Trail Ride Quotes

We've searched our database for all the quotes and captions related to Trail Ride. Here they are! All 100 of them:

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape
Stephen Chbosky (The Perks of Being a Wallflower)
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse to ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. 'What the heck are you doing?' 'Helping you change your mind,' he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
     Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
A.R. Merrydew (Our Blue Orange)
I trailed off and he didn't push me to finish. I was finding that I liked that.
Sarah Dessen (Along for the Ride)
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The Statue of Liberty, that frequently malevolent bitch, has an enormous tumor in her gut that has spread to her brain and eyes. With regard to the Native Americans she has Alzheimer's or mad cow disease and can't remember her past, and her blind eyes can't see the terrifying plight of most of the Indian tribes. Meanwhile she blows China and stomps Cuba to death, choosing to forget the Native cultures she has already destroyed.
Jim Harrison (On the Trail to Wounded Knee: The Big Foot Memorial Ride)
Live this with me, just live it, whatever happens, however it happens, live it with me for two days. It doesn’t go the way you like, we’ll talk Monday night. It goes the way you like, we live it real and ride it out. Will you give me that, honey?
Kristen Ashley (Golden Trail (The 'Burg, #3))
And you may not be able to see this yet, but perhaps there will come a time—it could be years from now—when you’ll need to get on your horse and ride into battle and you’re going to hesitate. You’re going to falter. To heal the wound your father made, you’re going to have to get on that horse and ride into battle like a warrior.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
There is no man more dangerous than one who does not doubt his own rightness.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
I was her daughter, but more. I was Karen, Cheryl, Leif. Karen Cheryl Leif. KarenCherylLeif. Our names blurred into one in my mother’s mouth all my life. She whispered it and hollered it, hissed it and crooned it. We were her kids, her comrades, the end of her and the beginning. We took turns riding shotgun with her in the car. “Do I love you this much?” she’d ask us, holding her hands six inches apart. “No,” we’d say, with sly smiles. “Do I love you this much?” she’d ask again, and on and on and on, each time moving her hands farther apart. But she would never get there, no matter how wide she stretched her arms. The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Max, you can change your mind.” His voice was like autumn leaves dropping lightly onto the ground. “I don’t know how.” Then my throat felt tight, and I rubbed my fists against my eyes. I dropped my face onto my arms, crossed over my knees. This sucked! I wanted to be back with the oth- Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. “What the heck are you doing?” “Helping you change your mind,” he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Memory is like riding a trail at night with a lighted torch. The torch casts its light only so far, and beyond that is darkness. —Ancient Lakota saying
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
The father's job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it's necessary to do so. If you don't get that from your father, you have to teach yourself.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
...and when the twilight of that ride is finally upon us, we will look at the trail we have taken and at the signs of our passage. And though our tears will be many, we will know that great lives have been lived, and that our memories will forever bind us together.
John Shors (Beside a Burning Sea)
Things don't go away. They become you. There is no end, as T.S. Eliot somewhere says, but addition: the trailing consequence of further days and hours. No freedom from the past, or from the future. But we keep making our way, as we have to. We're all pretty much able to deal even with the worst that life can fire at us, if we simply admit that it is very difficult. I think that's the whole of the answer. We make our way, and effort and time give us cushion and dignity. And as we age, we're riding higher in the saddle, seeing more terrain.
Darin Strauss (Half a Life)
We were her kids, her comrades, the end of her and the beginning. We took turns riding shotgun with her in the car. “Do I love you this much?” she’d ask us, holding her hands farther apart. “No,” we’d say, with sly smiles. “Do I love you this much?” she’d ask again, and on and on and on, each time moving her hands farther apart. But she would never get there, no matter how wide she stretched her arms. The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve….She was optimistic and serene, except a few times when she lost her temper and spanked us with a wooden spoon. Or the one time when she screamed FUCK and broke down crying because we wouldn’t clean our room. She was kindhearted and forgiving, generous and naïve. She dated men with names like Killer and Doobie and Motercycle Dan…
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
No man can put a rope on the past and hope to snub it down. The best thing is to learn to it ride the new trails - Kilkenny
Louis l'Amour
Folks who have lived the cornered sort of life most scholars, teachers, and storekeepers live seldom realize what they've missed in the way of conversation. Some of the best talk and the wisest talk I've ever heard was around campfires, in saloons, bunkhouses, and the like. The idea that all the knowledge of the world is bound up in schools and schoolteachers is a mistaken one.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
I pretended to be a Cheyenne guide. I pretended to be a prairie woman. I pretended Henry was my old-timey husband taking me to our new homestead. I leaned down and patted Trouble’s neck. “Good boy,” I said. “Trusty steed.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
You aren't like your mom." "I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right." "So." I'm cautious,hardly daring to believe. "You're moving to California?" "I have to." "Right." I swallow hard. "Because of your mom." "Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night." His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding- "You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much." I'm holding my breath.I can't talk,but my eyes are filling with tears. He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-" He starts to stand,but I grab his arm. "No!" His body freezes. "I'm so sorry," he says. "I never mean to hurt you." I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne." "Say my name again," he whispers. I close my eyes and lean forward. "Etienne." He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?" Our foreheads touch. "Yes?" "Will you please tell me you love me? I'm dying here." And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too. And in between kisses,I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
One morning spent in a rocking chair, and the world had shifted. Like going for a ride and veering off the main path to get a look from a different angle, and then discovering that the trail you’d been on was lacking in every way imaginable.
Devney Perry (Indigo Ridge (The Edens, #1))
The air was clean here, fresh and alive with scents of the sea and various flora mingling faintly with something earthier; probably buffalo and horses. The earthier smells were indistinct enough to only suggest a wilder time in all this beauty. A reminder to the people frolicking in the water, lying on the beaches reading and relaxing, riding horseback on trails, fishing or availing themselves of the wonderful downtown area of Avalon, that in a once upon a time not so distant, this would not have been possible.
Bobby Underwood (Nightside (Nostalgia Crime, #3))
I was moved beyond words. The train ride over the mountains from lake Titticaca to Cusco reminded me of Africa where I grew up; and 4 days walking on the Inca Trail, then more in the jungle, just magnificent - time, space, and splendour. Our planet is superb!
