Old Logging Quotes

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But when I am around strangers, I turn into a conversational Mount St. Helens. I'm dormant, dormant, quiet, quiet, old-guy loners build log cabins on the slopes of my silence and then, boom, it's 1980. Once I erupt, they'll be wiping my verbal ashes off their windshields as far away as North Dakota.
Sarah Vowell (Assassination Vacation)
I remember like yesterday how he strayed in out of nowhere to our log cabin on Birdsong Creek. He made me so mad at first that I wanted to kill him. Then, later, when I had to kill him, it was like having to shoot some of my own folks.
Fred Gipson (Old Yeller)
The Old Days, the Lost Days -- in the half-closed eyes of memory (and in fact) they never marched across a calendar; they huddled round a burning log, leaned on a certain table, or listened to those certain songs.
Beryl Markham (West with the Night)
Next morning, while her children were still asleep in their tent, Evie got up early. The acorn she had planted the day before had sprung to life and was nearly ten feet high. Sitting on the fallen log where the forest boy had sat thirty years earlier, she listened. There was no dancing partner. Maybe she was now too old, but the oak trees did sing for her.
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
We called him Old Yeller. The name had a sort of double meaning. One part meant that his short hair was a dingy yellow, a color that we called “yeller” in those days. The other meant that when he opened his head, the sound he let out came closer to being a yell than a bark. I remember like yesterday how he strayed in out of nowhere to our log cabin on Birdsong Creek. He made me so mad at first that I wanted to kill him. Then, later, when I had to kill him, it was like having to shoot some of my own folks.
Fred Gipson (Old Yeller)
It's a funny thing about bogs. You can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and chopping block - but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched.
Tove Jansson (The Summer Book)
I myself found a fascinating example of this in Nietzsche’s book Thus Spake Zarathustra, where the author reproduces almost word for word an incident reported in a ship’s log for the year 1686. By sheer chance I had read this seaman’s yarn in a book published about 1835 (half a century before Nietzsche wrote); and when I found the similar passage in Thus Spake Zarathustra, I was struck by its peculiar style, which was different from Nietzsche’s usual language. I was convinced that Nietzsche must also have seen the old book, though he made no reference to it. I wrote to his sister, who was still alive, and she confirmed that she and her brother had in fact read the book together when he was 11 years old. I think, from the context, it is inconceivable that Nietzsche had any idea that he was plagiarizing this story. I believe that fifty years later it has unexpectedly slipped into focus in his conscious mind.
C.G. Jung (Man and His Symbols)
I wished I was old. I was tired of being so young, so stupidly knowing, so stupidly forgetful. I was tired of having to be anything at all. I felt like the Internet, full of every kind of information but none of it mattering more than any of it, and all of its little links like thin white roots on a broken plant dug out of the soil, lying drying on its side. And whenever I tried to access myself, whenever I'd try to click on me, try to go any deeper than a single fast-loading page on Facebook or MySpace, it was as if I knew that one morning I'd wake up and try to log on to find that not even that version of I existed any more, because the servers all over the world were all down. And that's how rootless. And that's how fragile.
Ali Smith (Girl Meets Boy)
Swamps where cedars grow and turtles wait on logs but not for anything in particular; fields bordered by crooked fences broken by years of standing still; orchards so old they have forgotten where the farmhouse is. In the north I have eaten my lunch in pastures rank with ferns and junipers, all under fair skies with a wind blowing.
E.B. White (Stuart Little)
But, Ashley, what are you afraid of?' 'Oh, nameless things. Things which sound very silly when they are put into words. Mostly of having life suddenly become too real, of being brought into personal, too personal, contact with some of the simple facts of life. It isn't that I mind splitting logs here in the mud, but I do mind what it stands for. I do mind, very much, the loss of the beauty of the old life I loved. Scarlett, before the war, life was beautiful. There was a glamor to it, a perfection and a completeness and a symmetry to it like Grecian art. Maybe it wasn't so to everyone. I know that now. But to me, living at Twelve Oaks, there was a real beauty to living. I belonged in that life. I was a part of it. And now it is gone and I am out of place in this new life, and I am afraid. Now, I know that in the old days it was a shadow show I watched. I avoided everything which was not shadowy, people and situations which were too real, too vital. I resented their intrusion.
Margaret Mitchell (Gone with the Wind)
Wintry it ain't- no complaints! Snowier: Storefronts are showier, light displays glowier. Shoppers are prowling, blizzard howling! Drifts a-heaping, lords a-leaping, Yule logs burning, gifts returning. Winds are keen for 2015!
The Old Farmer's Alamanac
10 PLACES TO NEVER, EVER, EVER GO UNDER ANY CIRCUMSTANCES Rooms lit by a single hanging light bulb. Rooms lit by nothing. Any graveyard that isn’t Arlington National Cemetery. Summer camps whose annual counselor murder rate exceeds 10 percent. Maine. “The old_____________.” Hotels/motels that aren’t part of giant international chains. Upstairs. Downstairs. Any log cabin anywhere on the face of the earth.
Seth Grahame-Smith (How to Survive a Horror Movie: All the Skills to Dodge the Kills (How to Survive))
Most people now are looking for a better place, which means that a lot of them will end up in a worse one. I think this is what Nathan learned from his time in the army and the war. He saw a lot of places, and he came home. I think he gave up the idea that there is a better place somewhere else. There is no “better place” than this, not in this world. And it is by the place we’ve got, and our love for it and our keeping of it, that this world is joined to Heaven. . . . “Something better! Everybody’s talking about something better. The important thing is to feel good and be proud of what you got, don’t matter if it ain’t nothing but a log pen.” Those thoughts come to me in the night, those thoughts and thoughts of becoming sick or helpless, of the nursing home, of lingering death. I gnaw again the old bones of the fear of what is to come, and grieve . . . over . . . (those) who have gone before. Finally, as a gift, as a mercy, I remember to pray, “thy will be done,” and then again I am free and can go to sleep.
Wendell Berry (Hannah Coulter)
John Adair had little liking for the simple life; he said it was not simple, but the most damnably complicated method of wasting time that had every existed. He liked a constant supply of hot water, a refrigerator, an elevator, an electric toaster, a telephone beside his bed, central heating and electric fires, and anything whatever that reduced the time spent upon the practical side of living to a minimum and left him free to paint. But Sally [his daughter] did not want to be set free for anything, for it was living itself that she enjoyed. She liked lighting a real fire of logs and fir cones, and toasting bread on an old-fashioned toaster. And she liked the lovely curve of an old staircase and the fun of running up and down it. And she vastly preferred writing a letter and walking with it to the post to using the telephone and hearing with horror her voice committing itself to things she would never have dreamed of doing if she'd had the time to think. "It's my stupid brain," she said to herself. "I like the leisurely things, and taking my time about them. That's partly why I like children so much, I think. They're never in a hurry to get on to something else.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.
Lord Dunsany (The King of Elfland's Daughter)
The wideness of the sky and steppes, the whiff of villages and men -- from these, the forest sprite recoiled, and so he hid within a rotten log, and his voice sounded like the crackling of dry leaves.
Julie Mathison (Vasilisa (Old Rus, #1))
We guard our bodies until they are old and tasteless, when we could have fed ourselves to claw and fur, been literally reincarnated in the cells of a lion sleeping in the sun, the wall of muscle that is a bear crashing through a rotten log in search of ant eggs. Why not return again and again, glistening, gilded every time?
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.
Mary Oliver (A Thousand Mornings: Poems)
On the other hand, everyday language soon would prove inadequate for designating all the olfactory notions that he had accumulated within himself. Soon he was no longer smelling mere wood, but kinds of wood: maple wood, oak wood, pinewood, elm wood, pearwood, old, young, rotting, moldering, mossy wood, down to single logs, chips, and splinters.
