Orphan First Kill Quotes

We've searched our database for all the quotes and captions related to Orphan First Kill. Here they are! All 18 of them:

For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
BARABAS: As for myself, I walk abroad a-nights, And kill sick people groaning under walls. Sometimes I go about and poison wells; And now and then, to cherish Christian thieves, I am content to lose some of my crowns, That I may, walking in my gallery, See 'em go pinion'd along by my door. Being young, I studied physic, and began To practice first upon the Italian; There I enrich'd the priests with burials, And always kept the sexton's arms in ure With digging graves and ringing dead men's knells. And, after that, was I an engineer, And in the wars 'twixt France and Germany, Under pretence of helping Charles the Fifth, Slew friend and enemy with my stratagems: Then, after that, was I an usurer, And with extorting, cozening, forfeiting, And tricks belonging unto brokery, I fill'd the gaols with bankrupts in a year, And with young orphans planted hospitals; And every moon made some or other mad, And now and then one hang himself for grief, Pinning upon his breast a long great scroll How I with interest tormented him. But mark how I am blest for plaguing them: I have as much coin as will buy the town.
Christopher Marlowe (The Jew of Malta)
Why, Uruvi always wondered, would Queen Madri consign herself to the flames, when no queen before her had joined their husband in the funeral pyre? Moreover, why would the mother of tiny, helpless six-month-old twins, Nakul and Sahadeva, kill herself and leave them orphaned and under the care of her husband’s first wife? It was strange. Had Madri, too, been mortally wounded like her husband, King Pandu, when they had been attacked? Had she been able to talk to Kunti before she died? Had Shakuni played up the curse of the sage to his advantage after all? If he could instigate Duryodhana to burn the Pandavas and the Queen Mother in the lac palace, he would not have any qualms in murdering King Pandu too. The only person who probably knew the truth was Kunti—but she was an evasive lady who knew how to keep her secrets. Uruvi recalled how she had pestered her on her wedding day about whether she had any regrets, but had got nothing out of her.
Kavita Kané (Karna's Wife: The Outcast's Queen)
I told him he must carry it thus. It was evident the sagacious little creature, having lost its mother, had adopted him for a father. I succeeded, at last, in quietly releasing him, and took the little orphan, which was no bigger than a cat, in my arms, pitying its helplessness. The mother appeared as tall as Fritz. I was reluctant to add another mouth to the number we had to feed; but Fritz earnestly begged to keep it, offering to divide his share of cocoa-nut milk with it till we had our cows. I consented, on condition that he took care of it, and taught it to be obedient to him. Turk, in the mean time, was feasting on the remains of the unfortunate mother. Fritz would have driven him off, but I saw we had not food sufficient to satisfy this voracious animal, and we might ourselves be in danger from his appetite. We left him, therefore, with his prey, the little orphan sitting on the shoulder of his protector, while I carried the canes. Turk soon overtook us, and was received very coldly; we reproached him with his cruelty, but he was quite unconcerned, and continued to walk after Fritz. The little monkey seemed uneasy at the sight of him, and crept into Fritz's bosom, much to his inconvenience. But a thought struck him; he tied the monkey with a cord to Turk's back, leading the dog by another cord, as he was very rebellious at first; but our threats and caresses at last induced him to submit to his burden. We proceeded slowly, and I could not help anticipating the mirth of my little ones, when they saw us approach like a pair of show-men. I advised Fritz not to correct the dogs for attacking and killing unknown animals. Heaven bestows the dog on man, as well as the horse, for a friend and protector. Fritz thought we were very fortunate, then, in having two such faithful dogs; he only regretted that our horses had died on the passage, and only left us the ass. "Let us not disdain the ass," said I; "I wish we had him here; he is of a very fine breed, and would be as useful as a horse to us." In such conversations, we arrived at the banks of our river before we were aware. Flora barked to announce our approach, and Turk answered so loudly, that the terrified little monkey leaped from his back to the shoulder of its protector, and would not come down. Turk ran off to meet his companion, and our dear family soon appeared on the opposite shore, shouting with joy at our happy return. We crossed at the same place as we had done in the morning, and embraced each other. Then began such a noise of exclamations. "A monkey! a real, live monkey! Ah! how delightful! How glad we are! How did you catch him?
