β
Love means holding on to someone just as hard as you can because if you don't, one blink and they might disappear...forever.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Grandma once told me it's easy to overthink love, to dissect it and question it until it is no more.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
One foot in front of the other, counting tiles on the floor so I don't have to focus the blur of painted smiles, fake faces.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
It [death] chokes you, gags you, but you have to pretend that you're doing just fine, not trembling with this fear because the end is close.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Too much to take in, too much to purge. Why must every memory, once sweet, dead end in such ugliness?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
You believe this is a game, and you may be right. But if you think you can play it better than me, think again.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
My happiest memories have no place in the past; they are those I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Now that I have opened that bottle of memories they're pouring out like wine, crimson and bittersweet.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
She is madness,
sanity. She is hell, and
paradise.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I'd sleep outside naked in the blizzard,for you.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Memory is a tenuous thing. . . .
flickering glimpses, blue
and white, like ancient,
decomposing 16mm film.
Happiness escapes
me there, where faces
are vague and yesterday
seems to come tied
up in ribbons of pain.
Happiness? I look for it intead
in today, where memory
is something I can still
touch, still rely on.
I find it in the smiles
of new friends, the hope
blossoming inside.
My happiest memories
have no place in the
past; they are those
I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Forever has no meaning when you're living in the moment.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Everyone's afraid of everybody else...maybe because we're all afraid of ourselves.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
HOW
do you define a word without concrete meaning? To each his own, the saying goes, so
WHY
push to attain an ideal state of being that no two random people will agree is
WHERE
you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway,
WHEN
did creating a flawless facade become a more vital goal than learning to love the person
WHO
lives inside your skin? The outside belongs to others. Only you should decide for you -
WHAT
is perfect.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I mean, if you're gonna
purposely lose your mind,
you want to get it back some
day. Don't you? Okay, maybe not.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
...what good would it
do to
shutter your windows, never
dream of rainbows or find hope
in promises? Why choose to
walk away
rather than hold your ground
and fight for love?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I tattered their wings and tore off their legs, joint by joint, watched them crawl in circles, like little lost infants, untill they decide to die.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Bad choices or good, if you never take chances, someone else will build your life for you.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Ghosts don't scare me. Flesh and blood people do.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
....a perfect paper airplane.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The truth is, I don't have a real clue what love is - how to find it, how to give it. Once upon a time I thought I knew.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Death Is only the easy way out if you are the one who dies.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
And the thought of that makes me want to open a vein, experience pain, know I'm alive, despite this living death.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Fake
Is that what you are
if you choose to improve
the basic not perfect you?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
As the old saying goes, "sometimes loving someone means letting them go.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
But then, my entire life is bullshit. The best things in it have vanished, ghosts. Ghosts I'll admit I created.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When you've only got one little shimmer of sunshine, you capture it best you can.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
When did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Grown up? Me? I suppose I have. Killing things, and almost killing myself, must have changed me some, after all.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
If all you can promise me is today, I'll take it and hope for tomorrow.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
But Hey, Guess What
Crazy means I'm not liable
for my actions. So screw it,
I'll go home, propped up on
Prozac against distractions
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
She is angle. I am
curve. Together, we are geometric
sculpture, and we make perfect sense.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
No, of course not. But surely you know your affair couldn't go on forever."
"Forever has no meaning when you're living in the moment and I wasn't ready for that moment to end.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
A Problem Is really just a solution in need of a reason to exist.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I wonder how long it would take him to realize I'm right as sin - it's the rest of the world that's wrong. I'm not even sure how I qualify for admission to Aspen Springs. Does wanting to die equal losing your mind?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Living means taking chances. Risks. Playing safe all the time is being dead inside, even if you happen to still be breathing.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
TRIAD:
Three
separate highways
intersect at a place
no reasonable person
would ever want to go.
Three
lives that would have
been cut short, if not
for hasty interventions
by loved ones. Or Fate.
Three
people, with nothing
at all in common
except age, proximity,
and a wish to die.
Three
tapestries, tattered
at the edges and come
unwoven to reveal
a single mutual thread.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
It is hard to believe that something that seems so permanent was once so different. Change. I guess that really is one thing you can count on...
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The truth is, I've always been afraid of letting anyone get too close. I built a wall around me, a barricade to hide behind those few times someone wanted entry to my heart.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Love
Is
a curious thing. Sometimes
it barrels into you, leaves you
breathless. Other times, it comes
in-
to your life, a tentative beam
of morning sun sneaking
through the blinds, and you think
this
light isn't possible. The shutters
are drawn. Night should linger
on. I don't feel like waking. Yet the
room
comes slowly lit. Sleep slithers
away, and at last you can no
longer deny the dawning.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
There will never be color
blindness in a culture of
fear.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Freedom is a double-edged ideal, because true freedom comes without the protection of laws that also enslave us by defining us--female, male; Christian, Islamic; good, evil. All at the whim of a frail minority.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Her smile is like summer moonlight-beautiful and magical, with a fire that could melt the night.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I'd like to cry now. Don't know how.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Love is for children and dimwads.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Am I more afraid
Of taking a chance and
learning I'm somebody
I don't know, or of risking
new territory,
only to find I'm the same
old me? There is comfort
in the tried and true.
