β
Love means holding on to someone just as hard as you can because if you don't, one blink and they might disappear...forever.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Grandma once told me it's easy to overthink love, to dissect it and question it until it is no more.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
One foot in front of the other, counting tiles on the floor so I don't have to focus the blur of painted smiles, fake faces.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
It [death] chokes you, gags you, but you have to pretend that you're doing just fine, not trembling with this fear because the end is close.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Too much to take in, too much to purge. Why must every memory, once sweet, dead end in such ugliness?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
You believe this is a game, and you may be right. But if you think you can play it better than me, think again.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
My happiest memories have no place in the past; they are those I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Now that I have opened that bottle of memories they're pouring out like wine, crimson and bittersweet.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
She is madness,
sanity. She is hell, and
paradise.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I'd sleep outside naked in the blizzard,for you.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Memory is a tenuous thing. . . .
flickering glimpses, blue
and white, like ancient,
decomposing 16mm film.
Happiness escapes
me there, where faces
are vague and yesterday
seems to come tied
up in ribbons of pain.
Happiness? I look for it intead
in today, where memory
is something I can still
touch, still rely on.
I find it in the smiles
of new friends, the hope
blossoming inside.
My happiest memories
have no place in the
past; they are those
I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Forever has no meaning when you're living in the moment.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Everyone's afraid of everybody else...maybe because we're all afraid of ourselves.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
HOW
do you define a word without concrete meaning? To each his own, the saying goes, so
WHY
push to attain an ideal state of being that no two random people will agree is
WHERE
you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway,
WHEN
did creating a flawless facade become a more vital goal than learning to love the person
WHO
lives inside your skin? The outside belongs to others. Only you should decide for you -
WHAT
is perfect.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I mean, if you're gonna
purposely lose your mind,
you want to get it back some
day. Don't you? Okay, maybe not.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
...what good would it
do to
shutter your windows, never
dream of rainbows or find hope
in promises? Why choose to
walk away
rather than hold your ground
and fight for love?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I tattered their wings and tore off their legs, joint by joint, watched them crawl in circles, like little lost infants, untill they decide to die.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Bad choices or good, if you never take chances, someone else will build your life for you.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Ghosts don't scare me. Flesh and blood people do.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
....a perfect paper airplane.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The truth is, I don't have a real clue what love is - how to find it, how to give it. Once upon a time I thought I knew.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Death Is only the easy way out if you are the one who dies.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
And the thought of that makes me want to open a vein, experience pain, know I'm alive, despite this living death.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Fake
Is that what you are
if you choose to improve
the basic not perfect you?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
As the old saying goes, "sometimes loving someone means letting them go.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
But then, my entire life is bullshit. The best things in it have vanished, ghosts. Ghosts I'll admit I created.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
When you've only got one little shimmer of sunshine, you capture it best you can.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Grown up? Me? I suppose I have. Killing things, and almost killing myself, must have changed me some, after all.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
If all you can promise me is today, I'll take it and hope for tomorrow.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
But Hey, Guess What
Crazy means I'm not liable
for my actions. So screw it,
I'll go home, propped up on
Prozac against distractions
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
She is angle. I am
curve. Together, we are geometric
sculpture, and we make perfect sense.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
No, of course not. But surely you know your affair couldn't go on forever."
"Forever has no meaning when you're living in the moment and I wasn't ready for that moment to end.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
A Problem Is really just a solution in need of a reason to exist.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Living means taking chances. Risks. Playing safe all the time is being dead inside, even if you happen to still be breathing.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I wonder how long it would take him to realize I'm right as sin - it's the rest of the world that's wrong. I'm not even sure how I qualify for admission to Aspen Springs. Does wanting to die equal losing your mind?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
TRIAD:
Three
separate highways
intersect at a place
no reasonable person
would ever want to go.
Three
lives that would have
been cut short, if not
for hasty interventions
by loved ones. Or Fate.
Three
people, with nothing
at all in common
except age, proximity,
and a wish to die.
Three
tapestries, tattered
at the edges and come
unwoven to reveal
a single mutual thread.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The truth is, I've always been afraid of letting anyone get too close. I built a wall around me, a barricade to hide behind those few times someone wanted entry to my heart.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
It is hard to believe that something that seems so permanent was once so different. Change. I guess that really is one thing you can count on...
