One Step Backward Quotes

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I’m sorry for screwing everything up. I hurt you again, and for that I’m sorry. I’m so sorry. I don’t want to do that anymore. So … I’m not going to stay for the wedding. I’m just going to take off now. I won’t see you again, not for a long time. Probably for the best. Being near you like this, it hurts. And Jere”—Conrad cleared his throat and stepped backward, making space between us—“he’s the one who needs you.” Hoarsely, he said, “I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it
Jenny Han (We'll Always Have Summer (Summer, #3))
It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.
David Nicholls (One Day)
Life isn’t a linear journey. Sometimes it’s one step backwards, two steps forward and then a jump out to the side. It’s kind of like the “Time Warp”, when you think about it. Life follows many directions and hopefully, eventually, your mind and body and life and love, all catch up with each other.
Karina Halle (The Pact)
It is necessary sometimes to take one step backward to take two steps forward.
Vladimir Lenin
We had a short reprieve as Dad cupped Mom’s face and ran his hands down her neck, over her shoulders. “Helena, are you hurt?” She waved that away. “I’m fine.” She smiled briefly, then turned hard eyes on us. Each of us took a healthy step backward and not a single one of us felt any less manly for the wise retreat.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Our course heavenward is like the plan of the zealous pilgrim of old, who for every three steps forward, took one backward.
Elizabeth Payson Prentiss (Stepping Heavenward)
Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.
Lauren Oliver (Requiem (Delirium, #3))
Kenzie took two staggering steps backward, staring at the feeline as if in a daze. "O-kay," she breathed, shaking her head slightly. "A cat. A cat that talks. I'm going crazy." she glanced at me. " Or you slipped something into my drink at the tournament. One or the other.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
I've had it with both of you." He pulled his own bag higher on one shoulder and turned to me. "You let me know when you decide what the hell you want from me. I love you, and I miss you, and I'll be waiting, whenever you're ready. But don't spy on me again. Ever." I nodded miserably as he twisted to face Sabine. "And you! You come find me when you're ready to be my friend, because that's all I have to offer right now. But as badly as I need someone to talk to, I don't need another complication in my life. And as for the two of you!" He stepped away from us, already walking backward toward the school entrance. "Work it out. Or don't work it out. But leave me the hell out of it.
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)
If there was one thing that Jeremy learned from dealing with powerful companies, it was that the world revolved around money and power and intelligence would always take a backseat to greed, which bred a society of fools. No wonder most companies weren’t implementing smart business models and revolutionary devices weren’t being invented or making their way into the public anymore. The leaps forward his civilization had seen in the past decades seemed to be more like backward steps once a magnifying glass and scrutiny were applied. Almost every modern revolutionary idea, system, or invention seemed to be acquired by powerful people and used to fuel their greed and ability to stay in power rather than advance humanity.
Jasun Ether (The Beasts of Success)
You can’t come in without an invitation.” He leans a shoulder against Alison’s framed photo of a wheat field at harvest. “That so?” His boot heel nudges the door behind him, shutting out the storm and the scent of rain. “Last I checked, I wasn’t a vampire,” he says, his voice low. My fists clench tighter, and I step backward onto the line of carpet that borders the edge of the living room. “You sure have a lot in common with one.” “Because I suck?” “More proof. You just read my mind.
A.G. Howard (Splintered (Splintered, #1))
Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.” Matt rolled his eyes. “God, you really know how to turn a guy on.” Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.” Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—” “Get up.” Julie leaned over and shut his laptop. “Get up!” she said again. “You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.” “Show me!” Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.” Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.” “Look, I appreciate an aggressive woman, but this is really getting weird.” Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt. “OK, I don’t even know what this is, but it’s definitely geeky.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
For anyone who insists that taking one step forward and two steps backward will never get you anywhere , I protest: It will if you're walking backwards.
George Watsky (How to Ruin Everything: Essays)
We know this much is true,   and it’s true for all souls: each of us will one day   find the feast finished and, fattened or famished,   step slowly backward into their own dark hall   for that final night of sleep.
Maria Dahvana Headley (Beowulf: A New Translation)
Kelly looked at the cop, then sighed. “What a cluster. I take it you haven’t been killing young women and leaving their half-eaten bodies in the desert?” Adam was ticked. I could tell it even if he was looking like a reasonably calm businessman. Adam’s temper was the reason he wasn’t one of Bran’s werewolf poster boys. When angered, he often gave in to impulses he wouldn’t otherwise have given in to. “Sorry to disappoint you,” Adam told Kelly in silky tones. “But I prefer rabbits. Humans taste like pork.” And then he smiled. Kelly took an involuntary step backward. Tony gave Adam a sharp look. “Let’s not make things worse, if we can help it, gentlemen.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Holder: "You live over on Conroe, that's over two miles away." Sky: "You know what street I live on?" Holder: "Yeah. Linden Sky Davis, born September 29th. 1455 Conroe Street. Five feet three inches. Donor." Sky: [take a step backward and confused] Holder: "Your ID. You showed me your ID earlier. At the store." Sky: "You look at it for two seconds." Holder: "I have a good memory." Sky: "You stalk." Holder: "I stalk? You're the one standing in front of my house.
Colleen Hoover (Hopeless (Hopeless, #1))
As time passes, the system becomes less and less well-ordered. Sooner or later the fixing cease to gain any ground. Each forward step is matched by a backward one. Although in principle usable forever, the system has worn out as a base for progress. ...A brand-new, from-the-ground-up redesign is necessary.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
She brought her elbow backward and connected with Rand’s ribs. He swore and released her. She whirled on him. “That’s for being so arrogant!” Rand advanced on her, and the grin on his face wasn’t at all reassuring. She took one step back, then turned to sprint into the bathroom, when a pair of hands caught her and slung her over a hard muscled shoulder. “Put me down right now!” She screamed as she pummeled his back. “You are the most annoying, selfish, barbaric, horny man I know, Rand Miller!” He set her back on her feet inside the bathroom, then cupped her chin in his palm. “You are the most gorgeous, intelligent, feisty woman I know, Lucy Flemming.” Lucy narrowed her eyes. What was he up to now? “Flattery won’t help you out of this one.” “It’s not flattery. It’s the truth,” he murmured as he leaned close to her ear. “And, baby?” “Yes?” she answered, her voice nearly inaudible as his nearness began to override her anger. “I’d better be the only horny man you know.
