Off Your Trolley Quotes

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It can’t be said enough. Don’t concern yourself with fashion; stick to simple pieces that flatter your body type. By nineteen, I had found my look. Oversize T-shirts, bike shorts, and wrestling shoes. To prevent the silhouette from being too baggy, I would cinch it at the waist with my fanny pack. I was pretty sure I would wear this look forever. The shirts allowed me to express myself with cool sayings like “There’s No Crying in Baseball” and “Universität Heidelberg,” the bike shorts showed off my muscular legs, and the fanny pack held all my trolley tokens. I was nailing it on a daily basis. Find something like this for yourself as soon as possible.
Tina Fey (Bossypants)
The notion of children makes me ill. The thought of having one... when you see those guys in the supermarket, wheeling the trolley around while their brats whine and wheedle and some blundering sow questions every little thing they take off the shelves. I mean, just the fucking idea of it, the very word: family. Whenever I see it, on travel brochures, on house schedules... I feel sick.
John Niven (Kill Your Friends)
You probably learned in your high school civics course, as I did in mine, that the Supreme Court is the highest court in the land. Well, I’m here to tell you this morning that this is not strictly true. The Court of Public Opinion is actually the highest court in the land.
Thomas Cathcart (The Trolley Problem, or Would You Throw the Fat Guy Off the Bridge?: A Philosophical Conundrum)
Drawing a good figure doesn’t make you a good artist. I can name you ten men, right off the bat, who draw better than I do. But I don’t think their work gets as much response as mine. I can’t think of a better man to draw Dick Tracy than Chester Gould, who certainly is no match for Leonardo Da Vinci. But Chester Gould told the story of Dick Tracy. He told the story of Dick Tracy the way it should have been told. No other guy could have done it. It’s not in the draftsmanship, it’s in the man. Like I say, a tool is dead. A brush is a dead object. It’s in the man. If you want to do, you do it. If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands. The only thing I can say is: Caniff was my teacher, Alex Raymond was my teacher, even the guy who drew Toonerville Trolley was my teacher. Whatever he had stimulated me in some way. And I think that’s all you need. You need that stimulation. Stimulation to make you an individual. And the draftsmanship, hang it. If you can decently: learn to control what you can, learn to control what you have, learn to refine what you have. Damn perfection. You don’t have to be perfect. You are never going to do a Sistine Chapel, unless someone ties you to a ceiling. Damn perfection. All a man has in this field is pressure. And I think the pressure supplies a stimulation. You have your own stresses, that will supply your own stimulation. If you want to do it, you’ll do it. And you’ll do it anyway you can.
Jack Kirby
Frank,” I said, “this is officially the looniest idea I’ve ever heard in my life. You are off your bloody trolley. You are up the wall and tickling the bricks. You are—” “What’s loony about it?” Frank demanded, injured.
Tana French (The Likeness (Dublin Murder Squad #2))
has gone on. The fat lady is with that, so one of the men said." "And, very likely, she has carried off our silver cup," exclaimed Mrs. Bobbsey. "Oh dear! Can you find her later, Richard?" "I think so. But it will take some time. The circus is going to Danville—that's a hundred miles from here. But I will write to the managers there, and ask them to get our cup from the fat lady." "But where is Snoop?" asked Freddie, with much anxiety. "I don't know, my dear," answered Mr. Bobbsey. "I asked the circus men if they had seen him, but they were too busy to remember. He may be running around some where. But we can't wait any longer. We must get home. I'll speak to one of the switchmen, who stay around here, and if they see Snoop I'll have them keep him for us. We'll come back to-morrow and inquire." "But we want Snoop now!" exclaimed Freddie, fretfully. "I'm afraid we can't get him," said Mrs. Bobbsey, gently. "Come, children, let's go home now, and leave it to papa. Oh, to think of your lovely silver cup being gone!" "Snoop is worse," said Flossie, almost crying. "I—I'm sorry I let the fat lady take the cup," spoke Freddie. "Oh, you meant all right, my dear," said his mamma, "and it was very kind of you. But we really ought to start. We may miss a trolley. Come, Dinah,
Laura Lee Hope (The Bobbsey Twins at School)
then another, through the door and into the damp, frigid air of the basement. ‘Take off your robe,’ he tells me. I try to protest but he picks up the belt so I undress as slowly as possible, clinging to every scrap of warmth until I’m naked, shivering, strapped into the chair. He wheels the metal trolley over, cursing the wheel that has recently started to squeak.