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Love
Is
a curious thing. Sometimes
it barrels into you, leaves you
breathless. Other times, it comes
in-
to your life, a tentative beam
of morning sun sneaking
through the blinds, and you think
this
light isn't possible. The shutters
are drawn. Night should linger
on. I don't feel like waking. Yet the
room
comes slowly lit. Sleep slithers
away, and at last you can no
longer deny the dawning.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
There will never be color
blindness in a culture of
fear.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Freedom is a double-edged ideal, because true freedom comes without the protection of laws that also enslave us by defining us--female, male; Christian, Islamic; good, evil. All at the whim of a frail minority.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Her smile is like summer moonlight-beautiful and magical, with a fire that could melt the night.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Am I more afraid
Of taking a chance and
learning I'm somebody
I don't know, or of risking
new territory,
only to find I'm the same
old me? There is comfort
in the tried and true.
Breaking ground
might uncover a sinkhole,
one impossible to climb out
of. And setting sail in
uncharted waters
might mean capsizing into
a sea monster's jaws.
Easier to turn my back on
these things
than to try tjem and fail.
And yet, a whisper insists
I need to know if they are or
aren't integral to me.
Status quo is a swamp.
And stagnation is slow death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
For a long while. Finally she says, I don't believe in love. Not sure it really exists, but even if it does for some people, it won't for me. She is serious. Then she lightens up. But, hey, if you think you love me, cool.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I'd like to cry now. Don't know how.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Love is for children and dimwads.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Transformation
Isn't easy when most of the people
in your life think you're already
perfect, and want you to stay just
how they see you. Try to begin
a new phase, you'd better expect
push-back. Try to create a whole
new you, your friend list will shrink
considerably.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Anger is easier than forgiveness.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Sometimes,
you don't wake up.
But if you happen
to, you know things
will never be
the same.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
And how can it be he's so in love with me? To grow up without love, and still have so much inside?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Real love shouldn't be disposable.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Love is Chocolate
The unprocessed kind. Dark. Bitter.
But always with the promise of sweet
perfection. All it takes is sugar-
that certain someone's kiss, flavored
with possibility. If Dani has taught
me anything, it's that life is brimming
with possibilities. Every single day
brings choices.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
It was the exact opposite
for me. At first all I
wanted was sex with her,
but soon I wanted more.
More sex, yes, in unusual
places, and all different kinds.
But that wasnβt all. I wanted
her to fill the empty spaces
left by a father who never
once praised me, βfriendsβ who
used me, an ice princess mom
who raised me with glass kisses.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Commitment means losing yourself to gain something temporary. Nothing lasts. Not looks. Not love. I'm living large and living for today because there might not be a tomorrow.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Paradise
A concept embraced by almost every culture. A land of peace
and harmony. Some say it
doesn't
belong to the earth, that there
is no Shangri-la, no utopian
wilderness for the living.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
My happiest memories
Have no place in the
Past; they are those
I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Standing Here
My entire world far beneath
my feet, I should be filled
with pride. Instead, I feel
overwhelmed by a sense of defeat.
Suddenly it comes to me,
toes tempted to test the ledge,
that there is a way out of this.
Clam surety flows through
my veins, and as I turn to wave
good-bye, I wonder if it will
hurt or if a single person
will cry at my funeral.
I take a deep breath, a final
taste of sweet mountain air.
I conjure Leona, Emily.
Move my feet closer. Closer
There's Grandma One, Grandma
Two, and their spouses, waiting
for me. I see Dad. Cara. Mommy.
I screw up my courage, step over
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Does wanting to die equal losing your mind?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Perfect?
How
do you define a word without
concrete meaning? To each
his own, the saying goes, so
why
push to attain an ideal
state of being that no two
random people will agree is
where
you want to be? Faultless.
Finished. Incomparable. People
can never be these, and anyway,
when
did creating a flawless facade
become a more vital goal
than learning to love the person
who
lives inside your skin?
The outside belongs to others.