Johann David Wyss (The Swiss Family Robinson; or Adventures in a Desert Island)
BEYOND THE GAME In 2007 some of the Colorado Rockies’ best action took place off the field. The Rocks certainly boasted some game-related highlights in ’07: There was rookie shortstop Troy Tulowitzki turning the major league’s thirteenth unassisted triple play on April 29, and the team as a whole made an amazing late-season push to reach the playoffs. Colorado won 13 of its final 14 games to force a one-game wild card tiebreaker with San Diego, winning that game 9–8 after scoring three runs in the bottom of the thirteenth inning. Marching into the postseason, the Rockies won their first-ever playoff series, steamrolling the Phillies three games to none. But away from the cheering crowds and television cameras, Rockies players turned in a classic performance just ahead of their National League Division Series sweep. They voted to include Amanda Coolbaugh and her two young sons in Colorado’s postseason financial take. Who was Amanda Coolbaugh? She was the widow of former big-leaguer Mike Coolbaugh, a coach in the Rockies’ minor league organization who was killed by a screaming line drive while coaching first base on July 22. Colorado players voted a full playoff share—potentially worth hundreds of thousands of dollars—to the grieving young family. Widows and orphans hold a special place in God’s heart, too. Several times in the Old Testament, God reminded the ancient Jews of His concern for the powerless—and urged His people to follow suit: “Learn to do right; seek justice. Defend the oppressed. Take up the cause of the fatherless; plead the case of the widow” (Isaiah 1:17). Some things go way beyond the game of baseball. Will you?
Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
Celeste was practically talking to herself now because Stamford and the baby were in a world of their own. The baby's hands had reached the man's face and he was tapping every feature of it, doing everything that was necessary for the man to say the words the baby had come to expect in their brief history together. Stamford's mouth opened more and more. 'You here early this mornin,' Stamford Crow Blueberry would say to Ellwood Freemen that day some twenty years later in Richmond. Ellwood would be walking up the street with the reins of his horse in his hand, and Stamford would be walking with a baby resting on his shoulder, the newest member of the Richmond Home for Colored Orphans. Mother and father killed in a fire. Walking and singing to the baby in the morning seemed to calm the infant for the rest of the day. Ellwood Freemen would say, 'I have come to fulfill my duty, just as I promised, Mr. Blueberry. Is that to be one of my pupils?' Stamford would shake his hand, nodding. Ellwood said, 'You look as if you didn't believe I would keep my word.' 'Oh,' Stamford said, 'I whatn't worried. I know where your mama and papa live. I know where I could find them to tell em that their boy didn't keep his word.' Ellwood told him he had to tend to some business elsewhere in Richmond and would return shortly to settle in at the home for orphans. He got on his horse and rode slowly out to the main street, the street that would be named for Stamford Blueberry and his wife Delphie. Blueberry, with the new orphan on his shoulder, followed. He watched Ellwood take his time going off and Stamford that day would realize for the first time just how far they had come. He would have cried as he had that day after the ground opened up and took the dead crows, but he had in his arms a baby new to being an orphan. Stamford, it don't matter now, he told himself, watching Ellwood and the horse saunter away. It don't matter now. The day and the sun all about him told that was true. It mattered not how long he had wandered in the wilderness, how long they had kept him in chains, how long he had helped them and kept himself in his own chains; none of that mattered now. He patted the baby's back, turned around and went back to the Richmond Home for Colored Orphans. No, it did not matter. It mattered only that those kind of chains were gone and that he had crawled out into the clearing and was able to stand up on his hind legs and look around and appreciate the differences between then and now, even on the awful Richmond days when the now came dressed as the then. Behind him, as he walked back, was the very corner where more than a hundred years later they would put that first street sign - Stamford and Delphie Crow Blueberry Street.