Patrick Süskind (Perfume: The Story of a Murderer)
on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We are Who We Are)
There had been no snow up to this time, but as Diana crossed the old log bridge on her homeward way the white flakes were beginning to flutter down over the fields and woods, russet and gray in their dreamless sleep. Soon the far-away slopes and hills were dim and wraith-like through their gauzy scarfing, as if pale autumn had flung a misty bridal veil over her hair and was waiting for her wintry bridegroom.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Idiot!" he cried, "that from you! Here I sit, young Anthony, as I'll sit for a generation or more and watch such gay souls as you and Dick and Gloria Gilbery go past me, dancing and singing and loving and hating one another and being moved, being eternally moved. And I am moved only by my lack of emotion. I shall sit and the snow will come--oh, for a Caramel to take notes--and another winter and I shall be thirty and you and Dick and Gloria will go on being eternally moved and dancing by me and singing. But after you've all gone I'll be saying things for new Dicks to write down, and listening to the disillusions and cynicisms and emotions of new Anthonys--yes, and talking to new Glorias about the tans of summers yet to come." The firelight flurried up on the hearth. Maury left the window, stirred the blaze with a poker, and dropped a log upon the andirons. Then he sat back in his chair and the remnants of his voice faded in the new fire that spit red and yellow along the bark. "After all, Anthony, it's you who are very romantic and young. It's you who are infinitely more susceptible and afraid of your calm being broken. It's me who tries again and again to be moved--let myself go a thousand times and I'm always me. Nothing--quite--stirs me. "Yet," he murmured after another long pause, "there was something about that little girl with her absurd tan that was eternally old--like me.
F. Scott Fitzgerald (The Beautiful and Damned)
As the curtain closed, as the echoes stood up to leave: He wouldn’t of done it for any other reason—he didn’t want to have anybody to have to take the risk just for—I guess not, old fellow, because there wasn’t anybody but him left—He did it because—I guess not—because everybody left and he knows he can’t run them logs down by himself—He did it because . . . he finally saw how it was . . . because . . . he finally saw that there wasn’t any sense. Because of rust, of rot. Of push, of squeeze. Because there is really no strength beyond the strength of those around you. Because of weakness. Because of no grit, no grit anywhere at all and labor availeth not. Because all is vanity and vexation of the spirit. Because of that drum on the donkey forever breaking down. Of bruises from springbacks. Of sinus headaches and ingrown toenails. Of rain and the seas are still not full. Because of everything coming so thick and so fast for so long for so very long for finally too long. . .
Ken Kesey (Sometimes a Great Notion)
It is very easy to grow tired at collecting; the period of a low tide is about all men can endure. At first the rocks are bright and every moving animal makes his mark on the attention. The picture is wide and colored and beautiful. But after an hour and a half the attention centers weary, the color fades, and the field is likely to narrow to an individual animal. Here one may observe his own world narrowed down until interest and, with it, observation, flicker and go out. And what if with age this weariness becomes permanent and observation dim out and not recover? Can this be what happens to so many men of science? Enthusiasm, interest, sharpness, dulled with a weariness until finally they retire into easy didacticism? With this weariness, this stultification of attention centers, perhaps there comes the pained and sad memory of what the old excitement was like, and regret might turn to envy of the men who still have it. Then out of the shell of didacticism, such a used-up man might attack the unwearied, and he would have in his hands proper weapons of attack. It does seem certain that to a wearied man an error in a mass of correct data wipes out all the correctness and is a focus for attack; whereas the unwearied man, in his energy and receptivity, might consider the little dross of error a by-product of his effort. These two may balance and produce a purer thing than either in the end. These two may be the stresses which hold up the structure, but it is a sad thing to see the interest in interested men thin out and weaken and die. We have known so many professors who once carried their listeners high on their single enthusiasm, and have seen these same men finally settle back comfortably into lectures prepared years before and never vary them again. Perhaps this is the same narrowing we observe in relation to ourselves and the tide pool—a man looking at reality brings his own limitations to the world. If he has strength and energy of mind the tide pool stretches both ways, digs back to electrons and leaps space into the universe and fights out of the moment into non-conceptual time. Then ecology has a synonym which is ALL.
John Steinbeck (The Log from the Sea of Cortez)
The great thing about the Internet isn't that you can reconnect with old friends or stay up to date with developing world events or send pictures of newborns immediately around the world. It is simply that you can log on to jcpenney.com from anywhere and order fresh underwear immediately after seeing your life flash before your eyes.
David C. Holley (Write like no one is reading)
What do you know? I’m in command. I wonder if this log will be recovered before the rest of the crew die of old age. I presume they got back to Earth all right. Guys, if you’re reading this: It wasn’t your fault. You did what you had to do. In your position I would have done the same thing. I don’t blame you, and I’m glad you survived.
Andy Weir (The Martian)
A kid burned down the Scout Hut. That old log cabin in the Cross City park. When asked why he just said he was bored. All I knew could relate. Small town boredom. Rural gloom.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
Your body needs to be shocked to become resilient. Follow the same daily routine, and your musculoskeletal system quickly figures out how to adapt and go on autopilot. But surprise it with new challenges--leap over a creek, commando-crawl under a log, sprint till your lungs are bursting--and scores of the shorts out of consideration for my eighty-two-year-old neighbor.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
… Birch and fir logs burn too fast Blaze up bright and do not last … But ash green or ash brown Is fit for a queen with golden crown Poplar gives a bitter smoke Fills your eyes and makes you choke Apple wood will scent your room Pear wood smells like flowers in bloom Oaken logs, if dry and old Keep away the winter’s cold But ash wet or ash dry A king shall warm his slippers by Mattie
Viola Shipman (The Hope Chest)
She logged in and read a few of her old posts, smiling at the issues she had raged about and shaking her head at how some of the rants now seemed pretentious and judgmental. She had grown so much without even realizing she had. Mythili typed out the draft, spicing it up subtly and after a last read, she published it. Admiring the brand new post on her main page, she realized she missed writing. She had barely written anything since her last by-line. Typing this out, she felt like she was back with a long-lost friend who understood her. It was like snuggling up in a warm blanket when a thunderstorm raged outside.
Shweta Ganesh Kumar (A Newlywed’s Adventures in Married Land)
On November 25, 2006, thirty-five-year-old James Kim and his wife, Kati, and their two daughters found themselves snowbound in their Saab station wagon after making a wrong turn onto a logging road in Oregon’s Coast Range.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
The old woman sits on a bench before the door and quarrels With her meagre pale demoralized daughter. Once when I passed I found her alone, laughing in the sun And saying that when she was first married She lived in the old farmhouse up Garapatas Canyon. (It is empty now, the roof has fallen But the log walls hang on the stone foundation; the redwoods Have all been cut down, the oaks are standing; The place is now more solitary than ever before.) "When I was nursing my second baby My husband found a day-old fawn hid in a fern-brake And brought it; I put its mouth to the breast Rather than let it starve, I had milk enough for three babies. Hey how it sucked, the little nuzzler, Digging its little hoofs like quills into my stomach. I had more joy from that than from the others." Her face is deformed with age, furrowed like a bad road With market-wagons, mean cares and decay. She is thrown up to the surface of things, a cell of dry skin Soon to be shed from the earth's old eye-brows, I see that once in her spring she lived in the streaming arteries, The stir of the world, the music of the mountain.
Robinson Jeffers (The Selected Poetry)
His saddle, hanging by a stirrup from a peg in the big long log barn, was a good twenty years old; his spurs were of good plain steel—no fancy silver inlays, not such spurs as crowded the dreams of others; he wore plain shoes instead of boots, scorned the trimmings and trappings of the cowboy, although in his younger days he was as good a rider as any of them, a better roper than George. With all his money and family, he was just folks, dressed like any hired hand in overalls and blue chambray shirt;
Thomas Savage (The Power of the Dog)
THEY WERE DIVORCED IN THE fall. I wish it could have been otherwise. The clarity of those autumn days affected them both. For Nedra, it was as if her eyes had been finally opened; she saw everything, she was filled with a great, unhurried strength. It was still warm enough to sit outdoors. Viri walked, the old dog wandering behind him. The fading grass, the trees, the very light made him dizzy, as if he were an invalid or starving. He caught the aroma of his own life passing. All during the proceedings, they lived as they always had, as if nothing were going on. The judge who gave her the final decree pronounced her name wrong. He was tall and decaying, the pores visible in his cheeks. He misread a number of things; no one corrected him. It was November. Their last night together they sat listening to music—it was Mendelssohn—like a dying composer and his wife. The room was peaceful, filled with beautiful sound. The last logs burned. “Would you like some ouzo?” she asked. “I don’t think there is any.” “We drank it all?” “Some time ago.
