Obviously Fake Quotes

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I feel myself trying to be charming, and then I realize I’m obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I’ve basically turned into Liza Minnelli: I’m dancing in tights and sequins, begging you to love me. There’s a bowler and jazz hands and lots of teeth.
Gillian Flynn (Gone Girl)
Anybody can be charming if they don't mind faking it, saying all the stupid, obvious, nauseating things that a conscience keeps most people from saying. Happily, I don't have a conscience. I say them.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
Often people that say they “don’t care” actually do. The moment they discuss you with their friends and family, compete with you, bad mouth you to others or react to anything you do or say is when they give themselves away. You can either be saddened or flattered that you effected someone so much. The perspective is yours to determine.
Shannon L. Alder
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
Shannon L. Alder
Should've thought of that before you told my ex-girlfriend I eat live kittens for breakfast." A tiny twinge of guilt. Then the cat wondered what Riley would think of her last successful "shoo-away." "Who knew she'd believe me?" [Mercy responded.] "Oh no? When you 'accidentally' opened the cupboard to expose my 'kitten cage' full of the poor, sad kitties I was going to snack on?" A raised eyebrow. "Wasn't the cage next to my special 'kitten defurring' tools?" "They were obviously fake." Bas just stared at her.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm. "Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...." He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her. "We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us." "ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it." "Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry." Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Once you know the truth, it's always obvious
Jennifer Crusie (Faking It (Dempseys, #2))
Hi, this is a user adding an obviously fake quote. I'm doing this because I'm tired of seeing fake Tom Hiddleston quotes and information on the web. Especially the fake love quote. I'm doing this to show you how easy it is to create fake information on the web. Don't believe everything you read on the web, especially on low quality sites where users add stuff, like this site. Only believe stuff from quality journalism.
Tom Hiddleston (The Red Necklace (French Revolution, #1))
We were in such good moods, we even decided to hit Todd's house for candy. Sam rang the doorbell, and when it opened, this hideous, rubber monster face roared at us. Sam screamed. Todd started laughing and took off the mask. I yelled, "Put it back on! Put it back on! Your hideousness is terrifying!" Todd did a fake yuk-yuk-yuk at my joke. "What are you guys supposed to be? Is it Prom Night Massacre or something?" Sam sighed at Todd's obvious stupidity. "We're zombie princesses, Todd. Can't you tell?" She stuck her arms straight out in front of her and said, "BRAINS! BRAINS!" I patted Sam on the head and said, "Sorry, Sam. You're wasting your time with this one.
Kristin Walker (A Match Made in High School)
The constant assertion of masculinity is always the most obvious tell of a fake. You do not constantly assert what you know you have.
Matt Bondurant (The Wettest County in the World)
Obviously a fake Kyp. You distract him. I'll shoot him under the table." Han (to Leia)
Aaron Allston (Enemy Lines I: Rebel Dream)
With her curling blond hair and her slender limbs and her beautiful clothes, Inez was alluring in an obvious way, and yet it was easy enough to see that her slightly protruding blue eyes were blank screens of self-love on which a small selection of fake emotions was allowed to flicker.
Edward St. Aubyn (At Last (Patrick Melrose, #5))
Piety /pi•e•ty/ (modern definition) 1. When you use Christ’s teachings to put someone in their place out of anger and self-righteousness. It is the number two reason people leave the faith. The first is pride.
Shannon L. Alder
It’s weird because we often try to present our fake, shiny, happy selves to others and make sure we’re not wearing too-obvious pajamas at the grocery store, but really, who wants to see that level of fraud? No one. What we really want is to know we’re not alone in our terribleness. We want to appreciate the failure that makes us perfectly us and wonderfully relatable to every other person out there who is also pretending that they have their shit together and didn’t just eat that onion ring that fell on the floor. Human foibles are what make us us, and the art of mortification is what brings us all together.
Jenny Lawson (Broken (in the best possible way))
but it seems that the most beautiful women always go for the most horrible shits, the most obvious fakes.
Charles Bukowski
What’s wrong? You can dish it out but can’t take it?” I sighed and gave him an obviously fake laugh. “Oh, I can take it. I just prefer an entree. Not an appetizer.
Sloane Howell (Bossed)
When I went on my first antidepressant it had the side effect of making me fixated on suicide (which is sort of the opposite of what you want). It’s a rare side effect so I switched to something else that did work. Lots of concerned friends and family felt that the first medication’s failure was a clear sign that drugs were not the answer; if they were I would have been fixed. Clearly I wasn’t as sick as I said I was if the medication didn’t work for me. And that sort of makes sense, because when you have cancer the doctor gives you the best medicine and if it doesn’t shrink the tumor immediately then that’s a pretty clear sign you were just faking it for attention. I mean, cancer is a serious, often fatal disease we’ve spent billions of dollars studying and treating so obviously a patient would never have to try multiple drugs, surgeries, radiation, etc., to find what will work specifically for them. And once the cancer sufferer is in remission they’re set for life because once they’ve learned how to not have cancer they should be good. And if they let themselves get cancer again they can just do whatever they did last time. Once you find the right cancer medication you’re pretty much immune from that disease forever. And if you get it again it’s probably just a reaction to too much gluten or not praying correctly. Righ
Jenny Lawson
Take her home." Nick fake salutes. "Sir,yes sir." "Sarcasm doesn't become you,Colt," Coach Walsh says,but he smiles when he says it, so obviously he is only mad at me,not superboy Nick Colt,beloved of coaches everywhere. If I were a guy he would let me run tomorrow.
Carrie Jones (Need (Need, #1))
But Nicholas had no room for practicality when there was fun to be had. There was no one as capable of taking a seemingly innocuous situation and turning it into a raving adventure. Jane. What a boring, and obviously fake, name. This oughta be fun.
Sarah M. Cradit (Beyond Dusk: Anne (House of Crimson and Clover, #0.5))
I worry for a second that she wants to set us up: I am not interested in being set up. I need to be ambushed, caught unawares, like some sort of feral love-jackal. I'm too self-conscious otherwise. I feel myself trying to be charming, and then I realize I'm obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I've basically turned into Liza Minelli: I'm dancing in tights and sequins, begging you to love me. There's a bowler and jazz hands and lots of teeth.
Gillian Flynn (Gone Girl)
She was beautiful. In fact she was possibly the most beautiful woman I had ever seen. She was tall, with dark black hair, light skin, and big brown eyes. Her face was beautiful, not fake beautiful like a model or an actress, because she was obviously a real person, but rather Helen of Troy, launch-a-thousand-ships kind of good-looking.
Larry Correia (Monster Hunter International (Monster Hunter International, #1))
They had all received instructions to start using fake names when out on Order business, in case anyone listened in. Remus wasn’t overly fond of ‘Kevin’, but he had to admit it was probably better than his own ridiculous name. When the marauders first heard about the codenames they’d wanted to use Paul, John, George and Ringo, but Moody told them it was too obvious.
MsKingBean89 (All The Young Dudes - Volume Three: ‘Til the End (All The Young Dudes, #3))
Josh and Layla are both in bed. Josh is sitting propped up against the headboard, staring down at Layla sleeping on his chest like she’s the centre of his damn universe.  Poor bastard. He can deny it all he wants, but this obviously isn’t just a crush. He’s head over heels for Layla.
Lily Gold (Faking with Benefits)
I hadn't met a lot of openly queer people before. There'd been a crowd of people at school who Pip hung out with with from time to time, but there could only have been about seven or eight of them, max. I don't know what I expected. There was no particular type of person, no particular style or look. But they were all so friendly. There were a few obvious friendship groups, but mostly, people were happy to chat to whoever. They were all just themselves. I don't know how to explain it. There was no pretending. No hiding. No faking. In this little restaurant hidden away in the old streets of Durham, a bunch of queer people could all show up and just be. I don't think I'd understood what that was like until that moment.
Alice Oseman (Loveless)
This fabulist showed my grandfather pictures that were obviously fake, but he became a believer and decided it was his mission to rediscover it,” Musk says. Once in Africa, the Haldemans made a monthlong trek into the Kalahari every year to search for this legendary city. They hunted for their own food and slept with their guns so they could fend off lions.
Walter Isaacson (Elon Musk)
How am I supposed to believe you when you're obviously carrying a fake monogram Gucci Bag?
Madi Brown (The Truth About Emily)
Jacob laughed along with Chip in a fake, Great Gatsby, old-money sort of voice, obviously mocking my brother.
Tiffanie DeBartolo (God Shaped Hole)
To Ukrainians, Americans seemed comically slow to react to the obvious threats of cyberwar and fake news. When
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Exaggerate the essential; leave the obvious vague. —Vincent van Gogh
Jennifer Gooch Hummer (Veridian Sterling Fakes It)
On Rachel's show for November 7, 2012: Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism. Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations, everyone!
Rachel Maddow
eyes. Josh has been head-over-heels for Layla ever since they met, but he won’t admit it. It’s obvious, though. When she’s happy about something, he’s wandering around the flat, humming under his breath. When she’s stressed, he gets all moody. He’s filled our kitchen cupboard with all of her favourite snacks, and lights up whenever she texts him. Seeing her cry probably killed him.
Lily Gold (Faking with Benefits)
sac. It’s obviously a fake Tudor, because there was nobody in Westchester except for the Mohegan Indians in Tudor times, so I don’t know who the Millers think they’re fooling. Probably no one.
