Old Pirate Sayings And Quotes

Right,' I scoffed, 'Alpha Yam Ergo.' Adrian nodded solemnly. 'A very old and prestigious society.' 'I've never heard of them,' said the girl who'd claimed the first shirt. 'They don't let many people in,' he said. In white paint, he wrote his fake fraternity's initials: AYE. 'Isn't that what pirates say?' asked one of the girls. 'Well, the Alpha Yams have nautical origins,' he explained. To my horror he began painting a pirate skeleton riding a motorcycle. 'Oh, no,' I groaned. 'Not the tattoo.' 'It's our logo,' he said.

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away. But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much

She can’t bring herself to say the goodbye she feels coming out loud. They are so old now—maybe it doesn’t need to be said. Maybe it’s already woven into each moment they share. Someone will be left behind; this is what love costs.

i’ll tell you a tale of Vampirates, a tale as old as true. Yea, I’ll sing you a song of an ancient ship, that sails the ocean blue... That haunts the ocean blue. the Vampirate ship has tattered sails, that flap like wings in flight. They say that the Captain, he wears a veil, so as to curtail your fright. At his death pale skin, and his lifeless eyes, and his teeth sharp as night. Oh, they say that the Captain, he wears a veil, and his eyes never see the light. you better be good child- good as gold. As good as good can be. Else I’ll tell you to the in to the vampirates, and wave you out to sea. Yes, you’d better be good child- good as gold, because- lookཀ can you see?, There’s a dark ship in the harbor tonight. And there’s room in the hold for thee. (Plenty of room for thee.) Well if pirates are bad. And vampires are worse. Then I pray, that as long as I be, that though I sing of Vampirates, I never one shall I see. Yea, if Pirates are danger, and Vampirates are death, I’ll extend my prayer for thee- that thine eyes never see a Vampirate... ...and they never lay a hand on thee.

I see a hand you cannot see, Which beckons me away; I hear a voice you cannot hear, Which says I must not stay. MALLET.

There is an old saying, that there is honour amongst thieves, and so it often proves.

After deliberating my options for a split second, I rolled my chair over to watch him tattoo the guy he had hunched over, working on an old pirate ship right smack on the middle of the man’s brawny shoulder. I didn’t say a word as I watched him, not wanting to distract him from the man who had been all too excited to request Slim’s work an hour before. But my friend Slim had other thoughts. His green eyes flashed up at me. “What was that about?” "Huh?" I played stupid. Slim pulled the gun off the customer’s skin, dabbing at the beaded blood before continuing with a shake of his head. "Since when are you guys BFFs?" I’d learned over the last month how chatty all the guys were, well, specifically Slim and Blake. If I answered his question just remotely weird, I’d bet my first born Slim would jump to some kind of crazy conclusion that I wanted no part of. So I went with the truth. “I heard him fart last night. It kind of broke the ice.” The little whistle he let out told me that was good enough. He snorted and raised an eyebrow before getting back to work. “That’ll do it.

Nothing she says or does would surprise me.” Gideon faced the helm once more, putting his back to Barnaby. He wasn’t about to go anywhere near Sara again, not the way he was feeling now. Let Barnaby deal with her today. “Maybe not, but that doesn’t mean it’s nothing to worry about. You’ve got more schooling than I have, but isn’t Lysistrata the play where the women refuse to have relations with their husbands until the men agree to stop going to war?” With a groan, Gideon clenched the wheel. Lysistrata was among the many words of literature his father had forced down his throat once he was old enough to read. “Yes. But don’t try to tell me she’s teaching them that. It’s Greek, for god’s sake. They wouldn’t understand a word, even if she knew it well enough to recite it.” “She knows it well enough to give them a free translation, I assure you. When I left her she was telling them the story with great enthusiasm.” Barnaby reached for the helm when Gideon swung away from it with an oath. “I should never have taken her aboard,” he grumbled as he strode for the ladder. “I should have sent her back to England gagged and bound!

