“
There is a moment—Oh, just before the first kiss, a whispered word—something that makes it worth while.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
No, the next time i kiss you it'll last a long, long time. And then when we're done you're gonna realize being turned on is not about experience
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
Everything was chocolate ice cream and kisses and wind.
”
”
Francesca Lia Block (The Hanged Man)
“
A woman's happiness is in throwing everything away to live for love.
”
”
Ai Yazawa (Paradise Kiss, Vol. 5)
“
In the world of art, all things are possible.--George from Paradise Kiss
”
”
Ai Yazawa
“
I wasn't going to kiss you."'
'You weren't?' I look up look up at him.
[...]
'Nope, the next time I kiss you it'll last a long, long time. And when we're done you're going to realize being turned on is not about experience.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
Stop rushing me. I want to take my time falling in love with you.
”
”
Ai Yazawa (Paradise Kiss, Vol. 1)
“
Your lips are like sugar
And your cheeks an apple
Your breasts are paradise
And your body a lily.
O, to kiss the sugar
To bite the apple
To reveal paradise
And open the lily.
”
”
Louis de Bernières (Birds Without Wings)
“
Mischa, we take comfort in knowing there is no God. That you are not enslaved in Heaven, made to kiss God’s ass forever. What you have is better than Paradise. You have blessed oblivion. I miss you every day.
”
”
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
“
There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Even if you fall on the runway, I wouldn't blame you. It would mean that we made a mistake in choosing you.
”
”
Ai Yazawa (Paradise Kiss, Vol. 4)
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six
million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that."
Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet
his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death:
"Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . .
-Ever his wit and not her eyes, ever his art and not her hair:
"Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
As long as I can hear the sweet melody of your words,
I need not;
The angel’s secret, to be whispered in my ears
As long as I can lace your silky fingers round my own,
I need not;
Pretty diamonds, nor big cash nor gold
As long as I can watch the handsome sunshine of your face,
I need not;
Open skies, nor snowfall, nor the rain
As long as I can gaze into the emeralds of your eyes,
I need not;
New colors, new wings or paradise
As long as I can feel the tender tickle of your breath,
I need not;
The drifting wind, nor its call, nor caress
As long as I can feel your soft lips upon mine,
I need not;
Melted sugar, nor the most expensive of wines
As long as I can feel your warm body close to me
I need not;
A blanket, nor a bonfire's luxury
As long as I can see you every morning I wake,
I need not;
A mirror, nor a cloud, nor shade
As long as I can keep you in every petal of memories
I need not:
Dreams, nor desires, nor fantasies
And as long as I can hold you in every moment that I breathe,
I need not;
Oxygen, nor blood, nor heartbeats.
”
”
Sanober Khan
“
May this marriage be blessed.
May this marriage be as sweet as milk and
honey.
May this marriage be as intoxicating as
old wine.
May this marriage be fruitful like a date tree.
May this marriage be full of laughter and
everyday a paradise.
May this marriage be a seal of compassion
for here and hereafter.
May this marriage be as welcome as the
full moon in the night sky.
Listen lovers, now you go on, as I become
silent and kiss this blessed night.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I squint my eyes and glare at him.
“I don’t have a crush on Quinn anymore.”
He raises a golden eyebrow.
“No?”
I shake my head. “No.”
“Why is that?”
I stare at him long and hard, trying to decide what to say. Should I be downright, painfully honest? I’ve always found that the best way to be, so I nod.
“Two words.”
He waits.
“Dante. Giliberti.”
I hear him suck in his breath and I smile. Sometimes, honesty is refreshing and so very worth it.
“Me?” He sounds so surprised, as though he doesn’t know that he is practically a living breathing Adonis. I nod.
“You.”
He studies me again and I fight the need to fidget as I wait for his reaction.
After a minute of nerve-wracking silence, he finally answers.
“So, will you keep the bracelet?”
I nod.
“Can I kiss you again?”
I nod.
So he does.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper.
"I'm a little cold... and a little nervous."
"Don't be nervous, Maggie. It's juste me."
It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know."
He pulls me closer. I rest my head in the crook of his arm and am more content than ever.
"Maggie ?"
"Yeah ?"
"Thanks."
"For what ?"
"For making me feel alive again."
I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms.
He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here."
" I know. But I'm not asking you to be one."
"You sure you know what you're getting into ?"
"Nope. I've got no clue." I start kissing and feeling my way across his broad chest.
"You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
”
”
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
“
This is getting us nowhere, he muttered after a moment.
You’re absolutely right. So fuck off. Have a nice life, hope all your holier-than-thou keeps you warm during the day. ~ Paradise to Craeg
”
”
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
“
And then he kissed him. Right on the lips. In front of God and everybody.
”
”
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
“
Angels' kisses must be like this; true paradise is not in heaven but on the lips of one's beloved.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
The women feast on the poor man’s flesh, And chew each bone whilst it is fresh, So the two women can become one with a kiss.
”
”
Jenny Hval (Paradise Rot)
“
I look up at him.
He is so devastatingly beautiful in the moonlight.
I tell him so.
