Oliver Twist Quotes

We've searched our database for all the quotes and captions related to Oliver Twist. Here they are! All 100 of them:

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There are books of which the backs and covers are by far the best parts.
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Charles Dickens (Oliver Twist)
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It is because I think so much of warm and sensitive hearts, that I would spare them from being wounded.
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Charles Dickens (Oliver Twist)
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Please, sir, I want some more.
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Charles Dickens (Oliver Twist)
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Some people are nobody's enemies but their own, yer know.
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Charles Dickens (Oliver Twist)
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One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world - your little carved-out sphere - is twisting and morphing, even breaking apart. One day you have parents; the next day you're an orphan. One day you have a place and a path. The next day you're lost in the wilderness. And still the sun rises and clouds mass and drift and people shop for groceries and toilets flush and blinds go up and down. That's when you realize that most of it - life, the relentless mechanism of existing - isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.
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Lauren Oliver (Delirium (Delirium, #1))
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My heart is set, as firmly as ever heart of man was set on woman. I have no thought, no view, no hope, in life beyond her; and if you oppose me in this great stake, you take my peace and happiness in your hands, and cast them to the wind.
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Charles Dickens (Oliver Twist)
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The sun,--the bright sun, that brings back, not light alone, but new life, and hope, and freshness to man--burst upon the crowded city in clear and radiant glory. Through costly-coloured glass and paper-mended window, through cathedral dome and rotten crevice, it shed its equal ray.
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Charles Dickens (Oliver Twist)
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According to Dickens, the first rule of human nature is self-preservation and when I forgive him for writing a character as pathetic as Oliver Twist, I'll thank him for the advice.
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Melina Marchetta (On the Jellicoe Road)
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It was so strange, the way that life moved forward: the twists and the dead ends, the sudden opportunities. She supposed if you could predict or foresee everything that was going to happen, you’d lose the motivation to go through it all.Β The promise was always in the possibility.
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Lauren Oliver (Panic (Panic, #1))
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For the rest of his life, Oliver Twist remembers a single word of blessing spoken to him by another child because this word stood out so strikingly from the consistent discouragement around him.
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Charles Dickens (Oliver Twist)
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Women can always put things in fewest words. Except when it's blowing up; and then they lengthens it out.
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Charles Dickens (Oliver Twist)
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Be natural my children. For the writer that is natural has fulfilled all the rules of art." (Last words, according to Dickens's obituary in The Times.)
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Charles Dickens (Five Novels: Oliver Twist, A Christmas Carol, David Copperfield, A Tale of Two Cities, Great Expectations)
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I know that she deserves the best and purest love the heart of man can offer," said Mrs. Maylie; "I know that the devotion and affection of her nature require no ordinary return, but one that shall be deep and lasting.
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Charles Dickens (Oliver Twist)
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The tunnels may be long, and twisted, and dark; but you are supposed to go through them.
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Lauren Oliver (Pandemonium (Delirium, #2))
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Ω‡Ω†Ψ§Ωƒ ΩƒΨͺΨ¨ .. غلافـها أفآل Ω…Ψ§ ΩΩŠΩ‡Ψ§
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Charles Dickens (Oliver Twist)
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Such is the influence which the condition of our own thoughts, exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision.
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Charles Dickens (Oliver Twist)
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But, tears were not the things to find their way to Mr. Bumble's soul; his heart was waterproof.
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Charles Dickens (Oliver Twist)
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The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
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Charles Dickens (Oliver Twist)
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People like us don't go out at night cause people like them see us for what we are
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Charles Dickens (Oliver Twist)
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It opens the lungs, washes the countenance, exercises the eyes, and softens down the temper, said Mr. Bumble. So cry away.
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Charles Dickens (Oliver Twist)
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Don't be afraid! We won't make an author of you, while there's an honest trade to be learnt, or brick-making to turn to.
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Charles Dickens (Oliver Twist)
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One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world - your little carved-out sphere - is twisting and morphing, even breaking apart.
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Lauren Oliver (Delirium (Delirium, #1))
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The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.
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Charles Dickens (Oliver Twist)
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Your tale is of the longest," observed Monks, moving restlessly in his chair. It is a true tale of grief and trial, and sorrow, young man," returned Mr. Brownlow, "and such tales usually are; if it were one of unmixed joy and happiness, it would be very brief.
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Charles Dickens (Oliver Twist)
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The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time; as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by the twopenny post, a day or two previous.
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Charles Dickens (Oliver Twist)
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Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain.