Please Call Me By My True Names Don’t say that I will depart tomorrow— even today I am still arriving. Look deeply: every second I am arriving to be a bud on a Spring branch, to be a tiny bird, with still-fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of a flower, to be a jewel hiding itself in a stone. I still arrive, in order to laugh and to cry, to fear and to hope. The rhythm of my heart is the birth and death of all that is alive. I am a mayfly metamorphosing on the surface of the river. And I am the bird that swoops down to swallow the mayfly. I am a frog swimming happily in the clear water of a pond. And I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am also the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands. And I am the man who has to pay his “debt of blood” to my people dying slowly in a forced-labor camp. My joy is like Spring, so warm it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast it fills the four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and the door of my heart could be left open, the door of compassion.

Now, that bird," he would say, "is, maybe, two hundred years old, Hawkins--they live forever mostly; and if anybody's seen more wickedness, it must be the devil himself. She's sailed with England, the great Cap'n England, the pirate. She's been at Madagascar, and at Malabar, and Surinam, and Providence, and Portobello. She was at the fishing up of the wrecked plate ships. It's there she learned 'Pieces of eight,' and little wonder; three hundred and fifty thousand of 'em, Hawkins! She was at the boarding of the viceroy of the Indies out of Goa, she was; and to look at her you would think she was a babby. But you smelt powder-- didn't you, cap'n?

I God, a very Gomorry on wheels! You lead the most exciting life I know of, and complain more about it than any two well-off bastards in the running. I am glad to hear you sound like your old self, though I never hearn of no Jonathan with two Davids. Top of this letter is an allusion to that wonderful novel, The SotWeed Factor, in which Ebenezer Cooke, “poet and virgin,” is about to be raped by a buncher sailors (they have him tied across a table in the fo’c’sle; he is saved by a raiding party of pirates, one of whom strides into the scene and says, “I God, this here ship’s a very floatin’ Gomorry!” Have come down with the flu since inditing the above. [...]. The mail yestiddy brought a letter from Sam Beckett! asked to see Sappho and Arky. I sag with fatigue. Blessings. Guy

Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less." I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?" "Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue." Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?" "I don't-" "Bullshit." I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-" "Right.Don't.Just don't, with me, anyway. I like you better feisty." I couldn't help it; that made me smile. "Did you really just say 'feisty'?" "I did.It's a good word." "It's am old word, favored by granddads and pirates." "Yar," Alex sighed. "Face it.You're just an old-fashioned guy." "Whatever.Three...?" "Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst." "What are the firsts?" "Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal." He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink." "You don't-" "Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.

There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.

Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!

Porridge is our soup, our grits, our sustenance, so it's pretty much the go-to for breakfast. For the first time, I ate with a bunch of other Taiwanese-Chinese kids my age who knew what the hell they were doing. Even at Chinese school, there were always kids that brought hamburgers, shunned chopsticks, or didn't get down with the funky shit. They were like faux-bootleg-Canal Street Chinamen. That was one of the things that really annoyed me about growing up Chinese in the States. Even if you wanted to roll with Chinese/Taiwanese kids, there were barely any around and the ones that were around had lost their culture and identity. They barely spoke Chinese, resented Chinese food, and if we got picked on by white people on the basketball court, everyone just looked out for themselves. It wasn't that I wanted people to carry around little red books to affirm their "Chinese-ness," but I just wanted to know there were other people that wanted this community to live on in America. There was on kid who wouldn't eat the thousand-year-old eggs at breakfast and all the other kids started roasting him. "If you don't get down with the nasty shit, you're not Chinese!" I was down with the mob, but something left me unsettled. One thing ABCs love to do is compete on "Chinese-ness," i.e., who will eat the most chicken feet, pig intestines, and have the highest SAT scores. I scored high in chick feet, sneaker game, and pirated good, but relatively low on the SAT. I had made National Guild Honorable Mention for piano when I was around twelve and promptly quit. My parents had me play tennis and take karate, but ironically, I quit tennis two tournaments short of being ranked in the state of Florida and left karate after getting my brown belt. The family never understood it, but I knew what I was doing. I didn't want to play their stupid Asian Olympics, but I wanted to prove to myself that if I did want to be the stereotypical Chinaman they wanted, I could. (189) I had become so obsessed with not being a stereotype that half of who I was had gone dormant. But it was also a positive. Instead of following the path most Asian kids do, I struck out on my own. There's nature, there's nurture, and as Harry Potter teaches us, there's who YOU want to be. (198) Everyone was in-between. The relief of the airport and the opportunity to reflect on my trip helped me realize that I didn't want to blame anyone anymore, Not my parents, not white people, not America. Did I still think there was a lot wrong with the aforementioned? Hell, yeah, but unless I was going to do something about it, I couldn't say shit. So I drank my Apple Sidra and shut the fuck up. (199)

A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion. Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.” Ya think? I ran for my bag and pulled out the staff. Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind. I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot. Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town. Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation. Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.