James Salter (Light Years (Vintage International))
Old memories are shelters to return to....for the log still burns in the crackle of flames...loud or soft...the story remains alive...and old wine brings the best of reminiscence ...while old alleys are best to re-visit for the love story still smells in the breeze...
Jayita Bhattacharjee
Around that time Jack began to appear in his dreams, Jack as he had first seen him, curly-headed and smiling and buck-toothed, talking about getting up off his pockets and into the control zone, but the can of beans with the spoon handle jutting out and balanced on the log was there as well, in a cartoon shape and lurid colors that gave the dreams a flavor of comic obscenity. The spoon handle was the kind that could be used as a tire iron. And he would wake sometimes in grief, sometimes with the old sense of joy and release; the pillow sometimes wet, sometimes the sheets.
Annie Proulx (Brokeback Mountain)
Anne, on her way to Orchard Slope, met Diana, bound for Green Gables, just where the mossy old log bridge spanned the brook below the Haunted Wood, and they sat down by the margin of the Dryad's Bubble, where tiny ferns were unrolling like curly-headed green pixy folk wakening up from a nap.
L.M. Montgomery
LOG ENTRY: SOL 195 Another day, another bunch of holes: 145 this time (I'm getting better). I'm halfway done. This is getting really old. But at least I have encouraging messages from Venkat to cheer me on! [17:12] WATNEY: 145 holes today. 357 total. [17:31] JPL: We thought you'd have more done by now. Dick.
Andy Weir (The Martian)
The dark river was flecked with rotten ice, rocks studding its course glistening like fresh-mined coal. The current frothed and boiled, standing waves at the head of a rock and a quiet lozenge of still water at the tail, where, in the old days before the rivers carried millions of bobbing, colliding logs, big salmon would lie.
Annie Proulx (Barkskins)
Better to preserve the illusion of safety. Better to improvise. Better to march along through the golden autumn woods, not very well prepared, poking icy ponds with your hiking pole, snacking on chocolate, sitting on frozen logs, peeling hard-boiled eggs with cold fingers as the early snow sifts down and the day darkens. No one knows where you are.
Margaret Atwood (Old Babes in the Wood)
thought all the wilderness of America was in the West till the Ghost of the Susquehanna showed me different. No, there is a wilderness in the East; it’s the same wilderness Ben Franklin plodded in the oxcart days when he was postmaster, the same as it was when George Washington was a wildbuck Indian-fighter, when Daniel Boone told stories by Pennsylvania lamps and promised to find the Gap, when Bradford built his road and men whooped her up in log cabins. There were not great Arizona spaces for the little man, just the bushy wilderness of eastern Pennsylvania, Maryland, and Virginia, the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy.
Jack Kerouac (On the Road)
Carrying one of the six copies of her new book the publishers had given her, she waited on the old reading-log. In about twenty minutes she heard the sound of Tate’s old boat chugging up the channel and stood. As he eased into view from the undergrowth, they waved and smiled softly. Both guarded. The last time he’d pulled in here, she’d hurled rocks in his face.
Delia Owens (Where the Crawdads Sing)
And father said "I never wanted this. I'm sick of everyone pretending to be old Dan Beavers in his L. L. Bean moccasins, and his Dubbelwares, and his Japanese bucksaw -- all these fake frontiersmen with their chuck wagons full of Twinkies and Wonderbread and aerosol cheese spread. Get out the Duraflame log and the plastic cracker barrel, Dan, and let's talk self-sufficiency!
Paul Theroux (The Mosquito Coast)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
Most of the messaging and chatting I did was in search of answers to questions I had about how to build my own computer, and the responses I received were so considered and thorough, so generous and kind, they’d be unthinkable today. My panicked query about why a certain chipset for which I’d saved up my allowance didn’t seem to be compatible with the motherboard I’d already gotten for Christmas would elicit a two-thousand-word explanation and note of advice from a professional tenured computer scientist on the other side of the country. Not cribbed from any manual, this response was composed expressly for me, to troubleshoot my problems step-by-step until I’d solved them. I was twelve years old, and my correspondent was an adult stranger far away, yet he treated me like an equal because I’d shown respect for the technology. I attribute this civility, so far removed from our current social-media sniping, to the high bar for entry at the time. After all, the only people on these boards were the people who could be there—who wanted to be there badly enough—who had the proficiency and passion, because the Internet of the 1990s wasn’t just one click away. It took significant effort just to log on.
Edward Snowden (Permanent Record)
In the relative cool of the timber stands, possum grapes and muscadine flourish with a cynical fecundity, and the floor of the forest — littered with old mossbacked logs, peopled with toadstools strange and solemn among the ferns and creepers and leaning to show their delicate livercolored gills — has about it a primordial quality, some steamy carboniferous swamp where ancient saurians lurk in feigned sleep.
Cormac McCarthy (The Orchard Keeper)
The wise Mr. Fox knew that the law of gravity has an escape clause. Find a log, hop up, and look up to the gigantic blue sky. Count airplanes. Smell flowers. Walk with a trusted human. Take chances. Be fair in an unfair world. Love all. Watch the sun set. Be grateful for a bowl of bone broth on an icy morning. Most of all, dare to be a friend with someone quite different from you. Be extraordinary. Escape gravity’s clutches.
Jack Russell (Fox World: 500 Miles of Walks and Talks with an Old Fox)
And expose war. And the old My-Country-'Tis-of' Thee lie. And the colored American Legion posts strutting around talking about the privilege of dying for the noble Red, White, and Blue, when they aren't even permitted the privilege of living for it. Or voting for it in Texas. Or working for it in the diplomatic service. Or even rising, like every other good little boy, from the log cabin to the White House. White House is right.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest.
Stanley Crawford (Log of the S.S. the Mrs. Unguentine)
What is love? To the old, it is companionship, loyalty, and memories. To the young, it is excitement and physical attraction. Many liken love to a fire. It begins with kindling that ignites quickly with sparks and brightness, but a fire made of kindling requires one to constantly search for more fuel. Some couples tire of the effort, and the fire dies. But wise couples know that adding a log will make the fire endure. It may not have the same spark of kindling, but it provides warmth and light that will see them through the long nights ahead.
Laurie L.C. Lewis (Love on a Limb)
For in their succorless emptyhandedness, they, in the heathenish sharked waters, and by the beaches of unrecorded, javelin islands, battled with virgin wonders and terrors that Cooke with all his marines and muskets would not willingly have dared. All that is made such a flourish of in the old South Sea Voyages, those things were but the lifetime commonplaces of our heroic Nantucketers. Often, adventures which Vancouver dedicates three chapters to, these men accounted unworthy of being set down in the ship's common log. Ah, the world! Oh, the world!
Herman Melville (Moby-Dick or, The Whale)
Soon they grew tall, soon they grew strong. They wrapped themselves around her, smothering her in leaves and flowers. She laughed at the profusion, the beauty of this little grove that was the whole forest to her, the whole world. If they choked her, if they sucked her dry of substance, she would give in without any sacrifice of will — it seemed in keeping with nature to do so. In the end they would swarm over her, reach up above her, tower into the sky, and she would be just the old log, the dried mass of roots on which they grew. She was the tree, she was the soil, she was the earth.
Anita Desai (Clear Light of Day)
with trembling fingers is set down in the log—shoals, rocks, and breakers hereabouts: beware! And for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum, because their leader originally leaped there when a stick was held. There's your law of precedents; there's your utility of traditions; there's the story of your obstinate survival of old beliefs never bottomed on the earth, and now not even hovering in the air! There's orthodoxy! Thus, while in the life the great whale's body may have been a real terror to his foes, in his death his ghost becomes a powerless panic to a world.