Edward P. Jones (The Known World)
refused.” “Two of us were assigned to kill you that summer. It was the first
Gregg Andrew Hurwitz (Orphan X (Orphan X, #1))
The study of wildlife was a household passion. Bob loved all reptiles, even venomous snakes. Lyn took in the injured and orphaned. They made a great team, and Steve was born directly from their example and teaching. “Whenever we were driving,” Steve told me, “if we saw a kangaroo on the side of the roadway that had been killed by a car, we always stopped.” Mother and son would investigate the dead roo and, if it was female, check its pouch. They rescued dozens, maybe hundreds, of live kangaroo joeys this way, brought them home, and raised them. “We had snakes and goannas mostly, but also orphaned roo joeys, sugar gliders, and possums,” Steve said about these humble beginnings. “We didn’t have enclosures for crocodiles. That came later, after my parents became sick to death of the hatred they saw directed toward crocs.” I soon became aware that as much as Steve loved his parents equally, he got different things from each of them. Bob was his hero, his mentor, the man he wanted to become. Bob’s knowledge of reptile--and especially snake--behavior made him an invaluable resource for academics all over the country. The Queensland Museum wanted to investigate the ways of the secretive fierce snake, and Bob shared their passion. When the administrators of the Queensland Parks and Wildlife Service wanted to relocate problem crocodilians, they called Bob. Meanwhile, Lyn became, in Steve’s words, “the Mother Teresa of animal rescue.” Lyn designed a substitute pouch for orphaned roo and wallaby joeys. She came up with appropriate formulas to feed them too. Lyn created the warm, nurturing environment that made Steve’s dreams, goals, and aspirations real and reachable. Steve was always a boy who loved his mum, and Lyn was the matriarch of the family. While Bob and Steve were fearless around taipans and saltwater crocs, they had the utmost respect for Lyn. She was a pioneering wildlife rehabilitator who set the mark for both Steve and myself. From the very first, I was welcomed into the Irwin family. The greatest thing was that I felt Lyn and Bob loved me not just because I was married to Steve, but for myself, for who I was. That gave me confidence to feel at home as a new arrival to Australia.
Terri Irwin (Steve & Me)
You have no idea what I am now,” she told him. “You have no idea what I’ve become. You never knew the first thing about me! You people just locked me up and trapped you in there with you, and then you acted like you were the boss of me, like I was just some stupid kid. But I told you, didn’t I? I told you right at the start that I’ve killed before, and I’d kill again.
C.R.R. Hillin (The Sword and the Rose (The Orphan's Code Book 2))
Buchanan tried to whip the devil out of me. “Find your tongue, lad!” Forgive this regression, but the man hated English. He may have hated everything by then, including me, but he was uncommon prickly when it came to English. You could tell by the way he bullied it. “The bastarde English,” the old man roared. “The verie whoore of a tongue.” We did our best to mimic him note for note, gesture for gesture. He hated that, too. The verie whoore. Old Greek before Breakfast Latin by Noon himself. The point is, what English I had was beaten or twisted into me. We were orphaned and crowned before we could speak or take our first step. No father. No mother. Too many uncles. Hounds for baying. Buchanan was the most religious of my keepers, and the unkindest of spirits among them. We have been told the young queen of Scots was once his student, and that he loved her. Just before giving her over to wreckage, methinks. Pious frauds. Their wicked Jesus. Then occasion smil’d. We were thirteen. The affection of Esme Stuart was one thing, lavished, as it was, so liberally upon us, but the music of his voice was another. We empowered our cousin, gave him name, station, a new sense of gravity, height, and reach, all the toys of privilege. We were told he spoke our mother’s French, the way it flutters about your neck like a small bird. But it was his English that moved us. For the first time, there was kindness in it, charity, heat and light. We didn’t know language could do such things, that could charm with such violence, make such a disturbance in us. Our cousin was our excess, our vice, our great transgression according to some, treason according to others. They came one night and stole him from us, that is, from me. They tore me out of his arms, called me wanton. Better that bairns should weepe, they said. Barking curs. We never saw our cousin again and were never the same after. But the charm was wound up. If we say we can taste words, we are not trying to be clever. And we are an insatiable king. Try now, if you can, to understand the nature of our thoughts touching the translation, its want of a poet. We will consult with Sir Francis. He is closer to the man, some say, than a brother. English is mistress between them. There, Bacon says, is empire. There, a great Britain. Where it is dull, where the glow . . . gleam . . . where the gleam of Majestie is absent or mute . . . When occasion smiles again, we will send for the man, Shakespere. Majestie has left its print on his art. After that hideous Scottish play, his best, darkest, and most complicated characters are . . . us. Lear. Antony. Othello. Fools all. All. The English language must be the best that is in us . . . We are but names, titles, antiquities, forgotten speeches, an accident of blood and historical memory. Aye . . . but this marvelously unexceptional little man. No more of this. By the unfortunate title of this history we must, it seems, prepare ourselves for a tragedy. Some will escape. Some will not. For bully Ben can never suffer a true rival. He killed an actor once for botching his lines. Actors. Southampton waits in our chambers. We will let him. First, to our thoughts. Only then to our Lord of Southampton.