Carol Rifka Brunt (Tell The Wolves I'm Home)
Jace," said Simon as Jace watched Clary and smiled. Jace glanced at him and looked annoyed. "Remember when you told me that you wished I could remember?" "Why are you asking me if I remember things?" Jace asked, sounding definitely annoyed. "I'm not the one who has problems with remembering. Remember?" "I just wondered what you meant by that." Simon waited, giving Jace a chance to take advantage of his demon amnesia and tell him another fake secret. Instead, Jace looked incredibly uncomfortable. "Nothing," he said. "What would I mean? Nothing." "Did you just mean you wanted me to remember the past generally?" Simon asked. "So I'd remember all the adventures we had and the manly bonds we formed together?" Jace continued to make an uncomfortable face. Simon remembered Alec saying Jace was so upset. "Wait, was that actually it?" Simon asked incredulously. "Did you miss me?" "Obviously not!" snapped Jace. "I would never miss you. I, um, was talking about something specific." "Okay. So, what specific thing did you want me to recall?" Simon asked. He eyed Jace suspiciously. "Was it the biting?" "No!" said Jace. "Was that a special moment for you?" Simon asked. "One that you wanted me to remember that we shared?" "Remember this moment," said Jace. "At the very next opportunity that offers, I am going to leave you to die at the bottom of an evil boat. I want you to remember why." Simon smiled to himself. "No, you won't. You would never leave me to die at the bottom of an evil boat," he muttered as Alec strolled over to the slanted sofa and Jace looked outraged by what he was hearing.
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
Are you going to kiss me?” I ask quietly. He pauses. “Thinking about it.” I gulp and hope it’s not too obvious. I’m thinking about it too. And about earlier, in his bed, and the fact that there’s no one to interrupt us this time. “Are you weighing the pros and cons?” I ask, leaning into his touch. “Only cons here, West.” He shakes his head. “You and me… we’re a story that won’t have a happy ending. A tragedy. Nothing good comes from a tragedy.” “Well, maybe…” I grit my teeth so I don’t say something I’ll regret, and take a steadying breath. “Maybe I’d rather live in the wreckage with you for while than fake a fairy tale with someone else forever.
Julie Johnson (Cross the Line (Boston Love, #2))
I’m not even sure how to respond to such a foul question, Mr. Sykes.” She’s quiet but resilient. “Your obvious and ill-placed insult of your own son makes me sick, and I’m positive the answer isn’t one you want to hear anyway.
Meagan Brandy (Fake It 'Til You Break It)
Vices...all in us. Some hidden, some obvious, some convicted to death. Sometimes helping, sometimes destroying. Comes and goes. But they always stays. In our veins. In our brain. Our sweet adrenaline and struggle. Continuously. To make us feel the fake vivid life. Vices...
Viorica Dragotel
Flynn was leaning against the side of the house, legs crossed, an ironic smile on his face. He must have been up for a while; he had obviously taken pains to wash his face and neck and arms (at least; that was just all Rapunzel could see) and straighten his hair so it was parted dashingly to one side. She wondered, for a moment, whose comb he had borrowed, or if he had his own stashed away somewhere like his knives. He was stupidly, ridiculously handsome. Even with the stupid, ridiculously fake smile on his face. Not at all the worst thing to wake up to.
Liz Braswell (What Once Was Mine)
Probably the most important step in that argument is the final moral choice you give to the hero. A lot of writers make the mistake of giving their hero a fake choice. A fake choice is between a positive and a negative. For example, you may force your hero to choose between going to prison and winning the girl. The outcome is obvious.
John Truby (The Anatomy of Story: 22 Steps to Becoming a Master Storyteller)
She buys a coffee with a couple quarters and sits in the park. She fools everyone, and always has, letting her mouth fall open (untended, obviously dumb), and never blinking her eyes, which are mean, simple marbles, one-dimensional and lightless. Her shoulders hunch, the long masculine hands uncertain where to rest or hang. But she's tracking, computing, and either discarding or accepting factors other people barely notice. Her costume - the gray jeans, the fake-gold E on a chain doesn't blend in and doesn't stand out. Her awkwardness is strategic, turning people away in boredom or discomfort before they register the vague, haughty, delicious joy she takes in being alive.
Jardine Libaire (White Fur)
his fake sideburns had been torn from his cheek and was now perched on his ear like a small rodent, but he was too angry to notice. “What have you done?” he screamed at us. “What have you done?” “Well, it’s obvious,” I said. “We’ve blown up a rebel minivan.” In the farmhouse, the SPYDER agents disappeared from the upstairs windows and never reappeared again.
Stuart Gibbs (Spy Camp (Spy School #2))
A study of New York City seafood done by scientists at nonprofit marine conservation group Oceana found fraud in 58 percent of retail outlets and 39 percent of restaurants. The one especially scary finding that would have my father turning over in his grave was that every sushi restaurant from which samples were collected—100 percent of them—served fake fish. Obviously,
Larry Olmsted (Real Food/Fake Food: Why You Don't Know What You're Eating and What You Can Do About It)
I try not to look obvious as I wait for Mom’s answer. I feel as if I am on the edge of a knife, my feet being sliced by the blade, teetering toward one side or the other. “Oh, of course!” Mom exclaims, her voice trilling with laughter. “How could I have forgotten?” And now I know. Really know. This woman is not my mother. I don’t know who she is, but I know absolutely who she is not.
Beth Revis (The Body Electric)
Who’s worse, soldier, you or him? Dunno, sir! It’s a trick question, soldier. Well, him, obviously. 1 mean I’m sitting here loung-ing; he’s practically dying out there. I expected more from you, son. How? You’re a smart kid. You should be able to see when somebody’s faking. And soldier— Yes. —Good job out there. I’m glad you’re still on board. I don’t feel any better. Life’s not about feeling better; it’s about getting the job done.
Ned Vizzini (It's Kind of a Funny Story)
How To Spot A Liar And since we are already talking about lying, you must know that there are a number of ways to spot a liar. Among the most obvious are in their smile and through eye contact. Experts would say that a genuine smile is impossible to fake. Everyone knows how to smile for the camera, and perhaps this is also something we use when we greet other people. But a genuine smile is different because the emotion shows in a person’s eyes.
Matt Morris (Do Talk To Strangers: A Creative, Sexy, and Fun Way To Have Emotionally Stimulating Conversations With Anyone)
I worry for a second that she wants to set us up: I am not interested in being set up. I need to be ambushed, caught unawares, like some sort of feral love-jackal. I'm too self-conscious otherwise. I feel myself trying to be charming, and then I realize I'm obviously trying to be charming, and then I try to be even more charming to make u for the fake charm, and then I've basically turned into Liza Minelli: I'm dancing in tights and sequins, begging you to love me.
Gillian Flynn (Gone Girl)
I worry for a second that she wants to set us up: I am not interested in being set up. I need to be ambushed, caught unawares, like some sort of feral love-jackal. I'm too self-conscious otherwise. I feel myself trying to be charming, and the I realize I'm obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I've basically turned into Liza Minnelli: I'm dancing in tights and sequins, begging you to love me.
Gillian Flynn (Gone Girl)
If the Edwards boys were fazed by the obvious signs of poverty in the apartment (the worn-out brown carpet; the retro TV sitting on a coffee table across from the sofa; the fan in the corner struggling to do the job of an AC; the fake flowers hanging on the wall and doing nothing to brighten the living room), they did not show it. They acted as if they were in any of the apartments they visited on Park or Madison, as if it were just a different kind of beautiful apartment in a different kind of nice neighborhood.
Imbolo Mbue (Behold the Dreamers)
I accumulate rash acts: getting into stolen cars, walking in front of stores where I have operated, showing obviously fake papers. I have the feeling that in a very short time everything is bound to break wide open. My rash acts are serious matters and I know that airy-winged catastrophe will emerge from a very, very slight mistake. 1 But while I hope for misfortune as an act of grace, it is well for me to plunge fully into the usual ways of the world. I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve, slightly bent toward evening, but a hitherto unseen beauty, lovely because of the danger which works away at it, overwhelms it, undermines it. Oh let me be only utter beauty! I shall go quickly or slowly, but I shall dare what must be dared. I shall destroy appearances, the casings will burn away and one evening I shall appear there in the palm of your hand, quiet and pure, like a glass statuette. You will see me. Round about me there will be nothing left.
Jean Genet (The Thief's Journal)
Lots of concerned friends and family felt that the first medication’s failure was a clear sign that drugs were not the answer; if they were I would have been fixed. Clearly I wasn’t as sick as I said I was if the medication didn’t work for me. And that sort of makes sense, because when you have cancer the doctor gives you the best medicine and if it doesn’t shrink the tumor immediately then that’s a pretty clear sign you were just faking it for attention. I mean, cancer is a serious, often fatal disease we’ve spent billions of dollars studying and treating so obviously a patient would never have to try multiple drugs, surgeries, radiation, etc., to find what will work specifically for them. And once the cancer sufferer is in remission they’re set for life because once they’ve learned how to not have cancer they should be good. And if they let themselves get cancer again they can just do whatever they did last time. Once you find the right cancer medication you’re pretty much immune from that disease forever. And if you get it again it’s probably just a reaction to too much gluten or not praying correctly. Right?
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
In a meeting, the Estonian president, Toomas Ilves, insisted to Obama that we had to take Putin at his word if he said he would take Kiev. Ilves had an academic manner, and he described methodically how Russia was using fake news and disinformation to turn Estonia’s Russian-speaking minority against Europe. Speaking in paragraphs, he tied together Putin, the emergence of right-wing political parties in Europe, and ISIL. These are people, he said, who fundamentally reject the legitimacy of the liberal order. They are looking for another form of legitimacy—one that is counter to our notion of progress. After the meeting, I joined Obama for lunch and told him I thought Ilves did the best job I’d heard of tying these disparate threads together, explaining a theory of the forces at work in the world without having to rely on a construct that roots them all in American foreign policy. Without missing a beat, Obama said, “That’s the same dynamic as with the Tea Party. I know those forces because my presidency has bumped up against them.” He paused. “It’s obviously manifest in different ways, but people always look to tear down an ‘other’ when they need legitimacy—immigrants, gays, minorities, other countries.
