Olive Kitteridge Quotes

We've searched our database for all the quotes and captions related to Olive Kitteridge. Here they are! All 100 of them:

She didn't like to be alone. Even more, she didn't like being with people.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn't go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Traits don't change, states of mind do.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
But after a certain point in a marriage, you stopped having a certain kind of fight, Olive thought, because when the years behind you were more than the years in front of you, things were different.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
I think our job--maybe even our 'duty'--is to--To bear the burden of the mystery with as much grace as we can.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Don't be scared of your hunger. If you're scared of your hunger, you'll just be one more ninny like everyone else.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
All these lives," she said. "All the stories we never know." (125)
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
What young people didn't know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly . . . No, if love was available, one chose it, or didn't chose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not know what one should know: that day after day was unconsciously squandered. . . . But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union--what pieces life took out of you.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Sometimes, like now, Olive had a sense of just how desperately hard every person in the world was working to get what they needed. For most, it was a sense of safety, in the sea of terror that life increasingly became. (211)
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
It baffled her, the world. She did not want to leave it yet.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
It’s just that I’m the kind of person," Rebecca continued, "that thinks if you took a map of the whole world and put a pin in it for every person, there wouldn’t be a pin for me.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Oh, gosh, Olive. I'm so embarrassed." "No need to be," Olive tells her. "We all want to kill someone at some point." (179)
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
The appetites of the body were private battles.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
She knows that loneliness can kill people - in different ways can actually make you die. (68)
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
There were days - she could remember this - when Henry would hold her hand as they walked home, middle-aged people, in their prime. Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it. But she had that memory now, of something healthy and pure.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Oh that's lovely," said Bunny. "Olive, you've got a date." "Why would you say something so foolish?" Olive asked, really annoyed. "We're two lonely people having supper." "Exactly," said Bunny. "That's a date.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Or maybe, he thought, returning to the boxes, it was part of being Catholic--you were made to feel guilty about everything
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Each of his son's had been his favorite child.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Because in February the days were really getting longer and you could see it, if you really looked. You could see how at the end of each day the world seemed cracked open and the extra light made its way across the stark trees, and promised. It promised, that light, and what a thing that was.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She remembered was hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
It seems to Henry, as he takes his seat in his usual middle pew, that women are far braver than men
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing though each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean—oh, insane, ludicrous, unknowable world! Look how she wanted to live, look how she wanted to hold on.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
He looked at the books, and she wanted to say, 'Stop that,' as though he were reading her diary.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Hope was a cancer inside him. He didn't want it; he did not want it. He could not bear these shoots of tender green hope springing up within him any longer. (45)
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
When you get old,” Olive told Andrea after the girl had walked away, “you become invisible. It’s just the truth. And yet it’s freeing in a way.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
But we’re both old enough to know things now, and that’s good.” “What things?” “When to shut up, mainly.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She always played his song because whenever she saw him, it was like moving into a warm pocket of air.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
A lot of people don't have families. . . . . But they still have homes.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union--what pieces life took out of you.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
They had fun together these days, they really did. It was as if marriage had been a long, complicated meal, and now there was this lovely dessert.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Well, widow-comforter, how is she?" Olive spoke in the dark from the bed. "Struggling," he said. "Who isn't?
