Ocean Shells Quotes

I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.

So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme…. There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string. The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America. When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented. Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.

...like a grain of sand that gets into an oyster's shell. What if the grain doesn't want to become a pearl? Is it ever asked to climb out quietly and take up its old position as a bit of ocean floor?

She's bewildering as much as she is beguiling. That pretty mouth of hers says one thing, but those ocean eyes say another. She pulls a knife from my back only to say she'll bury another one there. She's confusing, captivating, and we're completely wrong for each other in all the right ways. She's a flame, and I'm going to get burned. An ocean and I'm going to drown.

If thou could'st empty all thyself of self Like to a shell dishabited Then might He find thee on the ocean shelf And say This is not dead and fill thee with Himself instead. But thou art all replete with very thou And hast such shrewd activity That when He comes He says This is enow Unto itself - 'twere better let it be It is so small and full there is no room for me.

If thou could'st empty all thyself of self, like to a shell dishabited, then might He find thee on the ocean shelf, and say "This is not dead," and fill thee with Himself instead. But thou art all replete with very thou and hast such shrewd activity, that when He comes He says, "This is enow unto itself-'twere better let it be, it is so small and full, there is no room for Me.

I would plunge to the bottom of the ocean for you.  I’d comb it for shells and make you a necklace and then hang myself with it.  Because if you aren’t here, I don’t want to be either.

The sea, like a crinkled chart, spread to the horizon, and lapped the sharp outline of the coast, while the houses were white shells in a rounded grotto, pricked here and there by a great orange sun.

In their choice of lovers both the male and the female reveal their essential nature. The type of human being we prefer reveals the contours of our heart. Love is an impulse which springs from the most profound depths of our beings, and upon reaching the visible surface of life carries with it an alluvium of shells and seaweed from the inner abyss. A skilled naturalist, by filing these materials, can reconstruct the oceanic depths from which they have been uprooted.

I am only a shell where the ocean is still sounding.

Women are protective. Nurturing. A boat is given the name of a woman in the hopes that she'll protect the crew. And hopefully put a good word in the other important woman in our lives, the ocean.

I'm swimming," Caspian announced. "Sort of. Do you think that will interfere with my mermaid search? If I fall into the ocean and I'm not drowning, do you think she'll bother to save me?" "I think your mermaid probably has a life," Wills said..."You can't count on her to be waiting around for you every day. So drowning on purpose makes you an idiot.

I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

SEA OF LIFE This is not the end, my friend. Just as the ocean sings songs to infinity Our friendship too will flow onward Until the day one of us Turns and leaves And the seasons will turn too As our shells As they return back to sand And the tides that brought us Forth Will take us back Again. I will never leave you, my friend. Every time you see a wave rushing to Meet another, Two friends unite. Every time you see a wave crashing, Two friends depart. The journey will go on, my friend. Our memories are recorded In seashells To show and tell The lessons learned In these heavens and hells Part of this sea of life - And when the tide is right, We shall cross paths again When the ocean sings our song. Poetry by Suzy Kassem

His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over. The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.

A pearl in the shell does not touch the ocean. Be a pearl without a shell. a mindful flooding. a spark turned to flame. bird settling nest. love lived

Her voice was caught in the shell of my ear, as if it were the ocean.

Our Stories aren't for your entertainment', she said. She wobbled slightly as the shelling continued on. However, she never faltered once. She was no longer that girl who feared the ocean, but a commander of this vessel.

The grotto itself comprises its own slick universe, and inside this universe spin countless galaxies: here, in the upturned half of a single mussel shell, lives a barnacle and a tiny spindle shell occupied by a still smaller hermit crab. And on the shell of the crab? A yet smaller barnacle. And on that barnacle?

Black as--the centre of an eye, the centre, a blackness that sucks at light. I love your vigilance Night, first mother of songs, give me the voice to sing of you in those fingers lies the bridle of the four winds. Crying out, offering words of homage to you, I am only a shell where the ocean is still sounding. But I have looked too long into human eyes. Reduce me now to ashes--Night, like a black sun.

And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense—no—but beach-wise. It begins to drift, to play, to turn over in gentle careless rolls like those lazy waves on the beach. One never knows what chance treasures these easy unconscious rollers may toss up, on the smooth white sand of the conscious mind; what perfectly rounded stone, what rare shell from the ocean floor. Perhaps a channeled whelk, a moon shell, or even an argonaut.