Jay Woodman
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
My stories may seem to be the stories of men, but a check of my books will show that I have probably written the stories of more strong women than any other writer....[examples include] Miss Nesselrode of The Lonesome Gods, Ruth Macken of Bendigo Shafter, Echo Sackett of Ride the River, Em Talon of Ride the Dark Trail are some....[and] one of my favorites is Miss Jessica Trescott of Matagorda. (The Sackett Companion)
Louis l'Amour
My Grandpa Miller explained that during migration, birds flew in V formation. The bird at the front, the tip of the V, had the hardest job facing the greatest amount of wind resistance. The air coming off the leader’s flapping wings lifted the birds flying behind it. Being the leader was grueling, so the birds took turns. When a bird exhausted itself, it trailed to the back, where it wouldn’t have to flap as hard, riding waves of wind that have been broken down by others. It saved its energy so that it could lead again. This was the only way to make the journey, to escape winter and make it to warmer places. I had spent two weeks pumping my wings, keeping a calm face, to protect my flock from brutal conditions. But resilience required rest. For the next eight months I was going to fall back. The most important thing to remember was that to be at the rear, to be slower, did not mean you were not a leader.
Chanel Miller (Know My Name: A Memoir)
Always seein' 'wayoff dreams of silver-blue, Always feelin' thorns that slab and sting. Yet stampedin' never made a dream come true, So I ride around myself and sing.
Charles Badger Clark (Sun and Saddle Leather, Including Grass Grown Trails and New Poems)
Always tighten the cinch when you're riding down a steep trail.
Dwight Hood Roberts (El Diablo's Gold: An Alf Smith Novel)
His eyes forward didn’t deviate from the off-road trail, his chiseled jaw gripped shut during the ride. He didn’t release any sound of explanation until we arrived.
Jazz Feylynn (Colorado State of Mind (Colorado Springs Fiction Writers Group Anthology, #3))
...he'd had the foresight to know that a lot of the savages wear store-bought clothes.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
Riding across Nebraska in a covered wagon was a monthlong immersion therapy in kindness, a reminder of the essential decency of my country.
Rinker Buck (The Oregon Trail: A New American Journey)
So you went bike riding, then," she said. "Just around town? Out on the forest trails somewhere?" "Yes," I said, "we went out to Forman's place." Her face twisted, eyes widening, eyebrows curling, nostrils flaring. It was her "shocked" face, with a dash of "confused." "Really?" "Of course not," I said, "but the face you just made almost makes this conversation worth it.
Dan Wells (I Don't Want to Kill You (John Cleaver, #3))
As I keep on running the sun goes down kissing me Good Night with those twilight-lips And in the dark, moonlight becomes my night’s transport on which I ride on behind the mountain trails
Munia Khan (Fireclay)
William Wordsworth was said to have walked 180,000 miles in his lifetime. Charles Dickens captured the ecstasy of near-madness and insomnia in the essay “Night Walks” and once said, “The sum of the whole is this: Walk and be happy; Walk and be healthy.” Robert Louis Stevenson wrote of “the great fellowship of the Open Road” and the “brief but priceless meetings which only trampers know.” Friedrich Wilhelm Nietzsche said, “Only those thoughts that come by walking have any value.” More recently, writers who knew the benefits of striking out excoriated the apathetic public, over and over again, for its laziness. “Of course, people still walk,” wrote a journalist in Saturday Night magazine in 1912. “That is, they shuffle along on their own pins from the door to the street car or taxi-cab…. But real walking … is as extinct as the dodo.” “They say they haven’t time to walk—and wait fifteen minutes for a bus to carry them an eighth of a mile,” wrote Edmund Lester Pearson in 1925. “They pretend that they are rushed, very busy, very energetic; the fact is, they are lazy. A few quaint persons—boys chiefly—ride bicycles.
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
She'd never been one to think in terms of years, anyway. A person was what they were, and many a man at forty was sixty in his ways and many another was twenty and would never grow past it.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
I’m tired of only being able to talk to you on the phone, Alyssa...”Silence. “I need to see you...” His voice was strained.  “I need to fuck you...”“Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.”A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?”“No...”“I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.”I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple.“I’m giving you two weeks to come to your fucking senses...”“What?”“Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.”“I can’t...I can’t agree to...that.”“You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
There was a time when wen we did not form all our words as we do now, in writing on a page. There was a time when the word "&" was written with several distinct & separate letters. It seems madness now. But there it is, & there is nothing we can do about it. Humanity learned to ride the rails, & that motion made us what we are, a ferromaritime people. The lines of the railsea go everywhere but from one place straight to another. It is always switchback, junction, coils around & over our own train-trails. What word better could there be to symbolize the railsea that connects & separates all lands, than “&” itself? Where else does the railsea take us, but to one place & that one & that one & that one, & so on? & what better embodies, in the sweep of the pen, the recurved motion of trains, than “&”? An efficient route from where we start to where we end would make the word the tiniest line. But it takes a veering route, up & backwards, overshooting & correcting, back down again south & west, crossing its own earlier path, changing direction, another overlap, to stop, finally, a few hairs’ width from where we began. & tacks & yaws, switches on its way to where it’s going, as we all must do.
China Miéville (Railsea)
In the days to come they would ride up through a country where the rocks would cook the flesh from your hand and where other than rock nothing was. They rode in a narrow enfilade along a trail strewn with the dry round turds of goats and they rode with their faces averted from the rock wall and the bakeoven air which it rebated, the slant black shapes of the mounted men stenciled across the stone with a definition austere and implacable like shapes capable of violating their covenant with the flesh that authored them and continuing autonomous across the naked rock without reference to sun or man or god.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Happy trails to you, until we meet again. Happy trails to you, keep smilin’ until then. Who cares about the clouds when we’re together? Just sing a song and bring the sunny weather. Happy trails to you, ‘till we meet again. Some trails are happy ones, Others are blue. It’s the way you ride the trail that counts, Here’s a happy one for you. Happy trails to you, until we meet again. Happy trails to you, keep smilin’ until then.
Roy Rogers
My Grandpa Miller explained that during migration, birds flew in V formation. The bird at the front, the tip of the V, had the hardest job facing the greatest amount of wind resistance. the air coming off the leader's flapping wings lifted the birds flying behind it. Being the leader was grueling, so the birds took turns. When a bird exhausted itself, it trailed to the back, where it wouldn't have to flap as hard, riding waves of wind that have been broken down by others. It saved its energy so that it could lead again. This was the only way to make the journey, to escape winter and make it to warmer places. I had spent two weeks pumping my wings, keeping a calm face, to protect my flock from brutal conditions. But resilience required rest. For the next eight months I was going to fall back. The most important thing to remember was that to be at the rear, to be slower, did not mean you were not a leader.