Thich Nhat Hanh shares this Mahayana philosophy of non-dualism. This is clearly demonstrated in one of his most famous poems, “Call Me By My True Names:”1 Don’t say that I will depart tomorrow– even today I am still arriving. Look deeply: every second I am arriving to be a bud on a spring branch, to be a tiny bird, with still fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of flower, to be a jewel hiding itself in a stone. I am still arriving, in order to laugh and to cry, in order to fear and to hope, the rhythm of my heart is the birth and death of every living creature. I am the mayfly metamorphosing on the surface of the river. And I am the bird, that swoops down to swallow the mayfly. I am the frog swimming happily in the clear water of a pond, and I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands, and I am the man who has to pay his “debt of blood” to my people, dying slowly in a forced-labor camp. My joy is like spring, so warm that it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast that it fills up all four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and open the door of my heart, the door of compassion. (Nhat Hanh, [1993] 1999, pp. 72–3) We

See how cruel the whites look. Their lips are thin, their noses sharp, their faces furrowed and dis­torted by folds. Their eyes have a staring expression; they are always seeking something. What are they seeking? The whites always want something; they are always uneasy and restless. We do not know what they want. We do not understand them. We think that they are mad." I asked him why he thought the whites were all mad. "They say that they think with their heads," he replied. "Why of course. What do you think with?" I asked him in surprise. "We think here," he said, indicating his heart. I fell into a long meditation. For the first time in my life, so it seemed to me, someone had drawn for me a picture of the real white man. It was as though until now I had seen nothing but sentimental, prettified color prints. This Indian had struck our vulnerable spot, unveiled a truth to which we are blind. I felt rising within me like a shapeless mist something unknown and yet deeply familiar. And out of this mist, image upon image detached itself: first Roman legions smashing into the cities of Gaul, and the keenly incised features of Julius Caesar, Scipio Africanus, and Pompey. I saw the Roman eagle on the North Sea and on the banks of the White Nile. Then I saw St. Augus­tine transmitting the Christian creed to the Britons on the tips of Roman lances, and Charlemagne's most glorious forced con­versions of the heathen; then the pillaging and murdering bands of the Crusading armies. With a secret stab I realized the hol­lowness of that old romanticism about the Crusades. Then fol­lowed Columbus, Cortes, and the other conquistadors who with fire, sword, torture, and Christianity came down upon even these remote pueblos dreaming peacefully in the Sun, their Father. I saw, too, the peoples of the Pacific islands decimated by firewater, syphilis, and scarlet fever carried in the clothes the missionaries forced on them. It was enough. What we from our point of view call coloniza­tion, missions to the heathen, spread of civilization, etc., has another face - the face of a bird of prey seeking with cruel in­tentness for distant quarry - a face worthy of a race of pirates and highwaymen. All the eagles and other predatory creatures that adorn our coats of arms seem to me apt psychological representatives of our true nature.

Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress

Francesca Spaghetti let out a shriek as a tiger cub jumped up from behind the sofa and sat on a yellow cushion to lick its paws. It looked at her through pale golden eyes. “I know those eyes...” she thought to herself. Then, it “spoke” to her. It didn’t actually open its mouth and move its lips, it was just that Francesca Spaghetti could “hear” its thoughts and right now its thoughts were saying, “I wish I had some nice tuna fish to eat.” “Hold on,” said Francesca Spaghetti. “Is that you, Lulu?

One of Walter’s favorite directors was David Butler, who directed him in Kentucky and again in a Bob Hope vehicle, The Princess and the Pirate (November 17, 1944). Butler and Brennan became close friends, and sometime after Brennan won his first Oscar they considered working on a project that would bring Brennan’s own story to the screen. Darryl Zanuck was reported to have assigned a team of writers to do just that, but there seems to be no record of what happened next, except for a newspaper article announcing that Butler and Brennan had decided to turn the autobiography into a stage play, to be titled “The Old Character.” Brennan would play himself, “returning to the footlights for the first time since he put away his makeup box in 1918 after two years in France in the 26th Division.” What became of this project is also a mystery, although Mike Brennan says, “I think that stage play kind of soured him. He liked it, but things had gone too far in the movie business. He didn’t care about it.” The story, so to speak, had been worn out, Mike thought.