Only you should decide for you---
what
is perfect
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isnβt thin. It isnβt size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what sheβs missing is love. Not someone elseβs love. But love and respect for herself.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
The wind kicks in stronger, branches clatter. Or maybe skeletons. Bones of abandonment. Ghosts that will never be.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Such an incredible waste of energy, to work your ass off for sixty years, then shrivel up, die, and be nothing more than a memory - if you're lucky enough to leave someone behind who will remember you. There must be more. Don't you think?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I can see why she feels left behind. Maybe even discarded. Is that why she refuses to accept my love and return it? Afraid that love doesn't last? Doesn't really exist? Afraid if her own father can withdraw his love (or at least the manifestation of his love), that maybe she somehow isn't worthy of the emotion?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Built by pain and drive.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
But calories won't conquer me. They are one thing I can control
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Only you should decide for you what is perfect.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
That stinking mirror doesn't lie. Every time I walk by it shouts out, 'Hey. Chub. When are you going to lose those 15 pounds of ugly-ass flab?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Raining radiation on this ozone-deprived planet. The only thing she ever longed for was short-lived love.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
back turned, you don't have to look at what you've left behind. And the first person who turned their back on you can't watch you break down and cry.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Without Warning
Sometimes you're traveling a highway, the only road you've ever known, and wham! A semi comes from nowhere and rolls right over you.
β
β
Ellen Hopkins
β
I hate this feeling like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here.
β
β
Ellen Hopkins
β
Change doesn't come
without invitation.
You won't discover it in
routine. And you won't
create an all-new and better you if you wait for someone else
to give you permission. Transformation begins -
and ends - inside of you.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
trust is just another five letter word, one that comes before not,
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When you live afraid of your neighbor, the monster you should most walk in terror of thrives.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Bomb me, make me vaporise
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
And I did say excuse me, with my butt. Apparently you donβt speak βrectum.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Except when it comes to Mom. She is, and always has been, the driving force in this family. And sometimes that means driving us head-on, no possible change of course, into a wall.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I'm right as sin - it's the rest of the world that's wrong.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The worst liars are the ones everyone thinks would never, ever tell a lie.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When I was little, my friends would gush over wedding gowns and honeymoons. But I saw too many people flush decades together down the toilet over money or kids or meaningless flings. My own parents chose to stay married, which I think is rather funny, since they show about as much affection for each other as pit bulls in a ring. Tying the knot means slipping a noose around love and choking it to death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Tony's Kiss
Is like no other kiss, ever.
It wants, but does not demand.
It asks, but doesn't take.
It gives, and pleads for more.
It is filled with desire,
but also curiosity,
and it teaches me that a kiss should
come gift wrapped, not stripped naked. Most of all,
it makes me want another kiss
exactly like this one.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I don't believe in God, don't believe in the devil. Unless you want to count my mother. She might be Satan's sister, I suppose.
β
β
Ellen Hopkins
β
β’ Youβre safe here, it
(He?) said, No judgements,
No worries, youβre
One of My children,
And a special part
Of the Grand Plan.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Maybe crazy is preferable to staying strong when you just want to break down and weep.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The memory stirs sadness. It scatters around me like dust.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Stagnation is a slow death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Why is mania bad, if it means you're on top of the world, where everything is white? Bright.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Life is all about change. If it were static, think about how boring it would be. You can't be afraid of it, and you can't worry that you'll mess things up.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Wishful thinking pretty much always comes back to slap you in the face.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I wonder if what I did made her hurt as much as she hurt me. Only fair, to trade hurt. But life isn't fair.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
From what I've seen, love isn't about mutual respect. It's more concerns with control than sacrifice. And I wonder whether it's better or worse when love finally walks away.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I'm struggling to take ownership of this new person I call me. But everyday brings me closer. And I'm glad I got to know her at all.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
A problem is really just a solution in need of a reason to exist. If you think about it, life would be kind of boring if it were completely free of friction.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
the stranger who keeps insisting she is the real meβ and that if I would allow her to take up residence inside this flawless shell, I will finally come to terms with who I was born to be.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Back turned, you don't have to look at what you've left behind. And the person who first turned their back on you can't watch you break down and cry. Never allow an enemy to see weakness in you.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
When People Ask
How heβs doing now, I have
no idea what to say except for,
βBetter.β I donβt know if thatβs
true, or what goes on in a place
like Aspen Springs, not that any-
one knows heβs there, thank God.
He has dropped off most peopleβs
radar, although thatβs kind of odd.
Before he took this unbelievable
turn, Conner was top rung on our
social ladder. But with his crash
and burn no longer news of the day,
all but a gossipy few have quit
trying to fill in the blanks.
One exception is Kendra, who
for some idiotic reason still
loves him and keeps asking about
him, despite the horrible way he
dumped her. Kendra may be pretty,
but sheβs not especially bright.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Pray you could somehow stop the uncertainty, somehow stop the loathing, somehow stop the pain...
