Older Girl Quotes

Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.

I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.

You’re a girl?” “Surprising, I know. Everyone thinks I’m older.

Skye kissed her forehead. "You saved my life." Katsa smiled. "You Lienid are very outward in your affection." "I'm going to name my firstborn child after you." Katsa laughed at that. "For the child's sake, wait for a girl. Or even better, wait until all your children are older and give my name to whichever is the most troublesome and obstinate." Skye burst into laughter and hugged her, and Katsa returned his embrace. And realized that quite without her intending it, her guarded heart had made another friend.

Nice dress Zoey. It looks just like mine. Oh, wait! It used to be mine. Aphrodite laughed a throaty, I'm-so-grown-and-you're-just-a-kid laugh. I really hate it when girls do that.I mean, yes, she's older, but I have boobs, too.

The older I got, the smarter my teachers became.

Face it girls. I'm older and I have more insurance.

I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free. (...) I want, I think, to be omniscient… I think I would like to call myself "The girl who wanted to be God." Yet if I were not in this body, where would I be—perhaps I am destined to be classified and qualified. But, oh, I cry out against it. I am I—I am powerful—but to what extent? I am I.

Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.

And so seated next to my father in the train compartment, I suddenly asked, "Father, what is sexsin?" He turned to look at me, as he always did when answering a question, but to my surprise he said nothing. At last he stood up, lifted his traveling case off the floor and set it on the floor. Will you carry it off the train, Corrie?" he said. I stood up and tugged at it. It was crammed with the watches and spare parts he had purchased that morning. It's too heavy," I said. Yes," he said, "and it would be a pretty poor father who would ask his little girl to carry such a load. It's the same way, Corrie, with knowledge. Some knowledge is too heavy for children. When you are older and stronger, you can bear it. For now you must trust me to carry it for you.

When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk, and crusty things, and dirt, and fear, and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in awhile, you have to scrub it up and get the works going, or else you’ll never be brave again.

The first time I bring a girl home, and not only is she the daughter of a famous poker player, but she could easily bankrupt us all in a single hand. For being the family fuckup, I felt like I had finally gained a little respect from my older brothers. And it was all because of Abby.

I'm afraid men are not always quite as clever as they think they are. You will learn that when you get a bit older, my girl.

Mary’s childhood was rough. She was frequently beaten and chastised by the nuns who served as her protectors and brutalized by the older girls in the orphanage. Oh how I wept those first few years of my life. My tears came like tropical storms. Every pore in my body wept. I heaved and shuddered and sighed. Everything around me seemed dark and terrifying.

My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather.

I was crushing on my mentor. Crushing on my older mentor. I had to be out of my mind. He was seven years older than me. Old enough to be my…well, okay, nothing. But still older than me. Seven years was a lot. He's been learning to write when I was born. When I'd been learning to write and throw books at my teachers, he's probably been kissing girls. Probably lots of girls, considering how he looked.

I see... the way you're always searching. How much you hate anything fake or phony. How you're older than your years, but still... playful, like a little girl. How you're always looking into people, or wondering what they see when they look back at you. Your eyes. It's all in the eyes.

One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and, if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can't criticize it, because it is criticizing us. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don't know, But it is you who are on trial.

Because I said so." She paused again. "Sweetheart, I know you're an adult, but adults are like vampires. The older ones are much more powerful.

we may fall victim to the misconception that time will heal all wounds and that eventually everything will shake itself out. But as we get older, we learn this sad truth: some things can never be fixed. Some mistakes can never be put right—not by the passage of time, and not by our most fervent wishes, either.

Violet heard the coughing and came running back. She sank down on the bench beside Rose, putting her arm around the older girl and holding a handkerchief to Rose's lips. "What happened?" she asked Galen, her tone just shy of being accusatory. "I am so sorry, Your Highness," Galen said, backing away. "I made her laugh, and–" "You made her laugh?" Violet's eyes widened. "She hasn't laughed in weeks!" She smiled at Galen and gave Rose's shoulders a little squeeze.