David Teems (I Ridde My Soule of Thee at Laste)
We were driving up to Palos Verdes from Long Beach after a day of second grade. I was eight years old. I had written, illustrated, and turned in a story that required my grandmother’s presence at school, a substitution for my mother who was always at work. We met with Sister Mary, the principal, and Sister Bernadette, the nice one, and the school nurse. As we drove home, my grandmother asked me to read the offending piece aloud. In the story, it is an October night. Five girls are invited to a slumber party. Each girl has a defining characteristic: one of them is sporty, one is brainy, one is shy, one of them is the most beautiful and the leader. One of them is the orphan. During the slumber party the girls play with a Ouija board and detect the existence of spirits. They perform a séance to entreat the spirits to come closer. They perform “Light as a Feather, Stiff as a Board,” lifting the Orphan with their fingertips because she is the smallest. All the lights go out and she ascends toward the ceiling. They are successful. The Orphan drops down to the floor, unconscious. She wakes up and realizes that she is not alone. She has been possessed by an evil spirit, her twin who died when they were in the womb. The Evil Twin begins to twist her thoughts, then her words. The Orphan knows it will make her do awful things, turn her into someone she doesn’t want to be. She goes to the kitchen, where the mother of one of the girls is cooking. The Evil Twin tells her to pick up a knife. The Orphan picks it up. The Evil Twin tells her to use the knife to kill the mother, then her friends. The Orphan stabs herself in the chest instead. The End, I said. I watched for my grandmother’s reaction. From this vantage point it doesn’t take a psychologist to see how terrified I was by what might seize me. There was already a split in me: disorder, abandonment. I leaned into the gothic to illustrate what I couldn’t articulate. At eight years old, I unconsciously understood the function of symbols. I mimicked my favorite writer, Poe, but with this story I had taken the perilous and grandiose first step of making it my own. Did I already know that art could make sense of madness? Did my grandmother? Her navy Cadillac was at a stoplight. There was a Pavilions supermarket behind her, a row of eucalyptus trees, an air-conditioned stream through the car that made my nose run. She looked at me, so directly I flinched, and she said, Never stop writing.
Stephanie Danler (Stray: A Memoir)
Do you know what it was like in that goddamn hellhole of a prison?” The words were torn from his throat. Caleb shook his head. “I wouldn’t presume to say I did.” “There were rats the size of house cats. Toward the end we ate them just to stay alive.” Caleb closed his eyes against an image that would never leave him. “I’m not sorry that I let you live,” he said after a brief silence. Joss glared at him in rage. “You’d put me through that hell all over again, wouldn’t you?” he demanded. “Damn you, you would!” “If it meant your life? You’re damned right I would. I’d put you through it a thousand times.” He paused and drew a deep, tremulous breath. “Joss, step into my boots for a minute. Go back to that day. Remember the screaming, and the cannon fire, and the sound of bullets whistling past your head. This time you’re the one that’s on your feet, and I’m lying on the ground with my arm gone. I ask you to shoot me—hell, I beg you to shoot me. What are you going to do?” Joss’s throat worked as he swallowed. He hesitated for a long time as a variety of emotions moved in his face. Then he said, “I’d shoot you.” “You’re a liar,” Caleb answered. The giant, the man he’d loved and admired from the first day he’d known what it meant to have a brother, glared at him. “God damn you, Caleb—” “You wouldn’t have been able to kill me, because I’m your brother. Because you taught me to ride and shoot, because the blood in your veins is the same blood that runs in mine. You would have done exactly what I did, Joss, and somewhere inside yourself you know it.” Joss shook his head as if to fling off an image. “You listen to me,” he yelled, waggling a finger in his brother’s face. “I hate you. Do you hear me? I hate your miserable Yankee guts, and I plan to go right on hating you from now until they put me in a box and throw dirt on top of me!” The
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