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
I do not have a clue who I have been. Truthfully, I do not understand a thing.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
But Henry was pretty irritating himself, with his steadfast way of remaining naive, as though life were just what a Sears catalogue told you it was: everyone standing around smiling.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
And yet, standing behind her son, waiting for the traffic light change, she remembered how in the midst of it all there had been a time when she'd felt a loneliness so deep that once, not so many years ago, having a cavity filled, the dentist's gentle turning of her chin with his soft fingers had felt to her like a tender kindness of almost excruciating depth, and she had swallowed with a groan of longing, tears springing to her eyes.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
He put the blinker on, pulled out onto the avenue. "Well, that was nice," she said, sitting back. They had fun together these days, they really did. It was as if marriage had been a long, complicatd meal, and now there was this lovely dessert.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
A person can only move forward, she thinks. A person should only move forward.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
What frightened her the most was the moment of those first notes, because that was when people really listened: She was changing the atmosphere in the room.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
And it came to him then that it should never be taken lightly, the essential loneliness of people, that the choices they made to keep themselves from that gaping darkness were choices that required respect: This was true for Jim and Helen, and for Margaret and himself, as well.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
God, I love young people," Harmon said. "They get griped about enough. People like to think the younger generation's job is to steer the world to hell. But it's never true, is it? They're hopeful and good - and that's how it should be.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
At the end of the day, he said, "I will take care of you," his voice thick with emotion. She stood before him and nodded. He zipped her coat for her.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
We're two lonely people having supper." "Exactly." said Bunny. "That's a date.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
God, Olive, you’re a difficult woman. You are such a goddamn difficult woman, and fuck all, I love you. So if you don’t mind, Olive, maybe you could be a little less Olive with me, even if it means being a little more Olive with others. Because I love you, and we don’t have much time.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
one of those things about getting older was knowing that so many moments weren’t just moments, they were gifts.
Elizabeth Strout (Olive Kitteridge)
Olive. . . knows that loneliness can kill people - in different ways can actually make you die. Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts". Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
It was always sad, the way the world was going. And always a new age dawning.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Personality disorder? Given the extensive and widespread array of human emotions, why was anything a personality disorder?
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
You’re an easy woman to please,” he had said to her. And she had said, “You may be the first person to think that.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
No. I had enough of babies growing up.” “Never mind. Kids are just a needle in your heart.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
Sometimes, like now, Olive had a sense of just how desperately hard every person in the world was working to get what they needed.
Elizabeth Strout (Olive Kitteridge)
Only a few leaves of deep red remain on the otherwise bare limbs of the maples; the oak leaves are russet and wrinkled; briefly through the trees is the glimpse of the bay, flat and steel-gray today with the overcast November sky.
Elizabeth Strout (Olive Kitteridge)
The year that followed - was it the happiest year of his own life? He often thought so, even knowing that such a thing was foolish to claim about any year of one's life: but in his memory, that particular year held the sweetness of a time that contained no thoughts of a beginning and no thoughts of an end..
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
But here was the world, screeching its beauty at her day after day, and she felt grateful for it.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
Why do you need everyone married?" Christopher has said to him angrily, when Henry has asked about his son's life. "Why can't you just leave people alone?" He doesn't want people alone.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
it came to him then that it should never be taken lightly, the essential loneliness of people, that the choices they made to keep themselves from that gaping darkness were choices that required respect: This was true for Jim and Helen, and for Margaret and himself, as well.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She would like to say, Listen, Dr. Sue, deep down there is a thing inside me, and sometimes it swells up like the head of a squid and shoots blackness through me. I haven’t wanted to be this way, but so help me, I have loved my son.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Olive can understand why Chris has never bothered having many friends. He is like her that way, can’t stand the blah-blah-blah.
Elizabeth Strout (Olive Kitteridge)
there’s not one goddamn person in this world who doesn’t have a bad memory or two to take with them through life.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
When you get old,” Olive told Andrea after the girl had walked away, “you become invisible. It’s just the truth. And yet it’s freeing in a way.” Andrea
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
I am the opposite of a snob.” Jack laughed a long time. “You think being a reverse snob is not being a snob? Olive, you’re a snob.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
life picked up speed, and then most of it was gone—made you breathless, really.
Elizabeth Strout (Olive Kitteridge)
Her son had married his mother, as all men—in some form or other—eventually do.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
It is true she doesn’t exercise, her cholesterol is sky-high. But all that is only a good excuse, hiding how it’s her soul, really, that is wearing out.
Elizabeth Strout (Olive Kitteridge)
But at this stage of the game, she is not about to abandon the comfort of food, and that means right now she probably looks like a fat, dozing seal wrapped in some kind of gauze bandage.