An older man using a girl to feel better about himself - how easily the story becomes a cliché if you look at it without the soft focus of romance

I’m not a kid!” she told Shane hotly. “I’m only, like, a year younger than Eve!” “And girls are much more mature.” Eve nodded wisely. “So you’re about ten years older than Shane, then.” “Seriously,” Claire insisted. “I’m not a kid!” “Whatever you say, kid,” Shane said blandly. “Cheer up. Just means you don’t have to put up with me telling you how much sex I didn’t get.” “I’m telling Michael,” Eve warned. “About how much sex I didn’t get? Go ahead.

Because when everything is said and done... the world runs on kindness. It simply has to, or we'd never be a able to bear ourselves. It might not seem so to you now, but it will when you're older." ~Ariel

These girls with old gents don't do it despite the age—they're drawn to the age, they do it for the age. Why? In Consuela's case, because the vast difference in age gives her permission to submit, I think. My age and my status give her, rationally, the license to surrender, and surrendering in bed is a not unpleasant sensation. But simultaneously, to give yourself over intimately to a much, much older man provides this sort of younger woman with authority of a kind she cannot get in a sexual arrangement with a younger man. She gets both the pleasures of submission and the pleasures of mastery.

Ever since I was a little girl and could barely talk, the word 'why' has lived and grown along with me. It's a well-known fact that children ask questions about anything and everything, since almost everything is new to them. That is especially true of me, and not just as a child. Even when I was older, I couldn't stop asking questions. I have to admit that it can be annoying sometimes, but I comfort myself with the thought that "You won't know until you ask," though by now I've asked so much that they ought to have made me a professor. When I got older, I noticed that not all questions can be asked and that many whys can never be answered. As a result, I tried to work things out for myself by mulling over my own questions. And I came to the important discovery that questions which you either can't or shouldn't ask in public, or questions which you can't put into words, can easily be solved in your own head. So the word 'why' not only taught me to ask, but also to think. And thinking has never hurt anyone. On the contrary, it does us all a world of good.

Ageing is nothing to be ashamed of Especially when the entire race is in it together Although sometimes it seems that she alone among her friends wants to celebrate getting older Because it’s such a privilege to not die prematurely

I was seen spotted with an older woman and a girl half my height in age. A leopard was also spotted.


Our dad killed your boyfriend's older brother and kept a girl in his loft for five years. You have yourself two experts at acting normal.

Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.

All I can say is that it was complicated back in Canaan House, and sometimes a cute older girl shows you a lot of attention, because she’s bored or whatever, and you sort of have this maybe-flirting maybe-not thing going on, right, and then it turns out she’s an ancient warrior who’s killed all your friends and she’s coming for you, and then you both die and she turns up ages later in the broiling heat on a sacred space station and like, it’s complicated. Just saying that it happens all the time.

There are women who will forgive a great deal for a moment of kindness from a handsome man, but Daisy and the other older girls who had taken me under their wings had taught me not to be one of them.

But I think that what you'll discover more and more as you get older is that most people aren't thinking about you at all.

Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.

And now I was older, and the wishful props of future selves had lost their comforts. I might always feel some form of this, a depression that did not lift but grew compact and familiar, a space occupied like the sad limbo of hotel rooms.

We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to.

Slowly, she turned to him. It was her face—or it would be in a few years. When she Settled. But it wasn’t the slightly older features that knocked the breath from him. It was the hand on her rounded belly. She stared toward him, hair still flowing. Behind her, four small figures emerged. Rowan fell to his knees. The tallest: a girl with golden hair and pine-green eyes, solemn-faced and as proud as her mother. The boy beside her, nearly her height, smiled at him, warm and bright, his Ashryver eyes near-glowing beneath his cap of silver hair. The boy next to him, silver-haired and green-eyed, might as well have been Rowan’s twin. And the smallest girl, clinging to her mother’s legs … A fine-boned, silver-haired child, little more than a babe, her blue eyes harking back to a lineage he did not know. Children. His children. Their children. With another mere weeks from being born. His family. The family he might have, the future he might have. The most beautiful thing he’d ever seen.