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Naomi doubted that any human being really understood math, they simply all pretended to have it down pat, when in truth they were every bit as confused by it as she was. Math was nothing but a giant hoax, and everyone participated in it, everyone faked belief in math so they could be done with hideous classes and the drudgery of the hateful homework and get on with life. The sun came up every morning, so the sun was real, and every time you inhaled you got the air you needed, so the atmosphere was obviously real, but half the time when you tried to use math to solve the simplest problem, the math absolutely would not work, which meant that it couldn't be real like the sun and the atmosphere. Math was a waste of time.
Dean Koontz (What the Night Knows (What the Night Knows, #1))
On Social Media people always seem to appear and then disappear. Befriend you as a writer perhaps because they think that you can just help them reach their goals or just maybe because they've heard of you. On some? Like on Instagram? Follow you and then unfollow you in their own shallow pathetic pursuit of looking popular. Not giving two shits about you or have any real interest in your actual work. Once upon a time that used to really bother me because they obviously lack authenticity & any manners. But after thirty some years of writing & publishing and creating and actually earning all of the merits and being myself, being true to the words and all the poetry that is the only real thing that truly matters? I simply say to all of them. Fuck you. I'm R.M. Engelhardt And if you haven't heard of me or read any of my work then obviously you don't really know much about poetry
R.M. Engelhardt (WHERE THERE IS NO VISION POEMS 2020 R.M. ENGELHARDT)
The ability to draw a connection between two things that had previously appeared to be unrelated is an important part of creativity, and it appears that it can be enhanced by electrical stimulation. Compared to participants who were given fake tDCS, those who got electricity created more unusual analogies—that is, analogies between things that seemed very unlike one another. Nevertheless, these highly creative analogies were just as accurate as the more obvious ones created by the participants whose devices were secretly turned off. Dopaminergic drugs can do the same thing. Although some patients who take dopaminergic drugs for Parkinson’s disease develop devastating compulsions, others experience enhanced creativity. One patient who came from a family of poets had never done any creative writing. After starting dopamine-boosting drugs for his Parkinson’s disease, he wrote a poem that won the annual contest of the International Association of Poets. Painters treated with Parkinson’s medication often increase their use of vivid color. One patient who developed a new style after being treated said, “The new style is less precise but more vibrant. I have a need to express myself more. I just let myself go.” Just like Winnie-the-Pooh: “It is the best way to write poetry, letting things come.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
When I was younger, I remember taking pride in people’s well-meaning remarks: “You’re so lucky that no one would ever know!” or “You don’t even look like a guy!” or “Wow! You’re prettier than most ‘natural’ women!” They were all backhanded compliments, acknowledging my beauty while also invalidating my identity as a woman. To this day, I’m told in subtle and obvious ways that I am not “real,” meaning that I am not, nor will I ever be, a cis woman; therefore, I am fake. These thoughts surrounding identity, gender, bodies, and how we view, judge, and objectify all women brings me to the subject of “passing,” a term based on an assumption that trans people are passing as something that we are not. It’s rooted in the idea that we are not really who we say we are, that we are holding a secret, that we are living false lives. Examples of people “passing” in media, whether through race (Imitation of Life and Nella Larsen’s novel Passing), class (Catch Me if You Can and the reality show Joe Millionaire), or gender (Boys Don’t Cry and The Crying Game), are often portrayed as leading a life of tragic duplicity and as deceivers who will be punished harshly by society when their true identity is uncovered. This is no different for trans people who “pass” as their gender or, more accurately, are assumed to be cis or blend in as cis, as if that is the standard or norm. This pervasive thinking frames trans people as illegitimate and unnatural. If a trans woman who knows herself and operates in the world as a woman is seen, perceived, treated, and viewed as a woman, isn’t she just being herself? She isn’t passing ; she is merely being.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
A new form of lying has emerged in recent times. This is what Arendt calls “image-making,” where factual truth is dismissed if it doesn’t fit the image. The image becomes a substitute for reality. All such lies harbor an element of violence: organized lying always tends to destroy whatever it has decided to negate. The difference between the traditional political lie and the modern lie is the difference between hiding something and destroying it. We have recently seen how fabricated images can become a reality for millions of people, including the image-maker himself. We have witnessed this in the 2016 American presidential election. Despite the obvious falsity of his claims, the president insists that the crowd at his inauguration was the largest in history; despite the fact that he did not receive a majority of votes, he insists that this was because millions of fraudulent votes were cast; and despite the evidence that Russians interfered with the presidential election, the president claims that the “suggestion” that there was Russian interference is just a devious way of calling his legitimacy into question. The real danger here is that an image is created that loyal followers want to believe regardless of what is factually true. They are encouraged to dismiss anything that conflicts with the image as “fake news” or the conspiracy of elites who want to fool them. What Arendt wrote more than a half a century ago might have been written yesterday. “Contemporary history is full of instances in which tellers of factual truth were felt to be more dangerous, and even more hostile, than the real opponents” (Arendt 1977: 255). Arendt was not sanguine that tellers of factual truth would triumph over image-makers. Factual truth-telling is frequently powerless against image-making and can be defeated in a head-on clash with the powers that be. Nevertheless, she did think that ultimately factual truth has a stubborn power of its own. Image-makers know this, and that is why they seek to discredit a free press and institutions where there is a pursuit of impartial truth.
Richard J. Bernstein (Why Read Hannah Arendt Now?)
Breeding has made the creation of new species illegal. DISILLUSIONMENT CHARMS The wizard on the street also plays a part in the concealment of magical beasts. Those who own a Hippogriff, for example, are bound by law to enchant the beast with a Disillusionment Charm to distort the vision of any Muggle who may see it. Disillusionment Charms should be performed daily, as their effects are apt to wear off. MEMORY CHARMS When the worst happens and a Muggle sees what he or she is not supposed to see, the Memory Charm is perhaps the most useful repair tool. The Memory Charm may be performed by the owner of the beast in question, but in severe cases of Muggle notice, a team of trained Obliviators may be sent in by the Ministry of Magic. THE OFFICE OF MISINFORMATION The Office of Misinformation will become involved in only the very worst magical–Muggle collisions. Some magical catastrophes or accidents are simply too glaringly obvious to be explained away by Muggles without the help of an outside authority. The Office of Misinformation will in such a case liaise directly with the Muggle prime minister to seek a plausible non-magical explanation for the event. The unstinting efforts of this office in persuading Muggles that all photographic evidence of the Loch Ness kelpie is fake have gone some way to salvaging a situation that at one time looked exceedingly dangerous. 7. In his 1972 book Muggles Who Notice, Blenheim Stalk asserts that some residents of Ilfracombe escaped the Mass Memory Charm. ‘To this day, a Muggle bearing the nickname “Dodgy Dirk” holds forth in bars along the south coast on the subject of a “dirty great flying lizard” that punctured his lilo.’ 8. For a fascinating examination of this fortunate tendency of Muggles, the reader might like to consult The Philosophy of the Mundane: Why the Muggles Prefer Not to Know, Professor Mordicus Egg (Dust & Mildewe, 1963). 9. The largest department at the Ministry of Magic is the Department of Magical Law Enforcement, to which the remaining six departments are all, in some respect, answerable – with the possible exception of the Department of Mysteries.