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Charles Dickens (Oliver Twist)
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It was all Mrs. Bumble. She would do it," urged Mr. Bumble; first looking round, to ascertain that his partner had left the room. That is no excuse," returned Mr. Brownlow. "You were present on the occasion of the destruction of these trinkets, and, indeed, are the more guilty of the two, in the eye of the law; for the law supposes that your wife acts under your direction." If the law supposes that," said Mr. Bumble, squeezing his hat emphatically in both hands, "the law is a ass β€” a idiot. If that's the eye of the law, the law is a bachelor; and the worst I wish the law is, that his eye may be opened by experience β€” by experience.
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Charles Dickens (Oliver Twist)
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Dickens writes that an event, "began to be forgotten, as most affairs are, when wonder, having no fresh food to support it, dies away of itself.
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Charles Dickens (Oliver Twist)
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Both of us will die today, gunned down or smashed up or exploded in some terrible moment of fire and twisted metal, and when they go to bury us we'll be so melted together and entwined they won't be able to separate the bodies; pieces of him will go with me, and pieces of me will go with him.
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Lauren Oliver (Delirium (Delirium, #1))
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We need be careful how we deal with those about us, when every death carries to some small circle of survivors, thoughts of so much omitted, and so little done- of so many things forgotten, and so many more which might have been repaired! There is no remorse so deep as that which is unavailing; if we would be spared its tortures, let us remember this, in time.
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Charles Dickens (Oliver Twist)
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Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world.
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Charles Dickens (Oliver Twist)
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I confess I have yet to learn that a lesson of the purest good may not be drawn from the vilest evil.
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Charles Dickens (Oliver Twist)
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It's like there's a filter set up in my brain, except instead of making things better, it twists everything around so what comes out of my mouth is totally wrong, totally different from what I was thinking.
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Lauren Oliver (Delirium (Delirium, #1))
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Dignity, and even holiness too, sometimes, are more questions of coat and waistcoat than some people imagine.
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Charles Dickens (Oliver Twist)
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It was so strange, the way that life moved forward: the twists and the dead ends, the sudden opportunities. The promise was always in the possibility.
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Lauren Oliver (Panic (Panic, #1))
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Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. β€œYou forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.
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Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
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Sudden shifts and changes are no bad preparation for political life.
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Charles Dickens (Oliver Twist)
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So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
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Robin Williams
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My dear young lady, crime, like death, is not confined to the old and withered alone. The youngest and fairest are too often its chosen victims.
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Charles Dickens (Oliver Twist)
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How slight a thing will disturb the equanimity of our frail minds!
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Charles Dickens (Oliver Twist)
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The simple fact was, that Oliver, instead of possessing too little feeling, possessed rather too much, and was in a fair way of being reduced to a state of brutal stupidity and sullenness for life, by the ill usage he had received.
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Charles Dickens (Oliver Twist)
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It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour.
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Charles Dickens (Oliver Twist)
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The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shews in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven: and the gross air of the world has not had time to breathe upon the changing dust it hallowed.
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Charles Dickens (Oliver Twist)
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And what an example of the power of dress young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar;β€”it would have been hard for the haughtiest stranger to have fixed his station in society. But now he was enveloped in the old calico robes, that had grown yellow in the same service; he was badged and ticketed, and fell into his place at onceβ€”a parish childβ€”the orphan of a workhouseβ€”the humble, half-starved drudgeβ€”to be cuffed and buffeted through the world, despised by all, and pitied by none.
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Charles Dickens (Oliver Twist)
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There is a drowsy state, between sleeping and waking, when you dream more in five minutes with your eyes half open, and yourself half conscious of everything that is passing around you, than you would in five nights with your eyes fast closed, and your senses wrapt in perfect unconsciousness. At such time, a mortal knows just enough of what his mind is doing, to form some glimmering conception of its mighty powers, its bounding from earth and spurning time and space, when freed from the restraint of its corporeal associate.
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Charles Dickens (Oliver Twist)
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Dickens writes that one of his characters, "listened to everything without seeming to, which showed he understood his business.
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Charles Dickens (Oliver Twist)
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Bless their dear little hearts!" said Mrs. Mann with emotion, "they're as well as can be, the dears! Of course, except the two that died last week.
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Charles Dickens (Oliver Twist)
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One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world-your little carved-out sphere-is twisting and morphing, even breaking apart. One day you have parents; the next day you're an orphan. One day you have a place and a path. The next day you're lost in a wilderness.