My mother always called me an ugly weed, so I never was aware of anything until I was older. Plain girls should have someone telling them they are beautiful. Sometimes this works miracles.

Teresa stood up, surprising Thomas with her confidence. “Guess he forgot to tell the little part about me kicking him in the groin and climbing out the window.” Thomas almost laughed as Newt turned to an older boy standing nearby, whose face had turned bright red. “Congrats, Jeff,” Newt said. “You’re officially the first guy here to get your butt beat by a girl.

When I was very young and in the cave of Trophonius I forgot to laugh. Then, when I got older, when I opened my eyes and saw the real world, I began to laugh and I haven’t stopped since. I saw that the meaning of life was to get a livelihood, that the goal of life was to be a High Court judge, that the bright joy of love was to marry a well-off girl, that the blessing of friendship was to help each other out of a financial tight spot, that wisdom was what the majority said it was, that passion was to give a speech, that courage was to risk being fined 10 rix-dollars, that cordiality was to say ‘You’re welcome’ after a meal, and that the fear of God was to go to communion once a year. That’s what I saw. And I laughed.

In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!

B-T-W," Heather said. "What's with the death wish?" "What are you talking about?" "I'm talking about provoking the wicked witch of the west. You look old? Are you trying to get us both killed?" "She does look old. Or at least, older than she used to." "It doesn't matter! Two things you never comment on when it comes to girls: their age and their weight. That's male survival 101. Come on!

But what I found most interesting was that Aaron had apparently found a way to pass the time without her. Beside him, holding his hand, was a Moroi girl who looked about eleven but had to be older, unless he'd become a pedophile during our absence.

I came to the realization that every moment exists in perpetuity regardless of whether it’s remembered. What has happened has happened; it occupies that moment in time forever. I was an eleven-year-old girl lying in the grass one summer. I knew in that moment that was true and recognized that I would blaze through moments for the rest of my life, forgetting things, and becoming ages older, until I forgot everything—so I consoled myself by committing to remember that one moment.

Feelings, she learned, were hard to fight. She treasured his smiles and compliments and tried not to dwell on the fact that he gave this things to his friend Kel. His dreamy-eyed gazes, poems, and fits of passionate melancholy were for Uline. It was hard not to resent the older girl.

in her dreams, blood tasted like fizzy strawberry soda. If you drank it too fast, you got brain freeze. When she was older, after she'd licked a cut on her finger, the taste of that became the taste in her dreams: copper and tears.

My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather. One such melting occurs in summer rain, at midnight, during the vine-green breathing time right before sleep. You have to ask the right question, throw the right rope bridge, to get there-and then bolt across the chasm between you, before your bridge collapses.

I’m telling you, Dena, when you live long enough to see your children begin to look at you with different eyes, and you can look at them not as your children, but as people, it’s worth getting older with all the creaks and wrinkles.

With every year that I grow older, I also draw closer to (my loved ones) to the day when we will once again be together. So I march through the deepening shadows, serene and unafraid, because I know that at the end of my journey they will be waiting for me.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again.

I’ve watched congregations devote years and years to heated arguments about whether a female missionary should be allowed to share about her ministry on a Sunday morning, whether students older than ten should have female Sunday school teachers, whether girls should be encouraged to attend seminary, whether women should be permitted to collect the offering or write the church newsletter or make an announcement . . . all while thirty thousand children die every day from preventable disease. If that’s not an adventure in missing the point, I don’t know what is.

Oh, September. My best girl. I shall tell you an awful, wonderful, unhappy, joyful secret: It is like that for everyone. One day you wake up and you are grown. And on the inside, you are no older than the last time you thought Wouldn't it be lovely to be all Grown-Up right this second?

