β
Orang boleh pandai setinggi langit, tapi selama ia tidak menulis, ia akan hilang di dalam masyarakat dan dari sejarah. Menulis adalah bekerja untuk keabadian.
β
β
Pramoedya Ananta Toer
β
Is it better for a man to have chosen evil than to have good imposed upon him?
β
β
Anthony Burgess (A Clockwork Orange)
β
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
β
β
Shel Silverstein (A Light in the Attic)
β
My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
We can destroy what we have written, but we cannot unwrite it.
β
β
Anthony Burgess (A Clockwork Orange)
β
The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.
β
β
Anthony Burgess (A Clockwork Orange)
β
The first stab of love is like a sunset, a blaze of color -- oranges, pearly pinks, vibrant purples...
β
β
Anna Godbersen (The Luxe (Luxe, #1))
β
When a man cannot choose, he ceases to be a man.
β
β
Anthony Burgess (A Clockwork Orange)
β
People are just as wonderful as sunsets if you let them be. When I look at a sunset, I don't find myself saying, "Soften the orange a bit on the right hand corner." I don't try to control a sunset. I watch with awe as it unfolds.
β
β
Carl R. Rogers (A Way of Being)
β
Kesalahan orang-orang pandai ialah menganggap yang lain bodoh, dan kesalahan orang-orang bodoh ialah menganggap orang-orang lain pandai
β
β
Pramoedya Ananta Toer
β
I seem to have run in a great circle, and met myself again on the starting line.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
When life gives you lemons, make lemonade, and then throw it in the face of the person who gave you the lemons until they give you the oranges you originally asked for.
β
β
Cassandra Clare
β
At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
"That's right." Then I think of something to add. "And yours is orange."
"Orange?" He seems unconvinced.
"Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
"Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
Then I dive into my tent before I do something stupid like cry.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Orang yang memendam perasaan seringkali terjebak oleh hatinya sendiri. Sibuk merangkai semua kejadian di sekitarnya untuk membenarkan hatinya berharap. Sibuk menghubungkan banyak hal agar hatinya senang menimbun mimpi. Sehingga suatu ketika dia tidak tahu lagi mana simpul yang nyata dan mana simpul yang dusta.
β
β
Tere Liye (Daun Yang Jatuh Tak Pernah Membenci Angin)
β
No woman should be made to fear that she was not enough.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
aku gak mau sepuluh, dua puluh tahun dari hari ini, aku masih terus-terusan memikirkan orang yg sama. bingung di antara penyesalan dan penerimaan.
β
β
Dee Lestari (Perahu Kertas)
β
Books and movies are like apples and oranges. They both are fruit, but taste completely different.
β
β
Stephen King
β
Sebab setelah hujan selalu ada seseorang yang datang sebagai pelangi, dan memelukmu.
: Aku ingin orang itu selamanya aku.
β
β
Abdurahman Faiz (Nadya: Kisah dari Negeri yang Menggigil)
β
Carilah orang yang nggak perlu meminta apa-apa, tapi kamu mau memberikan segala-segalanya.
β
β
Dee Lestari (Perahu Kertas)
β
Kehidupan ini seimbang, Tuan. Barangsiapa hanya memandang pada keceriaannya saja, dia orang gila. Barangsiapa memandang pada penderitaannya saja, dia sakit.
β
β
Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
β
Tidak ada persahabatan yg sempurna di dunia ini. yang ada hanya orang-orang yang berusaha sebisa mungkin untuk mempertahankannya.
β
β
Winna Efendi (Refrain)
β
Plants are more courageous than almost all human beings: an orange tree would rather die than produce lemons, whereas instead of dying the average person would rather be someone they are not.
β
β
Mokokoma Mokhonoana
β
Grinning is something you do when you are entertained in some way, such as reading a good book or watching someone you don't care for spill orange soda all over themselves.
β
β
Lemony Snicket
β
I want someone who is fierce and will love me until death and knows that love is as strong as death, and be on my side forever and ever. I want someone who will destroy and be destroyed by me.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
She craved a tall glass of the fresh-squeezed lemonade from the pitcher sheβd left chilling in the fridge. Two glasses served with a generous slice of pound cake with orange glaze icing sounded twice as nice.
β
β
Ed Lynskey (Fur the Win (Piper & Bill Robins #2))
β
Hanya orang-orang dengan hati damailah yang boleh menerima kejadian buruk dengan lega.
β
β
Tere Liye (Rembulan Tenggelam Di Wajahmu)
β
I let it go. It's like swimming against the current. It exhausts you. After a while, whoever you are, you just have to let go, and the river brings you home.
