Olympic Flame Quotes

We've searched our database for all the quotes and captions related to Olympic Flame. Here they are! All 20 of them:

All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never – could never – set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never--could never--set anything ablaze... The key, she thought, was to avoid conflagration.
Celeste Ng (Everything I Never Told You)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
If there was a National Tweaker Olympics, Oregon would bring home the gold in every category (Living in Squalor, Poisoning Your Neighbors, Developing Facial Scabs, Public Aggression, Theft of Useless Things, Taking Stuff Apart, and Crazy Talking).
Laurie Notaro (The Idiot Girl and the Flaming Tantrum of Death: Reflections on Revenge, Germophobia, and Laser Hair Removal)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like flees and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; the breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity.
Celeste Ng (Little Fires Everywhere)
Muhammad Ali has a lot to answer for. When he lit the flame at the Atlanta Olympics there wasn't a dry eye on the planet. Why were we crying? Because a great sportsman had been reduced to this-a shuffling, mumbling, twitching cripple. A man who once danced like a butterfly now shook like blancmange. We always remember sportsmen. When the body deserts a scientist like Stephan Hawking we figure that he'll be able to live in his mind, but a crippled athlete is like a bird with a broken wing. When you soar the heights the landing is harder.
Michael Robotham (Suspect (Joseph O'Loughlin, #1))
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
While General Humberto Mariles of Mexico was winning the gold medal in show jumping on Arete, I snuck into the enclosure at the base of the Olympic flame tower in Wembly Stadium to do what little boys do. A horrified English bobby, helmet and all, chased me over the fence, calling me a "horrid little boy." He did not know how right he was.
James Wofford (Still Horse Crazy After All These Years: If It Didn't Happen This Way, It Should Have)
You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam. • You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer. • You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova. • You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent. • You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it. • You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker. • You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle. • You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble. • You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped. • You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week. Of course his mother’s catching wind of any of
Michael Christie (If I Fall, If I Die)
Imagine That! As Manager of Entertainment Staffing, Gene Columbus knew how to create the kind of special events Disney does so well. But there was one event that stands out for him: “There are so many special events and productions to be proud of, but the one that sticks out in my mind was the twenty-fifth anniversary of Special Olympics. We kept adjusting the scope of the event so Disney could provide more experiences to the families attending the event, and as the producer I had to keep adjusting and working with my operational partners to find ways to reduce costs. Everyone worked hard to make it happen and I am sure many of those people share how proud they are for pulling this event off in such a grand scale with a small budget. As part of the program there was a drawing to select the Special Olympian to carry the torch to light the cauldron on stage, and this was done only hours before the big celebration. When the young man arrived at America Gardens stage in Epcot he was in a wheelchair, and as I briefed him he was very clear that he would not use his chair but would walk to the stage carrying the torch. I was so taken with this young man and his determination, and when that moment came he proudly stood up and began walking toward the stage. The audience jumped to their feet and you could see the joint emotion of the young man and this large audience. About halfway, it became apparent that he was having difficulties and was not going to make it, but his father came out of nowhere and grabbed his son before he fell and helped him to the stage. He did not take the torch as his son continued on his quest to light the cauldron. The moment the flame burned brightly the young man turned to the audience, with his father stepping backward to ensure the glory was for his son, and the brilliance of this young man’s smile and pride shined as brightly as the flame. I admit that tears were rolling down my cheek and each time I see the America Garden stage I have a flash of that very magical moment.
Susan Veness (The Hidden Magic of Walt Disney World: Over 600 Secrets of the Magic Kingdom, Epcot, Disney's Hollywood Studios, and Disney's Animal Kingdom (Disney Hidden Magic Gift Series))
Stuxnet spurred the Iranians to create their own cyber war unit, which took off at still greater levels of funding a year and a half later, in the spring of 2012, when, in a follow-up attack, the NSA’s Flame virus—the massive, multipurpose malware from which Olympic Games had derived—wiped out nearly every hard drive at Iran’s oil ministry and at the Iranian National Oil Company. Four months after that, Iran fired back with its own Shamoon virus, wiping out 30,000 hard drives (basically, every hard drive in every workstation) at Saudi Aramco, the joint U.S.-Saudi Arabian oil company, and planting, on every one of its computer monitors, the image of a burning American flag. Keith
Fred Kaplan (Dark Territory: The Secret History of Cyber War)
dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
The mechanics weren’t permitted to smoke weed or anything else, but the old man was like the Olympic flame. He’d stay lit till the end.
Soma Mei Sheng Frazier (Off the Books)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily sent out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like and Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration... Rules existed for a reason: if you followed them, you would succeed; if you didn’t, you might burn the world to the ground.
Celeste Ng (Little Fires Everywhere)
In 2007 the NAACP held a symbolic funeral for the word “nigger.” I don’t think this has led to any reduced usage of the word, but the idea inspired me. Since then, I’ve wanted to hold an actually meaningful ceremony making the destruction of racism the official responsibility of white people. It would be like passing off the Olympic torch. You could literally have a black person holding a flaming baton whose dancing flames spell RACISM, and he or she would hand it to a white person, and then it would be their problem. We could stream it on the Internet!
Baratunde R. Thurston (How to Be Black)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration. This philosophy had carried her through life and, she had always felt, had
Celeste Ng (Little Fires Everywhere)