Elizabeth Strout (Olive Kitteridge)
But every town had been promising. Every place at first had said, Here you go- You can live here. You can rest here. You can fit. The enormous skies of the Southwest, the shadows that fell over the desert mountains, the innumerable cacti- red-tipped, or yellow-blossomed, or flat-headed- all this had lightened him when he first moved... ...But as with them all, the same hopeful differences--...-- they all became places that sooner or later, one way or another, assured him that he didn't, in fact, fit.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Speaking of this, he felt something had been returned to him, as though the inestimable losses of life had been lifted like a boulder, and beneath he saw - under the attentive gaze of Daisy's blue eyes - the comforts and sweetness of what had once been.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Here is the thing that Cindy, for the rest of her life, would never forget: Olive Kitteridge said, “My God, but I have always loved the light in February.” Olive shook her head slowly. “My God,” she repeated, with awe in her voice. “Just look at that February light.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
His blue eyes were watching her now; she saw in them the vulnerability, the invitation, the fear, as she sat down quietly, placed her open hand on his chest, felt the thump, thump of his heart, which would someday stop, as all hearts do. But there was no someday now.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
And suddenly it seemed to Olive that every house she had ever gone into depressed her, except for her own, and the one they had built for Christopher. It was as though she had never outgrown that feeling she must have had as a child - that hypersensitivity to the foreign smell of someone else's home, the fear that coated the unfamiliar way a bathroom door closed, the creak in a staircase worn by footsteps not one's own.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Stop it! Tell me how it’s really been! He sat back, pushed his glass forward. It’s just the way it was, that’s all. People either didn’t know how they felt about something or they chose never to say how they really felt about something.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
What frightened him was how much of his life he had lived without knowing who he was or what he was doing. It caused him to feel an inner trembling, and he could not quite find the words—for himself—to even put it exactly as he sensed it. But he sensed that he had lived his life in a way that he had not known. This meant there had been a large blindspot directly in front of his eyes. It meant that he did not understand, not really at all, how others had perceived him. And it meant that he did not know how to perceive himself.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
You get used to things, he thinks, without getting used to things.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
I think our job—maybe even our duty—is to—” Her voice became calm, adultlike. “To bear the burden of the mystery with as much grace as we can.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She felt she had figured something out too late, and that must be the way of life, to get something figured out when it was too late.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
...she feels her stomach turn choppy, whitecaps in her stomach.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Everyone thinks they know everything, and no one knows a damn thing.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Betty was still weeping, but she was smiling more too, and she said, “Oh, it’s just a life, Olive.” Olive thought about this. She said, “Well, it’s your life. It matters.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
And so the day they had had together folded over on itself, was done with, gone.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
And that woman is not politics. She’s a person, and she has every right to be here.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She understood that Simon was a disappointed man if he needed, at this age, to tell her he had pitied her for years.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Silly little plastic belt, made for a skinny pinny; it could barely tie around her. She managed, though - a tiny white bow. Waiting, she folded her hands and realized how every single time she went by this hospital, the same two thoughts occurred to her: that she'd been born here and that her father's body had been brought here after his suicide. She'd been through some things, but never mind. She straightened her back. Other people had been through things, too.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
But it was almost over, after all, her life. It swelled behind her like a sardine fishing net, all sorts of useless seaweed and broken bits of shells and the tiny, shining fish—all those hundreds of students she had taught, the girls and boys in high school she had passed in the corridor when she was a high school girl herself (many—most—would be dead by now), the billion streaks of emotion she’d had as she’d looked at sunrises, sunsets, the different hands of waitresses who had placed before her cups of coffee— All of it gone, or about to go.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
What young people didn’t know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly, as if it were a tart on a platter with others that got passed around again. No, if love was available, one chose it, or didn’t choose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not known what one should know: that day after day was unconsciously squandered.
