One Liners Quotes

We've searched our database for all the quotes and captions related to One Liners. Here they are! All 100 of them:

Are you in a suit?" I managed at last, my voice choking up. "You didn’t have to dress up for me." "Quiet, Sage," he said. "I’ll make the hilarious one-liners during this daring rescue.
Richelle Mead (Silver Shadows (Bloodlines, #5))
The most common one-liner in the Bible is, "Do not be afraid." Someone counted, and it occurs 365 times.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I always love it whenever Rose delivers one of her witty one-liners—particularly when it’s a completely serious situation. The contrast always amuses me, but then, I’m biased.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I want to do it all. I want to climb mountains, go through jungles, fight wars in space, get the girl, shoot the bad-guy full of lead, have all the zippy one liners, bulge muscles out of a singlet, drip sweat and blood on screen, all of that.
Benedict Cumberbatch
Make-up? What happened? You look almost female." "Thanks. You look almost straight.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
Endeavors that help me satisfy you, my goddess of desire, pleasure, and corny one-liners.
Sylvia Day (Entwined with You (Crossfire, #3))
Hold your horses. I'm coming."... "From where I'm standing you're just breathing laboriously." The snow swam out of focus. "Breathing hard. Are you coming or just breathing hard. You've got to get your one-liners straight.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Respect cannot be inherited, respect is the result of right actions.
Amit Kalantri (Wealth of Words)
God, you made me come hard. No need to call me God, he teased.
Olivia Cunning (Take Me (One Night with Sole Regret, #3))
Life is too short to be anything but happy. So kiss slowly. Love deeply. Forgive quickly. Take chances and never have regrets. Forget the past but remember what it taught you.
Abhysheq Shukla (KISS Life "Life is what you make it")
Live a life that leaves a memory, nobody can steal.
Abhysheq Shukla (KISS Life "Life is what you make it")
It takes a long time to grow young.
Pablo Picasso (Picasso's One-Liners)
Thanks to April,” she whispered, “you have the wedding you’ve dreamed about ever since you were a little girl.” Dean’s boom of laughter was one more reason she loved this man with all her heart.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
Good things come in small packages. Shopping isn't a good thing, so be ready to carry big packages!
Shubham Choudhary (My EX Fell in Love)
I tried to break her before. Now, I just wanted her as she was. I wanted every last beautiful flaw. I wanted the witty one-liners and the coldness that only I knew how to warm. I wanted the fight and the friction and the make-up sex. I wanted her to wake up in my bed every morning. I wanted her shitty cooking and her beautiful, complex mind.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Appreciation is always appreciated.
Shubham Choudhary
My vagina has just found a new best friend
Olivia Cunning (Take Me (One Night with Sole Regret, #3))
The only unreachable dream is the one you don’t reach for.
Abhysheq Shukla (KISS Life "Life is what you make it")
If you are depressed, you are living in the past. If you are anxious, you are living in the future. If you are at peace, you are living in the present.
Abhysheq Shukla (KISS Life "Life is what you make it")
If thinking should precede acting, then acting must succeed thinking.
Amit Kalantri (Wealth of Words)
During a conversation, listening is as powerful as loving.
Amit Kalantri (Wealth of Words)
The richest people in the world build networks and invest in people; everyone else looks for work and invests in survival.
Abhysheq Shukla (KISS Life "Life is what you make it")
Tenderhearted people are silent sufferers they just learn the art to fly with broken wings.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Life's too short to wake up in the morning with regrets, So ... Love the people who treat you right and pray for the ones who don't. Life is 10% what you make it 90% how you take it.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
The koloss he’d attacked did not rise. Its companions stood, looking unconcerned, though their eyes were focused on him. They seemed to want something. “He ate my horse,” Elend said, saying the first thing that came to his clouded mind. The group of koloss nodded.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
Theres no competition in DESTINY. Run your own RACE and wish others WELL!!!
Abhysheq Shukla (KISS Life "Life is what you make it")
No body is a looser either he is a Winner or a Learner
Abhysheq Shukla (KISS Life "Life is what you make it")
Have and show motivation to do and learn. That's the key for a good career. Everything else is an extrapolation of that.
Abhysheq Shukla (KISS Life "Life is what you make it")
Don't fight to be right, but fight when you are right.
Amit Kalantri
A lantern can give you light only when you light it
Munia Khan
My maid never sweeps under the bed so I asked her to do so today. Found a pen, three pairs of shoes and the man I had lost two years ago.
