“
If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.
”
”
William Shakespeare (Twelfth Night)
“
Chasing a man is not winning. The only thing you win is the loss of your dignity. Confidence is knowing your value, instead of expecting a man’s love to provide you with value.
”
”
Shannon L. Alder
“
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence.
”
”
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
“
You’re the warm sun that shines when everything else is dark,” he went on, lifting his hands to rest them on the wall on either side of my face. “A smile and a hug in a roomful of disapproval. You’re…” Wincing, he pressed his forehead against mine. “You’re everything.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
I’m a master of encouragement. Why should I do work myself when the price of getting others to do it for me is as cheap as cheering them on?
”
”
Jarod Kintz (This Book is Not for Sale)
“
Perhaps the easiest people to fall in love with are those about whom
we know nothing. Romances are never as pure as those we imagine during
long train journeys, as we secretly contemplate a beautiful person who is
gazing out of the window – a perfect love story interrupted only when the
beloved looks back into the carriage and starts up a dull conversation
about the excessive price of the on-board sandwiches with a neighbour or
blows her nose aggressively into a handkerchief.
”
”
Alain de Botton (On Love)
“
In the opening to the Mary Tyler Moore Show Mary's in the supermarket, hurrying through the aisles. She pauses at the meat case, picks up a steak and checks the price. Then rolls her eyes, shrugs and tosses it in the cart. That's kind of how I feel. Sure I would have liked things to be different. But, 'roll of eyes' what can you do? 'shrug' I threw the meat in my cart and moved on.
”
”
Augusten Burroughs (Running with Scissors)
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
People were temporary. It was the one thing you could count on: people always left,
”
”
Holly Jackson (The Reappearance of Rachel Price)
“
P.S. I'm going to throw an absolutely mind-blowing fact your way. I'm not kidding, either. The country of Uganda is obsessed with Celine Dion. They dedicate entire days to broadcasting her music. They love her that much. Five words. My. Heart. Will. Go. On. Yeah.
”
”
Fisher Amelie (Vain (The Seven Deadly, #1))
“
The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people’s expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn’t care if you are a white person who likes black people; it’s still going to find a way to infect how you deal with people who don’t look like you. Yes, racism looks like hate, but hate is just one manifestation. Privilege is another. Access is another. Ignorance is another. Apathy is another. And so on. So while I agree with people who say no one is born racist, it remains a powerful system that we’re immediately born into. It’s like being born into air: you take it in as soon as you breathe. It’s not a cold that you can get over. There is no anti-racist certification class. It’s a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it. I know it’s hard work, but it’s the price you pay for owning everything.
”
”
Scott Woods
“
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Facing Riko like this went against everything his mother taught him. He'd been raised to run, to sacrifice everything and everyone to ensure his own survival. His mother had never given him ground to stand on. Maybe that was why he hadn't been strong enough to save her in the end. A jumble of lies had nothing to fight for. But Neil Josten was a Fox. Andrew called this home; Nicky called him family. Neil wasn't going to lose any of it. If two weeks with Riko was the price to keep his team safe, Neil would pay it. Somehow
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Murderers don't get forgiven just because we promise to be good from now on. We have to earn our way back. One hundred is the price. One hundred lives for each we took. That seems fair. That's how we get whole again and that's our work, from now until as long as it takes.
”
”
Bill Willingham (Fables, Vol. 18: Cubs in Toyland)
“
A work in which there are theories is like an object which still has its price-tag on.
”
”
Marcel Proust (Remembrance of Things Past: Volume III - The Captive, The Fugitive, & Time Regained)
“
So...goddamn...good. But I don’t want it to end yet.”...
“Oh screw it.” I dug my fingers into his firm ass and moved with him, urging him to quicken the pace. “We can have long, drawn-out slow sex later.”
He groaned again, though this was more like a whimper. “Promise?”
I nodded. “Yes. Yes. Right now, just light me up. Please”
“On it.” His hips slammed against mine. And...damn.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
What are you working on?” “I’m trying to set up a store to sell baskets of none-of-your-fucking-business at wholesale prices.
”
”
Steven Brust (Hawk (Vlad Taltos, #14))
“
I think you're the kind of man a girl can count on. You just can't let go of losing your family. You can't let yourself love because you think your heart can't handle it . . . that something bad will happen. But you're wrong. It's true . . . grief is the price for love. But hearts are made to mend. Christ can do wonders with a broken heart, if given all the pieces.
”
”
Suzanne Woods Fisher (The Keeper (Stoney Ridge Seasons, #1))
“
God never sends suffering. Never. It is never "God's will" that we should suffer. God would like us not to suffer. But since the world brings suffering, and since God refuses to use His almighty power and treat us as foolish children, He aligns Himself with us, goes into Auschwitz with us, is devastated by 9/11 with us, and draws us with Him through it all into fulfillment. This is a high price to pay for our human freedom, but it is worth it. To be mere automatons for whom God arranges the world to cause us no suffering would mean we never have a self. We could not make choices.
”
”
Wendy Beckett
“
Some days you go bear hunting and you get eaten. Some days you come home with a nice rug to roll around on, and bear steaks. What they don't tell you as a kid is that sometimes you get the rug and steaks, but you also get some nice scars to go with them. As a child you don't understand that you can win, but that's it's not always worth the price. Once you understand and accept that possibility you become a real grown up, and the world becomes a much more serious place. Not less fun, but once you realize what can go wrong, it's a lot scarier to go hunting "bears".
”
”
Laurell K. Hamilton
“
Price,” Wrath said, still looking at his brother.
“Well, here’s the thing.” As the king cursed, the man, Lassiter, laughed. “It’s not a price, though.”
“What. Is. It.”
“We’re a two-for-one-deal.”
“Excuse me?”
“I come with him.”
“The fuck you do.”
The man lost any levity in his voice. “It’s past of the arrangement, and believe me, I wouldn’t choose this either. Fact is, he’s my last change, so yeah, I’m sorry, but I go with him. And if you say no, by the way, I’m going to level us all like that.”
The man snapped his fingers, a brilliant white spark flaring against the night sky.
After a moment, Wrath turned to John. “This is Lassiter, the fallen angel. One of the last times he was on earth, there was a plague in central Europe –“
“Okay, that was so not my fault –”
“ – that wiped out two-thirds of the human population.”
“I’d like to remind you that you don’t like humans.”
“They smell bad when they’re dead.”
“All you mortal types do.”
John could barely follow the conversation; he was too busy staring into Tohr’s face. Open your eyes…open your eyes…please God…
“Come on, John.” Wrath turned back to the Brotherhood and started walking. When he came up to them, he said softly, “Our brother is returned.”
“Oh, Christ, is he alive,” someone said.
“Thank God,” someone else groaned.
“Tell them,” Lassiter demanded from behind. “Tell them he comes with a roommate.”
As one, the Brothers’ heads snapped up.
“Fuck. Me, “Vishous breathed.
“I will so pass on that,” Lassiter muttered.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
As for peace, it was never free and laws were made to be broken. Peacemaker or lawbreaker, someone, somewhere always paid the price no matter what side of the words they were on.
”
”
Virginia McKevitt (The Hunted (The Secret Enemy Saga, #2))
“
Thirty years on, femininity is still compulsory for women—and has become an option for men—while genuine femaleness remains grotesque to the point of obscenity. Meanwhile, the price of the small advances we have made towards sexual equality has been the denial of femaleness as any kind of a distinguishing character.
”
”
Germaine Greer (The Whole Woman)
“
...if true love breaks as easily as a delusion, on what can we rely? What will people pin their hopes on?" [Nilima]
"They'll have the sweet, intimate memories of a lost paradise, and beside it a sea of sorrow.... People looking on from outside think all is lost... What remains when everything is lost can be held in the palm, like a jewel. It can't be flaunted in a pageant, so the lookers-on are disappointed and jeer as they return home.." [Kamal]
"...Jewels are not meant for everybody, certainly not for the rabble. People who're only happy when decked out with gold and silver from top to toe won't understand the value of your tiny diamonds and gems. Those who want a lot feel secure only after tying knot upon knot. They put a price on something only by its weight and show and bulk. But it's useless to try and show the sunrise from a western window..[Nilima]
”
”
Sarat Chandra Chattopadhyay
“
As Nietzsche wrote, “The value of a thing sometimes lies not in what one attains with it, but in what one pays for it—what it costs us.” Perhaps you will attain your goal, and a worthy goal at that, but at what price? Apply this standard to everything, including whether to collaborate with other people or come to their aid. In the end, life is short, opportunities are few, and you have only so much energy to draw on. And in this sense time is as important a consideration as any other. Never waste valuable time, or mental peace of mind, on the affairs of others—that is too high a price to pay. Power
”
”
Robert Greene (The 48 Laws of Power)
“
Sorry,” I said, realizing I was taking my frustrations out on her. “I’m still getting over Soph,” I said, referring to my old prep school friend.