Anne Rainey (Reckless Exposure (Three Kinds of Wicked, #3))
I raised my hand to wave in case he looked back; but he did not. He rode straight backed, looking forward. He rode like a Howard. We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands, we find a second. If the steps fall down before us we overleap them and go up. It is always onwards and upwards for the Howards; and my father was on his way back to court and to the company of the King without a backwards glance for me.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Then again, maybe you couldn't have killed me," he said, crawling out of the stairway. He moved very slowly, like a lizard who had gotten too cold. I heard a whimper from behind one of the closed doors next to the bathroom, and sympathized. I wanted to whimper, too. "I'm not hunting you," I told him firmly, though I stepped backward until I stood in a circle of light at the end of the hallway. He stopped halfway out of the stairway, his eyes were filmed over like a dead man's. "Good," he said. "If you kill Andre, I won't tell-and no one will ask." And he was gone, withdrawing from the hallway and down the stairs so fast that I barely caught the motion, though I was staring right at him. I walked out of his home because if I'd moved any faster, I'd have run screaming.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
The old adage that people only want what they can’t have or what they can’t tame— is totally primitive. A being of higher origins will know instinctively that life on earth is a series of chances, moments and concepts. That’s really all that you have. So when you find one of these things and it makes you burn, or it makes you feel peace inside, or it makes you look forwards and backwards and here all at the same time— that’s when you know to hold onto it. And you hold onto it with every fiber of your being. Because it’s in the holding on of these chances and moments and concepts that life is lived. Every other kind of living is only in vitro. I don’t care what psychologists say today about how the human mind works. Because one day they will reach this pinnacle and they will see what I see and they will look upon the old ways as primitive. As long and gone. We do not wish to have what we can’t have. We wish to burn in whatever flame we have stepped into.
C. JoyBell C.
With regard to philosophical metaphysics, I always see increasing numbers who have attained to the negative goal, but as yet few who climb a few rungs backwards; one ought to look out, perhaps, over the last steps of the ladder, but not try to stand upon them.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
Checkmate to us I think,’ Cyrus said softly. ‘Now listen to me,’ he said, dropping his gaze to Evie. ‘If you want protection you can come with us now. Your boyfriend, however, is one of them. And what’s rule number three, Vero?’ ‘Kill all unhumans,’ the girl answered flatly. ‘Jesus,’ Evie said, bringing her hands quickly to Cyrus’s chest and pushing him hard. He fell backwards a few steps. ‘This is not Fight Club,’ she yelled. ‘You can break a rule for Chrissake.
Sarah Alderson (Severed (Fated, #2))
this Earth. It seems like mankind evolves to a higher state and then they allow power and greed to completely absorb them and what they have learned. Then they are destroyed, and they take many, many steps backward.
Dolores Cannon (The Convoluted Universe - Book One)
For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness. In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.
Victor Hugo (Les Misérables)
Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a while day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them?
David Nicholls (One Day)
Tell me. Has your daughter made the journey with you?” “She is here,” the hag says. A girl steps from the crowd to bow low before Cardan. She is young, with a mass of unbound hair. Like her mother, her limbs are oddly long and twig-like, but where her mother is unsettlingly bony, she has a kind of grace. Maybe it helps that her feet resemble human ones. Although, to be fair, they are turned backward.
Holly Black (The Wicked King (The Folk of the Air, #2))
He said, "everyone knows how short life is. Fiona and I know it especially. But no one ever talks about how long it is. And it's-- does that make sense? Every life is too short, even the long ones, but some people's lives are too long as well. I mean-- maybe that won't make sense til you're older." He stepped onto the escalator first, and he rode backward to face them. He said, "if we could just be on earth at the same place and same time as everyone we loved, if we could be born together and die together, it would be so simple. And it's not. But listen: You two are on the planet at the same time. You're in the same place now. That's a miracle.
Rebecca Makkai (The Great Believers)
Check it out." Jonah removed the bubble wrap and held up the picture for his three cousins. Dan took a step backward. The shock was almost as powerful as it had been the day before at the Uffizi. "It's perfect! It's every bit as disgusting as the real one!" Amy nodded. "And so fast. We only called you yesterday." Jonah shrugged. "Even the Janus take a short cut every now and then. You can do a lot with digitization these days. You break the picture down to squares and reproduce them one at a time. The other two are just as fly." "You mean, hog ugly," Hamilton amended. "The serpents don't help," Dan put in critically. "Live fat spaghetti. Lady, if you're thinking of a modeling career, forget it!" The rapper clucked sympathetically. "You guys just don't appreciate the power of the visual image. The Wiz used to be like that–until Gangsta Kronikles. When you're in film industry, you understand the whole picture's-worth-a-thousand-words deal." Hamilton rolled his eyes. "Here we go again.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Many of the gunters on the front lines took an involuntary step backward. A few others turned and ran for their lives.
Ernest Cline (Ready Player One)
I'm more dangerous than you think,' I flat-out bluster. 'So I see. I'm quaking in my boots.' The corner of his mouth rises in a mocking smile. Fucking. Asshole. I flip the daggers in my hand, pinching them at the tips, then flick my wrists and fire them past his head, one on each side. They land solidly in the trunk of the tree behind him. 'You missed.' He doesn't even flinch. 'Did I?' I reach for my last two blades. 'Why don't you back up a couple of steps and test that theory?' Curiosity flares in his eyes, but it's gone in the next second, masked by cold, mocking indifference. Every one of my senses is on high alert, but the shadows around me don't slide in as he moves backward, his eyes locked with mine. His back hits the tree, and the hilts of my daggers brush his ears. 'Tell me again that I missed,' I threaten, taking the dagger in my right hand by the tip. 'Fascinating. You look all frail and breakable, but you're really a violent little thing, aren't you?' An appreciative smile curves his perfect lips as shadows dance up the trunk of the oak, taking the form of fingers. They pluck the daggers from the tree and bring them to Xaden's waiting hands.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
He sat before a note book of blank pages, saying: I swallow my own words. I chew and chew everything until it deteriorates. Every thought or impulse I have is chewed into nothingness. I want to capture all my thoughts at once, but they run in all directions. If I could do this I would be capturing the nimblest of minds, like a shoal of minnows. I would reveal innocence and duplicity, generosity and calculation, fear and cowardice and courage. I want to tell the whole truth, but I cannot tell the whole truth because I would have to write four pages at once, like four columns simultaneously, four pages to the present one, and so I do not write at all. I would have to write backwards, retrace my steps constantly to catch the echoes and overtones.
Anaïs Nin
Seeing you puts me in mind of a piece of French chocolate.” She swallowed and took another step backward. “If one wants to discover what is inside, one must first remove the foreign wrapping.