Herman Melville (Moby Dick: or, the White Whale)
He came in the end, as he must, to the other coast, over the state line and well north of where he'd thought he was going, to a place where the Pacific Ocean ended on a white beach under dark pines and there were mussel shells as big as his hand and driftwood logs taller than buildings, wider than a man's length. Swell that had been rising and running from the coast of Japan, from the other side of the planet, crashed day and night onto the sand below the group's cabins, as if he'd come at last to a place where he could hear the earth breathe. Even now, in August, it was cool here, the green breath of the old forest and the salt sea always on his face.
Sarah Moss (The Tidal Zone)
When the logs in the fireplace crackle merrily, the corpse of a beech or oak is going up in flames. The paper in the book you are holding in your hands right now is made from the shavings of spruce, and birches were expressly felled (that is to say, killed) for this purpose. Does that sound over the top? I don't think so. For if we keep in mind all we have learned in the previous chapters, parallels can definitely be drawn to pigs and pork. Not to put too fine a point on it, we use living things killed for our purposes. Does that make our behavior reprehensible? Not necessarily. After all, we are also part of Nature, and we are made in such a way that we can survive only with the help of organic substances from other species. We share this necessity with all other animals. The real question is whether we help ourselves only to what we need from the forest ecosystem, and-analogous to our treatment of animals-whether we spare the trees unnecessary suffering when we do this. That means it is okay to use wood as long as trees are allowed to live in a way that is appropriate to their species. And that means that they should be allowed to fulfill their social needs, to grow in a true forest environment on undisturbed ground, and to pass their knowledge on to the next generation. And at least some of them should be allowed to grow old with dignity and finally die a natural death.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Driven by heartache, she beat the eggs even more vigorously until the glossy meringue quickly formed into stiff, bird's beak peaks. "Philippe, do you have any orange liqueur?" Marie asked, rummaging through her brother's pantry. "Here it is," Philippe said, handing a corked bottle to her. "What are you making?" "A bûche de Noël," Danielle said, concentrating on her task. Carefully measuring each rationed ingredient, she combined sugar and flour in another bowl, grated orange zest, added the liqueur, and folded the meringue into the mixture. "It's not Christmas without a traditional Yuletide log." Marie ran a finger down a page of an old recipe book, reading directions for the sponge cake, or biscuit. "'Spread into a shallow pan and bake for ten minutes.'" "I wouldn't know about that," Philippe said. "I don't celebrate your husband's holiday," he said pointedly to Marie. "Let's not dredge up that old argument, mon frère," Marie said, softening her words with a smile. "I converted for love." A knock sounded at the front door. Danielle threw a look of concern toward Philippe, who hurried to answer it. "Then we'll cool it," Danielle said, trying to stay calm. "And brush the surface with coffee liqueur and butter cream frosting, roll it like a log, and decorate." She thought about the meringue mushrooms she had made with Nicky last year, and how he had helped score the frosting to mimic wood grains.
Jan Moran (Scent of Triumph)
He died of a breaking heart," Pete said, making a stout log fence of his hands around the glove compartment and leaning forward to peer at the luminous clock, "but he was an old man. He was the king of his Yaquis down there and he couldn't live any more when they took the land away. He couldn't live up in the mountains that way. He hid all the treasures - you understand treasures? - in the mountains down there and he died. Now I'm the king of my Yaquis and someday I'll go down there and dig up the treasures again - maybe soon if they don't catch me too much. Then I buy the land back and we will live in the future like in the past only better." Pete let the fence fall, and sunlight showed the clock to be hours wrong, if not years.
Douglas Woolf (Wall to Wall (American Literature))
We’ve come because we need to track down the original location of the Fall,” Daniel said, “the place where Lucifer and the host of Heaven will appear. We have to stop him.” Dee looked strangely undeterred from her tea service, continuing to divvy up the cucumber sandwiches. The angels waited for her to respond. A log in the fire splintered, cracked, and tumbled from the grate. “And all because a boy loved a girl,” she said at last. “Quite disturbing. Really brings out the worst in all the old enemies, doesn’t it? Scale coming unhinged, Elders killing innocents. So much unpleasantness. As if all you fallen angels didn’t have enough to bother with. I say, you must be awfully tired.” She have Luce a reassuring smile and gestured again for them to sit down. Roland pulled out the chair at the head of the table for Dee and sat down in the seat to her left. “Maybe you can help us.” He motioned for the others to join him. Annabelle and Arriane sat beside him, and Luce and Daniel sat across the table. Luce slid her hand over Daniel’s, twining her fingers around his. Dee passed the cups of tea around the table. After a clattering of china and spoons stirring sugar into tea, Luce cleared her throat. “We’re going to stop Lucifer, Dee.” “I should hope so.” Daniel grasped Luce’s fingers. “Right now we’re searching for three objects that tell the early history of the fallen. When brought together, they should reveal the original location of the Fall.” Dee sipped her tea. “Clever boy. Had any luck?
Lauren Kate (Rapture (Fallen, #4))
I wished I was old. I was tired of being so young, so stupidly knowing, so stupidly forgetful. I was tired of having to be anything at all. I felt like the internet, full of every kind of information but none of it mattering more than any of it, and all of its little links like thin white roots on a broken plant dug out of the soil, lying drying on its side. And whenever I tried to access myself, whenever I’d try to click on me, try to go any deeper when it can to the meaning of ‘I’, I mean deeper than a single fast-loading page on Facebook or MySpace, it was as if I knew that one morning I’d wake up and try to log on to find that not even _that_ version of ‘I’ existed any more, because the servers all over the world were all down. And that’s how rootless. And that’s how fragile. And what would poor Anthea do then, poor thing?
Ali Smith (Girl Meets Boy)
It’s a sailors’ tradition, miss.” O’Shea approached, his thick brogue cutting through Sophia’s confusion. “The Sea King himself comes aboard to have a bit of sport with those crossing the Tropic for the first time, like the new boy there.” He nodded toward Davy, who stood to the side, looking every bit as confused as Sophia but unwilling to own to it. Quinn crossed his massive forearms over his chest, stacking them like logs. “And Triton always collects his tax, of course.” “His tax?” Sophia asked. O’Shea gave her a sly look. “Best be ready with a coin or two, Miss Turner. If you can’t pay his tax, old Triton just might sweep ye down to the depths with him and keep ye there forever.” Quinn chuckled, shooting the Irishman a knowing look. “Knowing old Triton, it wouldn’t be surprising if he did just that.” O’Shea winked at the crewman. “Could hardly blame him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
After we've stuffed ourselves, we scatter around the living room, falling into a comfortable quiet. The living room is a majestic place - I mean, it is massive - with vaulted log ceilings and old wood floors covered in wide woven rugs. Along one long wall, the fire crackles and snaps, heating the room to just below too warm. It's wood from town and nothing smells like it. I want to find a candle of this, incense, room spray. I want every living room in every house I live in for the rest of time to smell like the Hollis cabin does on December evenings. The hearth is expansive; when we were about seven, our chore was sweeping out the fireplace at the end of the holiday, Theo and I could almost stand up inside it. The flames actually roar to life. Even once they mellow into a rumbling, crackling simmer, the blaze still feels like a living, breathing creature in here with us.
Christina Lauren (In a Holidaze)
The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity. This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies. And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology. Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world. Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation. Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests? What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
What made the process still longer was that it was profusely illustrated, not only with pictures, as that of old Queen Elizabeth, laid on her tapestry couch in rose-coloured brocade with an ivory snuff-box in her hand and a gold-hilted sword by her side, but with scents — she was strongly perfumed — and with sounds; the stags were barking in Richmond Park that winter’s day. And so, the thought of love would be all ambered over with snow and winter; with log fires burning; with Russian women, gold swords, and the bark of stags; with old King James’ slobbering and fireworks and sacks of treasure in the holds of Elizabethan sailing ships. Every single thing, once he tried to dislodge it from its place in his mind, he found thus cumbered with other matter like the lump of glass which, after a year at the bottom of the sea, is grown about with bones and dragon-flies, and coins and the tresses of drowned women.