She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.

He thinks of that ocean house and wishes he were back in his former life or that one could take one moment and remain inside it like an egg inside its shell, instead of constantly being hurried into the future by good luck or bad.

The tide goes out imperceptibly. The boulders show and seem to rise up and the ocean recedes leaving little pools, leaving wet weed and moss and sponge, iridescence and brown and blue and China red. On the bottoms lie the incredible refuse of the sea, shells broken and chipped and bits of skeleton, claws, the whole sea bottom a fantastic cemetery on which the living scamper and scramble.

The Best Men are like the ocean: They lure you in quietly and drown you. And if you are really lucky you stay lost at sea.

Oh, her beauty--the tender maid! Its brilliance gives light like lamps to one travelling in the dark. She is a pearl hidden in a shell of hair as black as jet, A pearl for which Thought dives and remains unceasingly in the deeps of that ocean. He who looks upon her deems her to be a gazelle of the sand-hills, because of her shapely neck and the loveliness of her gestures.

Do not think I do not realise what I am doing. I am making a composition using the following elements: the winter beach; the winter moon; the ocean; the women; the pine trees; the riders; the driftwood; the shells; the shapes of darkness and the shapes of water; and the refuse. These are all inimical to my loneliness because of their indifference to it. Out of these pieces of inimical indifference, I intend to represent the desolate smile of winter which, as you must have gathered, is the smile I wear.

I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.

As long as it's a regular day, not too rough to begin with, the ocean is pretty smooth once you make it out past the first set of waves. That's why people are afriad to swim in the ocean. They try to jump over those waves and get slammed down to the bottom and pulled across the sand like a piece of shell. You've got to go throught them, dive under just when they're rising up for you, set your direction, close your eyes, and just swim like hell. Once you get throught that, you'll find there isn't a better place for swimming because it's the ocean and it goes on forever. You don't have to see anyone if you don't want to. If you look out, away from the beach, it's easy to imagine that there's no one else but you in the whole world, you and maybe a couple of sea gulls.

In front of us, the ocean stretched for eternity. Around us, reggae mussy floated through the air. In our drying clothes and still-damp hair, we ate junk food and talked. At some point we finished and went for a long walk in the sand. We picked up shells, laughed, and talked. Before I knew it, the sun was going down and we went back to the van. We lay side by side, stretched out on the blanket. When the sun dropped completely below the horizon, we let the moon illuminate us.

Walking on the beach like a ventriloquist, I’ll make it sound like the ocean is calling out to you—through a conch shell.

Pain is a spiritual wake-up call showing you that there are oceans you have not yet explored. Step beyond the world you know. Reach for heights that you never thought possible. Go to places you have deemed off limits. This is the time to take off the shell of your past and step into the rich possibilities of your future. God does not give us dreams that we cannot fulfill. If you want to do something great with your life-whether it's to fall madly in love, become a teacher, be a great parent-if you aspire to do something beyond what you are doing now, this is the time to begin. Trust yourself.

Maybe living was no more than getting swept over a riverbed and eventually out to sea, no choices to make, only the vast, formless ocean ahead, the frothing waves, the lightless tomb of its depths.

I bless these gifts from the sea, From sand to shell let it be.

My mother says that "if you hold a shell close to your ear and are very quiet, you can hear the entire ocean sing.

She is magic! A truly adventurous woman with a gypsy soul. Powered by coffee, dark chocolate and wild water. You’ll find her chasing full moons, exploring waterfalls, forests and oceans. Once you meet a woman like this you’ll feel drawn to her alluring energy. She’ll make you feel things you’ve never felt before. Never take a woman like this for granted, they are extraordinary.

I do not know what I may appear to the world; but to myself I seem to have been only like a boy, playing on the seashore, and diverting myself, in now and then finding a smoother pebble or a prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.

I do not know what I may appear to the world; but to myself, I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.

If I stayed in much longer I was certain I would dissolve, there were probably hundreds of dissolved bodies in the ocean, swirling around with the shells and seaweed, that’s what happens when you immerse yourself too fully in any vastness, you eventually become part of it, part of the landscape, quite literally.