Newt Scamander (Fantastic Beasts and Where to Find Them)
Obviously, I didn’t pursue that girl any longer, and I didn’t think about Missy much after our so-called date, mainly because I didn’t think she was interested in me. But then a few days later, one of our mutual friends from church called me. She told me Missy couldn’t stop thinking about me. I didn’t find out until several months later that the friend also called Missy that night and told her I really liked her! Neither one of us thought much about our fake date, but our friend decided to play matchmaker. The next time I saw Missy was at a youth meeting at the Kelletts’ house. Oddly enough, Missy’s family had lived in the same house for years until Mike and his family bought it. After the meeting I decided to check the credibility of our mutual friend who told me Missy was interested in me. We were outside and Missy was telling me stories of when she used to live there. I led her to the backyard and after she finished a story, I made my move. I turned and planted a juicy lip lock on her, to which she responded enthusiastically. I just wanted to see if she was interested in me and I got the answer. I have to admit I felt a spark or two during the encounter. It was nice! Missy remembers a few more details of our early dating. Missy: During our mock date, I also felt like we had a great time together. However, because we had mutually agreed to go out on this public-relations date, I would have never assumed anything more. I am not an aggressive person, and even though I felt something between us, I would have never made the first move! That’s why, when Jason dropped me off, I just got out of the truck and went inside. He obviously hadn’t asked me out because he thought I was pretty, funny, or interesting. In my mind, this was just business, whether I liked it or not. And I didn’t like it. I was definitely attracted to him, but where I came from and the way I was raised, it was the boy’s responsibility to make the first move. And he didn’t, at least not that night. When my friend called me a few days later and told me that he liked me, I was surprised and thrilled! Little did I know that she’d done the same thing to Jason. The night after our first kiss at our youth minister’s house, I remember trying not to get my hopes up. I knew about his reputation of dating as many girls as possible, and I thought there was a great chance that I would never hear from him again. However, I decided to go outside my comfort zone and give him a call. One of his mom’s friends answered the phone and when I asked to speak to Jason, she told me he was on his way to his girlfriend’s house. I hung up, feeling dejected. About fifteen minutes later, he showed up at my house. I was the girlfriend!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Tell me what happened.” “He was here,” I said, hoarse. “He lit the can on fire and took the extinguisher nearby. I ran to the back to get the other and he pushed one of the shelves over on me.” The muscles in Holt’s jaw clenched and flexed beneath the stubble that lined his face. “Do you ever shave?” I wondered out loud. He smiled and rubbed at the gruffness. “I just trim it.” I nodded. “Do you like it?” he asked. Once again, I touched him, brazenly running my hand along his jaw. It was soft and rough at the same time—the perfect balance. “Yeah, I do.” “Good to know,” he said, taking my hand, linking our fingers together, and then his face grew serious again. “Obviously, I avoided the shelf.” “Did you get a look at his face?” I cringed at the hopefulness in his voice. “No,” I admitted. “I tried, but he kicked me.” His eyes went murderous. Maybe I shouldn’t have said that. “He. Kicked. You,” he ground out, making each word into a pointed sentence. This time I kept my mouth shut. “Where?” he demanded. I wasn’t going to reply, but his eyes narrowed and I knew he would eventually make me tell him. I was going to have to tell the cops anyway. Weariness floated over me at the thought of enduring yet another one of their hours-long interrogations. I lifted my wrist, the bandage just dangling from the area now, not covering or protecting a thing. The waves of hatred that rolled off him made me sincerely glad that all that emotion wasn’t directed at me. He stared at my delicately injured skin (some of it had gotten torn in the struggle and was slick with some sort of puss… Eww, gross), and I kind of thought the top of his head might explode. I was going to reassure him that I was okay, but the police rushed inside, followed closely behind by a medic with a first aid kit. “She needs medical attention,” Holt barked, authority ringing through his tone. The medic hurried to comply, slamming down his kit and springing it open. Holt dropped his hand onto the man’s shoulder and squeezed. “Bryant, I don’t even want to see a flick of pain cross her face when you touch her.” Bryant looked at me and swallowed thickly. “Yes, Chief.” “Chief?” I said, looking up at Holt. “I’ll be right back,” he said to me in a much gentler tone and then moved away. Bryant was fumbling with his supplies, Holt’s words clearly making him nervous. “Relax.” I tried to soothe him. “He’s just on edge about what happened. I’m fine. I promise to smile the whole time you fix me up.” “But it’s going to hurt,” he blurted apologetically. “Yeah, I know. Just do it. I’ll be fine.” That seemed to calm him a little, and he got to work. It did hurt. Incredibly. I felt Holt’s stare and I glanced up, giving him a fake smile. He rolled his eyes and turned back to one of the officers. “Hey,” I said to the medic. “Why did you call him chief?” He gave me a quizzical look. “Arkain’s the Wilmington Fire Chief.” My eyes jerked back to Holt where he stood talking to the police force and the firefighters that responded to the call. His firefighters. “I didn’t realize,” I murmured. Bryant nodded. “I guess I can understand that. He’s a humble guy. Doesn’t like to throw his position around.” I made a sound of agreement as he applied something to my wrist that made my entire body jerk. I bit down on my lip to keep from crying out. “I’m sorry!” he said a little too loudly. Holt stiffened and he turned, looking at me over his shoulder. I blinked back the tears that flooded my eyes and waved at him with my free hand. He said a few more words to the men standing around him and then he left them, coming to stand over poor Bryant. I never realized how intimidating he was when he wanted to be.
Cambria Hebert (Torch (Take It Off, #1))
First, he’s a billionaire, and a seventy-year-old man. Meaning, he doesn’t give a rat’s ass anymore about anything other than what matters. He’s lived a wild life already—so he doesn’t care who his casual comments offend. When he makes a joke it’s like when a baby farts. It’s nothing personal, the baby’s forgotten it, while everyone is choking out in the room. But the baby doesn’t care. I also had to admit that he’s never been in public office, so he doesn’t know how to be that particular kind of phony. I mean the phony that we all accept—which I call the “mandatory fake.” The mandatory fake is the married news anchor who condemns unseemly sexual behavior while banging Dalmatians in a nearby hotel. Being an old rich uncle who’s never been in politics, Trump has no familiarity with mandatory fake. There is, however, a different kind of fakery in Trump’s world of real estate fibbery. But such lies—salesman’s lies—are deliberately obvious by their excess. You know a salesman is lying when he tells you the car you’re buying from him was only driven by a little old lady once a week to church, which is great because she lives in the attic above the church! A salesman’s lie is done with a wink and an exaggeration (“This is the biggest crowd ever!”). A politician’s lie is a promise that could very well be true, but never is (“Read my lips, no new taxes”). You see the difference? Trump’s lies are common and do not insult us, because he assumes we’re all in on the joke. Politicians are daring you to go against your own innate skepticism (which is always a mistake). Am I “Trump-splaining”? Yes, I am. For now that he’s our president and up against so much, it’s no longer fealty to do so. It’s actually fairness. Anyway, as a Holmes, I’ve since reevaluated some positions that I’ve taken for granted. I’ve looked at the research on illegal immigration and its effects on unemployment. I’ve also looked harder at crime numbers, legal vs. illegal offenders. I’ve pretty much stuck to my original precepts, but I realize that ideology ultimately helps no one in that debate.
Greg Gutfeld (The Gutfeld Monologues: Classic Rants from the Five)
I can’t be the only one. There have to be other people out there who see the Mr. Twister mascot for what he is: Hitler. A grinning, cartoon, twisty-cone version of the Führer himself, advertising to the world that this place is secretly Nazi central. There is no other logical reason to put one of those little black smudge mustaches on a custard mascot. Of course, I’ve got Annie in my head—Chill out, Mo. It’s obviously supposed to be Charlie Chaplin—so fine, where’s the cane? And the hat? Exactly. Hitler. This truck is an oven. I am pot roast. I’d go in, but I’m already throwing up a little in my mouth just thinking about the assault of peachy-ness behind those doors. Peach walls, peach aprons, peach countertops, peach chalk on the blackboard menu. And of course, Annie is in there smiling and faking brain-dead. I’m better off as pot roast, and besides, the Spanish Inquisition isn’t going to learn itself. I turn back to the previous page, the one that I’ve already read and forgotten three times this hour, and start over. The picture of Ferdinand II of Aragon is freakishly distracting. It’s the way he’s glaring. I close my right eye and glare back at him and his unapologetic scowl. I bet nobody told him to quit being cranky.
Jessica Martinez (The Vow)
Clubbing. Obviously." I lift my finger and start rattling off ways while counting. "Using the stick to choke him is another. Snapping it in half and stabbing him. Do you want me to get started on my skates? Those fuckers are sharp.
Eden Finley (Hat Trick (Fake Boyfriend, #5))
You've done a lot of work on the revolution, obviously. And you tend to focus on women's rights and free speech. What other issues are you drawn to? Eladl: All the issues that concern Egyptian citizen. I deal a lot with women's issues, gender rights, but I think I focus a lot of my work on Egyptian citizens and, because I think any reform should start with the Egyptian citizen, trying to get them to participate in this process. The purpose of editorial cartooning is to awaken people. Some media outlets, whether in the United States or Egypt, distort the facts. And normally the media is controlled either by government, by investors, by the people who have the money. So cartoons, they should look into issues and make it clear whether it is black or white, or whether there is a grey area. People can look and distinguish between sincere and honest cartoonists and from other kinds that are not. Even an historian can be under pressure and to fake the writing of history. But cartoonists, we have the freedom to say what we want. (2011 interview with Cartoon Movement)
Doaa El-Adl
Come on Lee, we gotta talk.” Hopper’s voice was deep and gravelly, with a thick, phony-sounding country drawl. The accent was so obviously fake that under other circumstances Lee would have laughed,
Brandon Baker (Whatever Remains Of Us In The End)
Possibilities! In the loop of possibilities, There is always one reality, As you enter this cycle of possibilities, You unknowingly make a pact with eternity, To seek the new and to seek the original, And as you leave one loop only to enter another, You wonder what is fake and what is original, Because the loops are infinite and they hold this universe together, Where real is never obvious and fake is hidden too, And as you seek the real with your relentless prudence, You are cast in the dimensions fake and real too, Then to establish the reality is what defines that crescendo of prudence, And as ripples of time move over these loops of possibilities, You somehow segregate the unreal loops from the real, And in this intertwining net of possibilities, Now you, your thoughts, your desires are true and real, Whatever you seek now, seeks you as well, And the infinity breaks its endless loop, Because now you are part of eternity as well, Where you now can tell the fake from the original loop, Then the dimensions of the universe attain a singular state, Where universe is like a geometry with just one rule, That it is you who defines its every known and unknown state, And you become part of the reality integrated in every rule!
Javid Ahmad Tak (They Loved in 2075!)
Jim Parsons: Even though I knew that obviously he was game for everything, some part of me felt so inappropriate about putting possibly the most intelligent human being on the planet at that time into a scene in our sitcom. I was really uncomfortable. I thought, “This is not right!” I had been faking how smart I was to play Sheldon by saying the lines other people wrote, but I didn’t know what the fuck I was talking about, and now I’m face-to-face with possibly the smartest person on the planet! And even though I knew it wasn’t inappropriate that this was even happening, there was a part of me that felt it somehow was.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
when, as we grow older, we discover their imperfections.” “You loved your father.” She stated the obvious. “Tell me one of his imperfections.” “I can’t.” He stiffened. When he went to draw away his hand, she refused to release him. “But he had them.” Charley watched what seemed to be a battle of emotions in his expressions. “You just said that we still love them even knowing they aren’t perfect.” “I cannot dishonor him.” His voice came out gravelly. “Not after precipitating his death.” “Does it dishonor a person to embrace their humanness?” Charley thought about her parents. She had been quite unforgiving where her mother was concerned. Had she merely convinced herself that her mother didn’t love her? “Forgive me.” She was no one to offer any sort of advice. “I’ve forgotten why I brought you out here.” His features softened. “You didn’t come to dinner.” She could hardly tell him that she missed him. Silly, really. Only… He was not at all the person she’d initially taken him to be. Something squeezed her heart at the realization. He was not her enemy. In fact, she was coming to… care for him. As a friend, perhaps? More than a friend? He used his thumb to draw small circles on the back of her hand, making her feel like her limbs had been filled with a warm heavy syrup. “Did you miss me?” His question echoed her own misguided thoughts. “It is fake.” But somehow, she was losing her conviction. “Why do you persist with that?” He tilted his head. “You are courting me so that you can honor the wager you made with my father.” She inhaled a deep breath. “Not because you want to court me.” Her words finally seemed to penetrate his understanding. He nodded but then blinked and shook his head. “No.” A tiny wrinkle appeared between his eyes. “I’m courting you because I want to.” Amazement underscored his words. “But why?