But who is he, my protagonist? Jacob? Marusya? Genrikh? Me? Yurik? No. No one, in fact, who is conscious of an individual existence, of birth and an anticipated, and unavoidable, death. Not a person at all, one might say, but a substance with a certain chemical makeup. And is it possible to call a “substance” something that, being immortal, has the capacity to transform itself, to change all its fine, subtle little planes and angles, its crooks and crevices, its radicals? It is more likely an essence that belongs neither to being nor to nonbeing. It wanders through generations, from person to person, and creates the very illusion of personality. It is the immortal essence, written in code, that organized the mortal bodies of Pythagoras and Aristotle, Parmenides and Plato, as well as the random person one encounters on the road, in the streetcar, on the metro, or in the seat next to you in an airplane. Who suddenly appears before you, and calls up a familiar, dim sensation of a previously glimpsed outline, a bend or a curve, a likeness—perhaps of a great-grandfather, a fellow villager, or even someone from the other side of the world. Thus, my protagonist is essence itself. The bearer of everything that defines a human being—the high and the low, courage and cowardice, cruelty and gentleness, and the hunger for knowledge. One hundred thousand essences, united in a certain pattern and order, form a human being, a temporary abode for each and every person. This is, in fact, immortality. And you, a human being—a white man, a black woman, an idiot, a genius, a Nigerian pirate, a Parisian baker, a transvestite from Rio de Janeiro, an old rabbi from Bnei Brak—you, too, are just a temporary abode.

I’m still eleven years old and still a scrawny dude. As much as I want to say being a ninja bulked me up a bunch, it hasn’t, but that’s a good thing since a beefy ninja would be weird looking. Buchanan School has been good to me. I was the new kid at the start of the year, but nobody really gave me gruff about it. Cool kids and sports stars fill the hallways between classes, and I do my best to stay off everyone’s radar. I’m what some people might call a “comic book nerd,” but I prefer the term “aficionado,” which means I’m more of an expert in comics and less of a nerd. It’s a term I learned from my cousin, Zoe. She’s the coolest cousin in the world, but don’t tell her I said that. I’ve become better friends with Brayden, the werewolf hunter, but I wouldn’t say we’re “best friends.” We’ve hung out a couple times outside of school to watch bad horror movies and make fun of them. Trust me when I say it’s a lot more fun than it sounds. Zoe came over once and even she laughed a couple times. About

It's like my old Aunt Joan always used to say: if you're going to end up fighting monsters, Pirate Captain, try to stick to ventriloquist's dummies who have gone alive.

Thich Nhat Hanh says that he was inspired to write the poem in 1976 when he first heard about the rape and suicide of the twelve-year-old girl spoken of in the poem. “I learned,” he says, “after meditating for several hours that I could not just take sides against the pirate. I saw that if I had been born in his village and brought up under the same conditions, I would be exactly like him. Taking sides is too easy” (Nhat Hanh, 1993, p. 107).

If you ask folks at Mike’s Monodimensional Black Market to name the most feared patron, they will, without an instant of hesitation, point out Hobo José—a terrifying man-creature who slinks around the border of the market, dressed in tarnished chain mail and a number of lacy $oral scarves which have been glued together to form a clumpy sort of cape. He mumbles and grumbles to himself incessantly, but the only word anyone’s heard him say—to date—is less of a word and more of an aggressive, constipated grunt. He has one hand, and it never lets go of a battered old briefcase. No one knows what’s in the briefcase, and no one has ever been brave enough or stupid enough to ask. Everyone fears him, though no one is quite sure why.