Sophie Price was the most beautiful girl you’d ever met. Seriously. Take it from someone who’s met Bar Refaeli in person. Soph was even more stunning. Especially since she’d had a personality makeover. I’d never regret anything as much as I would not making her fall in love with me.
“You can’t make anyone fall, Spence. Either they do or they don’t.”
“I said that out loud?”
“Duh and it’s been two years, Spencer. You seriously need to get over her. She’s with that Ian guy anyway, right?”
“Right.”
“That hot South African guy named Ian,” she concluded.
“Thanks.”
“That hot saffy named Ian who gives his life to mutilated Ugandan orphans and worships the ground Sophie walks on.”
I stopped and glared at her. “That’ll do, Bridge.
”
”
Fisher Amelie (Greed (The Seven Deadly, #2))
“
The evangelists today are very often prepared to be anything to anybody as long as they can get somebody to the altar for something. They glibly call out: ‘‘Who wants help? Who wants more power? Who wants a closer walk with God?’’ Such a sinning, repenting ‘‘easy believeism’’ dishonors the blood and prostitutes the altar. We must alter the altar, for the altar is a place to die on. Let those who will not pay this price leave it alone!
”
”
Leonard Ravenhill (Why Revival Tarries)
“
The crowd neither wants nor seeks knowledge, and the leaders of the crowd, in their own interests, try to strengthen its fear and dislike of everything new and unknown. The slavery in which mankind lives is based upon this fear. It is even difficult to imagine all the horror of this slavery. We do not understand what people are losing. But in order to understand the cause of this slavery it is enough to see how people live, what constitutes the aim of their existence, the object of their desires, passions, and aspirations, of what they think, of what they talk, what they serve and what they worship. Consider what the cultured humanity of our times spends money on; even leaving the war out, what commands the highest price; where the biggest crowds are. If we think for a moment about these questions it becomes clear that humanity, as it is now, with the interests it lives by, cannot expect to have anything different from what it has.
”
”
G.I. Gurdjieff
“
We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And men die. The price gets ever higher. Some officers can pay no longer. We are prepared to lose some of us, but never all of us. But that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet, if they all die, a man must ask himself, will it have been worth it?
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Lost, I am Lost! My fates have doomed my death.
The more I strive, I love; the more I love,
The less I hope. I see my ruin, certain.
What judgement or endeavors could apply
To my incurable and restless wounds
I throughly have examined, but in vain.
Oh, that it were not in religion sin
To make our love a god and worship it!
I have even wearied heaven with prayers, dried up
The spring of my continual tears, even starved
My veins with daily fasts; what wit or art
Could counsel, I have practiced. But, alas,
I find all these but dreams and old men's tales
To fright unsteady youth; I'm still the same.
Or I must speak or burst. Tis not, I know,
My lust, but tis my fate that leads me on.
Keep fear and low fainthearted shame with slaves!
I'll tell her that I love her, through my heart
Were rated at the price of that attempt.
”
”
John Ford (' Tis Pity She's a Whore (New Mermaids))
“
There is no such thing as a nonpolitical Christianity. To refuse to critique the system or the status quo is to fully support it—which is a political act well disguised. Like Pilate, many Christians choose to wash their hands in front of the crowd and declare themselves innocent, saying with him, “It is your concern” (Matthew 27: 25). Pilate maintains his purity and Jesus pays the price. Going somewhere good means having to go through and with the bad, and being unable to hold ourselves above it or apart from it. There is no pedestal of perfect purity to stand on, and striving for it is an ego game anyway.
”
”
Richard Rohr (The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe)
“
Fantasizing about an impossibly idealized kind of love they’d seen an actor perform on-screen. Yet, all their real-world efforts were extremely pragmatic, often sacrificing the love they fantasized about as a price for earning status, security, and financial freedom.
”
”
Shrayana Bhattacharya (Desperately Seeking Shah Rukh: India's Lonely Young Women and the Search for Intimacy and Independence)
“
We stick together from now on.” He spoke quietly, but he stared me right in the eye as he said it. Be still, my beating heart.
”
”
Jordan Castillo Price (Hemovore)
“
We should stop worrying so much about the price of gasoline and start considering its cost. You really want to be patriotic? Don't change your car by putting a flag on it, change the car.
”
”
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
“
This isn't a question of strength. Not the stoic, get-on-with-stuff-without-thinking-too-much kind of strength, anyway. It's more of a zooming-in. That sharpening. ... You know, before the age of twenty-four I hadn't realised how bad things could feel, but I hadn't realised how good they could feel either. That shell might be protecting you, but it's also stopping you feeling the full force of that good stuff. Depression might be a hell of a price to pay for waking up to life, ... But it is actually quite therapeutic to know that pleasure doesn't just help compensate for pain, it can actually grow out of it.
”
”
Matt Haig (Reasons to Stay Alive)
“
I’ll take it. I’ll keep it locked in the box. Maybe we can trade it for medicine for Bunu.” Cici looked at me, displeased. “A Coke and a dollar. What’s going on, Pui?” she whispered. “Nothing,” I assured her. “Just good luck and bad luck.” Cici nodded slowly, suspicious. “Just remember, Pui, good luck comes at a price. Bad luck is free.
”
”
Ruta Sepetys (I Must Betray You)
“
It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about. ("You taught me language," says Caliban to Prospero, "and my profit on't is I know how to curse.")
”
”
James Baldwin (Notes of a Native Son)
“
[T]he enduring problem for liberals, as for everyone else, is not whether history will judge them wise or foolish regarding the war on terrorism; it is, rather, the way that the past decade has splintered them away from other Americans. This fracture comes with a steep price: in today's toxic atmosphere, liberals are no less cynical, shortsighted, and parochial than anyone else, and they understand their fellow-Americans just as badly as they themselves are understood. When liberals look at red-state voters, they see either a mob of pious know-nothings or the insensible victims of militarism and class warfare. Yet.... [such people] defy fixed categories, which means that they have to be figured out the hard way--on their own terms.
”
”
George Packer
“
Wisdom may be rented...on the experience of other people, but we buy it at an inordinate price before we make it our own forever.
”
”
Robertson Davies (The Salterton Trilogy: Tempest-Tost / Leaven of Malice / A Mixture of Frailties)
“
Everyone left, eventually. Wasn’t just Rachel Price. People were temporary. It was the one thing you could count on: people always left, even Carter.
”
”
Holly Jackson (The Reappearance of Rachel Price)
“
I am adrift. At 21, penniless in a world of plausible excuses, I am alone with my goals. These are difficult years, and if anything loving lay ahead I was already paying a large enough price. At my lowest in these years of signing on, I do not fit in anywhere with the family philosophy, and these days set the tempo of the times- even for the days when the sun re-enters the room. Travestied or not, you must just get through it.
”
”
Morrissey (Autobiography)
“
It wasn’t the dying. He had seen men die all his life, and death was the luck of the chance, the price you eventually paid. What was worse was the stupidity. The appalling sick stupidity that was so bad you thought sometimes you would go suddenly, violently, completely insane just having to watch it. It was a deadly thing to be thinking on. Job to be done here. And all of it turns on faith.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Why are drugs so profitable? Essentially, many argue, it’s because they are illegal. By making drugs a criminal enterprise, it creates an enormous black market economy where drugs fetch far greater prices than they would if legal.
”
”
James Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
“
I am afraid, my friends, that the ugly chapters of genocides and the deep-rooted history of persecution in the Middle East will last longer if we ignore the facts. If we keep silent, we will probably witness another genocide at a future date, and the price we may pay for neglecting our duty to act may prove to be too high.
