Old Selfie Quotes

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Let's take a selfie. We can't, our phones are dead, remember? We'll just have to have the memory in our hearts like the old days.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Nothing had changed and yet everything had changed, and it was this invisibility that he found most disturbing, for it depicted by omission all the old freedoms. The vitality hidden in things that may have once got on his nerves had been snuffed out: there were no groups of tourists taking selfies; no men of God yelling fire and brimstone; no demonstrators marching or chaining themselves onto railings; no feverish sounds, or smells of sugared almonds and poisonous hot dogs – unbelievably no smells at all. The loudness of these absences was unendurable; it was all Mr Rubens could do to click his eyes wide open, and cast around for memories that might oppose the deadly dearth.
Panayotis Cacoyannis (The Coldness of Objects)
Develop a healthy relationship with food. If you’re hungry, eat. If you’re full, don’t eat. Eat vegetables to be good to your body, but eat ice cream to be good to your soul. Take pictures of yourself frequently. Chronicle your life. Selfies are completely underrated. Even if the pictures are unflattering, keep them anyway. There will always be mountains and cities and buildings, but you will never look the same way as you did in that one moment in time. Your worth does not depend on how desirable someone finds you. Spend less time in front of the mirror and more time with people who make you feel beautiful. Close doors. Don’t hold onto things that no longer brings you happiness and do not help you grow as a person. It is okay to walk away from toxic relationships. You are not weak for letting go. Forgive yourself. We all have something in our pasts that we are ashamed of, but they only weigh us down if we allow them to. Make amends with the old you and work every day to become the person that you’ve always wanted to be.
Tina Tran
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
Jeanette LeBlanc
If our fate was now a personal matter, that meant turning the pursuit of perfection inwards. New thinkers, the Cynics and the Stoics, preached that human civilization was corrupt and that happiness lay in refusing its old lures. The perfect self was not one of fame and glory, after all, but one of pious virtue. The righteous man lived humbly and obediently. He trained himself to resist temptation. In order to protect our soul from the evil that was everywhere, we had to purge ourselves of the sinful excesses of our youth and become pure. And so we got down on our knees and we crossed ourselves and prayed.
Will Storr (Selfie: How We Became So Self-Obsessed and What It's Doing to Us)
This banal and crass process is how I met Lindsay Mills, my partner and the love of my life. Looking at the photos now, I’m amused to find that nineteen-year-old Lindsay was gawky, awkward, and endearingly shy. To me at the time, though, she was a smoldering blonde, absolutely volcanic. What’s more, the photos themselves were beautiful: they had a serious artistic quality, self-portraits more than selfies. They caught the eye and held it. They played coyly with light and shade. They even had a hint of meta fun: there was one taken inside the photo lab where she worked, and another where she wasn’t even facing the camera.
Edward Snowden (Permanent Record)
I once saw Hillary criticize Bernie’s college plan (“I’m not going to take care of rich people”) to a thirteen-year-old whom she then referred to HillaryClinton.com to read the details of her “New College Compact.” “That’s what it’s called, okay?” Hillary said, crouching down to eye level with the teen. He stared blankly. “Want a selfie?!” she asked.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
Hours of insanity and escape . . . in which I write inadequate verse, read, rage . . . record anecdotes which fade into the page like stains . . . beat time with my pencil’s business end . . . nip at the loose skin on the side of my hand with my teeth . . . cast schemes and tropes like horoscopes . . . practice catachresis as though it were croquet . . . grrrowl . . . kick wastebaskets into corners . . . realize that when I picture my methods of construction all the images are architectural, but when I dream of the ultimate fiction—that animal entity, the made-up syllabic self—I am trying to energize old, used-up, stolen organs like Dr. Frankenstein . . . grrrind . . . throw wet wads of Kleenex from a spring or winter cold into the corner where they mainly miss the basket . . . O . . . Ohio: I hear howling from both Os . . . play ring agroan the rosie . . . pace . . . put an angry erection back in my pants . . . rhyme . . . Then occasionally perceive beneath me on the page a few lines which . . . while I was elsewhere must have . . . yes, a few lines which have . . . which have the sound . . . the true whistle of the spirit. Wait’ll they read that, I say, perhaps even aloud, over the water running in the kitchen sink, over the noise of my writing lamp, coffee growing cold in the cup, the grrowl of my belly. Yet when I raise my right palm from the paper where, in oath, I’ve put it, the whistle in those words is gone, and only the lamp sings. Till I pull its chain like a john.