Sanhita Baruah
People are lazy that’s why today’s technology is crazy.
Santosh Kalwar (One-liners)
IF you want to be a winner than follow one simple rule and feed it in your mind. Take each task and work as " Do it yourself project.
Abhysheq Shukla (KISS Life "Life is what you make it")
True Relations never break and relation which breaks were never true
Abhysheq Shukla (KISS Life "Life is what you make it")
Time change - Moments don't.
Abhysheq Shukla (KISS Life "Life is what you make it")
Smiling is not a choice It’s a Lifestyle Pass it on
Abhysheq Shukla (KISS Life "Life is what you make it")
There's a story behind every "I don't believe in love" "Period
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Memories of the past are what drive us, whether to a life of beauty or a life of insanity is up to us.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
A man's weakest spots are almost always closest to his passions.
Oscar Auliq-Ice
The media knows what sells—conflict and division. It’s also quick and easy. All too often anger works better than answers; resentment better than reason; emotion trumps evidence. A sanctimonious, sneering one-liner, no matter how bogus, is seen as straight talk, while a calm, well-argued response is seen as canned and phony.
Bill Clinton (The President Is Missing)
There is no cure for madness except the madness as the cure.
Santosh Kalwar (One-liners)
It would be nice to report she lived happily ever after till the end of her days. But such cheap, cop-out one-liners belong to other uncomplicated fairy tales.
Jennifer Silverwood (Silver Hollow)
The only goal in life is to be happy, genuinely, intensely and consistently , regardless of what it looks like to others.
Abhysheq Shukla (KISS Life "Life is what you make it")
The thing about our choices is that after we have made them, they turn around and make us.
Abhysheq Shukla (KISS Life "Life is what you make it")
What seems like the right thing to do could also be the hardest thing you have ever done in your life
Abhysheq Shukla (KISS Life "Life is what you make it")
Living your life is a task so difficult it has never been attempted before.
Abhysheq Shukla (KISS Life "Life is what you make it")
Pray GOD by HEART, Not by HABIT.
Abhysheq Shukla (KISS Life "Life is what you make it")
To be successful in life , Plan, Implement, Revise, Update, and Build on Change.
Abhysheq Shukla (KISS Life "Life is what you make it")
Sometimes life is like living in a chamber of Liquid Oxygen. Liquid don't allow you to live and Oxygen don't let you die.
Abhysheq Shukla (KISS Life "Life is what you make it")
Life doesn't walk away, we do.
Abhysheq Shukla (KISS Life "Life is what you make it")
As long as we have MEMORIES, yesterday REMAINS and as long as we have HOPE, tomorrow AWAITS...
Abhysheq Shukla (KISS Life "Life is what you make it")
Life is a do-it-yourself project.
Abhysheq Shukla (KISS Life "Life is what you make it")
The only difference between success and failure is Lack of Vision
Abhysheq Shukla (KISS Life "Life is what you make it")
A lie near to truth is always difficult to catch
Abhysheq Shukla (KISS Life "Life is what you make it")
If we try to see something positive in everything we do, life won't necessarily become easier but it becomes more valuable.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
I thought words were supposed to be my thing.” “Can you make change for a dollar?” “Yes . . .” “Then I can occasionally come up with a witty one-liner.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
Everybody needs to be good-natured with a good heart, because in this way we can solve our own problems as well as those of others, and we can make our human life meaningful.
Abhysheq Shukla (KARMA)
Growing older doesn't mean that you are more mature than everyone who is younger than you. Maturity is a lot of things, and age has nothing to do with it.
Abhysheq Shukla (KISS Life "Life is what you make it")
Don't ask creator to guide your footsteps if you're not willing to move your feet.
Abhysheq Shukla (KISS Life "Life is what you make it")
It's very hard to grow because it's difficult to let go of the models of ourselves in which we've invested so heavily.
Ram Dass (One-Liners: A Mini-Manual for a Spiritual Life)
Being Wise & Being Smart are two different things anyone can be smart but those who master the art of knowing what to overlook in this journey called life deserves to be called Wise
Abhysheq Shukla (KISS Life "Life is what you make it")
The only enemy which stands between the talent you posses and success you achieve is known as "EGO" in our Society
Abhysheq Shukla (KISS Life "Life is what you make it")
Start wherever you are! Low hanging fruit really tastes as good as the high stuff.
Abhysheq Shukla (KISS Life "Life is what you make it")
MISUNDERSTANDING" arises only when you see the things with Closed Eyes
Abhysheq Shukla (KISS Life "Life is what you make it")
A wise man is someone who knows how to convert obstacles into resources.