Breaking ground
might uncover a sinkhole,
one impossible to climb out
of. And setting sail in
uncharted waters
might mean capsizing into
a sea monster's jaws.
Easier to turn my back on
these things
than to try tjem and fail.
And yet, a whisper insists
I need to know if they are or
aren't integral to me.
Status quo is a swamp.
And stagnation is slow death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
For a long while. Finally she says, I don't believe in love. Not sure it really exists, but even if it does for some people, it won't for me. She is serious. Then she lightens up. But, hey, if you think you love me, cool.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Transformation
Isn't easy when most of the people
in your life think you're already
perfect, and want you to stay just
how they see you. Try to begin
a new phase, you'd better expect
push-back. Try to create a whole
new you, your friend list will shrink
considerably.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Sometimes,
you don't wake up.
But if you happen
to, you know things
will never be
the same.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Anger is easier than forgiveness.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
And how can it be he's so in love with me? To grow up without love, and still have so much inside?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
It was the exact opposite
for me. At first all I
wanted was sex with her,
but soon I wanted more.
More sex, yes, in unusual
places, and all different kinds.
But that wasnβt all. I wanted
her to fill the empty spaces
left by a father who never
once praised me, βfriendsβ who
used me, an ice princess mom
who raised me with glass kisses.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Real love shouldn't be disposable.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Love is Chocolate
The unprocessed kind. Dark. Bitter.
But always with the promise of sweet
perfection. All it takes is sugar-
that certain someone's kiss, flavored
with possibility. If Dani has taught
me anything, it's that life is brimming
with possibilities. Every single day
brings choices.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Paradise
A concept embraced by almost every culture. A land of peace
and harmony. Some say it
doesn't
belong to the earth, that there
is no Shangri-la, no utopian
wilderness for the living.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Commitment means losing yourself to gain something temporary. Nothing lasts. Not looks. Not love. I'm living large and living for today because there might not be a tomorrow.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
My happiest memories
Have no place in the
Past; they are those
I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Standing Here
My entire world far beneath
my feet, I should be filled
with pride. Instead, I feel
overwhelmed by a sense of defeat.
Suddenly it comes to me,
toes tempted to test the ledge,
that there is a way out of this.
Clam surety flows through
my veins, and as I turn to wave
good-bye, I wonder if it will
hurt or if a single person
will cry at my funeral.
I take a deep breath, a final
taste of sweet mountain air.
I conjure Leona, Emily.
Move my feet closer. Closer
There's Grandma One, Grandma
Two, and their spouses, waiting
for me. I see Dad. Cara. Mommy.
I screw up my courage, step over
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Does wanting to die equal losing your mind?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Perfect?
How
do you define a word without
concrete meaning? To each
his own, the saying goes, so
why
push to attain an ideal
state of being that no two
random people will agree is
where
you want to be? Faultless.
Finished. Incomparable. People
can never be these, and anyway,
when
did creating a flawless facade
become a more vital goal
than learning to love the person
who
lives inside your skin?
The outside belongs to others.
Only you should decide for you---
what
is perfect
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isnβt thin. It isnβt size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what sheβs missing is love. Not someone elseβs love. But love and respect for herself.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
The wind kicks in stronger, branches clatter. Or maybe skeletons. Bones of abandonment. Ghosts that will never be.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Such an incredible waste of energy, to work your ass off for sixty years, then shrivel up, die, and be nothing more than a memory - if you're lucky enough to leave someone behind who will remember you. There must be more. Don't you think?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I can see why she feels left behind. Maybe even discarded. Is that why she refuses to accept my love and return it? Afraid that love doesn't last? Doesn't really exist? Afraid if her own father can withdraw his love (or at least the manifestation of his love), that maybe she somehow isn't worthy of the emotion?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Built by pain and drive.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
But calories won't conquer me. They are one thing I can control
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Only you should decide for you what is perfect.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Raining radiation on this ozone-deprived planet. The only thing she ever longed for was short-lived love.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
back turned, you don't have to look at what you've left behind. And the first person who turned their back on you can't watch you break down and cry.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
That stinking mirror doesn't lie. Every time I walk by it shouts out, 'Hey. Chub. When are you going to lose those 15 pounds of ugly-ass flab?
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Without Warning
Sometimes you're traveling a highway, the only road you've ever known, and wham! A semi comes from nowhere and rolls right over you.
β
β
Ellen Hopkins
β
I hate this feeling like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here.
β
β
Ellen Hopkins
β
Change doesn't come
without invitation.