When we finally arrived, the chauffeur escorted my younger sister, Laila, and me up to my father’s suite. As usual, he was hiding behind the door waiting to scare us. We exchanged many hugs and kisses as we could possibly give in one day. My father took a good look at us. Then he sat me down on his lap and said something that I will never forget. He looked me straight in the eyes and said, “Hana, everything that God made valuable in the world is covered and hard to get to. Where do you find diamonds? Deep down in the ground, covered and protected. Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell. Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.” He looked at me with serious eyes. “Your body is sacred. You’re far more precious than diamonds and pearls, and you should be covered too.

It’s not possible to ever forget the life moments where, in the morning ocean breeze, you can walk along the beach and pick colorful shells and corals… pity you are not allowed to take them home, but you can always take a picture or video.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

But before the grandeur and intricacy of Nature, he was, like Ptolemy and Kepler, exhilarated as well as disarmingly modest. Just before his death he wrote: “I do not know what I may appear to the world; but to myself I seem to have been only like a boy, playing on the seashore, and diverting myself, in now and then finding a smoother pebble or a prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.

A good shell has to have life and resiliency to get in harmony with the swing of the crew.

The wide-ranging birds that visit islands of the ocean in migration may also have a good deal to do with the distribution of plants, and perhaps even of some insects and minute land shells. From a ball of mud taken from a bird's plumage, Charles Darwin raised 82 separate plants, belonging to 5 distinct species! Many plant seeds have hooks or prickles, ideal for attachment to feathers. Such birds as the Pacific golden plover, which annually flies from the mainland of Alaska to the Hawaiian Islands and even beyond, probably figure in many riddles of plant distribution.

They were beautiful shells, as white as the surf in the sea. When you held one up to your ear you could hear the sound of your best friend talking to you, even if she was a thousand miles away.

I do not know what I appear to the world; but to myself I seem to have been only like a boy playing on a seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay undiscovered before me. (Brewster 1860, p. 331)

I do not know what I may appear to the world; but to myself I seem to have been only a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me. —SIR ISAAC NEWTON (1642–1727)

What would you shave off for me if I died?” I would plunge to the bottom of the ocean for you. I’d comb it for shells and make you a necklace and then hang myself with it. Because if you aren’t here, I don’t want to be either.

She's bewildering as much as she is beguiling. That pretty mouth of hers says one thing, but those ocean eyes say another. She pulls a knife from my back only to say she'll bury another one there. She's confusing, captivating, and we're completely wrong for each other in all the right ways. She's a flame, and I'm going to get burned. An ocean and I'm going to drown. I run a hand over my face, wanting to blame my dehydration for whatever the hell is wrong with me. I've never been so affected by a single girl, and it's absurd, absolutely annoying. But then I grin, remembering her heartbeat hammering beneath my fingers, her breath catching every time I touch her, her eyes drinking in every smile and dimple she supposedly hates. The feeling of absolute annoyance for being so affected by someone is most definitely mutual, though I'm sure she'd deny it with a dagger to my throat. So very vicious, that one.

to myself I seem to have been only like a boy playing on a seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.

I do not know what I may appear to the world; but to myself I seem to have been only like a boy, playing on the seashore, and diverting myself, in now and then finding a smoother pebble or a prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.

If you look from a distance, you observe a sea of roofs, and have no more knowledge of the dark streams of people than of denizens of some unknown ocean. But the city is always a heaving and restless place, with its own torrents and billows, its foam and spray. The sound of its streets is like the murmur from a sea shell and in the great fogs of the past the citizens believed themselves to be lying on the floor of the ocean.

Amongst those who go to sea there are the navigators who discover new worlds, adding continents to the earth and stars to the heavens: they are the masters, the great, the eternally splendid. Then there are those who spit terror from their gun-ports, who pillage, who grow rich and fat. Others go off in search of gold and silk under foreign skies. Still others catch salmon for the gourmet or cod for the poor. I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I'll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

I woke up wanting to read a poem by that name, and I found one with a lifeguard’s chair, a broken shell, gulls watching egrets, home an ocean away.

A beautiful, swirled brown and white shell like the one Ursula used to wear, but larger. A whelk, not a nautilus. Vareet picked it up in wonder, turning it over in her hands, admiring its gleam in the moonlight. On a whim she put it to her ear. Her eyes widened. In the depths of the shell, she could hear what must have been the echo of distant waves... and also the song of a mermaid.