My big awakening happened when I was fourteen. I'd been trying to get into this older girl's pants for a while, and she finally let me come over to her house. We hung out, smoked some pot and listened to Aerosmith's Rocks. It hit me like a fucking ton of bricks. I sat there listening to it over and over, and totally blew off this girl. I remember riding my bike back to my grandma's house knowing that my life had changed. Now I identified with something.

To achieve accurate knowledge of others, if such a thing were possible, we could only ever arrive at it through the slow and unsure recognition of our own initial optical inaccuracies. However, such knowledge is not possible: for, while our vision of others is being adjusted, they, who are not made of mere brute matter, are also changing; we think we have managed to see them more clearly, but they shift; and when we believe we have them fully in focus, it is merely our older images of them that we have clarified, but which are themselves already out of date.

Everyone says you love a Dragon-born girl differently as she gets older; you can’t help it, knowing you so easily might lose her.

Pip had always been so curious about what was back there, the sort of wonder that dies a little more each year you grow older.

I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.

I room with Louisa. Louisa is older and her hair is like a red-and-gold noisy ocean down her back. There's so much of it, she can't even keep it in with braids or buns or scrunchies. Her hair smells like strawberries; she smells better than any girl I've ever known. I could breathe her in forever. My first night here, when she lifted her blouse to change for bed, in the moment before that crazy hair fell over her body like a protective cape, I saw them, all of them, and I sucked my breath in hard. She said, "Don't be scared, little one." I wasn't scared. I'd just never seen a girl with skin like mine.

When we are young, Angela, we may fall victim to the misconception that time will heal all wounds and that eventually everything will shake itself out. But as we get older, we learn this sad truth: some things can never be fixed. Some mistakes can never be put right - not by the passage of time, and not by our most fervent wishes, either. In my experience, this is the hardest lesson of them all.

A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?

Mr. Hooks?” “Mr. Ludefance? Pleasure to meet you and thank you for coming in.” As he extended his hand to me, I noticed the girl at the desk staring at my face. Hooks looked back at her staring and must have given her a look of some kind. “Mr. Ludefance, this is my secretary, Cholia.” She stood up and continued to stare at my scar. Black hair, cute face, maybe five-foot-four at the most, and a little on the plump side with rosy cheeks. Young. Very young. Looked like a teenager to me. Or was I just getting ‘older?

My house fly theory is related to my theory about why time seems to go faster as you get older." "Why's that?" the girl asked. "It's proportional," Leonard explained. "When you're five, you've only been alive a couple thousand days. But by the time you're fifty, you've lived around twenty thousand days. So a day when you're five seems longer because it's a greater percentage of the whole.

As I got older, I got craftier and less obvious, but I’ve always put a lot of energy and effort into people liking me. That’s why I’ve never understood the compliment “effortless.” People love to say: “She just walked into the party, charming people with her effortless beauty.” I don’t understand that at all. What’s so wrong with effort, anyway? It means you care. What about the girl who “walked into the party, her determination to please apparent on her eager face”? Sure, she might seem a little crazy, and, yes, maybe everything she says sounds like conversation starters she found on a website, but at least she’s trying. Let’s give her a shot!

The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?

Nox and Celaena remained by the table. His eyes were wide. “You were a slave in Endovier?” She couldn’t form the words to confirm it. Nox was too smart for his own good. “But you’re barely a woman—what did you do to . . .” His gaze fell on Chaol, and the guards who stood near him. “Would I have heard your name before? Would I have heard that you were shipped to Endovier?” “Yes. Everyone heard when I went,” she breathed, and watched as he sorted through every name he’d ever heard associated with the place, then put the pieces together. He took a step back. “You’re a girl?” “Surprising, I know. Everyone thinks I’m older.