He stares at me, his dark gaze unwavering. Except for my knees. It definitely wavers my knees, if that is possible. I know I wouldn’t be able to stand up if I tried. Which I’m not going to. I’m staying right here…with Dante.
“Kiss me,” I whisper. “Please.”
Dante is silent, his blue eyes frozen on me.
And then he lowers his head and his soft lips are upon mine.
And I might seriously die this time.
For real.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
In Paradise it is true that I shall drink at dawn the pure wine mentioned in the Koran, but where in Paradise are the long walks with intoxicated friends in the night, or the drunken crowds shouting merrily? Where shall I find there the intoxication of Monsoon clouds? Where there is no Autumn how can Spring exist? If the beautiful houris are always there, where will be the sadness of a separation and the joy of union? Where shall we find there a girl who flees away when we would kiss her?
”
”
Mirza Asadullah Khan Ghalib
“
I realize, just before we touch, that he’s about to erase everything I know about the act of kissing.
”
”
Christina Lauren (The Paradise Problem)
“
I am the man that could pleasure you to hell and back and show you paradise along the way.
”
”
Grace Willows (To Kiss a King)
“
(They kiss—definitely and thoroughly.)
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Kitchen solace—the feeling that a delicious meal is simmering on the kitchen stove, misting up the windows, and that at any moment your lover will sit down to dinner with you and, between mouthfuls, gaze happily into your eyes. (Also known as living.)” RECIPES THE CUISINE of Provence is as diverse as its scenery: fish by the coast, vegetables in the countryside, and in the mountains lamb and a variety of staple dishes containing pulses. One region’s cooking is influenced by olive oil, another’s is based on wine, and pasta dishes are common along the Italian border. East kisses West in Marseilles with hints of mint, saffron and cumin, and the Vaucluse is a paradise for truffle and confectionery lovers. Yet
”
”
Nina George (The Little Paris Bookshop)
“
That first loving kiss, the one that comes out of you from the source of your personal river, and the one that comes from her that is the same, there's never another moment like it; never another flame that burns so hot. It can never be that good again, ever. All manner of goodness can come after, but it's different. And that's a good thing, because if we burned that hot for too long, we'd be nothing but ash.
”
”
Joe R. Lansdale (Paradise Sky)
“
We want everything. All the happiness that earth and heaven are capable of bestowing. Creature comforts, and heart and soul comforts also; and, proud-spirited beings that we are, we will not be put off with a part. Give us only everything, and we will be content. And, after all, Cinderella, you have had your day. Some little dogs never get theirs. You must not be greedy. You have KNOWN happiness. The palace was Paradise for those few months, and the Prince's arms were about you, Cinderella, the Prince's kisses on your lips; the gods themselves cannot take THAT from you.
”
”
Jerome K. Jerome (Second Thoughts of an Idle Fellow)
“
I love kissing. If I could kiss all day, I would. I can’t stop thinking about kissing. I like kissing more than sex because there’s no end to it. You can kiss forever. You can kiss yourself into oblivion. You can kiss all over the body. You can kiss yourself to sleep. And when you wake up, you can’t stop thinking about kissing. Dammit, I can’t get anything done because I’m so busy thinking about kissing. Kissing is madness! But it’s absolute paradise, if you can find a good kisser.
”
”
Sufjan Stevens
“
Sudden revulsion seized Amory, disgust, loathing for the whole incident. He desired frantically to be away, never to see Myra again, never to kiss anyone; he became conscious of his face and hers, of their clinging hands, and he wanted to creep out of his body and hide somewhere safe out of sight, up in the corner of his mind.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Life is short. You don’t get a do-over. Kiss who you need to kiss, love who you need to love, tell anyone who disrespects you to go fuck themselves. Let your heart lead you where it wants to. Don’t ever make a decision based on fear. In fact, if it scares you, that’s the thing you should run fastest toward, because that’s where real life is. In the scary parts. In the messy parts. In the parts that aren’t so pretty. Dive in and take a swim in all the pain and beauty that life has to offer, so that at the end of it, you don’t have any regrets. “We only come this way once. Our obligation for receiving the miraculous gift of life is to truly, fully live it.
”
”
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
“
- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise?
She shook her head.
- That my admiration for you is painfully strong?
- I want Van – she cried – and not intangible admiration.
- Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
”
”
Rupert Brooke (The Collected Poems)
“
Kitty’s gone, Flo. Like Lilian. Believe me, there’s more chance of her coming back!’ I began to smile. ‘And if she does, you can go to her, and I won’t say a word. And if Kitty comes for me, you can do similar. And then, I suppose, we shall have our paradises - and will be able to wave to one another from our separate clouds. But till then - till then, Flo, can’t we go on kissing, and just be glad?
”
”
Sarah Waters (Tipping the Velvet)
“
To give her some incentive, he took her hands away from her face and kissed her. It was a soft, chaste kiss, but it wasn’t short and it wasn’t brotherly.
”
”
L.J. Smith (Paradise Lost (The Vampire Diaries; Evensong, #1))
“
I'm going to kiss you."
"Here?"
"Oh, yeah. Right here, right now.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
If I had a dream or a goal… then maybe I would be able to overcome the obstacles in my way.