I was meant to land wherever he settled, like the ocean washing seashells onto the shore. Jack was the shell, in constant motion and movement, being tossed around from place to place by the ebb and flow of something more powerful than he. And I was the sand, gripping and holding on to him, comforting his tumble with each push and pull of the tide, yet always constant. When I walked into the waiting

He looked past Chin toward streams of numbers running in opposite directions. He understood how much it meant to him, the roll and flip of data on a screen. He studied the figural diagrams that brought organic patterns into play, birdwing and chambered shell. It was shallow thinking to maintain that numbers and charts were the cold compression of unruly human energies, every sort of yearning and midnight sweat reduced to lucid units in the financial markets. "In fact data itself was soulful and glowing, a dynamic aspect of the life process. This was the eloquence of alphabets and numeric systems, now fully realized in electronic form, in the zero-oneness of the world, the digital imperative that defined every breath of the planet's living billions. Here was the heave of the biosphere. Our bodies and oceans were here, knowable and whole.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.

I intended to concentrate throughout the summer on matters of extreme urgency: ocean waves breaking in the sunlight and swirls inside oyster shells and the mystery of the sound of ice hitting the sides of a glass. In the afternoon, the ice makes only this gentle, clicking, almost tinkling sound. Yet at night it sounds like gravel being poured into a barrel. Why is ice louder at night than it is in the daytime? Let me put on my shoes and we'll go out and investigate.

Why can you hear the ocean inside a seashell? This is just a trick your ears play on you. What you hear is not the sound of the ocean, but rather the sound of your own blood rushing through your ears. All the shell does is amplify the sound so that you can hear it, the way a stethoscope lets you hear the beating of your heart. Some people say you hear the sea inside a shell because the shell remembers its home even when it has been taken away, but this is just a story.

Gaia is a thin spherical shell of matter that surrounds the incandescent interior; it begins where the crustal rocks meet the magma of the Earth’s hot interior, about 100 miles below the surface, and proceeds another 100 miles outwards through the ocean and air to the even hotter thermosphere at the edge of space. It includes the biosphere and is a dynamic physiological system that has kept our planet fit for life for over three billion years. I call Gaia a physiological system because it appears to have the unconscious goal of regulating the climate and the chemistry at a comfortable state for life. Its goals are not set points but adjustable for whatever is the current environment and adaptable to whatever forms of life it carries.

Aubade with Cutlery and Crickets" In the dinner I cook for myself tonight, you are an open drawer of cutlery. I've smelled the top notes of butter knives at your shoulder, the tang hidden in the blade of your walk. I need a serving spoon to scoop dal into a cool ceramic, a fork with tines long enough to pierce the skin of the butternut squash roasted in honeyjuice. Even your hands have become a kind of instrument— delicate enough to slide crabmeat out of the shell, sturdy enough to crack a breastbone if need be. Or maybe what I smelled that morning still full of starlight and crickets when we said goodbye— was the clean coolness of a knife's ricasso, the flat rest for a thumb just before the blade disappears into its handle.

I noticed chartreuse lichen scabbing the rocks, the lick and suck of tide against sea-smoothed stones, how every single one of the shells in the bay was different; white limpet shells and ear-shaped mussel shells; kelp fronds, the ones like bronze ribbons, and cream ones like bandages, their stems like bone joints; and, of course, the ocean, that perpetual shapeshifter: one day a disc of hammered gold, the next wild and rearing, like a thousand white horses. I noticed how the ocean had moods, just like a person.

One of the new species is Alviniconcha strummeri, named as a joint tribute to the research submarine and to Joe Strummer, the lead vocalist and guitarist of the British punk band The Clash. It was a nod to these hard-as-nails snails that live in the most acidic, most sulphur-ridden hydrothermal vents in the Pacific Ocean, close to the islands of Fiji. And like many of the band’s 1970s punk followers, the snails have spiky hairdos in the form of a bristly layer of protein known as the periostracum, which covers their shells.

Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.