When you are older and have swum out into the stream of life, you'll see -- there are no "good" people, little girl. We're all trying and failing, trying too hard and failing too often. Remember that. We shouldn't judge too harshly, in the end, the sins of others"...

I want Sam to stop liking Craig. Now I guess maybe you think that’s because I am jealous of him. I’m not. Honest. It’s just that Craig doesn’t really listen to her when she talks. I don’t mean that he’s a bad guy because he’s not. It’s just that he always looks distracted. It’s like he would take a photograph of Sam, and the photograph would be beautiful. And he would think the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it’s beautiful is because of Sam. I just think it’s bad when a boy looks at a girl and thinks that the way he sees the girl is better than the girl actually is. And I think it’s bad when the most honest way a boy can look at a girl is through a camera. It’s very hard for me to see Sam feel better about herself just because an older boy sees her that way.

Here are some passing thoughts. Imagine looking up at the moon and seeing it burning. Imagine seeing the grocery store’s checkout girl grow horns. Imagine growing younger instead of older. Imagine feeling more powerful and more capable of falling in love with life every new day instead of being scared and sick and not knowing whether to stay under a sheet or venture forth into the cold.

But not you, O girl, nor yet his mother, stretched his eyebrows so fierce with expectation. Not for your mouth, you who hold him now, did his lips ripen into these fervent contours. Do you really think your quiet footsteps could have so convulsed him, you who move like dawn wind? True, you startled his heart; but older terrors rushed into him with that first jolt to his emotions. Call him . . . you'll never quite retrieve him from those dark consorts. Yes, he wants to, he escapes; relieved, he makes a home in your familiar heart, takes root there and begins himself anew. But did he ever begin himself?

I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized I couldn’t find books that took me to all the places I wanted to go. To go to those places, I had to write some books myself.

Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself. I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued. One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt." There was the slightest pause. Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again. Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times. I believe that sometimes Gallican girls take jobs as couriers. he said. Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages." Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued. And I suppose for a really urgent message, one would have to run." Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection. So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn. It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing. I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.

yet she could not resist sometimes yielding to the charm of a woman, not a girl, of a woman confessing, as to her they often did, some scrape, some folly. And whether it was pity, or their beauty, or that she was older, or some accident-like a faint scent, or a violin next door (so strange is the power of sounds at certain moments), she did undoubtedly then feel what men felt.

This is what I've found about life, as I've gotten older: you start to lose people, Angela. It's not that there is ever a shortage of people - oh, heavens no. It is merely that - as the years pass - there comes to be a shortage of your people. The ones you loved. The ones who knew the people that you both loved. The ones who know your whole history. Those people start to be plucked away by death, and they are awfully hard to replace after they go.

If you were older, darlin', I'd have you on the back of my bike and in my fuckin' bed. And you'd be not just likin' it, but lovin' it, beggin' me for more." My lips parted, and my chest expanded as I sucked down much needed air. Holy shit. I'd felt that statement all the way down to my toes and back up again. And I wanted to feel it again. And again. Only naked and wrapped around Deuce's body. "There it is, Darlin'" he said softly, his lips curving slowly in a sexy grin. "Nothin' like seein' a pretty girl gettin' all fired up.

He slid his hand onto Riley's bare abdomen. "I got to thinkin' that a few years down the line, when yer older, what if that was our baby and I could feel it right here under my hand. Feel the life we'd created." Riley's eyes moistened. "Girl or boy?" "Doesn't matter. If it's a girl, we can name her after my gran. Her name was Emily Rose." "Hmm...I like that. Maybe the boy could be Paul Arthur, like my dad." "Yeah, that works. But that's all the way down the line, isn't it?" It might never come to pass.

Ever since the day I got a voice mail and met up with a slightly older woman at Riverbank Park, the title of 'my girl' has been reserved." "So you like older women?" He lifted his hand and gave his bedroom door a solid push. A soft snick told me it had closed behind me. "I like you. And I see now that I should have cleared that up a long time ago.