Julie Klassen (The Maid of Fairbourne Hall)
The past can hold a weak man down like an anchor. It takes a strong man to remember the past, but forgive. Forgive and forget. Taking the first step forward is difficult. But take it. Save a backward glance for the times when you’re uncertain, just to make sure your past is where it belongs,
Scott Hildreth (For the Ones We Love (Erik Ead Trilogy, #2))
I'm stuck on this planet with you. And honestly, I'm glad. I've been exposed to a lot of awful people in the last few months, but I've met so many more that are amazing, thoughtful, generous, and kind. I honestly believe that is the human condition. And if the Carls are testing us, this final test is the hardest to accomplish. If you pay attention, there is only one story that makes sense, and that is one in which humanity works together more and more since we took over this planet. Yeah, we fuck it up all the time, yeah, there have been some massive steps backward, but look at us! We are one species now more than we have ever been. People fight against that, and they probably always will, but could there be any time in history when what Carl is asking would be more possible?
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Richard had met Jessica in France, on a weekend trip to Paris two years earlier; had in fact discovered her in the Louvre, trying to find the group of his office friends who had organized the trip. Staring up at an immense sculpture, he had stepped backwards into Jessica, who was admiring an extremely large and historically important diamond. He tried to apologize to her in French, which he did not speak, gave up, and began to apologize in English, then tried to apologize in French for having to apologize in English, until he noticed that Jessica was about as English as it was possible for any one person to be.
Neil Gaiman (Neverwhere (London Below, #1))
She’s not your wife or family member,” Finley objected. “Her honor is not yours to defend.” Corbin took hold of Finley’s cravat and twisted it in his fist enough to make Finley’s eyes bulge the slightest bit. He stepped in close, eye to eye with the scoundrel. “I’ve broken one man’s nose recently,” he said. “I’ll happily make it two.” Though Finley said nothing, Corbin saw the threat sink in. He released the cravat but lingered a moment, letting his glare have maximum impact. Finley took the smallest step backward.
Sarah M. Eden (As You Are (The Jonquil Brothers #3))
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
Victor waited until Ozols had passed out of the light before squeezing the trigger with smooth, even pressure. Suppressed gunshots interrupted the early morning stillness. Ozols was hit in the sternum, twice in rapid succession. The bullets were low powered, subsonic 5.7 mm, but larger rounds could have been no more fatal. Copper-encased lead tore through skin, bone, and heart before lodging side by side between vertebrae. Ozols collapsed backward, hitting the ground with a dull thud, arms outstretched, head rolling to one side. Victor melted out of the darkness and took a measured step forward. He angled the FN Five-seveN and put a bullet through Ozols’s temple. He was already dead, but in Victor’s opinion there was no such thing as overkill.
Tom Wood (The Hunter (Victor the Assassin Book 1))
Sometimes I fear that even as a People when we take one step forward, we reel backwards ten times fold. I don't even think on the Precipice of Change will we truly move forward... It will most definitely take a Miracle.
Solange nicole
Do your work, then step back. The only path to serenity. There’s a natural balance in things. If you go too far to one extreme, life kindly brings you back toward the center. What goes up must come down, and what comes down must go up. Up and down are different aspects of the same thing. So are inside and outside. Most people think that the world is outside them. They live life backward, running after security and approval, as if by making enough money or getting enough praise they could be happy once and for all. But nothing outside us can give us what we’re really looking for. I do my work and don’t even need to step back from it, because it never belonged to me in the first place. Nothing belongs to me. Everything comes and goes. Serenity is an open door.
Byron Katie (A Thousand Names for Joy: Living in Harmony with the Way Things Are)
With a step forward and one backward, always between yesterday and tomorrow, we live in a question without answer: does the night end or the morning begin? And if it is a day when we can change everything, why don’t we see it, although our eyes are wide open?
Natașa Alina Culea (Arlechinul)
I did not pull myself out of this hole. I just got lucky. So many people work hard their whole entire lives and only ever go backward, through no fault of their own. People are trapped in cycles far worse than the one I was in, and it's just not their fault. So, I won't be claiming that it was some kind of superior grit of mine that got me through it. All I did was enter a comedy competition and had a bit of luck for once.
Hannah Gadsby (Ten Steps to Nanette)
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards.
Tana French (Broken Harbour)
If Richard had lived, perhaps... but one cannot look backwards, only forwards. What has passed has passed for ever. What is it Heraclitus says? One Cannot step in the same river twice?' ... 'More or less. I suppose a more accurate way of putting it would be "You can step in the same river but the water will always be new.
Kate Atkinson (Life After Life (Todd Family, #1))
So now begins the first war with Cordelia' in which I retreat and thereby teach her to be victorious as she pursues me. I continually fall back, and in this backward movement I teach her to know through me all the powers of erotic love, its turbulent thoughts' its passion, what longing is, and hope, and impatient expectancy. As I perform this set of steps before her' all this will correspondingly in her' It is a triumphant procession in which I am leading her, and I myself am just as much the one who dithyrambically sings praises to her victory as I am the one who shows the way. She will gain courage to believe in erotic love, to believe it is an etemal force, when she sees its dominion over me, sees my movements. She will believe me, partly because I rely on my artistry, and partly because at the bottom of what I am doing there is truth. If that were not the case, she would not believe me. With my every move, she becomes stronger and stronger; love is awakening in her soul; she is being enthroned in her meaning as a woman
Søren Kierkegaard
I was nodding. I took the necklace from him. "I'm sorry for screwing everything up. I hurt you again, and for that I'm sorry. I'm so sorry. I don't want to do that anymore. So ... I'm not going to stay for the wedding. I'm just going to take off now. I won't see you again. Not for a long time. Probably for the best. Being near you like this, it hurts. And Jere" - Conrad cleared his throat and stepped backward, making the space between us - "he's the one who needs you." I bit my lip to keep from crying. Hoarsely, he said, "I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it." Then he said, "I wish you both the best. Take good care of each other." ... He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried to memorize this moment ... Then he was gone.
Jenny Han (We'll Always Have Summer (Summer, #3))
A woman in ostentatious makeup took one look at the plain, unadorned Maomao and grinned openly. Maomao took a step backward. It was, as always, exhausting getting prettied up.