William H. Gass (In the Heart of the Heart of the Country: And Other Stories (NYRB Classics))
May 19th 2031_ Eleven months before_ I opened my eyes to see darkness and the sound of my alarm beeping. 0400 hours. I turned it off and got up. I looked for my glasses on my bedside cabinet and put them on. "Alexa, Good morning roll," I said loudly in the dark room. The lights came on and the curtains opened, the speaker turned on and started playing my Spotify playlist. I slowly got dressed and made myself breakfast. After breakfast, I downed a 500ml bottle of zero coke. I leaned to one side and burped. I looked around my kitchen. The dark marble counter and white cupboards, walls and ceiling matched with each other. I looked outside the kitchen window at the traffic down below. I was about 6 floors high, if you were to jump off from that high, there is a very high chance you might die. And if you were lucky to survive, you would be immobilised from your broken legs and hip and ribs. I turned around and sat on the black leathery sofa and switched on the TV. I looked on Netflix at old World War Two films that I could watch before bed. I scrolled through the list. From 'Dunkirk' to 'Unbroken' to a lot more films. I chose a couple and switched the TV onto the news. The reporter said that there was a knife crime in Redding earlier. I sighed but was relieved that it wasn't me. It is a low chance that I would get murdered by someone or people with knives in England but it's still a possibility. I turned the TV off and looked at my phone. There was nothing new on Discord and nothing new on WhatsApp. I checked my Snapchat and opened a few Snaps from my friends at work. I took a selfie of myself in my apartment not working. I sent it off and was happy that I don't work on
John Struckman (2032: The Beginning)
What the fuck is a selfie?” said Miss Sheryl. “When a stupid person with a smartphone flicks themselves and looks at it,” I said to the room. She replied with a raised eyebrow, “Oh?” It’s amazing how the news seems so instant to most from my generation—with our iPhones, Wi-Fi, tablets, and iPads—but actually it isn’t. The idea of information being class-based as well became evident to me when I watched my friends talk about a weeks-old story as if it happened yesterday. Miss
D. Watkins (The Beast Side: Living and Dying While Black in America)
I’d barely closed the door behind me and tossed my keys into the little dish by the door when my phone rang. Not my cell phone, which was silent in my bag, but the old-school landline attached to the wall in the kitchen. It didn’t have caller ID, but I knew who it was. There was only one person in my life who had the number. “Hey, Mom.” “Hi, honey, I heard your car. Did you have dinner? We just finished eating, but I can fix you a plate.” “No. No, I’m fine. I ate when I was out.” I slid my little leather backpack off my shoulders, the buttery blue leather bag I’d bought just as Faire had ended—I hadn’t been kidding about the retail therapy—and dropped it onto my kitchen table. “I’m kind of tired; it’s been a long day. I think I’ll watch a little TV and turn in.” See? Semi-independence. Mom didn’t call every night, but often enough to remind me that in some ways—in most ways—I still lived at home. I loved my parents, but it was getting old. Hell, I was getting old. I was almost twenty-seven, for God’s sake. That feeling of getting older without really being allowed to grow up lingered, and that feeling combined with the sight of Emily’s engagement ring. I’m gonna miss her. Now that stray thought made sense. Getting married, becoming a wife. And what was I doing? Going out to Jackson’s every Friday night and posting the same selfies on Instagram. I needed to get a life. I needed another glass of wine.
Jen DeLuca (Well Played (Well Met, #2))
The soil, where family seeds are laid in this city, is rotten. Boys and men still believe in the illusion that their crowning achievements are sleeping with as many women as they can. The more women, the more they are revered as a man. They are left in the dark, completely oblivious to the truth that a part of them is given away or dies with every meaningless sexual exploit. The ignorant remain content until one day, and that day may come when they are on their deathbed, where the veil is removed and the harsh reality slaps them with a sobering truth. And that truth, wrapped with regret, sucks the nectar out of all the names, the faces, the bodies, the women who they thought they conquered. They are left free-falling in a never-ending pit. It could be in a flash, and time and space no longer hold ground. That split second will feel like their entire lifetime. That never-ending pit is their hell. As for the girls and women, they too are lost souls. They dive into a virtual world of selfies, likes, hearts and fire emojis. They get chased by men, their sense of self-worth builds to a crescendo, filling them with a sense of desire. A sense of being wanted. The dopamine, the deceitful dopamine, gives them a false sense of value. They lose sight of the difficult “real world” questions: What am I worth? What is my purpose? What are my principles? They lose themselves in pixels and scrolls. It starts with a selfie and pouchy lips. Then a collarbone. Then the breasts. Then the ass. This never-ending loop of reward tricks them into baring themselves naked, physically and emotionally, for men behind a screen to admire. They buy into the idea that every man desires them. They entertain them. And they do. Only for a brief period of time. Then time starts plotting. They get old. The same breasts that got likes and drooling emoji faces from men start to sag. Her ass no longer the peach standard emoji. Her womb, no longer able to bear children. She is left empty. Hollow. All of those likes, comments and meaningless nights with men who do not even remember her name leave her shattered. They gave in their youth for cheap thrills unaware that Father Time comes after every living soul. They then too plunge into that never-ending pit with the men they lived a lie in. That also becomes their hell.
Soroosh Shahrivar (Tajrish)
.I hope you find life as a gift though it is strung with laughter and tears....I hope emotions swell within your deeps as you hear your long-lost song for what truly kept you alive is never too old to die...I hope you embrace growth and change and fall in love with life again...I hope you make memories in places where you once ran away from...I hope you find love in places that were too harsh and dry...I hope you hold a space within yourself to be softer and kinder to your own self...I hope you see...In the unfolding of flowers, love is tucked so deeply inside....I hope you sense...In the smell of nostalgic memories, love has sweetly scented them in places....I hope in the end you see...Life is truly a gift...
Jayita Bhattacharjee
Let's take a selfie." "We can't; our phones are dead, remember? We'll just have to have the memory in our hearts like the old days.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
A videogame called Lost Memories Dot Net by Nina Freeman draws on Freeman’s own adolescent selfies and memories of the 2004 internet: you play as a fourteen-year-old girl designing her new anime fansite-slash-blog and IMing with her best friend about the boy they both have a crush on, in a tabbed interface that resembles an Internet Explorer theme from the era.
Gretchen McCulloch (Because Internet: Understanding the New Rules of Language)
Bekily, a 12-year-old ring-tailed lemur at London Zoo, grabbed his keeper's camera to take a selfie
Anonymous