Oryx And Crake Jimmy Quotes

But the adjectives change,” said Jimmy. “Nothing’s worse than last year’s adjectives.

Your friend is intellectually honourable," Jimmy's mother would say. "He doesn't lie to himself.

Men can imagine their own deaths, they can see them coming, and the mere though of impending death acts like an aphrodisiac. A dog or rabbit doesn't behave like that. Take birds -- in a lean season they cut down on the eggs, or they won't mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever. As a species were doomed by hope, then? You could call it hope. That, or desperation. But we're doomed without hope, as well, said Jimmy. Only as individuals, said Crake cheerfully.

Jimmy, look at it realistically. You can't couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn't seem to be able to cut himself off at the supply end. He's one of the few species that doesn't limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck." "How to do you account for that?" said Jimmy "Imagination," said Crake. "Men can imagine their own deaths...human beings hope they can stick their souls into someone else...and live on forever.

...and nostalgia swept through Jimmy like a sudden hunger.

We should think only beautiful things, as much as we can. There is so much beautiful in the world if you look around. You are only looking at the dirt under your feet, Jimmy. It's not good for you.

Those walls and bars are there for a reason,” said Crake. “Not to keep us out, but to keep them in. Mankind needs barriers in both cases.” “Them?” “Nature and God.” “I thought you didn’t believe in God,” said Jimmy. “I don’t believe in Nature either,” said Crake. “Or not with a capital N.

Jimmy had been full of himself back then, thinks Snowman with indulgence and a little envy. He’d been unhappy too, of course. It went without saying, his unhappiness. He’d put a lot of energy into it.

Jimmy found himself wishing to make a dent in Crake, get a reaction; it was one of his weaknesses, to care what other people thought of him.

Once in a while, Jimmy would make up a word but he never once got caught out. ... He should have been pleased by his success with these verbal fabrications, but instead he was depressed by it. The memos telling him he'd done a good job meant nothing to him; all they proved was that no one was capable of appreciating how clever he had been. He came to understand why serial killers sent helpful clues to the police.

What do you want me to do?” he whispers into the empty air. It’s hard to know. Oh Jimmy, you were so funny. Don’t let me down. From habit he lifts his watch; it shows him its blank face. Zero hour, Snowman thinks. Time to go.

You need to give money when someone gives you a knife. So the bad luck won't cut you. I wouldn't like it for you to be cut by the bad luck, Jimmy.

I bet it’s your mouldy socks,” said Jimmy. “All the perfumes of Arabia will not sweeten these little socks.

There were signs and I missed them. For instance, Crake said once, "Would you kill someone you loved to spare them pain?" "You mean, commit euthanasia?" said Jimmy. "Like putting down your pet turtle?" "Just tell me," said Crake. "I don't know. What kind of love, what kind of pain?

Now maybe I wouldn't do it, but I was a child then," said Oryx more softly. "Why are you so angry?" "I don't buy it," said Jimmy. Where was her rage, how far down was it buried, what did he have to do to dig it up? "You don't buy what?" "Your whole fucking story. All this sweetness and acceptance and crap." "If you don't want to buy that, Jimmy," said Oryx, looking at him tenderly, "what is it that you would like to buy instead?" (167)

There is so much beautiful in the world if you look around. You are looking only at the dirt under your feet, Jimmy. It’s not good for you.

But Jimmy, you should know. All sex is real.

Not me,” said Jimmy, trying to joke. “I don’t have a price.” Wrong, as usual.

Change can be accommodated by any system depending on its rate, Crake used to say. Touch your head to a wall, nothing happens, but if the same head hits the wall at ninety miles an hour, it's red paint. We're in a speed tunnel, Jimmy. When the water's moving faster than the boat, you can't control a thing.

As a species we're doomed by hope, then? You could call it hope. That, or desperation. But we're doomed without hope, as well, said Jimmy. Only as individuals, said Crake cheerfully.

Of course Crake wasn’t Crake yet, at that time: his name was Glenn. Why did it have two n’s instead of the usual spelling? “My dad liked music,” was Crake’s explanation, once Jimmy got around to asking him about it, which had taken a while. “He named me after a dead pianist, some boy genius with two n’s.

Nevertheless there was something about Crake. That kind of cool slouchiness always impressed Jimmy, coming from another guy: it was the sense of energies being held back, held in reserve for something more important than present company.

Why do you want to talk about ugly things?” she said. Her voice was silvery, like a music box. She waved one hand in the air to dry the nails. “We should think only beautiful things, as much as we can. There is so much beautiful in the world if you look around. You are looking only at the dirt under your feet, Jimmy. It’s not good for you.

Petchenegs versus Byzantium,” said Jimmy, one memorable day.

The times when she was away were hard for Jimmy. He worried about her, he longed for her, he resented her for not being there.