Annabelle Anders (Cocky Earl (Regency Cocky Gents, #1))
You want to know how to rely on others right? That's 'cause I can't do everything on my own." "B-but... if you say that then it's like you're saying that you're weak! I can't do that." "What... is this?" "G- green tea?" "Exactly. But it's coffee inside." "What?! What's that supposed to-" "No matter how much you insist that this is green tea... to me, the inside is still coffee. Just changing the label doesn't mean that what's inside changes." "Well, duh." "So... when you can't do something and you refuse to admit it... then it's the same as faking and insisting that this is green tea... when the inside is coffee. You said that you understood. You knew that you can't do much on your own and that you need to rely on others. But you can't do it. That's because you're scared of being rejected by others. I don't know what you think about how the others around you judge you. But the fact that you're scared out of your wits... has been blatantly obvious to everyone.
Satoru Nii (WIND BREAKER 7)
What’s our most hated trope?” I frown. “Our what?” “Answer the question. What do we always bitch about in books?” “Slut-shaming?” “No—I mean, yes, obviously, but I’m talking about a trope.” “Surprise pregnancy?” “Oh, God—” There’s fire in Nina’s eyes like she’s prepared to rant. “Yes, all right, we hate a lot of tropes. But I was talking about miscommunication, Kendall. We both hate when two stupid characters could solve all their problems by saying one honest thing. So, instead of assuming you know why a bunch of basketball players came into Starbucks—when you know for a fact that you and Harper once put on hoodies and fake mustaches to spy on me when I had that date with that girl from improv—why didn’t you ask Vincent what was up with them?
Annie Crown (Night Shift (Daydreamers, #1))
The influence of the langues d’oc and d’oïl produced a situation in which French had started exporting itself even before it had become a fully developed language with a coherent writing system. Between the tenth and fifteenth centuries, Romance impressed itself on Europe as the language of worldly business, helping to relegate Latin to the religious sphere, although the latter did remain a language of science and philosophy for many more centuries. In the Mediterranean region, fishermen, sailors and merchants used a rudimentary version of langue d’oc mixed with Italian that people called the lingua franca (“Frankish language”), and over time this spoken language soaked up influences from Italian, Spanish and Turkish. (Today a lingua franca is any common language used in economics, diplomacy or science, in a context where it is not a mother tongue.) The Mediterranean lingua franca never evolved into anyone’s mother tongue, which is why there are very few written traces of it. A rare rendition of it appears in a seventeenth-century comedy by the French playwright Molière, who had been a wandering actor before he entered Louis XIV’s Court. In his Le bourgeois gentilhomme (The Would-Be Gentleman), Molière creates the character of a fake Turk who speaks in lingua franca (for obvious comical effect): Se ti sabir, / Ti respondir; se non sabir, / Tazir, Tazir. Mi star Mufti / Ti qui star ti? Non intendir, / Tazir, tazir. If you know, / you must respond. If you don’t know, / you must shut up. I am the Mufti, / who are you? I don’t understand; / shut up, shut up.2 It was the Crusades, which were dominated by the French, that turned lingua franca into the dominant language in the Mediterranean. More than half a dozen Crusades were carried out over nearly three centuries. Many Germans and English also participated, but the Arabs uniformly referred to the Crusaders as Franj, caring little whether they said oc, oïl, ja or yes. Interestingly, Arabic, the language of the common enemy, gave French roughly a thousand terms, including amiral (admiral), alcool (alcohol), coton (cotton) and sirop (syrup). The great prevalence of Arabic words in French scientific language—terms such as algèbre (algebra), alchimie (alchemy) and zéro (zero)—underlines the fact that the Arabs were definitely at the cutting edge of knowledge at the time.
Jean-Benoît Nadeau (The Story of French)
You dance divinely, my lady,” he said quietly near her ear, gently leading her with his arm and pressure on her hand past the gay colors of the other dancers. Clarissa flushed and smiled a bit proudly, then sighed and shook her head. “No, my lord,” she said demurely. “You give me too much credit. I fear you are the one who dances divinely. I know it is not I, for I have been able to do nothing but stumble and fall when dancing with others.” “Then the fault lies with those others. You are as light and graceful as a feather on the dance floor with me.” Clarissa considered briefly; then, with a sense of justice, nodded her head. “I believe you may be right, my lord. After all, if it were me alone, even your obvious skill could not have made it so easy. Perhaps my previous partners were a bit nervous and awkward.” “How refreshing.” She could hear the smile in his voice, and so Clarissa raised her eyebrows in question. “My lord?” “Your honesty. I am pleased by your lack of false modesty. It is something that never really bothered me before, yet now seems as fake and unpleasant as the airs everyone puts on when in the city. I find your honesty most refreshing.” Clarissa felt herself blush, and then the first strains of a new song hummed through the air. Her companion paused and turned her into his arms once more. “Close your eyes,” he instructed, and began to move them around the room once more. -Adrian & Clarissa
Lynsay Sands (Love Is Blind)
My eyes roved over each and every one of the horses, approximating their age and probably stage in training, assessing their form and temperament and noting their reproductive potential. Eventually it dawned on me that silence had fallen. I turned toward Grayden to offer some excuse, but to my surprise, he was gazing at me with affection and sympathy in his green eyes. He smiled and produced a small box, which he extended to me. “What’s this?” I asked, thoroughly confused. He shrugged. “A token of friendship. I would be honored if you would accept it.” Curiously, I took the box from his hand. Anticipating jewelry, I prepared for a show of fake enthusiasm. Such a gift would be a sweet gesture, and undoubtedly beautiful, but I was not one for baubles. The box did contain jewelry, but not of the type I supposed. On a lovely chain of gold hung a small, golden horse, head high, legs outstretched in a gallop. I looked at Grayden, stupefied, although I didn’t need to feign my pleasure. “As I said, your uncle told me of your love for horses,” he explained almost shyly. “That it was a love you shared with your father.” “But I…I don’t understand. What are you…?” Seeing how flustered I was, he reached out and took my hand. “I’m not asking for anything, Shaselle. I just…I think you’re used to being seen as a problem. Maybe it’s presumptuous of me to say that, but your family apologized for so many things about you that I can’t help drawing the conclusion.” Not sure how to react, I opted to remain silent. “I think you’re only a problem for those people who are trying to turn you into something you’re not.” “A lady?” I wryly suggested, regaining my sense of humor. I leaned back on the fence, certain he would agree. “No,” he said, and there was conviction in his voice. “They need to stop trying to turn a free spirit into a traditional wife.” I couldn’t move, couldn’t speak. Could he truly believe what he was saying? Men played games to placate women. But I knew of no man other than my father who would enjoy seeing a horse pendant around the neck of the woman he was courting. “I do have a question for you,” Grayden said, leaning against the fence next to me. He hesitated, obviously uncertain about where our relationship stood. “The Harvest Festical is approaching. If you have no other plans to attend, would you consider accompanying me?” My eyes again filled with tears. There was no good reason--why should I be breaking down now, when Grayden was being so understanding, so tolerant of my eccentricities? “Come,” he said softly. “I’ll take you back to your cousin.” I let him escort me into the house, feeling like an ungrateful fool. I hadn’t even thanked him for his gift, and I desperately wanted to do so. But I couldn’t conjure the words to convey how I was feeling, and so I murmured farewell at the door.
Cayla Kluver (Sacrifice (Legacy, #3))
The duke raises his arm and sort of flicks his wrist, and they swoop into action, coming at me with a platter full of food. The first guy is holding a tower of eggs. Ew. I don’t do eggs. “Oh, um, no thank you, I’m not an egg person.” All noise stops. Everyone stares at me. Am I not supposed to talk to the servants? I smile weakly at the duke and his mother as the servant walks away, and another approaches with ham. I clamp my mouth shut as he plops a hearty portion down on my plate. My mouth is suddenly very dry. I turn to the servant standing motionless behind me. “Can I get some water?” Yeah. Definitely not supposed to talk to them. The guy’s eyes flicker over to the old lady, as if he needs permission to get me some water. “There is lemonade in front of you,” the old lady says. “Oh.” Is that what that is? I take a quick swallow and try not to choke. This obviously is not Country Time, if you know what I mean. I was starving ten minutes ago, but now that I’m sitting in the same room as these weird people, my appetite is gone. This breakfast needs to be over, stat. I can barely keep up with the glove and servant etiquette; I’m bound to screw something up. I need to maintain my fake identity, wrangle a ride to town, and say sayonara.