”
”
Paradise Kiss
“
Of Woman and Chocolate
"Chocolate shares both the bitter and the sweet.
Chocolate melts away all cares, coating the heart while smothering every last ache.
Chocolate brings a smile to the lips on contact, leaving a dark kiss behind.
Chocolate is amiable, complimenting any pairing; berries, peanut butter, pretzels, mint, pastries, drinks...everything goes with chocolate.
The very thought of chocolate awakens taste buds, sparking memories of candy-coated happiness.
Chocolate will go nuts with you, no questions asked.
Chocolate craves your lips, melts at your touch, and savors the moment.
Chocolate is that dark and beautiful knight who charges in on his gallant steed ready to slay dragons when needed.
Chocolate never disappoints; it leaves its lover wanting more.
Chocolate is the ultimate satisfaction, synonymous with perfection.
Chocolate is rich, smooth pleasure.
Chocolate has finesse - the charm to seduce and indulge at any time, day or night.
Chocolate is a true friend, a trusted confidant, and faithful lover.
Chocolate warms and comforts and sympathizes.
Chocolate holds power over depression, victory over disappointment.
Chocolate savvies the needs of a woman and owns her.
Simply put, chocolate is paradise.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
I crumple onto the lounger and cry again even though I didn’t think I had any tears left. And then Dante is next to me, with his wet arms around me and he’s whispering in my ear.
And the huskiness of his voice.
The smell of his wet skin.
The beating of his heart against my hand.
All of it.
I don’t want to be without him.
Maybe he’s right. Maybe love is all that matters. And we can get through our differences. We can get through anything.
And then he’s kissing me.
And I’m letting him.
And I’m kissing him back.
Because I love him and he loves me and Elena Kontou doesn’t matter.
Dante’s hands are all over me, warm and strong and I lean into him, into his warmth, his strength. It’s still raining, but we are kissing in the rain and it’s sexy as hell. In fact, I think I’ll kiss in the rain forever. For the rest of my life. Because it’s just that sexy.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
If thou wilt be mine, I shall make thee happier than God Himself in His paradise. The angels themselves will be jealous of thee. Tear off that funeral shroud in which thou art about to wrap thyself. I am Beauty, I am Youth, I am Life. Come to me! Together we shall be Love. Can Jehovah offer thee aught in exchange? Our lives will flow on like a dream, in one eternal kiss.
”
”
Théophile Gautier (Clarimonde)
“
For this is Wisdom; to love, to live
To take what fate, or the Gods may give.
To ask no questions, to make no prayer,
To kiss the lips and caress the hair,
Spend passion's ebb as you greet its flow
To have, -to hold -and -in time, -let go!
”
”
Laurence Hope
“
For a moment she was truly terrified. This was Abbadon the Cruel. The Angel of Destruction. He could and would destroy her if he had to. If he felt like it. He had destroyed worlds before. He had decimated Paradise in the name of the Morningstar.
She trembled in his grasp.
All his gentleness, all his kindness, all the bright shining gorgeousness of his love, he had always given to
someone else. He had adored Gabrielle, had worshiped her, had written her poems and sang her songs, and for Schuyler there were novels and love notes and sweet kisses and furtive tender meetings by a fireplace.
But for his twin, Azrael, he had shown nothing but his anger and violence. His strength and destruction.
He saved the best of himself for those who did not deserve it. Never showed his true face to those damnable Daughters of the Light.
For Azrael, there was only darkness and annihilation.
Rape and carnage.
War and pillage.
A tear escaped from her eye and glittered in the moonlight.
”
”
Melissa de la Cruz
“
Our thoughts were frosty mist along the eaves; our two ghosts kissed, high on the long, mazed wires - eerie half-laughter echoes here and leaves only a fatuous sigh for young desires; regret has followed after things she loved, leaving the great husk.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
For this is wisdom—to love and live, To take what fate or the gods may give, To ask no question, to make no prayer, To kiss the lips and caress the hair, Speed passion's ebb as we greet its flow, To have and to hold, and, in time—let go.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell
”
”
Lynn Painter (Better Than the Movies)
“
He was tempted to lean over and kiss away her tears.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
In a perfect patch of paradise he stays immobile for an eternity while the predawn breath strokes his skin and kisses each vertebrae down his spine.
”
”
Poppet (Sveta (Neuri, #1))
“
It's a comedy, but I'm sure I'll cry.
”
”
Ai Yazawa (Paradise Kiss, Part 3 of 3)
“
No matter how hard Miwako tries, Miwako can only copy her sister. Miwako loves to make clothes, but Miwako can't be a designer. Miwako has no originality.
”
”
Ai Yazawa (Paradise Kiss, Part 1 of 3)
“
I breathed in George's strong cologne from the handkerchief he pressed against my lips. That was more intoxicating than the alcohol I'd tasted that night.
”
”
Ai Yazawa (Paradise Kiss, Part 1 of 3)
“
He stopped moving for the space of a heartbeat. He bent his head to her shoulder and rocked his hips, pressing inside her. His hair fell forward around either side of his face, a frame of black, silky where it brushed her collarbone. “I am in paradise.” His hips rocked again.