”
”
Widad Akreyi
“
The highest and most fruitful form of human freedom is found in accepting, even more than in dominating. We show the greatness of our freedom when we transform reality, but still more when we accept it trustingly as it is given to us day after day.
It is natural and easy to go along with pleasant situations that arise without our choosing them. It becomes a problem, obviously, when things are unpleasant, go against us, or make us suffer. But it is precisely then that, in order to become truly free, we are often called to choose to accept what we did not want, and even what we would not have wanted at any price. There is a paradoxical law of human life here: one cannot become truly free unless one accepts not always being free!
To achieve true interior freedom we must train ourselves to accept, peacefully and willingly, plenty of things that seem to contradict our freedom. This means consenting to our personal limitations, our weaknesses, our powerlessness, this or that situation that life imposes on us, and so on. We find it difficult to do this, because we feel a natural revulsion for situations we cannot control. But the fact is that the situations that really make us grow are precisely those we do not control.
”
”
Jacques Philippe (Interior Freedom)
“
They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap."
Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men."
Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..."
He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away.
"We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And the men die. The price gets ever higher. Some officers...can pay no longer. We are prepared to lose some of us." He paused again. "But never ALL of us. Surely not all of us. But...that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet ,if they all die, a man must ask himself, will it have been worth it?
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Selling for more than your asset’s worth. Everyone hopes a buyer will come along who’s willing to overpay for what they have for sale. But certainly the hoped-for arrival of this sucker can’t be counted on. Unlike having an underpriced asset move to its fair value, expecting appreciation on the part of a fairly priced or overpriced asset requires irrationality on the part of buyers that absolutely cannot be considered dependable.
”
”
Howard Marks (The Most Important Thing Illuminated: Uncommon Sense for the Thoughtful Investor (Columbia Business School Publishing))
“
If you want your dreams to work out for you, you must work with them. Pay the price and have the package of your accomplishments in full versions.
”
”
Israelmore Ayivor
“
Even the strongest man needed a place where he could rest. Even the strongest woman needed the knowledge that she was not alone, that she had a strong shoulder to lean on.
”
”
Lina J. Potter (The Price of Happiness (A Medieval Tale, #5))
“
It went on and on; intentionally, unintentionally, it didn't matter. The end was the same: broken people left in pieces, lives fractured, love bludgeoned.
”
”
Wendy Jones (The Thoughts and Happenings of Wilfred Price, Purveyor of Superior Funerals (Wilfred Price, #1))
“
There is a cost to staying on one path, especially if it doesn’t feel like the one you should be on. But there is also a cost to walking away and venturing into the unknown. The real question that was embedded in each one of my concerns was, What price am I willing to pay?
”
”
Cait Flanders (Adventures in Opting Out: A Field Guide to Leading an Intentional Life)
“
On the right side-panel of the verbose and somewhat tautological box of Cheerios, it is written,
If you are not satisfied with the quality and/or performance of the Cheerios in this box, send name, address, and reason for dissatisfaction—along with entire boxtop and price paid—to: General Mills, Inc., Box 200-A, Minneapolis, Minn., 55460. Your purchase price will be returned.
It isn’t enough that there is a defensive tone to those words, a slant of doubt, an unappetizing broach of the subject of money, but they leave the reader puzzling over exactly what might be meant by the “performance” of the Cheerios.
Could the Cheerios be in bad voice? Might not they handle well on curves? Do they ejaculate too quickly? Has age affected their timing or are they merely in a mid-season slump? Afflicted with nervous exhaustion or broken hearts, are the Cheerios smiling bravely, insisting that the show must go on?
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
Josephine Butler (1828-1907) writes in her journals, pamphlets and diaries of the second half of the nineteenth century about seeing thousands (yes, thousands) of little girls, some as young as four or five, in the illegal brothels of London, Paris, Brussels, and Geneva. ...The children had a life expectancy of two years, yet the brothel owners, frquently women, seemed to have an unlimited supply.... 'Clean' children, who were free from venereal disease, commanded a high price. All this is well documented, but strangely Mrs [sic] Butler never mentions little boys, though this branch of the trade must have been going on.
”
”
Jennifer Worth
“
Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle because the older you get, the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard; live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths, prices will rise, politicians will philander, you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble and children respected their elders. Respect your elders. Don’t expect anyone else to support you.
”
”
Baz Luhrmann
“
Franval, who was now absolutely at ease, thought on,y of upsetting others; he behaved in his vindictive, unruly, impetuous way when he was disturbed; he desired his own tranquility again at any price, and in order to obtain it he clumsily adopted the only means most likely to make him lose it once again. If he obtained it he used all his moral and physical facilities only to do harm to others; he was therefore always in a state of agitation, he had either to anticipate the wiles which he forced others to employ against him, or else he had to use them against others.
”
”
Marquis de Sade (Gothic Tales of the Marquis de Sade)
“
I learned since then, and paid a price to learn, it that them as laid claim to great wisdom most often got nothing in their store but bare scrapings. And by the same token, them as think they're ignorant think it because they can see the edges of what they know, which you can only see when what you know is tall enough to stand on, and take a look around.
”
”
M.R. Carey (The Book of Koli (Rampart Trilogy, #1))
“
I happen to believe that the deepest value of fiction is that, in its very fictiveness, it is the one arena where we can, at least temporarily, take apart and refuse to compete within the terms that the rest of existence insists on. Market value may come to drive out all other human values, except, perhaps, in the country of invented currency, the completely barter-driven economy of the imagination. Fiction, when it remembers its innate priority over other human transactions, can deal not in price but in worth. And that seems to me an act filled with political potential, as well as with pleasure.
”
”
Richard Powers
“
They" hate us because they feel--and "they" are not wrong--that it is within our power to do so much more, and that we practice a kind of passive-aggressive violence on the Third World. We do this by, for example, demonizing tobacco as poison here while promoting cigarettes in Asia; inflating produce prices by paying farmers not to grow food as millions go hungry worldwide; skimping on quality and then imposing tariffs on foreign products made better or cheaper than our own; padding corporate profits through Third World sweatshops; letting drug companies stand by as millions die of AIDS in Africa to keep prices up on lifesaving drugs; and on and on.
We do, upon reaching a very high comfort level, mostly choose to go from ten to eleven instead of helping another guy far away go from zero to one.
We even do it in our own country. Barbara Ehrenreich's brilliant book Nickel and Dimed describes the impossibility of living with dignity or comfort as one of the millions of minimum-wage workers in fast food, aisle-stocking and table-waiting jobs. Their labor for next to nothing ensures that well-off people can be a little more pampered.
So if we do it to our own, what chance do foreigners have?
”
”
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
“
When people die,” I said, “and you’ll be able to verify this for yourself—most of ’em move on. A few of ’em stick around. But the ones who stick around are usually messed-up. Murders and suicides, or people with unfinished business. As for accidents and illness—at the very worst, they leave a little residue. A repeater. A psychic impression of the final moments, like a moving snapshot. I think the spirits of those repeaters, they’re fine. They go wherever it is people…go. When they die.
”
”
Jordan Castillo Price (GhosTV (PsyCop, #6))
“
I paid a higher price than anyone will ever know, but I lived with the bargain I made just the same. I did more than that. When the dust bunnies and the dreams of what could have been were all I had left, I took the dreams and made them my own. The dust bunnies? Well, they might have gotten me in the end, but I lived with them for a lot of years before they did. Now you've got a bunch of your own to deal with, but if you've lost the guts you had on the day when you told me that firing the Jolander girl was a boogery thing to do, go on. Go on and jump. Because without your guts, Dolores Claiborne, you're just another stupid old woman.
”
”
Stephen King (Dolores Claiborne)
“
He, the true writer, is the department store dummy at the very center of the whole establishment, the one left alone on display all night, a price tag stapled to every piece of clothing they’ve yanked onto him, binoculars and frog flippers included. He is the neutral, generic human form, the gray center who must always assume disguises — in order to be seen and, therefore, to feel himself.
