Olive Color Quotes

I said, I prefer the ocean when it's gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.

Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go. Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.

Poetry isn't like any writing I've ever heard before. I don't understand all of it, just bits of images, sentences that appear half-finished, all fluttering together like brightly colored ribbons in the wind.

I loved to be alone in the woods, especially in the late fall when everything is crisp and golden, the leaves the color of fire, and it smells like things turning into earth. I loved the silence - the only sound the steady drum of the hooves and the horse's breathing.

When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.

His eyes are the color of honey. These are the eyes I remember from my dreams.

for how many years have you gone through the house shutting the windows, while the rain was still five miles away and veering, o plum-colored clouds, to the north away from you and you did not even know enough to be sorry, you were glad those silver sheets, with the occasional golden staple, were sweeping on, elsewhere, violent and electric and uncontrollable-- and will you find yourself finally wanting to forget all enclosures, including the enclosure of yourself, o lonely leaf, and will you dash finally, frantically, to the windows and haul them open and lean out to the dark, silvered sky, to everything that is beyond capture, shouting i'm here, i'm here! now, now, now, now, now.

It was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red means run.

RATATOUILLE PROVENÇALE 8 servings Served on a platter that shows off its contrasting colors, this dish looks like a colorful Cubist still life. Heat in a large skillet or Dutch oven over medium heat: ¼ cup olive oil Add and cook, stirring, until golden and just tender, 10 to 12 minutes: 1 medium eggplant (about 1 pound), peeled and cut into 1-inch chunks 2 large zucchini (about 1 pound), cut into 1-inch chunks

Not gray, exactly. Right before the sun rises there's a moment when the whole sky goes this pale nothing color-not really gray but sort of, or sort of white, and I've always really liked it because it reminds me of waiting for something good to happen.

The demon stopped its frantic attempts to escape. It stared at the glitter and began to pant, fingers twitching in anticipation. More twitching. Faster than she'd expected, it zoomed up to the sparkles, despite the danger. She snagged the fiend right before it picked up the last one, and dropped the Magpie into the cup. Instead of a flood of swear words or the offer of a favor, she heard a long, tortured sigh. Then it sat, sorting the glitter into piles by color. Now she'd seen everything.

I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.

Grief is like sinking, like being buried. I am in water tawny color of kicked up dirt Every breath is full of choking. there is nothing to hold on to, no sides, no way to claw myself up. there is nothing left to do but let go.

Because we're all rainbow-colored inside, each of us a different arrangement, of course. The kiss just makes all the colors more concentrated, so intense they can be hard to look at. Or feel, rather. Like a Mediterranean sunset.

She’s the kind of person who makes you feel drunk just by being around her, like suddenly the world’s edges are dulled and all of the colors are spinning together.

Do Stones Feel? Do stones feel? Do they love their life? Or does their patience drown out everything else? When I walk on the beach I gather a few white ones, dark ones, the multiple colors. Don’t worry, I say, I’ll bring you back, and I do. Is the tree as it rises delighted with its many branches, each one like a poem? Are the clouds glad to unburden their bundles of rain? Most of the world says no, no, it’s not possible. I refuse to think to such a conclusion. Too terrible it would be, to be wrong.

We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.

Right before the sun rises there's a moment when the whole sky goes this pale nothing color and I've always liked it because it reminds me of waiting for something good to happen

Summer explodes into Portland. In early June the heat was there but not the color--the green were still pale and tentative, the morning had a biting coolness--but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood.

It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.

Her fierce and fearful friend --who loved country music and cherry Pop Tarts and singing in public and the color pink, who was terrified of germs and dogs and ladders.

Today, the pain, the stoking, the thrill of someone new, the promise of so much bliss hovering a fingertip away, the fumbling around people I might have misread and don't want to lose and must second-guess at every turn, the desperate cunning I bring to everyone I want and crave to be wanted by, the screens I put up as though between me and the world there were not just one but layers of rice-paper sliding doors, the urge to scramble and unscramble what was never really coded in the first place - all these started the summer Oliver came into our house. They are embossed on every song that was a hit that summer, in every novel I read during and after his stay, on anything from the smell of rosemary on hot days to the frantic rattle of the cicadas in the afternoon - smells and sounds I'd grown up with and known every year of my life until then but that had suddenly turned on me and acquired an inflection forever colored by the events of that summer.

I’ll try out the pencils sharpened to the point of infinity which always sees ahead: Green — good warm light Magenta — Aztec. old TLAPALI blood of prickly pear, the brightest and oldest [Brown —] color of mole, of leaves becoming earth [Yellow —] madness sickness fear part of the sun and of happiness [Blue —] electricity and purity love [Black —] nothing is black — really nothing [Olive —] leaves, sadness, science, the whole of Germany is this color [Yellow —] more madness and mystery all the ghosts wear clothes of this color, or at least their underclothes [Dark blue —] color of bad advertisements and of good business [Blue —]distance. Tenderness can also be this blue blood?