Elizabeth Strout (Olive Kitteridge)
And Olive thought about this: the way people can love those they barely know, and how abiding that love can be, and also how deep that love can be, even when—as in her own case—it was temporary. She thought of Betty and her stupid bumper sticker, and the child who had been so frightened that Halima Butterfly had told her about, and yet to tell any of this right now to Betty, who was genuinely suffering—as Olive had suffered—seemed cruel, and she kept silent.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
She could hear in the darkness of her car how his breathing was quicker now; and her own was, too. She wanted to say their hears were too old for this now; you can't keep doing this to a heart, can't keep expecting your heart to pull through.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union—what pieces life took out of you. Her eyes were closed, and throughout her tired self swept waves of gratitude—and regret. She pictured the sunny room, the sun-washed wall, the bayberry outside. It baffled her, the world. She did not want to leave it yet.
Elizabeth Strout (Olive Kitteridge)
She did not have a family as other people did. Other people had their children come and stay and they talked and laughed and the grandchildren sat on the laps of their grandmothers, and they went places and did things, ate meals together, kissed when they parted.
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
You couldn’t make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn’t go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.
Elizabeth Strout (Olive Kitteridge)
Inside the music like this, she understood many things. She understood that Simon was a disappointed man if he needed, at this age, to tell her he had pitied her for years. She understood that as he drove his car back down the coast toward Boston, toward his wife with whom he had raised three children, that something in him would be satisfied to have witnessed her the way he had tonight, and she understood that this form of comfort was true for many people, as it made Malcolm feel better to call Walter Dalton a pathetic fairy, but it was thin milk, this form of nourishment; it could not change that you had wanted to be a concert pianist and ended up a real estate lawyer, that you had married a woman and stayed married to her for thirty years, when she did not ever find you lovely in bed.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Olive finished the doughnut, wiped the sugar from her fingers, sat back and said, "You're starving." The girl didn't move, only said, "Uh-duh." "I'm starving too," Olive said. The girl looked over at her. "I am," Olive said. "Why do you think I eat every doughnut in sight?" "You're not starving," Nina said in disgust. "Sure I am. We all are.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
When he got his medical degree from Chicago, attending the ceremony only because of one of his teachers - a kind woman, who had said it would sadden her to have him not there - he sat beneath the full sun, listening to the president of the university say, in his final words to them, 'To love and be loved is the most important thing in life,' causing Kevin to feel an inward fear that grew and spread through him, as though his very soul were tightening. But what a thing to say - the man in his venerable robe, white hair, grandfatherly face - he must've had no idea those words could cause such an exacerbation of the silent dread in Kevin. Even Freud had said, 'We must love or we grow ill.' They were spelling it out for him. Every billboard, movie, magazine cover, television ad - it all spelled it out for him: We belong to the world of family and love. And you don't.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the while raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he road with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
It was a newsmagazine she was reading, something she hadn’t done for quite a while—she turned one page quickly, because she couldn’t stand to look at the president’s face: His close-set eyes, the jut of his chin, the sight offended her viscerally. She had lived through a lot of things with this country, but she had never lived through the mess they were in now. Here was a man who looked retarded, Olive thought, remembering the remark made by the woman in Moody’s store. You could see it in his stupid little eyes. And the country had voted him in! A born-again Christian with a cocaine addiction. So they deserved to go to hell, and would.
Elizabeth Strout (Olive Kitteridge)
What young people didn’t know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly, as if it were a tart on a platter with others that got passed around again. No, if love was available, one chose it, or didn’t choose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not known what one should know: that day after day was unconsciously squandered. And so, if this man next to her now was not a man she would have chosen before this time, what did it matter? He most likely wouldn’t have chosen her either. But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union—what pieces life took out of you. Her eyes were closed, and throughout her tired self swept waves of gratitude—and regret. She pictured the sunny room, the sun-washed wall, the bayberry outside. It baffled her, the world. She did not want to leave it yet. For my mother who can make life magical and is the best storyteller I know
Elizabeth Strout (Olive Kitteridge)