Mark Edwards (The Devil's Work)
driver’s side. Across the road a group of teenage lads are mucking about with a shopping trolley. Bashing it against someone’s wall. If Dad was here they wouldn’t dare. Not that he’s a hard nut or anything, certainly not any more. But he’s lived here all his life and knows too many people to be messed with. I look at them again and remember another of Dad’s favourite sayings. You don’t shit on your own doorstep. ‘Oi, sling your hooks,’ I call out to them. They look over, scowl at me, then slink off with the trolley. I smile to myself. I still get a little kick out of it sometimes. Being Vince Benson’s daughter. ‘Right, let’s go,’ I say, getting into the car and fastening my seat belt. ‘What did you say to the big boys?’ Ella asks. ‘I told them to go away.’ ‘Were they being naughty?’ ‘Yes.’ ‘Where will they go now?’ ‘I don’t know. But at least they won’t be bothering people in Grandma’s street.’ I glance at Ella in the rear-view mirror. She nods, apparently satisfied with that, and picks up her Frozen sticker book from the back seat. * The car park is packed. I wonder whether to wait
Linda Green (While My Eyes Were Closed)
I guide him around into the next aisle and instantly realise that I’ve unwittingly led him into the alcohol section. I fly around in a panic and get the trolley rammed into my shin. ‘Fuck!’ I exclaim on a wince. ‘Ava, watch your mouth!’ I rub my shin. Damn that hurts. ‘We don’t need this aisle.’ I blurt, frantically pushing the trolley back towards him. He walks backwards. ‘Ava, stop it.’ ‘I’m sorry. I didn’t realise where we were.’ ‘For God’s sake, woman, I’m not going to dive into the shelves and rip the caps off the bottles. Are you okay?
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
You wouldn’t happen to know Elvira Cobb, would you? She lives on the east side, somewhere in your area.” Mercedes snorted. “Yes, we…we know Elvira.” “That woman is a royal pain in the rump,” Claryce said. “She’s always trying to bum a free ride on the trolleys.” “Imagine that,” Carlita murmured. “I’m not surprised.” “We had a few words last time she was on my route. She began interrogating a couple of the riders. I warned her to knock it off and she had the nerve to file a complaint against me.
Hope Callaghan (Made in Savannah Cozy Mystery Novels Box Set (The First 10 Books) (Hope Callaghan Cozy Mystery 10 Book Box Sets))
Mom you should really start online shopping, It is the trending thing to do and will make your life a lot simpler. Mom: Oh honey, that is crap. Every time I try online shopping, my trolley just falls off the top of your computer.
Kevin Murphy (Jokes : Best Jokes 2016 (Jokes, Funny Jokes, Funny Books, Best jokes, Jokes for Kids and Adults))
This shadowy, depersonalised, frankly militaristic ‘they’ (why should I call the pilot ‘captain’ – I didn’t join his army) is what makes commercial air travel so Orwellian. Say you want to take a nap, what do you ordinarily do? Take off your trousers, clear a space on the floor and maybe set an alarm on your phone. Sometimes I’ve lain down on the pavement for a week, and no one has bothered me. People on my street know me, and they’ll either hop over or take a brief detour into the road. On a plane it’s all, ‘Sir, you’re blocking the trolley.’ Don’t call me ‘sir’ and then tell me what to do! Even the homeless get to sleep lying down. A squatting vagrant huddled in his hovel has more room than the ‘executive’ in business class. How can it be a business-class service if you don’t get your own toilet? Some of the worst things I’ve ever smelt I’ve smelt after opening a business-class toilet. And I’m the one embarrassing myself?! Please. Go smell what’s in the business-class toilets, and then we’ll talk.
Richard Ayoade (Ayoade on Top)
Housewife does not mean you are married to a house. It means you are a woman who is married to a husband and your husband goes off to work every day and you don’t go off to work at all but embark on house-dusting, house-hoovering and various ironing and washing duties and other things that happen in a house, and in fact you aren’t really expected to go out of the house at all except to get yourself to a supermarket and then you go up and down the aisles with a trolley and a list, looking sad. What a lot of things are embedded in that housewife word.