”
”
Allan Gurganus
“
Social class. Class remains our national awkward topic, usually mumbled over in academic diversity workshops; indeed, most people don't know how to talk about class without automatically coupling it with race. That's because we Americans are loath to recognize that the sky's-the-limit potential we take as our birthright comes at a price far beyond what many Americans--of any race--can afford to pay.
”
”
Maureen Corrigan (So We Read On: How The Great Gatsby Came to Be and Why It Endures)
“
We are entering an age of super-intelligent computers that can take any complex data set—every legal precedent, radiology film, asset price, financial transaction, actuarial table, Facebook like, customer review, résumé bullet, facial expression, and so on—synthesize it, and then perform tasks and make decisions in ways that are as good as or better than the smartest human in the vast majority of cases.
”
”
Andrew Yang (The War on Normal People: The Truth About America's Disappearing Jobs and Why Universal Basic Income Is Our Future)
“
It hit him that his own form of loneliness was a luxury, one as chosen and as paid for as three weeks in Kenya's velds or a cherry red Ferrari. Real loneliness wasn't something an assistant scoped out and got a good price on. Real loneliness was smothering and it stank of hopelessness.
”
”
Douglas Coupland (Miss Wyoming)
“
Some readers are bound to want to take the techniques we’ve introduced here and try them on the problem of forecasting the future price of securities on the stock market (or currency exchange rates, and so on). Markets have very different statistical characteristics than natural phenomena such as weather patterns. Trying to use machine learning to beat markets, when you only have access to publicly available data, is a difficult endeavor, and you’re likely to waste your time and resources with nothing to show for it.
Always remember that when it comes to markets, past performance is not a good predictor of future returns—looking in the rear-view mirror is a bad way to drive. Machine learning, on the other hand, is applicable to datasets where the past is a good predictor of the future.
”
”
François Chollet (Deep Learning with Python)
“
Nor I. There was a time that I would have given my right hand to wield a sword like that. Now it appears I have, so the blade is wasted on me. Take it.” Before she could think to refuse, he went on. “A sword so fine must bear a name. It would please me if you would call this one Oathkeeper. One more thing. The blade comes with a price.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out: "Clear the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise."
He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first and spoon vittles to top off on." He see me, and rode up and says:"Whar'd you come f'm boy? You prepared to die?" Then he rode on. I was scared, but a man says: "He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best-naturedest old fool in Arkansaw--never hurt nobody, drunk no sober.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
When someone sees something old they think it’s worth more than something new.” I’ll give them that. The history, imagining who might have stood or sat or eaten at a piece hundreds of years before gives it a value you can’t hang a price tag on, but I’ve never thought it was ten times the value of a new piece. I think some things are better when new, then you can grow old together.
”
”
James L. Rubart
“
My father took me to see this film in 1950, when I was eight years old. And I’ve never forgotten it. I wouldn’t know how to begin to explain what this film has meant to me over the years. It’s about the joy and exuberance of film-making itself. It’s one of the true miracles of film history. What keeps nourishing me over the years is the spell the film casts, how it weaves the mystery of the obsession of creativity, of the creative drive. It all comes down to that wonderful exchange early in the film when Anton Walbrook confronts Moira Shearer at a cocktail party. ‘Why do you want to dance?’ he asks, and she answers, ‘Why do you want to live?’ The look on his face is extraordinary.’ Over the years, I’ve thought a lot about that exchange. It expresses so much about the burning need for art – the mystery of the passion to create. It’s not that you want to do it, it’s that you have to do it. You have no choice. You have to live it and it comes with a price. But what a time paying it.
[on, The Red Shoes (1948)]
”
”
Martin Scorsese
“
You hang on because you realize that everything fades away; everything passes. You can survive anything if you choose to do so. Beauty fades, so don't take it seriously. It's the bowl of candy someone left behind. You pounce on it too often and you pay the price, but it was heaven for a minute or two. Fame is a bit of perfume coasting on the air. Sniff deeply and walk on. What lasts is friendship, partnerships of the soul that keep you focused and strong and in your place. I now long for times with friends--evenings that don't require denial, a pill, or a girdle. Just my heart, my time, and a rich history." Elizabeth Taylor/Interview with James Grissom/1991 #FolliesOfGod
”
”
Elizabeth Taylor
“
Has Stalin understood correctly?’ asked Stalin. ‘You were on Franco’s side, you have fought against Comrade Mao, you have… saved the life of the pig in London and you have put the deadliest weapon in the world in the hands of the arch-capitalists in the USA.
‘I might have known,’ Stalin mumbled and in his anger forgot to talk in the third person. ‘And now you are here to sell yourself to Soviet socialism? One hundred thousand dollars, is that the price for your soul? Or has the price gone up during the course of the evening?’
Allan no longer wanted to help. Of course, Yury was still a good man and he was the one who actually needed the help. But you couldn’t get away from the fact that the results of Yury’s work would end up in the hands of Comrade Stalin, and he was not exactly Allan’s idea of a real comrade. On the contrary, he seemed unstable, and it would probably be best for all concerned if he didn’t get the bomb to play with.
‘Not exactly,’ said Allan. ‘This was never about money…’
He didn’t get any further before Stalin exploded again.
‘Who do you think you are, you damned rat? Do you think that you, a representative of fascism, of horrid American capitalism, of everything on this Earth that Stalin despises, that you, you, can come to the Kremlin, to the Kremlin, and bargain with Stalin, and bargain with Stalin?’
‘Why do you say everything twice?’ Allan wondered, while Stalin went on:
‘The Soviet Union is prepared to go to war again, I’ll tell you that! There will be war, there will inevitably be war until American imperialism is wiped out.’
‘Is that what you think?’ asked Allan.
‘To do battle and to win, we don’t need your damned atom bomb! What we need is socialist souls and hearts! He who knows he can never be defeated, can never be defeated!’
‘Unless of course somebody drops an atom bomb on him,’ said Allan.
‘I shall destroy capitalism! Do you hear! I shall destroy every single capitalist! And I shall start with you, you dog, if you don’t help us with the bomb!’
Allan noted that he had managed to be both a rat and a dog in the course of a minute or so. And that Stalin was being rather inconsistent, because now he wanted to use Allan’s services after all.
But Allan wasn’t going to sit there and listen to this abuse any longer. He had come to Moscow to help them out, not to be shouted at. Stalin would have to manage on his own.
‘I’ve been thinking,’ said Allan.
‘What,’ said Stalin angrily.
‘Why don’t you shave off that moustache?’
With that the dinner was over, because the interpreter fainted
”
”
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
“
Risk, as first articulated by the economist Frank H. Knight in 1921,45 is something that you can put a price on. Say that you’ll win a poker hand unless your opponent draws to an inside straight: the chances of that happening are exactly 1 chance in 11.46 This is risk. It is not pleasant when you take a “bad beat” in poker, but at least you know the odds of it and can account for it ahead of time. In the long run, you’ll make a profit from your opponents making desperate draws with insufficient odds. Uncertainty, on the other hand, is risk that is hard to measure. You might have some vague awareness of the demons lurking out there. You might even be acutely concerned about them. But you have no real idea how many of them there are or when they might strike. Your back-of-the-envelope estimate might be off by a factor of 100 or by a factor of 1,000; there is no good way to know. This is uncertainty. Risk greases the wheels of a free-market economy; uncertainty grinds them to a halt.
”
”
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
“
After so much imposture, so much fraud, it is comforting to contemplate a beggar. He, at least, neither lies nor lies to himself: his doctrine, if he has one, he embodies; work he dislikes, and he proves it; wanting to possess nothing, he cultivates his impoverishment, the condition of his freedom. His thought is resolved into his being and his being into his thought. He has nothing, he is himself, he endures: to live on a footing with eternity is to live from day to day, from hand to mouth. Thus, for him, other men are imprisoned in illusion. If he depends on them, he takes his revenge by studying them, a specialist in the underbelly of “noble” sentiments. His sloth, of a very rare quality, truly “delivers” him from a world of fools and dupes. About renunciation he knows more than many of your esoteric works. To be convinced of this, you need only walk out into the street … But you prefer the texts that teach mendicancy. Since no practical consequence accompanies your meditations, it will not be surprising that the merest bum is worth more than you … Can we conceive a Buddha faithful to his truths and to his palace? One is not “delivered-alive” and still a land-owner. I reject the generalization of the lie, I repudiate those who exhibit their so-called “salvation” and prop it with a doctrine which does not emanate from themselves. To unmask them, to knock them off the pedestal they have hoisted themselves on, to hold them up to scorn is a campaign no one should remain indifferent to. For at any price we must keep those who have too clear a conscience from living and dying in peace.