If you want to hear the distant voice of the ocean put your ear to the lips of a seashell. If you want to hear the voice of God place your ear upon the chest of any living being. If you want to be awakened from slumbering through life, place your ear up to the core of a corpse because the voice of honesty can clearly be heard there and the fingers of such a ribcage love to pinch dreamers into action. But if you want to hear the voice that directs your personal pilgrimage, you must find a way to keep your ear glued to your body’s fragile shell.

The nautilus shell was exquisite, brown and white and perfectly striped. The math that lay like a dazzling creation spell over all who lived in the sea showed clearly in the spiral, each cell as great as the sum of the two previous sections. Everything in the ocean was a thing of beauty and numbers, even in death. Mermaids could live for a long time, but their bodies became foam that dissipated into nothing when they died. The poor little mollusk who lived in this shell had a very short life, but his shell could last for centuries. Ariel sighed and brushed her fingers over it, feeling strangely melancholy despite the triumph she literally held in her hands. Years of being mute could be swept away in a second. Years of frustration, years of silent crying, years of anger. And then what? If she destroyed it, what would it change?

He could not feel that they were an island of life journeying through an abyss of death. He felt almost the opposite--that life was waiting outside the little iron egg-shell in which they rode, ready at any moment to break in, and that, if it killed them, it would kill them by excess of its vitality. He hoped passionately that if they were to perish they would perish by the "unbodying" of the space-ship and not by suffocation within it. To be let out, to be free, to dissolve into the ocean of eternal noon, seemed to him at certain moments a consummation even more desirable than their return to Earth. And if he had felt some such lift of the heart when first he passed through heaven on their outward journey, he felt it now tenfold, for now he was convinced that the abyss was full of life in the most literal sense, full of living creatures.

Imagine a vast and glittering ocean seen from a great height. It stretches to the clear curved limit of every angle of horizon, the sun burning on a billion tiny wavelets. Now imagine a smooth blanket of cloud above the ocean, a shell of black velvet suspended high above the water and also extending to the horizon, but keep the sparkle of the sea despite the lack of sun. Add to the cloud many sharp and tiny lights, scattered on the base of the inky overcast like glinting eyes: singly, in pairs or in larger groups, each positioned far, far away from any other set.

We spent afternoons kicking around in the sand, picking through the seaweed for shells, making headdresses of washed-up fishing ropes and hats from Styrofoam cups. Beach rats, we were called. We stopped brushing our hair, and it hung in tangles spun by the salt air. We sprayed Sun-In across our heads and let it turn our hair orange in patches. Our skin peeled, and we didn't much care. We woke up to the feel of sand in our sheets. We covered ourselves in baby oil and iodine and let the sun bake our skin. We smelled like Love's Baby Soft perfume, like summer all year long. We were tanned, with freckles across our noses.

Buttercups" When we were children our papas were stout And colorless as seaweed or the floats At anchor off New Bedford. We were shut In gardens where our brassy sailor coats Made us like black-eyed susans bending out Into the ocean, Then my teeth were cut: A levelled broom-pole butt Was pushed into my thin And up-turned chin-- There were shod hoofs behind the horseplay. But I played Napoleon in my attic cell Until my shouldered broom Bobbed down the room With horse and neighing shell. Recall the shadows the doll-curtains veined On ancrem Winslow's ponderous plate from blue China, the breaking of time's haggard tide On the huge cobwebbed print of Waterloo, With a cracked smile across the glass. I cried To see the Emperor's sabered eagle slide From the clutching grenadier Staff-officer With the gold leaf cascading down his side-- A red dragoon, his plough-horse rearing, swayed Back on his reins to crop The buttercup Bursting upon the braid

Look at her good, Lily," she said, "'cause you're seeing the end of something." "I am?" "Yes, you are, because as long as people have been on this earth, the moon has been a mystery to us. Think about it. She is strong enough to pull the oceans, and when she dies away, she always comes back again. My mama used to tell me Our Lady lived on the moon and that I should dance when her face was bright and hibernate when it was dark." August stared at the sky a long moment and then, turning toward the house, said, "Now it won't ever be the same, not after they've landed up there and walked around on her. She'll be just one more science project.

Books, those miraculous memories of high thoughts and golden moods; those magical shells, tremulous with the secrets of the ocean of life; those love-letters that pass from hand to hand of a thousand lovers that never meet; those honeycombs of dreams; those orchards of knowledge; those still-beating hearts of the noble dead; those mysterious signals that beckon along the darksome pathways of the past; voices through which the myriad lispings of the earth find perfect speech; oracles through which its mysteries call like voices of moonlit woods; prisms of beauty; urns stored with all the sweets of all the summers of time; immortal nightingales that sing for ever to the rose of life.

