Okri Quotes

Stories can conquer fear, you know. They can make the heart bigger.

The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering.

This is what you must be like. Grow wherever life puts you down.

The law is simple. Every experience is repeated or suffered till you experience it properly and fully the first time.

We can redream this world and make the dream come real. Human beings are gods hidden from themselves.

Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the worlds, and it is dreams that create history. People like you are unknowing transformers of things, protected by your own fairy-tale, by love.

What you see is what you make. What you see in a people is what you eventually create in them.

a dream can be the highest point of a life

One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us.

Don't neglect the gold in your own back yard.

If You Look Too Deeply Everything Breaks Your Heart.

Without stories we would go mad. Life would lose its moorings or lose its orientations. even in silence we are living our stories

If we could be pure dancers in spirit we would never be afraid to love, and we would love with strength and wisdom.

Don't read what everyone else is reading. Check them out later, cautiously.

To see the madness and yet walk a perfect silver line. ... That's what the true story-teller should be: a great guide, a clear mind, who can walk a silver line in hell or madness.

We plan our lives according to a dream that came to us in our childhood, and we find that life alters our plans. And yet, at the end, from a rare height, we also see that our dream was our fate. It's just that providence had other ideas as to how we would get there. Destiny plans a different route, or turns the dream around, as if it were a riddle, and fulfills the dream in ways we couldn't have expected.

A people are as healthy and confident as the stories they tell themselves. Sick storytellers can make nations sick. Without stories we would go mad. Life would lose it’s moorings or orientation... Stories can conquer fear, you know. They can make the heart larger.

I held you in the square And felt the evening Re-order itself around Your smile.

We have not yet arrived, but every point at which we stop requires a re-definition of our destination.

Beware of the stories you read or tell; subtly, at night, beneath the waters of consciousness, they are altering your world.

A man must be able to hold his drink because drunkenness is sometimes necessary in this difficult life.

I love your loneliness. It is brave. It makes the universe want to protect you.

Bad things will happen and good things too. Your life will be full of surprises. Miracles happen only where there has been suffering. So taste your grief to the fullest. Don’t try and press it down. Don’t hide from it. Don’t escape. It is life too. It is truth. But it will pass and time will put a strange honey in the bitterness. That’s the way life goes.

You are a mischievous one. You will cause no end of trouble. You have to travel many roads before you find the river of your destiny. This life of yours will be full of riddles. You will be protected and you will never be alone.

This earth that we live on is full of stories in the same way that, for a fish, the ocean is full of ocean. Some people say when we are born we’re born into stories. I say we’re also born from stories.

Who knows, maybe this whole planet is an asylum, a penal realm. A place for hard cases.

An inner darkness is darker than an outer darkness.

We disliked the rigours of existence, the unfulfilled longings, the enshrined injustices of the world, the labyrinths of love, the ignorance of parents, the fact of dying, and the amazing indifference of the Living in the midst of the simple beauties of the universe. We feared the heartlessness of human beings, all of whom are born blind, few of whom ever learn to see.

Will you be at the harvest, Among the gatherers of new fruits? Then you must begin today to remake Your mental and spiritual world, And join the warriors and celebrants Of freedom, realizers of great dreams. You can’t remake the world Without remaking yourself. Each new era begins within. It is an inward event, With unsuspected possibilities For inner liberation. We could use it to turn on Our inward lights. We could use it to use even the dark And negative things positively. We could use the new era To clean our eyes, To see the world differently, To see ourselves more clearly. Only free people can make a free world. Infect the world with your light. Help fulfill the golden prophecies. Press forward the human genius. Our future is greater than our past.

That's the way it is. If you believe in something your very belief renders you unqualified to do it. Your earnestness will come across. Your passion will show. Your enthusiasm will make everyone nervous. And your naivety will irritate. Which means that you will become suspect. Which means you will be prone to disillusionment. Which means that you will not be able to sustain your belief in the face of all the piranha fish which nibble away at your idea and your faith, 'till only the skeleton of your dream is left. Which means that you have to become a fanatic, a fool, a joke, an embarrassment. The world - which is to say the powers that be - would listen to your ardent ideas with a stiff smile on its face, then put up impossible obstacles, watch you finally give up your cherished idea, having mangled it beyond recognition, and after you slope away in profound discouragement it will take up your idea, dust it down, give it a new spin, and hand it over to someone who doesn't believe in it at all.