You won't discover it in
routine. And you won't
create an all-new and better you if you wait for someone else
to give you permission. Transformation begins -
and ends - inside of you.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
trust is just another five letter word, one that comes before not,
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Except when it comes to Mom. She is, and always has been, the driving force in this family. And sometimes that means driving us head-on, no possible change of course, into a wall.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Bomb me, make me vaporise
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
When you live afraid of your neighbor, the monster you should most walk in terror of thrives.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
And I did say excuse me, with my butt. Apparently you donβt speak βrectum.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I'm right as sin - it's the rest of the world that's wrong.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The worst liars are the ones everyone thinks would never, ever tell a lie.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When I was little, my friends would gush over wedding gowns and honeymoons. But I saw too many people flush decades together down the toilet over money or kids or meaningless flings. My own parents chose to stay married, which I think is rather funny, since they show about as much affection for each other as pit bulls in a ring. Tying the knot means slipping a noose around love and choking it to death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Tony's Kiss
Is like no other kiss, ever.
It wants, but does not demand.
It asks, but doesn't take.
It gives, and pleads for more.
It is filled with desire,
but also curiosity,
and it teaches me that a kiss should
come gift wrapped, not stripped naked. Most of all,
it makes me want another kiss
exactly like this one.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I don't believe in God, don't believe in the devil. Unless you want to count my mother. She might be Satan's sister, I suppose.
β
β
Ellen Hopkins
β
β’ Youβre safe here, it
(He?) said, No judgements,
No worries, youβre
One of My children,
And a special part
Of the Grand Plan.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Maybe crazy is preferable to staying strong when you just want to break down and weep.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Stagnation is a slow death.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
The memory stirs sadness. It scatters around me like dust.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Life is all about change. If it were static, think about how boring it would be. You can't be afraid of it, and you can't worry that you'll mess things up.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Wishful thinking pretty much always comes back to slap you in the face.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
Why is mania bad, if it means you're on top of the world, where everything is white? Bright.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I love the way she feels in
the curve of my arm. I love
her unpretentious beauty,
her intelligence, her nerve.
But could I ever love her?
The concept of falling in love
is completely foreign, something
I canβt bring myself to accept.
Her hair pillows my cheek and
her hand on my leg is warm.
I care about you, Conner,
and I hate to see you hurting.
I want to respond but canβt
find the pretty words I need.
β
β
Ellen Hopkins
β
From what I've seen, love isn't about mutual respect. It's more concerns with control than sacrifice. And I wonder whether it's better or worse when love finally walks away.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I wonder if what I did made her hurt as much as she hurt me. Only fair, to trade hurt. But life isn't fair.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
When People Ask
How heβs doing now, I have
no idea what to say except for,
βBetter.β I donβt know if thatβs
true, or what goes on in a place
like Aspen Springs, not that any-
one knows heβs there, thank God.
He has dropped off most peopleβs
radar, although thatβs kind of odd.
Before he took this unbelievable
turn, Conner was top rung on our
social ladder. But with his crash
and burn no longer news of the day,
all but a gossipy few have quit
trying to fill in the blanks.
One exception is Kendra, who
for some idiotic reason still
loves him and keeps asking about
him, despite the horrible way he
dumped her. Kendra may be pretty,
but sheβs not especially bright.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
A problem is really just a solution in need of a reason to exist. If you think about it, life would be kind of boring if it were completely free of friction.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
I Wonβt Fly Today
Too much to do, despite the snow,
which made all local schools close
their doors. What a winter! Usually,
I love watching the white stuff fall.
But after a month with only short
respites, I keep hoping for a critical
blue sky. Instead, amazing waves
of silvery clouds sweep over the crest
of the Sierra, open their obese
bellies, and release foot upon foot
of crisp new powder. The ski
resorts would be happy, except
the roads are so hard to travel
that people are staying home.
So it kind of boggles the mind
that three guys are laying carpet
in the living room. Just goes to
show the power of money. In less
than an hour, the stain Conner left
on the hardwood will be a ghost.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
What I want to tell you is what I think he would tell you if he could.
Living means taking chances. Risks. Playing it safe all the time is being dead inside, even if you happen to still be breathing. people expected Connor to play it safe all the time. And when he did, he felt dead inside. I saw him take risks, and then he was the most alive person I've ever known. he would ask you to take chances. Sometimes that means getting hurt. Getting an F. Losing a game. Losing someone you love. But if you always play it safe, you lose anyway.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The Stain
That Conner left on our lives will
not vanish as easily. I donβt care
about Mom and her birds.
Their estimation of my brother
doesnβt bother me at all. Neither
do I worry about Dad and
what his lobbyist buddies think.
His political clout has not diminished.
As twins go, Conner and I donβt share
a deep affection, but we do have
a nine-months-in-the-same-womb
connection. Not to mention
a crowd of mutual friends. God,
Iβll never forget going to school
the day after that ugly scene.
The plan was to sever the gossip
grapevine from the start with
an obvious explanationβ
accident. Momβs orders were
clear. Connerβs reputation
was to be protected at all costs.
When I arrived, the rumors
had already started, thanks
to our neighbor, Bobby Duvall.
Conner Sykes got hurt.
Conner Sykes was shot.
Conner Sykes is in the hospital.
Is Conner Sykes, like, dead?
I fielded every single question
with the agreed fabrication.
But eventually, I was forced to
concede that, though his wounds
would heal, he was not coming
back to school right away.
Conner Sykes wasnβt dead.
But he wasnβt exactly βokay.
β
β
Ellen Hopkins (Perfect (Impulse, #2))