Orson Welles Best Quotes

You made them hate me." Said Ender "So? What will you do about it? Crawl in a corner? Start kissing their little backsides so they'll love you again? There's only one thing that will make them stop hating you. And that's being so good at what you do that they can't ignore you. I told them you were the best. Now you damn well better be." -Graff

Roosevelt used to say, "You and I are the two best actors in America.

There are rules to everything, even if nobody made them up, even if nobody calls it a game. And if you want things to work out well, it's best to know the rules and only break them if you're playing a different game and following those rules.

There are rules to everything, even if nobody made them up, even if nobody calls it a game. And if you want things to work out well, it's best to know the rules and only break them if you're playing a different game and following those rules.

Exactly, I repeated myself. I believe we do it all the time. We always take up certain elements again. How can it be avoided? An actor’s voice always has the same timbre and, consequently, he repeats himself. It is the same for a singer, a painter…There are always certain things that come back, for they are part of one’s personality, of one’s style. If these things didn’t come into play, a personality would be so complex that it would become impossible to identify it. It is not my intention to repeat myself, but in my work there should certainly be references to what I have done in the past. Say what you will, but The Trial is the best film I ever made…I have never been so happy as when I made this film. (talking about directing, The Trial (1962) - from Orson Welles: Interviews (book))

...You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell.

Orson Welles summed it up best in The Third Man. ‘In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, 500 years of democracy and peace, and what did that produce? The cuckoo clock.

There are rules to everything, even if nobody made them up, even if nobody calls it a game. And if you want things to work out well, it’s best to know the rules and only break them if you’re playing a different game and following those rules.

The Helen Hayes Theater was considered prestige drama, but it was heard sporadically and never built the reputation or the audiences of the great theaters of the air. Appearances with Orson Welles’s Mercury troupe in 1939 confirmed her belief that, “next to the stage, radio is the best medium for drama.” Her Lipton Tea series, beginning the following year, was her best and longest forum. She supervised the entire production, playing the leads, helping with casting and sound effects, and even participating in the tea commercials. But it became the first casualty of World War II when, three weeks after Pearl Harbor, Lipton announced its cancellation in anticipation of tea shortages from India.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

I, who have known you as well as any other person, have never seen anything from you but the best and purest of humanity. I know you will not accept my religious terminology, but you know what it means to me. You have a soul, my child. The Savior died for you as for every other human being ever born. Your life is of infinite worth to a loving God. And to me, my son. You will find your own purpose for the time you have left to live. Do not be reckless with your life, just because it will not be long. But do not guard it overzealously, either. Death is not a tragedy to the one who dies. To have wasted the life before that death, that is the tragedy. Already you have used your years better than most. You will yet find many new purposes, and you will accomplish them. And if anyone in heaven heeds the voice of this old nun, you will be well watched over by angels and prayed for by many saints.

But I still don’t think your point is right. It’s because of the old tradition of the Whig—of the liberal rich, the old tradition of public service and of liberalism—Roosevelt was a genuine, old-fashioned American Whig. The last and best example of it. And—

One of the first lessons of marijuana: the world contains too many information bytes to fit into any one model. The second lesson: any model you create changes perceived information bytes until they fit it. Viewed through the eyes of paranoia, your best friend appears part of a conspiracy against you. Viewed through the eyes of a Shakespearean humanist like Orson Welles, a Hank Quinlan becomes, not just a redneck racist pig, but an enlarged and tormented image of the flaws in all of us. And this uniquely noir case of film noir also reminds us that fake evidence may support a true thesis: a paradox to ponder . . .

Malu isn’t stupid enough to think you can isolate facts from their context and have them still be true. So he always puts the things he says in their full context, and if that means you’ll have to listen to a whole history of the human race from beginning to now before he says anything you think is pertinent, well, I suggest you just shut up and listen, because most of the time the best stuff he says is accidental and irrelevant and you’re damn lucky if you have brains enough to notice what it is.

Orson Welles, Bill Johnstone, and Bret Morrison were the best-known voices of the Shadow. Welles was a 22–year-old unknown, a regular toiling in anonymity on The March of Time, when he won the role in audition. His salary, $185 a week, seemed a fortune for a half-hour weekly job that required no rehearsal. His agreement with Blue Coal allowed him to go on without as much as a prior peek at his script: thus, as he told film director Peter Bogdanovich, when he was thrown into a snake pit, he didn’t know how he’d get out till the show ended.

Good, that's settled then,' said Danny. 'Since I'm the idiot who set this all in motion by playing around with the rope-climb in a high school gym, I apologize right now for everything that goes wrong with this. With any luck, I'm the only one who gets zapped in the outself, and everything else goes on like normal for the rest of you. But if terrible things happen, please remember that I meant well, and that I did my best. That is what I promise you