Octopus Quotes

We've searched our database for all the quotes and captions related to Octopus. Here they are! All 100 of them:

He had electric blue hair that had stuck around his head like tendrils of a startled octopus.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Oh, I love hugging. I wish I was an octopus, so I could hug 10 people at a time!
Drew Barrymore
Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?
Norton Juster (The Phantom Tollbooth)
I bear my burden proudly for all to see, to conquer prejudice and ignorance and hate with knowledge and sincerity and love. Whenever you are threatened by a hostile presence, you emit a thick cloud of love like an octopus squirts out ink...
William S. Burroughs
Talent without discipline is like an octopus on roller skates. There's plenty of movement, but you never know if it's going to be forward, backwards, or sideways.
H. Jackson Brown Jr.
It's natural, as our loved ones age, to start grieving their loss. Even before we lose them.
Steven Rowley (Lily and the Octopus)
I wonder if, in the dark night of the sea, the octopus dreams of me.
N. Scott Momaday
The way Emily describes it: when I meet someone I love, I become an octopus and wind my tentacles around their heart, tighter and tighter until they can't deny they love me just the same.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
A heart is judged not by how much you love, but by how much you are loved by others.
Steven Rowley (Lily and the Octopus)
Someone once said give a dog food and shelter and treats and they think you are a god, but give a cat the same and they think they are the god.
Steven Rowley (Lily and the Octopus)
If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, “She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness,” you would be right. But I bet you didn’t guess the part about an attack by a giant octopus.
James Patterson (Max (Maximum Ride, #5))
He let his eyes flitter over her. “I don’t see anything ‘precisely.’ I can tell you’re slender. I can see you’re wearing white, or some light color. Your face is pale, your lips are reddish. And there appears to be a dark brown octopus attacking your head.” “That’s my hair.” Ransom shrugged. “You asked what I see. I see tentacles.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
The family - that dear octopus from whose tentacles we never quite escape, nor, in our inmost hearts, ever quite wish to.
Dodie Smith
To focus, I think of how dogs are witnesses. How they are present for our most private moments, how they are there when we think of ourselves as alone. They witness our quarrels, our tears, our struggles, our fears, and all of our secret behaviors that we have to hide from our fellow humans. They witness without judgment.
Steven Rowley (Lily and the Octopus)
If you spend your entire life trying to cheat death, there's no time left over to embrace life.
Steven Rowley (Lily and the Octopus)
If you took the monsters' point of view, everything they did made perfect sense. The trick was learning to think like a monster.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Astonishing. In the morning, when she sat working at that table of correspondence, silhouetted by sunlight . . . Her hair truly did look like an octopus. It was the way she wore it, he thought. Or maybe the way it wore her. It all sat perched atop her head in that big, inky blob. And no matter how strenuously she pinned it, dark, heavy curls worked loose on all sides, like tentacles. Of course, it was an entrancing, strangely erotic octopus. Ransom worried this might be how fetishes developed.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
In their brief time together Slothrop forms the impression that this octopus is not in good mental health, though where's his basis for comparing?
Thomas Pynchon (Gravity’s Rainbow)
The very best thing about dogs is how they just know when you need them most, and they’ll drop everything that they’re doing to sit with you awhile. I
Steven Rowley (Lily and the Octopus)
No one ever explained the octopuses.
Gail Carriger (Soulless (Parasol Protectorate, #1))
If guilt was an animal then it would be an octopus. All slimy and wriggly with hundreds of arms that wrap around your insides and squeeze them tight.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
I am a monster beneath him, with arching hips, an octopus with hands everywhere at once. I don't think anything in the history of time has felt this good.
Christina Lauren (Autoboyography)
‎I was satisfied with haiku until I met you, jar of octopus, cuckoo's cry, 5-7-5, but now I want a russian novel, a 50-page description of you sleeping, another 75 of what you think staring at your window.
Dean Young
How can you know that if you've never had anyone?" "How do you know you want to?" I reply. "I've never drunk octopus ink, but I don't feel the need to. Or like I'm missing anything in not having tasted it.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Because dogs live in the present. Because dogs don’t hold grudges. Because dogs let go of all of their anger daily, hourly, and never let it fester. They absolve and forgive with each passing minute. Every turn of a corner is the opportunity for a clean slate. Every bounce of a ball brings joy and the promise of a fresh chase.