”
”
Emil M. Cioran (The Temptation to Exist)
“
There are three phrases that make possible the world of writing about the world of not-yet (you can call it science fiction or speculative fiction; you can call it anything you wish) and they are simple phrases: What if . . . ? If only . . . If this goes on . . . “What if . . . ?” gives us change, a departure from our lives. (What if aliens landed tomorrow and gave us everything we wanted, but at a price?) “If only . . .” lets us explore the glories and dangers of tomorrow. (If only dogs could talk. If only I were invisible.) “If this goes on . . .” is the most predictive of the three, although it doesn’t try to predict an actual future with all its messy confusion. Instead, “If this goes on . . .” fiction takes an element of life today, something clear and obvious and normally something troubling, and asks what would happen if that thing, that one thing, became bigger, became all-pervasive, changed the way we thought and behaved. (If this goes on, all communication everywhere will be through text messages or computers, and direct speech between two people, without a machine, will be outlawed.)
”
”
Ray Bradbury (Fahrenheit 451)
“
Sandra L. West and Aberjhani have compiled an encyclopedia that makes an important contribution to our need to know more about one of modern America’s truly significant artistic and cultural movements. It helps us to acknowledge the complexity of African American life at a time when the nation’s culture was taking on a recognizable shape, when race was becoming less of a crushing burden and more of a challenge to progressive people and their ideals, and when cities and their inhabitants symbolized the end of the past and the seductiveness of the new.
”
”
Clement Alexander Price (Encyclopedia of the Harlem Renaissance (Facts on File Library of American History))
“
This is called a piqué machine, it sews that finest stitch, called piqué, requires far more skill than the other stitches.... This is called a polishing machine and that is called a stretcher and you are called honey and I am called Daddy and this is called living and the other is called dying and this is called madness and this is called mourning and this is called hell, pure hell, and you have to have strong ties to be able to stick it out, this is called trying-to-go-on-as-though-nothing-has-happened and this is called paying-the-full-price-but-in-God's-name-for-what, this is called wanting-to-be-dead-and-wanting-to-find-her-and-to-kill-her-and-to-save-her-from-whatever-she-is-going-through-wherever-on-earth-she-may-be-at-this-moment, this unbridled outpouring is called blotting-out-everything and it does not work, I am half insane, the shattering force of that bomb is too great ... And then they were back at his office again.
”
”
Philip Roth
“
Sometimes, oftentimes, people hold on to someone they love for self – because it's what they want; in rare cases, a person, who sincerely knows the meaning of love, which is sacrifice, loves enough to say goodbye and to walk away. They do it because they love someone enough to allow them to move on without them or to not be torn in multiple directions, which causes confusion, or because they feel that is their only choice.
Loving like that is doing for another and denying self. It is sacrifice.
It takes tremendous strength and the cost is loss and heart-ache but it's a price the rare are willing to pay because they truly love that much.
”
”
Donna Lynn Hope
“
John Maynard Keynes saw the truth at the bottom of all this, which is that our fixation on what he called “purposiveness”—on using time well for future purposes, or on “personal productivity,” he might have said, had he been writing today—is ultimately motivated by the desire not to die. “The ‘purposive’ man,” Keynes wrote, “is always trying to secure a spurious and delusive immortality for his actions by pushing his interests in them forward into time. He does not love his cat, but his cat’s kittens; nor in truth the kittens, but only the kittens’ kittens, and so on forward forever to the end of cat-dom. For him, jam is not jam unless it is a case of jam tomorrow and never jam today. Thus by pushing his jam always forward into the future, he strives to secure for his act of boiling it an immortality.” Because he never has to “cash out” the meaningfulness of his actions in the here and now, the purposive man gets to imagine himself an omnipotent god, whose influence over reality extends infinitely off into the future; he gets to feel as though he’s truly the master of his time. But the price he pays is a steep one. He never gets to love an actual cat, in the present moment. Nor does he ever get to enjoy any actual jam. By trying too hard to make the most of his time, he misses his life.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
Habib wanted to buy a donkey, so he went to the market,
stopped by a donkey he liked, and said to his owner, after an argument over the price, "That's all I have with me now, so either you sell me the donkey, or I'll be on my way."
Finally the man agreed, and Habib left, dragging the donkey behind him.
Two thieves saw him, and they agreed to steal the donkey. One of them crept up lightly and untied the rope from the donkey's neck without Habib feeling a thing. Then the thief tied the rope around his own neck. Through all this, Habib felt nothing of what was going on.
The thief walked behind Habib while the other thief walked with the donkey, and the people passing by saw this and marveled at the sight and laughed.
Habib marveled at himself and said, "Perhaps their admiration and laughter are due to the fact that they admire my donkey."
When Habib arrived at his house, he turned around toward the donkey, and he saw the man, who was crying.
The rope was on his neck, and Habib was amazed at his condition and said to him, "Who are you?"
The thief stopped crying and wiped his tears, saying, "Sir, I am an ignorant man. I angered my mother."
Habib said, "And then what?"
The thief said, "So my mother prayed over me and asked God to curse me and transform me into a donkey, and God answered her prayer. When my big brother saw this, he wanted to get rid of me, so he put me up for sale in the market. Then you came and bought me, and with your blessing and your caring, I returned to being human, as I was!" And the thief took Habib's hand, praying his thanks to God.
Habib befriended him, and he set him free after advising him to obey his mother and to beg her forgiveness and prayers.
The next day, Habib returned to the market to buy a donkey, and he saw the same donkey and recognized him.
Habib approached the donkey and whispered in his ear, saying, "Obviously you did not hear my words, and you angered your mother a second time. By God, I will never buy
you!
”
”
Ayoub Imilouane (Tales of Habib the Hoaxter: Sometimes Hoaxed, Always Good for a Laugh)
“
How about some perfume?” Carol asked, moving toward her with the bottle. She touched Therese’s forehead with her fingers, at the hairline where she had kissed her that day.
“You remind me of the woman I once saw,” Therese said, “somewhere off Lexington. Not you but the light. She was combing her hair up.” Therese stopped, but Carol waited for her to go on. Carol always waited, and she could never say exactly what she wanted to say. “Early one morning when I was on the way to work, and I remember it was starting to rain, she floundered on. “I saw her in a window.” She really could not go on, about standing there for perhaps three or four minutes, wishing with an intensity that drained her strength that she knew the woman, that she might be welcome if she went to the house and knocked on the door, wishing she could do that instead of going on to her job at the Pelican Press.
“My little orphan,” Carol said.
Therese smiled. There was nothing dismal, no sting in the word when Carol said it.
”
”
Patricia Highsmith (The Price of Salt)
“
Any animal can fuck. But only humans can experience sexual passion, something wholly different from the biological urge to mate. And sexual passion’s endured for millennia as a vital psychic force in human life — not despite impediments but because of them. Plain old coitus becomes erotically charged and spiritually potent at just those points where impediments, conflicts, taboos, and consequences lend it a double-edged character — meaningful sex is both an overcoming and a succumbing, a transcendence and a transgression, triumphant and terrible and ecstatic and sad. Turtles and gnats can mate, but only the human will can defy, transgress, overcome, love: choose.
History-wise, both nature and culture have been ingenious at erecting impediments that give the choice of passion its price and value: religious proscriptions; penalties for adultery and divorce; chivalric chastity and courtly decorum; the stigma of illegitimate birth; chaperonage; madonna/whore complexes; syphilis; back-alley abortions; a set of “moral” codes that put sensuality on a taboo-level with defecation and apostasy… from the Victorians’ dread of the body to early TV’s one-foot-on-the-floor-at-all-times rule; from the automatic ruin of “fallen” women to back-seat tussles in which girlfriends struggled to deny boyfriends what they begged for in order to preserve their respect. Granted, from 1996’s perspective, most of the old sexual dragons look stupid and cruel. But we need to realize that they had something big in their favor: as long as the dragons reigned, sex wasn’t casual, not ever. Historically, human sexuality has been a deadly serious business — and the fiercer its dragons, the seriouser sex got; and the higher the price of choice, the higher the erotic voltage surrounding what people chose."