Mandy Hubbard (Prada & Prejudice)
Cooper’s dark eyes studied my face then he smiled. “I really am crazy about you. Let me make it up to you.” “What about Nick?” I asked, daring him to freak out again. His jaw twitching, Cooper shrugged. “He’s a guy. He gets it. In fact, I think he’s hot for one of those giggly blondes in class. Shar, I think is the one. No need for me or anyone else to care about old Nick.” “So I can study with him?” Cooper narrowed his eyes and exhaled hard. “Why him?” “He’s in a bunch of my classes and he takes great notes.” “Great notes? Is that code?” “I waited all day to see you, Coop,” I said, placing my hand on his chest where I knew the cross was hiding under his white tee. “I missed you then you ruined everything by focusing on him. Will you keep doing that? I need you to focus on me.” “You want me, right? Not him.” “I want you so much, but I think it’s a mistake. You obviously don’t trust me.” “Don’t make it about trust. It’s not even about you.” “What the hell does that mean?” I asked, removing my hand. Cooper looked ready to grab my hand and return it to his chest. I saw him fight the urge then he forced a smile. A really fake smile that never reached his eyes. “It’s about me. It’s about my feeling like someone is trying to take away what I need. You aren’t doing anything. I just can’t have a man sniffing around my girl.” “He’s not sniffing around me.” “Don’t be naïve.” “You said he liked Shar.” “Why do you care who he likes?” Backing away, I sighed. “I’m taking the bus home.” “No, wait,” he said, wrapping his arms around me as I retreated. “Look, I’m jealous. That’s not a bad thing, is it? If you saw me with some chick, wouldn’t you be jealous?” “Yes, but I wouldn’t freak out and scare everyone.” “That’s because you’re classy. I was raised to be a caveman though. I should get credit for not taking you by the hair and dragging you back to my cave. You know, after clubbing your boyfriend to death first.” “You’re nuts.” “I’m teasing you.” “Not completely,” I said, staring at him in horror. “No, not completely. Well, I’m not kidding about clubbing him to death, but I’d never drag you back to my cave. Me want woman to want it bad.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
The Republican Party has finally admitted what has been fairly obvious for much of the past six years: It produces fake news.
Anonymous
Rylan!" Melanie squeals, high-pitched enough to break glass. "I'm, like, so sorry I haven't talked to you all night. Being a hostess is hard work." She dramatically wipes imaginary sweat off her forehead. "Anyway, I finally have some free time. So why don't we go dance, hmm?" Gripping my waist a little too tightly for my taste, she tries to pull me back to the house. I stand strong., jerking Melanie back when I don't move. "No thanks, Melanie." My free arm tightens around Ivy's waist. "I already am dancing with someone." Melanie's sight flickers to Ivy, and for a moment contempt skews her big grin. But it's gone in an instant as Melanie stretches her fake smile to the point she's showing gums and asks, through gritted teeth, "Hi. What's your name?" Ivy can tell there's something off with the girl in front of her, but she still gives her a polite greeting. "Hello. My name is Ivy. How do you do?" Melanie completely ignores the question and turns back to me. "You never told me you invited someone else, Rylan." Melanie's smile goes harsh. "I'm sorry, but unless I give the okay, no one outside of school is invited." She glares at Ivy. "I'll have to ask you to leave." Ivy tilts her head, befuddled at the sudden hostility. "You want me to go?" Melanie rolls her eyes. "Uh, yeah. I just said that." Ivy stares down at her feet, ashamed and no doubt guilty for the wrong reason. She nods. "Okay." She begins to leave but I grab her wrist and pull her back against me. I glare at Melanie. "What if I don't want her to go?" I growl. "Yeah, Melanie!" To my relief, I see Aidan and Nadia wiggle through the crowd. Neither of them look very happy; Nadia's downright fuming. Despite the whole "my liking Ivy" case, she's still there for me. "Don't go telling people they can't be here," Nadia growls, her eyes flashing dangerously. "Who died and made you think you can boss everyone around?" "Last time I checked, this is my party, and therefore I choose who I invite or not," declares Melanie with an obvious edge in her voice. "That's no excuse! The only reason you want her gone is so you can make Rylan your new boy toy, which he doesn't want!" "Oh, like you know him so well?" "I'm his best friend, bitch!" " Excuse me!?" "ENOUGH!" With one word, I bring the argument to an end and all attention back on me. "Nadia's right," I state, glowering at Melanie. "Nadia's always been right. You know one of the reasons I came, other than to show Ivy a good time? It was to tell you to leave me alone, okay? I. Don't. Like. You. So leave me alone!" It was like I announced I farted. Everyone starts whispering with disbelief. No one has ever turned down the advances of Melanie Sweet—until now. It's turning into a night of first for them. Melanie obviously isn't used to this, as her face reddens like a tomato, her beautifully manicured hands clench into fists, and her usually angelic face morphs into a full-blown snarl. How sweet.
Colleen Boyd (Swamp Angel)
Nick saunters into the gym and my heart basically stops. He’s ridiculously cute in his PE shorts and dark green T-shirt; and people that good-looking seem vulnerable, almost like they can’t be real. He’s real, though. He’s all dark skin and dark hair and dark eyes. Okay. His eyebrows, like Devyn’s nose, are a little big and if you stare at him long enough you realize that his lips are a bit lopsided. I have kissed his lips. I have felt his breath in my ear and I know without a doubt that he’s real, even if he is a werewolf. The massive muscles in his legs redefine themselves as he walks toward me. He waves a late pass at the coach and yells, “Sorry I’m late. I’ve got a pass.” “Not a problem, buddy,” Coach yells back. He and Nick are all jock bonding. Nick pockets the note, which is probably a fake. I can smell his deodorant even though he’s still far away. There are these things called pheromones, odors that guys give off to attract women. I swear his pheromones have my freaking name written on them. They hone in and attack. “You are getting all swoony faced,” Issie tells me with her singsong voice. She pokes me in the ribs with her elbow, gently. She turns to Devyn, who is smiling like a crazy man, just hanging back in his wheelchair watching the scene. “Dev. Look at Zara. She’s got her lovey-dovey look on.” As Is gazes at Devyn with her own lovey-dovey look, he says, “Yeah. Teen love. So obvious. So hormonal.” “I am not hormonal.” I fake glare at him.
Carrie Jones (Captivate (Need, #2))
Her temper sparking, nostrils flaring. The look hooks a chain into the center of my chest and jerks me back, whipping me into the past. Every harsh word, every broken promise, every moment of aching loneliness whether she was next to me or not. She tries to play it cool but that always makes the explosion worse. “Pepper,” she says through clenched teeth, “I’d like you to shut your silly little mouth and listen to what I’m trying to tell you.” “I know what you are trying to tell me. I’m terrible at reading people but I can read you, Mom. You make it so obvious.” That fake smile falls. A deep red rushing up her cheeks to the tips of her ears. “You better knock it off young lady. You are being extremely unlikeable right now. If you’d –“ “I don’t want you to like me, Mom.” I yell, throwing my arms up and gaining more than a few looks. “I don’t give a fuck if anyone finds me likeable. I just want you to care. I want you to care enough about your only child that you have even the tiniest bit of hesitation before hitting me up for money after abandoning me on a random doorstep.” She grips my arm, ripping me into the nearest corner – eyes scanning the room as I garner more attention. “Shut your damn mouth, now, Pepper Ann. I didn’t abandon you.” She spits, face getting close to mine as I shrink under her glare. “You know I’ve always done my best. Have I made mistakes, sure, of course. I’m only human. But I’m not allowed any grace? Any room for error? What about the mistakes you’ve made. I never throw your greed in your face. The way you were always putting on airs. I’d never make you feel bad for that.” “All you’ve ever done in my life is make me feel bad.” I say, with a choked laugh, tears pricking at my eyes, a few falling down my cheeks.
Mazey Eddings (Late Bloomer)
The faker things seem the more intrigued we are by them - that was what Mark loved above point of view: the ways it was obviously fake or tried so hard to be real, which was, weirdly, another way of showing how fake it was. 'The way you look at something changes what you see,' he said.
Rufi Thorpe (Margo's Got Money Troubles)
Poor bastard. He can deny it all he wants, but this obviously isn’t just a crush. He’s head over heels for Layla. Damn. This isn’t gonna end well.
Lily Gold (Faking with Benefits)
Josh has been head-over-heels for Layla ever since they met, but he won’t admit it. It’s obvious, though.
Lily Gold (Faking with Benefits)
What?” The principal snapped to his feet, flabbergasted, obviously unaware of this news. “You’re activating this little twerp? For a real mission?” “It wouldn’t make much sense for us to activate him for a fake mission, now, would it?” Cyrus asked. “Well, he can’t go!” the principal declared childishly. “He blew up my office!
Stuart Gibbs (Spy Ski School (Spy School, #4))
I did this partially because Matthew is the kind of person for whom the internet is simply a utility: a font of information and nothing more. He has the supernatural ability to look at his phone only when he needs to, and the idea of posting something about his life on the internet in a way that strangers can view is a concept he cannot grasp. So yes, I was partially trying to respect his privacy, but I was mostly trying to protect myself. From the judgment of others, which was primarily just a projection of my own self-judgment. There was a version of me that thought loving another person would somehow diminish the love I still felt for Aaron. A version of me that thought that if I was happy, I must not be sad anymore, and if I wasn’t sad anymore, then I guess I didn’t love Aaron as much as I said I did. Or maybe that my new happiness was ill-gotten, a well-made fake, something I swiped off the back of a truck when nobody was looking. This is what life looks like when you water the seeds of joy with guilt and shame. It feels as good as it sounds. When bad things happen to you—a death, an illness, a divorce, a job loss—you quickly go from being a person to being just a sad story. I know from experience that nobody wants to be a sad story, and that no matter what you’ve been through, your story is always so much more than just sad. And your happy stories are more than just happy. Obviously, everything is more complicated than it appears on Instagram. But it is incredibly difficult to live with complicated. It is even more difficult for other people to deal with complicated.
Nora McInerny (No Happy Endings)
Okay. Good joke. That’s obviously a fake name. Because I’m an expert on Lamont Cranston, aka the Shadow. And there’s no way that’s a real person.
James Patterson (The Shadow)
Morrowseer’s spiteful words kept going around and around in her head. “I made up the whole prophecy…. Now the war will drag on endlessly, and more dragons will die every day, probably for generations. All of them wondering what happened to the amazing dragonets who were supposed to save them, but obviously failed.” Sunny clenched her talons and crouched low to the ground. He was lying, he was lying, he was lying. She wouldn’t let these NightWings see her cry. Glory climbed onto a boulder and flapped her wings loudly. Even up there, and even with her queenliest face on, Glory still looked like a dragonet, smaller than almost all the NightWings surrounding her. If the prophecy is fake, then why was everyone so awful to Glory about not being in it? Sunny thought, feeling another surge of fury at Morrowseer. Why make her feel so useless — if we’re all useless? Because it is real. It has to be. But how can I prove it? “NightWings,” Glory said firmly, speaking up to be heard over the shuffling dragons and the rainstorm.