He sang the brightness of mornings and green rivers, He sang of smoking water in the rose-colored daybreaks, Of colors: cinnabar, carmine, burnt sienna, blue, Of the delight of swimming in the sea under marble cliffs, Of feasting on a terrace above the tumult of a fishing port, Of tastes of wine, olive oil, almonds, mustard, salt. Of the flight of the swallow, the falcon, Of a dignified flock of pelicans above the bay, Of the scent of an armful of lilacs in summer rain, Of his having composed his words always against death And of having made no rhyme in praise of nothingness.

She’s a monster and masterpiece, worthy of someone to both quiet her dark side and light the colors of her soul on fire.” —Oliver Masters

I could feel the heat from all the colored lights pressing down on me like a hand, and the music seemed to echo somewhere behind my ribs, making my heart flutter and skip in time.

And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth.

Nunca me olvidare de cómo me sentí cuando tomo aliento, cuando le volvió el color a la piel rápidamente. Era como si el mundo entero se hubiera partido en dos, y todo lo que yo sentía que faltaba: el sentimiento, el colorido… Todo aquello me llegara con su primer aliento. La llame Blue para acordarme siempre de aquel momento, para no olvidarlo nunca.

Los cien enamorados duermen para siempre bajo la tierra seca. Andalucía tiene largos caminos rojos. Córdoba, olivos verdes donde poner cien cruces que los recuerden. Los cien enamorados duermen para siempre. -De Profundis Those hundred lovers are asleep forever beneath the dry earth. Andalusia has long, red-colored roads. Córdoba, green olive trees for placing a hundred crosses to remember them. Those hundred lovers are asleep forever. -De Profundis

A lot of women are ashamed of their pussies. They think it's not pretty enough. Not the right color. Or the lips are too big or two small. Let me put your fears to rest: There is no such thing as an ugly pussy.

This usually occurs at the moment when my head hits the pillow at night; my eyes close and … I see imagery. I do not mean pictures; more usually they are patterns or textures, such as repeated shapes, or shadows of shapes, or an item from an image, such as grass from a landscape or wood grain, wavelets or raindrops … transformed in the most extraordinary ways at a great speed. Shapes are replicated, multiplied, reversed in negative, etc. Color is added, tinted, subtracted. Textures are the most fascinating; grass becomes fur becomes hair follicles becomes waving, dancing lines of light, and a hundred other variations and all the subtle gradients between them that my words are too coarse to describe.

Imagine a wall that's green on one side and red on the other. You stand on one side and only see green. I stand on the other side and only see red. We'll both be right about the color we see, even though we disagree on what color the wall is. Being able to realize that the other person has a valid point, even if you disagree with it, that's maturity.

I prefer the ocean when it’s gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.

Eyes the color of a dawn sky, a crown of blond hair, so bright and white and blinding I could swear it was a halo.

Birds feed; then they nest. Paint them any color you want, send them halfway around the world, but they’ll always find a way back. And eventually they’ll show their true colors again.

All my grandfather ever wanted to do was wake up at dawn and watch my grandmother kneel and pray in a village hidden between Jaffa and Haifa my mother was born under an olive tree on a soil they say is no longer mine but I will cross their barriers, their check points their damn apartheid walls and return to my homeland I am an Arab woman of color and we come in all shades of anger

Color is not a trivial subject but one that has compelled, for hundreds of years, a passionate curiosity in the greatest artists, philosophers, and natural scientists. The young Spinoza wrote his first treatise on the rainbow; the young Newton’s most joyous discovery was the composition of white light; Goethe’s great color work, like Newton’s, started with a prism; Schopenhauer, Young, Helmholtz, and Maxwell, in the last century, were all tantalized by the problem of color; and Wittgenstein’s last work was his Remarks on Colour. And yet most of us, most of the time, overlook its great mystery.

as the journalist Anne Helen Petersen writes in a widely shared essay on millennial burnout, you can’t fix such problems “with vacation, or an adult coloring book, or ‘anxiety baking,’ or the Pomodoro Technique, or overnight fucking oats.

For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.

Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!

Now That I Am in Madrid I Can Think " I think of you and the continents brilliant and arid and the slender heart you are sharing my share of with the American air as the lungs I have felt sonorously subside slowly greet each morning and your brown lashes flutter revealing two perfect dawns colored by New York see a vast bridge stetching to the humbled outskirts with only you Standing on the edge of the purple like an only tree and in Toledo the olive groves’ soft blue look at the hills with silver like glasses like an old ladies hair It’s well known that God and I don’t get along together It’s just a view of the brass works for me, I don’t care about the Moors seen through you the great works of death, you are greater you are smiling, you are emptying the world so we can be alone together.

