that when I "grew up" it would fall away, like baby teeth, to be replaced by something more mature and permanent. I, after all, was no pansy; the boy in Croydon who hanged himself after his father caught him in makeup and garters, he was a pansy, as was Oscar Wilde, my first-form Latin tutor, Channing's friend Peter Lovesey's brother. Pansies farted differently, and went to pubs where the barstools didn't have seats, and had very little in common with my crowd, by which I meant Higel and Horst and our other homosexual friends, all of whom were aggressively, unreservedly masculine, reveled in all things male, and held no truck with sissies and fairies, the overrefined Rupert Halliwells of the world. To the untrained eye nothing distinguished us from "normal" men. Though I must confess that by 1936 the majority of my friends had stopped deluding themselves into believing their homosexuality was merely a phase. They claimed, rather, to have sworn off women, by choice. For them, homosexuality was an act of rebellion, a way of flouting the rigid mores of Edwardian England, but they were also fundamentally misogynists who would have much preferred living in a world devoid of things feminine, where men bred parthenogenically. Women, according to these friends, were the “class enemy” in a sexual revolution. Infuriated by our indifference to them (and to the natural order), they schemed to trap and convert us*, thus foiling the challenge we presented to the invincible heterosexual bond. Such thinking excited me - anything smacking of rebellion did - but it also frightened me. It seemed to me then that my friends’ misogyny blinded them to the fact that heterosexual men, not women, had been up until now, and would probably always be, their most relentless enemies. My friends didn’t like women, however, and therefore couldn’t acknowledge that women might be truer comrades to us than the John Northrops whose approval we so desperately craved. So I refused to make the same choice they did, although, crucially, I still believed it was a choice.
David Leavitt (While England Sleeps)
I have no doubt we shall win, but the road is long, and red with monstrous martyrdoms.
Oscar Wilde
William Leonard Courtney (then sixty-one-year-old theatre and literary editor of the Daily Telegraph, he had been an Oxford professor of philosophy until forced to resign when his homosexuality became public knowledge)
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
The outbreak of war produced the remarkable phenomenon that an unusual number of homosexuals streamed into the army and voluntarily joined the ranks. In this group there were a large number whom public opinion on the subject of homoerotic love in Germany and the fear of Paragraph 175 had driven from their homeland before the war.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
Yet ‘homosexual soldiers were very brave warriors … [and] homosexual officers were especially noted for their kindly treatment of the men entrusted to them’. It was a phenomenon borne out by the experience and practice of officers such as Sassoon and Owen.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
Hirschfeld did not regard homosexuality as immoral, and much of his work sought to establish the humanity of those with desires other than the norm. In doing so, he uncovered some sad stories of suffering.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
There was a surprising apparent enthusiasm for the war among homosexuals, some of whom went to war in the hope ‘that a bullet might put an end to their life which they regard as being a complete failure from their point of view of the present conditions and notions.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)