Chanel Miller (Know My Name)
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.” O
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
was six,” I said. “The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse and ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.” “But—I think I have already,
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Despite the dangers Shannow loved night riding. The air was crisp and clean and the world slept. Moonlight gave the trees a shimmering quality, and every rock glistened with silver. He rode slowly, allowing the horse to pick its way carefully over the trail.
David Gemmell (Bloodstone (Jon Shannow, #3))
Click here to return to the text. “The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse to ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.” Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me. Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?” “I don’t know. That’s all that Mr. Kadam told me.” He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.” He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren. Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?” I just smiled back stupidly. He quirked an eyebrow at me. “What were you thinking about just now?” “Nothing important.” He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.” Gads. His smile was brilliant, even in the fog. I laughed nervously. “If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.” He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.” The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.” He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.” He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head. Disappointed that he’d stopped, I asked, “What does rajkumari mean?” He laughed quietly, carefully set me down, and said, “It means princess.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His gun was still holstered, but so were theirs. He had surprise on his side, and the urgency of the riders, as he could see a second cloud of dust not far behind them. Lonesome knew these men. He might not have known them personally, but he knew the look of men who'd seen battle during the war. Many soldiers from both sides had been unable to stop killing after the war, and he judged these men to be among them. The man riding point was the one he needed to worry about. He had the look of a man who would take some killing.
Bobby Underwood (The Trail to Santa Rosa (The Wild Country #2))
One morning spent in a rocking chair, and the world had shifted. Like going for a ride and veering off the main path to get a look from a different angle, and then discovering that the trail you’d been on was lacking in every way imaginable. I was in it with this woman. So fucking in it.
Devney Perry (Indigo Ridge (The Edens, #1))
There are folks who can't abide camp-robber jays, but I take to them. Often enough they've been my only company for days at a time, and they surely do get friendly. They'll steal your grub right from under your nose, but who I am to criticize the lifestyle of a bird? He has his ways, I have mine. Like I say, I take to them.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.
Howard O'Hagan (Tay John)
about nothing except football. “We want the Boss to relax,” Ray Price told me, “but he can’t relax if you start yelling about Vietnam, race riots or drugs. He wants to ride with somebody who can talk football.” He cast a baleful eye at the dozen or so reporters waiting to board the press bus, then shook his head sadly. “I checked around,
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
I was just a little buckaroo when they first invited me to Marlboro Country. I loved being a cowboy; and smoking seemed to fit right in with riding, roping and wrangling. But once I got to where the Flavor was, it would take me four decades to find a trail out of Nicotine Canyon. I finally ran out of reasons to smoke...when I ran out of air...
John Aaron (Romancing the Smoke: Reflections of a Nicotine Addict)
This isn’t about strength,” said Pat. “And you may not be able to see this yet, but perhaps there will come a time—it could be years from now—when you’ll need to get on your horse and ride into battle and you’re going to hesitate. You’re going to falter. To heal the wound your father made, you’re going to have to get on that horse and ride into battle like a warrior.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
This isn't about strength, " said Pat. "And you may not be able to see this yet, but perhaps there will come a time—it could be years from now—when you'll need to get on your horse and ride into battle and you're going to hesitate. You're going to falter. To heal the wound your father made, you're going to have to get on that horse and ride into battle like a warrior.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The dealership had given him two keys for his new ride, and Andrew was giving the second one to Neil. When Neil took too long to take it from him, Andrew dropped it on the concrete between them. "A man can only have so many issues," Andrew said. "It is just a key." "You're a foster child. You know it isn't," Neil said. He didn't pick the key up but pressed two fingers to it, learning the shape and feel of this newest gift. "I've always had enough cash to live comfortably, but all the decent places ask too many questions. There are background checks and credit checks and references, things I can't provide on my own without leaving too much of a trail. I squatted in Millport. Before that I stayed in decrepit weekly hotels or broke into people's cars or found places that were happy being paid under the table. "It's always been 'go'," Neil said. He turned his hand palm-up and traced a key into his skin with his fingertip. He'd toyed with Andrew's house key so many times he knew every dip and ridge by heart. "It's always been 'lie' and 'hide' and 'disappear'. I've never belonged anywhere or had the right to call anything my own. But Coach gave me keys to the court, and you told me to stay. You gave me a key and called it home." Neil clenched his hand, imagining the bite of metal against his palm, and lifted his gaze to Andrew's face. "I haven't had a home since my parents died." Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine.
Nora Sakavic (The King's Men (All for the Game, #3))
I’m tired of only being able to talk to you on the phone, Alyssa...” Silence. “I need to see you...” His voice was strained.  “I need to fuck you...” “Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.” A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?” “No...” “I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.” I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple. “I’m giving you two weeks to come to your fucking senses...” “What?” “Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.” “I can’t...I can’t agree to...that.” “You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
Horgan recalls renting horses in Santa Fe and riding with Robert on the Lake Peak trail across the Sangre de Cristo range and down to the village of Cowles: “We hit the divide at the very top of that mountain in a tremendous thunderstorm . . . immense, huge pounding rain. We sat under our horses for lunch and ate oranges, [and we] were drenched. . . . I was looking at Robert and all of a sudden I noticed his hair was standing straight up, responding to the static. Marvelous.
Kai Bird (American Prometheus)
You went along, building ties or breaking them, moving forward or backward in relationships, riding out the sea of your emotions and the emotions of others—but for the most part, it was a trees-for-the-forest kind of thing, a piecemeal one-step/two-step dance of choices and decisions more trail than marker, more random direction than compass. Except then, suddenly, the camera aperture opened so fast you got existential whiplash, and you were forced to look at everything and go, okay, wow, so I’m here.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
4 The memory was like a knife cutting into him. Slicing deep into him with hate. The Secret. He had been riding his ten-speed with a friend named Terry. They had been taking a run on a bike trail and decided to come back a different way, a way that took them past the Amber Mall. Brian remembered everything in incredible detail. Remembered the time on the bank clock in the mall, flashing 3:31, then the temperature, 82, and the date. All the numbers were part of the memory, all of his life was part of the memory.