Hazel Prior (Ellie and the Harpmaker)
Sartre’s puzzle has something in common with a famous thought experiment, the ‘trolley problem’. This proposes that you see a runaway train or trolley hurtling along a track to which, a little way ahead, five people are tied. If you do nothing, the five people will die — but you notice a lever which you might throw to divert the train to a sidetrack. If you do this, however, it will kill one person, who is tied to that part of the track and who would be safe if not for your action. So do you cause the death of this one person, or do you do nothing and allow five to die? (In a variant, the ‘fat man’ problem, you can only derail the train by throwing a hefty individual off a nearby bridge onto the track. This time you must physically lay hands on the person you are going to kill, which makes it a more visceral and difficult dilemma.) Sartre’s student’s decision could be seen as a ‘trolley problem’ type of decision, but made even more complicated by the fact that he could not be sure either that his going to England would actually help anyone, nor that leaving his mother would seriously harm her.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
The trouble with arriving at airports is it’s really hard not to jump up and down! Even if you’ve got your seat belt on! Arriving at airports is so exciting! All the buildings are big and square and made out of concrete. And all the lights are really bright. Plus there are absolutely loads of people everywhere. Plus if you look up in the sky, you can see actual planes coming in to land and other ones that are taking off! You should see how big aeroplanes look when they are close up! I thought one was going to land on our head! When we got out of our taxi, there were people pushing trolleys into the airport and people pushing trolleys out of the airport all over the place! All the people going in had long trousers on but some of the people coming out were wearing shorts! And flip-flops! And they had suntans and everything! Mum said the people coming out of the airport had been on their holidays and the people going in were about to start their holidays. Just like us! After Mum had paid the taxi man, we went and got a trolley all of our own! The trouble with trolleys all of your own is they make you want to have a ride on them. Mum said you aren’t really meant to ride on trolleys at the airport in case you fall off, but once we’d put our suitcases on, she let me climb on top! It was brilliant!!!!
Kes Gray (A Summer Double Daisy (A Daisy Story))
Once a plane is in the air, you can't even leave it! I've tried! They won't let you! You have to wait until 'they land'. This shadowy, depersonalised, frankly militaristic 'they' (why should I call the pilot 'captain' - I didn't join his army) is what makes commercial air travel so Orwellian. Say you want to take a nap, what do you ordinarily do? Take off your trousers, clear a space on the floor and maybe set an alarm on your phone. Sometimes I've lain down on the pavement for a week, and no one has bothered me. People on my street know me, and they'll either hop over or take a brief detour into the road. On a plane it's all, 'Sir, you're blocking the trolley.' Don't call me 'sir' and then tell me what to do!
Richard Ayoade
Her heart nearly stopped when a hand slid over her mouth and another disarmed her. “I’m Commander Rodgers from the USS Washington, and you’re coming with me now,” an American growled in her ear. From the girth pressing against her back, he was solid—but Olivia could take him. Grinding her teeth, she threw an elbow to his sternum. He blocked—so like a hotshot. Few people were fast enough to react to one of her strikes. But she’d nail him with her second try. Whipping around, she aimed a kick at his groin, but he blocked that, too. At least six-two and faster than an asp, Rodgers stopped her next kick by catching her ankle and giving it a twist—a warning. “Enough. Come.” Jesus Christ, his eyes were the color of a teal lagoon and they drilled into her like daggers. She shook her head. God, she wasn’t about to go anywhere with dagger-eyes. Not without a fight. Suited up in scuba gear, his facemask cocked atop his head, the man had to be daft. “What the fuck, Aquaman?” she whisper-shouted. “If anyone sees you, we’ll both be shot before the first question’s asked.” His eyebrows slanted downward over those damned eyes. “Yeah?” he whisper-shouted back. “Everyone on this boat will be dead in fifteen. If you want to live, you’ll do as I say.” Olivia’s mouth went dry. She blinked, shaking her head. He had to be mistaken. One more day and al-Umari’s ass would be hers. “Are you off your trolley? I’ve put too much into this project to have it blown to smithereens. Call off your dogs before you cock-up the entire op. Now.” “No can do,” he said like her hard-earned cover wasn’t about to become the greatest wipeout in MI6 history. “Sorry to ruin your party, but there’s a bomb attached to the hull. Can’t be killed, can’t be dislodged, and if you stand here arguing with me for one more second, you’ll explode into so many pieces, you won’t make a meal for a goddamned minnow.” Those are my choices? “Christ!” She jammed her finger under his nose. “When this is over, your ass is mine.
Amy Jarecki (Hunt for Evil (ICE #1))