Virginia Woolf (Orlando)
Their avatars all sat motionless, with their eyes closed. This was a signal that they were “engaged,” meaning they were currently on phone calls, browsing the Web, or logged into chat rooms. It was poor OASIS etiquette to try to talk to an engaged avatar. They usually just ignored you, and you’d get an automated message telling you to piss off. I took a seat at my desk and tapped the Engage icon at the edge of my display. My own avatar’s eyes slid shut, but I could still see my surroundings. I tapped another icon, and a large two-dimensional Web browser window appeared, suspended in space directly in front of me. Windows like this one were visible to only my avatar, so no one could read over my shoulder (unless I selected the option to allow it). My homepage was set to the Hatchery, one of the more popular gunter message forums. The Hatchery’s site interface was designed to look and operate like an old pre-Internet dial-up bulletin
Ernest Cline (Ready Player One (Ready Player One, #1))
In any case, it is not as if the ‘light’ inspection is in any sense preferable for staff than the heavy one. The inspectors are in the college for the same amount of time as they were under the old system. The fact that there are fewer of them does nothing to alleviate the stress of the inspection, which has far more to do with the extra bureaucratic window-dressing one has to do in anticipation of a possible observation than it has to do with any actual observation itself. The inspection, that is to say, corresponds precisely to Foucault’s account of the virtual nature of surveillance in Discipline And Punish. Foucault famously observes there that there is no need for the place of surveillance to actually be occupied. The effect of not knowing whether you will be observed or not produces an introjection of the surveillance apparatus. You constantly act as if you are always about to be observed. Yet, in the case of school and university inspections, what you will be graded on is not primarily your abilities as a teacher so much as your diligence as a bureaucrat. There are other bizarre effects. Since OFSTED is now observing the college’s self-assessment systems, there is an implicit incentive for the college to grade itself and its teaching lower than it actually deserves. The result is a kind of postmodern capitalist version of Maoist confessionalism, in which workers are required to engage in constant symbolic self-denigration. At one point, when our line manager was extolling the virtues of the new, light inspection system, he told us that the problem with our departmental log-books was that they were not sufficiently self-critical. But don’t worry, he urged, any self-criticisms we make are purely symbolic, and will never be acted upon; as if performing self-flagellation as part of a purely formal exercise in cynical bureaucratic compliance were any less demoralizing.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
Well, we better hide way out there where the crawdads sing. I pity any foster parents who take you on.” Tate’s whole face smiled. “What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters. Now, you got any ideas where we can meet?” “There’s a place I found one time, an old fallin’-down cabin. Once you know the turnoff, ya can get there by boat; I can walk there from here.” “Okay then, get in. Show me this time; next time we’ll meet there.” “If I’m out there I’ll leave a little pile of rocks right here by the tyin’-up log.” Kya pointed to a spot on the lagoon beach. “Otherwise, I’m ’round here somewhere and will come out when I hear yo’ motor.” They puttered slowly through the marsh, then planed off south through open sea, away from town. She bounced along in the bow, wind
Delia Owens (Where the Crawdads Sing)
But whether people cultivate an exterior meant to signal their politics, or they cultivate, instead, a strait-laced appearance that does not signal their politics, their self-presentation is deliberate. It is meant to reinforce who they are (who they consider themselves to be). People tell themselves, strenuously, that they believe in this or that political position, whether it is to do with wealth distribution or climate policy or the rights of animals. They commit to some plan, whether it is to stop old-growth logging, or protest nuclear power, or block a shipping port in order to bring capitalism, or at least logistics, to its knees. But the deeper motivation for their rhetoric—the values they promote, the lifestyle they have chosen, the look they present—is to shore up their own identity. It is natural to attempt to reinforce identity, given how fragile people are underneath these identities they present to the world as “themselves.” Their stridencies are fragile, while their need to protect their ego, and what forms that ego, is strong.
Rachel Kushner (Creation Lake)
One of the special delights of my childhood was to go and see the cases of illuminated manuscripts in the British Museum, and to walk, as every child can, right into their pages--losing myself in an enchanted world of gold, landscapes and skies whose colours were indwelt with light as if their sun shone not above but in them. Most marvelous of all were the many manuscripts mysteriously entitled "Book of Hours", since I did not know how one kept hours in a book. Their title-pages and richly ornamented initials showed scenes of times and seasons--ploughing in springtime, formal gardens bright in summer with heraldic roses, autumn harvesting, and logging in winter snow under clear, cold skies seen through a filigree screen of black trees. I could only assume that these books were some ancient device for marking the passage of time and they associated themselves in my mind with sundials in old country yards upon hot afternoons, with the whirring and booming of clocks in towers, with astrolabes engraved with the mysterious signs of the Zodiac, and-above all-with the slow, cyclic sweep of the sun, moon and stars over my head.
Alan W. Watts
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
The children slept late, and washed and dressed almost in silence. Both of them were afraid to speak. Maia packed her belongings in an old canvas bag and stroked the dog. “I’ll come over in a minute to say good-bye,” said Finn. The Carters’ boat was ready to leave, breakfast tidied away, ropes coiled. The professor was sorting out the firebox and feeding in fresh logs. Miss Minton, sitting in the stern, had a parcel wrapped in burlap on her knees. “I’m ready,” said Maia, trying to keep her voice steady. She mustn’t cry. Above all, she mustn’t sulk. “Finn’s coming over to say good-bye.” “No need,” said Miss Minton. “He’d like to.” “All the same, there is no need.” Maia looked at her governess. Miss Minton seemed different…Softer? Rounder? More at peace? “Why?” she asked. “Why is there no need?” “Because we’re coming with you. We’re going on. Get back on the Arabella and tell Finn we’ll follow three lengths behind.” As Maia turned to go, hardly believing that there could be such happiness, she heard a loud splash. Miss Minton was leaning over the side, watching the parcel she had held on her knees floating away downriver. “What was that?” asked Maia. Miss Minton straightened herself. If you must know,” she said, “it was my corset.
Eva Ibbotson (Journey to the River Sea)
That afternoon I say about five thousand cars or probably three thousand passed me not one of them ever dreamed of stopping -- Which didnt bother me anyway because at first seeing that gorgeous long coast up to Monterey I thought "Well I'll just hike right in, it's only fourteen miles, I oughta do that easy" -- And on the way there's all kindsa interesting things to see anyway like the seals barking on rocks below, or quiet old farms made of logs on the hills across the highway, or sudden upstretches that go along dreamy seaside meadows where cows grace and graze in full sight of endless blue Pacific -- But because I'm wearing desert boots with their fairly thin soles, and the sun is beating hot on the tar road, the heat finally gets through the soles and I begin to deliver heat blisters inmy sockiboos -- I'm limping along wondering what's the matter with me when I realize I've got blisters -- I sit by the side of the road and look -- I take out my first aid kit from the pack and apply unguents and put on cornpads and carry on -- But the combination of the heavy pack and the heat of the road increases the pain of the blisters until finally I realize I've got to hitch hike a ride or never make it to Monterey at all. But the tourists bless their hearts after all, they couldnt know, only think I'm having a big happy hike with my rucksack and they drive on, even tho I stick out my thumb
Jack Kerouac (Big Sur)
In fact, mostly what the Forest Service does is build roads. I am not kidding. There are 378,000 miles of roads in America’s national forests. That may seem a meaningless figure, but look at it this way—it is eight times the total mileage of America’s interstate highway system. It is the largest road system in the world in the control of a single body. The Forest Service has the second highest number of road engineers of any government institution on the planet. To say that these guys like to build roads barely hints at their level of dedication. Show them a stand of trees anywhere and they will regard it thoughtfully for a long while, and say at last, “You know, we could put a road here.” It is the avowed aim of the U.S. Forest Service to construct 580,000 miles of additional forest road by the middle of the next century. The reason the Forest Service builds these roads, quite apart from the deep pleasure of doing noisy things in the woods with big yellow machines, is to allow private timber companies to get to previously inaccessible stands of trees. Of the Forest Service’s 150 million acres of loggable land, about two-thirds is held in store for the future. The remaining one-third—49 million acres, or an area roughly twice the size of Ohio—is available for logging. It allows huge swathes of land to be clear-cut, including (to take one recent but heartbreaking example) 209 acres of thousand-year-old redwoods in Oregon’s Umpqua National Forest.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I was thoroughly tired, and I didn't exactly lie awake, but I didn't exactly sleep either. As soon as I shut my eyes I could see the river again, only now I seemed to see it up and down its whole length. Where just a little while before people had been breathing and eating and going about their old every lives, now I could see the currents come riding in, at first picking up straws and dead leaves and little sticks, and then boards and pieces of firewood and whole logs, and then maybe the henhouse or the bard or the house itself. As if the mountain had melted and were flowing to the sea, the water rose and filled all the airy spaces of rooms and stalls and fields and woods, carrying away everything that would float, casting up the people and scattering them, scattering or drowning their animals and poultry flocks. The whole world, it seemed, was cast adrift, riding the currents, whirled about in eddies, and the old life submerged and gone, the new not yet come. And I knew that the Spirit that had gone forth to shape the world and make it live was still alive in it. I just had no doubt. I could see that I lived in the created world, and it was still being created. I would be part of it forever. There was no escape. The Spirit that made it was in it, shaping it and reshaping it, sometimes lying at rest, sometimes standing up and shaking itself, like a muddy horse, and letting the pieces fly. I had almost no sooner broke my leash than I had hit the wall.