Steven Rowley (Lily and the Octopus)
Plenty of organisms live for a season, in order for those who come next to have a chance, Mayflies, daffodils, the octopus. We can accept that?' 'Well, we're hardwired not to accept our own demise. Daffodils are a lot more chill about it.' 'Okay, but we can be like daffodils together.
Eliot Schrefer (The Darkness Outside Us (The Darkness Outside Us, #1))
I've got no problem with octopuses. It's bugs and spiders that I don't like. Octopuses are cute, in their own 'nature did a lot of drugs' sort of way.
Mira Grant (Deadline (Newsflesh, #2))
...It's like trying to fit an octopus into a pair of tuxedo pants. And not a plain octopus at that, but an octopus that doesn't even exist.
Arkady Strugatsky (Definitely Maybe)
Perhaps the highlight was Natalie on top of the table, doing some kind of dance that made her look like an octopus.
Kiera Cass (The Elite (The Selection, #2))
Once the quietness arrived, it stayed and spread in Estha. It reached out of his head and enfolded him in its swampy arms. It rocked him to the rhythm of an ancient, fetal heartbeat. It sent its stealthy, suckered tentacles inching along the insides of his skull, hoovering the knolls and dells of his memory; dislodging old sentences, whisking them off the tip of his tongue. It stripped his thoughts of the words that described them and left them pared and naked. Unspeakable. Numb. And to an observer therefore, perhaps barely there. Slowly, over the years, Estha withdrew from the world. He grew accustomed to the uneasy octopus that lived inside him and squirted its inky tranquilizer on his past. Gradually the reason for his silence was hidden away, entombed somewhere deep in the soothing folds of the fact of it.
Arundhati Roy (The God of Small Things)
Dogs are always good and full of selfless love. They are undiluted vessels of joy who never, ever deserve anything bad that happens to them.
Steven Rowley (Lily and the Octopus)
I don’t understand how my life got so empty, or why the octopus came, or why everyone eventually goes away.
Steven Rowley (Lily and the Octopus)
The Thing cannot be described - there is no language for such abysms of shrieking and immemorial lunacy, such eldritch contradictions of all matter, force, and cosmic order. A mountain walked or stumbled. If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I shall not be unfaithful to the spirit of the thing. A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings; but it was the general outline of the whole which made it most shockingly frightful.
H.P. Lovecraft (The Call of Cthulhu)
I have to be better about living in the not knowing.
Steven Rowley (Lily and the Octopus)
A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes—sometimes it's 'the nation,' and sometimes it's 'the law,' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers.
Haruki Murakami (After Dark)
After a pause Lily looks up at me. “Sometimes I think of you as Dad.” My heart rises in my throat. That’s the only term of endearment I need.
Steven Rowley (Lily and the Octopus)
. . . More octo . . .pi?' Thaniel said, knowing that it sounded wrong, though so did puses and podes. He tried to think where he had heard it last , but he did not often have business with more than one octopus at a time.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
At twenty life was like wrestling an octopus. Every moment mattered. At thirty it was a walk in the country. Most of the time your mind was somewhere else. By the time you got to seventy, it was probably like watching snooker on the telly.
Mark Haddon (A Spot of Bother)
Yours is by far the harder lot, but mine is happening to me.
Steven Rowley (Lily and the Octopus)
Grief is a pathological condition. It’s just that so many of us go through it in life that we never think to treat it as such.
Steven Rowley (Lily and the Octopus)
Crank, You See isn't any ordinary monster. It's like a giant octopus, weaving its tentacles not just around you, but through you, squeezing not hard enough to kill you, but enough to keep you from reeling until you try to get away. Try, and you hunger for it grasping clutch, the way its tendrils prop you up, your need intensifying exponentially every minute you refuse to admit its being (p.469)
Ellen Hopkins
A lion is a mammal like us; an octopus is put together completely differently, with three hearts, a brain that wraps around its throat, and a covering of slime instead of hair. Even their blood is a different color from ours; it’s blue, because copper, not iron, carries its oxygen.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
And don’t get me started on your hands roaming everywhere. You’re like an octopus. Honestly, I feel violated.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
She exuded sexuality almost tangible, like ink obscuring the waters around the octopus before it strikes.
