Williams Sisters Quotes

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It's always the idle habits you acquire which you will regret. Father said that. That Christ was not crucified: he was worn away by a minute clicking of little wheels. That had no sister.
William Faulkner (The Sound and the Fury)
I was too young that time to value her, But now I know her. If she be a traitor, Why, so am I. We still have slept together, Rose at an instant, learned, played, eat together, And wheresoe'er we went, like Juno's swans, Still we went coupled and inseparable.
William Shakespeare (As You Like It)
We all have our la-la-la song. The thing we do when the world isn't singing a nice tune to us. We sing our own nice tune to drown out ugly.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
If the marriage were valid, she'd be your sister-in-law.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
One can follow the sun, of course, but I have always thought that it is best to know some winter, too, so that the summer, when it arrives, is the more gratefully received.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
It was a strange, wonderful feeling. To discover eyes upon you when you expected no one to notice you at all.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Did you ever have a sister? did you?
William Faulkner (The Sound and the Fury)
Such a fuss ofer a few mundanes." Mrs Dark chuckled and moved to stand beside her sister, so that Will, with his blazing sword, was between Tessa and both ladies. "We have no quarrel with you, Shadowhunter, unless you choose to pick one. You have invaded our territory and broken the Covenant Law in doing so. We could report you to the Clave-" "While the Clave disapproves of trespassers, oddly, they take an even darker view of beheading and skinning people. They're peculiar that way," Will said
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Remember, the people who know me are the ones who are free to live and love without any agenda." "Is that what it means to be a Christian?" It sounded kind of stupid as Mack said it, but it was how he was trying to sum everything up in his mind. "Who said anything about being a Christian? I'm not a Christian." The idea struck Mack as odd and unexpected and he couldn't keep himself from grinning. "No, I suppose you aren't." They arrived at the door of the workshop. Again Jesus stopped. "Those who love me come from every system that exists. They were Buddhists or Mormons, Baptists or Muslim, Democrats, Republicans, and many who don't vote or are not part of any Sunday morning religious institutions. I have followers who were murderers and many who were self-righteous. Some were bankers and bookies, Americans and Iraquis, Jews and Palistinians. I have no desire to make them Christian, but I do want to join them in their transformation into sons and daughters of my Papa, into my brothers and sisters, into my Beloved." "Does that mean," asked Mack, "that all roads will lead to you?" "Not at all," smiled Jesus as he reached for the door handle to the shop. "Most roads don't lead anywhere. What it does mean is that I will travel any road to find you.
William Paul Young (The Shack)
O, train me not, sweet mermaid, with thy note, to drown me in thy sister’s flood of tears.
William Shakespeare (The Comedy of Errors)
You've never heard of the Trickster King?" Puck asked, shocked. The girls shook their heads. "The Prince of Fairies? Robin Goodfellow? The Imp?" "Do you work for Santa?" Daphne asked. "I'm a fairy, not an elf!" Puck roared. "You really don't know who I am! Doesn't anyone read the classics anymore? Dozens of writers have warned about me. I'm in the most famous of all of William Shakespeare's plays." "I don't remember any Puck in Romeo and Juliet," Sabrina muttered, feeling a little amused at how the boy was reacting to his non-celebrity. "Besides Romeo and Juliet!" Puck shouted. "I'm the star of a Midsummer Night's Dream!" "Congratulation," Sabrina said flatly. "Never read it.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
Why are we bringing him along, again?" Will inquired, of the world in general as well as his sister. Cecily put her hands on her hips. "Why are you bringing Tessa?" "Because Tessa and I are going to be married," Will said, and Tessa smiled; the way that Will's little sister could ruffle his feathers like no one else was still amusing to her. "Well, Gabriel and I might well be married," Cecily said. "Someday." Gabriel made a choking noise, and turned an alarming shade of purple. Will threw up his hands. "You can't be married Cecily! You're only fifteen! When I get married, I'll be eighteen! An adult!" Cecily did not look impressed. "We may have a long engagement," she said. "But I cannot see why you are counseling me to marry a man my parents have never met." Will sputtered. "I am not counseling you to marry a man your parents have never met!" "Then we are in agreement. Gabriel must meet Mam and Dad.
Cassandra Clare
Han spotted a child‟s homespun dolly in the ditch, pressed into the mud. He reined in, meaning to climb down and fetch it so he could clean it up for his little sister. Then he remembered that Mari was dead and had no need of dollies anymore. Grief was like that. It gradually faded into a dull ache, until some simple sight or sound or scent hit him like a hammer blow.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
Why would the God of the universe want to be submitted to me?' Because we want you to join us in our circle of relationship. I don't want slaves to my will; I want brothers and sisters who will share life with me.