All her violence had drained away, replaced by a fear older and deeper than anything she'd ever experienced. An old, old recognition. Something inside her knew him from a time when girls took skin bags to the river to get water, a time when panthers walked in the darkness outside mud huts. From a time before electric lights, before candles, when darkness was fended off with stone lamps. When darkness was the greatest danger of all.

Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.

You learned several forms of martial arts." "yes, and for the most part, because I was doing something physical and most of my instructors enjoyed what they were doing, it was fun. Later, as I got older and they were serious about training me, I was faster than the instructors, and some of them would get angry." "Honey, that's entirely understandable. You're barely five feet tall, and you can't weigh a hundred pounds. To make matters worse, you're a girl. Kicking some man's butt is not ladylike.

A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.

Sophia looked down her long nose at the girl. “Who are you?” “I’m Abigail, ma’am,” she said, curtsying. “This is my brother, Jamie. I apologize for him.” Sophia arched an eyebrow. “I’ll wager you do that quite a lot.” Abigail sighed, sounding world-weary. “Yes, I do.” “Good girl.” Sophia almost smiled. “Younger brothers can be a chore sometimes, but one must persevere.” “Yes, ma’am,” Abigail said solemnly. “Come on, Jamie,” Alistair said. “Let’s go into dinner before they form a Society for Bossy Older Sisters.

She was scarcely a year older than I was, dark-haired, slender, with a face that would break your heart. It certainly broke mine. Lowborn, half-starved, unwashed... Yet lovely. They'd torn the rags she was wearing half off her back, so I wrapped her in my cloak while Jaime chase the men into the woods. By the time he came trotting back, I'd gotten a name out of her, and a story. She was a crofter's child, orphaned when her father died of fever, on her way to... Well, nowhere, really. The girl was too frightened to send her off by herself, though, so I offered to take her to the closest inn and feed her while my brother rode back to the Rock for help. She was hungrier than I would have believed. We finished two whole chickens and part of a third, and drank a flagon of wine, talking. I was only thirteen, and the wine went to my head, I fear. The next thing I knew, I was sharing her bed. If she was shy, I was shyer. I'll never know where I found the courage. When I broke her maidenhead, she wept, but afterward she kissed me and sang her little song, and by morning I was in love.

I am not my sister. Words from the books curl around each other make little sense until I read them again and again, the story settling into memory. Too slow my teacher says. Read Faster. Too babyish, the teacher says. Read older. But I don't want to read faster or older or any way else that might make the story disappear too quickly from where it's settling inside my brain, slowly becoming a part of me. A story I will remember long after I've read it for the second, third, tenth, hundredth time.

As she grew older, Maddy discovered that she had disappointed almost everyone. An awkward girl with a sullen mouth, a curtain of hair, and a tendency to slouch, she had neither Mae's sweet nature nor sweet face. Her eyes were rather beautiful, but few people ever noticed this, and it was widely believed Maddy was ugly, a troublemaker, too clever for her own good, too stubborn - or too slack - to change. Of course, folk agreed that it was not her fault she was so brown or her sister so pretty, but a smile costs nothing, as the saying goes, and if only the girl had made an effort once in a while, or even showed a little gratitude for all the help and free advice, then maybe she would have settled down.

I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.

When the guy turned around, Amy began stuttering. Silently. It was a feat only Amy could manage, and only Dan could notice. And it only happened in front of boys who looked like this one. He had brown hair and caramel-colored eyes, like Dan's friend Nick Santos, who made all the sixth-grade girls turn into blithering idiots when he looked their way--in fact, would even say Watch, lean make them turn into blithering idiots, and then he'd do it. Only older. "He. Is. Hot," Nellie said under her breath. "You too?" Dan hissed.