Gary Paulsen (Hatchet (Hatchet, #1))
The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse to ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.” Oprah’s note: This was a big aha moment for me—if you don’t get that confidence, you’ve got to teach yourself, and if you don’t teach yourself, you can never win a battle. That’s why, into my forties and fifties, I was still having trouble with confrontation, because I was never taught that.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Look! See there!” cried Captain Verdwijnen gesturing at the water-riding phosphor and waving his hands. Alongside the ship the bodies of dolphins trailed sparks that twisted and writhed as the fish moved. A sailor hauled up a bucket of quivering light. Captain Verdwijnen plunged his hands into it and held them up, his fingers and palms glowing as the water dripped away. The crests of the waves caught fire, darkened. The ship seemed to be sailing through a burning sea. Duquet yawned, said “remarkable,” and returned to his blanket. •
Annie Proulx (Barkskins)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The Dutchman [Brannenburg] was hard. . . he was stone. His brain was eroded granite where the few ideas he had carved deep their ruts of opinion. There was no way for another idea to seep in, no place for imagination, no place for dreams, none for compassion or mercy or even fear. He knew no shadings of emotion, he knew no half-rights or half-wrongs or pity or excuse, nor had he any sense of pardon. The more I thought of him the more I knew he was not evil in himself, and he would have been shocked that anybody thought of him as evil. Shocked for a moment only, then he'd have shut the idea from his mind as nonsense. For the deepest groove worn into that granite brain was the one of his own rightness. And that scared me.
Louis l'Amour (Ride the Dark Trail (The Sacketts, #16))
Once arrived in the valley, it is important to know what to do with one's self. I would advise sitting from morning till night under some willow bush on the riverbank where there is a wide view. This will be "doing the valley" far more effectively than riding along trails in constant motion from point to point. Sunlight streaming over the walls and falling upon the river and silvery foliage of the groves; the varied rush and boom of the falls; the slipping of the crystal river; birds, flowers, and blue, alpine sky, are then seen most fully and impressively, without the blurring distractions of guiding, riding, and scrambling. Few, however, will believe this, and anxious inquiries will always be made for ponies, points, and guides.
John Muir
Oh, well, it might look like a patterned world, laid out in prim design, but to those living there it could never be so simple. They were as alive as she: that old peasant contriving to outwit the cold; that woman anxiously counting her comical flock lest one goose escape her vigilance; all those who slept, or toiled, or loved under the low-hung roofs or the sharp turrets. Those people out there, if they caught sight of her own face pressed close to the window pane, might be speculating about her. To them she was part of the pattern of the lumbering train with its trail of smoke and little boxlike carriages. Perhaps they envied her, riding at ease to distant Paris. How little they knew of that! How little she herself know what awaited her at the end of the journey!
Rachel Field
The holy well was before them. If it hadn't been marked as special, the place where the water came to the surface, fresh and clean and clear, would have been easily missed. But long ago, someone had built a stone border around it and added a vertical font with a woman's worn face on it. Water poured from her open mouth into the pool below. Little white moss flowers grew all around it. A few yards away was a craggy standing stone. The stone was twice as tall as Merida and covered all over with carved spirals. On the first day of spring solstice, the sun lit up a perfect trail of light along the stone as it rose; quite magical. Merida used to ride Angus to the stone when she was first learning all the wilds of DunBroch; it was so impressive that it had taken her several visits to realize that the holy well, not the stone, was the reason this path was kept clear.
Maggie Stiefvater (Bravely)
Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.
Julie Johnson (One Good Reason (Boston Love, #3))
As a bonding exercise one weekend, Musk, Ambras, a few other employees and friends took off for a bike ride through the Saratoga Gap trail in the Santa Cruz Mountains. Most of the riders had been training and were accustomed to strenuous sessions and the summer’s heat. They set up the mountains at a furious pace. After an hour, Russ Rive, Musk’s cousin, reached the top and proceeded to vomit. Right behind him were the rest of the cyclists. Then, fifteen minutes later, Musk became visible to the group. His face had turned purple, and sweat poured out of him, and he made it to the top. “I always think back to that ride. He wasn’t close to being in the condition needed for it,” Ambras said. “Anyone else would have quit or walked up their bike. As I watched him climb that final hundred feet with suffering all over his face, I thought, That’s Elon. Do or die but don’t give up.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
I have no idea where it is. I just hop a ride when you do your disappearing thing.” “You can trail our siphons?” Jude asks, interested. “You call it a siphon? Then yeah; I can trail that. I just have to be close enough when you do it.” He moves toward me. “Then hold on. We can just ask someone who might know what’s going on.” My fingers go to his body without hesitation, and Kai snaps at him not to do it just as we disappear. The wind whirs in my ears much louder than before, and we appear in the back of an alleyway. “We’re seeing your pawn shop friend, aren’t we?” I ask him. He doesn’t even bother asking me how I know that. “Yes,” is his only reply as the other three join us. Kai stalks forward. “Until we figure out what’s going on, we can’t risk our very important friends by exposing them to a possible threat.” Jude ignores him, leading the way, and Ezekiel trails me as we walk out of the alley. I move through the wall of the pawn shop, causing Ezekiel to curse. “She’s going to draw attention. It’s not late enough for this,
Kristy Cunning (Four Psychos (The Dark Side, #1))
Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon -- rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature. They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them -- and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.
Anne Morrow Lindbergh (North to the Orient)
Whence came Natohk?” rose the Shemite’s vibrant whisper. “Out of the desert on a night when the world was blind and wild with mad clouds driven in frenzied flight across the shuddering stars, and the howling of the wind was mingled with the shrieking of the spirits of the wastes. Vampires were abroad that night, witches rode naked on the wind, and werewolves howled across the wilderness. On a black camel he came, riding like the wind, and an unholy fire played about him, the cloven tracks of the camel glowed in the darkness. When Natohk dismounted before Set’s shrine by the oasis of Aphaka, the beast swept into the night and vanished. And I have talked with tribesmen who swore that it suddenly spread gigantic wings and rushed upward into the clouds, leaving a trail of fire behind it. No man has seen that camel since that night, but a black brutish man-like shape shambles to Natohk’s tent and gibbers to him in the blackness before dawn. I will tell you, Conan, Natohk is – look, I will show you an image of what I saw that day by Shushan when the wind blew aside his veil!