Abhysheq Shukla (KISS Life "Life is what you make it")
THE Biggest enemy of Truth is known as Facts in our Society
Abhysheq Shukla (KISS Life "Life is what you make it")
If you are depressed, you are living in the past. If you are anxious, you are living in the future
Abhysheq Shukla (KISS Life "Life is what you make it")
YOU have to design your own Price tag for the world.
Abhysheq Shukla (KISS Life "Life is what you make it")
Only Boiled Seeds are afraid of failure.
Abhysheq Shukla (KISS Life "Life is what you make it")
For all those who say its a Man world. Respect Women Its their World we are just guest here
Abhysheq Shukla (KISS Life "Life is what you make it")
Always follow your dreams with confidence and conviction, don’t fall for the trap of dream killers
Abhysheq Shukla (KISS Life "Life is what you make it")
Passion + Vision +Skill + Mentoring = Success.
Abhysheq Shukla (KISS Life "Life is what you make it")
We all have this perfect little image of who we want to be, but it is unnecessary. Throw the image away. You're already you just be the best version of yourself.
Abhysheq Shukla (The Reflection "Success or Stress"Choose Wisely)
Opportunity comes to everyone it depends on you whether you take it or leave it. Learn to take risks and play hard because at the end you'd be thankful for your struggle.
Abhysheq Shukla (The Reflection "Success or Stress"Choose Wisely)
When you are stressed and challenged by hardships just smile through it as frowning won’t help in changing the situation
Abhysheq Shukla (The Reflection "Success or Stress"Choose Wisely)
Strong people don't put others down. They lift them up and slam them on the ground for maximum damage.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
In the end all the puzzles of your life will be solved ,until then... laugh at the scepticism, live for the moment and remember everything happens for a reason.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Life is about the moments you create, that you can keep it with you FOREVER. After everything is over,That is what we have or what we are left with.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Its not your fault for not being there. Its my fault for thinking you would be
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
My Halloween costume is Godot. I'm not showing up at the party, just texting the host every 10 minutes that I'm on my way.
Wynne McLaughlin
Create your own path.Don't blindly follow the massess... because most of the time the "M" is silent.
Abhysheq Shukla (The Reflection "Success or Stress"Choose Wisely)
Val and Ruth had been friends forever, for so long that Val was used to being the overshadowed one, the "normal" one, the one who set up the witty one-liners, not the one who delivered them. She liked that role; it made her feel safe. Robin to Ruth's Batman. Chewbaca to her Han Solo.
Holly Black (Valiant (Modern Faerie Tales, #2))
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
One of the ironic things,” Kennedy observed to Norman Cousins in the spring of 1963, “…is that Mr. Khrushchev and I occupy approximately the same political positions inside our governments. He would like to prevent a nuclear war but is under severe pressure from his hard-line crowd, which interprets every move in that direction as appeasement. I’ve got similar problems…. The hard-liners in the Soviet Union and the United States feed on one another.”8
Robert F. Kennedy (Thirteen Days: A Memoir of the Cuban Missile Crisis)
I get locked into a cycle of not speaking. It’s like every time I think of something awesome to say, I rehearse it in my head so many times, I forget whether I’ve said it out loud yet. And I think it goes without saying that awesome one-liners are decidedly less awesome when you repeat them by accident. Better not to risk it.
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
The fact that you can go to the bathroom on an airplane is pretty novel. I bet nobody expected that a hundred years ago. Can you imagine two sailors looking over the front rails of their massive ocean liner in the early 1900s, one of them pointing way up in the clouds and whispering to the other, “One day a man will take a crap up there.” No, me either.
Neil Pasricha (The Book of (Even More) Awesome)
Children are not cruel. Children are mirrors. They want to be "grownup," so they act how grown-ups act when we think they're not looking. They do not act how we tell them to act at school assemblies. They act how we really act. They believe what we believe. They say what we say. And we have taught them that gay people are not okay. That overweight people are not okay. That Muslim people are not okay. That they are not equal. That they are to be feared. And people hurt the things they fear. We know that. What they are doing in the schools, what we are doing in the media -- it's all the same. The only difference is that children bully in the hallways and the cafeterias while we bully from behind pulpits and legislative benches and sitcom one-liners.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
Annie Dillard (Pilgrim at Tinker Creek)
When you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union - each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an air-liner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you tread lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such discovery was the province of fools who really believed it was possible for one mind to really know another.