β
β
Joanne Harris (Five Quarters of the Orange)
β
If he can only perform good or only perform evil, then he is a clockwork orangeβmeaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.
β
β
Anthony Burgess (A Clockwork Orange)
β
You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
β
β
Anton Chekhov
β
Music can lift us out of depression or move us to tears - it is a remedy, a tonic, orange juice for the ear. But for many of my neurological patients, music is even more - it can provide access, even when no medication can, to movement, to speech, to life. For them, music is not a luxury, but a necessity.
β
β
Oliver Sacks
β
Did he just rip out the engine?" I asked.
"Yes", Saiman said. "And now he is demolishing the Maserati with it."
Ten seconds later Curran hurled the twisted wreck of black and orange that used to be the Maserati into the wall.
The first melodic notes of an old song came from the computer. I glanced at Saiman.
He shrugged. "It begged for a soundtrack.
β
β
Ilona Andrews (Magic Slays (Kate Daniels, #5))
β
Mengerti bahwa memaafkan itu proses yang menyakitkan. MEngerti, walau menyakitkan itu harus dilalui agar langkah kita menjadi jauh lebih ringan. Ketahuilah, memaafkan orang lain sebenarnya jauh lebih mudah dibandingkan memaafkan diri sendiri.
β
β
Tere Liye (Sunset Bersama Rosie)
β
Orang boleh pandai setinggi langit, tapi selama ia tak menulis, ia akan hilang di dalam masyarakat dan dari sejarah.
β
β
Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
β
But what I do I do because I like to do.
β
β
Anthony Burgess (A Clockwork Orange)
β
We may be small, and we may be young, but we will shake the world for our beliefs.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
Karena kecanggungan tidak pernah ada di antara dua orang yang tidak ada apa-apanya. So maybe there is something between us.
β
β
Ika Natassa (Antologi Rasa)
β
Goodness is something chosen. When a man cannot choose he ceases to be a man.
β
β
Anthony Burgess (A Clockwork Orange)
β
I don't like to think of it as 'stolen'. They have no proof that I didn't plan on giving it back."
"You're kidding, right?"
He shrugged. "You have no proof either."
She squinted back at him. "Were you planning on giving it back?"
"Maybe."
An orange light blinked on in the corner of Cinder's vision-her cyborg programming picking up on the lie.
β
β
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
β
Kesuksesan sejati adalah ketika kita membuat orang lain bahagia.
β
β
Helvy Tiana Rosa
β
In the library I felt better, words you could trust and look at till you understood them, they couldn't change half way through a sentence like people, so it was easier to spot a lie.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
β
β
Pablo Neruda
β
It's funny how the colors of the real world only seem really real when you watch them on a screen.
β
β
Anthony Burgess (A Clockwork Orange)
β
I see what is right and approve, but I do what is wrong.
β
β
Anthony Burgess (A Clockwork Orange)
β
You can't eat the orange and throw the peel away - a man is not a piece of fruit.
β
β
Arthur Miller (Death of a Salesman: Text and Criticism)
β
Dan alangkah indah kehidupan tanpa merangkak-rangkak di hadapan orang lain
β
β
Pramoedya Ananta Toer
β
Apakah ada yang tahu bagaimana rasanya mencintai seseorang yang tidak boleh dicintai? Aku tahu. Hidup ini sungguh aneh, juga tidak adil. Suatu kali hidup melambungkanmu setinggi langit, kali lainnya hidup menghempaskanmu begitu keras ke bumi. Ketika aku menyadari dialah satu-satunya yang paling kubutuhkan dalam hidup ini, kenyataan berteriak di telingaku dia juga satu-satunya orang yang tidak boleh kudapatkan.
β
β
Ilana Tan (Autumn in Paris)
β
I feel a little dizzy," said Orion. "But also wonderfully elated. I feel that I am on the verge of finding a rhyme for the word orange."
"Oxygen deprivation," said Foaly. "Or maybe it's just him.
β
β
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
β
Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?
β
β
Anthony Burgess (A Clockwork Orange)
β
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.
β
β
Herman Melville (Billy Budd, Sailor (Enriched Classics))
β
You done with work?
Yep, at home waiting for you.
Now that's a nice visual...
Prepare yourself, I'm taking bread out of the oven.
Don't tease me woman...zucchini?
Cranberry orange. Mmmm...
No woman has ever done breakfast bread foreplay the way you do.
Ha! When you coming?