Travis Luedke (The Nightlife: Las Vegas (The Nightlife, #2))
And sometimes, when the day loomed grey, I'd sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible.
Sarah Winman (Tin Man)
Usually what everyone knows is insulting and sort of ableist, because the people who know everything always seem to think of themselves as being perfectly normal.
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh Trilogy, #3.4))
Somewhere, sometime, I stopped really living. I stopped really trying. And I don't understand why.
Steven Rowley (Lily and the Octopus)
The distribution of loss is inequitable. That's just the way it is. That's just the way the world works. There's no one handing it out. There's no one making sure everyone gets a fair share.
Steven Rowley (Lily and the Octopus)
She taught me everything I know about patience, kindness, strength, and unconditional love. For that, I am forever in her debt. Lily, you were, quite simply, the greatest to me.
Steven Rowley (Lily and the Octopus)
[Australia] is the home of the largest living thing on earth, the Great Barrier Reef, and of the largest monolith, Ayers Rock (or Uluru to use its now-official, more respectful Aboriginal name). It has more things that will kill you than anywhere else. Of the world's ten most poisonous snakes, all are Australian. Five of its creatures - the funnel web spider, box jellyfish, blue-ringed octopus, paralysis tick, and stonefish - are the most lethal of their type in the world. This is a country where even the fluffiest of caterpillars can lay you out with a toxic nip, where seashells will not just sting you but actually sometimes go for you. ... If you are not stung or pronged to death in some unexpected manner, you may be fatally chomped by sharks or crocodiles, or carried helplessly out to sea by irresistible currents, or left to stagger to an unhappy death in the baking outback. It's a tough place.
Bill Bryson (In a Sunburned Country)
Most of all, I am thankful for Lily, who, since she entered my life, has taught me everything I know about patience and kindness and meeting adversity with quiet dignity and grace. No one makes me laugh harder, or want to hug them tighter. You have truly lived up to the promise of man’s best friend.
Steven Rowley (Lily and the Octopus)
Always blame conditions, not men
Frank Norris (The Octopus: A Story Of California [UNABRIDGED] (Classic Books on Cassettes Collection))
How do you stand? How do you breathe? How do you go on?
Steven Rowley (Lily and the Octopus)
Mischief and craft are plainly seen to be characteristics of this creature. —Claudius Aelianus, third century A.D., writing about the octopus
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
I have sworn before a portrait of the late lamented comrade Stalin that I will not rest until I see these capitalist octopuses annihilated.
Ernesto Che Guevara
When you dive into the sea, you are diving into the origin of us all.
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live.
Marcel Proust (The Guermantes Way)
It is illness that makes us recognize that we do not live in isolation but are chained to a being from a different realm, worlds apart from us and by whom it is impossible to make ourselves understood: our body. Were we to meet a brigand on the road, we might manage to make him conscious of his own personal interest if not our plight. But to ask pity of our body is like talking to an octopus, for which our words can have no more meaning than the sound of the sea, and with which we should be terrified to find ourselves condemned to live.
Marcel Proust (The Guermantes Way)
To die would be an awfully big adventure. But it’s not true. Life is the real adventure. Having the hurricane inside you is the true adventure. And then I think not of Cate Blanchett as Queen Elizabeth I, but of Mel Gibson as William Wallace. Everyone dies. Not everyone really lives.
Steven Rowley (Lily and the Octopus)
Here is an animal with venom like a snake, a beak like a parrot, and ink like an old-fashioned pen. It can weigh as much as a man and stretch as long as a car, yet it can pour its baggy, boneless body through an opening the size of an orange. It can change color and shape. It can taste with its skin. Most fascinating of all, I had read that octopuses are smart.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness)
Today me will live in the moment, unless it’s unpleasant, in which case me will eat a cookie.
Steven Rowley (Lily and the Octopus)
Just about every animal,” Scott says—not just mammals and birds—“can learn, recognize individuals, and respond to empathy.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
It’s a hard world these days, and no matter how hard we try, it just keeps on getting harder.
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh Trilogy, #3.4))
When you're living in a pond of algae, you turn green. It doesn't matter how many times someone tells you to stop.