Wendell Berry (Jayber Crow)
On the other hand, everyday language would soon prove inadequate for designating all the olfactory notions that he had accumulated within himself. Soon he was no longer smelling mere wood, but kinds of wood: maple-wood, oak-wood, pine-wood, elm-wood, pear-wood, old, young, rotting, mouldering, mossy wood, down to single logs, chips and splinters – and could clearly differentiate them as objects in a way that other people could not have done by sight. It was the same with other things. For instance, the white drink that Madame Gaillard served her wards each day, why should it be designated uniformly as milk, when to Grenouille’s senses it smelled and tasted completely different every morning depending on how warm it was, which cow it had come from, what that cow had been eating, how much cream had been left in it and so on … Or why should smoke possess only the name ‘smoke’, when from minute to minute, second to second, the amalgam of hundreds of odours mixed iridescently into ever new and changing unities as the smoke rose from the fire … or why should earth, landscape, air – each filled at every step and every breath with yet another odour and thus animated with another identity – still be designated by just those three coarse words. All these grotesque incongruities between the richness of the world perceivable by smell and the poverty of language were enough for the lad Grenouille to doubt that language made any sense at all; and he grew accustomed to using such words only when his contact with others made it absolutely necessary.
Patrick Süskind (Perfume: The Story of a Murderer)
We shall smell it. Just as a sharp axe can split a log into tiny splinters, our nose will fragment every detail of this perfume, Amor and Psyche. And then it will be only too apparent that this ostensibly magical sent was created by the most ordinary, familiar methods. We, Baldini, perfumer, shall catch Pélissier, the vinegar man, at his tricks. We shall rip the mask from his ugly face and show the innovator just what the old craft is capable of. We'll scrupulously imitate his mixture, his fashionable perfume. It will be born anew in our hands, so perfectly copied that the humbug himself won't be able to tell it from his own. No! That's not enough! We shall improve it! We'll show up his mistakes and rinse them away and then rub his nose in it. You're a bungler, Pélissier! An old stinker is what you are! An upstart in the craft of perfumery, and nothing more. And now to work, Baldini! Sharpen your nose and smell without sentimentality! Dissect the scent by the rules of the art! You must have the formula by this evening! And he made a dive for his desk, grabbing paper, ink and a fresh handkerchief, laid it all out properly, and began his analysis. The procedure was this: to dip the handkerchief in perfume, pass it rapidly under his nose, and extract from the fleeting cloud of scent one or another of its ingredients without being significantly distracted by the complex blending of its other parts; then, holding the handkerchief at the end of his outstretched arm, to jot down the name of the ingredient he had discovered, and repeat the process at once, letting the handkerchief flit by his nose, snatching at the next fragment of sent, and so on...
Patrick Süskind (Perfume: The Story of a Murderer)
The last refuge of the Self, perhaps, is “physical continuity.” Despite the body’s mercurial nature, it feels like a badge of identity we have carried since the time of our earliest childhood memories. A thought experiment dreamed up in the 1980s by British philosopher Derek Parfit illustrates how important—yet deceiving—this sense of physical continuity is to us.15 He invites us to imagine a future in which the limitations of conventional space travel—of transporting the frail human body to another planet at relatively slow speeds—have been solved by beaming radio waves encoding all the data needed to assemble the passenger to their chosen destination. You step into a machine resembling a photo booth, called a teletransporter, which logs every atom in your body then sends the information at the speed of light to a replicator on Mars, say. This rebuilds your body atom by atom using local stocks of carbon, oxygen, hydrogen, and so on. Unfortunately, the high energies needed to scan your body with the required precision vaporize it—but that’s okay because the replicator on Mars faithfully reproduces the structure of your brain nerve by nerve, synapse by synapse. You step into the teletransporter, press the green button, and an instant later materialize on Mars and can continue your existence where you left off. The person who steps out of the machine at the other end not only looks just like you, but etched into his or her brain are all your personality traits and memories, right down to the memory of eating breakfast that morning and your last thought before you pressed the green button. If you are a fan of Star Trek, you may be perfectly happy to use this new mode of space travel, since this is more or less what the USS Enterprise’s transporter does when it beams its crew down to alien planets and back up again. But now Parfit asks us to imagine that a few years after you first use the teletransporter comes the announcement that it has been upgraded in such a way that your original body can be scanned without destroying it. You decide to give it a go. You pay the fare, step into the booth, and press the button. Nothing seems to happen, apart from a slight tingling sensation, but you wait patiently and sure enough, forty-five minutes later, an image of your new self pops up on the video link and you spend the next few minutes having a surreal conversation with yourself on Mars. Then comes some bad news. A technician cheerfully informs you that there have been some teething problems with the upgraded teletransporter. The scanning process has irreparably damaged your internal organs, so whereas your replica on Mars is absolutely fine and will carry on your life where you left off, this body here on Earth will die within a few hours. Would you care to accompany her to the mortuary? Now how do you feel? There is no difference in outcome between this scenario and what happened in the old scanner—there will still be one surviving “you”—but now it somehow feels as though it’s the real you facing the horror of imminent annihilation. Parfit nevertheless uses this thought experiment to argue that the only criterion that can rationally be used to judge whether a person has survived is not the physical continuity of a body but “psychological continuity”—having the same memories and personality traits as the most recent version of yourself. Buddhists
James Kingsland (Siddhartha's Brain: Unlocking the Ancient Science of Enlightenment)
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
William H. Gass (The Tunnel)
Hey,” Chase said as he approached. “The rain sucks.” “Agreed.” His younger brother settled on a log. “I checked on the cattle. They’re fine. The clouds don’t look like there’s going to be any lightning or thunder, but they look plenty wet.” Zane nodded. “Storm’s supposed to last two days. I was hoping it would hold off until Saturday.” Chase sipped his coffee. “Everybody okay?” There was something about the question. Zane stared at him. “What do you mean?” “Nothing. Just checking.” Had Chase heard something in the night? Zane shook his head. Not possible. His tent had been some distance from the others, and the rain had blocked out a lot of noise. Nothing about his brother’s expression told what he was thinking. “We’re heading back today, right?” Chase said. “That’s the plan. I wish it wasn’t a two-day ride.” “There’s--” Chase stopped speaking and stared at his coffee. Zane knew what he’d been about to say. Reilly’s place. It was only about an hour’s ride. The old man would give them shelter until the worst of the storm passed, and even send out a few of his men to watch over the cattle until then. But Zane wasn’t about to impose on his neighbor. Not now and not ever. He glanced at the sky and wondered how long he could take a stand in weather like this. Whatever his issues with Reilly, his guests’ safety came first. “I better see how everyone’s doing,” he said as he tossed the rest of his coffee into the fire. “Before you go,” Chase said and held out something in his hand. “I wasn’t sure if you had enough with you.” Zane stared at the three condoms resting on his brother’s palm. Then he glanced at Chase, who was grinning. “Way to go, big brother.” Not knowing what to say, Zane rose and stalked off. But not before he took the condoms. He might be stubborn, but he wasn’t a fool.