Tui T. Sutherland (The Brightest Night (Wings of Fire, #5))
We’ll need to mock up fake videos of our own, populate the web with obvious frauds, to make all versions suspect.
Vincent H. O'Neil (A Pause in the Perpetual Rotation (The Unused Path))
I said, the baby seems to be totally fine. It's a miracle, obviously, and she'll be required to remain in the hospital for the duration of the pregnancy so we can monitor the fetal growth closely. But all signs seem positive so far." He reached out and patted Dallas's shoulder in a comforting way, but my friend seemed totally shell-shocked. Stunned.
Tate James (Fake (Madison Kate, #3))
When we arrived, it was obvious that the patient was feigning unconsciousness. It’s relatively easy to determine if someone is faking it: if you hold their hand above their head and let it go, they may inadvertently smack themselves in the face, but the second time you let it go, their hand will conveniently fall to the side. There are other methods but that one’s tried and true.
Edward Palestrant, Robert (Never On A 10)
Yeah, it’s obvious this one is faked, just by the little I know about the crash scene.” “That’s why nearly the whole department was fired and replaced.” He said, “So, what’re ya going do with this info?
Erica J. Whelton (Organized Murder (A Medium with a Heart #3))
You were really upset the other night. I know you were trying to put on a brave face, but it was obvious Darcy hurt you. Worse than you let on. Now “You were really upset the other night. I know you were trying to put on a brave face, but it was obvious Darcy hurt you. Worse than you let on. Now you’re agreeing to fake a relationship with her? Because of your family? Elle, if they can’t see how amazing you are . . . this isn’t worth it.” Elle ground the toe of her boot into the rug, tracing the singe mark in the paisley pattern from the Birthday Sparkler Incident of 2017. “I don’t really know what I’m doing,” she admitted. The lump inside her throat grew, forcing her to swallow to keep her voice from cracking. “I’m just tired of falling short, Mar.” Margot’s face crumpled. “Elle—” She jerked her chin and sniffed hard, blinking away the film of tears blurring her vision. She smiled and shrugged. “If I can get my family to take me seriously about one thing, see that I have my life together in a way that makes sense to them, maybe they’ll come around to the rest.” Margot shook her head. “So you’re throwing in the towel? You’re going to be like Lydia now? Dating the sorts of people your parents want and shrinking yourself down to be palatable to people who don’t get you? Who don’t even try?” No. God no. Elle wasn’t going to actually compromise who she was or how she lived her life. No, this was a blip on Elle’s radar, a pit stop, a means to an end. Elle wasn’t settling. She just wanted her parents to be proud of her for who she was. If she had to speak their language for a brief bit of time, what was the harm? “No way. This is fake. I just want them to understand I’m not the letdown they think I am. Maybe hearing how awesome I am from someone else, someone like Darcy who’s the sort of person who satisfies their whole nine-to-five I’m a serious adult vibe, will help.” Margot stuck out her tongue, eyes rolling. “Boring, you mean?” Elle shrugged. “Besides, it’s cuffing season and Lydia’s got a boyfriend. Jane’s got Gabe and Daniel has Mike and I’m just—Elle. I’m not exactly jazzed about spending another holiday alone as the black sheep of the family.” “Just Elle is pretty great.” Margot smiled. “But I get it. I mean, I might not be in your shoes, but I understand where you’re coming from. I just want you to remember that you deserve someone you don’t have to fake it with.” Both her brows rose. “And I mean that in all ways.” Elle cracked a smile. “Thanks.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
When, in Being and Time,Heidegger insists that death is the onlyevent which cannot be taken over by another subject for me—an-other cannot die for me, in my place—the obvious counterexampleis Christ himself: did he not, in the extreme gesture of interpassiv-ity, take over for us the ultimate passive experience of dying? Christdies so that we are given a chance to live forever....The problemhere is not only that, obviously, we don’tlive forever (the answer tothis is that it is the Holy Spirit, the community of believers, whichlives forever), but the subjective status of Christ: when he was dyingon the Cross, did he know about his Resurrection-to-come? If he didthen it was all a game, the supreme divine comedy, since Christ knewhis suffering was just a spectacle with a guaranteed good outcome—in short, Christ was faking despair in his “Father, why hast thou for-saken me?” If he didn’t, then in what precise sense was Christ (also)divine? Did God the Father limit the scope of knowledge of Christ’smind to that of a common human consciousness, so that Christ ac-tually thought he was dying abandoned by his father? Was Christ, ineffect, occupying the position of the son in the wonderful joke aboutthe rabbi who turns in despair to God, asking Him what he shoulddo with his bad son, who has deeply disappointed him; God calmlyanswers: “Do the same as I did: write a new testament!”What is crucial here is the radical ambiguity of the term “the faithof Jesus Christ,” which can be read as subjective or objectivegenitive: it can be either “the faith ofChrist” or “the faith / of us, be-lievers / inChrist.” Either we are redeemed because of Christ’s purefaith, or we are redeemed by our faith in Christ, if and insofar as webelieve in him. Perhaps there is a way to read the two meanings to-gether: what we are called to believe in is not Christ’s divinity as suchbut, rather, his faith, his sinless purity. What Christianity proposes isthe figure of Christ as our subject supposed to believe:in our ordinary lives,we never truly believe, but we can at least have the consolation thatthere is One who truly believes (the function of what Lacan, in hisseminar Encore,called y’a de l’un).The final twist here, however, is thaton the Cross, Christ himself has to suspend his belief momentarily.So maybe, at a deeper level, Christ is, rather, our (believers’) subject supposed NOTto believe: it is not our belief we transpose onto others, but,rather, our disbelief itself. Instead of doubting, mocking, and ques-tioning things while believing through the Other, we can also trans-pose onto the Other the nagging doubt, thus regaining the abilityto believe. (And is there not, in exactly the same way, also the func-tion of the subject supposed not to know? Ta ke little children who are sup-posed not to know the “facts of life,” and whose blessed ignorancewe, knowing adults, are supposed to protect by shielding them frombrutal reality; or the wife who is supposed not to know about herhusband’s secret affair, and willingly plays this role even if she re-ally knows all about it, like the young wife in The Age of Innocence;or, inacademia, the role we assume when we ask someone: “OK, I’ll pre-tend I don’t know anything about this topic—try to explain it to mefrom scratch!”) And, perhaps, the true communion with Christ, thetrue imitatio Christi,is to participate in Christ’s doubt and disbelief.There are two main interpretations of how Christ’s death dealswith sin: sacrificial and participatory.4In the first one, we humansare guilty of sin, the consequence of which is death; however, Godpresented Christ, the sinless one, as a sacrifice to die in our place—through the shedding of his blood, we may be forgiven and freedfrom condemnation. In the second one, human beings lived “inAdam,” in the sphere of sinful humanity, under the reign of sin anddeath. Christ became a human being, sharing the fate of those “inAdam” to the end (dying on the Cross), but...
ZIZEK
When women emotionally connect with you and your desire for them, it’s not what you’re saying or the words you’re choosing, it’s the emotion behind those words. If the emotion behind your words is needy and self-serving, then she will become turned off no matter what you say, even if you’re telling her the most personal or heartfelt story. If the emotion behind your words is genuine and vulnerable, then it will turn her on, even if you’re talking about your grocery list or how you named your dog. Yes, you can fake this stuff in the short-term if you become a good actor. But obviously, don’t do that. We’re not in this for short-term fixes, remember?
Mark Manson (Models: Attract Women Through Honesty)
micro second, I could see Mishy and I doing an aerial somersault and being pinged like a sling shot off the bike, landing ungracefully  in the gutter, probably head first into a steaming pile of dog poo. Miraculously, (well not really, because I used my witch craft) Mishy was able to steer the bike to safety as her tyres magically ploughed through the bike on the ground. She kept saying over and over, “What just happened, what just happened? I thought we were dead!” I said to her, “Its ok Mish, you saved our lives.” “Sorry guys,” a timid voice popped out from behind the tree. “It was kind of lying against the tree when I left it. It must have fallen down. I hope you’re both ok.” As soon as I saw Kaitlyn sheepishly step out from behind the tree, it suddenly clicked as to what had been missing back at Koolbar. It was Kaitlyn. She wasn’t there and she was always dutifully there with Tiffany. Kaitlyn Ramsay was part of the princess gang, though she wasn’t as fake as the rest of them. Every Friday the four of them always sat in a corner of Koolbar, slurping on their shakes and getting guys to slurp on their every word. I don’t think I’ve ever been there on a Friday when the four of them weren’t huddled up together batting eyelids and preening themselves, whispering and fussing. Which is why it seemed so strange when I didn’t see her. As she stood under the branches, the sun sprinkling filtered light onto her face, I could see that her normally creamy colored complexion was blotchy, and her eyes were red and hazy. Her makeup was streaky under her eye’s with smudges of black casting shadows. She looked a little bit like Dracula’s daughter meets prom queen Barbie, but she put on this big phony smile as though nothing was wrong. As if! Did she think we were born under a rock? “So what’s happening guys?” She tried to sound cheery. “Nothing much, we’re just on the way home from Koolbar,” Mishy replied. “What about you? What are you doing hanging around a tree?” “Yeah Kaitlyn, we didn’t see you at Koolbar. What’s the deal? You’re always there on a Friday with the others.” Kaitlyn’s face crumpled momentarily when I questioned her, then just as quickly went a fake shade of happy again. “Agh, I didn’t really want to go today. I have aghh ….some other things I want to do,” she stuttered, searching for words. “Like bird watching?” Mishy giggled. “You didn’t want to go? That’s not like you Kaitlyn.” I added. “So are you two going straight home now?” Obvious change of subject from Kaitlyn. “Yeah I have to babysit my kid brother while my mom and dad go out on their date night. “Aren’t your parents married?” “Yes, they just like to have a date night once a week where they don’t have to be bothered by us kids. Apparently
Kate Cullen (Diary Of a Wickedly Cool Witch: Bullies and Baddies (The Wickedly Cool Witch series, #1))
R.A. was conceived in 2006 by a Swede named Andie Nordgren, and its adherents believed that because love is not a limited resource, traditional hierarchical relationships that treat it as such are not just unnecessary but harmful, perpetuating toxic, retrograde attitudes that equate love with ownership. One should allow space in one’s life for the kind of intimacy that can be cut off when one designates a single person as special and reserved, and therefore owed and owing. Even designating a category of relationship as special and reserved was poison. Romantic relationships are not better than platonic or familial ones. The ingrained belief that romantic love should be life’s organizing principle is inextricably linked to patriarchy and the oppression of minorities, the poor, and immigrants, among other populations. The resulting expectations kill love at the root. When care-taking duties are foisted onto individuals and families, rather than supplied and paid for by the state, as they should be, the state must make it seem like this is the natural and noble situation. Propaganda. Marriage is obviously propaganda, but so are all conventional relationships because all conventional relationships cannot help but situate themselves in relation to marriage. Whether they are like marriage, or on track to marriage, or on track to being like marriage or not. Marriage is all-encompassing and cannot but enforce hierarchy. Thus, ritualized domestic exclusion begets systemic exclusion via our admiration and craving for exclusivity.