The sun is rising, a rusty color, the color of old blood, and I’m so

Julian will go to the gallows for us, and we will smile, and dream of victory-- hazy-red, soon to come, a blood-colored dawn.

In the morning it shuffles, unhurried, across the wet fields in its black slippers, in its coal-colored coat with the white stripe like a river running down its spine

Jane was the most fearless woman Oliver had ever met. Sometimes, Oliver thought that society was like an infant trying to shove a square, colored block through a round hole. When it didn’t go, the child pounded harder. Oliver had been shoved through round holes so often that he’d scarcely even noticed that his edges had become rounded. But Jane…Jane persisted in being angular and square. The harder she was pushed, the more square—and the more colorful—she became.

A word is not a crystal, transparent and unchanged; it is the skin of a living thought and may vary greatly in color and content according to the circumstances and time in which it is used.

I am falling, tumbling through the air, but this time the darkness is alive around me, full of beating things, and I realize that I'm not surrounded by dark but have only had my eyes closed all this time. I open them, feeling silly, and at the same time a hundred thousand butterlies take off around me, so many of them in so many brilliant colors they are like a solid rainbow, temporarily obscuring the sun. But as they wing higher and higher they reveal a landscape below us, all green and gold and sun-drenched fields and pink-tinged clouds drifting underneath me, and the air around me is clear and blue and sweet smelling, and I'm laughing, laughing, laughing as I spin through the air because, of course, I haven't been falling all the time. I've been flying.

All at once the hard, cold earth seemed to explode. The brown surface of the world dissolved and in its place was an impossible, an inconceivable, an unbelievable profusion of color: green grass and purple and red flowers; sprays of lily; white baby's breath that covered the hills; nodding fields of bright yellow daffodils; rich purple moss. The trees burst forth with new leaves. The weeping willow tree was a mass of tiny pale green leaves, thousands of them, which whispered and sighed together as the wind moved through its branches. There were fat heads of lettuce in the fields, and cucumbers lying like jewels among them, and enormous red tomatoes surrounded by thick, knotted vines. And for the first time in 1,728 days, the clouds broke apart and there was dazzling blue sky, and light beyond what anyone could remember. The sun had come out at last.

His features are strong and masculine, with an Austrian lip and arched nose, his complexion olive, his countenance erect, his body and limbs well proportioned, all his motions graceful, and his deportment majestic. He

beholders. His features are strong and masculine, with an Austrian lip and arched nose, his complexion olive, his countenance erect, his body and limbs well proportioned, all his motions graceful, and his deportment majestic.

I may be drunk by morning but that will not do any good. I shall take the train to Paris anyway. The train will be the same, the people, struggling for comfort and, even, dignity on the straight-backed, wooden, third-class seats will be the same, and I will be the same. We will ride through the same changing countryside northward, leaving behind the olive trees and the sea and all of the glory of the stormy southern sky, into the mist and rain of Paris. Someone will offer to share a sandwich with me, someone will offer me a sip of wine, someone will ask me for a match. People will be roaming the corridors outside, looking out of windows, looking in at us. At each stop, recruits in their baggy brown uniforms and colored hats will open the compartment door to ask Complet? We will all nod Yes, like conspirators, smiling faintly at each other as they continue through the train. Two or three of them will end up before our compartment door, shouting at each other in their heavy, ribald voices, smoking their dreadful army cigarettes. There will be a girl sitting opposite me who will wonder why I have not been flirting with her, who will be set on edge by the presence of the recruits. It will all be the same, only I will be stiller.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

El dolor es como hundirse, como se encerrado. Estoy entre unas aguas del color pardo de la tierra removida. Me ahogo con cada respiración. No hay nada a lo que agarrarse, no tiene fin, no existe ningun asidero. No puedo hacer mas nada que dejarme ir.

Cooking gives you the opportunity to meet the things you eat. You can touch each carrot or olive and get to know its smell and texture.You can feel its weight and notice its color and form. If it is going to become part of you, it seems worthy, at least, of acknowledgment, respect, and thanks. It takes much time and care in order for things to grow, and many labors are needed to bring these ingredients to the kitchen. There is a lot to be grateful for that takes place between the wheat field and the dumpling.

an octopus may have half a billion nerve cells distributed between its brain and its “arms” (a mouse, by comparison, has only 75 to 100 million). There is a remarkable degree of organization in the octopus brain, with dozens of functionally distinct lobes in the brain and similarities to the learning and memory systems of mammals. Not only are cephalopods easily trained to discriminate test shapes and objects, but some can learn by observation, a power otherwise confined to certain birds and mammals. They have remarkable powers of camouflage and can signal complex emotions and intentions by changing their skin colors, patterns, and textures.

Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go. Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.