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Lauren Oliver (Delirium (Delirium, #1))
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There is a kind of sleep that steals upon us sometimes, which, while it holds the body prisoner, does not free the mind from a sense of things about it, and enable it to ramble at its pleasure. So far as an overpowering heaviness, a prostration of strength, and an utter inability to control our thoughts or power of motion, can be called sleep, this is it; and yet we have a consciousness of all that is going on about us; and if we dream at such a time, words which are really spoken, or sounds which really exist at the moment, accommodate themselves with surprising readiness to our visions, until reality and imagination become so strangely blended that it is afterwards almost a matter of impossibilty to separate the two. Nor is this, the most striking phenomenon, incidental to such a state. It is an undoubted fact, that although our senses of touch and sight be for the time dead, yet our sleeping thoughts, and the visionary scenes that pass before us, will be influenced, and materially influenced, by the mere silent presence of some external object: which may not have been near us when we closed our eyes: and of whose vicinity we have had no waking consciousness.
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Charles Dickens (Oliver Twist (Spanish Edition))
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The law is a ass, Sir!
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Charles Dickens (Oliver Twist)
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To be allowed, no, invited into the private lives of strangers, and to share their joys and fears, was a chance to exchange the Southern bitter wormwood for a cup of mead with Beowulf or a hot cup of tea and milk with Oliver Twist.
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Maya Angelou
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This was a vagrant of sixty-five, who was going to prison for not playing the flute; or, in other words, for begging in the streets, and doing noting for his livelihood. In the next cell, was another man, who was going to the same prison for hawking tin saucepans without a licence; thereby doing something for his living, in defiance of the Stamp-office.
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Charles Dickens (Oliver Twist)
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Bless the bright eyes of your sex! They never see, whether for good or bad, more than one side of any question; and that is always, the one which first presents itself to them.
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Charles Dickens (Oliver Twist)
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Some conjurers say that number three is the magic number, and some say number seven. It's neither my friend, neither. It's number one. (Fagin)
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Charles Dickens (Oliver Twist)
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To do a great right, you may do a little wrong; and you may take any means which the end to be attained will justify.
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Charles Dickens (Oliver Twist)
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Don't believe that,' said Fagin. 'When a man's his own enemy, it's only because he's too much his own friend.
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Charles Dickens (Oliver Twist)
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My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.' I never, never will, sir,' interposed Oliver. I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.
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Charles Dickens (Oliver Twist)
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Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond. The earth had donned her mantle of brightest green; and shed her richest perfumes abroad. It was the prime and vigour of the year; all things were glad and flourishing.
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Charles Dickens (Oliver Twist)
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Meat, ma'am, meat.
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Charles Dickens (Oliver Twist)
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I only hope, for the sake of the rising male sex generally, that you may be found in as vulnerable and soft-hearted a mood by the first eligible young fellow who appeals to your compassion.
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Charles Dickens (Oliver Twist)
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As she stooped over him, her tears fell upon his forehead. The boy stirred, and smiled in his sleep, as though these marks of pity and compassion had awakened some pleasant dream of a love and affection he had never known; as a strain of gentle music, or the rippling of water in a silent place, or the odour of a flower, or even the mention of a familiar word, will sometimes call up sudden dim remembrances of scenes that never were, in this life; which vanish like a breath; and which some brief memory of a happier existence, long gone by, would seem to have awakened, for no voluntary exertion of the mind can ever recall them.
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Charles Dickens (Oliver Twist)
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His face was stern, and much flushed. If he were really not in the habit of drinking rather more than was exactly good for him, he might have brought action against his countenance for libel, and have recovered heavy damages.
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Charles Dickens (Oliver Twist)
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Alas ! How few of Nature's faces are left alone to gladden us with their beauty ! The cares, and sorrows, and the hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven's surface clear. It is a common thing for the countenances of the dead, even in that fixed and rigid state, to subside into the long-forgotten expression of sleeping infancy, and settle into the very look of early life; so calm, so peaceful, do they grow again, that those who knew them in their happy childhood, kneel by the coffin's side in awe, and see the Angel even upon earth.
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Charles Dickens (Oliver Twist)
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Your haughty religious people would have held their heads up to see me as I am tonight, and preached of flames and vengeance,' cried the girl. 'Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?
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Charles Dickens (Oliver Twist)
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My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
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Chuck Palahniuk (Invisible Monsters)
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I have said that they were truly happy; and without strong affection and humanity of heart, and gratitude to that Being whose code is Mercy, and whose great attribute is Benevolence to all things that breathe, happiness can never be attained.