Natsu Hyuuga (The Apothecary Diaries (Light Novel): Volume 5)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord. When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic: "You only praise the good old days We young 'uns get no mention. I don't see why I have to die To gain your kind attention.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
Azrael raised his finger to a face that filled the sky, lit by the faint glow of dying galaxies. There are a billion Deaths, but they are all aspects of the one Death: Azrael, the Great Attractor, the Death of Universes, the beginning and end of time. Most of the universe is made up of dark matter, and only Azrael knows who it is. Eyes so big that a supernova would be a mere suggestion of a gleam on the iris turned slowly and focused on the tiny figure on the immense whorled plains of his fingertips. Beside Azrael the big Clock hung in the center of the entire web of the dimensions, and ticked onward. Stars glittered in Azrael's eyes. The Death of the Discworld stood up. LORD I ASK FOR - Three of the servants of oblivion slid into existence alongside him. One said, Do not listen. He stands accused of meddling. One said, And morticide. One said, And pride. And living with intent to survive. One said, And siding with chaos against good order. Azrael raised an eyebrow. The servants drifted away from Death, expectantly. LORD, WE KNOW THERE IS NO GOOD ORDER EXCEPT THAT WHICH WE CREATE.... Azrael's expression did not change. THERE IS NO HOPE BUT US. THERE IS NO MERCY BUT US. THERE IS NO JUSTICE. THERE IS JUST US. The dark, sad face filled the sky. ALL THINGS THAT ARE ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION. AND EVEN OBLIVION MUST END SOMEDAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF BIRDS. Death took a step backwards. It was impossible to read expression in Azrael's features. Death glanced sideways at the servants. LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN? He waited. LORD? said Death. In the time it took to answer, several galaxies unfolded, whirled around Azrael like paper streamers, impacted, then were gone. Then Azrael said: Yes.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
Order No. 227, more commonly known as ‘Not One Step Backwards’. Stalin made many changes, then signed it. The order was to be read to all troops in the Red Army. ‘Panic-mongers and cowards must be destroyed on the spot. The retreat mentality must be decisively eliminated. Army commanders who have allowed the voluntary abandonment of positions must be removed and sent for immediate trial by military tribunal.’ Anyone who surrendered was ‘a traitor to the Motherland’. Each army had to organize ‘three to five well-armed detachments (up to 200 men each)’ to form a second line to shoot down any soldier who tried to run away. Zhukov implemented this order on the Western Front within ten days, using tanks manned by specially selected officers. They followed the first wave of an attack, ready ‘to combat cowardice’, by opening fire on any soldiers who wavered. Three
Antony Beevor (Stalingrad: The Fateful Siege: 1942-1943)
The woman moved in a blur, one elbow driving backwards into the assassin’s stomach. She twisted round and drove her knee into the man’s crotch. A shout burst from Kalam as he reeled back a step, then fell to the ground with a heavy thump.
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
One day, a gentleman performed an immense favor for Marcel Proust, who, to thank him, brought him to the country to dine. But while they were chatting, the gentleman, who was none other than Zola, absolutely refused to acknowledge that there had been in France only one single truly great writer to whom only Saint-Simon came close, and that this writer was Léon Daudet. Upon which, my word! Proust, forgetting the gratitude he owed Zola, sent him flying ten steps backwards with a pair of blows, and knocked him flat on his back.
Marcel Proust (The Lemoine Affair)
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
Great people do not need to concoct an identity for themselves; they merely try to discover, uncover, and enjoy the identity they already have. As Francis said to us right before he died in 1226, “I have done what was mine to do. Now you must do what is yours to do.” Yet to just be yourself, who you really are, warts and all, feels like too little, a disappointment, a step backward into ordinariness. Most Christians write it off as a cheap humanistic cliché. It sounds much more exciting to pretend I am St. Francis than accepting that I am Richard and that that is all God expects me to be—and everything that God expects me to be. My destiny and his desire are already written in my genes, my upbringing, and my natural gifts. It is probably the most courageous thing you will ever do to accept that you are just yourself. It will take perfect faith, the blind yes of Mary, because it is the ongoing and same incarnation. Just like the word of God descending into one little whimpering child, in one small stable, in one moment, in one unimportant country, noticed by nobody. We call it the scandal of particularity. This, here, now, me always feels too small and specific to be a dwelling place for God! How could I be taken this seriously?
Richard Rohr (Adam's Return: The Five Promises of Male Initiation)
Shocked at this rebuke, Sarah took a step backward. “But I…I am the daughter of a marquess. I cannot marry either—” “You are new here, so I will explain. In this land, nobility comes not from one’s fathers or a title or from the land one owns, but from one’s actions.” His voice was hard-edged, and his words seemed harsh to her. “The MacKinnon brothers are the highest nobility to those who live on the frontier—true warriors, men who know how to fight and survive, men who put the lives of others before their own. Your family’s wealth, your title, your virtue—they mean nothing out here. They won’t fill your belly, and they won’t keep you alive. What matters most right now is your survival.
Pamela Clare (Defiant (MacKinnon's Rangers, #3))
Some people find illeism annoying (although it doesn’t bother Daniel Pink). But its existence as a style of speech and narration exemplifies the final step in the regret-reckoning process. Talking about ourselves in the third person is one variety of what social psychologists call “self-distancing.” When we’re beset by negative emotions, including regret, one response is to immerse ourselves in them, to face the negativity by getting up close and personal. But immersion can catch us in an undertow of rumination. A better, more effective, and longer-lasting approach is to move in the opposite direction—not to plunge in, but to zoom out and gaze upon our situation as a detached observer, much as a movie director pulls back the camera. After self-disclosure relieves the burden of carrying a regret, and self-compassion reframes the regret as a human imperfection rather than an incapacitating flaw, self-distancing helps you analyze and strategize—to examine the regret dispassionately without shame or rancor and to extract from it a lesson that can guide your future behavior.
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
Growth is an erratic forward movement: two steps forward, one step back. Remember that and be very gentle with yourself. A creative recovery is a healing process. You are capable of great things on Tuesday, but on Wednesday you may slide backward. This is normal. Growth occurs in spurts. You will lie dormant sometimes. Do not be discouraged. Think of it as resting.
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
The door suddenly opened. A leggy young brunette took two steps into the office and stopped short. Her brown eyes widened, she hastily excused herself and turned to leave. Pérez’s jaw dropped as he looked up at her high heels and ankles. He crawled out from under the desk and turned questioningly to his partner. Thorne didn't hesitate. He took one swift stride from behind, clamped a hand tightly over her mouth, and pulled her back into the room, disregarding her wildly flailing legs and frantic attempts to claw his hands away. He shut the door with a backward thrust of his foot. "What do we do now?" Pérez whined. "Observe." Thorne spoke calmly, as would a professor demonstrating a familiar operation to a beginner. Using both hands, he briskly snapped her neck. She stopped struggling.