Robert E. Howard (The Coming of Conan the Cimmerian (Conan the Cimmerian, #1))
Truce,” she managed to say. “I can’t bear any more.” “But you will.” Reaching up to her, he drew her down and kissed her. “Please. Finish it.” “Not yet.” He trailed his hands down her back. “You’re so beautiful,” he whispered. “So sensitive. I could make love to you forever.” “Christopher--” “Let me bring you to pleasure one more time.” “No, I’m exhausted.” She took his lower lip between her teeth in a gentle nip. “Finish it now,” she said. “Not yet.” “I’ll make you.” “How?” Beatrix considered him, the arrogantly handsome features, the glitter of challenge in his eyes. Lowering herself over him, her body gently rocked by his ceaseless thrusts, she put her mouth near his ear. “I love you,” she whispered, catching his rhythm, riding it. “I love you.” Nothing more was needed. His breath stopped on a groan, and he drove into her and held, his powerful body trembling with the force of his release. Sliding his arms around her, he poured the years of anguished longing into her. And she continued to murmur to him, promising love, safety, new dreams to replace the broken ones. Promising forever.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I’ll climb right up on you, just straddle your face and smother you with my sweet stuff… bury your face in thighs and my big old butt until you just can’t breathe.”  Dan groaned again. “Oh, yeah, baby, you know what I like.” “And when I’m done riding your face and drowning you in my wetness, I’m going to slide down... way down and leave a little trail of my juice down your chest and tummy, all the way down to your knees.” Dan was beginning to breathe harder.  “Yeah, oh, yeah, baby,” he said. “Yeah.  And you know big old girls are hungry girls, so I’m going to savor that big hard monster, rub it all over my face.”  I moan and groan a bit while peeking out the livingroom window to make sure Shell is still where I can see her in the front yard.  She is.  I continue, “Dan, oh, baby, I’m rubbing it on my lips… my chin… my cheeks… over my eyes…”  He’s imagining me caressing his daylily.  In reality, though, I’m dipping my paint brush into mauve paint and spreading the almost-pink color on the walls. I can tell that Dan is feeling the heat.  “I kiss that big old head gently… now I’m licking just underneath it… where it’s so sensitive.  Do you like that, sweetheart?” I ask him provocatively. “Oh, yeah…” “Tell me how much you like it, baby.  You just tell Rosie…
Maggie Mistery (Diary of a Real-Life Phone Sex Operator--CENSORED EDITION)
They had very little grub and they usually run out of that and lived on straight beef; they had only three or four horses to the man, mostly with sore backs, because the old time saddle ate both ways, the horse's back and the cowboy's pistol pocket; they had no tents, no tarps, and damn few slickers. They never kicked, because those boys was raised under just the same conditions as there was on the trail―corn meal and bacon for grub, dirt floors in the houses, and no luxuries. They used to brag they could go any place a cow could and stand anything a horse could. It was their life. In person the cowboys were mostly medium-sized men, as a heavy man was hard on horses, quick and wiry, and as a rule very good natured; in fact it did not pay to be anything else. In character there like never was or will be again. They were intensely loyal to the outfit they were working for and would fight to the death for it. They would follow their wagon boss through hell and never complain. I have seen them ride into camp after two days and nights on herd, lay down on their saddle blankets in the rain, and sleep like dead men, then get up laughing and joking about some good time they had had in Ogallala or Dodge City. Living that kind of a life, they were bound to be wild and brave. In fact there was only two things the old-time cowpuncher was afraid of, a decent woman and being set afoot.
E.C. "Teddy Blue" Abbott
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools. Oh my god, said the sergeant.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse. “Okay, where is he?” he asks with a frown. His hair is wet, his T-shirt clinging damply to his skin. I’d either caught him in the shower or in the pool. Probably the pool, since he smells vaguely of chlorine. I hook a thumb toward the living room. “In there. Passed out on the couch.” He looks at me sharply. “You haven’t been drinking, have you?” He’s lucky I don’t slap him. “I was sitting upstairs in my room, minding my own business, when he showed up at the door. What do you think? Asshat,” I add under my breath. His brow furrows. “What was that?” “Nothing. C’mon. Get him out of there before he makes a mess.” “What about his car?” I shrug. “I’ll drive it school tomorrow and get a ride home from Lucy or something.” “I’ll drive you home,” he offers. Correction: he asserts--arrogantly, as if he’s used to giving orders. “We need to go get those tarps and sandbags anyway.” “How did you…?” I trail off as the answer dawns on me. “My dad e-mailed you, didn’t he?” “Called me, actually. We’ll go after school tomorrow. After practice,” he amends. “Yeah. Fine, whatever.” Truthfully, I wasn’t looking forward to lugging sandbags by myself. I wasn’t even sure how I was going to fit them in my little Fiat. Problem solved. Now to solve my other problem--the one lying on my couch.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde #1))
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
To summarize my trading strategy for VWAP Moving Average Trend trading: When I am monitoring a Stock in Play and notice a trend is establishing around a moving average (usually 9 EMA) in the Late-Morning session, I consider VWAP Moving Average Trend trading. If the stock has already lost the VWAP (from a VWAP False Breakout), it most likely will stay below the VWAP. Similarly, if the stock squeezed above the VWAP in the Late-Morning session, it is most likely that it will stay above the VWAP, as it means the buyers are in control. Once I learn that either 9 or 20 EMA are acting as either a support or resistance, I buy the stock after confirmation of moving averages as a support, but only if I can clearly see it “held” the VWAP. Similarly, I go short below the moving averages if I have the confirmation that it has “lost” the VWAP in the Late-Morning session. I buy or sell short as close as possible to the moving average line (in order to have a small stop). My stop will usually be 5 to 10 cents below the moving average line or, if a candlestick, close below the moving average (for long positions). For short positions, a close above the moving average would stop me out. I ride the trend until the break of 9 or 20 EMA. Usually, 20 EMA is a stronger support or resistance, so it is better to wait for that. I usually do not use trailing stops and I constantly monitor the trend with my eyes, but I know that many traders also use trailing stops. If the stock is moving really high away from the moving average, offering me an equally really nice unrealized profit, I may take some profit, usually at the 1/4 or half-position. I do not always wait until the break of moving average for my exit. Traders will say: you can never go broke by taking good profits. If the price pulls back to the moving average, I may add again to my position and continue the VWAP Moving Average Trend trade. Remember, when you take profit, you should always bring your stop loss to break-even. Never go red on a stock that you already booked some profit on.