I'm not just any dead man," he says out loud. Of course not! Each one of us is unique! And every single dead person is dead in his or her very own special way! Now, who wants to share about being dead, in our own special words? Jimmy, you seem eager to talk, so why don't you begin?

The worst of it was that those people out there-the fear, the suffering the wholesale death-did not really touch him. Crake used to say that Homo sapiens sapiens was not hard-wired to individuate other people in numbers above two hundred, the size of a primal tribe, and Jimmy would reduce that number to two.

You cynical shit," he told himself. Then he started to weep. "Don't be so fucking sentimental," Crake used to tell him. But why not? Why shouldn't he be sentimental? It wasn't as if there was anyone around to question his taste. Once in a while he considered killing himself-it seemed mandatory-but somehow he didn't have the required energy. Anyway, killing yourself was something you did for an audience, as on nitee-nitee.com. Under the circumstances, the here and now, it was a gesture that lacked elegance. He could imagine Crake's amused contempt, and the disappointment of Oryx: But Jimmy! Why do you give up? You have a job to do! You promised, remember? Perhaps he failed to take seriously his own despair.

Part of what impelled him was stubbornness; resentment, even. The system had filed him among the rejects, and what he was studying was considered—at the decision-making levels, the levels of real power—an archaic waste of time. Well then, he would pursue the superfluous as an end in itself. He would be its champion, its defender and preserver. Who was it who’d said that all art was completely useless? Jimmy couldn’t recall, but hooray for him, whoever he was. The more obsolete a book was, the more eagerly Jimmy would add it to his inner collection.

…Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.’ ‘How do you account for that?’ said Jimmy. ‘Imagination,’ said Crake, ‘Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds - in a lean season they cut down on the eggs, or they don’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.’ ‘As a species we’re doomed by hope then?’ ‘You could call it hope. That, or desperation.’ ‘But we’re doomed without hope, as well,’ said Jimmy. ‘Only as individuals,’ said Crake cheerfully. ‘Well, it sucks.’ ‘Jimmy, grow up.’ Crake wasn’t the first person who ever said that to Jimmy.

Well stuff it, Jimmy thought. If he wants to be an asshole it’s a free country. Millions before him have made the same life choice. He was annoyed with himself for jabbering and capering, while Crake gave him brief, indifferent glances, and that one-sided demi-smile. Nevertheless there was something about Crake. That kind of cool slouchiness always impressed Jimmy, coming from another guy: it was the sense of energies being held back, held in reserve for something more important than present company.

But if Crake wanted her to stay longer on any given night, do it again maybe, she'd make some excuse—jet lag, a headache, something plausible. Her inventions were seamless, she was the best poker-faced liar in the world, so there would be a kiss goodbye for stupid Crake, a smile, a wave, a closed door, and the next minute there she would be, with Jimmy.

Who was it who’d said that all art was completely useless? Jimmy couldn’t recall, but hooray for him, whoever he was.

She wasn’t stupid, said Jimmy’s dad, she just didn’t want to put her neuron power into long sentences.

Where were you?"said Jimmy. "Have you been in a fight?" "You have no idea," said Crake

If you could tell they were fake,” said Crake, “it was a bad job. These butterflies fly, they mate, they lay eggs, caterpillars come out.” “Mm,” said Jimmy again.

you had ideals, then.” “Sure,” said Jimmy’s father in a tired voice. “I’ve still got them. I just can’t afford them.

His father is a sort of pastiche. Maybe Jimmy could never get far enough away from him to see all the parts at once.

He compiled lists of old words too – words of a precision and suggestiveness that no longer had a meaningful application in today’s world, or toady’s world, as Jimmy sometimes deliberately misspelled it on his term papers. (Typo, the profs would note, which showed how alert they were.) He memorized these hoary locutions, tossed them left-handed into conversation: wheelwright, lodestone, saturnine, adamant. He’d developed a strangely tender feeling towards such words, as if they were children abandoned in the woods and it was his duty to rescue them.

The male frog, in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs - it's been documented - discover that if they position themselves in empty drainpipes, the pipe acts as a voice amplifier, and the small frog appears much larger than it really is." "So?" "So that's what art is, for the artist," said Crake. "An empty drainpipe. An amplifier. A stab at getting laid." "Your analogy falls down when it comes to female artists," said Jimmy. "They're not in it to get laid. They'd gain no biological advantage from amplifying themselves, since potential mates would be deterred rather than attracted by this sort of amplification. Men aren't frogs, they don't want women who are ten times bigger than them." "Female artists are biologically confused," said Crake.