Clark Zlotchew (The Caucasian Menace)
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
Monogamous marriage comes on the scene as the subjugation of the one sex by the other, as the proclamation of a conflict between the sexes unknown throughout the whole previous historic period. In an old unpublished manuscript written by Marx and myself in 1846 I find the words: The first division of labour is that between man and woman for the propagation of children And today I can add: The first class antagonism that appears in history coincides with that of the female sex by the male. Monogamous marriage was a great historical step forward; nevertheless, together with slavery and private wealth, it opened the epoch that has lasted until today in which every step forward is also relatively a step backward, in which prosperity and development for some is won through the misery and frustration of others.
Friedrich Engels (The Origin of the Family, Private Property and the State)
Whispered to the conservatives. — What was not known formerly, what is known, or might be known, today: a reversion, a return in any sense or degree is simply not possible. We physiologists know that. Yet all priests and moralists have believed the opposite — they wanted to take mankind back, to screw it back, to a former measure of virtue. Morality was always a bed of Procrustes. Even the politicians have aped the preachers of virtue at this point: today too there are still parties whose dream it is that all things might walk backwards like crabs. But no one is free to be a crab. Nothing avails: one must go forward — step by step further into decadence (that is my definition of modern "progress"). One can check this development and thus dam up degeneration, gather it and make it more vehement and sudden: one can do no more.
Nietszche
A rustle of wings and a hawk feather drifts down to me. Snatching it from the air, I look up into the trees, but nothing’s there. So I tuck the feather into my hair. “What are you doing?” My stomach leaps into my throat, and I jump up, stumbling backward, and fall on my butt in the middle of the path. In the tree above me, a teenage boy perches on a branch. He’s dressed in traditional deerskin breeches, a talon necklace around his neck, but rather than moccasins, his feet are bare. He is shirtless, and lean muscles cord his body. His intense eyes capture my attention. They’re like golden fathomless pools. I could get lost in them. “Don’t your feet get hurt, walking barefoot on the forest floor?” I ask. “I rarely walk.” He drops down in front of me. His face is so close that I take a step back and thump into a tree. He leans toward me and sniffs. “You smell different. What are you?” “I’m a girl.” I can’t take my gaze from his. “No, humans stink. You smell…” He sniffs my hair and grins. “You smell good.” “Is there a reason that you’re invading my space? I have somewhere to be.” My voice cracks. He tugs one of my braids and winks at me. My pulse quickens, and my breath catches in my throat. His eyes study me with intensity, and he leans closer. Is he going to kiss me?
Rita J. Webb (Transcendent: Tales of the Paranormal)
He reached over and picked a ball out of the bucket, turning it over and over his fingers. "Court," Neil whispered, then gave himself a violent shake. He squeezed the ball until his fingers ached, mentally retracing his steps backward. [...] He took it one step and one mile and one day at a time because anything else was too much for him to handle in his grief. Neil stared at the court in front of him and swallowed once, twice, against the nausea that was crawling up his throat. This was why Wymack's contract, Kevin's lofty ambitions, and Andrew's words meant nothing in the end. It didn't matter what they offered or promised him. Neil wasn't like them. He was nothing and no one, and he always would be. Court wasn't for people like him. He'd take what he could learn and enjoy it while he could, but this was a dream he'd have to wake up from eventually. Wanting anything more than that would just make it harder to walk away.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
something inside me will say no. not this time. you've come so far. don't step backwards now. you will be a mere yard away from me when i shake my head. you will freeze mid-step, and your eyes will go wide with surprise and confusion. "no". the world will stumble from my mouth as if it was an accident. but i will prove that it isn't by turning away from you. you will say, "wait, can't you just talk to me?" there will be a plea in your voice that will make me stop for a moment. it will almost make me turn back to you. it will wrap a fist around my heart and squeeze. but despite the pain, despite the pull i will always feel to you, i will look over my shoulder, and i will meet your gaze with mine one last time. and i will make sure you can feel that fire in me, burning. i will make sure you know that no matter how cold you made me, you never managed to put that fire out. "no", i will say. "but it was good to see you".
Catarine Hancock (how the words come)
Say my name,” he countered, his hand wrapping around the irresistible length of her neck. This time it was he who whispered in her ear. “Say it.” “I do not know what it is,” she said, her breath rushing out of her in an astounding rhythm. “Yes, you do. I feel it. You only have to search for it inside of us.” “Us” was the appropriate term. It was almost impossible in that moment for them to discern whose thoughts belonged to whom. Gideon was the oldest of them all. There was no one older, so no one who had once known his power name could possibly be alive. His parents were dead. His Siddah were dead. If Legna discovered his name, the ramifications were inconceivably serious. He would be putting his very existence into her hands. He would be placing all of his power at her fingertips, gifting her with the potential for his absolute submission. Legna tried to step back from him, the shock of what he was offering her too much to bear. But he had made sure to have his hands on her and now kept her tight and close within them. “I cannot,” she whispered, her body beginning to shake. “No one should know that. No one. I am not strong enough to keep it, Gideon. Any male Mind Demon could take it from me!” “You are stronger than you think, Neliss.” “Not strong enough. Please, do not ask this of me.” She pushed at him, jerked herself backward, using the weight of her body to try and break free. He held her for a moment longer, looking deeply into her panic-stricken expression. “One day,” he said softly.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Please, no, please, no. I thought I heard those words, but I could have said them. Lark was trying to get up again. He pedaled one foot in the air, rolled over, onto his knees, and rose in a crouch. He locked eyes with me. Their blackness knocked me backward. The rifle was lifted from my arms. Cappy stepped forward beside me. I didn’t hear the shot. All sound, all motion, had stalled in the sullen air. My brain was ringing. Cappy picked up the ejected casings from around my feet and put them in the pockets of his jeans
Louise Erdrich (The Round House)
I have already explained to you that what is out of the common is usually a guide rather than a hindrance. In solving a problem of this sort, the grand thing is to be able to reason backwards. That is a very useful accomplishment, and a very easy one, but people do not practise it much. In the every-day affairs of life it is more useful to reason forwards, and so the other comes to be neglected. There are fifty who can reason synthetically for one who can reason analytically." "I confess," said I, "that I do not quite follow you." "I hardly expected that you would. Let me see if I can make it clearer. Most people, if you describe a train of events to them, will tell you what the result would be. They can put those events together in their minds, and argue from them that something will come to pass. There are few people, however, who, if you told them a result, would be able to evolve from their own inner consciousness what the steps were which led up to that result. This power is what I mean when I talk of reasoning backwards, or analytically.