Love Poem with Peanut Shells" Now I am in the warm oil of your mouth, comfortably sleeping in your throat. We build with flagstone, shop for sconces and radiance. Your large hands bundle and stack wood into walls. You digest my shape, unlit layer, lung. Light begins here, where we are one decimal point, where I stand with a cool blue hat that covers my eyes, red shoes that drop anchor. Where we sit in bars with peanut shells with Mikes and Leroys and Toms. Where you counsel me on lips and throat. Where you love the hiss of my atom. Where the ocean is zero miles from everywhere. Here, madness has no map. Here, God is abridged. 0 to be loved this way. To have lips that bear fruit. To be cancelled.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.

The brain accounts for only 2 percent of the body’s volume, yet consumes 20 percent of the body’s energy. A pearly gray, gelatinous, three-pound universe, this exceptional organ can map parsecs and plot the whereabouts of distant galaxies measured in quintillions of light-years. The brain accomplishes this magic trick without ever having to leave its ensorcelled ovoid cranial shell. From minuscule-wattage electrical currents crisscrossing and ricocheting within its walls, the brain can reconstruct a detailed diorama of how it imagines the Earth appeared four billion years ago. It can generate poetry so achingly beautiful that readers weep, hatred so intense that otherwise rational people revel in the torture of others, and love so oceanic that entwined lovers lose the boundaries of their physical beings.

I see you with that shell Held to your sensitive abstracted ear, Hunting the ocean’s rumor till you hear it well, Until you can set down the sound you hear:— Fixed to a shell like that you made immortal, This heart listens, this fragile auricle Holds rumor like your ocean’s, is a portal That sometimes opens to contain the miracle. If there are miracles we can record They happen in the places that you curse. Blessèd the pure in heart and the enduring word Sings of that love that spins the universe. My honor (and I cherish it for it is hardly won) Is to be pure in this: is to believe That to write down these perishable songs for one, For one alone, and out of love, is not to grieve But to build on the quicksand of despair A house where every man may take his ease, May come to shelter from the outer air, A little house where he may find his peace.

A moth flying into the flame says with its wingfire, 'Try this.' The wick with its knotted neck broken, tells you the same. A candle as it diminishes explains, 'Gathering more and more is not the way. Burn, become light and heat and help. Melt.' The ocean sits in the sand letting its lap fill with pearls and shells, then empty. A bittersalt taste hums, 'This.' The phoenix gives up on good-and-bad, flies to rest on Mt. Qaf, no more burning and rising from ash. It sends out one message. The rose purifies its face, drops the soft petals, shows its thorn, and points. Wine abandons thousands of famous names, the vintage years and delightful bouquets, to run wild and anonymous through your brain. The flute closes its eyes and gives its lips to Hamza’s emptiness. Everything begs with the silent rocks for you to be flung out like light over this plain, the presence of Shams.

can i have it?" This shocks me. She's never asked for a drawing before. I'm horrible at giving them away. "For the sun, stars, oceans, and all the trees, I'll consider it," | say knowing she'll never agree. She knows how badly I want the sun and the trees. we've been dividing up the world since we were five. |'m kicking butt at the moment - universe domination is within my grasp for the first time. "Are you kidding?" she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. "That leaves me just the flowers, Noah." Fine, i think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the english guy to speak to her. "Okay," she says. "Trees, stars, oceans. Fine." "And the sun, Jude." "Oh, all right," she says, totally surprising me. "I'll give you the sun.

Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.