-from "Back in New Fire
”
”
David Foster Wallace (Both Flesh and Not: Essays)
“
Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,
”
”
Thomas Pynchon (Mason & Dixon)
“
The cultural Left has contributed to the formation of this politically useless unconscious not only by adopting “power” as the name of an invisible, ubiquitous, and malevolent presence, but by adopting ideals which nobody is yet able to imagine being actualized.
Among these ideals are participatory democracy and the end of capitalism. Power will pass to the people, the Sixties Left believed only when decisions are made by all those who may be affected by the results. This means, for example, that economic decisions will be made by stakeholders rather than by shareholders, and that entrepreneurship and markets will cease to play their present role. When they do, capitalism as we know it will have ended, and something new will have taken its place.
[…] Sixties leftists skipped lightly over all the questions which had been raised by the experience of non market economies in the so-called socialist countries. They seemed to be suggesting that once we were rid of both bureaucrats and entrepreneurs, “the people” would know how to handle competition from steel mills or textile factories in the developing world, price hikes on imported oil, and so on. But they never told us how “the people” would learn how to do this.
The cultural Left still skips over such questions. Doing so is a consequence of its preference for talking about “the system” rather than about specific social practices and specific changes in those practices. The rhetoric of this Left remains revolutionary rather than reformist and pragmatic. Its insouciant use of terms like “late capitalism” suggests that we can just wait for capitalism to collapse, rather than figuring out what, in the absence of markets, will set prices and regulate distribution. The voting public, the public which must be won over if the Left is to emerge from the academy into the public square, sensibly wants to be told the details. It wants to know how things are going to work after markets are put behind us. It wants to know how participatory democracy is supposed to function.
The cultural Left offers no answers to such demands for further information, but until it confronts them it will not be able to be a political Left. The public, sensibly, has no interest in getting rid of capitalism until it is offered details about the alternatives. Nor should it be interested in participatory democracy –– the liberation of the people from the power of technocrats –– until it is told how deliberative assemblies will acquire the same know-how which only the technocrats presently possess. […]
The cultural Left has a vision of an America in which the white patriarchs have stopped voting and have left all the voting to be done by members of previously victimized groups, people who have somehow come into possession of more foresight and imagination than the selfish suburbanites. These formerly oppressed and newly powerful people are expected to be as angelic as the straight white males were diabolical. If I shared this expectation, I too would want to live under this new dispensation. Since I see no reason to share it, I think that the left should get back into the business of piecemeal reform within the framework of a market economy. This was the business the American Left was in during the first two-thirds of the century.
Someday, perhaps, cumulative piecemeal reforms will be found to have brought about revolutionary change. Such reforms might someday produce a presently unimaginable non market economy, and much more widely distributed powers of decision making. […] But in the meantime, we should not let the abstractly described best be the enemy of the better. We should not let speculation about a totally changed system, and a totally different way of thinking about human life and affairs, replace step-by-step reform of the system we presently have.
”
”
Richard Rorty (Achieving Our Country: Leftist Thought in Twentieth-Century America)
“
I would be remiss if I did not acknowledge that there is higher crime in some cities where larger minority populations live. Yes, black men are more likely to commit a violent offense than white men. No, this is not “black-on-black” or “brown-on-brown” crime. Those terms are 100 percent racist. It’s crime. We don’t call crime that happens in white communities “white-on-white” crime, even though the majority of crimes against white people are perpetrated by other white people. Crime is a problem within communities. And communities with higher poverty, fewer jobs, and less infrastructure are going to have higher crime, regardless of race. When the average black American has one-thirteenth the net worth and the average Hispanic American has one-tenth the net worth of the average white American,10 and when the poverty rate among Native Americans is over three times that of whites,11 it is a strong bet that neighborhoods of color are more likely to be poor neighborhoods with higher crime and that higher-priced neighborhoods with easier access to jobs and more funding for education that lead to less crime would be more likely to be populated by comparatively wealthier white people.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
Is the consideration of a little dirty pelf, to individuals, to be placed in competition with the essential rights & liberties of the present generation, & of millions yet unborn? shall a few designing men for their own aggrandizement, and to gratify their own avarice, overset the goodly fabric we have been rearing at the expence of so much time, blood, & treasure? and shall we at last become the victems of our own abominable lust of gain? Forbid it heaven! forbid it all, & every state in the union! by enacting & enforcing, efficatious laws for checking the growth of these monstrous evils, & restoring matters in some degree to the pristine state they were in at the commencement of the War. Our cause is noble. It is the cause of Mankind! and the danger to it springs from ourselves—Shall we slumber & sleep then while we should be punishing those miscreants who have brought these troubles upon us, & who are aiming to continue us in them? While we should be striving to fill our Battalions—and devising ways and means to appreciate the currency—On the credit of which every thing depends? I hope not—let vigorous measures be adopted—not to limit the price of articles—for this I conceive is inconsistent with the very nature of things, & impracticable in itself—but to punish speculators—forestallers—& extortioners—and above all—to sink the money by heavy Taxes—To promote public & private Œconomy—encourage Manufactures &ca—Measures of this sort gone heartily into by the several states will strike at once at the root of all our misfortunes, & give the coup-de-grace to British hope of subjugating this great Continent, either by their Arms or their Arts—The first as I have before observed they acknowledge is unequal to the task—the latter I am sure will be so if we are not lost to every thing that is good & virtuous.
”
”
George Washington
“
There are no tarts in there, Charles. They were much too expensive, and Mr. Jenkins would not be reasonable. I told him I would buy a whole dozen, but he would not reduce the price by so much as a penny, so I refused to buy even one-on principle. Do you know,” she confided with a chuckle, “last week when he saw me coming into his shop he hid behind the flour sacks?”
“He’s a coward!” Charles said, grinning, for it was a known fact among tradesmen and shopkeepers that Elizabeth Cameron pinched a shilling until it squeaked, and that when it came to bargaining for price-which it always did with her-they rarely came out the winner. Her intellect, not her beauty, was her greatest asset in these transactions, for she could not only add and multiply in her head, but she was so sweetly reasonable, and so inventive when she listed her reasons for expecting a better price, that she either wore out her opponents or confused them into agreeing with her
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lilith is the Wild Woman within every woman who would rather become notorious than be refrained from bathing in the sea, howling at the moon, dancing in the forest, and making love to life itself. Lilith knows that it is only through setting your boundaries that you can set yourself free.
She knows the price both the Goddess and Her daughters pay to honor their ways, for She is not the only one to suffer condemnation by those who fear feminine power. Like Her, they defamed Her sisters too: magical Hecate became the baby-killing hag and wicked witch, and mystical Mary Magdalene was turned into the sinful whore.
Know this: there is nothing more threatening to those enslaved by their fears than someone who dares to live freely.
And live freely you must. As a bird-snake Goddess who dwells in the dark depths of your holy yoni and crown, Lilith compels you to harness your untapped life-force energy to do all that you wish to do without explanation or apology.
Far from being the deceptive serpent, Lilith is the wise liberator. And She is on Eve’s side. Of course She wants her (and everyone) to “be like God,” for She knows that we are the embodiment of the Divine.
She wants to free Eve and every woman (and man) from the illusion of the perfect life that comes at the price of blind obedience. She invites us to bite into the forbidden fruit of knowledge so that we may be free to think for ourselves and decide for ourselves what is right and what is wrong. She knows this comes with responsibility and consequence, and She emboldens you to take it on.
Yes, Lilith wants you to be God-like, to have Divine authority and will in your own life. She calls you to leap boldly forward as you take the inspired action you need to take to live your most physically- and spiritually-free life. Those who live freely will join you. Those who don’t will no longer have the power to hold you back.