While most of the flowers in the garden had rich scents and colors, we also had two magnolia trees, with huge but pale and scentless flowers. The magnolia flowers, when ripe, would be crawling with tiny insects, little beetles. Magnolias, my mother explained, were among the most ancient of flowering plants and had appeared nearly a hundred million years ago, at a time when “modern” insects like bees had not yet evolved, so they had to rely on a more ancient insect, a beetle, for pollination. Bees and butterflies, flowers with colors and scents, were not preordained, waiting in the wings—and they might never have appeared. They would develop together, in infinitesimal stages, over millions of years. The idea of a world without bees or butterflies, without scent or color, affected me with a sense of awe.

Y al final mostrarán su verdadero color, eso es lo que hacen los animales.

I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself

Today, the pain, the stoking, the thrill of someone new, the promise of so much bliss hovering a fingertip away, the fumbling around people I might misread and don’t want to lose and must second-guess at every turn, the desperate cunning I bring to everyone I want and crave to be wanted by, the screens I put up as though between me and the world there were not just one but layers of rice-paper sliding doors, the urge to scramble and unscramble what was never really coded in the first place—all these started the summer Oliver came into our house. They are embossed on every song that was a hit that summer, in every novel I read during and after his stay, on anything from the smell of rosemary on hot days to the frantic rattle of the cicadas in the afternoon—smells and sounds I’d grown up with and known every year of my life until then but that had suddenly turned on me and acquired an inflection forever colored by the events of that summer.

Marko looked as if he could use a makeover himself. A big-boned six foot three, he was much stockier than most Serbians, with an olive complexion and the out-of-proportion head of a Peanuts character. He wore an overcoat that was one size too big, a thick gray Brooks Brothers sweater with flecks of white, and a cream-colored turtleneck that actually made him look like a turtle. Marko

For the first time in a long time, I actually look at her. I've always thought Lena was pretty, but now it occurs to me that at some point—last summer? last year?—she became beautiful. Her eyes seem to have grown even larger, and her cheekbones have sharpened. Her lips, on the other hand, look softer and fuller. I've never felt ugly next to Lena, but suddenly I do. I feel tall and ugly and bony, like a straw-colored horse.

We arrived at Stazione Termini around 7 p.m. on a Wednesday evening. The air was thick and muggy, as if Rome had been awash in a rainstorm that had come and gone and relieved none of the dampness. With dusk scarcely an hour away, the street-lights glistened through dense halos, while the lighted storefronts seemed doused in gleaming colors of their own invention. Dampness clung to every forehead and every face. I wanted to caress his face. I couldn’t wait to get to our hotel and shower and throw myself on the bed, knowing all the while that, unless we had good air-conditioning, I’d be no better off after the shower. But I also loved the languor that sat upon the city, like a lover’s tired, unsteady arm resting on your shoulders.

was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red

But days like these offered sights more welcome to tired eyes, when autumn colors brushed the leaves, when cooler air meant grapes and olives and relief from August's oppressive heat. The blue of the sky, sharper than memory, bluer even than la mar itself.

Is it true?” I ask him. “Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams. “That you still love me,” I say, breathless. “I need to know.” Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.” “But . . . I’ve changed,” I say. “And you’ve changed.” “That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest. “So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream. “Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again. But I can’t. I know I can’t. “I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.” Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says. “I don’t want you to,” I tell him. His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.

Hummus is quick and easy to make. Puree canned garbanzo beans with chopped garlic and olive oil. Bean salads are fast to make. Toss different varieties together for a colorful salad with some fresh herbs and olive oil. Baked beans count, too! Buy or make them without too much

I am standing at the base of a giant cactus. It is tall, towering over me, wide too, like an elevator shaft, covering the whole width of the trail. I couldn’t get my arms around it, even if I wanted to, even if it wasn’t prickly, which it is, extremely, and green. The color of an olive.

I tear down Baxter, which loops around the last mile down to Back Cove. And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove. The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark. Alex was right. It was gorgeous—one of the best I’ve ever seen.

It can be hard to remember what one's anticipatory image of something was once you're on the other side. I'm no longer sure exactly what it was I was waiting for, but I do know that it was something wholly unfamiliar and thrilling. Like a new color. Not a mixture, no trace of blue or yellow or red. What would that look like? I have some basic understanding about light--how it can only be broken down and refracted into its seven constituent hues--and even though I know that the physical world makes the existence of such a thing basically impossible, I'd still really like to see that.

The spectacle takes us away from our routines. For at least a time, we feel part of something big, colorful, exciting. It is perhaps understandable that civilians are often more enthusiastic during wartime than soldiers who have experienced battle. The soldiers know that war is often boring and dirty as well as terrifying and colorful. Even so, after some years, an old soldier like Oliver Wendell Holmes, Jr., could brush aside his earlier description of the pain, boredom, and death of war and declare that “its message was divine.” The stench disappears, but the spectacle remains in memory’s eye.