Arthur Conan Doyle
There is no ideal freedom that will someday be given us all at once, as a pension comes at the end of one’s life. There are liberties to be won painfully, one by one, and those we still have are stages—most certainly inadequate, but stages nevertheless—on the way to total liberation. If we agree to suppress them, we do not progress nonetheless. On the contrary, we retreat, we go backward, and someday we shall have to retrace our steps along that road, but that new effort will once more be made in the sweat and blood of men. No,
Albert Camus (Resistance, Rebellion, and Death: Essays (Vintage International))
Now ease off the brake, I mean flip-flop.” The truck crawled backward. “Now, when you’re far enough back, step on the brake again.” The edge of the woods came closer. “Good. Just a little more.” We went another few feet. “Okay, stop.” The truck kept going. “Brake Morgan.” “Which one’s the brake?” “Left, I mean, flip-flop.” The truck jerked to a stop. I slammed my hand against the dash to keep from getting thrown around. “You’re not a very good copilot, Grant.” “You’re not a very good pilot.” “That’s because I don’t know how to drive.” Morgan flexed his hand on the steering wheel. I counted to ten before saying anything. “Now you need to put the truck in drive and make a right… I mean bare foot.” The truck shot forward. “Stop, Morgan. Stop. Flip-flop.” It jerked to a stop hard enough to dump me into the floorboard and crack my head on the dash. “Fuck.” I struggled to get back into the seat. “Should have brought a helmet.” “If I’d known you were going to try to kill me, I would have.” “You’re the one who said bare foot.” “I meant direction.” “We didn’t discuss direction, just flip-flops and bare feet.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
...Here, let me see. Stop rubbing it so I can -" He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool. "What happened! Are you alright?" Percy's got one eye open but blinking frantically, hand extended blindly to me. "I'm fine!" I touch the back of my head, and it comes back damp and red. "No, wait, I'm bleeding." "You're bleeding!?" He yelps. "It's fine! " "It's clearly not if you're bleeding." I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough. "It's fine!" My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow. "God, this is really bleeding!" My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor. Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
lure of reinvention. Lately, though, I find myself thinking about the war and my past, about the people I lost. Lost. It makes it sound as if I misplaced my loved ones; perhaps I left them where they don’t belong and then turned away, too confused to retrace my steps. They are not lost. Nor are they in a better place. They are gone. As I approach the end of my years, I know that grief, like regret, settles into our DNA and remains forever a part of us. I have aged in the months since my husband’s death and my diagnosis. My skin has the crinkled appearance of wax paper that someone has tried to flatten and reuse. My eyes fail me often—in the darkness, when headlights flash, when rain falls. It is unnerving, this new unreliability in my vision. Perhaps that’s why I find myself looking backward. The past has a clarity I can no longer see in the present. I want to imagine there will be peace when I am gone, that I will see all of the people I have loved and lost. At least that I will be forgiven. I know better, though, don’t I? *   *   * My house, named The Peaks by the lumber baron who built it more than a hundred years ago, is for sale, and I am preparing to move because my son thinks I should. He is trying to take care of
Kristin Hannah (The Nightingale)
The path, as the mystic poet Rumi writes, won’t appear until you start walking. William Herschel started walking, grinding mirrors, and reading astronomy-for-dummies books even though he had no idea he would discover Uranus. Andrew Wiles started walking when he picked up a book on Fermat’s last theorem as a teenager, not knowing where his curiosity might lead. Steve Squyres started walking in search of his blank canvas, even though he had no idea it would one day lead him to Mars. The secret is to start walking before you see a clear path. Start walking, even though there will be stuck wheels, broken drills, and exploding oxygen tanks ahead. Start walking because you can learn to walk backward if your wheel gets stuck or you can use duct tape to block catastrophe. Start walking, and as you become accustomed to walking, watch your fear of dark places disappear. Start walking because, as Newton’s first law goes, objects in motion tend to stay in motion—once you get going, you will keep going. Start walking because your small steps will eventually become giant leaps. Start walking, and if it helps, bring a bag of peanuts with you for good luck. Start walking, not because it’s easy, but because it’s hard. Start walking because it’s the only way forward.
Ozan Varol (Think Like a Rocket Scientist: Simple Strategies You Can Use to Make Giant Leaps in Work and Life)
What the fuck is this?” he roared, striding into the centre of the room, water dripping from his beard, down through the grizzled white hairs on his chest, off his slapping fruits. It was a strange sight to see. A naked old man confronting three armed Practicals of the Inquisition. Ridiculous, and yet no one was laughing. There was something strangely terrifying about him, even without his clothes and running with wet. It was the Practicals who shifted backwards, confused, scared even. “You’re coming with us,” the woman repeated, though a certain doubt seemed to have entered her voice. One of her companions stepped warily towards Bayaz. Jezal felt a strange sensation in his stomach. A tugging, a sucking, an empty, sick feeling. It was like being back on the bridge, in the shadow of the Maker’s House. Only worse. The wizard’s face had turned terribly hard. “My patience is at an end.” Like a bottle dropped from a great height, the nearest Practical burst apart. There was no thunderclap, only a gentle squelching. One moment he was moving towards the old man, sword raised, entirely whole. The next he was a thousand fragments. Some unknown part of him thudded wetly against the plaster next to Jezal’s head. His sword dropped and rattled on the boards. “You were saying?” growled the First of the Magi.
Joe Abercrombie (The Blade Itself (The First Law, #1))
I want to defend Ben Bella just as I am going to defend Boumedienne. Ben Bella was not the 'demon' that the nervous, demagogic communique of 19 June accused him of being, no more than Boumedienne is the 'reactionary' that L'Unita wrote about. Both are victims of the same drama that every Third World politician lives through if he is honest, if he is a patriot. This was the drama of Lumumba and Nehru; it is the drama of Nyerere and Sekou Toure. The essence of the drama lies in the terrible material resistance that each one encounters on taking his first, second, and third steps up the summit of power. Each one wants to do something good and begins to do it and then sees, after a month, after a year, after three years, that it just isn't happening, that it is slipping away, that it is bogged down in the sand. Everything is in the way: the centuries of backwardness, the primitive economy, the illiteracy, the religious fanaticism, the tribal blindness, the chronic hunger, the colonial past with its practice of debasing and dulling the conquered, the blackmail by the imperialists, the greed of the corrupt, the unemployment, the red ink. progress comes with great difficulty along such a road. The politician begins to push too hard. He looks for a way out through dictatorship. The dictatorship then fathers an opposition. The opposition organises a coup. And the cycle begins anew.
