Oscar De La Renta Quotes

…This… ’stuff’? I see, you think this has nothing to do with you. You go to your closet and you select out, oh I don’t know, that lumpy blue sweater, for instance, because you’re trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don’t know is that that sweater is not just blue, it’s not turquoise, it’s not lapis, it’s actually cerulean. You’re also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves St Laurent, wasn’t it, who showed cerulean military jackets? …And then cerulean quickly showed up in the collections of 8 different designers. Then it filtered down through the department stores and then trickled on down into some tragic casual corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and so it’s sort of comical how you think that you’ve made a choice that exempts you from the fashion industry when, in fact, you’re wearing the sweater that was selected for you by the people in this room. From a pile of stuff.

Walk like you have three men walking behind you.

I zoned out while staring at the bright jade beads that clung to her neck on a twist of thick silver. They looked expensive. Probably a gift after one of Tobias’s infidelities. I wanted that timeline: tennis bracelet for the bartender at King Size, a Mercedes-Benz S-Class for the stripper in Basel, an Oscar de la Renta gown after the stewardess over the Atlantic – or more likely Claire had a contract drawn up demanding a cheque be deposited in her personal bank account for each indiscretion.

It's a shame your mother didn't opt for something more extravagant," Akiko says, examining her nails. "When you get married, please make sure there are at least some guests to see our dresses. This is a waste of Oscar de la Renta," Noriko adds, glancing down meaningfully. "Thank you," I say sincerely. "For all you did for us. For my mom. For me." I regard them intently, liquid gathering in my eyes. "It's not a big deal," Akiko says with a sniff, clearly uncomfortable. Human emotions. So messy. "Um," Noriko says to Akiko. "I think she's going to try to hug us." Before they can object, I wrap them up in my arms, embracing them both. Akiko pats my back awkwardly, and Noriko is stiff. "I love you," I say, releasing them. "And I know you love me, too.

The color, the shape, and the texture—none of it is accidental. Every item we wear has a glorious (or sometimes not so glorious) history, and that history extends back years—centuries, even—before Oscar de la Renta's 2002 collection.

They only wanted my smile and a long perusal of my body clad in a red bustier corset lace and silk gown by Oscar de la Renta. I liked to wear red; it reminded me of wet poppies and spanked asses, of strength and lust, and memories that ached in a good way like a massage to sore muscles.

The woman matched the room. Pale pastel Chanel suit. Oscar de la Renta kitten heels. Diamond the size of a Krispy Kreme donut.