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Charles Dickens (Oliver Twist)
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For a long time, Oliver remained motionless in this attitude. The candle was burning low in the socket when he rose to his feet. Having gazed cautiously round him, and listened intently, he gently undid the fastenings of the door, and looked abroad.
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Charles Dickens (Oliver Twist)
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But tears were not the things to find their way to Mr. Bumble’s soul; his heart was waterproof. Like washable beaver hats that improve with rain, his nerves were rendered stouter and more vigorous, by showers of tears, which, being tokens of weakness, and so far tacit admissions of his own power, pleased and exalted him.
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Charles Dickens (Oliver Twist)
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You're not supposed to know," I say, and it's true: The tunnels may be long, and twisted, and dark; but you are supposed to go through them.
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Lauren Oliver (Pandemonium (Delirium, #2))
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We rose from our chairs and bowed at each other, Japanese-style. The eight of them sat on the opposite side of the table to us, leaving the middle chair empty. All looking at us, no-one speaking a word. A long minute later, a very short, rather elderly lady – also dressed in funereal black – waddled in and seated herself in the empty chair in the middle of the row, directly facing us. She smiled; well, she attempted to twist her mouth. Too much effort. Her expression reverted to seriousness. Lin, sitting next to her, now spoke and introduced her as the Managing Director. She didn’t speak any English. Nor, it transpired, did any of the others – or if they did, we would never know, as either they weren’t brave enough to try or were inhibited by the business hierarchy. A scene that could have come out of Kafka.
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Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
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There are a good many books, are there not, my boy?” said Mr. Brownlow, observing the curiosity with which Oliver surveyed the shelves that reached from the floor to the ceiling. β€œA great number, sir,” replied Oliver; β€œI never saw so many.” β€œYou shall read them if you behave well,” said the old gentleman kindly; β€œand you will like that, better than looking at the outsides, - that is, in some cases, because there are books of which the backs and covers are by far the best parts.
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Charles Dickens (Oliver Twist)
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Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision.
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Charles Dickens (Oliver Twist)
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Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
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Matt Damon
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She stalked down the short hallway, reached the door, pushed aside the bolt that secured it, twisted the lock, and then wrenched it open, her temper steadily rising when she looked at Oliver and found him smiling back at her, although his eyes held a distinct trace of temper. "What?" "Is that anyway to greet your fiance?
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Jen Turano (After a Fashion (A Class of Their Own, #1))
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He spoke in hard and angry earnest, if a man ever did," replied the girl, shaking her head. "He is an earnest man when his hatred is up. I know many who do worse things; but I'd rather listen to them all a dozen times, than to that Monks once.
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Charles Dickens (Oliver Twist)
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There never was a man with such a face as yours, unless it was your father, and I suppose he is singeing his grizzled red beard by this time, unless you came straight from the old un without any father at all betwixt you; which I shouldn't wonder at, a bit.
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Charles Dickens (Oliver Twist)
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Every man's his own friend, my dear," replied Fagin, with his most insinuating grin. "He hasn't as good a one as himself anywhere." Except sometimes," replied Morris Bolter, assuming the air of a man of the world. "Some people are nobody's enemies but their own, yer know." Don't believe that!" said the Jew. "When a man's his own enemy, it's only because he's too much his own friend; not because he's careful for everybody but himself. Pooh! Pooh! There ain't such a thing in nature.
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Charles Dickens (Oliver Twist)
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Gradually, he fell into that deep tranquil sleep which ease from recent suffering alone imparts; that calm and peaceful rest which it is pain to wake from. Who, if this were death, would be roused again to all the struggles and turmoils of life; to all its cares for the present; its anxieties for the future; more than all, its weary recollections of the past!
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Charles Dickens (Oliver Twist)
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Oh! if, when we oppress and grind our fellow-creatures, we bestowed but one thought on the dark evidences of human error, which, like dense and heavy clouds, are rising, slowly it is true, but not less surely, to Heaven, to pour their after-vengeance on our heads; if we heard but one instant, in imagination, the deep testimony of the dead men's voices, which no power can stifle, and no pride shut out; where would be the injury and injustice: the suffering, misery, cruelty, and wrong: that each day's life brings with it!
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Charles Dickens (Oliver Twist)
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What a fine thing capital punishment is! Dead men never repent; dead men never bring awkward stories to light. The prospect of the gallows, too, makes them hardy and bold. Ah, it’s a fine thing for the trade! Five of them strung up in a row, and none left to play booty or turn white-livered!