Andrew Aziz (Day Trading for a Living)
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
Rowan coughed and spluttered on his gulp of beer. “I’ve never played with my pussy,” he said with an amused glint in his eye.” Her cheeks heated at his dirty language, but the tingles running under her skin made her aware of her reaction to being alone in the hotel room with Rowan, sitting on the big bed and playing silly games. “I’ve never touched a woman’s breasts beside my own.” “I’ve never given a blow job.” “I’ve never received a blow job,” she said, tilting the mini wine bottle to her mouth and realizing it was empty. “I’ve never played I never with a woman I love before,” he said, setting his beer can on the nightstand with a clink. “I’ve never kissed a man in a hotel room before.” She pressed forward onto her hands and knees to reach and kiss him. Their lips lingered for a long moment before she leaned back and waited for his next I never. “I’ve never removed a woman’s shirt in a hotel room.” Now it was his turn to lean forward and tug her sweater up over her head. She thought long and hard about her next words, knowing he would act on whatever she said. “I’ve never ordered a man to take off his shirt in a hotel room,” she said finally and watched happily as he removed his long sleeve navy cotton T–shirt. She’d never tire of seeing his smooth skin over hard pectorals. A narrow line of hair trailed down the center of his belly disappearing into jeans. She’d licked her way along that line yesterday and licked her lips now in anticipation of tasting him again. “I’ve never kissed a woman’s nipples in a hotel room,” he said. In a flash, her bra was flying through the air to land in a pile on the carpet in front of the window, and Rowan’s mouth was on her breasts. Sensation spiraled through her as she shuddered and her arousal built. She’d been on edge since their heated kisses in the car in the parking lot, and it didn’t take much for Rowan’s tongue to turn her into a shuddering, needy wanton. “I think this game has turned from I Never into Truth or Dare,” she said, clasping Rowan’s head to her chest. He pulled away from his decadent kisses to look her in the face. “Let’s do it. Dare me, Jill.” The look in his eye told her she might’ve taken on more than she could handle. Though she’d been an active participant in their lovemaking up to now, Rowan had taken the lead and guided her. She had the power here. The question was what to do with it. “I dare you to”—she licked her lips thoughtfully—“I dare you to get naked and lie on your back. Eyes closed,” she added. When all was as she wanted, she leaned over him and planted a kiss on his lips. Then she kissed her way down his body, stopping at all the best spots. His chin, where his unshaven beard scratched at her skin. His pectorals, one nipple, then another. His belly button. “You’re ticklish,” she observed. “Yeah.” Then she made her way lower to his erection, lying over his belly pointing at the chin. She freaking loved his body and how it reacted to her every touch. Being alone with him in the hotel room was even better. Here there were no echoes of footsteps in the hallway, no clock ticking signaling the end of their hour together, no narrow bed forcing them to get creative in their positions. They had a king–size bed and a whole night to explore. Kneeling at the side, she took him in her mouth, eliciting a moan. His musky taste filled her mouth, and she lovingly used her tongue to drive him wild. His hand found the crease of her jeans between her legs and explored her while she used her mouth on him. She parted her legs, giving him better access, and it was all she could do to concentrate on giving him pleasure when he was making her feel so good. She wanted to straddle him so bad. The temptation to stop the foreplay and ride this thing to completion was great, but she held off. “Are you ready for me?” Rowan asked. “You want my cock in you?” His eyes remained closed, and a smile lingered on his face.
Lynne Silver (Desperate Match (Coded for Love, #5))
stranger riding one of those paints and coming back over the same trail, neither of the men looking as though there’d been any trouble at all. What had transpired no one could guess, but it didn’t
Willard Wyman (Blue Heaven: A Novel)
Jake buried his face in my neck and kissed a burning trail up it and along my jaw. "Should I ride the elevator of our building up and down all night, hoping you'll show?" he asked, his voice husky. "Or should we just plan to meet?
Cindi Madsen (Cinderella Screwed Me Over)
kill, peradventure, a fox, it follows that if the hounds veer onto a real scent and make a kill, no law has been broken. The huntsman who welcomed your columnist explained that, in practice, this means that before a hunt one of his helpers films himself laying a pretend scent-trail—by dragging a rag theoretically, but not actually, soaked in fox scent, from a quad bike—to provide evidence for a possible defence in court. Then the hunt goes out and hunts as it always has, but illegally. The police—one of whose officers was riding with the hounds that wintry day—understand this, but do not much care. Animal rights activists know it, and it makes them mad, but it is so hard to collect evidence of lawbreaking, in the form of video footage showing a huntsman urging hounds on to a fox, that prosecutions are rare. Only a couple of dozen huntsmen have been convicted for contravening the ban, for which they mostly received small fines.
Anonymous
The self-balancing action of a motorcycle front end is a result of the combined effects of a number of details, including rake, trail, steering head rise and fall, mass shift, contact patch location, and tire profiles.
David L. Hough (Proficient Motorcycling: The Ultimate Guide to Riding Well)
It was funny how the mind takes weird, circuitous routes sometimes. Do you ever start thinking of something odd and try to trace back to what started your thought process and really, your mind is going all over the place? That was what was happening, so here was the trail my brain took: When Ema mentioned basketball, I tried to push the thought away, but the one thing that would help me escape the pain of getting thrown off the basketball team would be . . . well, playing basketball. That made me think of the last time I played basketball, which made me think about playing yesterday in Newark, which made me think about Tyrell Waters and what he might be doing, which made me think about his father, Detective Waters, which made me think about the ride home, which made me think about two things about Detective Waters: One, he was working on busting a drug ring in Kasselton. Two, he had known that Mr. Caldwell’s first name was Henry. How would he know that—and were those two things related?
Harlan Coben (Seconds Away (Mickey Bolitar, #2))
Ward, do you think we’ll have time to ride this afternoon? I’d love to go over some of the old trails with you,” Erica asked, smiling at him over the assortment of pastries and wedding cake in the lodge’s dining room. Ward fought the urge to growl his reply that he had an even better idea. He’d love to stuff her into Ralph Cummins’s taxi, slam the door, and instruct Ralph to hit the gas and not slow down until he reached Palo Alto, where Erica was currently living. Once the taxi was out of sight, he’d go down to the bottom of the road to Silver Creek Ranch and lock the gates. With a padlock. Instead, he shoveled in a forkful of the wedding cake Roo had baked and pretended not to hear. He’d been doing a lot of that.