”
”
Syma Kharal (Goddess Reclaimed: 13 Initiations to Unleash Your Sacred Feminine Power (Flourishing Goddess))
“
Today, I feel free about the past and about what I have lost. All I want is this compactness and enclosed space—this lucid and patient fervor. And like the warm bread that one kneads and presses I simply want to hold my life between my hands, like the men who knew how to enclose their life between these flowers and these columns. The same is true of those long nights spent on trains, where one can talk to oneself, prepare oneself for life, and feel marvelously patient in taking up ideas again, stopping them in their fight, and then once more moving forward. To lick one's life like a stick of barley sugar, to form, sharpen, and finally fall in love with it, in the same way as one searches for the word, the image, the definitive sentence, the word or image which marks a close or a conclusion, from which one can start out again and which will color the way we see the world. I can easily stop now, and finally reach the end of a year of unrestrained and over restrained life. My effort now is to carry this presence of myself to myself through to the very end, to maintain it whatever aspect my life takes on—even at the price of the loneliness which I know is so difficult to bear. Not to give way—that is the whole secret. Not to surrender, not to betray. All the violent part of my character helps me in this, carrying me to the point where I am rejoined by my love, and by the furious passion for life which gives meaning to my days.
”
”
Albert Camus (Notebooks 1935-1942)
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
She wondered if her father had awakened yet, if he had missed her, if Jeweltongue would tell him she was only out in the garden, if Tea-cosy's wretchedness would give them all away immediately. She wondered if she had been right to guess that her father would not mend till she left--and that he would mend when she did. Had the Beast sent his illness? Did he watch them from his palace? What a sorcerer could and could not do could never quite be relied on--not even always by the sorcerer. She could hate him--easily she could hate him--for the misery of it if he had sent it. If he kept his promises like a man, did he suppose that they mere humans as they were, would keep theirs any less? The price was high for one stolen rose, but they would pay it. If he had sent her father's illness to beat them into acquiescence, she would hate him for it.
The bitterness of her thoughts weighted her down till she had to stop walking. She looked again at the beech trees and, not waiting for a gap this time, fought her way through to the nearest and leant against it, turning her head so that her cheek was against the bark. The Beast is a Beast, even if he keeps his promises; how could she guess how a Beast thinkds, especially one who is so great a sorcere? It was foolish to talk of hating him--foolish and wasteful. What had happened had happened, like anything else might happen, like a bit of paper giving you a new home when you had none finding its way into your hand, like a company of the ugliest, worst-tempered plants you'd ever seen opening their flowers and becoming rose-bushes, the most beautiful, lovable plants you've ever seen. Perhaps it was the Beast's near presence that made her own roses grow. Did she not owe him something for that if that were the case? It was a curious thing, she thought sadly, how one is no longer satisfied with what one was or had if one has discovered something better. She could not now happily live without roses, although she had never seen a rose before three years ago.
”
”
Robin McKinley (Rose Daughter)
“
What is the most beautiful place you’ve ever seen?”
Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “were you are.”
He saw the becoming flush of embarrassed pleasure that pinkened her cheeks, but when she spoke her voice was rueful. “You don’t have to say such things to me, you know-I’ll keep our bargain.”
“I know you will,” he said, trying not to overwhelm her with avowals of love she wouldn’t yet believe. With a grin he added, “Besides, as it turned out after our bargaining session, I’m the one who’s governed by all the conditions, not you.”
Her sideways glance was filled with laughter. “You were much too lenient at times, you know. Toward the end I was asking for concessions just to see how far you’d go.”
Ian, who had been multiplying his fortune for the last four years by buying shipping and import-export companies, as well as sundry others, was regarded as an extremely tough negotiator. He heard her announcement with a smile of genuine surprise. “You gave me the impression that every single concession was of paramount importance to you, and that if I didn’t agree, you might call the whole thing off.”
She nodded with satisfaction. “I rather thought that was how I ought to do it. Why are you laughing?”
“Because,” he admitted, chuckling, “obviously I was not in my best form yesterday. In addition to completely misreading your feelings, I managed to buy a house on Promenade Street for which I will undoubtedly pay five times its worth.”
“Oh, I don’t think so,” she said, and, as if she was embarrassed and needed a way to avoid meeting his gaze, she reached up and pulled a leaf off an overhanging branch. In a voice of careful nonchalance, she explained, “In matters of bargaining, I believe in being reasonable, but my uncle would assuredly have tried to cheat you. He’s perfectly dreadful about money.”
Ian nodded, remembering the fortune Julius Cameron had gouged out of him in order to sign the betrothal agreement.
“And so,” she admitted, uneasily studying the azure-blue sky with feigned absorption, “I sent him a note after you left itemizing all the repairs that were needed at the house. I told him it was in poor condition and absolutely in need of complete redecoration.”
“And?”
“And I told him you would consider paying a fair price for the house, but not one shilling more, because it needed all that.”
“And?” Ian prodded.
“He has agreed to sell it for that figure.”
Ian’s mirth exploded in shouts of laughter. Snatching her into his arms, he waited until he could finally catch his breath, then he tipped her face up to his. “Elizabeth,” he said tenderly, “if you change your mind about marrying me, promise me you’ll never represent the opposition at the bargaining table. I swear to God, I’d be lost.” The temptation to kiss her was almost overwhelming, but the Townsende coach with its ducal crest was in the drive, and he had no idea where their chaperones might be. Elizabeth noticed the coach, too, and started toward the house.
"About the gowns," she said, stopping suddenly and looking up at him with an intensely earnest expression on her beautiful face. "I meant to thank you for your generosity as soon as you arrived, but I was so happy to-that is-" She realized she'd been about to blurt out that she was happy to see him, and she was so flustered by having admitted aloud what she hadn't admitted to herself that she completely lost her thought.
"Go on," Ian invited in a husky voice. "You were so happy to see me that you-"
"I forgot," she admitted lamely.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Here are the four keys to successful commitments: 1. Strong desire: In order to fully commit to something, you need a clear and personally compelling reason. Without a strong desire you will struggle when the implementation gets difficult, but with a compelling desire, seemingly insurmountable obstacles are seen as challenges to be met. The desired end result needs to be meaningful enough to get you through the hard times and keep you on track. 2. Keystone actions: Once you have an intense desire to accomplish something, you then need to identify the core actions that will produce the result you’re after. In today’s world, many of us have become spectators rather than participants. We must remember that it’s what we do that counts. In most endeavors there are often many activities that help you accomplish your goal. However there are usually a few core activities that account for the majority of the results, and in some cases there are only one or two keystone actions that ultimately produce the result. It is critical that you identify these keystones and focus on them. 3. Count the costs: Commitments require sacrifice. In any effort there are benefits and costs. Too often we claim to commit to something without considering the costs, the hardships that will have to be overcome to accomplish your desire. Costs can include time, money, risk, uncertainty, loss of comfort, and so on. Identifying the costs before you commit allows you to consciously choose whether you are willing to pay the price of your commitment. When you face any of these costs, it is extremely helpful to recognize that you anticipated them and decided that reaching your goal was worth it. 4. Act on commitments, not feelings: There will be times when you won’t feel like doing the critical activities. We’ve all been there. Getting out of bed at 5:30 a.m. to jog in the winter cold can be daunting, especially when you’re in a toasty warm bed. It is during these times that you will need to learn to act on your commitments instead of your feelings. If you don’t, you will never build any momentum and will get stuck continually restarting or, as is so often the case, giving up. Learning to do the things you need to do, regardless of how you feel, is a core discipline for success.
”
”
Brian P. Moran (The 12 Week Year: Get More Done in 12 Weeks than Others Do in 12 Months)
“
QUOTES & SAYINGS OF RYAN MORAN- THE WORLD'S MOST POWERFUL MAN
Favorite Sayings of Ryan Moran: The World's Most Powerful Man
“Sometimes the withholding of a small part of the truth is not only wise, but prudent.”
“There is one principle that bars all other principles, and that is contempt prior to investigation.” (Ryan was fond of paraphrasing Herbert Spencer)
“What do you mean?”, “How do you know?”, “So what?”
“I don’t need much, just one meal a day, a pack of cigarettes and a roof over my head.”
“Well…, we must have different data bases, mustn’t we?”
“This guy is more squirrely than a shithouse rat”
The CIA—you know, the ‘Catholic Irish Alcoholics’
“That dumb fuck.”