It is more difficult to love than to die. It is not death that human beings are most afraid of, it is love. The heart is bigger than a mountain. One human life is deeper than the ocean. Strange fishes and sea-monsters and mightly plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls.

It may be that what you could be haunts you. It is real. It is a weight you have to carry around. Each failure to become, to be, is a weight. Each state you could inhabit is a burden as heavy as any physical weight, but more so, because it weighs on your soul. It is the ghost of your possibilities hanging around your neck, an invisible albatros, potentials unknowingly murdered.

What hope is there for individual reality or authenticity when the forces of violence and orthodoxy, the earthly powers of guns and bombs and manipulated public opinion make it impossible for us to be authentic and fulfilled human beings? The only hope is in the creation of alternative values, alternative realities. The only hope is in daring to redream one's place in the world - a beautiful act of imagination, and a sustained act of self becoming. Which is to say that in some way or another we breach and confound the accepted frontiers of things.

Storytellers ought not be too tame. They ought to be wild creatures who function adequately in society. They are best in disguise. If they lose all their wildness, they cannot give us the truest joys.

A tolerable hell is better than an impossible heaven.

He felt there had to be ‘something’. He felt human beings must create, each in their own way, and that it was only by the application of vision, only by making things, that we could transform the negative ‘nothing’.

There is a kind of expressed love which is easy to subvert. When a figure is loved for their deeds, their conquests, their heroism, their goodness, their love of the people, these are easy enough to destroy... But there is a kind of love which is felt for apparently no reason... A love, inspired, it seems, by the gods, which it is impossible to fight, distort, destroy, or weaken. In fact, the attempts to destroy such loves only strengthen them. And to do nothing allows them to continue to grow at their natural pace, inexoribly, till this love becomes a wide and silent adoration.

He had to learn how not to let his eyes be bewildered by manifestations, and thereby learn to treat appearances as signs and codes of the interior.

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.

So long as a canvas is empty its potential is infinite… The empty canvas can become a gateway into the landscape of nightmares or a vision of sensual bliss.

If I don't say the thought right I might destroy it.

The road will never swallow you. The river of destiny will always overcome evil. May you understand your fate. Suffering will never destroy you, but will make you stronger. Success will never confuse you of scatter your spirit, but will make you fly higher into the good sunlight. Your life will always surprise you.

I mean we desperately wanted to be in love with something or other. We were lonely people. It seemed more sensible to fall in love with another person who also wanted to fall in love, than to love a chair or a cat or an idea.

It is easier to get lost within sight of the palace. [...] Hope makes all things near, and so can prove treacherous.

Understanding is a pure glass of water. All great truths have no taste. Hints of sweetness are coloured by the need for amazement.

Do you know what the luckiest thing is?’ ‘No.’ ‘It is to be at home everywhere.

Maybe true travel is not the transportation of the body, but a change of perception, renewing the mind.

What if by sheer repetition we become the person we most often pretend to be? Does that mean there is no authentic self? Are we made of habits, compressed by time, like layered rocks?

In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, we are also living the stories we planted - knowingly or unknowingly - in ourselves. We live the stories that either give our lives meaning, or negate it with meaninglessness. If we change the stories we live by, quite possibly we change or lives.

We ought to step out of our old, hard casing. We think that we are one kind of people, when in fact we are always creating ourselves. We are not fixed. We are constantly becoming, constantly coming into being.

We must look at ourselves differently. We are freer than we think. We haven't begun to live yet. The man whose light has come on in his head, in his dormant sun, can never be kept down or defeated. We can redream this world and make the dream real. Human beings are gods hidden from ourselves.

A people are as healthy and confident as the stories they tell themselves. Sick storytellers can make nations sick.