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Forever has no meaning when youβre living in the moment. I wasnβt ready for that moment to end.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Rules are part of our lives. Only children and fools believe they're immune.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I think God cares more about how you treat others than who you sleep with.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Tying the know means slipping a noose around love and choking it to death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Fighting Depression Is hard when you have no real reason to fight it. Why pretend everything is fine when everything pretty much sucks?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Yes, it takes two to dance. But somebody has to lead.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Nobody seems to care that with every push to live up to their expectations, my own dreams vaporize.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I need to find a way to feel alive that doesnβt require someone else to make it happen.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
The longer we try to hold on to each other, the more it will hurt when we finally fall apart.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Pretty isn't good enough.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I Wonβt Fly Today
Too much to do, despite the snow,
which made all local schools close
their doors. What a winter! Usually,
I love watching the white stuff fall.
But after a month with only short
respites, I keep hoping for a critical
blue sky. Instead, amazing waves
of silvery clouds sweep over the crest
of the Sierra, open their obese
bellies, and release foot upon foot
of crisp new powder. The ski
resorts would be happy, except
the roads are so hard to travel
that people are staying home.
So it kind of boggles the mind
that three guys are laying carpet
in the living room. Just goes to
show the power of money. In less
than an hour, the stain Conner left
on the hardwood will be a ghost.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
What I want to tell you is what I think he would tell you if he could.
Living means taking chances. Risks. Playing it safe all the time is being dead inside, even if you happen to still be breathing. people expected Connor to play it safe all the time. And when he did, he felt dead inside. I saw him take risks, and then he was the most alive person I've ever known. he would ask you to take chances. Sometimes that means getting hurt. Getting an F. Losing a game. Losing someone you love. But if you always play it safe, you lose anyway.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The Stain
That Conner left on our lives will
not vanish as easily. I donβt care
about Mom and her birds.
Their estimation of my brother
doesnβt bother me at all. Neither
do I worry about Dad and
what his lobbyist buddies think.
His political clout has not diminished.
As twins go, Conner and I donβt share
a deep affection, but we do have
a nine-months-in-the-same-womb
connection. Not to mention
a crowd of mutual friends. God,
Iβll never forget going to school
the day after that ugly scene.
The plan was to sever the gossip
grapevine from the start with
an obvious explanationβ
accident. Momβs orders were
clear. Connerβs reputation
was to be protected at all costs.
When I arrived, the rumors
had already started, thanks
to our neighbor, Bobby Duvall.
Conner Sykes got hurt.
Conner Sykes was shot.
Conner Sykes is in the hospital.
Is Conner Sykes, like, dead?
I fielded every single question
with the agreed fabrication.
But eventually, I was forced to
concede that, though his wounds
would heal, he was not coming
back to school right away.
Conner Sykes wasnβt dead.
But he wasnβt exactly βokay.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
To be kissed like they do in books, some exotic setting beguiling two ordinary people, bewitching them with its subtle perfumes until, stranger inextricably linked to stranger, their lives are forever changed. I am only kissed like this in dreams.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I cut to focus when my brain is racing. I cut to make physical what I feel inside. I cut to see blood because I like it. I donβt like to cut, but I canβt give it up. I
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
No rest for the wicked, which must include me.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
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Life isn't fair, and luck? That is something you create.
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Ellen Hopkins (Impulse (Impulse, #1))
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The road snakes south, then north, ultimately taking us east, and I wonder if life is like that. Go one way, then another, to end up someplace else.
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Ellen Hopkins (Perfect (Impulse, #2))
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I'm afraid it will never be perfect again. I am indelibly stained. Forever redefined, but blurred around the edges.
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Ellen Hopkins (Perfect (Impulse, #2))
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Falling in love can happen to complete strangers. Staying in love requires being best friends and that means accepting the person beneath the veneer.
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Ellen Hopkins (Perfect (Impulse, #2))
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Imperfections create character.
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Ellen Hopkins (Perfect (Impulse, #2))
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When youβve only got one little shimmer of sunshine, you capture it best you can.
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Ellen Hopkins (Perfect (Impulse, #2))
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If you worry about falling down, and never 'up,' the sky will remain forever out of reach.
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Ellen Hopkins (Perfect (Impulse, #2))
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Parenting should be a passion, not a part-time pursuit.
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Ellen Hopkins (Perfect (Impulse, #2))
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Perfection is a ridiculous goal because there is no such thing. Real beauty is what you are inside.