In four months Miranda will be back in Toronto, divorced at twenty-seven, working on a commerce degree, spending her alimony on expensive clothing and consultations with stylists because she’s come to understand that clothes are armor; she will call Leon Prevant to ask about employment and a week later she’ll be back at Neptune Logistics, in a more interesting job now, working under Leon in Client Relations, rising rapidly through the company until she comes to a point after four or five years when she travels almost constantly between a dozen countries and lives mostly out of a carry-on suitcase, a time when she lives a life that feels like freedom and sleeps with her downstairs neighbor occasionally but refuses to date anyone, whispers “I repent nothing” into the mirrors of a hundred hotel rooms from London to Singapore and in the morning puts on the clothes that make her invincible, a life where the moments of emptiness and disappointment are minimal, where by her midthirties she feels competent and at last more or less at ease in the world, studying foreign languages in first-class lounges and traveling in comfortable seats across oceans, meeting with clients and living her job, breathing her job, until she isn’t sure where she stops and her job begins, almost always loves her life but is often lonely, draws the stories of Station Eleven in hotel rooms at night.

Two Lovers And A Beachcomber By The Real Sea" Cold and final, the imagination Shuts down its fabled summer house; Blue views are boarded up; our sweet vacation Dwindles in the hour-glass. Thoughts that found a maze of mermaid hair Tangling in the tide's green fall Now fold their wings like bats and disappear Into the attic of the skull. We are not what we might be; what we are Outlaws all extrapolation Beyond the interval of now and here: White whales are gone with the white ocean. A lone beachcomber squats among the wrack Of kaleidoscope shells Probing fractured Venus with a stick Under a tent of taunting gulls. No sea-change decks the sunken shank of bone That chucks in backtrack of the wave; Though the mind like an oyster labors on and on, A grain of sand is all we have. Water will run by; the actual sun Will scrupulously rise and set; No little man lives in the exacting moon And that is that, is that, is that. Sylvia Plath, Mademoiselle, August 1955.

I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.

That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')

A newly formed planet appeared on the large screen. its surface was till red-hot, like a piece of charcoal fresh out of the furnace. Time passed at the rate of geological eras, and the planet gradually cooled. The color and patterns on the surface slowly shifted in a hypnotic manner. A few minutes later, an orange planet appeared on the screen, indicating the end of the simulation run. "The computations were done at the coarsest level; to do it with more precision would require over a month." Green Glasses moved the mouse and zoomed in on the surface of the planet. The view swept over a broad desert, over a cluster of strangely shaped, towering mountain peaks, over a circular depression like an impact crater. "What are we looking at?" Yang Dong asked. "Earth. Without life, this is what the surface of the planet would look like now." "But . . . where are the oceans?" "There are no oceans. No rivers either. The entire surface is dry." "Your'e saying that without life, liquid water would not exist on Earth?" "The reality would probably be even more shocking. Remember, this is only a coarse simulation, but at least you can see how much of an impact life had in the present state of the Earth." "But--" "Do you think life is nothing but a fragile, thin, soft shell clinging to the surface of this planet?" "Isn't it?" "Only if you neglect the power of time. If a colony of ants continue to move clods the size of grains of rice, they could remove all of Mount Tai in a billion years. As long as you give it enough time, life is stronger than metal and stone, more powerful than typhoons and volcanoes.

Five months after Zoran's disappearance, his wife gave birth to a girl. The mother was unable to nurse the child. The city was being shelled continuously. There were severe food shortages. Infants, like the infirm and the elderly, were dying in droves. The family gave the baby tea for five days, but she began to fade. "She was dying," Rosa Sorak said. "It was breaking our hearts." Fejzić, meanwhile, was keeping his cow in a field on the eastern edge of Goražde, milking it at night to avoid being hit by Serbian snipers. "On the fifth day, just before dawn, we heard someone at the door," said Rosa Sorak. "It was Fadil Fejzić in his black rubber boots. He handed up half a liter of milk he came the next morning, and the morning after that, and after that. Other families on the street began to insult him. They told him to give his milk to Muslims, to let the Chetnik children die. He never said a word. He refused our money. He came 442 days, until my daughter-in-law and granddaughter left Goražde for Serbia." The Soraks eventually left and took over a house that once belonged to a Muslim family in the Serbian-held town of Kopaci. Two miles to the east. They could no longer communicate with Fejzić. The couple said they grieved daily for their sons. They missed their home. They said they could never forgive those who took Zoran from them. But they also said that despite their anger and loss, they could not listen to other Sebs talking about Muslims, or even recite their own sufferings, without telling of Fejzić and his cow. Here was the power of love. What this illiterate farmer did would color the life of another human being, who might never meet him, long after he was gone, in his act lay an ocean of hope.