Can't. Drive. Straight.
Can we have one conversation when you're not twelve?
Sorry, I'll be there in 30
Perfect, that will give me time to frost my buns.
Pardon me?
Oh, didn't I tell you? I also made cinnamon rolls.
Be there in 25.
β
β
Alice Clayton (Wallbanger (Cocktail, #1))
β
The cord, a familiar voice said. Remember your lifeline, dummy!
Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore.
"Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily."
The cord strengthened.
I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible.
"You are such an idiot sometimes." She smiled. "Come on. Take my hand."
Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
It is as inhuman to be totally good as it is to be totally evil.
β
β
Anthony Burgess (A Clockwork Orange)
β
No Difference
Small as a peanut,
Big as a giant,
We're all the same size
When we turn off the light.
Rich as a sultan,
Poor as a mite,
We're all worth the same
When we turn off the light.
Red, black or orange,
Yellow or white,
We all look the same
When we turn off the light.
So maybe the way,
To make everything right
Is for god to just reach out
And turn off the light!
β
β
Shel Silverstein
β
Otrera stayed dead the second time," Kinzie said, batting her eyes. "We have to thank you for that. If you ever need a new girlfriend...well, I think you'd look great in an iron collar and an orange jumpsuit."
Percy couldn't tell if she was kidding or not. He politely thanked her and changed seats.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
She must find a boat and sail in it. No guarantee of shore. Only a conviction that what she wanted could exist, if she dared to find it.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Reading,' Ead said lightly. 'A dangerous pastime.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
Mencintai tak berarti harus memiliki. Mencintai berarti pengorbanan untuk kebahagiaan orang yang kita cintai. Cinta tak pernah meminta untuk menanti. Ia mengambil kesempatan. Itulah keberanian. Atau mempersilakan. Yang ini pengorbanan.
β
β
Salim Akhukum Fillah
β
So--what's it like, being a vampire?"
"Aline!" Isabelle looked appalled. "You can't just go around asking people what's it like to be a vampire!"
"I don't see why," Aline said. "He hasn't been a vampire that long, has he? So he must still remember what it was like being a person." She turned back to Simon. "Does blood taste like blood to you? Or does it taste like something else now, like orange juice or something? Because I would think the taste of blood would-"
"It tastes like chicken," Simon said, just to shut her up.
"Really?" Aline looked astonished.
"He's making fun of you, Aline," said Sebastain
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I do not sleep because I am not only afraid of the monsters at my door, but also of the monsters my own mind can conjure. The ones that live within.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
I would live alone for fifty years to have one day with you.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
What's it going to be then, eh?
β
β
Anthony Burgess (A Clockwork Orange)
β
You used to be able to tell the difference between hipsters and homeless people. Now, it's between hipsters and retards. I mean, either that guy in the corner in orange safety pants holding a protest sign and wearing a top hat is mentally disabled or he is the coolest fucking guy you will ever know.
β
β
Chuck Klosterman
β
Hey, Carrots," he says.
β
β
Cynthia Hand (Unearthly (Unearthly, #1))
β
But not all dark places need light, I have to remember that.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
I don't know how to answer. I know what I think, but words in the head are like voices underwater. They are distorted.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Caged Bird
A free bird leaps on the back of the wind
and floats downstream till the current ends
and dips his wing in the orange suns rays and dares to claim the sky.
But a bird that stalks down his narrow cage
can seldom see through his bars of rage
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn and he names the sky his own.
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
β
β
Maya Angelou (The Complete Collected Poems)
β
If we are always arriving and departing, it is also
true that we are eternally anchored. One's destination
is never a place but rather a new way of looking at things.
β
β
Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
β
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Some powers come more easily to others, but Matthew rocks at reading energies.β
βWhat?β I set my fork back down. βOur biology teacher is an alien? Holy crapβ¦all I can think of is that movie The Faculty.β Dee choked on her orange juice. βWe donβt snatch bodies.β
I hoped not.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
At lunchtime I bought a huge orange
The size of it made us all laugh.
I peeled it and shared it with Robert and Daveβ
They got quarters and I had a half.
And that orange it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park
This is peace and contentment. It's new.
The rest of the day was quite easy.
I did all my jobs on my list
And enjoyed them and had some time over.
I love you. I'm glad I exist.