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Ellen Hopkins (Perfect (Impulse, #2))
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Conner falls in, very close behind me. You have to be more careful, he whispers. I wonβt always be around to protect you. His voice is chocolateβ sweet, smooth, rich . . . . . . foreboding.
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Ellen Hopkins (Impulse (Impulse, #1))
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What we strive for, ultimately, is love. You won't find real love because you're beautiful on the outside. It is drawn to inner beauty. Spend your energy crafting that, and you will know true love.
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Ellen Hopkins (Perfect (Impulse, #2))
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It wants, but does not demand. It asks, but doesn't take. It gives, and pleads for more. It is filled with desire, but also curiosity, and it teaches me that a kiss should come gift wrapped, not stripped naked
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Ellen Hopkins (Impulse (Impulse, #1))
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I feel dead inside anyway. Cara made me feel alive. Maybe that's why I can't let her go. I don't want to feel dead anymore. What I think is, I need a way to feel alive that doesn't require someone else to make it happen.
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Ellen Hopkins (Perfect (Impulse, #2))
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maybe Iβll get a job, an apartment. Chill for a year or so, until I figure out exactly what it is I want to do. Become. God, the harder they push me to βbecomeβ something, the more I want to dig in my heels and just be whatever it is I am. And
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Ellen Hopkins (Perfect (Impulse, #2))
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Conner was tired of the pressure. Sick of trying to find the equation that would lighten the weight of expectations not his own.
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Ellen Hopkins (Perfect (Impulse, #2))
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When youβre younger, a bump in the nose and a few extra pounds donβt mean much. But now they do.
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Ellen Hopkins (Perfect (Impulse, #2))
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male/female, male/male,
female/female. Love.
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Ellen Hopkins (Impulse (Impulse, #1))
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Think how much people must have loved each other when all they had was each other
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Ellen Hopkins (Impulse (Impulse, #1))
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It's hard to believe that something that seems so permanent was once so different
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Ellen Hopkins (Impulse (Impulse, #1))
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Iβd use math to calculate how fast Iβd have to drive my car over a cliff of x feet in height to attain the proper distance to make sure Iβd end up dead instead of paralyzed.
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Ellen Hopkins (Perfect (Impulse, #2))
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Commitment means losing yourself to gain something temporary. Nothing lasts. Not looks. Not love. Iβm living large and living for today because there might not be a tomorrow.
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Ellen Hopkins (Perfect (Impulse, #2))
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Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.
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Ellen Hopkins (Impulse (Impulse, #1))
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The best-rehearsed denials can't fool inquiring minds.
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Ellen Hopkins (Impulse (Impulse, #1))
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Think how people must have loved each other when all they had was each other.
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Ellen Hopkins (Impulse (Impulse, #1))
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What I don't like is what it sometimes takes to win. Backstabbing. Manipulation. Out-and-out bribery once in a while, and not always the monetary kind.
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Ellen Hopkins (Perfect (Impulse, #2))
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Good thing loving someone doesn't require caring about their parents.
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Ellen Hopkins (Perfect (Impulse, #2))
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let myself love him back because love is like summer. It only lasts so long.
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Ellen Hopkins (Perfect (Impulse, #2))
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To win is to prosper. The game is defeating doubt. And the fun is in the game.
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Ellen Hopkins (Perfect (Impulse, #2))
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Love means holding on to someone just as hard as you can because if you don't, one blink and they might disappear forever.
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Ellen Hopkins, Impulse
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I'm feeling better too. Like maybe there's a place for me - a place I might even want to be.
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Ellen Hopkins, Impulse
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Pray you could somehow stop the uncertainty, somehow stop the loathing, somehow stop the pain. Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
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Ellen Hopkins (Impulse (Impulse, #1))
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Look. Iβm not sure exactly what happened here, but you are everything to me. Even if you werenβt, you have to realize you canβt get a guy all worked up, then tell him to stop. Itβs not fair.
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Ellen Hopkins (Perfect (Impulse, #2))
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That day I actually thought about howling. So I gave myself to the knife, asked it to bite a little harder, chew a little deeper. The hot, scarlet rush felt so delicious I couldn't stop there.
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Ellen Hopkins (Impulse (Impulse, #1))
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Did I expect
To
learn something new,
walking the same old
avenues? Did I believe I'd
find
surprises under the pillow
my head rests on every
nightβan extension of
myself?
Change doesn't come
without invitation.
You won't discover it
in
routine. And you won't
create an all-new and
better you if you wait for
someone else
to give you permission.