Where there is perfection there is no story to tell.

He felt as if he hadn't slept because he spent all night wandering through the world looking for a maiden who bore his heart in her womb. His heart grew in her like a child. He was pregnant with his heart for a long time, for a year, for ten years, for a generation, for a hundred and two years. His heart grew bigger and bigger in her, and she grew bigger and bigger to accomodate the growth of his heart in her womb. He never knew when she would give birth to his heart and he lost her and searched the world over and never found her. His father, the king, told him that the world in which he searched for he was his heart, and that she was the mother of all the world, and that his search was over when it began, but he didn't know it.

The highest kind of writing—which must not be confused with the most ambitious kind…belongs to the realm of grace. Talent is part of it, certainly; a thorough understanding of the secret laws, absolutely. But finding the subject and theme which is in perfect harmony with your deepest nature, your forgotten selves, your hidden dreams, and the full unresonated essence of your life—now that cannot be reached through searching, nor can it be stumbled upon through ambition. That sort of serendipity comes upon you on a lucky day. It may emerge even out of misfortune or defeat. You may happen upon it without realising that this is the work through which your whole life will sing. We should always be ready. We should always be humble. Creativity should always be a form of prayer.

I noticed that in a corner, across from where they ate with such innocent relish, sitting forlorn and abandoned, was the ghost of their son. He had lost both of his arms, one side of his face was squashed, and both his eyes had burst. He had bluish wings. He was the saddest ghost in the house.

It is easy to forget how mysterious and mighty stories are. They do their work in silence, invisibly. They work with all the internal materials of the mind and self. They become part of you while changing you. Beware the stories you read or tell; subtly, at night, beneath the waters of consciousness, they are altering your world. —BEN OKRI

Vivere è una continua metamorfosi. Ogni cosa è cambiamento; ogni cosa è relativa.

But to hear Mozart in a bombed city: how much more beautiful it sounds, as if it were composed to somehow soothe the ruins, to promise a wiser future rising from the rubble.

Beware of the stories you read or tell. Subtly, at night, beneath the waters of consciousness, they are altering your world.

When we have made an experience or a chaos into a story we have transformed it, made sense of it, transmuted experience, domesticated the chaos.

That you see a star in the night sky does not mean that the star sees you. The universe does not mirror consciousness. Consciousness mirrors the universe.

Nothing is more difficult than knowing what you really think.

Wars are not fought on battlegrounds but in a space smaller than the head of a needle.

Is there anything more real than what we have created in our minds?

I kept looking forward the answer to things. I kept looking, and I never saw, and I became lost. I lost myself, lost my own reality.

It is not death that human beings are most afraid of, it is love.

The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering. (Ben Okri, Nigerian poet and novelist)

I love your silence. It is so wise. It listens. It invites warmth. I love your loneliness. It is brave. It makes the universe want to protect you. You have the loneliness that all true heroes have, a loneliness that is a deep sea, within which the fishes of mystery dwell. I love your quest. It is noble. It has greatness in it. Only one who is born under a blessed star would set sail across the billowing waves and the wild squalls, because of a dream. I love your dream. It is magical. Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the world, and it is dreams that create history. People like you are unknowing transformers of thing, protected by your own fairy-tale, by love.

Her legend, which would sprout a thousand hallucinations, had been born in our midst – born of stories and rumours which, in time, would become some of the most extravagant realities of our lives.

We are victims of censorship within when we do not let ourselves think the thoughts which our flesh recoils from, or let conscience speak that which the heart feels to be unacceptable, or when we give ourselves excellent reasons for not participating in this grand drama of our interconnected lives.

There are many reasons why babies cry when they are born, and one of them is the sudden separation from the world of pure dreams, where all things are made of enchantment, and where there is no suffering.

He saw the world in which black people always suffered and he didn’t like it. He saw a world in which human beings suffered so needlessly from Antipodes to Equator, and he didn’t like it either. He saw our people drowning in poverty, in famine, drought, in divisiveness and the blood of war. He saw our people always preyed upon by other powers, manipulated by the Western world, our history and achievements rigged out of existence.