β
β
Wendy Cope (Serious Concerns)
β
All the world is a cage in a young girl's eyes.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
Suatu saat jika kau beruntung menemukan cinta sejatimu. Ketika kalian saling bertatap untuk pertama kalinya, waktu akan berhenti. Seluruh semesta alam takzim menyampaikan salam. Ada cahaya keindahan yang menyemburat, meggetarkan jantung. Hanya orang - orang yang beruntung yang bisa melihat cahaya itu, apalagi berkesempatan bisa merasakannya.
β
β
Tere Liye (Berjuta Rasanya)
β
Bagiku ada sesuatu yang paling berharga dan hakiki dalam kehidupan: 'dapat mencintai, dapat iba hati, dapat merasai kedukaan'. Tanpa itu semua maka kita tidak lebih dari benda. Berbahagialah orang yang masih mempunyai rasa cinta, yang belum sampai kehilangan benda yang paling bernilai itu. Kalau kita telah kehilangan itu maka absurdlah hidup kita
β
β
Soe Hok Gie (Catatan Seorang Demonstran)
β
Bagi manusia, hidup itu juga sebab-akibat, Ray. Bedanya, bagi manusia sebab-akibat itu membentuk peta dengan ukuran raksasa. Kehidupanmu menyebabkan perubahan garis kehidupan orang lain, kehidupan orang lain mengakibatkan perubahan garis kehidupan orang lainnya lagi, kemudian entah pada siklus yang keberapa, kembali lagi ke garis kehidupanmu.... Saling mempengaruhi, saling berinteraksi.... Sungguh kalau kulukiskan peta itu maka ia bagai bola raksasa dengan benang jutaan warna yang saling melilit, saling menjalin, lingkar-melingkar. Indah. Sungguh indah. Sama sekali tidak rumit.
β
β
Tere Liye (Rembulan Tenggelam Di Wajahmu)
β
There is nothing more to be said or to be done tonight, so hand me over my violin and let us try to forget for half an hour the miserable weather and the still more miserable ways of our fellowmen.
β
β
Arthur Conan Doyle (The Five Orange Pips (The Adventures of Sherlock Holmes, #5))
β
One moment, she was wearing clothing, and the next moment, she was wearing a bikini. Fifty percent of the world was brown skin and fifty percent was orange nylon. From the Mona Lisa smile on Orla's lips, it was clear she was pleased to finally be allowed to demonstrate her true talents.
A tiny part of Gansey's brain said: You have been staring for too long.
The larger part of his brain said: ORANGE.
β
β
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β
There were many versions of Gansey, but this one had been rare since the introduction of Adam's taming presence. It was also Ronan's favorite. It was the opposite of Gansey's most public face, which was pure control enclosed in a paper-thin wrapper of academia. But this version of Gansey was Gansey the boy. This was the Gansey who bought the Camaro, the Gansey who asked Ronan to teach him to fight, the Gansey who contained every wild spark so that it wouldn't show up in other versions. Was it the shield beneath the lake that had unleashed it? Orla's orange bikini? The bashed-up remains of his rebuilt Henrietta and the fake IDs they'd returned to? Ronan didn't really care. All that mattered was that something had struck the match, and Gansey was burning.
β
β
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β
She loved all the wolves behind her house, but she loved one of them most of all.
And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever.
Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield.
A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile.
It was a life I didn't want to leave behind.
It was a life I didn't want to forget.
I wasn't done with it yet. There was so much more to say.
β
β
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
β
Maka pada suatu pagi hari ia ingin sekali menangis sambil berjalan tunduk sepanjang lorong itu. Ia ingin pagi itu hujan turun rintik-rintik dan lorong sepi agar ia bisa berjalan sendiri saja sambil menangis dan tak ada orang bertanya kenapa.
Ia tidak ingin menjerit-jerit berteriak-teriak mengamuk memecahkan cermin membakar tempat tidur. Ia hanya ingin menangis lirih saja sambil berjalan sendiri dalam hujan rintik-rintik di lorong sepi pada suatu pagi.
β
β
Sapardi Djoko Damono
β
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, ββWhat are you reading, grandpa?ββ ββItβs history, my boy.ββ βThe grandson comes nearer and exclaims, ββBut this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!ββ ββWell, itβs sex for you, my son, but for me itβs history,β the old man says with a sigh.β All of people in the cabin burst into laughter. βA stale joke, but a cool one,β added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigatorβs actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: β179Β°C / β290Β°F Density: 1.88 g/cmΒ³ Gravity: 86% of Earthβs Diameter of the cosmic body: 3200 miles / 5150 km.
β
β
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
β
The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats.
Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.