Ann Braden (The Benefits of Being an Octopus)
This was at dusk, in mid-October. And she left. I lay down on the sofa and fell asleep without turning on the light. I was awakened by the feeling that the octopus was there. Groping in the dark, I barely managed to turn on the light. My pocket watch showed two o’clock in the morning. I was falling ill when I went to bed, and I woke up sick. It suddenly seemed to me that the autumn darkness would push through the glass and pour into the room, and I would drown in it as in ink.
Mikhail Bulgakov (The Master and Margarita)
Every explorer I have met has been driven—not coincidentally but quintessentially—by curiosity, by a single-minded, insatiable, and even jubilant need to know.
Jacques-Yves Cousteau (The Human, the Orchid, and the Octopus: Exploring and Conserving Our Natural World)
Indiana Jones and the Middle of Fucking Nowhere, coming never to a theater near you.
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh Trilogy, #3.4))
Since life isn’t fair, it’s often up to us to balance it out.
Ann Braden (The Benefits of Being an Octopus)
What I mean to say is probably something like this: any single human being, no matter what kind of person he or she may be, is all caught up in the tentacles of this animal like a giant octopus, and is getting sucked into the darkness. You can put any kind of spin on it you like, but you end up with the same unbearable spectacle.
Haruki Murakami (After Dark)
The self,” Blackmore writes, “is just a fleeting impression that arises with each experience and fades away again. . . . There is no inner self,” she argues, “only multiple parallel processes that give rise to a benign inner delusion—a useful fiction.” She argues that consciousness itself is a fiction.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
We can raise the dead. We can cure cancer. We can make the world better in every possible way, save one: No matter how hard we try, we just can't cure stupid.
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh, #3.4))
Good dogs should never be asked to prove that they’re good dogs. If there’s anything in this world that we should take on faith, it’s good dogs.
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh, #3.4))
But you do have a choice. You make choices every day, and maybe you can't see how they could affect your future, but they do.
Ann Braden (The Benefits of Being an Octopus)
When I held my new puppy in my arms, I broke down in tears. Because I had fallen in love. Not somewhat in love. Not partly in love. Not in a limited amount. I fell fully in love with a creature I had known for all of nine hours.
Steven Rowley (Lily and the Octopus)
Unfortunately, the world doesn’t make sense. It just doesn’t. Not fully, at least. Not if you keep poking it. And poking harder doesn’t do anything. In fact, the harder you poke it, the less sense it makes. And once you start to notice this, it rips through you like a Tasmanian tornado octopus, rending your stupid little sense of meaning apart with its flailing power arms.
Allie Brosh (Solutions and Other Problems)
Hormones and neurotransmitters, the chemicals associated with human desire, fear, love, joy, and sadness, “are highly conserved across taxa,” Jennifer said. This means that whether you’re a person or a monkey, a bird or a turtle, an octopus or a clam, the physiological changes that accompany our deepest-felt emotions appear to be the same. Even a brainless scallop’s little heart beats faster when the mollusk is approached by a predator, just like yours or mine would do were we to be accosted by a mugger.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
And then on the very last night of my twenties, when I held my new puppy in my arms, I broke down in tears. Because I had fallen in love. Not somewhat in love. Not partly in love. Not in a limited amount. I fell fully in love with a creature I had known for all of nine hours. I
Steven Rowley (Lily and the Octopus)
Because he was always tremendously generated towards complete relationship with his women to the point where they ended up in one convoluted octopus mess of souls and tears and fellatio and hotel room schemes and rubbing in and out of cars and doors and great crises in the middle of the night... (p. 128)
Jack Kerouac (Big Sur)
There is another important difference as well. Human eyes have three visual pigments, allowing us to see color. Octopuses have only one—which would make these masters of camouflage, commanding a glittering rainbow of colors, technically color-blind. How, then, does the octopus decide what colors to turn? New evidence suggests cephalopods might be able to see with their skin.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
The chemistry of life is an aquatic chemistry. We can get by on land only by carrying a huge amount of salt water around with us.