Susan Mallery (Kiss Me (Fool's Gold, #17))
In that sleep and in sleeps to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents he was something wholly other than their sum, nor was there system by which to divide him back into his origins for he would not go. Whoever would seek out his history through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to bear upon the dusty primal matter blowing down out of the millennia will discover no trace of any ultimate atavistic egg by which to reckon his commencing. In the white and empty room he stood in his bespoken suit with his hat in his hand and he peered down with his small and lashless pig’s eyes wherein this child just sixteen years on earth could read whole bodies of decisions not accountable to the courts of men and he saw his own name which nowhere else could he have ciphered out at all logged into the records as a thing already accomplished, a traveler known in jurisdictions existing only in the claims of certain pensioners or on old dated maps. In his delirium he ransacked the linens of his pallet for arms but there were none. The judge smiled. The fool was no longer there but another man and this other man he could never see in his entirety but he seemed an artisan and a worker in metal. The judge enshadowed him where he crouched at his trade but he was a coldforger who worked with hammer and die, perhaps under some indictment and an exile from men’s fires, hammering out like his own conjectural destiny all through the night of his becoming some coinage for a dawn that would not be. It is this false moneyer with his gravers and burins who seeks favor with the judge and he is at contriving from cold slag brute in the crucible a face that will pass, an image that will render this residual specie current in the markets where men barter. Of this is the judge judge and the night does not end.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
If one could nominate an absolutely tragic day in human history, it would be the occasion that is now commemorated by the vapid and annoying holiday known as “Hannukah.” For once, instead of Christianity plagiarizing from Judaism, the Jews borrow shamelessly from Christians in the pathetic hope of a celebration that coincides with “Christmas,” which is itself a quasi-Christian annexation, complete with burning logs and holly and mistletoe, of a pagan Northland solstice originally illuminated by the Aurora Borealis. Here is the terminus to which banal “multiculturalism” has brought us. But it was nothing remotely multicultural that induced Judah Maccabeus to reconsecrate the Temple in Jerusalem in 165 BC, and to establish the date which the soft celebrants of Hannukah now so emptily commemorate. The Maccabees, who founded the Hasmonean dynasty, were forcibly restoring Mosaic fundamentalism against the many Jews of Palestine and elsewhere who had become attracted by Hellenism. These true early multiculturalists had become bored by “the law,” offended by circumcision, interested by Greek literature, drawn by the physical and intellectual exercises of the gymnasium, and rather adept at philosophy. They could feel the pull exerted by Athens, even if only by way of Rome and by the memory of Alexander’s time, and were impatient with the stark fear and superstition mandated by the Pentateuch. They obviously seemed too cosmopolitan to the votaries of the old Temple—and it must have been easy to accuse them of “dual loyalty” when they agreed to have a temple of Zeus on the site where smoky and bloody altars used to propitiate the unsmiling deity of yore. At any rate, when the father of Judah Maccabeus saw a Jew about to make a Hellenic offering on the old altar, he lost no time in murdering him. Over the next few years of the Maccabean “revolt,” many more assimilated Jews were slain, or forcibly circumcised, or both, and the women who had flirted with the new Hellenic dispensation suffered even worse. Since the Romans eventually preferred the violent and dogmatic Maccabees to the less militarized and fanatical Jews who had shone in their togas in the Mediterranean light, the scene was set for the uneasy collusion between the old-garb ultra-Orthodox Sanhedrin and the imperial governorate. This lugubrious relationship was eventually to lead to Christianity (yet another Jewish heresy) and thus ineluctably to the birth of Islam. We could have been spared the whole thing.
Christopher Hitchens (God is Not Great: How Religion Poisons Everything)
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
Bear Grylls (Mud, Sweat and Tears)
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
Experiment: To replace negative character labels, try the following steps: 1. Pick a new, positive character label that you would prefer. For example, if your old belief is “I’m incompetent,” you would likely pick “I’m competent.” 2. Rate how much you currently believe the old negative character label on a scale of 0 (= I don’t believe it at all) to 100 (= I believe it completely). Do the same for the new positive belief. For example, you might say you believe “I’m incompetent” at level 95 and believe “I’m competent” at level 10 (the numbers don’t need to add up to 100). 3. Create a Positive Data Log and a Historical Data Log. Strengthening your new, positive character label is often a more helpful approach than attempting to hack away at the old, negative one. I’m going to give you two experiments that will help you do this. Positive Data Log. For two weeks, commit to writing down evidence that supports your new, positive character belief. For example, if you are trying to boost your belief in the thought “I’m competent” and you show up to an appointment on time, you can write that down as evidence. Don’t fall into the cognitive trap of discounting some of the evidence. For example, if you make a mistake and then sort it out, it’s evidence of competence, not incompetence, so you could put that in your Positive Data Log. Historical Data Log. This log looks back at periods of your life and finds evidence from those time periods that supports your positive character belief. This experiment helps people believe that the positive character quality represents part of their enduring nature. To do this experiment, split your life into whatever size chunks you want to split it into, such as four- to six-year periods. If you’re only in your 20s, then you might choose three- or four-year periods. To continue the prior example, if you’re working on the belief “I’m competent,” then evidence from childhood might be things like learning to walk, talk, or make friends. You figured these things out. From your teen years, your evidence of general competency at life might be getting your driver’s license (yes, on the third try still counts). Evidence from your early college years could be things like successfully choosing a major and passing your courses. Evidence for after you finished your formal education might be related to finding work to support yourself and finding housing. You should include evidence in the social domain, like finding someone you wanted to date or figuring out how to break up with someone when you realized that relationship wasn’t the right fit for you. The general idea is to prove to yourself that “I’m competent” is more true than “I’m incompetent.” Other positive character beliefs you might try to strengthen could be things like “I’m strong” (not weak), “I’m worthy of love” (not unlovable), and “I’m worthy of respect” (not worthless). Sometimes the flipside of a negative character belief is obvious, as in the case of strong/weak, but sometimes there are a couple of possible options that could be considered opposites; in this case, you can choose. 4. Rerate how much you believe the negative and positive character labels. There should have been a little bit of change as a result of doing the data logs. For example, you might bow believe “I’m incompetent” at only 50 instead of 95, and believe “I’m competent” at 60 instead of 10. You’ve probably had your negative character belief for a long time, so changing it isn’t like making a pack of instant noodles.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
A man can survive ten years--but twenty-five, who can get through alive? Shukhov rather enjoyed having everybody poke a finger at him as if to say: Look at him, his term's nearly up. But he had his doubts about it. Those zeks who finished their time during the war had all been "retained pending special instructions" and had been released only in '46. Even those serving three-year sentences were kept for another five. The law can be stood on its head. When your ten years are up they can say, "Here's another ten for you." Or exile you. Yet there were times when you thought about it and you almost choked with excitement. Yes, your term really _is_ coming to an end; the spool is unwinding. . . . Good God! To step out to freedom, just walk out on your own two feet. But it wasn't right for an old-timer to talk about it aloud, and Shukhov said to Kilgas: "Don't you worry about those twenty-five years of yours. It's not a fact you'll be in all that time. But that I've been in eight full years--now that is a fact." Yes, you live with your feet in the mud and there's no time to be thinking about how you got in or how you're going to get out. According to his dossier, Ivan Denisovich Shukhov had been sentenced for high treason. He had testified to it himself. Yes, he'd surrendered to the Germans with the intention of betraying his country and he'd returned from captivity to carry out a mission for German intelligence. What sort of mission neither Shukhov nor the interrogator could say. So it had been left at that- -a mission. Shukhov had figured it all out. If he didn't sign he'd be shot If he signed he'd still get a chance to live. So he signed. But what really happened was this. In February 1942 their whole army was surrounded on the northwest front No food was parachuted to them. There were no planes. Things got so bad that they were scraping the hooves of dead horses--the horn could be soaked In water and eaten. Their ammunition was gone. So the Germans rounded them up in the forest, a few at a time. Shukhov was In one of these groups, and remained in German captivity for a day or two. Then five of them managed to escape. They stole through the forest and marshes again, and, by a miracle, reached their own lines. A machine gunner shot two of them on the spot, a third died of his wounds, but two got through. Had they been wiser they'd have said they'd been wandering in the forest, and then nothing would have happened. But they told the truth: they said they were escaped POW's. POW's, you fuckers! If all five of them had got through, their statements could have been found to tally and they might have been believed. But with two it was hopeless. You've put your damned heads together and cooked up that escape story, they were told. Deaf though he was, Senka caught on that they were talking about escaping from the Germans, and said in a loud voice: "Three times I escaped, and three times they caught me." Senka, who had suffered so much, was usually silent: he didn't hear what people said and didn't mix in their conversation. Little was known about him--only that he'd been in Buchenwald, where he'd worked with the underground and smuggled in arms for the mutiny; and how the Germans had punished him by tying his wrists behind his back, hanging him up by them, and whipping him. "You've been In for eight years, Vanya," Kilgas argued. "But what camps? Not 'specials.' You bad breads to sleep with. You didn't wear numbers. But try and spend eight years in a 'special'--doing hard labor. No one's come out of a 'special' alive." "Broads! Boards you mean, not broads." Shukhov stared at the coals in the stove and remeinbered his seven years in the North. And how he worked for three years hauling logs--for packing cases and railroad ties. The flames in the campfires had danced up there, too--at timber-felling during the night. Their chief made it a rule that any squad that had failed to meet its quota had to stay In the forest after dark.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
It is the old logs which burn the longest.
