Offensive Christmas Quotes

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Principal Brill, those costumes were made by my mother. My mother, who has stage four small-cell lung cancer. My mother, who will never watch her little boy celebrate another Halloween again. My mother, who will more than likely experience a year of 'lasts'. Last Christmas. Last birthday. Last Easter. And if God is willing, her last Mother's Day. My mother, who when asked by her nine-year-old son if he could be her cancer for Halloween, had no choice but to make him the best cancerous tumor-riden lung costume she could. So if you think it's so offensive, I suggest you drive them home yourself and tell my mother to her face. Do you need my address?
Colleen Hoover (Slammed (Slammed, #1))
Twas the night before Christmas, the office was closed, The transom was shut, the staff home in repose; The stockings were hung by the chimney with care, But St. Nicholas won’t be coming because this is a Designated National Security Site within the meaning of Para 4.12 of Section 3 of the Official Secrets Act (Amended) and unauthorised intrusion on such a site is an arrestable offense ...
Charles Stross (Overtime (Laundry Files, #3.5))
Most incarcerated women—nearly two-thirds—are in prison for nonviolent, low-level drug crimes or property crimes. Drug laws in particular have had a huge impact on the number of women sent to prison. “Three strikes” laws have also played a considerable role. I started challenging conditions of confinement at Tutwiler in the mid-1980s as a young attorney with the Southern Prisoners Defense Committee. At the time, I was shocked to find women in prison for such minor offenses. One of the first incarcerated women I ever met was a young mother who was serving a long prison sentence for writing checks to buy her three young children Christmas gifts without sufficient funds in her account. Like a character in a Victor Hugo novel, she tearfully explained her heartbreaking tale to me. I couldn’t accept the truth of what she was saying until I checked her file and discovered that she had, in fact, been convicted and sentenced to over ten years in prison for writing five checks, including three to Toys “R” Us. None of the checks was for more than $150. She was not unique. Thousands of women have been sentenced to lengthy terms in prison for writing bad checks or for minor property crimes that trigger mandatory minimum sentences. The collateral consequences of incarcerating women are significant. Approximately 75 to 80 percent of incarcerated women are mothers with minor children. Nearly 65 percent had minor children living with them at the time of their arrest—children who have become more vulnerable and at-risk as a result of their mother’s incarceration and will remain so for the rest of their lives, even after their mothers come home. In 1996, Congress passed welfare reform legislation that gratuitously included a provision that authorized states to ban people with drug convictions from public benefits and welfare. The population most affected by this misguided law is formerly incarcerated women with children, most of whom were imprisoned for drug crimes. These women and their children can no longer live in public housing, receive food stamps, or access basic services. In the last twenty years, we’ve created a new class of “untouchables” in American society, made up of our most vulnerable mothers and their children.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
The responsibility/fault fallacy allows people to pass off the responsibility for solving their problems to others. This ability to alleviate responsibility through blame gives people a temporary high and a feeling of moral righteousness. Unfortunately, one side effect of the Internet and social media is that it’s become easier than ever to push responsibility—for even the tiniest of infractions—onto some other group or person. In fact, this kind of public blame/shame game has become popular; in certain crowds it’s even seen as “cool.” The public sharing of “injustices” garners far more attention and emotional outpouring than most other events on social media, rewarding people who are able to perpetually feel victimized with ever-growing amounts of attention and sympathy. “Victimhood chic” is in style on both the right and the left today, among both the rich and the poor. In fact, this may be the first time in human history that every single demographic group has felt unfairly victimized simultaneously. And they’re all riding the highs of the moral indignation that comes along with it. Right now, anyone who is offended about anything—whether it’s the fact that a book about racism was assigned in a university class, or that Christmas trees were banned at the local mall, or the fact that taxes were raised half a percent on investment funds—feels as though they’re being oppressed in some way and therefore deserve to be outraged and to have a certain amount of attention. The current media environment both encourages and perpetuates these reactions because, after all, it’s good for business. The writer and media commentator Ryan Holiday refers to this as “outrage porn”: rather than report on real stories and real issues, the media find it much easier (and more profitable) to find something mildly offensive, broadcast it to a wide audience, generate outrage, and then broadcast that outrage back across the population in a way that outrages yet another part of the population. This triggers a kind of echo of bullshit pinging back and forth between two imaginary sides, meanwhile distracting everyone from real societal problems. It’s no wonder we’re more politically polarized than ever before. The biggest problem with victimhood chic is that it sucks attention away from actual victims. It’s like the boy who cried wolf. The more people there are who proclaim themselves victims over tiny infractions, the harder it becomes to see who the real victims actually are. People get addicted to feeling offended all the time because it gives them a high; being self-righteous and morally superior feels good. As political cartoonist Tim Kreider put it in a New York Times op-ed: “Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure.” But
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Twas the night before Christmas, the office was closed, The transom was shut, the staff home in repose; The stockings were hung by the chimney with care, But St. Nicholas won’t be coming because this is a Designated National Security Site within the meaning of Para 4.12 of Section 3 of the Official Secrets Act (Amended) and unauthorised intrusion on such a site is an arrestable offense ...