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
On those luminous mornings Adela returned from the market, like Pomona emerging from the flames of day, spilling from her basket the coloful beauty of the sun –the shiny pink cherries full of juice under their transparent skins, the mysterious apricots in whose golden pulp lay the core of long afternoons. And next to that pure poetry of fruit, she unloaded sides of meat with their keyboard of ribs swollen with energy and strength, and seaweeds of vegetables like dead octopuses and squids–the raw material of meals with a yet undefined taste, the vegetative and terrestrial ingredients of dinner, exuding a wild and rustic smell.
Bruno Schulz (The Street of Crocodiles)
But what is the soul? Some say it is the self, the “I” that inhabits the body; without the soul, the body is like a lightbulb with no electricity. But it is more than the engine of life, say others; it is what gives life meaning and purpose. Soul is the fingerprint of God.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
We are irrational in our species-​specific devotions. I know a man who won’t eat octopus because of its intelligence. Yet he eats pork and buys glue traps for rats, though rats and pigs are highly intelligent, likely more intelligent—​I’m guessing, for I have not seen the SAT scores—​than octopuses. Why, for that matter, is intelligence the scale by which we decide whom to spare? Or size? Have the simple and the small less right to live?
Mary Roach (Fuzz: When Nature Breaks the Law)
Cephalopods are an island of mental complexity in the sea of invertebrate animals. Because our most recent common ancestor was so simple and lies so far back, cephalopods are an independent experiment in the evolution of large brains and complex behavior. If we can make contact with cephalopods as sentient beings, it is not because of a shared history, not because of kinship, but because evolution built minds twice over.
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
Different sorts of survival machine appear very varied on the outside and in their internal organs. An octopus is nothing like a mouse, and both are quite different from an oak tree. Yet in their fundamental chemistry they are rather uniform, and, in particular, the replicators that they bear, the genes, are basically the same kind of molecule in all of us—from bacteria to elephants. We are all survival machines for the same kind of replicator—molecules called DNA— but there are many different ways of making a living in the world, and the replicators have built a vast range of machines to exploit them. A monkey is a machine that preserves genes up trees, a fish is a machine that preserves genes in the water; there is even a small worm that preserves genes in German beer mats. DNA works in mysterious ways.
Richard Dawkins (The Selfish Gene)
She’s looking right at you,” Scott says. As I hold her glittering gaze, I instinctively reach to touch her head. “As supple as leather, as tough as steel, as cold as night,” Hugo wrote of the octopus’s flesh; but to my surprise, her head is silky and softer than custard. Her skin is flecked with ruby and silver, a night sky reflected on the wine-dark sea. As I stroke her with my fingertips, her skin goes white beneath my touch. White is the color of a relaxed octopus; in cuttlefish, close relatives of octopus, females turn white when they encounter a fellow female, someone whom they need not fight or flee.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
I’ve always harbored a fondness for monsters. Even as a child, I had rooted for Godzilla and King Kong instead of for the people trying to kill them. It had seemed to me that these monsters’ irritation was perfectly reasonable. Nobody likes to be awakened from slumber by a nuclear explosion, so it was no wonder to me Godzilla was crabby; as for King Kong, few men would blame him for his attraction to pretty Fay Wray. (Though her screaming would have eventually put off anyone less patient than a gorilla.) If you took the monsters’ point of view, everything they did made perfect sense. The trick was learning to think like a monster.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
I don’t know the derivation of this comfort craving, but there’s a quote from Cookie Monster that’s always inhabited my head: 'Today me will live in the moment, unless it’s unpleasant, in which case me will eat a cookie.' While I don’t take all of my mantras from goggle-eyed blue monsters with questionable grammar, this one has taken root. Lately I’ve been craving cookies a lot.
Steven Rowley (Lily and the Octopus)
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Jenny and I once talked about how we manage to live despite the knowledge that we are all going to die. What's the point of it all? Why bother getting up in the morning when faced with such futility? Or is it the promise of death that inspires life? That we must grab what we can while there's still time? Is it the not knowing if today is the day that keeps us going? But what if this is the day? What if the hour is here? How do you stand? How do you breathe? How do you go on?