We make the beet salad by steaming the beets until soft, about thirty minutes, plunging into cold water, and removing the skins. After cutting the beets into small cubes, we toss them with a vinaigrette of orange juice, vinegar, olive oil, and shallots, adding crumbles of goat cheese and green onion, for color and taste and crunch, at the end.

He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her. He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Arbole, Arbole . . ." Tree, tree dry and green. The girl with the pretty face is out picking olives. The wind, playboy of towers, grabs her around the waist. Four riders passed by on Andalusian ponies, with blue and green jackets and big, dark capes. “Come to Cordoba, muchacha.” The girl won’t listen to them. Three young bullfighters passed, slender in the waist, with jackets the color of oranges and swords of ancient silver. “Come to Sevilla, muchacha.” The girl won’t listen to them. When the afternoon had turned dark brown, with scattered light, a young man passed by, wearing roses and myrtle of the moon. “Come to Granada, muchacha.” And the girl won’t listen to him. The girl with the pretty face keeps on picking olives with the grey arm of the wind wrapped around her waist. Tree, tree dry and green.

That week—the week of the rain—was one of my dad’s bad times. So I went out to the site a lot. One day, I was just picking around one of the foundations. It was all cinder block and pits; hardly any of the building had actually gotten done. And then I saw this little box. A shoe box.” She sucks in a breath, and even in the dark I see her tense. The rest of her story comes out in a rush: “Someone must have left it there, wedged in the space underneath a part of the foundation. Except the rain was so bad it had caused a miniature mudslide. The box had rolled out into the open. I don’t know why I decided to look inside. It was filthy. I thought I might find a pair of shoes, maybe some jewelry.” I know, now, where the story is going. I am walking toward the muddy box alongside her; I am lifting the water-warped cover. The horror and disgust is a mud too: It is rising, black and choking, inside of me. Raven’s voice drops to a whisper. “She was wrapped in a blanket. A blue blanket with yellow lambs on it. She wasn’t breathing. I—I thought she was dead. She was … she was blue. Her skin, her nails, her lips, her fingers. Her fingers were so small.” The mud is in my throat. I can’t breathe. “I don’t know what made me try to revive her. I think I must have gone a little crazy. I was working as a junior lifeguard that summer, so I’d been certified in CPR. I’d never had to do it, though. And she was so tiny—probably a week, maybe two weeks old. But it worked. I’ll never forget how I felt when she took a breath, and all that color came rushing into her skin. It was like the whole world had split open. And everything I’d felt was missing—all that feeling and color—all of it came to me with her first breath. I called her Blue so I would always remember that moment, and so I would never regret.

Seeing the God statement Suppose the statement Blessed Are the pure in heart, for they shall see God were placed like a wreath of violets, Lilies, laurel, and olive, blossoms strung together Like words in a sentence, a garland Launched, set out on a flowing creek Imagine that wreath carried Down the frothy rapids, tossed, floating Slipping over water-smooth, moss-colored Boulders, in and out of slow, dark pools, Through poplar and willow shadows. It dips, Sinks momentarily, emerges, travels, maitains Its ring, its declaration and syntax. At times it widens in a broad, deep Current, makes sense as a gift. The pure becomes inclusive, spatial, Generous. God and heart are two Spread wings of one open reading. And at times it narrows, restricts. Violets and heart entangle With God. The blessed braces, Overlaps lilies and laurel. Still, at any point you might reach down yourself, catch that ring of blossoms, lift it up, wear its beauty and blooming distinction across your forehead. Look into a mirror. See what you can see.

You needn’t manhandle me,” she hissed, though she didn’t fight him. “Trust me, Miss Butterfield, you’ll know when I’m manhandling you.” He stopped before a chair. “Sit,” he commanded, pushing her into it. “And try to restrain your urge to attack people for half a moment, will you?” “I was not-“ “As for you,” he growled at her companion, “give me the satchel that caused all this furor.” “Yes, sir…I mean, my lord.” Oliver took the satchel from the young man, whose face was drained of all color. Clearly, he lacked his companion’s fierceness.

Ten years later . . . “Dude, you look like shit,” Carson says, clapping me on the shoulder. “This is my best sweater, and it’s supposed to make me look devastatingly handsome.” “It’s olive green,” Carson says with a question in his raised eyebrow. “Leave me alone.” I rest my head on the counter. “It’s been ten years since my heart was broken and it still aches.” “Ten years?” Carson laughs. “It’s been ten fucking days.” Ten days later (That’s right, sorry about that) . . . “Iknow, but ten days has felt like ten years. And I thought wearing my green sweater to Friendsgiving would be a nice pick-me-up but you just peed all over that idea.” “Does anyone like this sweater besides you?” “I get a lot of once-overs whenever I wear it. I think it’s how the color brings out my delicate green eyes.” “Or it’s the cross-stitched mountain range on the front.” I glance at my sweater and then rub my fingers over the cross-stitch. “I used to pretend it was brail and it would read, ‘You’re handsome, always have been, always will be.’” “I don’t understand how we’re friends.” Carson shakes his head. “Running pole-to-pole suicides at Brentwood together formed an unbreakable bond.” “God, you’re right.” 