Charles Stross (Overtime (Laundry Files, #3.5))
This here is Miz Nellie Ward," Dane started. "Until about an hour ago, she was the owner of one of the finest brothels in Dodge City.” He smiled at the woman and continued. “The place burned to the ground and all her girls left to work for another house.” “What the hell is this about, Marshal?” Mindy said. “If you think I’m going to work for Nellie you’re crazy.” She nodded at the woman. “No offense, Nellie. It’s just that I ain’t got a hankering for spending my time flat on my back. That about killed my mama.” “None taken,” Nellie said, her lips twitching. “Although that’s not why Nellie is here, missy, you might not be so quick to dismiss a job,” the marshal said. “Stuart stopped me on the way over here so I could tell you to turn in your dress, cause you’ve been fired.” “Well, hell. Ain’t that like a man? Takes the mayor’s side in this, without even hearing what really happened.” “Forget it, girl. What I have to say to you—” his eyes swept over the other three women behind bars. “All of you—is I have a proposal.” He paused, making sure he had all their attention. “Nellie’s place burned down, and she has nowhere to go. All of you are a burr under my saddle. I can’t have women in my jail, but none of you have a job or a place to stay.” He took off his hat and ran his fingers through his hair. “So, this is the deal. There’s a wagon train right now at Fort Dodge from Independence that’s headed to Santa Fe, New Mexico territory. Now I happen to know there are plenty of men down that way looking for wives.” One of the women gasped. “Marshal, surely you’re not suggesting . . .” “Yes, ma’am I am suggesting. You gals will either get on that wagon train with Nellie here as your chaperone or wait until the circuit judge comes around when he sobers up. He’ll be so blasted hung over, he’s liable to send y’all off to the state prison.” “That’s outrageous. You can’t force us to marry strangers.” Another young, pretty girl clutched the cell bars, her knuckles white. “No, ma’am, you’re probably right. I can’t do that. But what I can do is leave you sitting here until old Judge Bailey makes his appearance. Sometimes we don’t see him for six months.” “I’m willing.” The girl curled up on her cot said, her voice barely above a whisper. From Prisoners of Love: Nellie, A Christmas to Remember
Callie Hutton
How dare you! I’ve done nothing wrong—yet here you are, crucifying me like you have the right to? Well, you don’t! And I won’t put up with it.” Tessa takes a step closer, her voice trembling. “You know what I hate about you, Weston?” That feels like a kick in the gut. But I absorb the pain, shoving it down. I’m pissed now—locked up and ready to take her shots. “What?” I mock, egging her on. “What is it you hate about me?” “I hate how you always think you’re right, a hundred percent of the time!” Tessa rages, her eyes ablaze. “You’re so arrogant, so… rude and offensive. You always have been! If I’m dealing with a problem, you just go ahead and make it your problem. You’re always pushing in where you’re not wanted, always bossing me around like
Abbie Emmons (Tessa and Weston: The Best Christmas Ever)
Not that I didn’t want to fully Hulk out at least ten times a day; I was a woman and a lawyer and I was on Twitter, I felt like flipping tables daily, but whenever those hot flashes sparked into life, I always tried to remind myself of something my dad told me when I started my training at Abbott & Howe: no one likes an angry woman. It was sexist, offensive and at least in my office, one hundred per cent true. For years, I’d done my level best to be professional, hardworking, calm and likeable, but now my rage felt like a can of Pringles, I had been popped and I could not stop.
Lindsey Kelk (The Christmas Wish)
Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
In all my twenty years of wandering over the restless waters of the globe I can only remember one Christmas Day celebrated by a present given and received. It was, in my view, a proper live-sea transaction, no offering of Dead Sea fruit; and in its unexpectedness perhaps worth recording. Let me tell you first that it happened in the year 1879, long before there was any thought of wireless message, and when an inspired person trying to prophesy broadcasting would have been regarded as a particularly offensive nuisance and probably sent to a rest-cure home. We used to call them madhouses then, in our rude, cave-man way.
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
As it was, I constrained myself to say only what was both honest and inoffensive—and thus, said very little at all.
Stephanie Barron (Jane and the Twelve Days of Christmas (Jane Austen Mysteries #12))