Lauren Oyler (Fake Accounts)
To make things even better, Erica hadn’t improved much at all during the next few hours of ski school, while the rest of us had. (The rest of us who weren’t faking being beginners, at least.) I had actually turned out to be pretty good at skiing—“a natural,” according to Woodchuck—but everyone else was getting better as well. Even Warren had made progress. He had obviously lied when he’d boasted that he wasn’t so bad at it the night before, but then, he wasn’t terrible, either. Meanwhile, skiing was like Erica’s Kryptonite. She couldn’t seem to do anything right. When she was supposed to turn, she’d go straight. When she was supposed to go straight, she’d turn. And she’d been falling constantly: on the slopes, on the magic carpet, even while merely standing still. According to my calculations, she’d actually spent more time on her butt that morning than on her feet.
Stuart Gibbs (Spy Ski School (Spy School, #4))
It’s not so much the motorcycles themselves; it’s this bogus, outlaw culture that goes along with them—the black leather, chrome death’s head crap—that I find tiresome. It’s all just fake. I’ve almost got more respect for the real outlaws than the corporate/consumerist/choreographed version, but not much.
Craig Johnson (An Obvious Fact (Walt Longmire, #12))
Beau caught me staring and winked. I bit my bottom lip to keep from laughing. A sharp elbow nudged me in the ribs, causing me to gasp and spin around to find the person who belonged to the boney arm. Lana was smiling innocently at me. “You’re being obvious,” she hissed, keeping a fake smile on her face. Her meaning, however, sunk in. “I need to go to the car and get my phone. My mom’s probably called me ten times by now,” Lana announced. “I’ll go with you,” I quickly replied, glancing up at Sawyer, who seemed pleased I was being nice to my cousin. I used to seek out this sort of approval from him, but now it annoyed me. If I didn’t like my cousin, I’d stomp on her foot just to piss him off. Once we were safely out of the clearing and headed for the car, Lana stopped walking and turned to glare at me. “You’ve about ten minutes or so to get yourself together before your knight in shining armor comes looking for us. I’m going to go get my phone and make a few calls.” I frowned. “What do you mean?” “I mean you need to stop openly flirting with Beau while the entire football team is around to witness it. It’s like you two think you’re the only ones out there. We all have eyes, you know.” She spun around and headed deeper into the pecan orchard and toward the parked cars. “She’s got a point, but it’s my fault.” Beau’s voice should have startled me, but it didn’t. Somehow I knew he’d find a way to get me alone. “Yes, it probably is,” I said teasingly as I turned around to meet his gaze. Beau took a step toward me and ran his hand through his hair, muttering a curse. “I want to rip his damn arms off his body, Ash. Sawyer, who I’d do anything for. I want to hurt him. If he touches you again in front of me, I’m going to crack. I can’t take this.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
The clothes they sell are new but appear to have been previously worn, perhaps by someone who was shot or stabbed and then thrown off a boat. Everything looks as it has been pulled from the evidence rack at a murder trial. I don't know how they do it. Most distressed clothing seems obviously fake, but not theirs, for some reason. Do they put it in a dryer with broken glass and rusty steak knives? Do they drag it behind a tank over a still-smoldering battlefield? How do they get the cuts and stains so... right? If I had to use one word to describe Kapital's clothing, I'd be torn between "wrong" and "tragic".
David Sedaris
Incoming call: Adam Reynolds. I let those words fill my vision for a moment. Not because I intend to make him wait; it’s simply that for a second I freeze. Blake’s dad is a wolf, and I feel very much like the rabbit. The last time Adam and I talked, it didn’t turn out particularly well. But right now, the CEO of Cyclone—and the man who, incidentally, still thinks I’m dating his son—is calling me. What can I do? I hit accept. He appears on the screen: messy pepper-gray hair and beard scruff in need of a shave. His gaze fixes on mine. “Tina.” His voice is just a little hoarse. He clears his throat and sniffs. “Is Blake there?” “No.” “Good.” He frowns. “Look. Blake’s a little distant right now. Is something going on with him?” Something is obviously going on between them, but even I can’t tell what it is, and I suspect I know about as much as anyone on the planet except these two. I shake my head. “I’m not talking to you about Blake.” “Yeah.” He blows out a breath. “Probably just as well that you’re loyal to him. I just…” He pauses, tapping his fingers against his cheek. “It’s not that,” I interject. “It’s just that you’re an…” I choke back the word I’d been planning to put in that blank. Last time was bad enough. “You’re a little intense,” I finish. For a moment, he stares at me. Then, ever so slowly, he smiles. “Don’t start holding out on me now. I’m an asshole.” My surprise must show, because he shrugs a shoulder. “I’ve never claimed otherwise.” I suspect this is as close as Adam Reynolds will ever come to apologizing for his behavior in that restaurant. “Blake thinks you’re not an asshole.” “Blake,” Mr. Reynolds says with a roll of his eyes, “is a ridiculously good kid. There’s a reason I’m a little protective of him. I’m always afraid people will take advantage.” I don’t say anything. A little protective is what he is? Despite my silence, he sighs and waves his hand. “Good point,” he mutters in response to the thing I didn’t say. “It hasn’t happened yet, and God knows if he were as naïve as I really feared, it would have by now. Of all the women he could have had, he did choose you.” I think this is intended as a compliment. “Still,” his dad continues. “I worry. Is everything okay with him?” I have the distinct impression that even though Blake has never said so, most of his problems lie with this man. Somehow. Some way. “This is a conversation you should have with Blake.” He puts his fingers to the bridge of his nose. “Fuck.” He doesn’t move for a few moments. And then—of all things—he sniffles. Unconvincingly. “Mr. Reynolds, are you fake crying to try to get my sympathy?” The hand lowers. He glowers at me—obviously dry-eyed. “Fuck me,” he says. “First, call me Adam. Mr. Reynolds makes me sound like some bullshit old fart. Second, I don’t fucking cry. I especially don’t fake cry. Emotional manipulation is for morons who don’t have the strength of will to get people on their side with reason. I have a cold.” “Aw. Poor baby. You should get some rest.” I incline my head toward him, and then widen my eyes. “Oh, wait. I forgot. You can’t.” He shakes his head, but he’s smiling. “Yeah, yeah. My kid has good taste. I’m fucking things up for you. I hope it won’t be too much of a disturbance.” “You know.” I swallow. “I think Blake gave you the wrong impression about us.” “What, that he’s into you more than you’re into him? I got that from him.” I swallow. “That you need to be convinced? That he’s going to end up convincing you, no matter what you’re telling yourself right now? I let out a breath. “Exactly.” Adam points a finger at me. “That’s what I thought. My money’s on my boy. But hey, don’t tell me what’s going on. Who needs details? Surely not his own father. I’m not invasive.” “Right. Calling me in the middle of the night when Blake’s not around isn’t invasive at all.
Courtney Milan (Trade Me (Cyclone, #1))
I’m fine with you doing the panel—on one condition.” “Name it.” “Piggyback ride.” I fake exasperation, allowing her to shift the subject and lighten the air around us. “Carry you up them steps?” “Yes, up them steps.” She turns me around and presses on my shoulder until I’m squatting. When she jumps on my back, my hands hook under her long, smooth legs. I pretend to struggle under her weight and she laughs. She sounds so happy I can’t help but grin thinking of my driven, sarcastic girl describing herself as a bird. “If I give you a piggyback ride,” I tell her at the bottom of the staircase, “you give me a blow job. We’ll call it even.” “What’s so special about a blow job?” She tightens her arms around my neck when I start up the stairs. “I give you one like every other day.” “First of all, I can’t believe you actually just asked me what’s so special about a blow job. You may as well ask what’s so special about the Taj Majal. A blow job is practically an eighth wonder.” I press on as she laughs into my neck. “Second, the operative words there are every other day, so obviously, there’s room for improvement.” “No, the operative word is blow job.” She lightly smacks the side of my head. “Sounds like work for me.” “Well you’re employee of the month.” “I better be the only employee.” “Oh, you don’t have to worry about me cheating.” I squeeze her thighs. “I like my balls attached.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))