Beyond her, along the edge of the patio, a rainbow of color danced in the evening breeze. Olive's backyard efforts had gone well beyond the leafy herb garden. Arranged in sweet clusters, with a backdrop of desert sage and tall grasses, sat well-tended terracotta pots brimming with yellow snapdragons, deep-violet lobelia, and powder-blue pansies. Even in the dimming evening light, Julia noticed a couple of butterflies flitting near the bright arrangement of petals. It was such a charming sight, and her niece had been responsible for the entire thing. There was no doubt this girl had a serious green thumb.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]

But aside from those curling green tendrils, the gown was the bright pink of…of…of… All comparisons failed Oliver. It wasn’t the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn’t just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn’t look away. The room was small enough that he could hear the first words of greeting. “Miss Fairfield,” a woman said. “Your gown is…very pink. And pink is…such a lovely color, isn’t it?” That last was said with a wistful quality in the speaker’s voice, as if she were mourning the memory of true pink.

Di pomeriggio dormo e quando non riesco a dormire, chiudo gli occhi e immagino di essere dinuovo nella casa abbandonata al 37 di Brooks Street con Alex sdraiato accanto a me. Cerco diattraversare la cortina; immagino di poter in qualche modo disfare i giorni che sono passati dalla nostrafuga, di poter riparare quello strappo nel tempo, di potermi riprendere Alex.Ma ogni volta che riapro gli occhi sono ancora qui, su un materasso per terra, e ho ancora fame. Alex è vivo. Soltanto un altro sforzo, solo uno sprint finale, e vedrai.Quando Hana e io facevamo parte della squadra di atletica leggera, c’inventavamo giochetti mentalicome questi per mantenere lo stimolo. La corsa è uno sport mentale, più di qualsiasi altra cosa. Seibravo solo quanto il tuo allenamento, e il tuo allenamento è buono solo quanto il tuo modo di pensare.Se fai tutti e dodici i chilometri senza camminare, prenderai dieci in storia. Questo è il genere di cosache dicevamo l’una all’altra. A volte funzionava, a volte no. A volte ci arrendevamo, ridendo,all’undicesimo chilometro, dicendo Ooops! Ecco che sfuma il nostro voto di storia.Il fatto era che non ci interessava poi tanto. Un mondo senza amore è anche un mondo senzaobiettivi.Alex è vivo. Spingi, spingi, spingi.....Non sono pazza. Lo so che non è vivo, non può esserlo. Non appena termino la corsa e torno nelseminterrato della chiesa, mi colpisce come un muro la stupidità di tutto questo, la sua inutilità. Alex èandato e nessun allenamento, o corsa, o sofferenza me lo riporterà mai.Lo so. Ma il fatto è questo: mentre corro, c’è sempre quella frazione di secondo in cui il dolore mi statraggendo e riesco a malapena a respirare e vedo soltanto colori e macchie e in quella frazione disecondo, proprio mentre il dolore è insopportabile e diventa troppo, e c’è un calor bianco che mi attraversa, vedo qualcosa alla mia sinistra, un guizzo di colore (capelli rossicci, che ardono, una coronadi foglie) e in quel momento so che se soltanto voltassi la testa lo vedrei lì, che ride e mi guarda, abraccia aperte.Non volto mai la testa per guardarlo, ovviamente. Ma un giorno lo farò. Un giorno lo farò e lui saràtornato, e tutto andrà a posto.E fino a quel momento: corro. Mi viene in mente, a quel punto, che anche le persone sono piene di tunnel: spazi bui e tortuosi ecaverne; impossibile conoscere tutti i posti dentro di loro. Impossibile anche soltanto immaginarli