She closed her eyes tight. She felt his lips on her cheek and then on her eyelids, placing gentle kisses.
”
”
Carolyn Jewel (Scandal)
“
Their first actual kiss was a one-celled organism which, after they had been standing on the stairway kissing for some time, evolved into something rather grander--a bird of paradise, for example.
”
”
Laurie Colwin (Another Marvelous Thing)
“
Wish"
Just your hot heart,
nothing more.
My Paradise, a field,
no nightingales,
no strings,
a river, discrete,
and a little fountain.
Without the spurs,
of the wind, in the branches,
without the star,
that wants to be a leaf.
An enormous light
that will be
the flow
of the Other,
in a field of broken gazes.
A still calm
where our kisses,
sonorous circles
of echoes,
will open, far-off.
And your hot heart,
nothing more.
”
”
Federico García Lorca (Collected Poems)
“
Because tonight is perfect.
The sun is really setting now and it’s beautiful. The oranges and reds and golds are shining over the horizon and onto our skin and everything is romantic and dreamy.
It’s like a dream, actually.
I lean up and kiss Dante’s cheek and he smells like the ocean and the salt and the sun. And maybe the woodsy scent of the olive groves. I sigh. There’s no way that life gets any better than this. I settle back into his side for the drive and he wraps his arm around me.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
And there were moments in this fetid little paradise when I prayed that in spite of everything I was capable of, I was somehow kin to every mortal. Maybe I was not the exotic outcast that I imagined, but merely the dim magnification of every human soul. Old truths and ancient magic, revolution and invention, all conspire to distract us from the passion that in one way or another defeats us all. And weary finally of this complexity, we dream of that long-ago time when each kiss was the pefect consummation of desire. What can we do but reach for the embrace that must now contain both heaven and hell: our doom again and again and agian.
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
All the way back she talked haltingly about herself, and Amory's love waned slowly with the moon. At her door they started from habit to kiss good night, but she could not run into his arms, nor were they stretched to meet her as in the week before. For a minute they stood there, hating each other with a bitter sadness. But as Amory had loved himself in Eleanor, so now what he hated was only a mirror. Their poses were strewn about the pale dawn like broken glass. The stars were long gone and there were left only the little sighing gusts of wind and the silences between... but naked souls are poor things ever, and soon he turned homewards and let new lights come in with the sun.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Non succederà”, giurò. “Non mi interessa nessuna di quelle cose e questo non cambierà.”
“Come lo sai?” disse lui a bassa voce.
“Perché ... Io sono innamorato di te. E se decidi domani, fra una settimana ... un anno ... che questa è solo un'avventura, oppure che hai bisogno di stare con qualcuno che è più di classe di quanto lo sia io, non sopravviverò a questo. È qualcosa che mi metterà in ginocchio e mi farà restare lì. Quindi lasciami andare, okay? Risparmiami altre sofferenze ... lasciami andare.”
Paradise si asciugò gli occhi e dovette sorridere.
“Mi hai appena detto che mi ami?”
Quando lui non rispose, lei concluse: “Penso che lo hai fatto.
”
”
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
“
How many people could I hope to truly understand?
”
”
Ai Yazawa (Paradise Kiss)
“
My very first kiss... was wrapped in cologne. It tasted like an aphrodisiac. I always hated guys who wore cologne... but I loved... that one scent to death.
”
”
Ai Yazawa (Paradise Kiss)
“
If you will kiss me
”
”
Judith McNaught (Paradise (Paradise, #1))
“
I’m always afraid of a girl—until I’ve kissed her. SHE:
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Kendra's kisses are more hollow to me than a flute.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
None of the Victorian mothers--and most of the mothers were Victorian--had any idea how casually their daughters were accustomed to be kissed.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Hey you.” She smiled and traced a finger on his cheek. “Where have you been?”
“Right here, always,” Jack murmured, kissing her all over her face, her neck. But there was little time for tenderness
”
”
Melissa de la Cruz (Gates of Paradise (Blue Bloods, #7))
“
Her fingers dug into the flesh of his hips as his own passion peaked. His face was buried in her neck and her skin felt his rapid, moist breath as he chanted her name.
He didn’t leave her. He couldn’t forsake the paradise just yet. Nestled within her body, he raised himself on his elbows and looked down at her. Tenderly he kissed each feature of her face.
“Is this possible?” she breathed, referring to the enormity of her rapture.
“Yes, yes,” he murmured against her lips.
He raised his head and his eyes searched her face once again. His expression was difficult to define, but it closely resembled love.
”
”
Sandra Brown (Hidden Fires)
“
Mischa, we take comfort in knowing there is no God. That you are not enslaved in a Heaven, made to kiss God’s ass forever. What you have is better than Paradise. You have blessed oblivion. I miss you every day.
”
”
Thomas Harris (Hannibal Rising)
“
I guess the fact that they made something they could be proud of is more important than any prize ever could be. I can understand that. The beauty of the clothing itself is in the eye of the beholder. Judging art on a point system in the first place seems totally ridiculous! But since I grew up in such a competitive, point-awarding world, I wanted the grand prize more than anything. I wanted to be number one and get all the glory. Glory, huh... how stupid!