Laura Moore (Once Tempted (Silver Creek, #1))
Shane, how many ways must I say it? I don't want to be introduced as your girlfriend, especially in front of your family." "I'll call you Tonto, my sidekick. You can pretend I hired you for the event to provide security." "You're the one with Native American blood, not me." "Oh, now I get it. You want to muscle in on my territory and play the Lone Ranger role. Sorry, Doc. That takes horsemanship skills of which you have none. Now, if you'd let me take you on a trail ride or two, get you up to snuff, I might consider it.
Carol Devine
Now the roads just feed into a parking system -- not a lot, not a ramp, but a system -- and lose their identity. Getting through the intersection involves tracing paths through the parking system, many braided filaments of direction like the Ho Chi Minh trail. CSV-5 has better throughput, but Cal.12 has better pavement. That is typical -- Fairlanes roads emphasize getting you there, for Type A drivers, and Cruiseways emphasize the enjoyment of the ride, for Type B drivers.
Neal Stephenson (Snow Crash)
One cannot examine the actions of the Secret Service on November 22, 1963, without concluding that the Service stood down on protecting President Kennedy. Indeed, the 120-degree turn into Dealey Plaza violates Secret Service procedures, because it required the presidential limousine to come to a virtual stop. The reduction of the president’s motorcycle escort from six police motorcycles to two and the order for those two officers to ride behind the presidential limousine also violates standard Secret Service procedure. The failure to empty and secure the tall buildings on either side of the motorcade route through Dealey Plaza likewise violates formal procedure, as does the lack of any agents dispersed through the crowd gathered in Dealey Plaza. Readers who are interested in a comprehensive analysis of the Secret Service’s multiple failures and the conspicuous violation of longstanding Secret Service policies regarding the movement and protection of the president on November 22, 1963, should read Vince Palamara’s Survivor’s Guilt: The Secret Service and the Failure to Protect. The difference in JFK Secret Service protection and its adherence to the services standard required procedures in Chicago and Miami would be starkly different from the arrangements for Dallas. Palamara established that Agent Emory Roberts worked overtime to help both orchestrate the assassination and cover up the unusual actions of the Secret Service in the aftermath. Roberts was commander of the follow-up car trailing the presidential limousine. Roberts covered up the escapades of his fellow secret servicemen at The Cellar, a club in downtown Ft. Worth, where agents, some directly responsible for the safety of President Kennedy during the motorcade, drank until dawn on November 22. He also ordered a perplexed agent Donald Lawton off the back of the presidential limousine while at Love Field, thus giving the assassins clearer, more direct shots and more time to get them off. Also, although Roberts recognized rifle fire being discharged in Dealey Plaza, he neglected to mobilize any of the agents under his watch to act. To mask the inactivity of his agents, Roberts, in sworn testimony, falsely increased the speed of the cars (from 9–11 mph to 20–25 mph) and the distance between them (from five feet to 20–25 feet).85 No analysis of the Secret Service’s actions on the day of the assassination can be complete without mentioning that Secret Service director James Rowley was a former FBI agent and close ally of FBI Director J. Edgar Hoover, as well as a crony of Lyndon Johnson. Hoover was one of Johnson’s closest associates. The FBI Director would take the unusual step of flying to Dallas for a victory celebration in 1948 when Johnson illegally stole his Senate seat through election fraud. Johnson and Hoover were neighbors in the Foxhall Road area of the District of Columbia. Hoover’s budget would virtually triple during the years LBJ dominated the appropriations process as Senate Majority Leader. Rowley was a protégé of the director and one of the few men who left the FBI on good terms with Hoover. Rowley’s first public service job in the Roosevelt administration was arranged for him by LBJ. The neglect of assigning even one Secret Service agent to secure Dealey Plaza, as well as cleaning blood and other relatable pieces of evidence from the presidential limousine immediately following the assassination, seizing Kennedy’s body from Parkland Hospital to prevent a proper, well-documented autopsy, failing to record Oswald’s interrogation—all were important pieces of the assassination deftly executed by Rowley.
Roger Stone (The Man Who Killed Kennedy: The Case Against LBJ)
Porter’s aerial palace, complete with twenty-six windows, a long exhaust pipe for steam sticking out the rear, and a giant American flag fluttering over the rudders, was designed to ride beneath an immense cigar-shaped dirigible. The engineering was lunacy, but Porter’s marketing was brilliant. He proposed dispensing entirely with the notorious jumping-off hassles along the Missouri River by launching his “aerial locomotive” from New York. The coast-to-coast trip, Porter’s calculations showed, could be made in just three days—five days if the prevailing headwinds were particularly bad that week. Porter aggressively advertised his “Air Line to California” in eastern newspapers and magazines. Amazingly, over two hundred suckers paid a subscription price of $50, which included three-course meals and wine, for the inaugural balloon hop to the gold fields. That winter, a large crowd gathered in a Long Island cornfield to watch Porter test a model of his airship. But the craft never left the ground because the steam engines were far too heavy for the balloon. The would-be Porter aeronauts, however, were the lucky ones—they never had to leave in the first place. The 125 paying passengers on the first Turner and Allen Pioneer Train were not so fortunate. The Turner and Allen expedition of 1849
Rinker Buck (The Oregon Trail: A New American Journey)
In 1857, to encourage continued settlement of the West, Congress passed the Pacific Wagon Road Act, which among other improvements to the trail called for the surveying of a shorter route to Idaho across the bottom of the Wind Rivers and the forested Bridger-Teton wilderness to the west. Frederick W. Lander, a hotheaded but experienced explorer and engineer, was assigned the job. He made Burnt Ranch the trailhead and main supply depot for the trail-building job, which became one of the largest government-financed projects of the nineteenth century. Lander hired hundreds of workers from the new Mormon settlement at Salt Lake and supplied the enterprise with large mule-team caravans that ferried provisions and equipment from U.S. Army depots in Nebraska and eastern Wyoming. “With crowds of laborers hauling wood, erecting buildings and tending stock,” writes historian Todd Guenther, “the area was a beehive of activity.” The engineers, logging crews, and workers quickly hacked out what became known as the Lander Cutoff, which saved more than sixty miles, almost a week’s travel, across the mountains. In places, the Lander Cutoff was a steep up-and-down ride, but the route offered cooler, high terrain and plentiful water, an advantage over the scorching desert of the main ruts to the south. Eventually an estimated 100,000 pioneers took this route, and the 230-mile Lander Cutoff was considered an engineering marvel of its time. This