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Charles Dickens (Oliver Twist)
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It's true,' said Freddie Humbert, 'kids nowadays have got no ability to listen to simple instructions.' 'Here you go, Dad,' said Quent, returning with a tray of drinks. 'Two martinis, one with extra olives, one with no olives, one mineral water, ice and a twist of lime and a jade juice, no fruit.
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Lauren Child (Look Into My Eyes (Ruby Redfort, #1))
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I have seen enough, too, to know that it is not always the youngest and best who are spared to those that love them; but this should give us comfort rather than sorrow, for Heaven is just, and such things teach us impressively that there is a far brighter world than this, and that the passage to it is speedy.
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Charles Dickens (Oliver Twist)
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Always the way!" muttered the Jew to himself as he turned homewards. "The worst of these women is, that a very little thing serves to call up some long-forgotten feeling; and the best of them is, that it never lasts. Ha! ha!
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Charles Dickens (Oliver Twist)
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Above them, one of the blackened television screens brightens, and there's an announcement about the in-flight movie. It's an animated film about a family of ducks, one that Hadley's actually see, and when Oliver groans, shes about to deny the whole thing. But then she twists around in her seat and eyes him critically. "There's nothing wrong with ducks," she tells him, and he rolls his eyes. "Talking ducks?" Hadley grins. "They sing, too." "Don't tell me," he says. "You've already seen it." She holds up two fingers. "Twice." "You do know it's meant for five-year-olds, right?" "Five- to eight-year-olds, thank you very much." "And how old are you again?" "Old enough to appreciate our web-footed friends." "You," he says, laughing in spite of himself, "are a mad as a hatter." "Wait a second," Hadley says in mock horror. "Is that a reference to a...cartoon?" No, genius. It's a reference to a famous work of literature by Lewis Carroll. But once again, I can see how well that American education is working for you.
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Jennifer E. Smith (The Statistical Probability of Love at First Sight)
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I have been deceived, before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless; and I am more interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love, lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up, forever,on my best affections. Deep affliction has but strengthened and refined them...
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Charles Dickens (Oliver Twist)
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Such a number of nights,' said the girl, with a touch of woman's tenderness, which communicated something like sweetness of tone, even to her voice; 'such a number of nights as I've been patient with you, nursing and caring for you, as if you had been a child: and this the first that I've seen you like yourself; you wouldn't have served me as you did just now, if you'd thought of that, would you? Come, come; say you wouldn't.
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Charles Dickens (Oliver Twist)
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You say you can be honest with me?” Hadley asks after a moment, addressing Oliver’s rounded shoulders, and he twists to look at her. β€œFine. Then talk to me. Be honest.” β€œAbout what?” β€œAnything you want. To her surprise, he kisses her then. Not like the kiss at the airport, which was soft and sweet and full of farewell. This kiss is something more urgent, something more desperate; he presses his lips hard against hers, and Hadley closes her eyes and leans in, kissing him back until, just as suddenly, he breaks away again, and they sit staring at each other. β€œThat’s not what I meant,” Hadley says, and Oliver gives her a crooked smile. β€œYou said to be honest. That was the most honest thing I’ve done all day.
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Jennifer E. Smith (The Statistical Probability of Love at First Sight)
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The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls upon solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.
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Charles Dickens (Oliver Twist)
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But struggling with these better feelings was pride,--the vice of the lowest and most debased creatures no less than of the high and self-assured. The miserable companion of thieves and ruffians, the fallen outcast of low haunts, the associate of the scourings of the jails and hulks, living within the shadow of the gallows itself,--even this degraded being felt too proud to betray a feeble gleam of the womanly feeling which she thought a weakness, but which alone conneced her with that humanity, of which her wasting life had obliterated so many, many traces when a very child.
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Charles Dickens (Oliver Twist)
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If an enthusiastic, ardent, and ambitous man marry a wife on whose name there is a stain, which, though it originate in no fault of hers, may be visited by cold and sordid people upon her, and upon his children also: and, in exact proportion to his success in the world, be cast in his teeth, and made the subject of sneers against him: he may-no matter how generous and good his nature- one day repent of the connection he formed in early life; and she may have the pain and torture of knowing that he does so.
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Charles Dickens (Oliver Twist)
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The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame: and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview.