Ryszard Kapuściński
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
V.D. Bucket (Bucket To Greece, Volume Three)
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it. "That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying. He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-" "Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle. She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook. "I'm not really fixed for company just now." "I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers." He went under the second time without even the chance to gulp in air. "We're not lovers." "That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?" "I like it strong, so it'll take some time. You should go on home now." "I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward." "This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute." But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead." "That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this." That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice." His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem." "Are you afraid of innocence?" "Damn right." "It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me." The boots clattered to the floor as he went under for the third time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Look, now, in the distance, a person, closer, it's two people, hand in hand, ankle deep in the froth. Sunrise in hair, blonde, green bikini, tall, shining. They kiss. Handsy things happening underneath hist trunks, her tongue. Who wouldn't envy such youth, who wouldn't grieve what has been lost in watching. They come up the dune, she pushing him backward, up. Study them from the balcony, holding your breath while the couple stops in a smooth bowl of sand, protected by the dunes. She pushes down his trunks, he takes off her bathing suit, top and bottom. Oh yes, you would return to your wife on hands and knees, crawl the distance of the eastern seaboard to feel her fingers once more in your hair. You are unworthy of her. Yes. No. Even as you think of flight, you're transfixed by the lovers, wouldn't dare move for fear of making them flap like birds into the blistered sky. They step into each other, and it's hard to tell where one begins and one ends. Hands in hair and warmth on warmth, into the sand her red knees raised, his body moving. It is time. Something odd happening though you are not ready for it. There is an overlap. You have seen this before, felt her breath on your nape, the heat of her beneath, and the cold damp of day on your back, the helpless overwhelm, a sense of crossing. The sex reaching it's culmination. Come. Lip bitten to blood and finish with a roar and birds shoot up and crumbles in the pink folds of an ear. Serrated coin of sun on water. Face turns skyward. Is this drizzle? It is. Sound of small sheers closing. Barely time to register the staggering beauty and here it is, the separation.
Lauren Groff (Fates and Furies)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
Lionel Shriver
Domenico appeared to lie against the door, and in the shadowy dark, his face was luminous and delicate. When he smiled the hollows of his cheeks deepened, the light played more beautifully on the bones, and when he spoke, it was that of a woman's voice again, husky and stroking. "Don't be afraid if him." he whispered. Tonio realized he had taken a step backwards. His heart was making a tumult inside of him. "Afraid of whom?" he asked. "Lorenzo, of course," said the roughened velvet voice. "I won't let him do anything to do." "Don't come any closer!" Tonio said sharply. Again he took a step backwards, But Domenico only smiled, his head falling a little to the left so that the white powdered curls spilled over his shoulder onto that flaring breast. "You mean I am the one you're afraid of?" Tonio looked away in confusion. "I have to leave here," he said. Domenico let out a long beguiling breath. And then suddenly he put his arms around Tonio; he pressed the soft ruffles of his breast against Tonio. Tonio stumbled back and found himself against the mirror, the candles flickering on either side of him. He reached back for the glass, his hands down, to get his balance. "You are afraid of me," Domenico whispered. "I don't know what you want!" Tonio said. "Ah, but I know what you want. Why are you afraid to take it?" Tonio was going to shake his head but he stopped, staring into Domenico's eyes. It was inconceivable that anything of a man existed under this froth, this magic. And when he saw the lips moist and parting and drawing near to him, he shut his eyes, straining away. Surely he could knock this creature to the floor with one blow, and yet he was shrinking back as if he might be burned here!
Anne Rice
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Your butler informed me you were here. I thought-that is, I wondered how things were going.” “And since my butler didn’t know,” Ian concluded with amused irritation, “you decided to call on Elizabeth and see if you could discover for yourself?” “Something like that,” the vicar said calmly. “Elizabeth regards me as a friend, I think. And so I planned to call on her and, if you weren’t here, to put in a good word for you.” “Only one?” Ian said mildly. The vicar did not back down; he rarely did, particularly in matters of morality or justice. “Given your treatment of her, I was hard pressed to think of one. How did matters turn out with your grandfather?” “Well enough,” Ina said, his mind on meeting with Elizabeth. “He’s here in London.” “And?” “And,” Ian said sardonically, “you may now address me as ‘my lord.’” “I’ve come here,” Duncan persisted implacably, “to address you as ‘the bridegroom.’” A flash of annoyance crossed Ian’s tanned features. “You never stop pressing, do you? I’ve managed my own life for thirty years, Duncan. I think I can do it now.” Duncan had the grace to look slightly abashed. “You’re right, of course. Shall I leave?” Ian considered the benefits of Duncan’s soothing presence and reluctantly shook his head. “No. In fact, since you’re here,” he continued as they neared the top step, “you may as well be the one to announce us to the butler. I can’t get past him.” Duncan lifted the knocker while bestowing a mocking glance on Ian. “You can’t get past the butler, and you think you’re managing very well without me?” Declining to rise to that bait, Ian remained silent. The door opened a moment later, and the butler looked politely from Duncan, who began to give his name, to Ian. To Duncan’s startled disbelief, the door came crashing forward in his face. An instant before it banged into its frame Ian twisted, slamming his shoulder into it and sending the butler flying backward into the hall and ricocheting off the wall. In a low, savage voice he said, “Tell your mistress I’m here, or I’ll find her myself and tell her.” With a glance of furious outrage the older man considered Ian’s superior size and powerful frame, then turned and started reluctantly for a room ahead and to the left, where muted voices could be heard. Duncan eyed Ian with one gray eyebrow lifted and said sardonically, “Very clever of you to ingratiate yourself so well with Elizabeth’s servants.” The group in the drawing room reacted with diverse emotions to Bentner’s announcement that “Thornton is here and forced his way into the house.” The dowager duchess looked fascinated, Julius looked both relived and dismayed, Alexandra looked wary, and Elizabeth, who was still preoccupied with her uncle’s unstated purpose for his visit, looked nonplussed. Only Lucinda showed no expression at all, but she laid her needlework aside and lifted her face attentively toward the doorway.