What did he say to you?” he demanded, when they were alone in Chloe’s study, with the doors closed. Emma rubbed her eyes. “Who?” she replied, stalling. Steven only looked at her, his expression wry, his jawline tight. A headache pounded at the base of her skull and she sighed, wishing she could go to her room and lie down with a cold cloth on her head. They both knew Steven was talking about Macon, but Emma didn’t dare admit the man had threatened her again. Steven would get furious, maybe violent, and he might insist on leaving her in Whitneyville until the trial was over, or sending her to Chicago. “He only wanted to dance,” she said, avoiding her husband’s eyes. Steven caught her chin in a rough but painless grasp. “Once and for all, Emma,” he breathed, “don’t lie to me. I won’t tolerate it, not even from you.” Tears gathered in Emma’s lashes. “He said—he said he’d have to teach me n-not to spread my l-legs for killers, once you were gone.” Steven’s face contorted with rage, and he whirled away from Emma and stormed toward the door. She ran after him and caught hold of his arm. “One murder trial is enough,” she cried. “Please, Steven—let it pass!” She watched as a variety of ferocious emotions moved across his face. Finally, Steven shoved the splayed fingers of his right hand through his hair and said, “I want to kill him.” He folded that same hand into a fist and slammed it against the wall. “I want to kill him.” “I know,” Emma said gently. “But it wouldn’t be worth sacrificing all the years ahead, Steven.” He drew her close and held her, and his lips moved in her hair. “When I’m acquitted of killing Mary, the first thing I’m going to do is make love to you. The second thing is beat the hell out of Macon.” Emma smiled up at him. “When I get through with you,” she promised, full of bravado and hope, “you won’t have the strength to beat the hell out of anybody.” Steven chuckled hoarsely. “Is that so?” he retorted. “Well, maybe I’d better take you upstairs right now, Mrs. Fairfax, and find out if you’re bluffing.” “You’ll just have to wait until evening, Mr. Fairfax,” Emma responded airily. “I intend to enjoy our wedding party.” “That was exactly what I had in mind.” Steven grinned. Emma laughed and shook her head, her fears lost again, at least temporarily, in the boundless love she bore this man. Joellen
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Jeremiah’s Temple Message 7 This is the word that the LORD spoke to Jeremiah: 2“Stand at the gate of the Temple and preach this message there: “‘Hear the word of the LORD, all you people of the nation of Judah! All you who come through these gates to worship the LORD, listen to this message! 3This is what the LORD All-Powerful, the God of Israel, says: Change your lives and do what is right! Then I will let you live in this place. 4Don’t trust the lies of people who say, “This is the Temple of the LORD. This is the Temple of the LORD. This is the Temple of the LORD!” 5You must change your lives and do what is right. Be fair to each other. 6You must not be hard on strangers, orphans, and widows. Don’t kill innocent people in this place! Don’t follow other gods, or they will ruin your lives. 7If you do these things, I will let you live in this land that I gave to your ancestors to keep forever. 8“‘But look, you are trusting lies, which is useless. 9Will you steal and murder and be guilty of adultery? Will you falsely accuse other people? Will you burn incense to the god Baal and follow other gods you have not known? 10If you do that, do you think you can come before me and stand in this place where I have chosen to be worshiped? Do you think you can say, “We are safe!” when you do all these hateful things? 11This place where I have chosen to be worshiped is nothing more to you than a hideout for robbers. I have been watching you, says the LORD. 12“‘You people of Judah, go now to the town of Shiloh, where I first made a place to be worshiped. See what I did to it because of the evil things the people of Israel had done. 13You people of Judah have done all these evil things too, says the LORD. I spoke to you again and again, but you did not listen to me. I called you, but you did not answer. 14So I will destroy the place where I have chosen to be worshiped in Jerusalem. You trust in that place, which I gave to you and your ancestors, but I will destroy it just as I destroyed Shiloh. 15I will push you away from me just as I pushed away your relatives, the people of Israel!’ 16“As for you, Jeremiah, don’t pray for these people. Don’t cry out for them or ask anything for them or beg me to help them, because I will not listen to you. 17Don’t you see what they are doing in the towns of Judah and in the streets of Jerusalem? 18The children gather wood, and the fathers use the wood to make a fire. The women make the dough for cakes of bread, and they offer them to the Queen Goddess. They pour out drink offerings to other gods to make me angry. 19But I am not the one the people of Judah are really hurting, says the LORD. They are only hurting themselves and bringing shame upon themselves. 20“‘So this is what the Lord God says: I will pour out my anger on this place, on people and animals, on the trees in the field and the crops in the ground. My anger will be like a hot fire that no one can put out.