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Charles Dickens (Oliver Twist)
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He had no cause for self-reproach on the score of neglect, or want of thought, for he had been devoted to her service; and yet a hundret little occasions rose up before him on which he fancied he might have been more zealous, and more earnest, and wished he had been. We need be careful how we deal with those about us; when every death carries to some small circle of survivors, thoughts of so much omitted, and so little done; of so many things forgotten, and so many more which might have been repaired. There is no remorse so deep, as that which is unavailing; if we would be spared its tortures, let us remember this, in time.
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Charles Dickens (Oliver Twist)
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I came to view the world as a word puzzle and, with no special aptitude I can name, fixed on the whys and wherefores of language from my earliest days. Song lyrics. Signs. The stories read in first and second grades. My parents almost always read to us at bedtime. Poems by Whittier. Scenes from Oliver Twist. Kidnapped. Treasure Island. The names alone intrigued me. Dr. Livesey, Squire Trelawney. The name Balfour sounded the knell of the romantic. Robinson Crusoe. I loved to hear read the exploits of Natty Bumppo. Authors had an aura of the godlike to me. The Latin prayers fascinated me as an altar boy. I can still recall carved names on buildings I saw from the MTA train when I was a youngster. Who can explain why? Words were magic to me. I once inadvisably glued my finger and thumb together at the Magoun Library in fourth grade trying to amuse a pretty little girl on whom I had a crush, and when the librarian came over angrily to inquire what the problem was and I pointed with a shrug and replied, β€œMucilage”—a word that always made me laughβ€”she very coldly stated, β€œYou are more to be pitied than censured.
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Alexander Theroux
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Oliver has long since grown stout and healthy; but health or sickness made no difference in his warm feelings to those about him, though they do in the feelings of a great many people. He was still the same gentle, attached, affectionate creature that he had been when pain and suffering had wasted his strength; and when he was dependent for every slight attention and comfort on those who tended him.
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Charles Dickens (Oliver Twist)
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For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.
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Charles Dickens (Oliver Twist)
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For the next eight or ten months, Oliver was the victim of a systematic course of treachery and deception. He was brought up by hand. The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in 'the house' who was in a situation to impart to Oliver Twist, the consolation and nourishment of which he stood in need. The workhouse authorities replied with humility, that there was not. Upon this, the parish authorities magnanimously and humanely resolved, that Oliver should be 'farmed,' or, in other words, that he should be dispatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny's worth per week is a good round diet for a child; a great deal may be got for sevenpence-halfpenny, quite enough to overload its stomach, and make it uncomfortable. The elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself. So, she appropriated the greater part of the weekly stipend to her own use, and consigned the rising parochial generation to even a shorter allowance than was originally provided for them. Thereby finding in the lowest depth a deeper still; and proving herself a very great experimental philosopher.
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Charles Dickens (Oliver Twist)
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It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.
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Charles Dickens (Oliver Twist)
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He wandered over them again. He had called them into view, and it was not easy to replace the shroud that had so long concealed them. There were the faces of friends, and foes, and of many that had been almost strangers peering intrusively from the crowd; there were the faces of young and blooming girls that were now old women; there were faces that the grave had changed and closed upon, but which the mind, superior to its power, still dressed in their old freshness and beauty, calling back the lustre of the eyes, the brightness of the smile, the beaming of the soul through its mask of clay, and whispering of beauty beyond the tomb, changed but to be heightened, and taken from earth only to be set up as a light, to shed a soft and gentle glow upon the path to Heaven...
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Charles Dickens (Oliver Twist)
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The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
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FrΓ©dΓ©ric Gros (A Philosophy of Walking)
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In the wee small hours, California Highway One north of Half Moon Bay is about as desolate as it gets. The narrow, twisting road was etched from sheer cliff faces that towered above me on the right and dropped away a hundred feet to the Pacific Ocean on my left. A soggy wool blanket of San Francisco's famous fog hung a few feet above the roadway, obscuring the stars and dribbling tiny spots of mist on my windshield. My headlights bored through the gap between road and fog, drilling an endless tunnel through the darkness. So far as I could tell, there were only two other cars on the entire planet that nightβ€”actually, one car and a produce truck. They'd flashed by, one after the other, heading south just past Moss Beach. Their headlights glared in my eyes and made the road seem even narrower, but half an hour later, I was wishing for more signs of life just to help keep my drooping eyelids from slamming shut altogether. It was the wrong thing to wish for. She appeared suddenly out of the fog on the opposite side of the road. Only, she wasn't in a car. This gal was smack dab in the middle of the southbound lane and running for all she was worth. She wore a white dress and no coat, and that was about all I had time to take in before she was gone and I was alone in the endless tunnel again.
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H.P. Oliver (Goodnight, San Francisco)