Judith McNaught (Almost Heaven (Sequels, #3))
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
Hey!” a voice calls out behind us, and we turn to find Ryder standing beside the row of orange lockers outside Mr. Jepsen’s classroom. I have no idea why he’s out of class early, and I don’t care. “I just heard the announcement--congrats.” “Thanks,” Morgan chirps. “This is epic, right? Both of us.” Ryder nods, his gaze shifting from Morgan to me. I duck my head, averting my eyes. This is worse than when I hated him, I realize. At least then, it wasn’t awkward. I could just ignore him and go about my business. Now I feel all queasy and mad and breathless and guilty. I need to get away from him. Fast. Mercifully, Morgan glances down at her watch. “We gotta get going. There’s a meeting in the media center.” “Right,” Ryder says. “But, uh…Jemma, could I talk to you for a second after school today? Before practice, maybe?” My gaze snaps up to meet his. “I…um, I don’t think that’s a good idea.” “I’ll be quick,” he says. “Actually, maybe I’ll come over to your house after dinner. That way I can say hi to Nan.” “She’s…really not up to visitors.” “Really?” He fixes me with a stare, one brow raised in disbelief. “’Cause your mom said just the opposite.” Crap. Now what? I’m out of excuses. Besides, the last thing I want to do is pique Morgan’s curiosity. “Oh, fine. Whatever.” “Great. See you then.” He turns and heads back into the classroom without a backward glance. I have no clue what he wants to talk about. Things are already uncomfortable enough between us as it is. No use making it worse by discussing things that don’t need to be discussed. We made out, even though I hadn’t bothered to break up with Patrick first. It was a mistake--a big mistake. End of story. The memory of that night hits me full force--his shirt was off; mine was close to it. My cheeks flare with sudden heat as I recall the feel of his fingertips skimming up my sides, moving beneath my bra as he kissed me like no one’s kissed me before. Ho-ly crap. Stop. “What was that about?” Morgan asks me as we continue on our way. “He was acting kinda weird, wasn’t he?” “I didn’t notice,” I say with a shrug, going for nonchalance. “Anyway, we should hurry. We’re probably late already.” “Maybe he wants you to ask him to escort you,” she teases, hurrying her step. I match my pace to hers, needing to take two steps for every one of hers. “Yeah, right,” I say breathlessly. “Hey, you never know.” She looks at me and winks. “Weirder things have happened.” Oh, man. She has no idea.
Kristi Cook (Magnolia (Magnolia Branch, #1))
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
At a time when a large part of mankind is beginning to discard Christianity, it may be worth our while to try to understand why it was accepted in the first place. It was accepted as a means of escape from the brutality and unconsciousness of the ancient world. As soon as we discard it, the old brutality returns in force, as has been made overwhelmingly clear by contemporary events. This is not a step forwards, but a long step backwards into the past. It is the same with individuals who lay aside one form of adaptation and have no new form to turn to: they infallibly regress along the old path and then find themselves at a great disadvantage, because the world around them has changed considerably in the meantime. Consequently, any one who is repelled by the philosophical weakness of Christian dogmatism or by the barren idea of a merely historical Jesus—for we know far too little about his contradictory personality and the little we do know only confuses our judgment—and who throws Christianity overboard and with it the whole basis of morality, is bound to be confronted with the age-old problem of brutality. We have had bitter experience of what happens when a whole nation finds the moral mask too stupid to keep up. The beast breaks loose, and a frenzy of demoralization sweeps over the civilized world.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
There would seem to be only one question for philosophy to resolve: what must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition of the Christian nations. For example, in Kant's Critique of Practical Reason, or in Spinoza, Schopenhauer and especially Rousseau. But in more recent times, since Hegel's assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards. The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzche's half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others. Turgenev made the witty remark that there are inverse platitudes, which are frequently employed by people lacking in talent who wish to attract attention to themselves. Everyone knows, for instance, that water is wet, and someone suddenly says, very seriously, that water is dry, not that ice is, but that water is dry, and the conviction with which this is stated attracts attention. Similarly, the whole world knows that virtue consists in the subjugation of one's passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the other religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche's books. The majority of pseudo-enlightened people seriously look into the theory of the superman, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of the pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love - virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the ideas of personal happiness and superiority over the lives of others, by which they live.
Leo Tolstoy
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Sadly not. I can only feel the depth of your power, the strength of it. And you’re strong. Once you learn to harness it, I have the feeling that I won’t be able to take an ounce of it from you without permission.” My mouth slipped into a smile and her gaze dropped to trace the movement, making my dick get all kinds of hopeful ideas. “Can you just get this over with? I have a lot of studying to do.” She tilted her chin in the angriest offering I'd ever seen but that wasn't going to cut it today.What would it even take for her to want me to bite her? I'd have given a whole lot to hear her beg me for it that was for sure. “Don’t you want to hear my proposition, Tory?” I asked in a seductive tone as I shifted closer to her, wanting to feel the heat of her body against mine. “I can’t imagine anything that you could offer me to make me a willing participant in your dinner schedule,” she deadpanned. “There may be one thing,” I said, teasing her, tempting her. Her eyes lit angrily and I could tell she was about to start cursing me or something equally aggressive, so I took a final step forward, caught her chin between my fingers and pressed my mouth to hers. Tory sucked in a breath of surprise and I slid my tongue between the opening in her lips, kissing her roughly and dominating her mouth in a demand for her to give in to me. She raised her hands to my chest, palms flat against my pecs and for a moment I was sure she was going to shove me back with either her strength or her magic. But then the moment passed and instead of fighting, she surrendered, her hands caressing instead of pushing me away, tongue moving with mine and lips devouring. And she tasted so fucking sweet. I groaned deep in the back of my throat as I dropped my hands to her waist and walked her backwards until her ass hit the desk there. I lifted her up easily, parting her thighs as I stepped between them and my cock throbbed as I drove it against her panties, stealing a little friction and loving the way she arched into the movement like she was aching for more of me. Her hands banded around my neck and she pulled me closer, kissing me hard and heatedly as her hips flexed and she ground herself against my solid cock I moved my hand to her knee, tracing a line along the top of her long socks with my thumb before shifting it up her silken skin. Tory kissed me harder, her fingers pushing through my hair as she moaned between brushes of our tongues as I kept moving my hand higher, half expecting her to stop me while my heart thundered harder for every second where she didn't. I pushed my fingers beneath her skirt and she moaned again, her other leg hooking around my ass and dragging me nearer in a demand I was more than willing to give in to. I grinned against her lips, loving how quickly she'd fallen to my desire, but the moment I did, she sucked my bottom lip between her teeth and bit down hard to remind me of exactly what kind of animal she was. I jerked back before she could spill my blood, laughing at the fire in her and pausing with my hand almost grazing her panties and the temptation of what lay beneath them. “Why?” she asked breathlessly, suspicion colouring her green eyes and making me want to offer her the truth. “You can just take what you want from me. So why kiss me?” (Caleb pov)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))