Max Lucado (NCV, Grace for the Moment Daily Bible: Spend 365 Days reading the Bible with Max Lucado)
But she was barely listening. “There’s this newish thing from Amazon? Called an AMI—an Amazon Machine Image. Basically it runs a snapshot of an operating system. There are hundreds of them, loaded up and ready to run.” Evan said, “Um.” “Virtual machines,” she explained, with a not-insubstantial trace of irritation. “Okay.” “But the good thing with virtual machines? You hit a button and you have two of them. Or ten thousand. In data centers all over the world. Here—look—I’m replicating them now, requesting that they’re geographically dispersed with guaranteed availability.” He looked but could not keep up with the speed at which things were happening on the screen. Despite his well-above-average hacking skills, he felt like a beginning skier atop a black-diamond run. She was still talking. “We upload all the encrypted data from the laptop to the cloud first, right? Like you were explaining poorly and condescendingly to me back at the motel.” “In hindsight—” “And we spread the job out among all of them. Get Hashkiller whaling away, throwing all these password combinations at it. Then who cares if we get locked out after three wrong password attempts? We just go to the next virtual machine. And the one after that.” “How do you have the hardware to handle all that?” She finally paused, blowing a glossy curl out of her eyes. “That’s what I’m telling you, X. You don’t buy hardware anymore. You rent cycles in the cloud. And the second we’re done, we kill the virtual machines and there’s not a single trace of what we did.” She lifted her hands like a low-rent spiritual guru. “It’s all around and nowhere at the same time.” A sly grin. “Like you.
Gregg Andrew Hurwitz (Hellbent (Orphan X, #3))
Flourish?” Jackdaw’s Cry curled his lip. “You sent Frost away to die. You trained Jagged Peak until you crippled him. You have orphan kits because you killed their mother. Do you call that ‘flourishing’?
Erin Hunter (The First Battle (Warriors: Dawn of the Clans, #3))
Remember, the hard part isn’t killing,” he says, not for the first time, or the fiftieth. “The hard part is staying human.
Gregg Andrew Hurwitz (The Nowhere Man (Orphan X, #2))
Where did it all go wrong?' Heiner thought vacantly. At first, it was just a feeling of infatuation. All he wanted was to touch her just once. He dared not want her. So, with persistence, he became the marquis' dog. To gain a higher position, to gain more power, to become a "suitable" person. To get a little closer to her. Because there was no way she would pay attention to a soldier who was an orphan and all he knew was to kill people... Heiner looked down at his hand on the window pane. He could still smell the blood that had long since been washed away. He tightened his fists. I know that I am a dirtier and lower human being than you if I am to blame for wrongdoing. I know that I am more of a sinner, having killed countless people and sent my colleagues to their deaths. He didn't want to admit it. He wanted to put all the blame on her. You are so happy being noble while I rolled through the mud to bring you peace. You have no idea whose blood was shed and whose lives were sacrificed. The hardest and saddest thing in your life is not improving your piano skills, that's all. So... I hated you for it. A wave of every dirty, inferior emotion flooded his chest. Heiner's body slowly collapsed. She alone was the reason he struggled so much, but in the end, it turned out like this. Heiner cradled his head in his hands. His breath came in gulps. He eventually couldn't hold it in and let it out. The man crouched in the corner sobbed quietly. From far away, the sound of a piano carried on the wind. He cried for a very long time.
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