Rinker Buck (The Oregon Trail: A New American Journey)
Well, if he wants to be king, he’ll just plain have to get used to questions and toadies and all the rest of it,” I said. Remembering the conversation at dinner and wondering if I’d made an idiot of myself, I added crossly, “I don’t have any sympathy at all. In fact, I wish he hadn’t come up here. If he needed rest from the fatigue of taking over a kingdom, why couldn’t he go to that fabulous palace in Renselaeus? Or to Shevraeth, which I’ll just bet has an equally fabulous palace?” Nee sighed. “Is that a rhetorical or a real question?” “Real. And I don’t want to ask Bran because he’s so likely to hop out with my question when we’re all together and fry me with embarrassment,” I finished bitterly. She gave a sympathetic grin. “Well, I suspect it’s to present a united front, politically speaking. You haven’t been to Court, so you don’t quite comprehend how much you and your brother have become heroes--symbols--to the kingdom. Especially you, which is why there were some murmurs and speculations when you never came to the capital.” I shook my head. “Symbol for failure, maybe. We didn’t win--Shevraeth did.” She gave me an odd look midway between surprise and curiosity. “But to return to your question, Vidanric’s tendency to keep his own counsel ought to be reassuring as far as people hopping out with embarrassing words are concerned. If I were you--and I know it’s so much easier to give advice than to follow it--I’d sit down with him, when no one else is at hand, and talk it out.” Just the thought of seeking him out for a private talk made me shudder. “I’d rather walk down the mountain in shoes full of snails.” It was Nee’s turn to shudder. “Life! I’d rather do almost anything than that--” A “Ho!” outside the door interrupted her. Bran carelessly flung the tapestry aside and sauntered in. “There y’are, Nee. Come out on the balcony with me? It’s actually nice out, and we’ve got both moons up.” He extended his hand. Nee looked over at me as she slid her hand into his. “Want to come?” I looked at those clasped hands, then away. “No, thanks,” I said airily. “I think I’ll practice my fan, then read myself to sleep. Good night.” They went out, Bran’s hand sliding round her waist. The tapestry dropped into place on Nee’s soft laugh. I got up and moved to my window, staring out at the stars. It seemed an utter mystery to me how Bran and Nimiar enjoyed looking at each other. Touching each other. Even the practical Oria, I realized--the friend who told me once that things were more interesting than people--had freely admitted to liking flirting. How does that happen? I shook my head, thinking that it would never happen to me. Did I want it to? Suddenly I was restless and the castle was too confining. Within the space of a few breaths I had gotten rid of my civilized clothing and soft shoes and had pulled my worn, patched tunic, trousers, and tough old mocs from the trunk in the corner. I slipped out of my room and down the stair without anyone seeing me, and before the moons had traveled the space of a hand across the sky, I was riding along the silver-lit trails with the wind in my hair and the distant harps of the Hill Folk singing forlornly on the mountaintops.
Sherwood Smith (Court Duel (Crown & Court, #2))
My dear Countess,” a fluting voice said at my right ear, and Lady Tamara’s soft hand slid along my arm, guiding me toward the lowest tier near the fireplace. Several people moved away, and we sank down onto the cushions there. Tamara gestured to one of the hovering foot-servants, and two glasses of wine were instantly brought. “Did I not predict that you would show us the way at the races as well?” “I won only once,” I said, fighting against embarrassment. Deric was grinning. “Beat me,” he said. “Nearly beat Renna.” “I had the best horse,” I countered. For a moment the conversation turned from me to the races the week before. It had been a sudden thing, arranged on the first really nice day we’d had, and though the course was purported to be rough, I had found it much easier than riding mountain trails. As Deric described the last obstacles of the race in which I had beaten him, I saw the shy red-haired Lord Geral listening with a kind of ardent expression in his eyes. He was another who often sought me out for dances but rarely spoke otherwise. Might my rose and ring have come from him? Tamara’s voice recalled my attention “…the way with swords as well, dear Countess?” I glanced at her, sipping at my wine as I mentally reached for the subject. “It transpires,” Tamara said with a glinting smile, “that our sharpest wits are also experts at the duel. Almost am I willing to rise at dawn, just to observe you at the cut and the thrust.” I opened my mouth to disclaim any great prowess with the sword, then realized that I’d walk right into her little verbal trap if I did so. Now, maybe I’m not any kind of a sharp wit, but I wasn’t going to hand myself over for trimming so easily. So I just smiled and sipped at my wine. Fialma’s faint, die-away voice was just audible on Tamara’s other side. “Tamara, my love, that is not dueling, but mere swordplay.” Tamara’s blue eyes rounded with perplexity. “True, true, I had forgotten.” She smiled suddenly, her fan waving slowly in query mode. “An academic question: Is it a real duel when one is favored by the opponent?” Fialma said, “Is it a real contest, say, in a race when the better rider does not ride?” She turned her thin smile to Shevraeth. “Your grace?” The Marquis bowed slightly, his hands at an oblique angle. “If a stake is won,” he said, “it is a race. If the point draws blood, it is a duel.” A murmur of appreciative laughter met this, and Fialma sighed ever so slightly. “You honor us,” she murmured, sweeping her fan gracefully in the half circle of Intimate Confidence, “with your liberality…” She seated herself at the other side of the fireplace and began a low-voiced conversation with Lady Dara, the heir to a northern duchy. Just beyond Fialma’s waving fan, Lord Flauvic’s metal-gold eyes lifted from my face to Shevraeth’s to Tamara’s, then back to me. What had I missed? Nee’s cheeks were glowing, but that could have been her proximity to the fire. Branaric spoke then, saluting Shevraeth with his wineglass. “Duel or dabble, I’d hie me to those practices, except I just can’t stomach rough work at dawn. Now, make them at noon, and I’m your man!” More laughter greeted this, and Bran turned to Flauvic. “How about you? Join me in agitating for a decent time?” Lord Flauvic also had a fan, but he had not opened it. Holding it horizontally between his fingers in the mode of the neutral observer, he said, “Not at any time, Tlanth. You will forgive me if I am forced to admit that I am much too lazy?
Sherwood Smith (Court Duel (Crown & Court, #2))