Is everything ok?" "I'm getting old and gray trying to keep up with them," John teased with a wink. "Things are fine," Michele said. "We've learned a lot about Bath and pirates and have been swimming a lot, and they have the neatest little library here, but . . ." Michele stopped and slumped down in a heap on the floor by her Mother's feet. ". . . but they haven't found that missing head yet?" Mother finished. "Exactly!" Michele said. "Just finding that stupid old head would solve everything, and I would have a chance to be in a real play before I'm old and gray." "Such ambition!" said Mother. "I was delighted to get published before I was thirty. But I guess your reach should exceed your grasp." "It seems like my grasp has been at straws so far this summer," Michele said. A quizzical two plus-two-equals-four look came over John's face. "Just how hard have you kids been looking for that head?" he asked. "Oh . . ." Michele began, biting her tongue for saying too much. "We've just been keeping our eyes open." "Hm, I think I'd better keep my eyes open," John said, winking at Mother again. "Lash them to the yardarms!" "Now, who's acting," Mother said and laughed.

You’ve been quiet the past few nights.” “Just…thinking.” She can’t bring herself to say the goodbye she feels coming out loud. They are so old now—maybe it doesn’t need to be said. Maybe it’s already woven into each moment they share. Someone will be left behind; this is what love costs.

Tell me honestly’ he says. ‘Do I look my age?’ Frankly Scobie looks anybody’s age; older than the birth of tragedy, younger than the Athenian death. Spawned in the Ark by a chance meeting and mating of the bear and the ostrich; delivered before term by the sickening grunt of the keel on Ararat. Scobie came forth from the womb in a wheel chair with rubber tyres, dressed in a deer-stalker and a red flannel binder. On his prehensile toes the glossiest pair of elastic-sided boots. In his hand a ravaged family Bible whose fly-leaf bore the words ‘Joshua Samuel Scobie 1870. Honour thy father and thy mother’. To these possessions were added eyes like dead moons, a distinct curvature of the pirate’s spinal column, and a taste for quinqueremes. It was not blood which flowed in Scobie’s veins but green salt water, deep-sea stuff. His walk is the slow rolling grinding trudge of a saint walking on Galilee. His talk is a green-water jargon swept up in five oceans — an antique shop of polite fable bristling with sextants, astrolabes, porpentines and isobars. When he sings, which he so often does, it is in the very accents of the Old Man of the Sea. Like a patron saint he has left little pieces of his flesh all over the world, in Zanzibar, Colombo, Togoland, Wu Fu: the little deciduous morsels which he has been shedding for so long now, old antlers, cuff-links, teeth, hair…. Now the retreating tide has left him high and dry above the speeding currents of time, Joshua the insolvent weather-man, the islander, the anchorite.

Dear friends and enemies, Season’s greetings! It’s me, Serge! Don’t you just hate these form letters people stuff in Christmas cards? Nothing screams “you’re close to my heart” like a once-a-year Xerox. Plus, all the lame jazz that’s going on in their lives. “Had a great time in Memphis.” “Bobby lost his retainer down a storm drain.” “I think the neighbors are dealing drugs.” But this letter is different. You are special to me. I’m just forced to use a copy machine and gloves because of advancements in forensics. I love those TV shows! Has a whole year already flown by? Much to report! Let’s get to it! Number one: I ended a war. You guessed correct, the War on Christmas! When I first heard about it, I said to Coleman, “That’s just not right! We must enlist!” I rushed to the front lines, running downtown yelling “Merry Christmas” at everyone I saw. And they’re all saying “Merry Christmas” back. Hmmm. That’s odd: Nobody’s stopping us from saying “Merry Christmas.” Then I did some research, and it turns out the real war is against people saying “Happy holidays.” The nerve: trying to be inclusive. So, everyone … Merry Christmas! Happy Hannukah! Good times! Soul Train! Purple mountain majesties! The Pompatus of Love! There. War over. And just before it became a quagmire. Next: Decline of Florida Roundup. —They tore down the Big Bamboo Lounge near Orlando. Where was everybody on that one? —Remember the old “Big Daddy’s” lounges around Florida with the logo of that bearded guy? They’re now Flannery’s or something. —They closed 20,000 Leagues. And opened Buzz Lightyear. I offered to bring my own submarine. Okay, actually threatened, but they only wanted to discuss it in the security office. I’ve been doing a lot of running lately at theme parks. —Here’s a warm-and-fuzzy. Anyone who grew up down here knows this one, and everyone else won’t have any idea what I’m talking about: that schoolyard rumor of the girl bitten by a rattlesnake on the Steeplechase at Pirate’s World (now condos). I’ve started dropping it into all conversations with mixed results. —In John Mellencamp’s megahit “Pink Houses,” the guy compliments his wife’s beauty by saying her face could “stop a clock.” Doesn’t that mean she was butt ugly? Nothing to do with Florida. Just been bugging me. Good news alert! I’ve decided to become a children’s author! Instilling state pride in the youngest residents may be the only way to save the future. The book’s almost finished. I’ve only completed the first page, but the rest just flows after that. It’s called Shrimp Boat Surprise. Coleman asked what the title meant, and I said life is like sailing on one big, happy shrimp boat. He asked what the surprise was, and I said you grow up and learn that life bones you up the ass ten ways to Tuesday. He started reading and asked if a children’s book should have the word “motherfucker” eight times on the first page. I say, absolutely. They’re little kids, after all. If you want a lesson to stick, you have to hammer it home through repetition…In advance: Happy New Year! (Unlike 2008—ouch!)