”
”
Ai Yazawa (Paradise Kiss, Vol. 4)
“
GO to the western gate, Luke Havergal,—
There where the vines cling crimson on the wall,—
And in the twilight wait for what will come.
The wind will moan, the leaves will whisper some,—
Whisper of her, and strike you as they fall;
But go, and if you trust her she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.
No, there is not a dawn in eastern skies
To rift the fiery night that ’s in your eyes;
But there, where western glooms are gathering,
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.
Out of a grave I come to tell you this,—
Out of grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,—
Bitter, but one that faith can never miss.
Out of a grave I come to tell you this—
To tell you this.
There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall.
Go,—for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go! and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.
”
”
Edwin Arlington Robinson
“
No, there's more to life than this. . .That was the past, but there is a future.
Now we know. We dare to understand. Truly. Truly, the past was a dream. But this, this is real. To know from this that something must be done, that is real.
We searched. We were confused, but we searched. And now the search has ended, for the truth has found us. For the first time in our lives, for the first time, our house has a real foundation . . .
Everywhere now, men are rising from their sleep. Men-- men are understanding the bitter, black total of their lives. Their whispers are growing to shouts. They become an ocean of understanding. No man fights alone.
Oh, if you could see with me the greatness of men. I tremble like a bride to see the time when they'll use it. No, my dear, we must have one regret-- that life is so short, that we must die so soon.
Yes, I-- I want to see that new world. I want to kiss all those future men and women. What's all this talk about bankruptcies, failures, hatreds? They won't know what that means.
I tell you, the whole world is for men to possess. Heartbreak and terror are not the heritage of mankind. The world is beautiful. No fruit tree wears a lock and key. Men will sing at their work, men will love. Oh, darling, the world is in its morning. And no man fights alone.
Let's have air. Open the windows.
--From Paradise Lost
”
”
Clifford Odets (Waiting for Lefty and Other Plays)
“
Was Lucifer a demon determined to ruin Eve and spawn a species of monsters? Or was he a fallen angel so in love with a human woman he destroyed paradise for a kiss? We will never know. And perhaps we shouldn’t ask why Lucifer tempted Eve at all, but another question: Why did she give in?
”
”
Sylvia Frost (Moonbound (Moonfate #1))
“
I was aching—all my body was aching for him, and I could tell he felt the same—and we were both almost too shy to move. Almost. But one of us did and then without any interval between—it was like a quantum leap, suddenly—we were kissing each other, and oh, it was more than China, it was paradise.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
She [suddenly]: I like you.
He: Don't.
She: Modest too--
He: I'm afraid of you. I'm always afraid of a girl--until I've kissed her.
She [emphatically]: My dear boy, the war is over.
He: So I'll always be afraid of you.
She [rather sadly]: I suppose you will
[A slight hesitation on both their parts.]
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Paradise
----------
A glowing dawn, a sweet, ripe peach,
A blue sea lapping on the beach.
A hint of spring, a dewy rose
Whose scent assails an eager nose.
Beauty now at every sight.
A feast for senses to delight.
A darkened cell, the fear of night,
A mistral blows with all its might.
A winter's chill in barren land,
The bitter cold through frozen hand.
Beauty now has closed its door.
And swept away for distant shore.
A touch of cheek, a lingered kiss
So soft remembered, soon to miss.
A tender arm around me thrown,
The beauty of a heart's true home.
In black despair, a shooting star,
For Paradise is where you are.
”
”
Lucinda Riley (The Lavender Garden)
“
Rapture"
Thought of by you all day, I think of you.
The birds sing in the shelter of a tree.
Above the prayer of rain, unacred blue,
not paradise, goes nowhere endlessly.
How does it happen that our lives can drift
far from our selves, while we stay trapped in time,
queuing for death? It seems nothing will shift
the pattern of our days, alter the rhyme
we make with loss to assonance with bliss.
Then love comes, like a sudden flight of birds
from earth to heaven after rain. Your kiss,
recalled, unstrings, like pearls, this chain of words.
Huge skies connect us, joining here to there.
Desire and passion on the thinking air.
”
”
Carol Ann Duffy (Rapture)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
What's your favorite sport, Zack?"
Zack tipped her chin up. "My favorite sport," he said in an aching, husky voice he scarcely recognized as his own, "is making love to you."
Her eyes darkened with a love she wasn't trying to conceal from him anymore. "What's your favorite food?" she asked shakily.
In answer, Zack bent his head and touched her lips in a soft kiss. "You are.
”
”
Judith McNaught (Perfect (Paradise, #2))
“
Go and let it be known to all lovers:
I am the man who gave his heart to love.
I turn into a wild duck of passion,
I am the one who takes the swiftest dive.
From the waves of the sea I take water
And offer it all the way to the skies.
In adoration, like a cloud, I soar
I am the one who flies to heavens above.
He who says he sees, doesn't, though he vows;
That man doesn't know if he claims he knows.
He alone is the One who knows and shows.
I am the man who has become love's slave.