William Paul Young (The Shack)
Not called!' did you say? 'Not heard the call,' I think you should say. Put your ear down to the Bible, and hear Him bid you go and pull sinners out of the fire of sin. Put your ear down to the burdened, agonized heart of humanity, and listen to its pitiful wail for help. Go stand by the gates of hell, and hear the damned entreat you to go to their father's house and bid their brothers and sisters and servants and masters not to come there. Then look Christ in the face — whose mercy you have professed to obey — and tell Him whether you will join heart and soul and body and circumstances in the march to publish His mercy to the world.
William Booth
A ministering angel shall my sister be.
William Shakespeare
I thought, how magical, the first glimspe of snow. By March I would be sick of it, but here in this November instant those tiny flakes swirled with the unspeakable purity of a divine gift.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
My first job is big sister and I take that very seriously.
Venus Williams
As for my family, my father was Danel; he died as a mercenary in the southern wars," Han went on. "My mother's name was Sarah, called Sali, and my sister was Mari. They died last summer. But then, you already knew that. Every time you forget, I'll remind you. That's the blood sacrifice I made to be here, and that's enough.
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
A name is important. It isn't something you drop in the litter basket or on the ground. Your name is now people know you. The very mention of your name makes a picture spring to mind, whether it's a picture of clashing fists or a mighty mountain that can't be knocked down. Your name is who you are and how you're known even when you do something great or something dumb.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Straight is my path. Straight is my mind. Straight is my heart. Straight is my speech. Kind will I be to my brothers and sisters. Kind will I be to beast and bird.
William Kent Krueger (Boundary Waters (Cork O'Connor, #2))
But that is love, isn't it? It's terribly inconvenient. It sweeps you up and stales your attention and slows down your work. our labors fall behind, our friends report us missing, and everything comes to a screeching halt! Everything, that is, except what truly matters in this life --- true love. We've all been there. We know the feelings. So when we see it in a friend, a dear, dear friend, we throw down our work and we celebrate. We rejoice. We raise a glass. Because when we recognize it in the hearts of friends, it reminds us of how important it is in our own. Mr. Seven, you are and always have been my companion and friend. You have made me a better man, and almost on a daily basis you have reminded me that I too need to celebrate the love in my life. - William Charming
Michael Buckley (The Council of Mirrors (The Sisters Grimm, #9))
The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go, about, about, Thrice to thine, thrice to mine, And thrice again to make up nine. Peace, the charm's wound up.
William Shakespeare (Macbeth)
Here comes Monseiur Le Beau. Rosalind: With his mouth full of news. Celia: Which he will put on us, as pigeons feed their young. Rosalind: Then shall we be news-crammed. Celia: All the better; we shall be the more marketable.
William Shakespeare (As You Like It)
Tell me,' I said. 'Tell me when you notice me.' I notice you going into church,' Joshua said. 'I notice your hair, how blond it is. But how in some light it looks like it has red in it. I notice the way you smell when we're close. And the way you walk when we're headed home from church and your family gets out of the Temple first. I notice how you are with your family and how you hold your little sisters. I've seen you stand out on your doorstep and look across the desert. I've watched you walk toward the Compound fence and then on past that. You've been walking for years.
Carol Lynch Williams
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
William Golding
Saying "please" without saying it to someone you don't want to say "please" to in the first place tops the list of hard.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
I have an idea that most of all he is running away from love, because it's too big and too demanding. He's running away from us--from you, from me, from his sister, from himself, too. Who wants to be himself, who wants to be so little, and so captured and limited?
William Saroyan (Madness in the Family: Stories (New Directions Paperbook))
I knew exactly where he existed in my heart; I had no idea where he existed in the universe.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
What does a victorious or defeated black woman’s body in a historically white space look like? Serena and her big sister Venus Williams brought to mind Zora Neale Hurston’s “I feel most colored when I am thrown against a sharp white background.” This appropriated line, stenciled on canvas by Glenn Ligon, who used plastic letter stencils, smudging oil sticks, and graphite to transform the words into abstractions, seemed to be ad copy for some aspect of life for all black bodies.
Claudia Rankine (Citizen: An American Lyric)
How can we bear this? I asked. (He took the hat from my hands and placed it gently on my head.) Because we have to. Because you will know my heart is somewhere in the world, beating for you.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
To turn black women into objectified others was to underline their difference; they may be beautiful, but they are of another kind, separate from the dominant understanding of attractiveness.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
I just took the box and nodded, because that's how you treat crazy people. You nod and count down twenty-seven days for crazy to come to an end.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
You and your sisters have so many reference points, such a dense history," William said. "I never get used to it.