Jimmy had been full of himself back then, thinks Snowman with indulgence and a little envy. He’d been unhappy too, of course. It went without saying, his unhappiness. He’d put a lot of energy into it. When

Why do you want to talk about ugly things?" she said. ... "We should think only beautiful things, as much as we can. There is so much beautiful in the world if you look around. You are looking only at the dirt under your feet, Jimmy. It's not good for you." She would never tell him. Why did this drive him so crazy? "It wasn't real sex was it?" he asked. "In the movies. It was only acting. Wasn't it?" "But Jimmy, you should know. All sex is real.

All it takes,” said Crake, “is the elimination of one generation. One generation of anything. Beetles, trees, microbes, scientists, speakers of French, whatever. Break the link in time between one generation and the next, and it’s game over forever.” “Speaking of games,” said Jimmy, “it’s your move.

I don’t buy it,” said Jimmy. Where was her rage, how far down was it buried, what did he have to do to dig it up? “You don’t buy what?” “Your whole fucking story. All this sweetness and acceptance and crap.” “If you don’t want to buy that, Jimmy,” said Oryx, looking at him tenderly, “what is it that you would like to buy instead?” Jack

Conspiracy theories proliferated: it was a religious thing, it was God's Gardeners, it was a plot to gain world control. Boil-water and don't-travel advisories were issued in the first week, handshaking was discouraged. In the same week there was a run on latex gloves and nose-cone filters. About as effective, Jimmy thought, as oranges stuck with cloves during the Black Death.

So I learned about life,” said Oryx. “Learned what?” said Jimmy. He shouldn’t have had the pizza, and the weed they’d smoked on top of that. He was feeling a little sick. “That everything has a price.” “Not everything. That can’t be true. You can’t buy time. You can’t buy . . .” He wanted to say love, but hesitated. It was too soppy. “You can’t buy it, but it has a price,” said Oryx. “Everything has a price.” “Not me,” said Jimmy, trying to joke. “I don’t have a price.” Wrong, as usual.

None of those little girls had ever seemed real to Jimmy - they'd always struck him as digital clones ... Jimmy knew the drill. They were supposed to look like that, he thought ... There were at least three layers of contradictory make-believe, one on top of the other. I want to, I want to not, I want to ... Oryx smiled a hard little smile that made her appear much older ... Then she looked over her shoulder and right into the eyes of the viewer - right into Jimmy's eyes, into the secret person inside him. I see you, that look said. I see you watching. I know you. I know what you want.

Jimmy’s father had been apologetic towards him lately, as if he’d punished Jimmy for something Jimmy hadn’t done and was sorry about it. He was saying Right, Jimmy? a bit too much. Jimmy didn’t like that – he didn’t like being the one handing out the good marks. There were a few other moves of his father’s he could do without as well – the sucker punches, the ruffling of the hair, the way of pronouncing the word son, in a slightly deeper voice. This hearty way of talking was getting worse, as if his father were auditioning for the role of Dad, but without much hope. Jimmy had done enough faking himself so he could spot it in others, most of the time.

Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.

Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.

Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.

- Axioma: uma doença não é produtiva. Em si mesma, não cria quaisquer produtos de consumo e, consequentemente, não gera dinheiro. Embora seja uma desculpa para muitas actividades, em termos económicos só permite que o dinheiro troque de mãos. Dos doentes para os saudáveis. Dos pacientes para os médicos, dos clientes para os curandeiros. Podemos chamar-lhe uma osmose financeira. [...] - Agora, supõe que és uma empresa chamada SábiaSaúde. Supõe que ganhas dinheiro com as drogas e as técnicas que curam pessoas doentes ou, melhor ainda, que tornam impossível que as pessoas cheguem a ficar doentes. [...] - Então, de que é que vais precisar mais tarde ou mais cedo? - De mais curas? - Depois disso? O que queres dizer com "depois disso"? - Depois de curares tudo o que existe para ser curado. [...] - Lembras-te da má situação financeira em que ficaram os dentistas depois de aquele novo colutório ter entrado no mercado? Aquele que substituía as bactérias nocivas da placa dentária por outras benéficas que preenchiam o mesmo nicho ecológico, nomeadamente a tua boca? Nunca mais ninguém precisou de chumbar um dente e muitos dentistas foram à falência. - E então? - Então, precisarias de mais doentes. Ou... o que ia dar no mesmo... de mais doenças. Novas e diferentes, certo? - É plausível - admitiu Jimmy depois de uma breve pausa. De facto era. - Mas não estão constantemente a ser descobertas novas doenças? - A ser descobertas, não - retorquiu Crex. - A ser criadas.

You mean, did they occur in nature or were they created by the hand of man? In other words, are they real or fake?” “Mm,” said Jimmy. He didn’t want to get into the what is real thing with Crake. “You know when people get their hair dyed or their teeth done? Or women get their tits enlarged?” “Yeah?” “After it happens, that’s what they look like in real time. The process is no longer important.