For true lovers, this land is Paradise;
Those who know find mansions and palaces;
Wonder struck and adoring like Moses,
I remain on Mount Sinai where I thrive.
Yunus is my name, I'm out of my mind.
Love serves as my guide to the very end.
All alone, toward the majestic Friend
I walk kissing the ground-and I arrive.
”
”
Yunus Emre
“
My friend Oscar is one of those princes without kingdom who wander around hoping you'll kiss them so they won't turn into frogs. He gets everything back to front and that's why I like him. People who think they get everything right do things wrong, and this, coming from a left-handed person, says it all. He looks at me and thinks I don't see him. he imagines I'll evaporate if he touches me and if he doesn't touch me, then he'll evaporate. He's got me on such a high pedestal he doesn't know how to get up there. He thinks my lips are door to paradise, but doesn't know they are poisoned. I am such a coward that I don't tell him so as not to lose him. I pretend I don't see him, and that I am, indeed, going to evaporate...
My friend Oscar is one of those princes who would be well advised to stay away from fairy tales and the princesses who inhabit them. He doesn't know he's really Prince Charming who must kiss Sleeping Beauty in order to wake her from her eternal sleep, but that's because Oscar doesn't know that fairy tales are lies, although not all lies are fairy tales. Princes aren't charming, and sleeping beauties, however beautiful, never wake up from their sleep. He's the best friend I've ever had and if I ever come across Merlin, I'll thank him for having placed him in my path.
”
”
-Marina ; Carlos Ruiz Zafón
“
I wish you’d told me this before.”
“It wouldn’t have changed anything.”
“Maybe not. But talking about wounds can help heal them.”
“You don’t talk about yours,” she pointed out.
He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.”
“I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.”
“No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.”
She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.”
“You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.”
“And you’ll make sure I never get pregnant.”
His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.”
She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness.
He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.”
“Colby might come back…”
He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.”
She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!”
His mouth covered the painful words, stilling them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Often a heart capable of loving seeks in vain where to bestow its love, and comes forth pure of all earthly passions, perhaps to find a place in heaven. Ah! when God vouchsafes to us on earth that profound, passionate, ineffable sentiment, we must no longer desire or hope for paradise, Juliette; for paradise is the blending of two hearts in a kiss of love. And when we have found it here on earth, what matters it whether it be in the arms of a saint or of one of the damned?
”
”
George Sand (Leone Leoni)
“
Life is short. You don’t get a do-over. Kiss who you need to kiss, love who you need to love, tell anyone who disrespects you to go fuck themselves. Let your heart lead you where it wants to. Don’t ever make a decision based on fear. In fact, if it scares you, that’s the thing you should run fastest toward, because that’s where real life is. In the scary parts. In the messy parts. In the parts that aren’t so pretty. Dive in and take a swim in all the pain and beauty that life has to offer, so that at the end of it, you don’t have any regrets.
”
”
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
“
I give her an apologetic smile. “I was thinking I might check in on my sister. I haven’t seen much of her since we’ve been here. I’ll find you when I’m done?” Her face falls but in true Anna fashion, it bounces right back again. “Okay, yeah.” With a little smirk, she stretches, kissing my cheek and whispering, “See ya later, weirdo,” in my ear before she walks across the room to the bar, where Jake and Jamie are talking. Feelings I thought I’d banished return, hot and insistent. Is she doing this on purpose? Walking to Jamie to make me jealous?
”
”
Christina Lauren (The Paradise Problem)
“
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said... yet Beauty vanished with his breath, and, with her lovers, she was dead... —Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there"... So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
BY HIS WILL Only by His will do atoms move The beat of every wing He must approve No one can explain this and none should try The infinite can never answer ‘why?’ Even though we strive to know the ‘how?’ Through science, before Him we have to bow And give ourselves, our lives and will to God With no thought of a blessing or reward In these our lives, my friend, nor in the next Does this simple truth leave your mind perplexed? Then know that contentment is part of bliss Don’t ask for love, and yet accept a kiss. O Sufi, do not long for paradise Be content with His love, this earth, these skies.
”
”
Farrukh Dhondy (Rumi: A New Translation)
“
But Amory, being on the spot, leaned over quickly and kissed Myra’s cheek. He had never kissed a girl before, and he tasted his lips curiously, as if he had munched some new fruit. Then their lips brushed like young wild flowers in the wind.
‘We’re Awful,’ rejoiced Myra gently. she slipped her hand into his, her dead drooped against his shoulder. Sudden revulsion seized Amory, disgust, loathing for the whole incident. He desired frantically to be away, never to see Myra again, never to kiss anyone; he became conscious of his face and hers, of their clinging hands, and he wanted to creep out of his body and hide somewhere safe out of sight, up in the corner of his mind.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
You remember Amory Blaine, of course. Well, he's simply mad to see you again. He's stayed over a day from college, and he's coming tonight. He's heard so much about you -- says he remembers your eyes.'
This had pleased Isabelle. It put them on equal terms, although she was quite capable of staging her own romances, with our without advance advertising. But following her happy tremble of anticipation, came a sinking sensation that made her ask:
'How do you mean he's heard about me? What sort of things?'