Knowledge of self ought to be the great project of our lives. Knowing ourselves we will know others. Only by knowing ourselves can we begin to undo the madness we unleash on the world in our wars, our destruction of the environment, our divisions, our desire to dominate others, the poverty we create and exploit. Only through self-knowledge can we reverse the damage we do with all the worldly knowledge we have, which has been only a higher ignorance.

The only power poor people have is their hunger.

He thought about how the camera makes one fall in love with an image of oneself, and perpetuates a false reality.

That's good. Life is full of riddles that only the dead can answer," was Dad's reply.

A dream can be the highest point of a life.

When you stop inventing reality then you see things as they really are.

Besides, you are seeking something you have already found, but don't know it. Such are the causes of unhappiness.

Learning what you know is something you have to do every day and every moment.

And he remembered only because he didn't want to have to go through it all over again, making all the mistakes of his confusion.

When you make sense of something, it tends to disappear. It is only mystery which keeps things alive

Because you rejected my love, this is my curse on you. Refusing to love an illusion, you will have to love without illusion.

When we yearn, our yearning comes through from deep below. It comes from a deep remembering, from the forgotten dreams of our mingled ancestry. You are my yearning. And this is the night, long ago, when our stars first met. They are together now, in the heavens, shedding a beautiful radiance on this night. They are weaving enchantments for us so that we may step through the invisible mirror in the air and enter the fairy-tale we are meant to live, but which we forgot.

The intelligence that shaped the universe, shaped you. There is an inner part of us, for ever obscured, for ever mysterious, which is most alive during the process of composition. And that inner part, that inner glow, is timeless, and it functions beyond time. It drinks from deep waters. It has the stillness and the dance and the radiance of firmament. When one is most absorbed in the act of creation one almost feels that one is wandering in the great corridors of all minds. Creativity makes us part of it all.

The greatest inspiration, the most sublime ideas of living that have come down to humanity come from a higher realm, a happier realm, a place of pure dreams, a heaven of blessed notions. Ideas and infinite possibilities dwell there in absolute tranquility. Before these ideas came to us they were pure, they were silent, and their life-giving possibilities were splendid. But when they come to our earthly realm they acquire weight and words. They become less. The sweetest notions, ideas of universal love and justice, love for one another, or intuitions of joyful creation, these are all perfect in their heavenly existences. Any artist will tell you that ideas are happier in the heaven of their conception than on the earth of their realization. We should return to pure contemplation, to sweet meditation, to the peace of silent loving, the serenity of deep faith, to the stillness of deep waters. We should sit still in our deep selves and dream good new things for humanity. We should try and make those dreams real. We should keep trying to raise higher the conditions and possibilities of this world. Then maybe one day, after much striving, we might well begin to create a world justice and a new light on this earth that could inspire a ten-second silence of wonder – even in heaven.

As he walked though, listening to his happy footfalls, he felt the world telling him to stop looking, for then he would see beyond; to stop thinking, for then he would comprehend; to stop trying to make sense of things, for then he would find the truest grace.

With a combination of proper lighting and climate control he managed to achieve a different ecological niche in each gallery. In the African section, where the imbrications of Augustine, Mafouz and Okri lay decomposing, he grew sorghum and Dioscorea yams. In the Chinese gallery where the Tao Te Ching and countless Confucian annotations moldered, he grew rice, crab apples and barley. Over the poems of Neruda and Borges himself, he grew potatoes. Each plant in this new Eden he lovingly tainted with the virus of civilization - from the short story "Resurrection

In a world where no one listens, where no one seems to care, where hatred is greater than love, where hearts are hardened by vengeance and pride, where violence is preferable to peace, what else is there for him to do but heal the wounded, and bury the dead, in a war that could go on forever?

The antimony on their features was set on silvery fire by the intensity of the moon. And their bodies, solid and quivering and half-naked, were like ancient memories of a mystical time without boundaries when it was possible to enter the consciousness of a cornseed and foretell the harvest to come.