Even if these two didn't share the same short dark hair, the same violet eyes, and the same flawless olive skin, I'd know they were related because of their most dominant feature-their habit of staring. "I'm Chloe. This is my friend Emma, who apparently just head-butted your boyfriend Galen. We were in the middle of apologizing." I pinch the bridge of my nose and count to ten-Mississippi, but fifty-Mississippi seems more appropriate. Fifty allows more time to fantasize about ripping one of Chloe's new waves out. "Emma, what's wrong? Your nose isn't bleeding, is it?" She chirps, enjoying herself. Tingles gather at my chin as Galen lifts it with the crook of his finger. "Is your nose bleeding? Let me see," he says. He tilts my head side to side, leans closer to get a good look. And I meet my threshold for embarrassment. Tripping is bad enough. Tripping into someone is much worse. But if that someone has a body that could make sculpted statues jealous-and thinks you've broken your nose on one of his pecs-well, that's when tripping runs a distant second to humane euthanasia. He is clearly surprised when I swat his hand and step away. His girlfriend/relative seems taken aback that I mimic his stance-crossed arms and deep frown. I doubt she has ever met her threshold for embarrassment. "I said I was fine. No blood, no foul." "This is my sister Rayna," he says, as if the conversation steered naturally in that direction. She smiles at me as if forced at knifepoint, the kind of smile that comes purely from manners, like the smile you give your grandmother when she gives you the rotten-cabbage-colored sweater she's been knitting. I think of that sweater now as I return her smile.

Hey, that's weird," Chloe says. "You both have the same color eyes as Emma. I've never seen that before. I always thought it was because she's freakishly pasty. Ow! That's gonna leave a mark, Emma," she says, rubbing her freshly pinched biceps. "Good, I hope it does," I snap. I want to ask them about their eyes-the color seems prettier set against the olive tone of Galen's skin-but Chloe has bludgeoned my chances of recovering from embarrassment. I'll have to be satisfied that my dad-and Google-were wrong all this time; my eye color just can't be that rare. Sure, my dad practiced medicine until the day he died two years ago. And sure, Google never let me down before. But who am I to argue with living, breathing proof that this eye color actually does exist? Nobody, that's who. Which is convenient, since I don't want to talk anymore. Don't want to force Galen into any more awkward conversations. Don't want to give Chloe any more opportunities to deepen the heat of my burning cheeks. I just want this moment of my life to be over. I push past Chloe and snatch up the surfboard. To her good credit, she presses herself against the rail as I pass her again. I stop in front of Galen and his sister. "It was nice to meet you both. Sorry I ran into you. Let's go, Chloe." Galen looks like he wants to say something, but I turn away. He's been a good sport, but I'm not interested in discussing swimmer safety-or being introduced to any more of his hostile relatives. Nothing he can say will change the fact that DNA from my cheek is smeared on his chest. Trying not to actually march, I thrust past them and make my way down the stairs leading to the pristine white sand. I hear Chloe closing the distance behind me, giggling. And I decide on sunflowers for her funeral.

Oliver was able to get most of the paint off the floor by using the plastic putty knife, but the carpets and armchair cover did not fare so well: even after all the blotting, they still had large spots of pinkish hues. Everyone crossed their fingers that the color would fade once everything had dried. It was at that point that Papa brought Mama downstairs to examine the fuchsia paint job. The Vanderbeekers gathered around and waited for the verdict. “It’s terrible,” Mama finally said. “We can’t keep it like this.” She exchanged glances with Papa, then murmured, “I think we need to dip into the Fiver Account.” “Not the Fiver Account!” Papa whispered in horror. “What’s the Fiver Account?” Laney asked. She had really good ears. Mama and Papa looked at each other for a long moment; then Mama finally said, “For the past two years, we’ve been putting any five-dollar bills we get into a can we nailed into the corner of our

Today, the pain, the stroking, the thrill of someone new, the promise of so much bliss hovering a fingertip away, the fumbling around people I might misread and don't want to lose and must second-guess at every turn, the desperate cunning I bring to everyone I want and crave to be wanted by, the screens I put up as though between me and the world there were not just one but layers of rice-paper sliding doors, the urge to scramble and unscramble what was never really coded in the first place—all these started the summer Oliver came into our house. They are embossed on every song that was a hit that summer, in every novel I read during and after his stay, on anything from the smell of rosemary on hot days to the frantic rattle of the cicadas in the afternoon—smells and sounds I'd grown up with and known every year of my life until then but that had suddenly turned on me and acquired an inflection forever colored by the events of that summer.

He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.

All the girl could remember was the terrible, irremediable tension between wanting to be somewhere and wanting to be nowhere. And the plant, crazed by its proximity to rich familiar soil, tried repeatedly to Leap out of her. This caused her hand to lift, holding a long knife, and plummet earthward, rooting into the fleshy chest of her lover, feeling deeper and deeper for moisture. The Joshua tree’s greatest victory over the couple comes four months into their stay: they sign a lease. A bungalow on the outskirts of the national park, with a fence to keep out the coyotes and an outdoor shower. When the shower water gets into their mouths, it tastes like poison. Strange reptiles hug the fence posts, like colorful olives on toothpicks. Andy squeezes Angie’s hand and returns the gaze of these tiny monsters; he feels strangely bashful as they bugle their throats at him. Four months into his desert sojourn, and he still doesn’t know the name of anything. Up close, the bungalow looks a lot like a shed. The bloated vowels of his signature on the landlord’s papers make him think of a large hand blurring underwater.