Timothy G. Bax (Who Will Teach the Wisdom)
Seattle’s Hooverville Northwest of downtown, in the old Scandinavian neighborhood of Ballard, tugboats belching plumes of black smoke nosed long rafts of logs into the
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I bet this place is crawling with snakes,” Hooter said, shining his flashlight on an old log alongside the path. “I don’t care as much about snakes as spiders,” Q grimaced. “Just the thought of walking into a web gives me the creeps.” He adjusted his glasses on his nose, as he always did when he was feeling uneasy. “Snakes and spiders are nothing to worry about.” Tony turned around to tell them. He had tried scouting ahead but only had the courage to go a few feet before the group.
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
His voice reminded her of Christmas: of old movies and cigar smoke, of sweet sherry in cut-glass tumblers and the crackle of a real log fire.
Sanjida Kay (My Mother's Secret)
Through the door and then another, Alma found herself at the top of some stationary stairs, like a stone sculpture of an actual stairway. Perfectly motionless. They looked – well, they looked broken. ‘What is this building,’ she asked, ‘some kind of antique?’ ‘They have certain advantages over regular stairways, these old-style models,’ said Pu, lending her arm to support Prime’s around Alma’s waist. ‘Not least they don’t log you when you travel down them. Come along.
Adam Roberts (The Real-Town Murders)
A city is different things to us at different times - of the day, of the year, of our life. Many years have passed since I was in the backseat of the car, taken with the razzle-dazzle. Today, I'm more drawn to the neighborhood coffee shops, or modest old parks like Abingdon Square in Greenwich Village, where farmers come to sell cheese and eggs under the London Plane trees. I have a soft spot for the little urban island like McCarthy Square, with its birdhouses - some with simple peak roofs; others with multiple stories and decks, made of miniature wood logs, like ski chalets - that poke out from shrubs and evergreens. I like the quiet of the West Village in the morning, where sidewalk chalkboards outside restaurants and coffee shops promise caffeine and better days, and streets paved with setts - Jane, West 12th, Bethune, Bank - feed into Washington Street like streams emptying into a river.
Stephanie Rosenbloom
He was the first of the top stars of vaudeville and burlesque to also reach the top in radio. Almost a full year ahead of Al Jolson, Ed Wynn, Fred Allen, and Jack Benny, three years ahead of Bing Crosby, seven years before Bob Hope: Eddie Cantor trailed only Rudy Vallee, but Vallee was cut from a different log.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Nellie the horse and her trips to town, or a cow named Molly Blue, or the Indian who came out of the woods. I wish you could have known Arleta’s grandma, Mabel. You would have loved her. She was born well over one hundred years ago on a little farm in Michigan. What a long, long time ago! Is it hard to imagine anyone that old ever being a little girl? But of course she was, and she remembered very well. Arleta never saw the little log house where Grandma Mabel was born, but she could imagine how it looked. It had one big room that was warmed by a fireplace and a big cookstove. Her brothers slept in a loft overhead, and Mabel slept in a trundle bed beside her parents’ bed. (A trundle bed is a little cot that slides under a bigger bed during the day.) The cabin sat in a small clearing in the woods, and even though there were no neighbors close by, the family felt safe and protected in its little home. By the time Mabel was ready to go to school, the log cabin had been replaced by the big farmhouse that still stood two generations later when Arleta was a little girl. Arleta’s trips to Grandma Mabel’s old home were so much fun. She explored from the attic to the root cellar, from the barn to the meadow brook. Everywhere she looked, she found a story! The attic was dusty and creaky, but what marvelous things it contained: a funny-looking wire thing that turned out to be something to wear, the button basket—a
Arleta Richardson (In Grandma's Attic (Grandma's Attic, #1))
The swamps around No Haid Pawn, in contrast to the rest of the plantation, are heavily exoticized: as the narrator traverses them, he uses "jungle" and "swamp" interchangeably, underscoring the racial overtones that become so important to understanding the tale: "Old logs thrown across the miry canals gave me an uncomfortable feeling as I reflected on what feet had last crossed on them. On both sides of this trail the marsh was either an impenetrable jungle or a mire apparently bottomless" (176).
Anthony Wilson (Shadow and Shelter: The Swamp in Southern Culture)
There is no greater example of double standards in leadership than First Lady, Senator, and Secretary of State Hillary Clinton. Is it too inconvenient or cumbersome for her to follow the same rules that agents in the field have to follow? Maybe it would make morale too high? Clinton’s behavior harkens to the old motto: “The beatings will continue until morale improves.” Once when my encoder to log in to my work email malfunctioned, I couldn’t even file my invoice to get paid for the month through my personal email, because it wasn’t protected enough. I was told that a potential enemy could use my invoice against the country, and I believe that’s the truth. It’s truer for a secretary of state and the material he or she handles. Still, we’re asked to believe nothing inappropriate happened, no slip-ups, no wrongdoing. It all reeks of “I did not have sexual relations with that woman.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Once there was an old man who took his grandson a walk in the countryside. The old man's face was creased with wrinkles. Like the rings inside an ancient log tree, each signified age and wisdom. The man, to the boys surprise stopped suddenly. He was calm, so calm the boy didn't feel it right to interrupt this moment of solititude. "Listen", the old man said. The boy listened. At first he could hear nothing but his own racing thoughts. "Truly listen", the man said sensing the boys difficulty. So he tried again. He closed his eyes, took a breath and opened them again. "I hear it", he whispered. They both fell silent again and listened to the gentle winds and the birds in the trees, and further a field the beautiful sound of a babbling brook. Then they listened to silence itself. "This my child is real worship." "To Jesus?" "To Jesus.
David Holdsworth
with an Excel spreadsheet?” I made a face like that was ridiculous, but of course there had been an Excel spreadsheet. As soon as everyone was ready, we set off. Joni tramped away in one direction with my seven-year-old, Maggie, whose foghorn voice sent birds skittering into the sky as she harangued her aunt to hurry so they could get back first. “It’s not a race,” Joni said, fading into the tree line. “I want to get the biggest log,” Maggie bellowed. Joni’s own kid, Lola, refused to leave the camp. With the infinite disdain of a teenager, she said there was no need to fatigue ourselves. Fatigue ourselves. Lola went gliding in her slow-motion gait to pluck dead twigs from the trees, like a nymph picking enchanted fruit for a heartsick knight. She high-stepped off into the undergrowth and, for all I knew, changed into a deer, such was the inscrutable nature of my niece, the Lady Lola. By contrast, the all too scrutable Billy was screaming to go with the big boys, who I knew would abandon him up a tree given half a chance. “Carry me,” he said no more than five feet from the camp. So he scrambled onto my shoulders, his arms clamped in a fierce little
Jo Furniss (All the Little Children)