“Oye! A Jew and an Irishman—what a team!”
“Okay, everybody, up and to the right ten thousand feet,” ( If things in general were not going
well. Refers to his jet flying days)
“Is that what you want to do?.....Are you sure?"
“Curiosity is self serving,”
“If you don’t know where you’re going, you will end up somewhere else.”
“So…, what are you thinking?”
“I can do anything that I want, as long as I have the desire and I am willing to pay the price.”
(His working definition of honesty)
“Well, what did you learn tonight?”
“Don’t let your emotions get the best of you, and don’t get too far out into your future.”
“If you meet someone in the middle of the desert and he asks you where the next water hole is, you had better tell him the truth. If you don’t, then the next time you meet, he will kill you.”
“Damn it!”
“And remember to watch your mirrors!” (Refers to the fact someone may be following us in the car)
“A person either gets humble or gets humiliated.”
“That’s right.”
“Oye, Sheldon, a Jew and an Irishman—talk about guilt and suffering!”
“Pigs grow fat, but hogs get slaughtered.”
“A friend is someone who is coming in, when everyone else is going out.
”
”
Ira Teller (Control Switch On: A True Story—The Untold Story of the Most Powerful Man in the World—Ryan Moran—Who Shaped the Planet for Peace)
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without.
Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable.
[…] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence.
”
”
René Girard (Battling to the End: Conversations with Benoît Chantre)
“
But these things that Rome had to give, are they not good things?” Marcus demanded. “Justice, and order, and good roads; worth having, surely?” “These be all good things,” Esca agreed. “But the price is too high.” “The price? Freedom?” “Yes—and other things than freedom.” “What other things? Tell me, Esca; I want to know. I want to understand.” Esca thought for a while, staring straight before him. “Look at the pattern embossed here on your dagger-sheath,” he said at last. “See, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.” Marcus nodded as the other glanced up at him. “Go on.” Esca took up the shield which had been laid aside at Cottia’s coming. “Look now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key to—if they ever had it.” He looked up at Marcus again very earnestly. “You cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.” “The sheath was made by a British craftsman,” Marcus said stubbornly. “I bought it at Anderida when I first landed.” “By a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Rome—he and his fathers before him—that he had forgotten the ways and the spirit of his own people.” He laid the shield down again. “You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.” For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, “When I came out from home, a year and a half ago, it all seemed so simple.” His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.
”
”
Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))
“
I know I said this before, but it bears repeating. You know Tate won’t like you staying with me.”
“I don’t care,” she said bitterly. “I don’t tell him where to sleep. It’s none of his business what I do anymore.”
He made a rough sound. “Would you like to guess what he’s going to assume if you stay the night in my apartment?”
She drew in a long breath. “Okay. I don’t want to cause problems between you, not after all the years you’ve been friends. Take me to a hotel instead.”
He hesitated uncharacteristically. “I can take the heat, if you can.”
“I don’t know that I can. I’ve got enough turmoil in my life right now. Besides, he’ll look for me at your place. I don’t want to be found for a couple of days, until I can get used to my new situation and make some decisions about my future. I want to see Senator Holden and find another apartment. I can do all that from a hotel.”
“Suit yourself.”
“Make it a moderately priced one,” she added with graveyard humor. “I’m no longer a woman of means. From now on, I’m going to have to be responsible for my own bills.”
“You should have poured the soup in the right lap,” he murmured.
“Which was?”
“Audrey Gannon’s,” he said curtly. “She had no right to tell you that Tate was your benefactor. She did it for pure spite, to drive a wedge between you and Tate. She’s nothing but trouble. One day Tate is going to be sorry that he ever met her.”
“She’s lasted longer than the others.”
“You haven’t spent enough time talking to her to know what she’ s like. I have,” he added darkly. “She has enemies, among them an ex-husband who’s living in a duplex because she got his house, his Mercedes, and his Swiss bank account in the divorce settlement.”
“So that’s where all those pretty diamonds came from,” she said wickedly.
“Her parents had money, too, but they spent most of it before they died in a plane crash. She likes unusual men, they say, and Tate’s unusual.”
“She won’t go to the reservation to see Leta,” she commented.
“Of course not.” He leaned toward her as he stopped at a traffic light. “It’s a Native American reservation!”
She stuck her tongue out at him. “Leta’s worth two of Audrey.”
“Three,” he returned. “Okay. I’ll find you a hotel. Then I’m leaving town before Tate comes looking for me!”
“You might hang a crab on your front door,” she said, tongue-in-cheek. “It just might ward him off.”
“Ha!”
She turned her eyes toward the bright lights of the city. She felt cold and alone and a little frightened. But everything would work out. She knew it would. She was a grown woman and she could take care of herself. This was her chance to prove it.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I’m very glad,” Jones continued fervently, sounding like a card-carrying Colin Firth impersonator. “So very glad. You can’t know how glad . . .” He cleared his throat. “I hate to be the bearer of more bad tidings, but your . . . friend was something of a criminal, the way I heard it. He had a price on his head—millions—from some druglord who wanted him dead. Chased him mercilessly, for years. I guess this Jones fellow used to work for him—it’s all very sordid, I’m afraid. And dangerous. He had to be on the move constantly. It was risky just to have a drink with Jones—you might’ve gotten killed in the crossfire. Of course, the big irony here is that the druglord died two weeks before Jones. He never knew it, but he was finally free.”
As he looked at her with those eyes that she’d dreamed about for so many months, Molly understood. Jones was here, now, only because the druglord known as Chai, a dangerous and sadistic bastard who’d spent years hunting him, was finally dead.
“It’s entirely possible that whoever’s taken over business for this druglord,” he continued, “would’ve gone after this Jones, too. Of course, he probably wouldn’t have searched to the ends of the earth for him . . . Although, when dealing with such dangerous types, it pays to be cautious, I suppose.”
Message received.
“Not that that’s anything Jones needs to worry about,” he added. “Considering he’s left his earthly cares behind. Still, I suspect it’s rather hot where he’s gone.”
Yes, it certainly was hot in Kenya right now. Molly covered her mouth, pretending to sob instead of laugh.
“Shhh,” Helen admonished him, thinking, of course, that he was referring to an unearthly heat. “Don’t say such a thing. She loved him.” She turned back to Molly. “This Jones is the man that you spoke of so many times?”
Molly could see from the expression on Jones’s face that Helen had given her away. She might as well go big with the truth.
She wipes her eyes with a handkerchief that Helen had at the ready, then met his gaze.
“I loved him very much. I’ll always love him,” she told this man who’d traveled halfway around the world for her, who apparently had waited years for it to be safe enough for him to join her, who had actually thought that, once he arrived, she might send him away.
If you don’t want me here—and I don’t blame you if you don’t—just say the word . . .
“He was a good man,” Molly said, “with a good heart.” Her voice shook, because, dear Lord, there were now tears in his eyes, too. “He deserved forgiveness—I’m positive he’s in heaven.”
“I don’t think it’s going to be that easy for him,” he whispered. “It shouldn’t be . . .” He cleared his throat, put his glasses back on. “I’m so sorry to have distressed you, Miss Anderson. And I haven’t even properly introduced myself. Where are my manners?” He held out his hand to her. “Leslie Pollard.”
Even with his glasses on, she could see quite clearly that he’d far rather be kissing her.
But that would have to wait for later, when he came to her tent . . . No, wait, Gina would be there. Molly would have to go to his.
Later, she told him with her eyes, as she reached out and, for the first time in years, touched the hand of the man that she loved.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
HOW TO USE THIS BOOK
WHAT TO DO FIRST
1.
Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says
For Mom and Dad for having me
and for Jeannie (or Jack or Debra or Donnie or …) for
putting up with me so supportively
and for my nine children for not interrupting me
and for my Publisher for not discouraging me
and for my Writers’ Circle for listening to me
and for Barbie and Greta and Albert Einstein and Aunty May
and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog.
This will be followed by a short piece of prose that says
When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn.
Ka’a Orto’o,
Gnomic Utterances
Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick
section). Find the Map.
2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell.
These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.”
This is mostly it.
No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places.
In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule.
3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible.
4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword.
5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
”
”
Diana Wynne Jones