(1 = best, 11 = worst) 1. Raw fruits and vegetables (preferably organic) such as apples, grapes, melons, bananas, avocados, romaine lettuce, cucumbers, carrots, kale, tomatoes, etc.; raw honey, stevia (a natural sweetener) 2. Lightly-steamed, low-starch vegetables (all vegetables other than white potatoes, acorn and butternut squash, and pumpkin); pure maple syrup, agave nectar *Note that corn and legumes are starches, not vegetables. 3. Organic raw nuts and seeds (almonds, pine nuts, walnuts, macadamia nuts, sesame seeds, sunflower seeds, etc.) 4. Raw stone-pressed or cold-pressed plant oils (especially olive oil, though hemp seed and flax seed oils are also acceptable) 5. Cooked starchy vegetables (sweet potatoes, butternut and acorn squash, pumpkin, etc.) 6. Raw unpasteurized dairy products (particularly from goats and sheep) 7. Whole grains (brown rice, millet, whole wheat, buckwheat, etc.) 8. Pasteurized dairy and animal flesh (preferably limited to organic fish and minimal organic meat and poultry products) 9. All non-whole grain flour products (white bread, white rice, white pasta, white pizza dough, flour tortillas, etc.); sugar (white sugar, brown sugar, corn syrup, etc.) 10. Cooked animal fats/hydrogenated oils (lard, cooked oils, etc.), mainstream meats, poultry; soy products 11. Chemicals, artificial coloring and sweeteners (aspartame, saccharine, unnatural additives of all kinds)

It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.

I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.

He patted her hand. “But I will settle for an amiable wife.” It was as close to making a declaration of his intentions as he’d come. So of course Mr. Pinter chose that inopportune moment to enter the breakfast room. “And whose amiable wife are you settling for, sir?” he said in a snide tone. His gaze dropped to the viscount’s hand resting on hers, then darkened. She resisted the urge to snatch her hand free. The viscount bristled, tightening his hand almost possessively on hers. “Do I know you, sir?” “Not yet. The name is Jackson Pinter.” He came to stand directly across the table and bent forward over it to offer his hand to Lord Basto, forcing the viscount to release her hand to take it. “Some would call me Mrs. Plumtree’s ‘lackey,’” he added with a side glance at Celia. “Though I work for Lord Stoneville.” She colored, remembering the conversation they’d had a few months ago, when she’d called him that. He was clearly spoiling for a fight. No doubt he was still smarting over her pulling a pistol on him last night. “Mr. Pinter does investigations of all kinds,” she explained. “For money.” Mr. Pinter’s slate-gray eyes bore into her. “Some of us cannot live on our family’s fortune, my lady.” “While some of us are very fond of biting the hand that feeds them.” If he could throw her past words at her, then she could throw back what he’d said to her months ago. She was surprised when a reluctant smile tugged at his lips. “A hit direct, madam. Perhaps I should get out of the line of the fire while I still have my head.” “Perhaps you should refrain from putting yourself in the line of fire in the first place,” she quipped. “An officer of the law ought to know better.” “Know better than what?” Oliver asked as he entered with the duke at his side. Generally, she liked being in a room full of men. But when it was her brother, two suitors, and the only man whose kisses had ever affected her, there was a bit too much manliness in the air for her taste. “Your sister and I were just having one of our usual discussions,” Mr. Pinter said. “You mean she was raking you over the coals again?” Oliver said. “I believe the coal raking was mutual this time,” she said lightly. Oliver snorted. She could feel the viscount’s gaze on her, and the duke seemed to be watching both her and Mr. Pinter. It was very unsettling.

I had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain. For months afterward, I searched for indigo. I turned over little stones and rocks near my house, looking for it. I examined specimens of azurite in the natural history museum—but even they were infinitely far from the color I had seen. And then, in 1965, when I had moved to New York, I went to a concert in the Egyptology gallery of the Metropolitan Museum of Art. In the first half, a Monteverdi piece was performed, and I was utterly transported. I had taken no drugs, but I felt a glorious river of music, four hundred years long, flowing from Monteverdi’s mind into my own. In this ecstatic mood, I wandered out during the intermission and looked at the ancient Egyptian objects on display—lapis lazuli amulets, jewelry, and so forth—and I was enchanted to see glints of indigo. I thought: Thank God, it really exists! During the second half of the concert, I got a bit bored and restless, but I consoled myself, knowing that I could go out and take a “sip” of indigo afterward. It would be there, waiting for me. But when I went out to look at the gallery after the concert was finished, I could see only blue and purple and mauve and puce—no indigo. That was nearly fifty years ago, and I have never seen indigo again.

You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.

This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.

Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.