β
β
Ray Bradbury (The Halloween Tree)
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Benarlah. Jika kalian sedang bersedih, jika kalian sedang terpagut masa lalu menyakitkan, penuh penyesalah seumur hidup, salah satu obatnya adalah dengan menyadari masih banyak orang lain yang lebih sedih dan mengalami kejadian lebih menyakitkan dibandingkan kalian. Masih banyak orang lain yang tidak lebih beruntung dibandingkan kita. Itu akan memberikan pengertian bahwa hidup ini belum berakhir. Itu akan membuat kita selalu meyakini : setiap makhluk berhak atas satu harapan.
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Tere Liye (Moga Bunda Disayang Allah)
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Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
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Pablo Neruda (Intimacies: Poems of Love)
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Β Β Β Β Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
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A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
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Lepaskanlah. Maka besok lusa, jika dia cinta sejatimu, dia pasti akan kembali dengan cara mengagumkan. Ada saja takdir hebat yang tercipta untuk kita. Jika dia tidak kembali, maka sederhana jadinya, itu bukan cinta sejatimu. Hei, kisah-kisah cinta di dalam buku itu, di dongeng-dongeng cinta, atau hikayat orang tua, itu semua ada penulisnya.
Tetapi kisah cinta kau, siapa penulisnya? Allah. Penulisnya adalah pemilik cerita paling sempurna di muka bumi. Tidakkah sedikit saja kau mau meyakini bahwa kisah kau pastilah yang terbaik yang dituliskan.
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Tere Liye (Rindu)
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Having a Coke with You
is even more fun than going to San Sebastian, IrΓΊn, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didnβt pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
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Frank O'Hara
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Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!"
Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.
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Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
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Morning is an important time of day, because how you spend your morning can often tell you what kind of day you are going to have. For instance, if you wake up to the sound of twittering birds, and find yourself in an enormous canopy bed, with a butler standing next to you holding a breakfast of freshly made muffins and hand-squeezed orange juice on a silver tray, you will know that your day will be a splendid one. If you wake up to the sound of church bells, and find yourself in a fairly big regular bed, with a butler standing next to you holding a breakfast of hot tea and toast on a plate, you will know that your day will be O.K. And if you wake up to the sound of somebody banging two metal pots together, and find yourself in a small bunk bed, with a nasty foreman standing in the doorway holding no breakfast at all, you will know that your day will be horrid.
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Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
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Pada akhirnya, orang yang jatuh cinta diam-diam hanya bisa mendoakan. Mereka cuma bisa mendoakan, setelah capek berharap, pengharapan yang ada dari dulu, yang tumbuh dari mulai kecil sekali, hingga makin lama makin besar, lalu semakin lama semakin jauh.
Orang yang jatuh cinta diam-diam pada akhirnya menerima. Orang yang jatuh cinta diam-diam paham bahwa kenyataan terkadang berbeda dengan apa yang kita inginkan. Terkadang yang kita inginkan bisa jadi yang tidak kita sesungguhnya butuhkan. Dan sebenarnya, yang kita butuhkan hanyalah merelakan.
Orang yang jatuh cinta diam-diam hanya bisa, seperti yang mereka selalu lakukan, jatuh cinta sendirian.
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Raditya Dika (Marmut Merah Jambu)
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It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.
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Ray Bradbury (Fahrenheit 451)
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Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.
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Anthony Burgess (A Clockwork Orange)
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Close your eyes and picture it. Can you see it?"
I nod, eyes closed.
"Imagine it right there before you. See its texture, shape, and colorβgot it?"
I smile, holding the image in my head.
"Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your sensesβsight, touch, smell, tasteβcan you taste it?"
I bite my lip and suppress a giggle.
"Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says.
So I do. I do all of those things. And when he groans, I open my eyes to see for myself.
"Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close."
"Nope, nothing fruity about him." I laugh, smiling ateach of my Damensβthe replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
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Alyson Noel (Blue Moon (The Immortals, #2))
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The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth.
There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
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John Steinbeck (The Grapes of Wrath)
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We are important and our lives are important, magnificent really, and their details are worthy to be recorded. This is how writers must think, this is how we must sit down with pen in hand. We were here; we are human beings; this is how we lived. Let it be known, the earth passed before us. Our details are important. Otherwise, if they are not, we can drop a bomb and it doesn't matter. . . Recording the details of our lives is a stance against bombs with their mass ability to kill, against too much speed and efficiency. A writer must say yes to life, to all of life: the water glasses, the Kemp's half-and-half, the ketchup on the counter. It is not a writer's task to say, "It is dumb to live in a small town or to eat in a cafΓ© when you can eat macrobiotic at home." Our task is to say a holy yes to the real things of our life as they exist β the real truth of who we are: several pounds overweight, the gray, cold street outside, the Christmas tinsel in the showcase, the Jewish writer in the orange booth across from her blond friend who has black children. We must become writers who accept things as they are, come to love the details, and step forward with a yes on our lips so there can be no more noes in the world, noes that invalidate life and stop these details from continuing.