It was slow at first, dead things slowly mouldering away. The flies in the corners, the dried flowers in their clay pots. The stuffed bird Alfie bought, only because he was both fascinated and disgusted by it in equal measures, was molting on it's perch. It's feathers falling like leaves then laying, parched and cracking dry. The sea shells I kept on my windowsill turned slowly back into sand and the wind filtering through the curtains blew the pieces into the creases of my bedsheets. When I pulled them over my head at night they felt like waves crashing against my ears. It made my thoughts sodden and heavy like impalpable clay, they dredged through my mind like half-forgotten things. Wave: a face, a feeling, the ghost of a name balancing on my teeth and ready to- crash: and now gone, like a dream I once tried to remember though it was already evaporating quick from my morning-shaking fingers. I started dreaming of crumbling sandcastles and the ocean lapping at my feet. I woke in waves and lay, rocking, until I got up to place my feet in the quiet carpet and watch through my down-turned, dream-filled lashes, as it exhaled dust at every step.

When I first said, “the world is your oyster,” it sounded pretty good, right? Like all these gorgeous pearls would just be coming your way and you’d be living on so-called easy street. But the saga of the oyster and the pearl is more complicated than it first appears. The pearl only happens when sand gets inside an oyster and irritates it. The world is my oyster? Full of irritation? What kind of blessing is that? It’s not my fault, Princess. I know. You’d like to just la-di-da through life, easy does it, instead of being stuck with a sandy oyster [laughs]. If I give you Billy’s prescription for making pearls, would you like that? Yes, I know, the irritation doesn’t feel good, but without it there would be no pearl. Don’t focus too much on the irritation. Try to relax about the sand. If you deal with the sand creatively, you’ll have a gorgeous treasure. To be a pearl maker, your oyster needs a good strong shell to protect you from a hundred million irritants in your environment. Your shell helps you tell one grain of sand from the other. You know which one can become a pearl and which one isn’t worth the irritation. If you become a really smart oyster, with a good shell, you can live life with more abandon because you don’t have to worry so much about the sand. “Oh, there’s that sand again. This always happens when I take a big bite out of the ocean. I’ll spit most of it out and won’t be too concerned about the rest.” And

I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.

The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.

Ocean Acidification is sometimes referred to as Global Warming's Equally Evil Twin. The irony is intentional and fair enough as far as it goes... No single mechanism explains all the mass extinctions in the record and yet changes in ocean chemistry seem to be a pretty good predictor. Ocean Acidification played a role in at least 2 of the Big Five Extinctions: the End-Permian and the End-Triassic. And quite possibly it was a major factor in a third, the End-Cretaceous. ...Why is ocean acidification so dangerous? The question is tough to answer only because the list of reasons is so long. Depending on how tightly organisms are able to regulate their internal chemistry, acidification may affect such basic processes as metabolism, enzyme activity, and protein function. Because it will change the makeup of microbial communities, it will alter the availability of key nutrients, like iron and nitrogen. For similar reasons, it will change the amount of light that passes through the water, and for somewhat different reasons, it will alter the way sound propagates. (In general, acidification is expected to make the seas noisier.) It seems likely to promote the growth of toxic algae. It will impact photosynthesis—many plant species are apt to benefit from elevated CO2 levels—and it will alter the compounds formed by dissolved metals, in some cases in ways that could be poisonous. Of the myriad possible impacts, probably the most significant involves the group of creatures known as calcifiers. (The term calcifier applies to any organism that builds a shell or external skeleton or, in the case of plants, a kind of internal scaffolding out of the mineral calcium carbonate.)... Ocean acidification increases the cost of calcification by reducing the number of carbonate ions available to organisms that build shells or exoskeletons. Imagine trying to build a house while someone keeps stealing your bricks. The more acidified the water, the greater the energy that’s required to complete the necessary steps. At a certain point, the water becomes positively corrosive, and solid calcium carbonate begins to dissolve. This is why the limpets that wander too close to the vents at Castello Aragonese end up with holes in their shells. According to geologists who work in the area, the vents have been spewing carbon dioxide for at least several hundred years, maybe longer. Any mussel or barnacle or keel worm that can adapt to lower pH in a time frame of centuries presumably already would have done so. “You give them generations on generations to survive in these conditions, and yet they’re not there,” Hall-Spencer observed.

The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.

The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.