Ann Napolitano (Hello Beautiful)
Toward the urn the three children raced in a dead heat, Jane still shouting . FOR CHURCHILL, NELSON, AND PRINCE WILLIAM!
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
If you knew what I knew, seen what I've seen, you wouldn't be so quick to pull the plow.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Voodou isn’t like that. It isn’t concerned with notions of salvation and transcendence. What it’s about is getting things done. You follow me? In out system, there are many gods, spirits. Part of one big family, with all the virtues, all the vices. There’s a ritual tradition of communal manifestation, understand? Voodou says, there’s a God, sure, Gran Met, but He’s big, too big and too far away to worry Himself if your ass is poor, or you can’t get laid. Come on, man, you know how this works, it’s street religion, came out of dirt poor places a million years ago. Voodou’s like the street. Some duster chops out your sister, you don’t go camp on the Yakuza’s doorstep, do you? No way. You go to somebody, though, who can get the thing done. Right?
William Gibson (Count Zero (Sprawl, #2))
In the first place, good people are rarely suspicious; they cannot imagine others doing the things they themselves are incapable of doing; usually they accept the undramatic conclusion as the correct one, and let matters rest there. Then, too, the normal are inclined to view the multiple killer as the as the one who’s as monstrous in appearance as he is in mind, which is about as far from the truth as one could well get. He paused and then said that these monsters of real life usually looked and behaved in a more normal manner than their actually normal brothers and sisters: they presented a more convincing picture of virtue than virtue presented of itself—just as the wax rosebud or the plastic peach seemed more perfect to the eye, more what the mind thought a rosebud or a peach should be than the imperfect original from which it had been modeled.
William March
He acts like an animal, has an animal's habits! Eats like one, moves like one, talks like one! There's even something -sub-human -something not quite to the stage of humanity yet! Yes, something - ape-like about him, like one of those pictures I've seen in - anthropological studies! Thousands and thousands of years have passed him right by, and there he is - Stanley Kowalski - survivor of the Stone Age! Bearing the raw meat home from the kill in the jungle! And you - you here - waiting for him! Maybe he'll strike you or maybe grunt and kiss you! That is, if kisses have been discovered yet! Night falls and the other apes gather! There in the front of the cave, all grunting like him, and swilling and gnawing and hulking! His poker night! - you call it - this party of apes! Somebody growls - some creature snatches at something - the fight is on! God! Maybe we are a long way from beng made in God's image, but Stella - my sister - there has been some progress since then! Such things as art - as poetry and music - such kinds of new light have come into the world since then! In some kinds of people some tendered feelings have had some little beginning! That we have got to make grow! And cling to, and hold as our flag! In this dark march towards what-ever it is we're approaching . . . Don't - don't hang back with the brutes!
Tennessee Williams (A Streetcar Named Desire)
He was seized with longing so intense it ached in his chest, he wanted it always to keep, to drag out secretly and study it like a yellowed photograph, and he thought I am home, this is me, this is where I have been rambling down to all these years.
William Gay (Little Sister Death)
The Reverend William Trent, whose mind was of a serious order, had several times warned his elder sister that too lively a sense of humour frequently led to laxity of principle. She now perceived how right he was; and wondered, in dismay, whether it was because he invariably made her laugh that instead of regarding the Nonesuch with revulsion she was obliged to struggle against the impulse to cast every scruple to the winds, and to give her life into his keeping.
Georgette Heyer (The Nonesuch)
betimes I will—to the weird sisters. (140) More shall they speak, for now I am bent to know, By the worst means, the worst. For mine own good, All causes shall give way. I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o’er.
William Shakespeare (Macbeth (The Modern Shakespeare: The Original Play with a Modern Translation))
LEIA —O help Me, Obi-Wan Kenobi, help. Thou art Mine only hope. LUKE —I wonder who she is. Whoever she may be, whatever is Her cause, I shall unto her pleas respond. Not e’en were she my sister could I know A duty of more weight than I feel now. It seemeth she some dreadful trouble hath— Mayhap I should replay the message whole.