Stephen King (Pet Sematary)
I know for a fact that no matter where I go, the memory and the suffering of not being with you will cripple me. I will go to work, fire up my PC, only to check if you're online. I will hover the pointer to your name, it will pop your contact details--just the contact details, no photo, no one-liners, no sign of what we used to have--but I shall linger and stare at it for hours. I will attempt to start a chat, but will close it without even a word to type. I will try to divert my thoughts back to work. But will fail. I will always go back to you. One hour to another, it's 5 PM. I pack my things, unproductive for the day and smile. I'm doing that again tomorrow and the next.
CSTPimentel
Anger is an energy. It really bloody is. It’s possibly the most powerful one-liner I’ve ever come up with. When I was writing the Public Image Ltd song ‘Rise’, I didn’t quite realize the emotional impact that it would have on me, or anyone who’s ever heard it since. I wrote it in an almost throwaway fashion, off the top of my head, pretty much when I was about to sing the whole song for the first time, at my then new home in Los Angeles. It’s a tough, spontaneous idea. ‘Rise’ was looking at the context of South Africa under apartheid. I’d be watching these horrendous news reports on CNN, and so lines like ‘They put a hotwire to my head, because of the things I did and said’, are a reference to the torture techniques that the apartheid government was using out there. Insufferable. You’d see these reports on TV and in the papers, and feel that this was a reality that simply couldn’t be changed. So, in the context of ‘Rise’, ‘Anger is an energy’ was an open statement, saying, ‘Don’t view anger negatively, don’t deny it – use it to be creative.’ I combined that with another refrain, ‘May the road rise with you’. When I was growing up, that was a phrase my mum and dad – and half the surrounding neighbourhood, who happened to be Irish also – used to say. ‘May the road rise, and your enemies always be behind you!’ So it’s saying, ‘There’s always hope’, and that you don’t always have to resort to violence to resolve an issue. Anger doesn’t necessarily equate directly to violence. Violence very rarely resolves anything. In South Africa, they eventually found a relatively peaceful way out. Using that supposedly negative energy called anger, it can take just one positive move to change things for the better. When I came to record the song properly, the producer and I were arguing all the time, as we always tend to do, but sometimes the arguing actually helps; it feeds in. When it was released in early 1986, ‘Rise’ then became a total anthem, in a period when the press were saying that I was finished, and there was nowhere left for me to go. Well, there was, and I went there. Anger is an energy. Unstoppable.
John Lydon (Anger is an Energy: My Life Uncensored)
Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.
Jay Woodman (SPAN)
What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation.
Slavoj Žižek (Living in the End Times)
How long Archibald slept he could not have said. He woke some hours later with a vague feeling that a thunderstorm of unusual violence had broken out in his immediate neighborhood. But this, he realized as the mists of slumber cleared away, was an error. The noise which had disturbed him was not thunder but the sound of someone snoring. Snoring like the dickens. The walls seemed to be vibrating like the deck of an ocean liner.... His spirit was not so completely broken as to make him lie supinely down beneath that snoring. The sound filled him, as snoring fills every right-thinking man, with a seething resentment and a passionate yearning for justice, and he climbed out of bed with the intention of taking the proper steps through the recognized channels. It is the custom nowadays to disparage the educational methods of the English public school and to maintain that they are not practical and of a kind to fit the growing boy for the problems of afterlife. But you do learn one thing at a public school, and that is how to act when somebody starts snoring. You jolly well grab a cake of soap and pop in and stuff it down the blighter's throat. And this is what Archibald proposed - God willing - to do.
P.G. Wodehouse
Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.
Stephen King (Night Shift)
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled. “I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes. “Is it safe?” he asked. I giggled. “Is that a no for tacos?” Romeo shook his head and rolled his eyes. “We’re dressed, man.” Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.” Ah, that explained why everything still looked so blurry. I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet. “Oh!” I exclaimed. “You have to be freezing!” I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.” “She’s giving away your clothes, man,” Braeden said to Romeo. “Chicks.” He sighed. Braeden shook his head. “You’re dripping on the carpet!” I reminded him. He laughed and went in the bathroom to get dressed. “Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door. He laughed. “Laundry service? Damn! I’m moving in.” Romeo shook his head. I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began. “No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.” He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?” I nodded. “Did you jump in the pool to get my glasses?” He nodded. “Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected. I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?” Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered. “Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed. I shuddered. “I know how to swim.” “Well, you sank to the bottom like an anchor,” he grumbled.
Cambria Hebert (#Hater (Hashtag, #2))