Didn't it say it all that Griffin couldn't make it to his own bloody front door without a cane? For all his was mahogany topped with a dull ruby, and hid in its innards a vicious blade, in the end it was an old man's stick.

Grandpa,” he said, and Podo fixed him with a blazing eye. Janner resisted the urge to cower and apologize. He had to say something. He stood up straight and clenched his fists. “Grandpa, the dragon spoke to me.” Podo’s face was hard. “Aye?” he rumbled after a moment. “And what did the dragon say, boy?” “It said that Gnag the Nameless was near. It said he had sailed across the sea and they could smell him. It said, ‘Beware.’” “Gnag the Nameless.” Podo snorted. “A sea dragon said Gnag himself was close by. Is that what you’re tellin’ me?” The old pirate crossed his arms and raised an eyebrow. Janner pointed at Tink and Leeli. “Ask them! They heard it too! Or—they didn’t exactly hear it, but—but they saw things and felt things. Didn’t you?” “Yes sir,” Tink said. “I saw them. Up close.” “And I felt them, Grandpa,” Leeli said. Podo and Nia exchanged a glance, and Podo waved a hand in the air. “Well, did the sea dragon also tell ye that his whole race is a bunch of scaly liars? Did he tell ye that they manipulate and confuse for the thrill of it? Sea dragons watch the doings of men with a wicked eye and would just as soon see you run off the cliff as run from Gnag the Nameless.” What? Janner thought about the rush of emotions he always felt on Dragon Day. The sea dragons were frightening, fascinating, even haunting—but not evil. It was Leeli’s song that had beckoned them, and Leeli certainly wasn’t evil. And then there was Nugget’s body. The dragons had carried him away with such care—there was nothing evil about that. But how could Janner argue with a pirate? Podo knew more about everything than Janner, especially the sea. “That’s what it said. I just—I just thought you should know,” Janner said quietly, unable to meet Podo’s eyes. If he had looked up, he would’ve seen that Podo wasn’t able to meet his eyes either. “Boys, see to setting up the tent like your grandfather told you,” Nia said after a moment. “We can talk about the sea dragons in a little while. Gnag the Nameless or not, we all need a meal and a rest. Maker only knows when we’ll have another.” “Food?” Tink asked. Nia nodded. “We’ll eat the dried diggle that Artham made us.” “Food,” Tink repeated. 17

A POV has to shift people’s minds so they reject an old way of thinking and come to believe in something new. It has to reach people on an emotional level. No one remembers what you say—but they remember how you made them feel. That feeling can be excitement about something that’s coming, or fear of missing out. Some of the best POVs make people think: “Oh fuck, I don’t have one of those! I have to get one of those!” To reach people’s emotions, a POV has to sound the way people talk. It has to be simple, direct, visceral. Language matters

The fact is that in the Vikings’ own language, Old Norse, víkingr just meant pirate, marauder. It wasn’t an ethnic label, it was a job description. And what this means for us is that if you come across headlines – as these days you very often do – which say something like ‘Vikings! Not just raiders and looters any more!’ then the headlines are wrong. If people weren’t raiding and looting (and land-grabbing, and collecting protection money), then they had stopped being Vikings. They were just Scandinavians. But while most Vikings were Scandinavians, most Scandinavians definitely weren’t Vikings, not even part-time. The two groups should not be confused, not even with the aim of making ‘the history of the Vikings’ look nicer.