Ian Doescher (Verily, a New Hope (William Shakespeare's Star Wars, #4))
PLANETARIUM Thinking of Caroline Herschel (1750–1848) astronomer, sister of William; and others. A woman in the shape of a monster a monster in the shape of a woman the skies are full of them a woman ‘in the snow among the Clocks and instruments or measuring the ground with poles’ in her 98 years to discover 8 comets she whom the moon ruled like us levitating into the night sky riding the polished lenses Galaxies of women, there doing penance for impetuousness ribs chilled in those spaces of the mind An eye, ‘virile, precise and absolutely certain’ from the mad webs of Uranusborg encountering the NOVA every impulse of light exploding from the core as life flies out of us Tycho whispering at last ‘Let me not seem to have lived in vain’ What we see, we see and seeing is changing the light that shrivels a mountain and leaves a man alive Heartbeat of the pulsar heart sweating through my body The radio impulse pouring in from Taurus I am bombarded yet I stand I have been standing all my life in the direct path of a battery of signals the most accurately transmitted most untranslatable language in the universe I am a galactic cloud so deep so invo- luted that a light wave could take 15 years to travel through me And has taken I am an instrument in the shape of a woman trying to translate pulsations into images for the relief of the body and the reconstruction of the mind.
Adrienne Rich (Collected Early Poems, 1950-1970)
I was not going to wait any longer for my life to start. I was going to start my life on my own.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters #3))
What would that be like, not to give a damn what the other women think?
Beatriz Williams (Tiny Little Thing (Schuyler Sisters, #2))
No matter what your sins, if a dog can stand you, there must be some hope left for your soul.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters #3))
Binder, in his youth, had always been interested in the supernatural, had felt some deep and nameless affinity for the questions that did not have any answers.
William Gay (Little Sister Death: A Novel)
Experience is simply the name we give our mistakes.” OSCAR WILDE
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters #3))
I want my life to be a celebration of slowness. Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend. On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space. Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness. Hand on stone -- patience. Hand on water -- music.
Terry Tempest Williams (Red: Passion and Patience in the Desert)
Dear Delphine, When you are older I want you to find Chinua Achebe. I want you to read Things Fall Apart. Don't be hardheaded and try to read this book now. Don't be hardheaded, Delphine. You are the smart one, but you are not ready. You can read all its words. Even the African words. But you will not know what Achebe is saying. It is a bad thing to bite into a hard fruit with little teeth. You will say bad things about the fruit when the problem is your teeth. I want you to read this book. I want you to know Things Fall Apart. Fourteen is a good age to find Chinua Achebe. Nzila. Your Mother. P.S. For now you are eleven. Be eleven.
Rita Williams-Garcia (P.S. Be Eleven (Gaither Sisters, #2))
A clean break, like an amputation. Eventually, you realized you could survive without all your limbs, that you could function and even thrive, because human beings were designed to take a battering. And though you weren't whole, you at least had a son. And though it sometimes seemed as if your heart had stopped beating, you at least knew that somewhere in the world, another heart was beating for you.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
They met me in the day of success: and I have learned by the perfectest report, they have more in them than mortal knowledge. When I burned in desire to question them further, they made themselves air, into which they vanished. Whiles I stood rapt in the wonder of it, came missives from the king, who all-hailed me 'Thane of Cawdor;' by which title, before, these weird sisters saluted me, and referred me to the coming on of time, with 'Hail, king that shalt be!' This have I thought good to deliver thee, my dearest partner of greatness, that thou mightst not lose the dues of rejoicing, by being ignorant of what greatness is promised thee. Lay it to thy heart, and farewell.
William Shakespeare (Macbeth)
Two, it seemed, could not live nearly as cheaply as one, especially if that one had been accustomed to subsisting on whatever fell to hand, spending what little money he did have in secondhand bookstores.
William Gay (Little Sister Death: A Novel)
Either to die the death or to abjure For ever the society of men. Therefore, fair Hermia, question your desires; Know of your youth, examine well your blood, Whether, if you yield not to your father's choice, You can endure the livery of a nun, For aye to be in shady cloister mew'd, To live a barren sister all your life, Chanting faint hymns to the cold fruitless moon. Thrice-blessed they that master so their blood, To undergo such maiden pilgrimage; But earthlier happy is the rose distill'd, Than that which withering on the virgin thorn Grows, lives and dies in single blessedness.
William Shakespeare (A Midsummer Night’s Dream)
Annabelle is deeply asleep. It seems to him that he'll wake her if he stays in bed--wake her with the force of loving her--so he untangles her from his arms instead and slips downstairs to make coffee, the way she likes it.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend’s of ten years back—your dear friend whom you hate now. Look at a file of your sister’s! How you clung to each other till you quarreled about the twenty-pound legacy! Get down the round-hand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the Nabob—your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude; how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen’s bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else
William Makepeace Thackeray (Vanity Fair)
It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.
William Kent Krueger (Ordinary Grace)
Here's the thing about New York, the thing I love most: there is no such substance as silence. If you ever stop talking, and he stops talking, the city takes over for you. A siren forms a distant parabola of sound. A door slams. The old couple in 4A argues over who will answer the telephone. The young lovers in 2C reach an animalistic climax. A million other lives play out on your doorstep, and not one of them gives a damn about your little problems. Life goes on and on and on.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .
Tennessee Williams (The Glass Menagerie)
Cecile made it sound like it was no big deal. "I've been fighting for freedom all my life." But she wasn't talking about protest signs, standing up to the Man, and knowing your rights. She was talking about her life. Just her. Not the people.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Do you know what I love most about the ocean? The way the water’s all connected. The bits and pieces have different names, but really it’s all one vast body of salt water, all the way around the earth. It’s as if we’re touching Europe, or Africa, or the Antarctic. If you close your eyes, you can feel it, like it’s right there.” Pepper
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters #3))
What are these, So withered, and so wild in their attire, That look not like th'inhabitants o'th' earth And yet are on't? - Live you, or are you aught That man may question? You seem to understand me, By each at once her choppy finger laying Upon her skinny lips. You should be women, And yet your beards forbid me to interpret That you are so.
William Shakespeare (Macbeth)
The last thing Pa and Big Ma wanted to hear was how we made a grand Negro spectacle of ourselves thirty thousand feet up in the air around all these white people.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
one can no longer distinguish between history and reality after the absinthe goes in the punch.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters #1))
What makes you Vivian.' I liked the way he said my name, all throaty on the V's, all stretched to its rightful three syllables.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
coffee is like doughnuts: even a bad batch is better than no batch at all.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters #3))
As it is the sister of reading, so it is the mother of prayer. Though a man's heart be much indisposed to prayer, yet, if he can but fall into a meditation of God, and the things of God, his heart will soon come off to prayer....Begin with reading or hearing. Go on with meditation; end in prayer....Reading without meditation is unfruitful; meditation without reading is hurtful; to meditate and to read without prayer upon both, is without blessing.
William Bridge
I'd always thought that Ditte was like the trunk of a great tree: anchored securely to what she knew to be true. After just as few days in Bath, I began to think of [Ditte's sister] Beth as the canopy. In mind and body, she responded to whatever forces came her way. [Esme Nicholl]
Pip Williams (The Dictionary of Lost Words)
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
William Shakespeare (A Midsummer Night’s Dream)
I wanted the rattle of New York around me, I wanted stink and strangers and the sour dank air of the IRT clutching me to its bosom. I wanted hustle and bustle. I wanted to know that millions of lives were playing out at my doorstep, and not one of them gave a damn about my little problems.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
It’s cruelty that gets to me. Still, it’s important to read about cruelty. “Why is it important?” Because when you read about it, it’s easier to recognize. That was always the hardest thing in the refugee camps—to hear the stories of the people who had been raped or mutilated or forced to watch a parent or a sister or a child be raped or killed. It’s very hard to come face-to-face with such cruelty. But people can be cruel in lots of ways, some very subtle. I think that’s why we all need to read about it. I think that’s one of the amazing things about Tennessee Williams’s plays. He was so attuned to cruelty—the way Stanley treats Blanche in A Streetcar Named Desire. It starts with asides and looks and put-downs. There are so many great examples from Shakespeare—when Goneril torments King Lear or the way Iago speaks to Othello. And what I love about Dickens is the way he presents all types of cruelty. You need to learn to recognize these things right from the start. Evil almost always starts with small cruelties.
Will Schwalbe (The End of Your Life Book Club)
They had to die. They were killing innocent people. (Wulf) They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra) It’s not the same thing. (Wulf) Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
This was the mother, the dead sister Ellen: this Niobe without tears who had conceived to the demon in a kind of nightmare, who even while alive had moved but without life and grieved but without weeping, who now had an air of tranquil and unwitting desolation, not as if she had either outlived the others or had died first, but as if she had never lived at all.
William Faulkner (Absalom, Absalom!)
His sister Kat, her husband, Morgan Williams, have been plucked from this life as fast as his daughters were taken, one day walking and talking and next day cold as stones, tumbled into their Thames-side graves and dug in beyond reach of the tide, beyond sight and smell of the river; deaf now to the sound of Putney's cracked church bell, to the smell of wet ink, of hops, of malted barley, and the scent, still animal, of woolen bales; dead to the autumn aroma of pine resin and apple candles, of soul cakes baking.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
William Pannell said in one of his sermons that the ugliest four-letter word in the English vocabulary is "them". It's a word that separates and divides. It's important that we know their names. It's really hard to dislike someone you pray for regularly. One of the most important things we can do to move the cause of reconciliation forward is to pray for the brothers and sisters who we have been separate from.