Sally smiled. she felt rather in the capacity of a showman with her more exotic cousin.
'He knows you're--you're considered beautiful and all that'--she paused--'and I guess he knows you've been kissed.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
There is life beyond death, I know, and I know this, too, Conan of Cimmeria"—she rose lithely to her knees and caught him in a pantherish embrace—"my love is stronger than any death! I have lain in your arms, panting with the violence of our love; you have held and crushed and conquered me, drawing my soul to your lips with the fierceness of your bruising kisses. My heart is welded to your heart, my soul is part of your soul! Were I still in death and you fighting for life, I would come back to the abyss to aid you—aye, whether my spirit floated with the purple sails on the crystal sea of paradise, or writhed in the molten flames of hell! I am yours, and all the gods and all their eternities shall not sever us!
”
”
Robert E. Howard
“
SHE TOLD THE TRUSTEES, who had surely vacationed in the Caribbean, about the Carib Indian chief who was about to be burned at the stake by Spaniards. His crime was his failure to see the beauty of his people's becoming slaves in their own country.
This chief was offered a cross to kiss before a professional soldier or maybe a priest set fire to the kindling and logs piled up above his kneecaps. He asked why he should kiss it, and he was told that the kiss would get him into Paradise, where he would meet God and so on.
He asked if there were more people like the Spaniards up there.
He was told that of course there were.
In that case, he said, he would leave the cross unkissed. He said he didn't want to go to yet another place where people were so cruel.
”
”
Kurt Vonnegut Jr. (Hocus Pocus)
“
The first spurt hit the back of my throat, and I swallowed. And it was more of the desperate, half-formed moans that Josh let loose which finally did me in. Thrusting through my own fist, I came hard, spraying my stomach, and probably Josh’s ass. He pulled out, sliding backward through the mess, landing on my chest in a shuddering pile. “Still coming,” he gasped. I reached down between his legs, cupping those heavy balls. He groaned, writhing on my slicked stomach, and then collapsed. “Jesus. I think you needed that,” I said, rubbing his back, where the lean muscle was firm under my hand. I’d been yearning to touch him like this. Every time he passed through a room where I was, I had to hold myself back. Josh answered me on a mumble that I could not understand. But it didn’t matter. His fingers threaded into my hair while he kissed my neck.
”
”
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
“
From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).
”
”
Craig Johnson (Hell Is Empty (Walt Longmire, #7))
“
Caleb!” I gasped. “What are you doing?” “Told you I wouldn’t let you make a mess. Gonna use my mouth on you. I’m going to suck you off, and swallow everything you’ve got.” A wave of burning hot lust shot down my spine. I flexed my hips upward, because I just had to. Caleb yanked down my underwear and moved, until he was kneeling over my body. And before I could even prepare myself, he’d bent his head down to lap his tongue against my cockhead. My shout of approval could probably be heard all over Nebraska. A big hand grasped the base of my shaft. Then, he began to bathe my dick in kisses. Wet, sloppy kisses everywhere. My hips began shaking with excitement. “Oh, Caleb. I can’t…” He opened his mouth and sucked me down. I never felt anything so amazing in my life. His mouth was tight and wet all around me. He gave a good hard suck. Just one. And then I was coming. And Caleb was swallowing. My whole body shook with joy. Caleb moaned and he cupped my balls in one hand and I’d forgotten to breathe for entirely too long…
”
”
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
Life within a Templar house was designed where possible to resemble that of a Cistercian monastery. Meals were communal and to be eaten in near silence, while a reading was given from the Bible. The rule accepted that the elaborate sign language monks used to ask for necessities while eating might not be known to Templar recruits, in which case "quietly and privately you should ask for what you need at table, with all humility and submission." Equal rations of food and wine were to be given to each brother and leftovers would be distributed to the poor. The numerous fast days of the Church calendar were to be observed, but allowances would be made for the needs of fighting men: meat was to be served three times a week, on Tuesdays, Thursdays and Saturdays. Should the schedule of annual fast days interrupt this rhythm, rations would be increased to make up for lost sustenance as soon as the fasting period was over.
It was recognized that the Templars were killers. "This armed company of knights may kill the enemies of the cross without stated the rule, neatly summing up the conclusion of centuries of experimental Christian philosophy, which had concluded that slaying humans who happened to be "unbelieving pagans" and "the enemies of the son of the Virgin Mary" was an act worthy of divine praise and not damnation. Otherwise, the Templars were expected to live in pious self-denial.
Three horses were permitted to each knight, along with one squire whom "the brother shall not beat." Hunting with hawks—a favorite pastime of warriors throughout Christendom—was forbidden, as was hunting with dogs. only beasts Templars were permitted to kill were the mountain lions of the Holy Land. They were forbidden even to be in the company of hunting men, for the reason that "it is fitting for every religious man to go simply and humbly without laughing or talking too much." Banned, too, was the company of women, which the rule scorned as "a dangerous thing, for by it the old devil has led man from the straight path to paradise the flower of chastity is always [to be] maintained among you.... For this reason none Of you may presume to kiss a woman' be it widow, young girl, mother, sister, aunt or any other.... The Knighthood of Christ should avoid at all costs the embraces of women, by which men have perished many times." Although married men were permitted to join the order, they were not allowed to wear the white cloak and wives were not supposed to join their husbands in Templar houses.