Who're you writing the novel to anyway?" Ron asked Hermione, trying to read the bit of parchment now trailing on the floor. Hermione hitched it up out of sight. "Viktor." "Krum?" "How many other Viktors do we know?" Ron said nothing, but looked disgruntled. They sat in silence for another twenty minutes, Ron finishing his Transfiguration essay with many snorts of impatience, rolling in up carefully and sealing it, and Harry staring into the fire, wishing more than anything that Sirius's head would appear there and give him some advice about girls. But the fire merely crackled lower and lower, until the red-hot embers crumbled into ash and, looking around, Harry saw that they were, yet again, the last in the common room. "Well, 'night," said Hermione, yawning widely, and she set off up the girls' staircase. "What does she see in Krum?" Ron demanded as he and Harry climbed the boys' stairs. "Well," said Harry, considering the matter, "I s'pose he's older, isn't he...and he's an international Quidditch player...." "Yeah, but apart from that," said Ron, sounding aggravated. "I mean he's a grouchy git, isn't he?

When I was a little girl I wanted to be a reindeer-the flying kind. I spent a couple years galloping around looking for lichen and fantasizing about boy reindeer. Then one day I saw Peter Pan and my reindeer phase was over. I didn't understand the allure of not growing up, because every little girl got boobs and go steady. I did understand that a flying Peter Pan was better than a flying reindeer. Mary Lou had seen Peter Pan too, but Mary Lou's ambition was to be Wendy, so Mary Lou and I made a good pair. On most any day we could be seen holding hands, running through the neighborhood singing, "I can fly! I can fly!" If we'd been older this probably would have started rumors. The Peter Pan stage was actually pretty short-lived because a few months into Peter Pan I discovered Wonder Woman. Wonder Woman couldn't fly, but she had big, fat bulging boobs crammed into a sexy Wondersuit. Barbie was firmly entrenched as role model in the burg, but Wonder Woman gave her a good run for her money. Not only did Wonder Woman spill over her Wondercups but she also kicked serious ass. If I had to name the single most influential person in my life it would have to be Wonder Woman. All during my teens and early twenties I wanted to be a rock star. The fact that I can't play a musical instrument or carry a tune did nothing to diminish the fantasy. During my more realistic moments I wanted to be a rock star's girlfriend.

Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As

You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.

I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.

All their lovers' talk began with the phrase "After the war". After the war, when we're married, shall we live in Italy? There are nice places. My father thinks I wouldn't like it, but I would. As long as I'm with you. After the war, if we have a girl, can we call her Lemoni? After the war, if we've a son, we've got to call him Iannis. After the war, I'll speak to the children in Greek, and you can seak to them in Italian, and that way they'll grow bilingual. After the war, I'm going to write a concerto, and I'll dedicate it to you. After the war, I'm going to train to be a doctor, and I don't care if they don't let women in, I'm still going to do it. After the war I'll get a job in a convent, like Vivaldi, teaching music, and all the little girls will fall in love with me, and you'll be jealous. After the war, let's go to America, I've got relatives in Chicago. After the war we won't bring our children with any religion, they can make their own minds up when they're older. After the war, we'll get our own motorbike, and we'll go all over Europe, and you can give concerts in hotels, and that's how we'll live, and I'll start writing poems. After the war I'll get a mandola so that I can play viola music. After the war I'll love you, after the war, I'll love you, I'll love you forever, after the war.

James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles. He opened the folding door at the end of the passenger car and stepped carefully through the passage into the next one. The first compartment was full of girls. They were talking animatedly to one another, already apparently the best of friends despite the fact that, most likely, they had only just met. One of them glanced up and saw him staring. He quickly looked away, pretending to peer out the window behind them, toward the station which still sat bustling with activity. Feeling his cheeks go a little red, he continued down the corridor. If only Rose was a year older she’d be here with him. She was a girl, but she was his cousin and they’d grown up together. It would’ve been nice to have at least one familiar face along with him.

And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.

Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.

This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true. ... This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it. ... Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.

The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.