John M. Perkins
Hello sister." Her face was like a cup of milk dashed with coffee in the sweet warm emptiness. [...] She looked like a librarian. Something among dusty shelves of ordered certitudes long divorced from reality, desiccating peacefully, as if a breath of that air which sees injustice done.
William Faulkner (The Sound and the Fury)
Then all at once my sister touches my shoulder. I turn around and look into her eyes …Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger – anything that can blow your candles out! [LAURA bends over the candles.] – for nowadays the world is lit by lightning! Blow out your candles, Laura – and so good-bye.
Tennessee Williams
I am inside your skin, he whispered. I am reading your thoughts. What am I thinking? That you have fallen in love with me all over again. That you love my scars and my sinful habits, and my loyal heart that beats for you. That you want me to make another baby inside you, so there is no chance God will put us asunder again.
Beatriz Williams (Along the Infinite Sea (Schuyler Sisters, #3))
Down in the kitchen, I open the refrigerator. There is nothing there but the prize steer of the county fair, rearranged in neat and mysterious packages. Daily, the cook pushes her hand into the cold. The result in uncertain. A gristly Ouija. It could be pot roast or brisket, eye of the round or sirloin tip. The steer has invaded their lives. He is everywhere. There is no room for the sisters' diet-cola or for their underwear on sizzling mornings. They have been eating him for weeks.
Joy Williams
Because you learn things when you talk to people, especially people who aren't like you. You learn what a goddamned polyglot race we are, we marvelous human beings. Some people are friendly. Some people are gruff. Some want security. Others want independence. Some want the government to run things. Some want to run things on their own. Some people need a helping hand. Some people need a kick in the pants. Some want to live and to die in the same small town. Some want to ramble the wide world. Some are content with little. Some cannot stop striving. Some want to life beside a true love, to worship a single god. Some crave a universe of loves, a universe of gods. I could go on and on. The differences between them, between me and you, between you and the woman sitting next to you at the hairdresser, wearing that dress you'd never wear in a million years, reading that book you wouldn't touch. The genius of politics, of people like Frank, is to link them all, understand them all, to represent them all. Not just the ones you agree with, the ones that think and act like you do.
Beatriz Williams (Tiny Little Thing (Schuyler Sisters, #2))
A vicarious reader, her bookshelves were crowded with romantic poetry by Keats, Shelly and Byron; classic works from Jane Austen, the Bronte sisters and the great Bard himself, William Shakespeare.  In literature Angeline lost herself in the lives of others, and dreamt of adventures far beyond the Victorian farmhouse where we were raised-- a home as forlorn as the girl who lived beneath its weathered
E.A. Gottschalk (Seven Crows: The Evangeline Memoirs (Book One))
You're greedy, her mother had said to her quietly, that last night in New York, as she had packed her things. Greedy and selfish. It's not the knowledge you want, you can have that from your journals. you want to be in the newspapers, you want to be Marie Curie, you wat to think you're different from all of us. That all other women are silly and complacent and conventional, except you, brilliant you.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!
William Shakespeare (The Two Gentlemen of Verona)
Sir William was also startled, but when Vicky smiled at him, rather in the manner of an engaging street-urchin, his countenance relaxed slightly, and he asked her what she was doing with herself now that she had come home to live. "Well it all depends," she replied seriously. Sir William had no daughters, but only his memories of his sisters to guide him, so he said that he had no doubt she was a great help to her mother, arranging flowers, and that kind of thing. "Oh no, only if it's that sort of a day!" said Vicky. Sir William was still turning this remark over in his mind when the butler came in to announce that dinner was served.
Georgette Heyer (No Wind of Blame (Inspectors Hannasyde & Hemingway, #5))
You know something? The oddest picture came into my mind just then. I saw Dadums in the chair in the hospital waiting room, cradling my mother’s sleeping head on his lap, raising his finger to his lips so no one would disturb her. And. I heard Violet’s voice in my ears, as kind and clean as water: He loved me as much as it was possible for him to love another person. I thought, out of the blue, maybe this isn’t so hard after all. Maybe
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters #1))
You lay down these tracks, even though you know it’s not the right track, even though you can see what track’s the right one. But you don’t know how to get off yours. You know how you want to behave, what you want to be, the change you need to make—the thing you need to stop doing, or start doing—and yet you stay on your old track. You can’t find the switch that takes you to the other one. You can see the change, the desired state, but you can’t quite touch it.
Beatriz Williams (Tiny Little Thing (The Schuyler Sisters Novels Book 2))
Somewhere out there, in the night sky-and it could only be night-were the glittering stars, and among them his, the one he had always known. This star, his, millions of miles away, was yet closer than Amanda, because if he had the will and the strength to get up, uncover his window, and look out, he could see it. He knew, therefore, that it existed. But as for Amanda, father, mother, sisters, brothers, aunts, uncles, cousins, friends, and the rest of society and the animal kingdom, he had to believe they were there, and it was hard to have this faith. As far as he really knew, he himself was the only, lonely, living thing that existed, and in his coma of coldness, he was not so sure of that.