Transformation beginsβ
and endsβinside of you.
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Ellen Hopkins (Perfect (Impulse, #2))
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If you will only pause, as you hurry through your days, take a minute to look at passersby, beyond cursory skin-deep analysis, all the way into their eyes, what beauty you might find woven from the life threads there.
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Ellen Hopkins (Perfect (Impulse, #2))
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The things they say!
A truck driver would blush.
I would never talk that way
to Trevor he walks on water.
I want him to think I do too.
For a while, he did, or at least
he pretended to.
I did things with Trevor
I wouldn't dare to confess
to anyoneβthings I didn't
know anyone did.
But he wanted me to,
so I did. That's what you do
when you love someone,
right?
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Ellen Hopkins (Impulse (Impulse, #1))
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What good can come from one-sidedness? A house with a single side is nothing more than a wall. Not much in the way of shelter. What good is there in chasing rainbows? Even if you found yourself haloed with prismatic light, would it promise a happy ending? Could an ending do anything but break your heart? And yet, what good would it do to shutter your windows, never dream of rainbows or find hope in promises? Why choose to walk away rather than hold your ground and fight for love?
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Ellen Hopkins (Perfect (Impulse, #2))
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We sat on the floor, newspaper- wrapped presents in our laps, imagining all the wonderful things inside. We opened them carefully, peeling back layers of newsprint until we reached the boxes, sliced the Scotch tape with our fingernails, lifted the flaps, and each of us foundΒ .Β .Β . One MRE (Meal, Ready to Eatβ turkey, stuffing, and cranberry sauce, in foil pouches); one Hershey bar; and a handful of bullet casings, because this is what my men are getting today. And one more thing: a scrap of paper with a hand-scrawled I love you, Dad.
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Ellen Hopkins (Impulse (Impulse, #1))
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when did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin? The outside belongs to others. Only you should decide for youβ what is perfect.
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Ellen Hopkins (Perfect (Impulse, #2))
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Private dreams
Snare you. Swallow you.
Make you feel
like you're all
alone,
like you don't want
to sleep and fall
into them. What good are
dreams
if you can't share
them? How sad
to think there
are
people who must
move forward into
some hollow future,
empty
of hope. Destined
to travel an avenue
potholed with broken
promises.
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Ellen Hopkins (Perfect (Impulse, #2))
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Tying the knot means slipping a noose around love and choking it to death.
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Ellen Hopkins (Perfect (Impulse, #2))
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I mean if you're going to kill yourself, there are faster ways than letting [meth] chew up your brain one lobe at a time"
"Do enough crank, your heart will give up before your brain does. Most people don't do enough to die, though. They just do enough to keep getting more and more stupid."
"Like stupid enough to smuggle meth into a place like this?
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Ellen Hopkins, Impulse
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I turn, wanting to see her face. It's a gift, despite the sadness etched there.
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Ellen Hopkins (Impulse (Impulse, #1))
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When will America quit living in the shadow of 9/11? When will her people decide to stop living in daily fear? When will they think twice about who they should be afraid of - some would-be terrorist a thousand miles away, or some US politician, hell-bent on peeking behind closed doors?
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Ellen Hopkins (Impulse (Impulse, #1))
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I love you for the person Iβve discovered under your skin
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Impulse, Ellen Hopkins
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I'm right as sin - it's the rest of the world that's wrong.
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Ellen Hopkins, Impulse
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I keep hearing that love isn't a logical emotion. Should I worry about that?
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Ellen Hopkins (Perfect (Impulse, #2))
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And how can it be he's so in love with me? To grow up without love and still have so much inside?
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Ellen Hopkins, Impulse
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Life is all about change. If it were static, think about how boring it would be. You can't be afraid of it, and you can't worry that you'll mess things up. You deserve good things, and I want to be one of them.
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Ellen Hopkins, Impulse
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This time when we kiss, I feel it in the pit of my stomach, I feel it in my heart. And, I realize love isn't about sex. It's about connection.
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Ellen Hopkins, Impulse
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It's hard to believe that something that seems so permanent was once so different. Change. I guess that really is one thing you can count on.
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Ellen Hopkins, Impulse
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Forever has no meaning when you're living in the moment. I wasn't ready for that moment to end.
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Ellen Hopkins, Impulse
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It's not easy to get close to anyone in here, Tony. Everyone's afraid of everybody else...maybe because we are all afraid of ourselves.
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Ellen Hopkins, Impulse