Can you understand what the rats are saying?" "No. But I can kill them." "Why?" "Because they are never satisfied. They are like bad politicians and imperialists and rich people." "How?" "They eat up property. They eat up everything in sight. And one day when they are very hungry they will eat us up.

We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.

After a while, when nothing happened, when no reprisals fell on us, it seemed that nothing significant had happened. Some of us began to distrust our memories. We began to think that we had collectively dreamt up the fevers of that night. It wouldn’t be the first or the last time. Meanwhile, the river of wild jaguars flowed below the surface of our hungry roads.

When we’ve been travelling around I’ve often thought: Oh, this would be a good place to be, and that would be an excellent place to live. And yet, after I’ve seen everything I’ve decided that home, wherever that may be, is the place for feelings of peace. And if I can be at peace with myself then that is the most important thing. I think travelling teaches one that.

The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.

When the angels of the Bible spoke to human beings, did they speak in words? I don’t think so. I think the angels said nothing, but they were heard in the purest silence of the human spirit, and were understood beyond words. On a more human scale there are many things beyond. A mother watches her child leave home. Her heart is still. Her eyes are full of tears and prayer. That is beyond. An old man with wrinkled hands is carrying his grandchild. With startled eyes the baby regards his grandfather. The old man, with the knowledge of Time’s sadness in his heart, and with love in his eyes, looks down at the child. The meeting of their eyes. That is beyond. A famous writer, feeling his life coming to an end, writes these words: ‘My soul looks back and wonders – just how I got I got over.’ A young woman, standing on a shore, looks out into an immense azure sea rimmed with the silver line of the horizon. She looks out into the obscure heart of destiny, and is overwhelmed by a feeling both dark and oddly joyful. She may be thinking something like this: ‘My soul looks forward and wonders- just how am I to get across.’ That is beyond.

When the candle burned low, and the rats began to eat, I would put out the light and lie awake in the dark. I would listen to Mum and Dad snoring on the bed. Sometimes when I fell asleep a lighter part of me rose up from my body and floated in the dark. A bright light, which I could not see, but which I could feel, surrounded me. I would be lifted out of my body, would find it difficult to get out through the roof, and would be brought down suddenly by the noise of the rats eating. Then I would sleep soundly. One night I managed to lift myself out through the roof. I went up at breathtaking speed and stars fell from me. Unable to control my motion, I rose and fell and went in all directions, spinning through incredible peaks and vortexes. Dizzy and turning, swirling and dancing, the darkness seemed infinite, without signs, without markings. I rose without getting to heaven. I soared blissfully and I understood something of the inhuman exultation of flight.

It is not death that human beings are most afraid of, it is love. The heart is bigger than a mountain. One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us. The trees of the forest, the animals of the bushes, tortoises, birds, and flowers know our future. The world that we see and the world that is there are two different things. Wars are not fought on battlegrounds but in a space smaller than the head of a needle. We need a new language to talk to one another. Inside a cat there are many histories, many books. When you look into the eyes of dogs strange fishes swim in your mind. All roads lead to death, but some roads lead to things which can never be finished. Wonderful things. There are human beings who are small but if you can SEE you will notice that their spirits are ten thousand feet wide. In my dream I met a child sitting on a cloud and his spirit covered half the earth. Angels and demons are amongst us; they take many forms. They can enter us and dwell there for one second or half a lifetime. Sometimes both of them dwell in us together. Before everything was born there was first the spirit. It is the spirit which invites things in, good things, or bad. Invite only good things, my son. Listen to the spirit of things. To your own spirit. Follow it. Master it. So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. There is a stillness which makes you travel faster. There is a silence which makes you fly. If your heart is a friend of Time nothing can destroy you. Death has taught me the religion of living – I am converted – I am blinded – I am beginning to see – I am drunk on sleep – My words are the words of a stranger – Wear a smile on your faces – Pour me some wine and buy me some cigarettes, my son, for your father has returned to his true home.

A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance. She is taking herself apart before our sceptical gaze. She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance. And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all. Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood. You can say in her own way, and in that moment, that she too was a dancer to God. That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words. All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.