William Steig (Abel's Island)
David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.
Phil Klay (Redeployment)
Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend's of ten years back--your dear friend whom you hate now. Look at a file of your sister's: how you clung to each other till you quarrelled about the twenty-pound legacy! Get down the roundhand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the nabob--your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude, how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen's bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink, should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else.
William Makepeace Thackeray (Vanity Fair)
Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.
Ellen Herrick (The Sparrow Sisters)
It is real learning, knowledge cultivated for its own sake—the Art of Knowledge, in short—which is followed there, not the Commercial learning of the past. Though perhaps you do not know that in the nineteenth century Oxford and its less interesting sister Cambridge became definitely commercial. They (and especially Oxford) were the breeding places of a peculiar class of parasites, who called themselves cultivated people; they were indeed cynical enough, as the so-called educated classes of the day generally were; but they affected an exaggeration of cynicism in order that they might be thought knowing and worldly-wise. The rich middle classes (they had no relation with the working classes) treated them with the kind of contemptuous toleration with which a mediaeval baron treated his jester; though it must be said that they were by no means so pleasant as the old jesters were, being, in fact, THE bores of society. They were laughed at, despised—and paid. Which last was what they aimed at.
William Morris (News from Nowhere)
Though yet of Hamlet our dear brother’s death The memory be green, and that it us befitted To bear our hearts in grief and our whole kingdom To be contracted in one brow of woe, Yet so far hath discretion fought with nature That we with wisest sorrow think on him Together with remembrance of ourselves. Therefore our sometime sister, now our queen, Th' imperial jointress to this warlike state, Have we—as ’twere with a defeated joy, With an auspicious and a dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole— Taken to wife. Nor have we herein barred Your better wisdoms, which have freely gone With this affair along. For all, our thanks.
William Shakespeare (Hamlet (Classics Illustrated #99))
Funny thing, falling in love. You can't quite explain the difference between this--kissing the girl you love, having sex with the girl you love--and all the kissing and all the sex that came before. You can't describe the difference between her flesh and that flesh, her hips and their hips, her gasp and those gasps. You can't parse the qualitative and quantitative aspects of the experience, the units that make up the whole, any more than you, the untrained viewer, can explain why the Mona Lisa is the Mona fucking Lisa. You just stand back and take it in and say, Wow, so this is art. You lie back in your bed, you hold her next to your chest, her ribs next to your ribs, her breath and your breath, and you say, So this is love.
Beatriz Williams (Tiny Little Thing (Schuyler Sisters, #2))
What was it like when your mother passed away?” I asked Mimi. “I was twenty-eight years old. I had just given birth to John when I found out Mother had died from a stomach ulcer. A sudden infection. She had just made plans to come from Washington, D.C. to see him.” She paused. “I’ll never forget the telegram my sister Marion sent. I couldn’t believe it. It was so final. Suddenly, the world seemed very dark. I couldn’t imagine how I was going to live without her and I grieved deeply that she was never able to see her first grandchild. But I will tell you, Terry, you do get along. It isn’t easy. The void is always with you. But you will get by without your mother just fine and I promise you, you will become stronger and stronger each day.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
Doomed and knew it, accepted the doom without either seeking or fleeing it. Loved her brother despite him, loved not only him but loved in him that bitter prophet and inflexible corruptless judge of what he considered the family's honor and its doom, as he thought he loved but really hated in her what he considered the frail doomed vessel of its pride and the foul instrument of its disgrace, not only this, she loved him not only in spite of but because of the fact that he himself was incapable of love, accepting the fact that he must value above all not her but the virginity of which she was custodian and on which she placed no value whatever: the frail physical stricture which to her was no more than a hangnail would have been. Knew the brother loved death best of all and was not jealous, would (and perhaps in the calculation and deliberation of her marriage did) have handed him the hypothetical hemlock. Was two months pregnant with another man's child which regardless of what its sex would be she had already named Quentin after the brother whom they both (she and her brother) knew was already the same as dead...