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Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
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Fuck You Poem #45
Fuck you in slang and conventional English.
Fuck you in lost and neglected lingoes.
Fuck you hungry and sated; faded, pock marked, and defaced.
Fuck you with orange rind, fennel and anchovy paste.
Fuck you with rosemary and thyme, and fried green olives on the side.
Fuck you humidly and icily.
Fuck you farsightedly and blindly.
Fuck you nude and draped in stolen finery.
Fuck you while cells divide wildly and birds trill.
Thank you for barring me from his bedside while he was ill.
Fuck you puce and chartreuse.
Fuck you postmodern and prehistoric.
Fuck you under the influence of opiun, codeine, laudanum, and paregoric.
Fuck every real and imagined country you fancied yourself princess of.
Fuck you on feast days and fast days, below and above.
Fuck you sleepless and shaking for nineteen nights running.
Fuck you ugly and fuck you stunning.
Fuck you shipwrecked on the barren island of your bed.
Fuck you marching in lockstep in the ranks of the dead.
Fuck you at low and high tide.
And fuck you astride
anyone who has the bad luck to fuck you, in dank hallways,
bathrooms, or kitchens.
Fuck you in gasps and whispered benedictions.
And fuck these curses, however heartfelt and true,
that bind me, till I forgive you, to you.
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Amy Gerstler (Ghost Girl)
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But where was God now, with heaven full of astronauts, and the Lord overthrown? I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it. I have an idea that one day it might be possible, I thought once it had become possible, and that glimpse has set me wandering, trying to find the balance between earth and sky. If the servants hadn't rushed in and parted us, I might have been disappointed, might have snatched off the white samite to find a bowl of soup.
As it is, I can't settle, I want someone who is fierce and will love me until death and know that love is as strong as death, and be on my side for ever and ever. I want someone who will destroy and be destroyed by me. There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name. Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone. I would cross seas and suffer sunstroke and give away all I have, but not for a man, because they want to be the destroyer and never the destroyed.
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Jeanette Winterson (Oranges Are Not the Only Fruit)
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Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
Yes, sure,' George said, looking into the stormdrain.
And a balloon? Iβve got red and green and yellow and blue...'
Do they float?'
Float?' The clownβs grin widened. 'Oh yes, indeed they do. They float! And thereβs cotton candy...'
George reached.
The clown seized his arm.
And George saw the clownβs face change.
What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
They float,' the thing in the drain crooned in a clotted, chuckling voice. It held Georgeβs arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.
They float,' it growled, 'they float, Georgie, and when youβre down here with me, youβll float, tooβ'
George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.
Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.
Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of Georgeβs slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.
The boyβs eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
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Stephen King (It)
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Imagine that you were on the threshold of this fairytale, sometime billions of years ago when everything was created. And you were able to choose whether you wanted to be born to a life on this planet at some point. You wouldnβt know when you were going to be born, nor how long youβd live for, but at any event it wouldnβt be more than a few years. All youβd know was that, if you chose to come into the world at some point, youβd also have to leave it again one day and go away from everything. This might cause you a good deal of grief, as lots of people think that life in the great fairytale is so wonderful that the mere thought of it ending can bring tears to their eyes. Things can be so nice here that itβs terribly painful to think that at some point the days will run out. What would you have chosen, if there had been some higher power that had gave you the choice? Perhaps we can imagine some sort of cosmic fairy in this great, strange fairytale. What you have chosen to live a life on earth at some point, whether short or long, in a hundred thousand or a hundred million years? Or would you have refused to join in the game because you didnβt like the rules? (...) I asked myself the same question maybe times during the past few weeks. Would I have elected to live a life on earth in the firm knowledge that Iβd suddenly be torn away from it, and perhaps in the middle of intoxicating happiness? (...) Well, I wasnβt sure what I would have chosen. (...) If Iβd chosen never to the foot inside the great fairytale, Iβd never have known what Iβve lost. Do you see what Iβm getting at? Sometimes itβs worse for us human beings to lose something dear to us than never to have had it at all.
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Jostein Gaarder (The Orange Girl)