”
”
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple
Tongues of dull, fat Cerberus
Who wheezes at the gate. Incapable
Of licking clean
The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell
Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’s scarves, I’m in a fright
One scarf will catch and anchor in the wheel,
Such yellow sullen smokes
Make their own element. They will not rise,
But trundle round the globe
Choking the aged and the meek,
The weak
Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,
Devilish leopard!
Radiation turned it white
And killed it in an hour.
Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.
Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher’s kiss.
Three days. Three nights.
Lemon water, chicken
Water, water make me retch.
I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern——
My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.
Does not my heat astound you! And my light!
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.
I think I am going up,
I think I may rise——
The beads of hot metal fly, and I love, I
Am a pure acetylene
Virgin
Attended by roses,
By kisses, by cherubim,
By whatever these pink things mean!
Not you, nor him
Nor him, nor him
(My selves dissolving, old whore petticoats)——
To Paradise.
”
”
Sylvia Plath (Ariel)
“
The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on.
It was paradise. It was pure torture.
He swore. She broke the kiss and smiled at him.
“So you find me annoying, but you still want me,” she whispered.
“I don’t find you annoying.” He pushed against her crotch.
“I don’t find you annoying, either.”
He read the passion in her eyes and knew she was more than willing to take things to the next level.
He glanced around, searching for a soft, private spot, only to realize they were out in the open and likely to be discovered any second. It wasn’t romantic, it wasn’t smart, and he didn’t have a condom with him. Phoebe deserved a whole lot better.
“I want you,” he told her.
She tightened her legs around him. “Me, too.” Color stained her cheeks. “I’ve never said that to a man before.”
Zane realized he hadn’t told a woman, either. He’d shown her, but he’d never actually spoken the words. Phoebe was changing him in all kinds of ways.
He wanted her with a desperation he’d never felt before. And yet…
“We can’t,” he said gently, ignoring the hardness and the pain in his groin. “You deserve better than something hot and fast up against a tree.”
She swallowed. “I’m not so sure about that.”
“I am.”
“Oh.”
She sounded disappointed. Had she been anyone else, he would have said the hell with it and taken what she offered. But she was Phoebe.
From behind them came the sound of a car horn honking, and then another. They couldn’t see anything through the trees, but they heard laughter drifting toward them as at least a couple of off-road vehicles drove slowly past.
“Sounds like we have company,” he said. “We’re close to Stryker land. Guess they decided to say hi. You go on ahead. I need a few minutes.”
When he pointed at the front of his jeans, she blushed. “Oh. I see your problem. Well, you could walk right behind me and no one would notice.”
He chuckled. “I’ll wait it out. Go on.”
“Okay.”
She headed toward camp. Zane watched her go, taking in the sway of her hips and the wave she gave him right before she disappeared.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
Celia froze. She couldn't believe it-Proper Pinter was kissing her. Hard, boldly, with more feeling than the duke.
Good heavens.
Stung by the challenge he'd laid down, she fumbled for the pistol in her reticule, but she'd just got it in her hand when he whispered hoarsely against her lips, "Sweet God, Celia..."
He'd never called her by only her Christian name. He'd certainly never said it so...desperately. It made her hesitate with the pistol in her hand.
He took her mouth once more, and her world shifted on its axis as his kiss became wilder, more consuming. This wasn't about a challenge anymore-not when he kissed her is if her mouth held the secret to eternity. Such lovely, drugging kisses made her blood dance through her veins.
His mouth slanted over hers, and his tongue swept the seam of her lips with an urgency that made her throat ache. Remembering how Ned had kissed her, she parted her lips for him.
He went still for the briefest instant. Then with a groan, he slipped his tongue into her mouth. Ohhh, that was amazing. When Ned had done it she'd found it messy and disgusting, but Mr. Pinter's kiss was as opposite to Ned's as sun was to rain.
Slow and sensual, he dove inside with hot strokes that had her eager for more. How could this be happening to her? With him? Who could ever have guessed that the passionless Mr. Pinter could kiss so very passionately?
Scarcely aware of what she did, she slipper her free hand up to clutch his neck. He pressed into her, flattening her against the wall as he ravished her mouth with no remorse. His whiskers abraded her chin, his mouth tasted of champagne, and the smell of orange trees sweetened the air around them.
It was delicious...it was intoxicating. Paradise.
She forgot the pistol in her other hand, forgot that they were in full view of anyone who might be outside the orangery windows, forgot that he'd just been lecturing her as if she were some ninnyhammer. Because he was kissing her now as if she were an angel. His angel. And Lord help her, but she wanted him to keep kissing her like that forever.
But a noise from the nearby stove-the crackle of a log as it settled-seemed to jerk him to his senses. He tore his lips from hers and stared down at her a moment, his eyes wild, his breathing heavy.
A change came over his face, turning his expression to cold stone. "You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss.
Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things.
Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs.
Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster.
Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.
”
”
Tom Robbins (Wild Ducks Flying Backward)