William Faulkner (The Sound and the Fury)
It was after a Frontline television documentary screened in the US in 1995 that the Freyds' public profile as aggrieved parents provoked another rupture within the Freyd family, when William Freyd made public his own discomfort. 'Peter Freyd is my brother, Pamela Freyd is both my stepsister and sister-in-law,' he explained. Peter and Pamela had grown up together as step-siblings. 'There is no doubt in my mind that there was severe abuse in the home of Peter and Pam, while they were raising their daughters,' he wrote. He challenged Peter Freyd's claims that he had been misunderstood, that he merely had a 'ribald' sense of humour. 'Those of us who had to endure it, remember it as abusive at best and viciously sadistic at worst.' He added that, in his view, 'The False memory Syndrome Foundation is designed to deny a reality that Peter and Pam have spent most of their lives trying to escape.' He felt that there is no such thing as a false memory syndrome.' Criticising the media for its uncritical embrace of the Freyds' campaign, he cautioned: That the False Memory Syndrome Foundation has been able to excite so much media attention has been a great surprise to those of us who would like to admire and respect the objectivity and motive of people in the media. Neither Peter's mother nor his daughters, nor I have wanted anything to do with Peter and Pam for periods of time ranging up to two decades. We do not understand why you would 'buy' into such an obviously flawed story. But buy it you did, based on the severely biased presentation of the memory issue that Peter and Pam created to deny their own difficult reality. p14-14 Stolen Voices: An Exposure of the Campaign to Discredit Childhood Testimony
Judith Jones Beatrix Campbell
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
(William) Hamilton recast the central ideas (of the evolutionary theory of aging) in mathematical form. Though this work tells us a good deal about why human lives take the course they do, Hamilton was a biologist whose great love was insects and their relatives, especially insects which make both our lives and an octopus’s life seem rather humdrum. Hamilton found mites in which the females hang suspended in the air with their swollen bodies packed with newly hatched young, and the males in the brood search out and copulate with their sisters there inside the mother. He found tiny beetles in which the males produce “and manhandle sperm cells longer than their whole bodies. Hamilton died in 2000, after catching malaria on a trip to Africa to investigate the origins of HIV. About a decade before his death, he wrote about how he would like his own burial to go. He wanted his body carried to the forests of Brazil and laid out to be eaten from the inside by an enormous winged Coprophanaeus beetle using his body to nurture its young, who would emerge from him and fly off. 'No worm for me nor sordid fly, I will buzz in the dusk like a huge bumble bee. I will be many, buzz even as a swarm of motorbikes, be borne, body by flying body out into the Brazilian wilderness beneath the stars, lofted under those beautiful and un-fused elytra [wing covers] which we will all hold over our “backs. So finally I too will shine like a violet ground beetle under a stone.
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
By looking after his relatives' interests as he did, Napoleon furthermore displayed incredible weakness on the purely human level. When a man occupies such a position, he should eliminate all his family feeling. Napoleon, on the contrary, placed his brothers and sisters in posts of command, and retained them in these posts even after they'd given proofs of their incapability. All that was necessary was to throw out all these patently incompetent relatives. Instead of that, he wore himself out with sending his brothers and sisters, regularly every month, letters containing reprimands and warnings, urging them to do this and not to do that, thinking he could remedy their incompetence by promising them money, or by threatening not to give them any more. Such illogical behaviour can be explained only by the feeling Corsicans have for their families, a feeling in which they resemble the Scots. By thus giving expression to his family feeling, Napoleon introduced a disruptive principle into his life. Nepotism, in fact, is the most formidable protection imaginable : the protection of the ego. But wherever it has appeared in the life of a State—the monarchies are the best proof—it has resulted in weakening and decay. Reason : it puts an end to the principle of effort. In this respect, Frederick the Great showed himself superior to Napoleon—Frederick who, at the most difficult moments of his life, and when he had to take the hardest decisions, never forgot that things are called upon to endure. In similar cases, Napoleon capitulated. It's therefore obvious that, to bring his life's work to a successful conclusion, Frederick the Great could always rely on sturdier collaborators than Napoleon could. When Napoleon set the interests of his family clique above all, Frederick the Great looked around him for men, and, at need, trained them himself. Despite all Napoleon's genius, Frederick the Great was the most outstanding man of the eighteenth century. When seeking to find a solution for essential problems concerning the conduct of affairs of State, he refrained from all illogicality. It must be recognised that in this field his father, Frederick-William, that buffalo of a man, had given him a solid and complete training. Peter the Great, too, clearly saw the necessity for eliminating the family spirit from public life. In a letter to his son—a letter I was re-reading recently—he informs him very clearly of his intention to disinherit him and exclude him from the succession to the throne. It would be too lamentable, he writes, to set one day at the head of Russia a son who does not prepare himself for State affairs with the utmost energy, who does not harden his will and strengthen himself physically. Setting the best man at the head of the State—that's the most difficult problem in the world to solve.
Adolf Hitler (Hitler's Table Talk, 1941-1944)