Steven Rowley (Lily and the Octopus)
The idea of universal consciousness suffuses both Western and Eastern thought and philosophy, from the “collective unconscious” of psychologist Carl Jung, to unified field theory, to the investigations of the Institute of Noetic Sciences founded by Apollo 14 astronaut Edgar Mitchell in 1973. Though some of the Methodist ministers of my youth might be appalled, I feel blessed by the thought of sharing with an octopus what one website (loveandabove.com) calls “an infinite, eternal ocean of intelligent energy.” Who would know more about the infinite, eternal ocean than an octopus? And what could be more deeply calming than being cradled in its arms, surrounded by the water from which life itself arose? As Wilson and I pet Kali’s soft head on this summer afternoon, I think of Paul the Apostle’s letter to the Philippians about the power of the “peace that passeth understanding . . .
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Okay.' I can feel the letters vomit off my tongue. O. K. A. Y. I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back: The puppy farm. The gentle untying of the shoelace. THIS! IS! MY! HOME! NOW! Our first night together. Running on the beach. Sadie and Sophie and Sophie Dee. Shared ice-cream cones. Thanksgivings. Tofurky. Car rides. Laughter. Eye rain. Chicken and rice. Paralysis. Surgery. Christmases. Walks. Dog parks. Squirrel chasing. Naps. Snuggling. 'Fishful Thinking.' The adventure at sea. Gentle kisses. Manic kisses. More eye rain. So much eye rain. Red ball. The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat. All dogs go to heaven. 'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.' OH FUCK IT HURTS. I barely whisper. 'She will take care of you.
Steven Rowley (Lily and the Octopus)
But until this night, she had never once actually wet the bed. And now that she has, we just lie there in the accident, and the minutes of the clock keep changing, and the love I have for her keeps growing, and we both keep drawing breath. What was so horrible about it? Why had I always been so angry? What was my need to always be right? To win every argument with her? To out-stubborn a dog? And just like that, all the anger is gone. Released like the emptying of a bladder into soft cotton sheets as we lie in the wetness.
Steven Rowley (Lily and the Octopus)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Their bodies lay flatly on the rocks, and their eyes regarded him with evil interest: but it does not appear that Mr. Fison was afraid, or that he realized that he was in any danger. Possibly his confidence is to be ascribed to the limpness of their attitudes. But he was horrified, of course, and intensely excited and indignant at such revolting creatures preying upon human flesh. He thought they had chanced upon a drowned body. He shouted to them, with the idea of driving them off, and, finding they did not budge, cast about him, picked up a big rounded lump of rock, and flung it at one. And then, slowly uncoiling their tentacles, they all began moving towards him - creeping at first deliberately, and making a soft purring sound to each other.
H.G. Wells
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Humans have always exalted dreams. Pindar of Thebes, the Greek lyric poet, suggested that the soul is more active while dreaming than while awake. He believed that during a dream, the awakened soul may see the future, “an award of joy or sorrow drawing near.” So it’s no wonder that humans were quick to reserve dreams for people alone; researchers for many years claimed dreams were a property of “higher” minds. But any pet owner who has heard her dog woof or seen his cat twitch during sleep knows that is not true. MIT researchers now know not only that rats dream, but what they dream about. Neurons in the brain fire in distinctive patterns while a rat in a maze performs particular tasks. The researchers repeatedly saw the exact same patterns reproduced while the rats slept—so clearly that they could tell what point in the maze the rat was dreaming about, and whether the animal was running or walking in the dream. The rats’ dreams took place in an area of the brain known to be involved with memory, further supporting a notion that one function of dreams is to help an animal remember what it has learned.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
If I were to name the one crying evil of American life, Mr. Derrick, it would be the indifference of the better people to public affairs. It is so in all our great centres. There are other great trusts, God knows, in the United States besides our own dear P. and S.W. Railroad. Every state has its own grievance. If it is not a railroad trust, it is a sugar trust, or an oil trust, or an industrial trust, that exploits the People, because the people allow it. The indifference of the People is the opportunity of the despot. It is as true as that the whole is greater than the part, and the maxim is so old that it is trite - it is laughable. It is neglected and disused for the sake of some new ingenious and complicated theory, some wonderful scheme of reorganization, the fact remains, nevertheless, simple, fundamental, everlasting. The People have but to say 'No' and not the strongest tyranny, political, religious, or financial, that was ever organized, could survive one week.
Frank Norris (The Octopus: A Story of California)